On April 10, Baiao Chemical (603360. SH) issued a number of announcements on its own semiconductor layout. According to the announcement, the board of directors of Baiao Chemical appointed Liu Hongjun as the company's co-general manager and nominated non-independent directors to be responsible for managing the company's semiconductor business segment. In addition, Baiao Chemical also disclosed the construction of a semiconductor equipment production base in Wuxi Xidong New Town Business District, the capital increase of its holding company and the layout of the Pearl River Delta. In 2024, Baiao Chemical entered the semiconductor equipment industry through the acquisition of Xinhuilian. At present, Baiao Chemical is accelerating the layout of this new business area. "Veteran" Liu Hongjun is proposed to be the co-general manager It is worth noting that Baiao Chemical simultaneously issued an announcement on the revision of the Articles of Association and its annexes, clarifying that the joint general manager and the general manager have the same rights and obligations. Judging from Liu Hongjun's resume, he is a veteran in the semiconductor equipment industry, successively serving as the director of Dongdian Optoelectronics Semiconductor Equipment (Kunshan) Co., Ltd., the general manager of Beijing Yisheng Precision Semiconductor Co., Ltd., and the current chairman of Xinhuilianxin (Suzhou) Technology Co., Ltd. (hereinafter referred to as "Xinhuilianxin"). It is understood that Liu Hongjun's Xinhuilian Xin mainly focuses on the field of wafer bonding equipment. Baiao Chemical told the Economic Observer that bonding equipment is the core link of chip manufacturing, and this market was previously monopolized by international giants. In November 2024, Xinwitlink shipped 2 new hybrid bonding equipment, which refreshed the accuracy level of this series of equipment in China. According to public information, Baiao Chemical has a stake in Xinhuilianxin. Started the construction of semiconductor equipment base In addition to announcing the above-mentioned important personnel arrangements, Baiao Chemical also disclosed the construction of the semiconductor equipment base. According to the announcement, Xinhuilian intends to agree that the Wuxi Xidong New Town Business District Management Committee will provide about 100,000 square meters of industrial carriers for Xinhuilian to use first, and Xinhuilian will invest in the construction of R&D and production bases in the carrier and build a FAB test line for semiconductor production line equipment verification and process research and development. It is understood that the production base project invested and built by Baiao Chemical in Wuxi will include the new semiconductor equipment production line of Xinhuilian and Xinhuilian, with a designed annual shipping capacity of about 150 units each, with a total annual output value of more than 10 billion yuan. This project will enable Xinhuilian and Xinhuilian to have large-scale production capacity of advanced semiconductor equipment. As of the first half of 2024, the lithography machine business revenue of Xinhuilian has reached 176 million yuan, with a gross profit margin of 89.01%, and the research and development of the company's gluing and developing equipment has entered the prototype trial production and verification stage, but the business has not generated revenue due to the lack of relevant production capacity. The construction of this production base may solve the dilemma of limited production capacity. Look out for your first newsletter in your inbox soon We help you navigate a myriad of possibilities Sign up for our newsletter for the best of the city By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Lisboa The market’s food hall is once again the meeting point for fans of the Brazilian musical genre forró in Lisbon. Espaço Baião invites everyone who likes to dance forró to join the party – whether or not they know how to dance. For those who don’t know, just before the dance begins, the basic steps are taught. instagramfacebooktwitteryoutubeAbout us Time Out Market Lisboa Time Out Lisbon Connecting decision makers to a dynamic network of information, people and ideas, Bloomberg quickly and accurately delivers business and financial information, news and insight around the world Residents leave the village of Almofrela by car during a wildfire in Baiao 2024 at 4:16 AM EDTUpdated on September 17 2024 at 4:02 PM EDTBookmarkSaveFirefighters continue to battle blazes in the region of Aveiro and other areas of northern Portugal after temperatures increased in the last three days More than 4,000 firefighters as well as aircraft were facing active wildfires as of 8 p.m. in Lisbon, according to the website of Portugal’s civil protection authority. Four firefighters have died since Sunday. Text description provided by the architects. The land of the new Municipal Library of Baião faces to the south with Av. April 25 and offers views of the landscape to the north. There, was a small building, stripped of its original function, which had two floors: one facing the avenue and the other about 2.50m below it. © Alexander BogorodskiyThe pre-existing building was a primary school of utter importance for the city. Having been built around 1940 during the Estado Novo period, it was the intention of the municipality to preserve the memory of this small piece of equipment where so many generations have studied. © Alexander BogorodskiyThe intervention proposal went through with the premise of rehabilitating and integrating the existing building and adding to it a new volume with three floors. Plan - Ground floorThis solution allowed having wide glass windows facing North, taking advantage of the natural light that would this way enter generously, allowing ideal reading conditions. It seemed to make sense that the main entrance of the library should be made through the old entrance of the primary school, almost as a way of honoring the past generations, in some way bringing the past to the present and projecting it into the future. The new generations would follow the previous generations and would also come here to acquire knowledge. © Alexander BogorodskiyThe main entrance gives access to the lobby of the Library. where visitors and users can watch the horizon and the silhouette of the mountains leading us on a journey into the imagination of the book "The City and the Mountains" of Eça de Queiroz written precisely about this untamed landscape Going down to the lower floor we can find a warehouse to store documents which articulates with the inside to enable various educational activities The project tried to merge the two bodies in order to form a single entity and this is achieved through some formal and functional commitment and through the use of the same materials inside and outside of the two volumes seek the possible dialogue through volumetry You'll now receive updates based on what you follow Personalize your stream and start following your favorite authors If you have done all of this and still can't find the email Canadian mining company Aura Minerals has celebrated high profits in recent years which will be directly affected by the company’s new gold mining project had their right to prior consultation ignored Aura Minerals’s value increased by almost 700% between 2019 and 2022 on the Toronto Stock Exchange — the best performance among 3,500 companies The reason for such extraordinary performance is simple: The company pays investors extremely well Residents of Baião — located a little more than 3 miles away from the mining site — in turn were not heard in the decision to resume the project that used to belong to mining company Vale The open-pit mine is located near the community and will affect them directly the only river to cross the Quilombola territory in the event of an accident with the dam used by the company the Baião community would be instantly engulfed and would disappear completely “The company claims that they are not in our territory but do they have an escape route to save the territory if the dam collapses The other communities will be affected in terms of water but Baião risks disappearing,” Maryellen Crisóstomo said to the Mining Observatory Crisóstomo is one of the leaders of quilombo Baião and serves as head of communication for the