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COSTA RICA'S LEADING ENGLISH LANGUAGE NEWSPAPER
The Legislative Assembly has approved a motion declaring a State of Emergency for Public Calamity along Costa Rica’s southern border in response to the ongoing migrant crisis
The declaration passed with 43 votes from across party lines after being introduced by the Security and Drug Trafficking Commission
According to commission president Gilberth Jimenez of the PLN, the situation in the Southern Zone has become dire. Thousands of migrants, mainly from Venezuela
are flooding across the border via Paso Canoas every day
This massive influx is causing major sanitation and health issues as people crowd into makeshift camps
What we are experiencing on the border has exceeded the country’s capacity to deal with it,” said Jimenez
The decree urges the executive branch to take immediate action to address the escalating humanitarian emergency. This includes activating the Permanent Binational Commission with Panama to tackle border problems
It also requests that the Foreign Ministry seek international cooperation from organizations and partner governments
Jimenez stated that between 2,000 to 3,000 migrants are entering through Paso Canoas daily
He accused the government of inadequate response
leaving migrants without basic services or humanitarian aid
no place where they can meet their basic needs; there are diseases that are being reported in the area,” Jimenez added
The approved motion calls on relevant ministries to establish temporary migrant shelters with adequate food
It advises strengthening security and public health strategies in impacted zones
Jimenez reiterated that managing the influx exceeds Costa Rica’s current capabilities
He argued that declaring a state of emergency would allow accessing special funds and resources to mitigate the crisis
With migration in the region surging 867% since 2021
Costa Rica has straining to uphold its humanitarian commitments
But critics argue an emergency decree could lead to rights violations andruns counter to Costa Rica’s immigrant-friendly reputation
Lawmakers hope the drastic measure highlights the need for comprehensive regional strategies rather than just shifting migrants across borders
“this is not just Costa Rica’s crisis
Providing an end-to-end design and construction framework for creating low-carbon workplaces, Canoa is a design tool with an embedded marketplace that aims to reduce the environmental impact of commercial interiors
Operating under the circular economy principles
Canoa seeks to keep goods in use for as long as possible
and help preserve natural resources while supporting businesses
and suppliers in carrying out commercial retrofits
Selected as one of Archdaily's Best New Practices of 2021, Canoa is a New-York based start-up founded in 2019 by designer and entrepreneur Federico Negro
with the purpose of delivering environmentally conscious working environments for a wide range of businesses
Canoa is a business-to-business marketplace for low-carbon office products
ranging from furniture to lighting and accessories
The company focuses on providing conscious
durable furniture and prefabricated units with traceable materials and manufacturing that can be easily moved and reused
Courtesy of CanoaCanoa allows designers to rapidly test and iterate workplace layouts and get a live overview of costs
while also helping property managers with keeping track of their inventory
The firm addresses the need for comprehensive information regarding the environmental impact of furniture products
while also embracing the contemporary ethos of reuse
Canoa capitalizes on post-occupancy support and fosters a business model that incentives the reduction of waste
by deploying as less material as possible into workplace designs
consumers today […] are demanding more information about the products they use
We are already seeing this in the food industry
and transparency is quickly becoming a requirement for businesses
Society will soon expect as much of our furniture
transit and cities as we do of our coffee and sneakers
The products are also featured in curated collections
Another essential feature is the schedule of occupancy that gives the possibility of tracking occupancy goals, as well as costs per workstation unit. This allows designers to measure at a glance the efficiency of the floorplan layout and evaluate the spatial and programmatic configuration of the design. In addition, the layouts created in Canoa can be exported as CAD drawings to be included in the projects' documentation.
Courtesy of CanoaCanoa's design tool also allows companies to integrate their own office standards into the design and helps property managers with their inventory management, with easy access to the specifications, repair information, and cost of the product through its use. In keeping with its goal of reducing waste and keeping items in the economy for longer, Canoa also offers a marketplace for used items
acting as a mediator between companies changing offices
transparent and efficient business models for delivering new and rehabilitated buildings across both private and public sectors are pivotal if we are to rise to the challenge of providing healthy work and living environments to the billions that still don't have them
without the irresponsible depletion of natural resources
Designer Federico Negro started Canoa as a response to the AEC sector’s failure in addressing current environmental issues
Technology and design have been an early interest of Negro
and getting involved with disaster relief after Hurricane Katrina shifted his outlook on architecture’s contribution to climate change
focused on developing design technologies for built environment businesses and was acquired by WeWork in 2015
During his time as Head of Design for WeWork
Federico Negro observed the traceability challenges within the FF&E industry while also gaining a post-occupancy perspective on the workplaces designed by the company
Canoa was born from the desire to contribute to the decarbonization of office buildings
The company just launched its private beta for workplace designers and is constantly expanding its catalog and features
You'll now receive updates based on what you follow
Personalize your stream and start following your favorite authors
If you have done all of this and still can't find the email
By entering your email address and clicking “Submit,” you agree to receive updates from the Open Society Foundations about our work. To learn more about how we use and protect your personal data, please view our privacy policy
it’s hard to imagine getting by with something else.” Eliécer had arrived at the mud-floored cantina a few minutes earlier
along with 25 other farmers who are members of a local chapter of Colombia’s National Union of Coca
They had gathered that morning inside the Canoas indigenous reservation in Colombia’s southwestern province of Cauca
an epicenter of violence during the civil war.
was to hear from one of the local indigenous leaders who had been liaising with the regional government over a slew of unresolved issues related to the illegal source of their livelihoods
were wary of pursuing another dead-end discussion
The help they had been promised in exchange for the voluntary eradication of their crops seemed nowhere in sight
they saw no reason to further disrupt their already precarious situation.
