“I went to look for a studio in the city center
“And I saw a sign for a place to rent on the outside of the gym.”
Clemence’s favorite area of the apartment? Her patterned-wood gallery wall
which showcases work by friends and collaborators
“Collaboration is in my studio’s DNA,” she says
“The living room is a place for gathering,” Clemence says
has become bedside art thanks to a friend’s painterly vision
which produces everything from home furnishings to foam sunglasses in partnership with local craft workshops
“My home is really a reproduction of what’s going on in my studio,” she says
Bright color has become a hallmark of Clemence’s work
The space is a showcase for personal mementos too. A gallery wall is filled with work from fellow artists and friends with whom Clemence has collaborated
“It’s a way for me to talk about them—who they are
what they do—when people come to visit,” she says
the paper banners traditionally used as decoration at Mexican celebrations
left over from a friend’s wedding party that took place in the space before Clemence moved in
“I kept it there because I thought it was great,” she says simply
“And it keeps the memory of the event alive.”
“This chair was one of the first designs I released in Mexico,” says Clemence
“The workshop I was partnering with had an electrical shortage one day
and we couldn’t proceed with the production because the machine didn’t work
and the design of the chair ended up involving very little [manipulation] of the wood.”
A close-up of the gallery wall shows off some of Stromboli Associate’s terrazzo designs
the designer shares her favorite places to shop and find inspiration
Instagram feed to follow: @sayhito_
Dream addition to your space: A cinema room
Favorite detail in your home: The art wall featuring all the artists I’ve collaborated with
Biggest design inspirations: Fluxus, Situationist International, Superflux
Best thing about your neighborhood: The intensity
Last thing you had delivered: Mita Mita terrazzo bowls by Fabien Cappello
Bookshelves hold a hodgepodge of multicolored trinkets and treasures
The designer’s sunny rooftop terrace is home to a Stromboli Associates painted-glass table and volcanic stone chair.
A pink curtain disguises a closet next to the designer’s bed.
DOI : 10.1182/bloodadvances.2019000647
Blastic plasmacytoid dendritic cell neoplasm (BPDCN) is a rare and aggressive leukemia for which we developed a nationwide network to collect data from new cases diagnosed in France
observational study of 86 patients (2000-2013)
we described clinical and biological data focusing on morphologies and immunophenotype
We found expression of markers associated with plasmacytoid dendritic cell origin (HLA-DRhigh
and cTCL1+) plus CD4 and CD56 and frequent expression of isolated markers from the myeloid
Fifty-one percent of cytogenetic abnormalities impact chromosomes 13
Myelemia was associated with an adverse prognosis
We categorized chemotherapeutic regimens into 5 groups: acute myeloid leukemia (AML)–like
high-dose methotrexate with asparaginase (Aspa-MTX) chemotherapies
and not otherwise specified (NOS) treatments
Thirty patients received allogeneic hematopoietic cell transplantation (allo-HCT)
and 4 patients received autologous hematopoietic cell transplantation
There was no difference in survival between patients receiving AML-like
or Aspa-MTX regimens; survival was longer in patients who received AML-like
or Aspa-MTX regimens than in those who received CHOP-like regimens or NOS
Eleven patients are in persistent complete remission after allo-HCT with a median survival of 49 months vs 8 for other patients
Our series confirms a high response rate with a lower toxicity profile with the Aspa-MTX regimen
offering the best chance of access to hematopoietic cell transplantation and a possible cure
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dutch designer dirk vander kooij presented his ‘endless’ chair at DMY berlin 2011, where it won the DMY award alongside yi-cong lu’s ‘living tools’ series and clemence seilles ‘monumenta’
the award acknowledges design accomplishments and concepts in cooperation with the bauhaus archiv / museum für gestaltung
the robot used to draw out the chairs and dirk showing the recycled refrigerator bits used for production images © designboom
dirk’s ‘endless’ chair first started out as his graduation project from the design academy eindhoven
‘endless’ sees the production of furniture via a giant robot
small bits of recycled refrigerators are poured into the top of the robot arm and melted
this liquid material is then extruded from a moving arm which draws the plastic material into an endless line which is layered to form a chair or table
this method of production allows one to emphasize gradients of colors and the structure of the furniture piece
and is complete in approximately three hours
see designboom’s previous article on dirk’s ‘endless’ chair in its earlier stages of conception
pile of recycled refrigerator bits which are melted and extruded into an endless line to form dirk’s furniture objects image © designboom
‘endless’ will be in a special exhibition at the bauhaus archiv / museum für gestaltung from september 14th to october 10th
‘endless’ chair with blue gradient image © designboom
detail of the endless line of plastic that forms the chair image © designboom
dirk vander kooij image © designboom
view of the robot drawing the endless line of plastic into layers to build-up the chair form image © designboom
the finished product image © designboom
installation view of the ‘endless’ project at DMY berlin 2011 image © designboom
‘dirk vander kooij endless’ video by esgo klein
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style