National Coordination of Rural Black Quilombola Communities (CONAQ) The Tocantins State Public Defender’s Office (DPE/TO) paid a technical visit to Baião in December 2022 to confirm the mining company’s lack of dialogue with locals Despite being so close to the site, the Quilombola were not consulted about the impacts of mining in the region Indigenous and traditional peoples’ right to free prior and informed consultation is provided for by Convention 169 of the International Labor Organization that right has been guaranteed by law since 2004 That means that the Brazilian state must consult Native and traditional peoples about enterprises and infrastructure works with potential to cause impacts on territories cultural practices and social dynamics of the communities affected by the activities The consultation must be transparent so communities understand the potential impacts on their lives doubts and decisions of communities consulted the Quilombola from Baião finished a protocol in which they detailed how the consultation should be conducted To avoid having their doubts and concerns ignored residents of Baião appealed to the Federal Prosecution Service in Tocantins (MPF/TO) in September 2021 the Quilombola reported the arbitrary way in which Aura Minerals approached the community in July of that year coercing them to answer questionnaires with personal information claiming that the questionnaire was “just like IBGE’s” [The Brazilian Institute of Geography and Statistics The community refused to fill out any forms and turned to the Prosecution Service which questioned Brazil’s National Mining Agency the Palmares Cultural Foundation and the National Institute for Colonization and Agrarian Reform (INCRA) A 10-day deadline for feedback was set in August 2022 but the agencies had not responded by February 2023 the Prosecution Service claimed that it was looking into the facts and it needed concrete data in order to make any decision “If the impact on the Quilombola community is proved appropriate lawsuits will be filed,” says a representative In search of alternatives, the community resorted to the DPE/TO, which mediated a meeting on Jan 11 with representatives of the Quilombola communities of Baião and Poço Dantas Dianópolis and São Joaquim from Porto Alegre the meeting included the State Coordination of Quilombola Communities of Tocantins the Department of Environment and Tourism of Almas the Rural Development Institute of Tocantins and Aura Almas Mineração the Brazilian subsidiary of the Canadian mining company the meeting was not attended by technical staff from the mining company who could start a dialogue and speak honestly about the potential impacts on communities and the risks posed by the dams The company’s representatives only advertised the project’s alleged economic benefits “I’m particularly scared by their failure to mention the critical part The residents were presented with a slide show on the advantages of mining in the region — contrary to what they had expected which was the beginning of a transparent dialogue about the potential impacts on their communities “The big question is: What is the real threat to our territory?” Crisóstomo said The cornerstone of the venture was laid in December 2021 The Tocantins Court of Justice suspended the injunction granted in May 2021, which allowed the operation of the mining company after the Tocantins state government claimed, through the state attorney’s office, that it posed environmental risks to the region then acting Governor Wanderlei Barbosa granted Aura an environmental license to operate When asked by the Mining Observatory to comment on the exact content of the “agreement,” the government of Tocantins did not respond the State Court of Justice declared that 21 articles of the law on environmental licensing sanctioned in July 2021 during former Governor Mauro Carlesse’s administration which does not respond to the specific questions about the case Regarding their lack of consultation with the Quilombola and the fact that they ignored the presence of nearby communities in addition to safety and emergency protocols and the risks posed by the tailings dam the company said it “promotes responsible and sustainable growth in its businesses and adopts the best safety and ESG practices” and that “it respects the culture and well-being of the communities where it operates integrating best practices and environmental projects into its businesses and activities.” but the company chose to maintain its position The mining company’s lobby is strong in the municipality It promises a long-term enterprise with creation of jobs and an initial investment of 375 million reais ($71 million) “The proposals fascinate the local population,” said Crisóstomo The open-pit gold mine has an estimated useful life of 17 years and average production of 50,000 ounces a year  each ounce being equivalent to just over 28 grams the construction work will create 400 direct jobs and around 1,200 indirect ones Tax revenues for the municipality of Almas are estimated at 80.3 million reais ($15 million) under the systems known as Financial Compensation for the Exploitation of Mineral Resources (CFEM) and Service Tax (ISS) The state treasury should receive 30.3 million reais ($5.7 million) from CFEM and royalties In Brazil, in addition to Almas, Aura Minerals has copper and gold mining projects in the states of Rio Grande do Norte and Mato Grosso, and it also operates in Colombia, Mexico and Honduras. In an interview with newspaper O Estado de S.Paulo in September 2021 despite the political turmoil and threats to democracy already underway at the time and which have worsened since then as a result of the Jan “gold is immune to any crisis in Brazil” and Aura would be an “option” for investors when “everything goes wrong” because its operations are based on the U.S dollar and 80% of its revenues are in gold The Baião quilombo is certified by the Palmares Foundation and has been waiting since 2010 to be recognized as Quilombola territory by INCRA the “slow implementation of that policy gives rise to this type of violence and conflict in the territory It’s not just about mining; it’s also about deforestation and silted rivers,” she argued The Quilombola from Baião have documents proving their presence in the area since 1919 Contacted by the Mining Observatory to comment on the delay in the process and no deadline can be established for the procedures.” the duration of each process depends on the level of complexity and includes factors such as the degree of difficulty in accessing cartographic historical and anthropological information necessary to prepare the Technical Identification and Delimitation Report (RTID) The factors listed by INCRA to explain why it takes so long to provide a quilombo with a land title include the number of properties in the territory problems notifying all holders of real estate in the territories during the stages when the RTID can be challenged and notifications will be issued for inspection and evaluation of their properties total number of challenges as well as administrative and court appeals filed during the course of each process time for legal proceedings to expropriate rural properties and other variables aspiring presidential candidate Jair Bolsonaro declared that he would not allow demarcation of any Indigenous or Quilombola territory during his term in office The promise was fulfilled with several budget cuts and the dismantling of agencies in charge of policies for Native and traditional communities In April 2022, INCRA had more than 1,800 open processes to regularize Quilombola territories the agency approved a rule that made it even more difficult to recognize Quilombola communities and The rule established that only communities with RTID would enjoy their territorial rights Under that rule, the research and studies necessary for a Quilombola territory to be recognized will only be carried out if funds are available. It also disregards the Quilombola’s right to consultation Living in the middle of the Agricultural Development Plan of Matopiba (an area comprising the Cerrado border of the states of Maranhão the Quilombola from Baião are directly impacted by the advance of agribusiness and suffer from land-grabbing families that could not afford digging artesian wells depend exclusively on