FARC militants controlled vast and remote territories
where thousands of peasant families made a living from producing coca paste—the crude extract used to make cocaine—which cartels then bought
When the government finally reached a peace agreement with the FARC in 2016
the National Comprehensive Program for the Substitution of Illicit Crops (known as PNIS) was a critical component of the deal
farmers agreed to voluntarily uproot their coca fields
the government would provide subsidies and training programs to help them swap illegal crops for alternative
Drug policy experts hailed the program as transformative
charting a clear course for farmers to transition away from illegal economies without following the traditional path of criminalization
According to the United Nations Office on Drugs and Crime
around 99,000 families enrolled in the PNIS.
But cracks in implementation began to show almost immediately
the government of Juan Manuel Santos rushed into signing contracts with farmers before hashing out some of the logistical details of the program
the 2018 change in government ushered in a strong backlash against the PNIS and other components of the peace deal
and lack of political will began to derail the voluntary substitution process
Colombia’s armed forces resumed forced eradication in many parts of the country
as farmers saw the economic alternatives that had been promised to them become less and less attainable.
But even against the backdrop of these power struggles
local agricultural communities have adapted and managed to maintain a measure of autonomy in their daily practices.
Nowhere is this more evident than in the Resguardo Canoas
a Nasa indigenous reservation that maintains a traditional hierarchy and actively enforces its constitutionally guaranteed judicial independence
The indigenous authorities there serve as spokespeople for many local coca farmers in their negotiations with the government
though they say talks have long been stalled
they have developed their own system for regulating the drug trade through checkpoints
armed with wooden batons and escorted by townspeople
regularly patrol the main highway that runs through Canoas and search vehicles they suspect to be transporting drugs
Anything they confiscate is immediately burned—a policy that
has incited the anger of the criminal mafias that operate in this area
This places leaders like Daniel Ulcue in an awkward position
When the PNIS was introduced amid high hopes
had some leverage in his quest to rid his territory of illicit crops
as it becomes more apparent that the government lacks both the capacity and the resolve to fulfill elements of the peace deal
leaders who advocated for voluntary substitution are facing a crisis of credibility
they are being targeted by those whose economic interests are tied to the drug trade
as well as human rights and environmental organizations
voicing concerns about the impact on the environment and public health
coca is easy to grow and far more lucrative compared to other crops like coffee and bananas
many farmers in Cauca and elsewhere continue to show interest in crop substitution
they assert that the government has yet to provide the technical assistance or livelihood alternatives that were offered
which for now leaves them little choice but to return to coca production
they are clear-eyed about what it will take to leave behind an illegal
economic model that has been in place for so long
What they know for certain is that, time and again
repression has proven to be the wrong answer
and partners about how we’re working around the world to build vibrant and inclusive democracies whose governments are accountable and open to the participation of all people
Every year the Open Society Foundations give thousands of grants to groups and individuals that work on issues we focus on—promoting justice
Canoa Lake was once a “kid’s haven” with piers and rowboats
it’s now back to having water up to 9 feet deep
Canoa Lake once had cottonwoods reaching 40 feet and 20-foot-tall willows
Ann and Leslie Manning fish at Canoa Lake in 1954
They are the granddaughters of Howell Manning Sr.
Canoa Lake was featured in a 1951 American Airlines calendar
spent years trying to preserve Canoa Ranch before her death in 2012
Actress Shirley Jones swims in Canoa Lake during filming of the movie musical “Oklahoma!” which was released in 1955
Undated black and white photo of Canoa Lake
Canoa Lake at The Raul Grijalva Canoa Ranch Conservation Park on Jan
Canoa Lake anchored a ranch that covered hundreds of thousands of acres and showcased the most advanced cattle operation in Arizona and possibly the U.S
Canoa Lake played host to 19-year-old Shirley Jones
swimming in the buff for a scene in the movie “Oklahoma!” which was filmed in Southern Arizona
the lake — although smaller and more aptly called a pond — brims with water again
because of a $750,000 Pima County project to restore some of its former grandeur
The 2ƒ-acre pond shimmers a bright blue green
greeting visitors as they turn off the Interstate 19 frontage road into the historic Canoa Ranch south of Tucson
It’s part of an ongoing restoration project that’s also fixing ranch buildings up to a century old
Nine feet deep at the south end and 3 feet deep at the north end
the pond is half the acreage of the original lake
It contains no bass or frogs like the old one did
Only patches of mesquite trees and waist-high grasses serve as a natural backdrop
elderberry and other trees will be planted
It’s hoped the other improvements will be in place by mid-October
a Pima County Department of Natural Resources
who lived at the ranch as a child in the early 1950s
said she’s thrilled that a rare desert lake like this one was restored
A photo from that time shows her and her sister Ann Fiegen as toddlers sitting by the lake
wearing gingham shirts and holding fishing poles
owned the ranch from the 1930s until he died in 1966
He told Woods-Hulse’s mother (his daughter-in-law) Deezie Manning that his last wish was for the ranch
was killed in an auto collision with a drunken driver just before Christmas 1951
The family sold the ranch at the end of the 1960s
Deezie died in 2010 after spending years working on preserving and rehabilitating Canoa Ranch
“I definitely feel my father’s spirit is there and definitely my mother’s
because this is something that needed to be done
bought what was known as the old Canoa Land Grant
The ranch ran purebred Arabian stallions and mares and Hereford cattle
The Mannings also ran cattle at a much smaller operation to the north known as Scotch Farms
in what’s now Tucson subdivision Midvale Park
designed the lake as part of a much larger irrigation system
seeking to adapt to the vagaries of the neighboring Santa Cruz River
which ran only irregularly although far more often than today
He dug a ravine from the river to draw its shallow groundwater
“Wells were then sunk at the head of the ravine
and a large stream was piped away for the irrigation of 1,200 acres,” the Arizona Daily Star reported in 1927
where the water is now collected in a pond arbored by stately cottonwoods
after seeing the herds at the Canoa Ranch and Scotch farms
have declared that there are no better specimens anywhere produced in the United States,” the Star wrote
saw the ranch and lake for the first time during a visit to his sister Deezie Manning
and there was this verdant thing and then you drove right into the (ranch) compound.”
He remembers smelling the mesquite wood in the guest house where he stayed
built as a wedding gift for his son and daughter-in-law
and which he recalls combined the essence of Spanish adobe and modern architectural styles
Its living room picture window looked out on the lake
which Lewis says was the core of the ranch operation
They had windmills that pumped the water to watering troughs for cattle and they pumped water out of the pond,” he recalled
an American Airlines calendar featured a photo of Howell Manning Jr
with Deezie standing at his side in a grassy field
His father Jesus was one of about 40 people who worked there as a ranch hand
installing and welding fences and cooking until 1965
regularly took a canoe — Canoa translated from Spanish into English — onto the lake to catch bass for his dinner
He said he caught and sold bluegill at five cents a fish to a woman who gave them as food to cotton pickers she supervised
You cannot imagine having a childhood like that growing up among horses and cattle,” said Salcido
who today does volunteer work for the ranch restoration
He recalled cottonwoods reaching 40 feet tall
limbs and leaves kind of drooped over the water.”
where she and her friends would sometimes hop in a rowboat with a hole that they had to regularly bale water out of
They often dug worms from the ground and sold them to residents and visitors for fishing
“It was the unofficial rest area for people traveling from Tucson to Nogales,” recalled Castillo
“I think when you say Canoa Ranch even now
lived on the ranch from 1953 to 1967 with her parents
who ran much of the operation after Howell Manning Jr.’s death
Claire was Howell Manning Sr.’s stepdaughter
remembers the lake as a “kid’s haven” and recalled that her grandfather would let visitors take rowboats attached to piers installed 15 to 20 feet into the lake to catch fish
Her father and grandfather forbade her from swimming there because they feared she’d get tangled in moss underwater
She swam instead in an irrigation canal running behind the main family ranch house — “and we’d pull leeches off each other,” she said
Her parents sold the ranch to Duval Mining Corp.
The company used its water rights on its Sierrita Mine west of Green Valley
Claire Schnaufer said in an interview that they sold it because they didn’t have the money or energy to run Canoa and Navarro Ranch west of there
when a group of bird-watchers spotted a great kiskadee flycatcher
a bird normally seen only in Texas and Mexico
“From the Backyard to the Backwoods,” recalled that the lake was where he first saw the Mexican specialty tropical kingbird
said the lake’s cottonwoods also drew the Western yellow-billed cuckoo
which has since been federally protected as a threatened species
and more common riparian birds such as the gray hawk
whose husband Steve Russell is a well-known ornithologist who always stopped at that "very good" birding spot when going south on birding trips
The 1984 edition of 'Birds in Southeastern Arizona," Steve co-authored
recommended that birders in the area take a walk around the pond to check for birds and that ruddy ducks and American coots have nested there
this little lake provides a stopping place for water birds and waders in migration
It is recommended as a stop on the way up or down route I-19," the 1994 book said
"The trees around the pond are an excellent place to look for warblers and other land birds in migration."
an Amado activist who has worked to preserve the historic ranch since the 1990s
said she was told by former ranch caretaker Jimmy Johnson
that the pond was dried because the state’s 1980 groundwater law doesn’t let mines use water from the ranch for irrigation
The law says farmland can’t be irrigated with groundwater if it wasn’t irrigated from 1975 to 1980
can legally pump 22,600 gallons a minute of water using rights from the Canoa purchase
That’s enough to cover the ranch’s remaining 4,800 acres 6 feet deep
which unsuccessfully sought a rezoning to build more than 6,000 homes
Pima County bought 4,835 acres of the ranch during the 2000s for $10.6 million
reshaping and lining it with a plastic-based material that will mix with the soil to minimize seepage
enough for 56 typical Tucson households for a year
it will need refilling each year with 16 to 18 acre feet
The next step in the restoration will be for the County Regional Flood Control District to plant 25 acres of native trees
Rainwater harvesting will supply some of the irrigation water along with a 400-foot-deep well
The county will use the restoration plantings as mitigation for its construction work elsewhere such as roads and bridges
That will help the county meet its legal requirements of getting federal Clean Water Act permits for its project
The return of birds is a ways off; birders last week saw only two hawks near the pond during a county-sponsored bird walk
said he’s seen 10 to 25 deer at the pond several days in the past week
with “way more people” living here and with the Southwest’s native cottonwood stands “decimated” over the past century
there’s more need for the pond and its environs than ever
“It will contribute a few more acres to a dwindling resource,” he said
Contact reporter Tony Davis at tdavis@tucson.com or 806-7746. On Twitter@tonydavis987
Grijalva Canoa Ranch Conservation Park (named after the congressman
who lived there as a child of a ranch worker):
• Open Tuesdays and Saturdays through February
• Tours of the historic ranch are given those days from 10 a.m
• Take Interstate 19 south from Tucson through Green Valley to the Canoa Road exit
Make your second right turn into the ranch
picnic tables and other improvements are installed at the park
Pima County officials hope to increase the number of days the site is open to the public
• Other tours are also available at the ranch
go to: http://webcms.pima.gov/cms/One.aspx?pageId=1507
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calls Canoa a Mexican-American Ellis Island
Binational workshop teaches craft of adobe repair
"Oklahoma!" at it's finest was actually filmed in Southern Arizona
cattle were domesticated from wild ox in the Near East about 10,500 years ago
The Pima County Board of Supervisors allowed Farmers Investment Co
to rezone its property Tuesday for residential and commercial use
A woman injured in the crash is recovering well and in stable condition
Critics say it would allow a big development to rise near the San Pedro River
while also not protecting Lake Mead on the Colorado
say their deals with California and Nevada officials were legal and helpful to Arizona water users
Neighbors and environmentalists are wary about likely habitat damage
but some accept that the $860,000 project is needed to protect public safety
their homes were completely covered in dust," county official says
bringing conservation and science back into the equation," Tucson Democrat says
Turner used photos to document population shifts of saguaros and other desert natives
After virtually vanishing from Southern Arizona for a decade
the rose-throated becard has established a nesting foothold along the Upper Sant…
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The death toll from heavy rains that have caused flooding in Brazil's southern state of Rio Grande do Sul has risen to at least 78
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More than a public institution, a public space. This is the premise and guiding goal for the development of the new campus of UFCSPA by OSPA
Campus Igara emerges as a potential articulating element of both spatial and human relationships that surrounds it
in contrast to the volumetric density that the programmatic solution suggests in a first approach
Two possibilities of connection with the city
Interfaces that despite the hierarchical distinction are equally necessary to the composition of the block
whose face today reveals the scars of our housing policy
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Text description provided by the architects. In February 2021, A Gentil Carioca gallery decided to expand its exhibition spaces beyond the renamed historical guesthouse situated in the Saara region, in Rio de Janeiro, by taking its artwork to the Paulista capital.