the municipality’s water trucks the Quilombola say they fear they will have to leave the territory they have occupied for more than 90 years with so many environmental destruction fronts around them It is by remaining in the territory that they guarantee that traditional farming practices religion and ways of life keep persisting to this day which is located in southeastern Tocantins — a region affected by water shortages — has been historically marked by slavery and the gold rush technical director of civil society organization Alternatives for Small-Scale Agriculture in Tocantins pointed out several factors making water scarce in the region “There is the impact of agribusiness in the Matopiba region causing lack of water and the depletion of the Urucuia aquifer which is lowering the water discharge that supplies the entire southeastern region of Tocantins,” he said Scientists confirm the views expressed by Gonçalves, aka Paulão. The advance of agribusiness based on large-scale irrigation may be one of the main drivers of the depletion of the Urucuia aquifer, an immense reservoir that lies below the plateaus and rivers impacted by large farms The Quilombola issue is also historical in the region and is directly connected to mining The African diasporic population was trafficked to southeastern Tocantins to be exploited in the gold cycle of the 1700s “Southeastern Tocantins is a large Quilombola territory of Black populations that don’t have any land title,” Gonçalves explained “There is no conclusive action by INCRA to regularize the areas and the state government refuses to regulate the Quilombola territories,” he said “It is a large Black population — almost an Africa in Tocantins — and none of these communities can enjoy their territorial rights,” Gonçalves concluded Banner image: Aura Minerals’s mine in Almas Article originally published in Portuguese on Observatório da Mineração/The Mining Observatory The “fortress conservation” model is under pressure in East Africa as protected areas become battlegrounds over history and global efforts to halt biodiversity loss Mongabay’s Special Issue goes beyond the region’s world-renowned safaris to examine how rural communities and governments are reckoning with conservation’s colonial origins and trying to forge a path forward […] and the off-beat pounding of the zabumba drum make forro a favorite for all Brazilians The infectious tunes and syncopated beats have been described as "a mixture of ska with polka in overdrive." This edition of Afropop Worldwide's Hip Deep will profile forro creator Luiz Gonzaga--from the wanderlust that led him from his rural birthplace in northeastern Brazil to a pumping career in the capital recorded on location in the forro capital of Recife Afropop Worldwide can be heard Sundays at 9:00 pm on KRCB-FM Radio 91 / streaming @ norcalpublicmedia.org / Download the FREE KRCB App @ iTunes & Google Play Get the latest updates on programs and events Read today's Portuguese stories delivered to your email More than 5,000 firefighters and 21 air assets are involved this morning in the firefighting and rescue operations that have caused four deaths and 40 injuries since Sunday forcing the displacement of a hundred people as a precaution According to the National Emergency and Civil Protection Authority (ANEPC) at 9:00 am there were 23 active rural fires with the highest incidence and causing the greatest concern in the Porto Metropolitan Area and the Aveiro region commander José Miranda said that at that time air assets had already been mobilised to help fight the flames explaining that the most significant fires are those in Oliveira de Azeméis The official added that the authorities were forced to evacuate around a hundred people as a precaution and that among the 40 injured were 23 civil protection agents and 17 civilians the municipal civil protection services of the municipalities of Baião Albergaria-a-Velha and Sever do Vouga are still assessing the damage The data available on the ANEPC website indicate that around 1,600 land vehicles and 21 air vehicles The Civil Protection estimated early Monday evening that at least 10,000 hectares had burned in the Porto Metropolitan Area and the Aveiro region the GNR reported that several roads had been closed or restricted in the districts of Aveiro The Government has extended the alert situation due to the risk of fires until Thursday and announced the creation of a multidisciplinary team to deal with the consequences of the fires of recent days based in Aveiro and coordinated by the Deputy Minister and Minister for Territorial Cohesion We appreciate that not everyone can afford to pay for our services but if you are able to we ask you to support The Portugal News by making a contribution – no matter how small You can change how much you give or cancel your contributions at any time Send us your comments or opinion on this article Reaching over 400,000 people a week with news about Portugal This website is using a security service to protect itself from online attacks The action you just performed triggered the security solution There are several actions that could trigger this block including submitting a certain word or phrase You can email the site owner to let them know you were blocked Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page By Bobby Reed  |   Published September 2019 Veteran guitarist Ricardo Peixoto is poised to broaden his fan base with the elegant on which the Rio de Janeiro native (and current Bay Area resident) excels in solo Peixoto’s discography includes work with the bands Terra Sul and the Berkeley Choro Ensemble, as well as Inverse Universe, a duo project with Brazilian vocalist Claudia Villela On Scary Beautiful he plays acoustic and electric seven-string guitars and works with a set of top-shelf collaborators Harvey Wainapel (clarinet and bass clarinet) who overdubs eight vocal tracks on the brief dreamscape “Nereids,” the only song here that isn’t an instrumental Nodding to Brazilian musical traditions, Peixoto offers a couple of songs in the baião style: “Santos E Demônios” opens with an ominous mood perhaps fitting for the demons in the song’s title and later is leavened by a flute solo from Bob Afifi On the lively “Baião De Três,” Peixoto changes the traditional baião rhythm from 2/4 to 3/4 time “Noturna” is a lovely solo guitar number, while “Simpática,” a guitar and piano duet with Silva, is based on the choro rhythm (which some jazz fans have heard clarinetist Anat Cohen navigate in her exploration of Brazilian styles) The samba “Morro Da Paixão” is a memorable hip shaker featuring horn arrangements by Luiz Brasil while “Velha Amizade” is somewhat reminiscent of the gentle ocean waves lapping the shore that one experiences in classic Jobim tunes Peixoto has absorbed the musical traditions of his homeland and utilized them to create original compositions that acknowledge the past while moving toward the future About|Terms of Use|PrivacyCopyright © 2025 Maher Publications. All rights reserved. DownBeat is an internationally registered trademark of Maher Publications. Volume 4 - 2022 | https://doi.org/10.3389/frwa.2022.942068 This article is part of the Research TopicInsights in Water and Hydrocomplexity: 2021View all 6 articles Extreme Drought in the Brazilian Pantanal in 2019–2020: Characterization A Corrigendum on Extreme Drought in the Brazilian Pantanal in 2019–2020: Characterization, Causes, and Impacts by Marengo, J. A., Cunha, A. P., Cuartas, L. A., Deusdará Leal, K. R., Broedel, E., Seluchi, M. E., Michelin, C. M., De Praga Baião, C. F., Chuchón Angulo, E., Almeida, E. K., Kazmierczak, M. L., Mateus, N. P. A., Silva, R. C., and Bender, F. (2021). Front. Water 3:639204. doi: 10.3389/frwa.2021.639204 An author name was incorrectly spelled as Eleazar Chuchón Ângulo The correct spelling is Eleazar Chuchón Angulo A correction has been made to the author list The authors apologize for this error and state that this does not change the scientific conclusions of the article in any way All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher Silva RC and Bender F (2022) Corrigendum: Extreme Drought in the Brazilian Pantanal in 2019–2020: Characterization Received: 12 May 2022; Accepted: 18 May 2022; Published: 14 June 2022 Copyright © 2022 Marengo, Cunha, Cuartas, Deusdará Leal, Broedel, Seluchi, Michelin, De Praga Baião, Chuchón Angulo, Almeida, Kazmierczak, Mateus, Silva and Bender. 