For that, the gallery chose a rental estate situated in a pleasant village, occupied by residences and local range businesses, nearby the Consolação Cemetery, in São Paulo, Brazil. The forthright relationship between the ground floor level and the public sidewalk, as well as the unpretentious vitality of the neighborhood suited finely the irreverent and festive tradition of the gallery.
© Manuel SáAt the same time, the liberation of the patio, restituting its original configuration, was determinant. Besides from improving conditions of natural illumination and ventilation, that operation permits the extension of the exhibition space outwards. The following project solutions reinforce that conception.
Transparent toughened glass doors with a slide and rotate opening system assure visual continuity and allow to fully open the four passages from inside to outside. Such glass panels don´t need aluminum channels and revealed to be economically accessible because of its extensive use for the protection of residential building balconies in São Paulo.
© Manuel SáThe terracotta color micro-cement floor resembles the vital matter earth. Its color was carefully chosen to establish continuity with the round rose arenite pebbles embedded on the external patio. The choice for micro-cement was based on execution speed and economy, dispensing the need to demolish pre-existing floors.
© Manuel SáOn the northeast boundary, besides the staircase that accesses the upper neighbor, were placed a deposit space and a ceiling-suspended pull-out art rack, made of four sliding panels with 3,00m of length and 2,45m of height. Such equipment significantly increased the capacity of storage and presentation of artwork.
© Manuel SáGallery backup programs such as bathroom, cafeteria, library, and administration resources were placed on a 1,20m wide band, along the estate´s back wall. The reception desk was thought to be a mobile element, shifting positions throughout the gallery depending on each exhibition project.
The lighting project was based on the premise of simplicity: three metal channel longitudinal lines run parallelly and connect themselves through wiring steel pipes
Tubular fluorescent lightbulbs were placed under the metal channels alongside with a few directable reflectors
all of which can easily be repositioned depending on each exhibition project
landscape design emphasis relies on the plantation of a cupuaçu tree
well adapted to local insolation conditions
Canoa is a historical drama about the horror of history
made all the more frightening because it is based on a true story
A scene from “Canoa: A Shameful Memory.”
The film sticks close to verisimilitude in its structure and story line
affable university employees in nearby Puebla decide to take the bus out town in order to climb Malinche
the legendary mountain that looms over the remote village of Canoa
Aware of — and sympathetic to — the student riots in Mexico City
they don’t have any particular agenda other than a fun weekend out in the country
The nightmare that overtakes their trip unfolds with tension and suspense; we already know what will happen to the jovial bunch
We are introduced to Canoa’s landscape and its fatalistic inhabitants with documentary objectivity
the well-designed compositions subtly reminding viewers how foreigners appear in the villager’s eyes
the locals glance at the students and whisper to the camera
Cazals’s approach is determinedly static; the voiceover narration serves up information with an eerie matter-of-factness
Weary farmers stare directly into the camera (a in Godard’s agitprop films
looks that testify to the bleakness of their lives: paltry
One of the farmers becomes our unofficial narrator
stepping out of the background and telling us point blank that “this town’s been jumpy for weeks … some bad shit is going to go down here soon.” The location shots of Canoa are rooted in the specificity of time and place
but its psychic desolation and political unrest feel timeless and universal
Even worse than the arid terrain is the influence of the corrupt local church
which is spoken of apprehensively or with helpless outrage
We are not given much to go on about the church’s power
other than its parasitic relationship to the community and its coziness with the federal government
(An official disingenuously praises the church as a “modernizing” force.) An unidentified priest pulls the strings in Canoa
fusing ‘official’ religious and political roles until it’s impossible to tell them apart: given his bullying rule of the town
he comes off as a colonialist clad in vestments
We are bitterly informed that the church demands money and resources
The wealth is used to build token gestures of civic improvement
such as a water fountain (which the farmers are charged to access) and installing loudspeakers above the roofs
which are principally used to broadcast propaganda and embarrass struggling citizens
It’s clear that the priest is after more than saving people’s immortal souls; he also wants what’s in their wallets as well as their votes for the next rigged election
Played with icy distance by the esteemed actor Enrique Lucero
he wears thick dark sunglasses at all times
alluded to in the film principally through snippets of radio programs and casual quotes from newspapers
provides the church with plenty of fuel to feed growing panic over the threat of Communist infiltration in Canoa
The authorities insist that these mysterious
ever-lurking traitors want to hoist their flag
“red like hell and black as sin,” above the church
There may be plenty of people in Canoa who don’t approve of the priest or his oppressive policies
a heavy rain forces the boys to seek shelter for the night
who doesn’t even bother to check their identities
Word gets out that these strangers are from “the university” and an angry mob begins to build
furiously shouting words like “antichrist” and chanting the name of “San Miguel,” whom these assumed Communists are supposedly bent on blaspheming
wild rumors swirl that these outsiders are committing crimes
and refusing to pay for their sodas and peanuts at the local shop
the mob roars through the streets looking to punish the interlopers; it is not about to let mistaken identity get in the way of its righteous bloodlust
economical script is meticulous in terms of following the known facts and timeline
Cazals brilliantly chose to tell this story via a detached
which gives the film a haunting vividness and mounting inevitability that wouldn’t be out of place in an agonizing horror film
that is just what Canoa is: a vibrant historical drama about the terror of history
In exclusive interviews for Criterion’s new release
great Mexican directors who first saw the film as young cinephiles
recall the spellbinding experience of Canoa’s initial release and praise it as a tremendous step forward for Mexican cinema
No one had the courage to tell this kind of story before
not only to examine villager’s lives and faces so directly
but to offer a scrupulous account of the seething paranoia and hysteria of this difficult period in Mexican history
Canoa still has much to remind us about the causes of political chaos and who pays the ultimate price
Matt Hanson is a critic for The Arts Fuse living outside Boston
He blogs about movies and culture for LoveMoneyClothes
His poetry chapbook was published by Rhinologic Press
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The Lady’s Dressing Room (1732) BY JONATHAN SWIFT Five hours
(and who can do it less in?) By haughty Celia…
but this Littlefield review has convinced me to make the purchase
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Three months of clopidogrel is sufficient to curb new-onset migraine headaches after percutaneous atrial septal defect (ASD) closure
new data from the randomized CANOA trial show
There was no rebound effect after patients stopped the P2Y12 inhibitor
By 6 and 12 months after ASD closure, both the number and the severity of migraines had decreased, Jérôme Wintzer-Wehekind, MD (Quebec Heart and Lung Institute, Laval University, Quebec City, Canada), et al report today in JAMA Cardiology. The main results from CANOA
showed that clopidogrel was effective within the first 3 months of therapy
ASD closure has long been known to cause new-onset migraines among patients who didn’t previously have the severe headaches
but there has been debate over why this phenomenon occurs
and the presence of microthrombus on the ASD closure device have been proposed as potential mechanisms,” the investigators note
Around 15% to 20% of patients get these de novo migraines
which carry “a high burden and a huge impact on daily living,” Wintzer-Wehekind told TCTMD
“So it’s really important to limit this bad effect of closure.” As the investigators note in their paper
ASD patients with subsequent migraine are often young adults of working age “and present within the day and weeks following the procedure
leading to a significant burden of medical consultations in addition to missed work or school days and reduced productivity.”
“This study confirms that the optimal duration of dual antiplatelet therapy following transcatheter ASD closure should be no longer than 3 months,” Josep Rodés-Cabau
principal investigator for CANOA and the new paper's senior author
the lack of rebound effect is the main takeaway from the latest CANOA analysis
“We need 3 months of dual antiplatelet therapy to have the device really endothelialize,” and thereafter 99% of patients are migraine free
The study importantly “confirms the benefit of dual antiplatelet therapy not only for device thrombosis prevention but also for the elimination of migraine symptoms
which can occur de novo after closure,” Sommer commented to TCTMD
enrolled 171 migraine-free patients (mean age 49 years; 62% women) who underwent ASD closure at six Canadian hospitals between December 2008 and November 2014
randomizing them to dual antiplatelet therapy (DAPT; clopidogrel and aspirin) or to placebo plus aspirin
9.5% of the DAPT group and 21.9% of controls developed new-onset migraine in the 3 months following ASD closure (P = 0.03)
3.5% of patients who’d developed migraines continued to have the headaches at 6 months and 1.2% (one person in each group) experienced new-onset migraines
for a total of 4.7% across the entire study cohort
2.3% of patients still had recurrent migraines
but no new-onset headaches emerged between 6 and 12 months
There also were no moderate or severe migraine attacks after 3 months
with no differences in migraine rate between patients initially assigned to clopidogrel versus aspirin at either 6 or 12 months
These results align with his clinical experience
“When the headaches occur after the procedure
most of the headaches are gone and that has to do with endothelialization of the device
the platelets no longer stick to it and they no longer become activated.” People who have headaches beyond 3 months likely do so because of differences in healing times
suggesting that these individuals might benefit from restarting clopidogrel
Wintzer-Wehekind agreed that their findings indicate that increased platelet aggregation
rather than something about the device itself
and vasoprotective effects of clopidogrel could also play a role on the prevention of migraine attacks,” the researchers suggest in their paper
Cox is News Editor of TCTMD and Associate Director
Editorial Content at the Cardiovascular Research Foundation
Wintzer-Wehekind J, Horlick E, Ibrahim, et al. Effect of clopidogrel and aspirin vs aspirin alone on migraine headaches after transcatheter atrial septal defect closure: one-year results of the CANOA randomized clinical trial
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5:00 PM | Updated: 5:01 pm
BY MICHAEL HOUCK
RIO GRANDE DO SUL, Brazil — The Church of Jesus Christ is sending humanitarian aid to those affected by the recent flooding that devastated Brazil’s southern state of Rio Grande do Sul
the Church said the Brazil Area Presidency is using its 21 meetinghouses as shelters for the thousands of evacuated people
The Church is also providing thousands of basic food packages to Rio Grande do Sul’s Civil Defense
which have already begun distribution to the locals
The Church said that its missionaries helped unload emergency supplies from an airplane at a military airport in the city of Canoas on Wednesday
Missionaries from The Church of Jesus Christ of Latter-day Saints help unload emergency supplies from an Azul airplane at a military airport in Canoas
following severe flooding in the Rio Grande do Sul state
it is working with Azul Airlines to send an aircraft from Saõ Paulo to Porto Alegre with supplies donated by the Church on Thursday
The Church said its Welfare and Self-Reliance and Family Services departments are working with the Brazilian government to support the Rio Grande do Sul community
“(Brazilian) news reports say some 80% of the population is without running water right now
Many also do not have telephone or internet services,” the Church news release stated
Firefighters rescue a man and his dog from a flooded area at the city center of Sao Sebastiao do Cai
The death toll from a severe storm in Rio Grande do Sul
amid the “worst disaster” in the history of the state where President Luiz Inacio Lula da Silva traveled on Thursday
Photo by Anselmo Cunha / AFP) via Getty Images
The Church said the flooding blocked all routes from Brazil’s capital city, Porto Alegre, in Rio Grande do Sul. News reports state that the flood waters affect more than two-thirds of the nearly 500 cities in the area
“Thousands of essential items are being donated
personal protective equipment and tools,” the Church said
“These donations are being coordinated in collaboration with the State Civil Defense
local church leaders are coordinating efforts to help the community.”