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evolved to become a platform for long-form journalism and storytelling Radiolab is hosted by Lulu Miller and Latif Nasser Joquinha Gonzaga plays accordion at New York’s Lincoln Center during a 1999 tribute to his uncle was the first figure to popularize the Northeastern Brazilian folk music called forro a fast and lively music driven by accordion This genre of Brazilian country dance music has not only influenced samba and bossa but has swept Brazil and New York City in the past few years I bet most of you picked bossa nova and samba They are after all the most known genres to come out of Brazil in the last 50-plus years What about forro? This genre of Brazilian music has not only influenced samba and bossa, but has swept Brazil and New York City in the past few years. Sadly there isn’t much of a presence here in Chicago, although the band Swing Brasileiro is a good example. They played a set for us on Eight Forty-Eight in June the letter "R" sounds more like an "H." Hence forro's pronunciation: FOH-hoe One theory behind the origins of the word forro is that it’s a mispronunciation of the phrase "for all." According to lore British landowners would throw dance parties "for all" who could come The music’s origins have more to do with cowboys and farmers than bastardized English Forro is the sound of the fertile farmland and desert of the northeast of Brazil known as sertao Forro’s syncopated rhythm is called the baiao and it has roots in African circle dances; it also incorporates polka and schottisches The main instrument is a drum called the zabumba — a bass drum that’s played with a mallet on one hand and a stick in the other The godfather of modern forro is Luiz Gonzaga (1912-1978) He’s credited with mixing the rural sound with a more urban feel and bringing instruments such as the accordion and triangle to the mix are now considered the classic forro line-up Gonzaga’s tune "Asa Branca" is perhaps the most popular and beloved forro song People from the Northeast would migrate to the favelas (slums) during the dry season and would often sing with nostalgia of returning to the land when the rains came The protagonist in "Asa Branca" sings of having to leave the land and his lover because there’s no rain and he can’t make a living. Yes it’s a sad song; but he does promise to return.  you can watch the great Luiz Gonzaga wears the traditional sertao cowboy outfit doing some fancy forro dance moves it’s good ol’ fashioned Brazilian country music for dancing Duo Choropo – Filippo Gambetta and Alessandro Scotto d’Aniello – Choropo (Visage Music s.a.s The album Choropo is a stimulating collaboration between Genoese musicians Filippo Gambetta (accordion and Brazilian mandolin) and Alessandro Scotto d’Aniello (seven-string Brazilian guitar). Together, they intertwine Brazilian choro, Venezuelan joropo and European folk traditions with original compositions Choropo is a dialog between instruments and cultures Gambetta and Scotto d’Aniello’s duo is augmented by guest musicians contributing percussion The album title itself brings together two beloved genres: Brazilian choro a music style born in Rio de Janeiro in the early 20th century with roots in jazz and Afro-Brazilian rhythms a lively traditional dance music in triple time the duo reinterprets “Pagão” by Pixinguinha a foundational figure in choro; as well as ‘Sorriso de Cristal” by Luiz Americano “Louco por Música” by Portinho adds a jazz-infused twist while Gambetta’s original piece “Andorinhões” celebrates springtime in Genoa You can hear European folk influences on tracks like “Nany,” a homage to valse musette by Joseph Colombo; and “Lo Scapolo,” an Italian traditional waltz by accordion innovator Wolmer Beltrami The graceful slow mazurka Upupa evokes a dreamlike atmosphere with glockenspiel notes adding an ethereal touch You’ll find Venezuelan rhythms on a medley of Venezuelan merengue (Nicolasito and El Porfiao) and joropo pieces (Pa’ oriente compay and El Avispero / El Mercado Oriental) present intricate rhythms and dynamic compositions we have original compositions such as “Baião Mediterrão” by Scotto d’Aniello inspired by northeastern Brazilian traditions and “Tarantatré,” an energetic tarantella symbolizing the album’s culmination Musicians: Filippo Gambetta: accordion, bandolim, triangle, cajon, brushes, shaker, udu; Alessandro Scotto D’Aniello: seven-string classical guitar Guest Musicians: Saulo Giovannini: pandeiro Pagão); Fabio Vernizzi: electric piano (Louco por Música); Giulio Gianì: soprano sax (Sorriso de Cristal); Marco Moro: flute (Baião Mediterrão); Thomas J Milner: tambourine (Tarantatré); Rebecca Roger Cruz: maracas (Pa’ Oriente Compay); and Marco Spiccio: glockenspiel (Upupa) Spring 2024Mixing and Mastering: Alessandro MazzitelliArtwork: Fabio RuwettCover painting by: Marinella Saccuta Please enter an answer in digits:three × three = Researchers Develop Transgene-free Edited Banana READ MORE Field Trials of Bt Cowpea Reveal Effective Resistance to Pest in Ghana READ MORE USDA-APHIS Designates Cibus' Disease Resistance Traits for Gene-Edited Canola as Not Regulated READ MORE Transgenic Cowpea Confers Insect Resistance and Herbicide Tolerance READ MORE Read Latest Issue (April 30, 2025) Read Latest Issue (February 22, 2023) Visit Science SpeaKs blog Visit GM APPROVAL DATABASE DONATE Parkinson’s Disease and Aging-related Movement Disorders Volume 14 - 2022 | https://doi.org/10.3389/fnagi.2022.1029637 Periodontitis is a chronic inflammatory disease inextricably linked to both the innate and acquired immune systems of the body Parkinson’s disease (PD) is a neurodegenerative disease caused by immune system dysfunction Although recent studies suggest that a clinical relationship exists between PD and periodontitis the pathogenesis of this relationship is unclear we obtained datasets of periodontitis and PD from the Gene Expression Omnibus (GEO) database and extracted 785 differentially expressed genes (DEGs) including 15 common upregulated genes and four common downregulated genes We performed enrichment analyses of these DEGs using Gene Ontology (GO) and Kyoto Encyclopedia of Genes and Genomes analyses We found that the genes were mainly enriched in keratinocyte differentiation and structural constituents of epidermis terms and pathways such as immune response and synaptic pathways we screened matching hub genes by constructing a protein–protein interaction (PPI) network map and a Molecular Complex Detection (MCODE) map using the Cytoscape software The hub genes were then subjected to GO enrichment analysis which revealed that the dopamine biosynthetic process dopaminergic synapse and dopamine-binding terms and dopaminergic synapse and serotonergic synapse pathways were primarily where they were expressed we selected four of these genes for validation in the periodontitis and PD datasets and we confirmed that these hub genes were highly sensitive and specific for diagnosing and monitoring PD and periodontitis the above experimental results indicate that periodontitis is a high-risk factor for PD and the association between these two conditions is mainly manifested in immune and dopamine-related pathways may serve as potential biomarkers for diagnosing or detecting PD The potential biomarkers of periodontitis-related PD and their underlying molecular mechanisms still remain poorly understood we attempted to use the GEO expression profile to identify novel biomarkers for diagnosis and therapy We downloaded the gene expression array data, GSE23586 and GSE7621, from the Gene Expression Omnibus (GEO).1 TheGSE23586 dataset contains data obtained from the gingival tissues from three healthy subjects and three patients affected by periodontitis the GSE7621 dataset contains data obtained from nine substantia nigra tissues from postmortem brain specimens of normal patients and 16 substantia nigra tissues from postmortem brain specimens of patients with PD heat maps and volcano plots were made produced using the R package These intersecting (common) genes were used in the subsequent analyses Gene Ontology (GO) terms (for biological processes and KEGG functional enrichment were performed on the intersecting DEGs using the R package Analysis of densely