Missionaries from The Church of Jesus Christ of Latter-day Saints help load emergency supplies from an Azul airplane onto a truck at a military airport in Canoas
The Associated Press reports that nearly 100,000 people have been forced out of their homes
with at least 90 people dead and more than 130 missing
Other cities in Rio Grande do Sul were already suffering from at least three previous major floods in less than eight months
The Church said if you want to donate to those affected by this flooding
you can do so through official government organizations that are coordinating donations through civil defense and social funds
“…building bonds of friendship is easier when we have unity of vision.”
The youth walk to the main hall for the morning plenary session
Workshop participants are warmed by the sun
The youth listen eagerly to their fellow workshop participants
The conference provided time for both study and socializing with friends
Participants met in workshop groups in several places on the conference grounds
The large and small workshop groups were also held in tents outside the main hall
Activities strengthened bonds of friendship throughout the weekend
Joyful participants in one of the small workshop groups
A group shot of the conference participants
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Essaying the pop culture that matters since 1999
I will admit a prejudice from the very outset of this review and if my readers feel that this invalidates my take on this film
I positively assess the film despite this initial prejudice)
I have always been suspicious of claims that recommend — or worse
justify — a film because it’s based on a true story
This is a favorite gambit of my stepfather and as much as I admire that man and enjoy his company
this particular ploy of his has always driven me a bit batty
I can’t remember what film it was that first led him to introduce this strategy
but that seems too late in our relationship
I feel like he started with this maneuver nearly from the moment I met him
as soon as he figured out that it rankled me
he had recourse to it at every possible occasion
I know it was a film I hated (and boy did I hate Black Hawk Down)
we got to the end of it and I released an exasperated sigh
Certain films just bother me — not merely in the sense that I feel they were a waste of my time (and that certainly applies to Black Hawk Down) but also in the sense that I am disturbed by their disingenuousness
their penchant to pull your strings in order to cajole you into accepting a premise that is false on its face
the way they dress up a view of the world as patriotism or rational or heroic or moving that you ought to find repugnant
I don’t think my stepfather particularly loved the film but it had entertained him enough that he found my acerbic reaction questionable
“What’s the problem?” he asked
I unleashed a barrage of complaints ranging from the political to the ethical to the aesthetic
He listened with an air of confused amusement
“but you do realize it’s based on a true story
right?” I admit it was a decent riposte insofar as it flabbergasted me
My stepfather specializes in a certain brand of non-sequitur and this one has nearly become his ’80s sitcom catchphrase
how on earth is knowing that it’s based on reality going to redeem it and miraculously change my point of view
I always wonder what my stepfather thinks my response ought to be at that point: “Oh
Black Hawk Down is the greatest film since Battleship Potemkin!” The fact is that reality itself is often odious
Art has always had a vexed relationship with reality
As Theodor Adorno and Walter Benjamin never tired of asserting: art relies upon a semblance structure for its mode of being
Art is a form of appearance that recognizes itself as appearance
There’s a play here on Kantian thought wherein the world is divided between the noumenal (how things are in themselves) and the phenomenal (how things are to our perception and understanding — in other words
we are confronted by appearances that we take for something real (we don’t see a dog and think we are just seeing an appearance
with art we recognize that this thing that we are seeing exists as a kind of semblance
This is easily seen in representational art
You see a Fragonard painting of a charming couple in an idyllic setting
the young man gently pushing the young woman on a swing
and you recognize it’s a representation
Western thought has recognized that part of the enjoyment of art is bound up in the fact that it’s not real
claimed that this explains why we can admire paintings of corpses but if we happened upon one in real life we would be repulsed
Different rules apply to art because of its semblance structure
It critically registers aspects of reality
Leni Riefenstahl’s film Triumph of the Will gives us an incredible and disturbing insight into the era of the Nazi regime as well as into the official ideology of the Third Reich
its penchant for an aestheticized politics
its concern for an order that transformed authoritarian control into a kind of sublime and terrible artwork
Even the most rigorous documentary film is not simply documentation
In the case of Triumph of the Will (1935) or in the case of the most scrupulous documentary
We don’t have full access to the material here
or focusing on one part of a scene while neglecting another are acts of interpretation
the most outrageously ludicrous attempt to thwart reality or the most outlandishly imaginative bit of science fiction will nonetheless have some purchase on (and for Adorno
a sometimes hidden and sometimes obvious connection to the world outside its frame
But no artwork simply is a reflection of reality in an untouched
All films purporting to present reality are bound up in the ineluctable semblance structure of all art
This leads me back to my suspicion regarding films “based on a true story”
or at least to my suspicion of those who would marshal that fact as a means of aesthetic justification
I found myself considering these issues while viewing a film that I had never seen but knew was based on an actual event: Felipe Cazals’s Canoa: A Shameful Memory of 1976
Canoa is reputed to be one of the most important Mexican films and one of the most important political films of the ’70s (a great
Canoa tracks the true story of a group of university employees from Puebla who take a half-hour bus trip out to the small village of San Miguel Canoa to hike the La Malinche mountain
a torrential downpour prevents them from immediately going on their hike
They are told by the owner of a small diner to ask the priest (Enrique Lucero) if they can stay at the church
They meet the local police captain (Juan Ángel Martínez) who seems as though he will allow them to stay in a municipal building but he
They return to the diner and attempt to rent a room there only to be refused yet again
A stranger invites them to a local home where they chat with the owner who regales them with bitter tales concerning the hold that the priest has over the entire village — not only spiritually but financially as well
This is in 1968 and with the student rebellions in full swing