connected regions was performed using the Cytoscape plug-in molecular complex detection (MCODE) and the top 15 genes with the greatest relevance were screened GO and KEGG analyses were performed using the R package statistical analyses of all data were performed using the R software (version 3.6.3) Statistical significance was set at p < 0.05 Using the Statistical Packages for the Social Sciences software (SPSS 22.0; SPSS we constructed receiver operating characteristic (ROC) curves and calculated the areas under the curve (AUC) of the hub gene We compared AUC as an indicator of the models These results demonstrated the diagnostic efficiency of these genes Screening of DEGs in GSE23586 and GSE7621 datasets (A) Heatmap of DEGs between the normal sample and periodontitis sample in GSE23586 dataset (B) Heatmap of DEGs between the normal sample and Parkinson’s disease sample in GSE7621 dataset and blue rectangles represent low expression (C) Volcano plot of DEGs between the normal sample and periodontitis sample in GSE23586 dataset (D) Volcano plot of DEGs between the normal sample and Parkinson’s disease sample in GSE7621 dataset the black plots represent nonsignificant genes and the blue plots represent downregulated genes (E) Venn diagram of common DEGs from GSE23586 (|logFC| >2 and p < 0.05) and GSE7621 (|logFC| >1 and p < 0.05) dataset Venn diagrams of the DEGs in the GSE23586 and GSE7621 datasets are presented in Figure 2E. As seen, there were 15 common UP genes and four common DOWN genes. Details of these common genes are presented in Table 1 In the present study, 39 GO terms were identified, including 23 biological process (BP) terms, 4 cellular component (CC) terms, and 12 molecular function (MF) terms (adjusted p-value, P. adj. <0.1 & q-value <0.2). The top enriched functional category terms were are shown in Figure 3A and are presented in Table 2 The enriched GO terms included cornification and epidermis development in the BP category; cornified envelope and parallel fiber to Purkinje cell synapse in the CC category; and structural constituent of the epidermis and endopeptidase regulator activity in the MF category GO and KEGG analysis of DEGs in GSE23586 and GSE7621 datasets (A) GO function enrichment analysis of DEGs in GSE23586 and GSE7621 dataset (B) Enrichment analysis of the KEGG signaling pathway of DEGs in GSE23586 and GSE7621 dataset Furthermore, seven enriched KEGG terms with P. adj. < 0.1 & q-value <0.2 were identified. The most enriched functional pathway terms are shown in Figure 3B and presented in Table 3 To investigate the association of the DEGs, PPI networks with an interaction score > 0.7 were analyzed in the STRING online database (Figure 4). We used the nodes to represent genes and the edges to represent connections between genes. Cytoscape was used to present the key PPI network modules. As shown in Figures 5AD four key modules were identified: late cornified envelope 2B (LCE2B) loricrin cornified envelope precursor protein (LOR) solute carrier family 18 member A2 (SLC18A2) arachidonate 12-lipoxygenase 12R type (ALOX12B) ATP-binding cassette subfamily A member 12 (ABCA12) cytochrome P450 family 4 subfamily F member 22 (CYP4F22) immunoglobulin lambda-like polypeptide 5 (IGLL5) These were the central nodes in the protein interaction network PPI network of DEGs in GSE23586 and GSE7621 dataset The key PPI network modules in GSE23586 and GSE7621 dataset (A–D) Four key PPI network modules were performed by Cytoscape Functional enrichment analysis and ROC curve of hub genes (A) Top 15 nodes of PPI networks of DEGs in GSE23586 and GSE7621 dataset Diagnostic value of 4 hub genes with ROC curves in GSE23586 dataset (C) and in GSE23586 dataset (D) Furthermore, these 15 hub genes were significantly enriched in three KEGG signaling pathways: amphetamine addiction, dopaminergic synapses, and serotonergic synapses (Figure 6B; Table 5) The study aimed to investigate the association between neurodegenerative disorders and periodontitis the development of predictive biomarkers is a key area of PD research The hub genes screened in this study might become potential diagnostic or therapeutic biomarkers of PD in future These findings are consistent with the diagnostic value we assessed and SLC6A3 were the hub genes obtained in our study indicating that our results are verifiable and credible using a series of bioinformatics tools for gene expression profiling we established PPI network between PD and periodontitis we enriched signaling pathways in the molecular modulation network through bioinformatics analysis Our findings suggest a close relationship between chronic periodontitis and PD Our results provide prospective targets for the future diagnosis and treatment of PD patients with chronic periodontitis subsequent in vitro and in vivo studies should be performed to validate our findings Our results may guide future research on the molecular mechanisms underlying the relationship between PD and periodontitis and may provide new potential targets for diagnosis and therapy The datasets presented in this study can be found in online repositories The names of the repository/repositories and accession number (s) can be found in the article/Supplementary material XW and MH were responsible for the interpretation of the results LY and BW processed the data processing and performed the statistical analysis XW and NS wrote and revised the manuscript All authors contributed to the article and approved the submitted version This research was supported by Department of Science and Technology of Jilin Province (grant nos The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest 1. ^http://www.ncbi.nlm.nih.gov/geo 2. ^http://bioinformatics.psb.ugent.be/webtools/Venn/ 3. ^http://string-db.org/ geoCancerPrognosticDatasetsRetriever: a bioinformatics tool to easily identify cancer prognostic datasets on gene expression omnibus (GEO) CrossRef Full Text | Google Scholar Is there any association between neurodegenerative diseases and periodontitis NCBI GEO: archive for functional genomics data sets--update Microbiota-host immunity communication in neurodegenerative disorders: bioengineering challenges for in vitro modeling Relationship between blood and standard biochemistry levels with periodontitis in Parkinson's disease patients: data from the NHANES 2011-2012 Causal association between periodontitis and Parkinson's disease: a bidirectional Mendelian randomization study CrossRef Full Text | Google Scholar Network protein interaction in Parkinson's disease and periodontitis interplay: a preliminary Bioinformatic analysis CrossRef Full Text | Google Scholar Periodontal inflammatory disease is associated 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with neurodegeneration in LRRK2 R1441G mice Detecting pathogenic variants in autoimmune diseases using high-throughput sequencing PubMed Abstract | CrossRef Full Text | Google Scholar Dopamine transporter SLC6A3 genotype affects cortico-striatal activity of set-shifts in Parkinson's disease Tau binding protein CAPON induces tau aggregation and neurodegeneration An acetylation switch of the NLRP3 inflammasome regulates aging-associated chronic inflammation and insulin resistance Association between chronic periodontitis and the risk of Alzheimer's disease: combination of text mining and GEO dataset Localizing parkinsonism based on focal brain lesions Parkinson's disease and periodontitis – the missing link Validation of human microRNA target pathways enables evaluation of target prediction tools Kishinevsky HSP90-incorporating chaperome networks as biosensor for disease-related pathways in patient-specific midbrain dopamine neurons Specific anti-biofilm activity of carbon quantum dots 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genome-wide experimental datasets van der Velden Mutations in the CDSN gene cause peeling skin disease and hypotrichosis simplex of the scalp Systemic inflammation linking chronic periodontitis to cognitive decline Diabetes enhances IL-17 expression and alters the Oral microbiome to increase its pathogenicity A distinct type of pilus from the human microbiome Potential role of phosphoglycerol dihydroceramide produced by periodontal pathogen Porphyromonas gingivalis in the pathogenesis of Alzheimer's disease An early report: a modified porphyrin-linked metronidazole targeting intracellular Porphyromonas gingivalis in cultured oral epithelial cells Receptor for advanced glycation end products up-regulation in cerebral endothelial cells mediates cerebrovascular-related amyloid β accumulation after Porphyromonas gingivalis infection SLC6A3 is a risk factor for Parkinson's disease: a meta-analysis of sixteen years' studies protein–protein network interaction Ye C and Hao M (2022) Bioinformatics analysis of gene expression profile and functional analysis in periodontitis and Parkinson’s disease Received: 27 August 2022; Accepted: 17 October 2022; Published: 10 November 2022 Copyright © 2022 Wang, Shi, Wu, Yuan, Chen, Ye and Hao. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY) *Correspondence: Miao Hao, bWlhb2hhb0BqbHUuZWR1LmNu; Cong Ye, eWVjb25nMDIyOEBqbHUuZWR1LmNu Disclaimer: All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations, or those of the publisher, the editors and the reviewers. Any product that may be evaluated in this article or claim that may be made by its manufacturer is not guaranteed or endorsed by the publisher. 94% of researchers rate our articles as excellent or goodLearn more about the work of our research integrity team to safeguard the quality of each article we publish. it may not be enough to prevent extreme warming.  A firefighter tackles a forest fire in Baiao Photographer: Patricia De Melo Moreira/AFP/Getty Images By the end of the century, a typical summer will be over 4 degrees Celsius hotter than pre-industrial levels, more than twice the 1.5 degree target set by the Paris Agreement according to a report by the Met Office Hadley Centre Brazilian actress Elea Mercurio has created a song and video to inspire others to apply as a Rio 2016 Volunteer "I want to be part of this historic event in Brazil an event that probably will not be repeated in my lifetime.” Brazilian actress Elea Mercurio has signed up as a volunteer for the Rio 2016 Olympic and Paralympic Games and with the help of the Rio 2016 Organising Committee has created a new song and video the inspire the public to do the same “Sports encourage youngsters to choose a healthy lifestyle and pastimes instead of so many other less desirable activities,” said the 31-year-old who has appeared in Brazilian soap operas ‘O Rebu’ and ‘Avenida Brasil’ and as a presenter on Brazilian MTV “The Olympic and Paralympic Games are a great window for sports and that’s why I decided to make this commitment I want to be part of this historic event in Brazil The term ‘baiao-funk’ refers to a mix of two genres of Brazilian music: using rhyming lyrics ‘baiao’ is traditional style of music from the North East of Brazil while ‘funk carioca’ (pronounced “funky carioca”) is a modern hip-hop influenced genre that was born in Rio de Janeiro’s ‘favela’ communities along with fellow Brazilian actor Lucas Lautert who has also applied to become a volunteer in Rio portray 18 different characters in the video to reflect the diversity of those who have already applied to become a volunteer and to show that anybody is welcome to become part of the process The actress has applied to become a photographer at the Games and was inspired after taking part in September’s ‘two-years to go’ celebrations in Rio de Janeiro “There I saw the volunteers in action,” she said “They were so happy that I thought people need to know about this “This is an opportunity to participate in something I believe in The arts and sports have the potential to transform society.” Around 70,000 volunteers are needed for the Rio 2016 Olympic and Paralympic Games. Applicants must be 18 years of age by February 2016. To sign up, or for more information, visit the Rio 2016 website showcasing the harmonious blend of tradition and modernity all images by Fernando Guerra FG + SG FCC Arquitectura (see more here) aimed to create a story for this property fostering a deep connection between guests and the land’s rich regional traditions all the while preserving the environment and the memories it cradles offers wooden walkways for visitors to stroll around and enjoy the natural landscape and observe the regional flora and traditional buildings such as mills and residences Lavandeira Douro Nature & Wellness focuses on showcasing the property’s natural beauty while also providing a comfortable and modern accommodation for its guests The intervention plans involved the renovation of old buildings and the creation of a central hub featuring a restaurant the architects plan an ‘organic garden’ to supply fresh produce for the restaurant underscoring a commitment to sustainability in the construction process to minimize its environmental impact a wellness retreat amidst Baião’s lush oasis the cabins foster a deeper connection with nature visitors can stroll around and explore the natural beauty of the green setting the structures come in harmony with the pristine scenery generous amount of glazing frames scenic views name: Lavandeira Douro Nature & Wellness architecture: FCC Arquitectura@fcc_arquitectura photography: Fernando Guerra FG + SG general builder: Armindo João Gomes Empreiteiro AXOR presents three bathroom concepts that are not merely places of function but destinations in themselves — sanctuaries of style Civil Protection today anticipated that the next 24 hours will be “very complex and difficult” for the operatives and populations affected by the fires and is not expecting the situation to calm down in the next 48 hours “We are not expecting a calm in the next 48 hours what is expected is that windows of opportunity may arise to be able to start reversing the situation” the national emergency and civil protection commander told journalists At the press conference held at the headquarters of the National Emergency and Civil Protection Authority (ANEPC) to provide an update on the fires that have been raging in the northern and central regions of Portugal since Sunday André Fernandes stated that “the weather situation is still quite unfavourable” meaning that it is still “adverse” and that in the next 48 hours “the risk of fire will not reduce significantly” “We will continue to face this risk in the next 48 hours but in particular the next 24 hours will be very complex and difficult for the firefighters and the population that is being affected” by the fires the fires that are currently causing concern continue to be those in the Porto metropolitan area complex and the Aveiro region André Fernandes reported that the situation in the Viseu region especially in the municipality of Castro Daire with the fire having already reached the municipality of Arouca Seven people died and around 120 were injured due to the fires that have been raging since Sunday in the North and Centre regions of the country which have destroyed dozens of houses and forced the closure of roads and motorways According to the National Emergency and Civil Protection Authority of which 23 were considered significant occurrences supported by around a thousand land vehicles and 19 air vehicles The Government has declared a state of emergency in all municipalities affected by the fires in recent days I send the invitation and stare at my face on the computer screen the smile of a relaxed conversation the glance at the notes document without looking like I need a cheat sheet We could have had this conversation in person but the mutual rotation between Lisbon and London favours an interview between a café in Chiado and a studio in Tower Bridge Theodore Ereira-Guyer has his first solo exhibition, Thicket, with Elizabeth Xi Bauer Gallery. From an English mother and Portuguese father, we exchange experiences between the two cities when I let him into my meeting room. Mariana Baião Santos: Tell me about the title of the exhibition, what’s a Thicket for you? Theodore Ereira-Guyer: I think a lot of the time I’ve been making work I’ve been interested in removing the horizon line, the Western aspect of the singular perspective, the vanishing point. So, I’ve been interested in these kinds of things like the forest, the desert. In the thicket you are fully immersed in the space, there isn’t one singular thing to focus on. MBS: I have to admit, the first few times I read the title of the exhibition, I thought it was “ticket”, as in a ticket to travel and I was trying to find the signs of a voyage, but it’s quite interesting you say that as it is the opposite, as you can feel stagnant without perspective. TEG: Yes, there’s a sense of not knowing where to travel. It’s like the desert, there are none of those topographical signs, a ‘turn left on the supermarket’ kind of thing, no man-made phenomena in order to locate ourselves. MBS: You talk a lot about memory and density and how that relates to the thicket… TEG: Because there’s less to look at in some ways, less for the mind to focus on visually, I feel there’s a chance for a mental landscape, for memory to be the focus. This Finnish architect, Juhani Pallasmaa, I am quite interested in, talks about the qualities of grey and I think I’ve extended that into mono colour and low contrast images. He talks about grey as in, because there is less to focus on, it allows more expansive space for the mind. MBS: When I first came in, what came to mind was theatre, staging, ancient greek culture and mythology, from the columns, the ruins, the setting… I liked that the drawings are two-dimensional but with the panelling they become a set, how did that come to be? How does the wood relate to the paper and the thicket? I’ve been thinking a lot about my landscapes how they inhabit the mental space but also how you can be physically in front of them, you as the viewer becoming that actor in space. And too about the performative qualities there are around an artwork, not from a sociological perspective but more of a ritualistic art experience. MBS: In that perspective, something that seems important to you is material, as an integrant part of the work. TEG: Definitely, using wood, paper, cotton, it’s not a completely ecological perspective of not wanting to use plastics, but there’s an aspect of only wanting to use timeless materials, so they can be a conversation with antiquity, in the sense that there is a longer, durational human experience. It’s not about assuming modernity but about creating a longer dialogue. MBS: I was thinking about the conversation between the trees in the thicket, the wood and the paper, as stages of production or decomposition. TEG: It’s not something I thought about, maybe on an unconscious level but I like that as a thought. MBS: What’s the fascination with etchings? As they are reproducible but you make them unique. TEG: I like the quality of the mark-making, there’s a sense of rich depth and texture which is at the same time incredibly flat. I’m doing it to achieve a specific quality, by making one and making them unique I feel it’s an extension of a painting practice. I like the aspect of working on the etching plate for this singular moment of revelation. When you’re painting you make a mark and you can see what it is straight away, with an etching you’re not going to see what it looks like until it goes to print. MBS: Is there a certain kind of relief in letting go of the final result? TEG: Definitely, definitely. I’m working day in and day out, how can you keep that energy alive? One of the ways I do that is by relying on the etching print process. MBS: I really liked this quote you mentioned “Here everything looks like it is under construction, but it is already in ruins”, Claude Lévi-Strauss declared when he visited Sao Paulo, Brazil, in the 1930s. The ambiguity and the co-existence of two conflicting realities, is this an idea that revolves in your practise? Or is it more specific to this exhibition? TEG: There’s a Proust quote I was thinking about a lot, as I’ve been thinking about frescos, he talks about when a fresco begins to disappear, a new image is created, so I get this duality about appearing and disappearing, ruins and construction. This has definitely been a prolonged preoccupation over the years. This is too one of the exciting things about the art object, I’m not making videos or 3D work, I love this ephemeral part of the art experience, how it changes over the years. MBS: Finally, any upcoming exciting projects you can tell us about? TEG: I’m going to São Paulo, I have a solo show with The Bridge Project. And then I’ll have a two person show with a Dutch artist, who makes lovely tapestries, in October in Lisbon. We continue to discuss banalities, conjuring up a possible time when we might meet in person in one country or another. Ereira-Guyer’s exhibition is on show until 30th June. with one foot in London and her heart in Lisbon she currently works in an art gallery in the United Kingdom She is co-founder of Coletivo Corrente de Ar which focuses on promoting emerging artists and democratising Contemporary Art Subscribe to the Newsletter (EN Version)! I accept the Privacy Policy Subscribe Umbigo The song: Barbatuques - Baiao Destemperado The action: Each advert in the seemingly interminable Joga Bonito series has its own song punk-funk protest rockers Radio 4 would be reaping the benefits of featuring in the Rooney spot Another features Sergio Mendes and the Black Eyed Peas covering Mas Que Nada the samba classic used in Nike's classic 1998 ad uncovers a tape of the young Ronaldinho playing in his school gym which the present-day Ronaldinho reenacts with a big goofy grin The moral of the tale: "Never grow up." Do footballers need telling not to grow up Why they chose the song: "The more we talked with the players featured in our Joga Bonito spots the more we realised how much their current game was shaped by the influences they were surrounded by as kids It seemed appropriate to have music which was as sunny and light-hearted and Brazilian as his game." (Mark Hunter two South American kids pick a dream team of Adidas-affiliated football stars the portly kid's first choice is the profoundly useless Djibril Cissé I'm going to tell my dad on you." Angry mum stops play Why they chose the song: "We wanted the track we chose to be cool simple and catchy enough to be sung on the terraces It has a childlike quality that we thought suits the tone and pace of the ad perfectly." (Lee Hempstock and Chris Lany What it says: Although we are a multinational sportswear giant The song: The Who - Won't Get Fooled Again a stadium goes on a War of the Worlds-style rampage and Frank Lampard realises everybody in the world is watching him a retiree drafts a supercilious letter to the BBC questioning whether expensive special effects are the best use of his licence fee the Who grumble about how "the party on the left/ Is now the party on the right" Is the BBC slipping anti-New Labour messages into its sports coverage Why they chose the song: "There's a story to tell and you need music to drive it along but let the dialogue be heard. Also, the World Cup is such a big event Won't Get Fooled Again is an enduring classic - it prickles the hairs on the back of your neck I don't think people are going to hear the lyrics." (Simon Riley What it says: We are the BBC and we are classic The mood: Maddeningly catchy Japanese surf-rock The action: In this repeat of Carling's 2004 Big Match spot a bedroom shirts-and-skins kickabout spills out into the streets Quentin Tarantino used Woo Hoo in the first part of Kill Bill Why they chose the song: "Woo Hoo very nearly wasn't the Big Match music We had been developing the ad with another track in mind as soon as we heard Woo Hoo we knew its nutty infectiousness would make it the perfect soundtrack for a city-wide kickabout." (Leith London What it says: Thought you'd got this song out of your head after last time The action: A face-painted fan applies Sure's dependable musk and promptly transforms into a baboon bounding into streets filled with howling chimps like some 70s disaster movie in which the animals turn on their human masters The message being that Sure enables you to act like a monkey without reeking like one Why they chose the song: "Songs about monkeys and football were probably going to be a little obvious What we needed was an off-beat little zinger about chickens By a band called the Bees." (Tom Hudson The action: In Mark Gustafson's stop-motion animation a football match reconciles natural enemies a chef makes peace with a plucked chicken and a cuckolded husband dances a jig with his wife's lover Why they chose the song: "The music had to reflect the triumph of the goal and the uplifting spirit of the togetherness that the characters experience." (Coca-Cola spokesperson) What it says: We don't need trendy pop music The action: Crazed by their thirst for caffeinated soda Henry