the priest is convinced that communists will soon come to town to raise a red and black flag in the village
steal away the people’s religion (it’s never made clear how that would work)
It doesn’t take long before he comes to consider these young men the realization of his premonitions and he convinces his many rapt followers to believe that this is indeed the case
and march out to the home of the discontented resident who offered lodging to the university employees
The young men inside the house are at first blithely unaware that the increasingly raucous noise they hear outdoors pertains to them
They take the gunfire to be fireworks — until it’s far too late to escape
The last third of the movie portrays the horrific attack of the villagers on the unarmed young men
and the depraved acts of people who have clearly lost their sense of humanity while in the throes of a murderous frenzy brought on by misdirected and paranoid religious zeal
difficult to watch but beautifully choreographed
grabs the attention: just as the mob of villagers is about to march out to the home where the young men are staying
there’s an aerial view that reveals one large influx of people with torches moving toward a larger group that’s momentarily stationary but then responds to their encroachment; the entire mass of vicious humanity seems to roil about itself for a moment before it heaves itself forward in pursuit of its prey
It’s mesmerizing to see and disgusting to contemplate
Canoa is shot in a faux-documentary style that actually bifurcates into two differing documentary approaches
there’s the crime documentary style — complete with black screens that feature the time of the next scene
which were so reminiscent (before the fact
of course) of Law and Order that I kept intoning “Duh duh” to myself whenever they cropped up
This documentary charts the progress of the crime itself and the news reporting surrounding that crime
The other documentary style is more akin to ’60s television documentaries on exotic locales
where you can hear the whirring of the camera
and you hear interviews with local residents
the only person interviewed is one fellow with a characteristic hat (Salvador Sánchez)
He’s the epitome of the unreliable narrator
providing some insight into the life of the village but always with a sort of ominous portentousness
promising the eruption of suppressed tensions
Whereas the typical “travel film” waxes enthusiastic about the simple innocence of a rural culture
our narrator discusses the role of poverty and alcoholism within the village
he too participates and indeed looks right into the camera to remind us that he is our conduit (our only one
really) into an understanding of why these atrocities are taking place
he’s a symptom of the village’s disease
What’s remarkable about Canoa that doesn’t seem to apply to so many other films that are renowned for being “based on a true story” is that it plays with the boundary between semblance and the real
The documentary elements of the film are obviously fake
nearly a parody of actual crime and tourist documentaries
The scenes of violence teeter between an overriding aestheticization (ala Riefenstahl) and a perverse registering of the real
made into a memorable picture (like the scene with the swirling mob described above) and at other times the filming is almost casual (seeming almost like found footage of a horrible event)
And yet this winking acknowledgment of the semblance structure of the film doesn’t make it less horrific but rather more so
It confers upon the actual event a kind of surreal and terrifying irreality
The statistical sufferings of the villagers offered up by the man in the hat no more explain the twisted behavior of the inhabitants than the bitter accusations of the homeowner against the corrupt priest
There’s no accounting for human acts of inhumanity
There’s no way to explain away cruelty
Cruelty of this magnitude is not so much a condition as it is an event that irrupts into the lives of the unsuspecting and undeserving victims
If the notion of the real is predicated on observable and predictable behavior
then actual reality seems to fly in the face of such assumptions — particularly when human beings are involved
The real continually slips toward the irreal; reality becomes a horrible semblance
the reality of cruelty always presents an “as if”
an assumption that things could always be otherwise
What’s truly abominable about the semblance nature of cruelty is that we cannot help but wonder why the “as if” had to go the way it did
Why must one suffer when there were other possibilities
If Adorno claims that all art is the “coded language of suffering”
then perhaps it’s fair to say that cruelty is the reverse face of art
Cruelty codes the language of suffering that art expresses
Canoa is not worth seeing because it’s based on real events (don’t listen to my stepfather if he tells you that it is)
Canoa is worthy of our attention because it inhabits the liminal space between the real and the irreal
and thus reveals that reality was semblance all along
Criterion Collection presents a director-approved Blu-Ray edition of Canoa: A Shameful Memory to marks its 40th anniversary
The extras include an introduction by filmmaker Guillermo del Toro and a conversation between filmmaker Alfonso Cuarón
is the essay included in the booklet by film scholar Fernanda Solórzano
While many of the essays Criterion commissions for these releases are lackluster at best
Welcome to “Throwback Thursdays,” a new film feature at The Stanford Daily
the Arts & Life section will publish reviews highlighting older or more obscure works — sometimes both — that are currently not playing in traditional theaters
critic Amir Abou-Jaoude recommends Felipe Cazals’ “Canoa: A Shameful Memory” (1976) for its combination of cinéma vérité style and political paranoia
“Canoa: A Shameful Memory” can be found in the Media & Microtext Center under the call number ZDVD 40608
Felipe Cazals’ “Canoa: A Shameful Memory” begins with a title card telling us what follows is a true story
So many movies begin with this claim that the late film critic Roger Ebert once joked that he had “grown immune to it.” In the case of “Canoa,” however
Cazals uses this device not to dubiously link his film to reality
five employees of the Autonomous University of Puebla decided to hike La Malinche
they were caught in a strong storm and were stranded in the village of San Miguel Canoa at the foot of the mountain
The villagers were anything but hospitable
Convinced that the employees were communists
Cazals’ film uses this gruesome incident as a starting point to create a perceptive study of how paranoia and poverty incite man’s inhumanity towards man
Cazals’ examination of these issues begins as he establishes the environment in which the murders took place
He employs documentary techniques to convey these essential facts
A narrator tells us that San Miguel Canoa is only accessible by a pothole-ridden dirt road
Although there are three schools in the area
most of the population is illiterate because they cannot afford education