et al enter a beer tent to face comely Mädchen and lederhosen-wearing Bavarians set to an irritating oompah version of Trio's 1982 synth-pop hit Da Da Da possibly wondering if they're being paid enough Henry appears to be searching for the exit The head of the German tourist board hangs his head in despair Why they chose the song: Pepsi would not comment The song: Pete Lawlor - Coming Around Again The action: Fans from different countries demonstrate their devotion via regrettable facial topiary as a suitably macho voiceover is delivered in the style of an Andy McNab audiobook The Gillette M3 Power Nitro is presented as some kind of futuristic killing device with incomprehensible special features: "Microwave pulses are sent to the blades!" A square-jawed Brazilian has a shave gives his chin an approving rub and goes to the match with his girl-friend blending in with all the ease of an undercover policeman at a reggae club Why they chose the song: "Because our ad aims to capture the raw excitement at the stadium before (and during) a game Do you like hugging other men - in a sporting context Does shaving without cutting yourself fill you with manly self-congratulation Would you like to do all these things simultaneously The action: Following the same logic that Peter Pan applied to fairies Mars asserts that believing in an English victory will make it so having rejected the initial suggestion of Fantasise Wildly A fan in a St George's cross shirt marches through town backed by a brass band singing a specially commissioned anthem about England winning the final in Berlin He finds himself at the heart of a red-and-white throng that bears an unfortunate resemblance to a nationalist coup Scots discard their deep-fried Believe bars in protest Why they chose the song: "The choice of music grew from the tone of the overall Believe campaign - positive The ads feature the character Bill Lever - an everyman - and we chose the music to really bring this to life and resonate with fans." (Jonathan Rodd Nossos serviços estão apresentando instabilidade no momento Algumas informações podem não estar disponíveis 2017 09h00 AM | Last Updated: September 04 singer and composer from Pernambuco recorded 56 albums and was responsible for the popularization of northeastern rhythms in famous songs written in partnership with Humberto Teixeira em 1947 São Paulo commemorates today the Northeastern Day According to data from the IBGE´s National Household Sample Survey - PNAD São Paulo is the major destination of migrants coming from the Northeast Region: 5.6 million persons in 2015 Rio de Janeiro ranks in the second position Many of them bring back their native culture at the Luiz Gonzaga Center of Northeastern Traditions Feira de São Cristóvão preserva a tradição nordestina street vendor José da Silva Bahe tells that the fair took place in the parking lot around the São Cristóvão Pavilion by the time he arrived in Rio in the 1950s The stands were moved to the São Cristóvão Pavilion only in 2002 he works characterized as the Brazilian flag and unveils that he came to Rio de Janeiro to search for a job: "I came to Rio because the minimum wage here was higher than in the Northeast" The story is the same with the also street vendor José Gomes da Silva who came from Paraíba to Rio in 1975 with the same dream as Zé da Bandeira "We come from there wishing a better life That´s why northeasterns come a lot to Rio de Janeiro and São Paulo 40 thousand persons get together to commemorate Saint John at fair Paraíba-born Cristina Fagundes lives in Rio de Janeiro for 36 years She reveals that 40 thousand persons were commemorating Saint John in the Pavilion Quadrilha (square dance) with persons from a number of cities was also part of the festivities People and attractions from other states make it cozier Chilled weather and human heat gets very well together" the anniversary of the Luiz Gonzaga Center of Northeastern Traditions will include a wide commemoration program which can be checked at the official website of the fair Text: Karina Melo and Marina Lara (trainees) © 2018 IBGE - Instituto Brasileiro de Geografia e Estatística Nós utilizamos cookies para melhorar sua experiência de navegação no portal. Para saber mais sobre como tratamos os dados pessoais, consulte nossa Política de Privacidade. may be declared part of the country’s intangible heritage by 2020 The National Institute of Historic and Artistic Heritage is conducting a study to identify this form of expression is linked to festivities and traditional social interactions that take place to the sound of instruments like the accordion The initiative was welcomed by musicians like conductor Marcos Faria son of singer Marinês (1935–2007) and godson of “King of Baião” Luiz Gonzaga (1912–1989) numerous groups and artists who describe their music as forró actually combine cumbia and zouk from South American and Caribbean countries We were deprived of the title and cast under those music styles with Latino features,” he said Iphan’s Intangible Heritage Department Director Hermano Queiroz said the recognition will make it possible for “vulnerabilities and the need for positive promotion to be mapped out.” “The purpose of the recognition,” he said “is not to provide its narrative with authenticity.” There are many narratives in circulation: “Cultural heritage is dynamic,” he declared is not to ascertain exactly where forró was born The title of intangible heritage makes room for intercultural dialogue between several forms of expression,” he argued Iphan’s research “will survey all perspectives and narratives about this intangible asset and enable musicians from different locations to meet and understand that Even the word’s etymology is discussed differently in different narratives Conductor Farias pointed out that songwriter and instrumentalist Sivuca (1930–2006) argued that forró stems from the English phrase “for all.” The term is believed to have been coined as long ago as the 19th century as a result of the influence of British workers at railway facilities and weaving factories in the Northeast “More cotton was produced in Campina Grande than in Liverpool,” Farias quoted Sivuca as saying The word’s history was revised in the 20th century Some argue the term arose during World War II capital city of Rio Grande do Norte—a state that received 10 thousand US soldiers at the time This is the version seen in the film For All: Springboard to Victory (1997) the professor at the Federal University of Pernambuco (UFPE) in charge of the research with Iphan the word "forró" “to mean a popular party with dance and drinking,” has been around since the 19th century Sandroni notes that “the 1912 edition of a dictionary includes the headword 'forrobodó.' In the next edition there are 'forrobodó' and 'forró.' By all accounts the latter is short for the former.” Philologist Evanildo Bechara believes 'forrobodó' comes from 'forbodó,' a Galician word Geography and history of music are said to further debunk the connection between "forró" and "for all." Sandroni advocated the theory according to which forró was born away from the coast of Natal The original roots may lie further into the country in the Northeast Sandroni also argues that “forró has become an expression of the people of the Brazilian Northeast along with other characteristics and values.” the meaning of the word "forró" shifted to designate not just a specific genre in addition to forró itself,” he went on to explain Chief in Sandroni’s melting pot of genres is Luiz Gonzaga’s baião The specialist mentioned the central role played by Gonzagão in the 40s when Northeastern culture was asserting itself “The baião is an enterprise deliberately embarked upon by Luiz Gonzaga and his partners Humberto Teixeira [1915-197] Farias says that even how musicians are positioned on stage for a forró show is Gonzagão’s doing He was very particular about that,” he revealed The three instruments are European in origin It’s what you do with the instruments,” he said “The accordion is obviously European.” The same can be said of zambumba even though common sense identifies it as an African drum you find this assembling and tying style in the Iberian Peninsula,” he added other forms of musical expression were recognized by Iphan as intangible material and the bell tolls in historical Minas Gerais state.