and many residents resort to illegal wood trafficking to make a living
and while we are told that the priest’s “influence is decisive in the life of the town,” this priest does not seem to take the Christian principles of charity and benevolence to heart
appoints corrupt officials to government positions
uses his influence to silence anyone who disagrees with him
and delivers polemics on the cruelty of communists
Cazals also conveys information about the town by interviewing the various villagers
they tell us about life in San Miguel Canoa
The villagers are primarily concerned with the fertility of the soil and the state of the wood trade
Most believe that the priest’s program is benefitting the village
While they complain about his taxes and his excesses
they commend him for bringing electricity to the town and building a new school
warns of the priest’s autocratic tendencies
These interviews illustrate that the priest wields enormous power because the villagers are desperate
They also remind viewers that although San Miguel Canoa is a real town
He includes title cards counting down the minutes until the hikers’ deaths
creating a sense that the hikers are being overcome by the inevitable
San Miguel Canoa becomes an inescapable hell
with the priest as an anti-communist version of Jim Jones
or the legendary Western town of Tombstone
They are looking to get drunk and find some beautiful girls
These ordinary people have no way to reestablish law in Canoa
so they are swallowed up by the lawless mob
Cazals makes a comment on Mexico’s politics
and students gathered there to protest the corruption of the PRI
They were mercilessly gunned down by the police
the hikers listen to news reports of the massacre
When student demonstrations against the government occur at the university
these apathetic individuals are branded as rabblerousing communists
Cazals suggests the political climate is so volatile that even the most apolitical people find themselves at the center of current events
“Canoa” becomes not just a study of a horrific incident
but a survey of Mexico’s political landscape after 1968
Perhaps because of its outlook on Mexican society in this era
“Canoa” is cited as one of the greatest Mexican films
Directors like Guillermo del Toro and Alfonso Cuarón have championed it
while the story of “Canoa” certainly concerns Mexican society
Cazals’ story recalls other shameful events
such as the Salem Witch Trials and the 1950s Red Scare in America and the Dreyfus Affair in France
his study of the dangers of demagoguery and the perils of paranoia seems eerily relevant today
As new demagogues rise to prominence and poverty increases
we leave the film reminded that history can repeat itself
Contact Amir Abou-Jaoude at amir2 ‘at’ stanford.edu
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The government of Costa Rica announced a state of national emergency on Tuesday in response to the dramatically increasing number of migrants crossing its southern border from Panama
Authorities say over 60,000 migrants entered just in the month of September
President Rodrigo Chaves declared the emergency measure during a press conference with officials from the National Emergency Commission (CNE) and his administration
This decree will facilitate additional funding and operational capabilities to manage the influx of migrants
primarily extracontinental individuals aiming to reach the United States
CNE President Alejandro Picado stated that Costa Rica has received around 386,000 migrants so far this year, with the vast majority crossing through the Panama-Costa Rica border town of Paso Canoas
25 unruly migrants were detained and face deportation after confrontations with police in Canoas
President Chaves asserted that peaceful passage will be allowed
but disrespect towards authorities will not be tolerated
Migrants will be redirected from Canoas and transported via buses to Costa Rica’s northern region
he cautioned that Costa Rica’s compassion should not be mistaken for weakness
Vice Minister Jorge Rodriguez highlighted the strain on local communities near the border caused by the sheer volume of migrants
and sanitation have been stretched thin in Corredores Municipality
CNE President Picado said the national emergency aims to enhance security measures at the border while still ensuring humane treatment and safe transit for migrants
An extraordinary legislative session will occur today to approve emergency funds before the decree’s presentation to the president
The migrant wave stems from an arduous 266 km jungle crossing known as the Darien Gap which separates Colombia and Panama
For many extracontinental migrants like those from Venezuela
passing through the roadless wilderness of the Darien jungle is the only option to make their way north
Guatemala and Mexico are also feeling the effects of being part of the primary transit corridor to the United States
Regional cooperation and international assistance have become crucial to managing the flow
“We cannot turn a blind eye to the human struggle behind this exodus
Costa Rica will act with compassion but firmness for the security of all.”
the Costa Rican government will have additional tools and funding to uphold stability at its borders
leaders agree that the migrant crisis cannot be solved alone
More international cooperation is urgently required
a Singapore-based petroleum logistics unit of Malaysian energy logistics group MISC Berhad, has taken delivery of the second of three Suezmax second-generation dynamic positioning (DP2) shuttle tankers
which are purpose-built for a long-term charter with Shell for operations in Brazil
Following the announcement from 24 February 2022, when AET confirmed the naming of the first of two dual-fuel very large crude carriers (VLCCs) built for a long-term charter with TotalEnergies and added it took delivery of one more Suezmax Dynamic Positioning (DP2) Shuttle Tanker
the company provided more details about this delivery on Wednesday
AET explained that Eagle Canoas – the second in the series of three commissioned DP2 shuttle tankers – was delivered by Hyundai Heavy Industries (HHI) last month
Eagle Canoas further strengthens its commitment towards decarbonisation and sustainability
commented on the delivery: “This is indeed another milestone and a matter of pride for all of us
that after the successful delivery of Eagle Campos last month
we are now taking delivery of Eagle Canoas
“I wish to take this opportunity to thank everyone from HHI
DNV and colleagues from Eaglestar and AET and all vendors and partners involved who collaborated tirelessly as one team to ensure that all jobs were completed on time and to the highest standard.”
As previously reported, AET’s commitment to moving energy in an increasingly responsible and eco-friendly way led to the agreement with Shell in December 2019 to operate these three Suezmax DP2 shuttle tankers in the international and Brazilian Basin on a long-term charter
The remaining sister vessel is currently under construction at the Hyundai Heavy Industries in Ulsan
South Korea and is expected to be delivered later this year.
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