by Natalie De Rosa
Brazil commemorated the bicentennial anniversary of its independence
But a new media project aims to highlight how that independence — and how Brazil has evolved up to the present day — was built on slavery
Inspired by Nikole Hannah-Jones’ and The New York Times’ 1619 Project
projeto Querino offers an Afro-centric history of a country that imported nearly half of all enslaved people taken from Africa and would be the last country in the Western hemisphere to abolish slavery
Through an eight-episode podcast produced by Rádio Novelo and an essay series published by the magazine piauí
projeto Querino demonstrates how enslaved people propelled Brazil’s independence and built its wealth
The project also spotlights the contributions of Afro-Brazilians in the modern day
ranging from music to education to health care
ways journalists can incorporate historical research into their work
and how the media can tell the stories of Afro-Brazilians
which was conducted in Portuguese and translated
to do a fellowship with the International Center for Journalists
and got to visit the National Museum of African American History and Culture
I went to that museum four times — it’s the only museum that I’ve ever visited that much — and it was during one of those visits that I listened to the 1619 Project
I got to know the work of an institute here called Instituto Ibirapitanga
which funds initiatives to promote racial equality
and we came up with the idea to do a Brazilian 1619 Project
There were six months just of preparation to present projeto Querino to Instituto Ibirapitanga and obtain the grant
It was a coincidence; at the time I was talking to Novelo about “Vidas Negras” [“Black Lives”]
And that’s how Novelo entered projeto Querino
[projeto Querino] obtained a grant from Instituto Ibirapitanga
It was a year of research: historical research
What stories were we going to tell about this macro-history of Brazil
How were we going to tell the story of public health in Brazil
It was two years of work with more than 40 people involved
do you see projeto Querino in conversation with 1619
but the differences [between the projects] are posed from the very beginning because the number of slaves
who came to Brazil is 10 times larger than the number that went to the United States
And it’s not an accident that the percentage of Afro-descendants in the Brazilian population is more than half the population
while in the United States it’s less than 15 or 20 percent
Though politically and economically we’re the minority
was what provoked some of the biggest advancements in American democracy in terms of human rights
It was a major focus in projeto Querino for us to show some of Brazil’s best characteristics that are an example to other countries
but especially compared to the United States
it’s a system that is able to reach poor people
[That system] is a result of the struggle of the Black movement and Black people
this was a big inspiration to have this positive look at our history — a proactive
One thing that struck me about the podcast was how much agency it assigned Afro-Brazilians — episode three
What considerations did you take in choosing to tell this story about Brazil the way you did
Agency is everything because to tell this story about Black existence in Brazil without agency
The conventional historiography that we learn in school already exists in the mainstream media
We had to show a version of the story that is not commonly told
We did not want to make a kind of violence porn
but we don’t describe the torture of slaves at all in the entire project
Because that’s already part of people’s imaginations
That’s why we’re a lot more interested in the ways that Black people found to
Those were examples that we included to serve as an inspiration today
there are sad and dark explanations for the inequalities we have in Brazil today
But we also can find in the past examples of how people can fight today for a better world with more rights and more democracy
This project is a blend between journalism and history
How do you see the two informing each other
[History and journalism] converse well because they’re professions that converge at a lot of points
they guide both a good journalist and a good historian
It’s cool to understand — and I think that we did this well in projeto Querino — the virtues of both to use the best that each have
and contextualizing historiographical research
[helps] not put today’s gaze on a [historical] moment
a historian that we heard in the eighth episode talked about the fact that one of the main abolitionists in Brazil
He defended the end of slavery and owned slaves
But when we understand the historiography of this moment
I think that systemizing this history from a point of view is narratively attractive
I think that’s one of the main contributions that the journalism part of projeto Querino gave to the historical part
I think [history and journalism] are complementary works
as long as one learns from the virtues of the other
The very end of the podcast series ends with you saying: “As long as there is racism
And it’s past time for Brazil to actually be a democracy.” This project did not only come out during the bicentennial of Brazil’s independence — it came out right before an election where many see democracy at risk
What should we take from projeto Querino into this election
When we look at the two candidates [Luiz Inácio Lula da Silva and Jair Bolsonaro]
there are two projects: a democratic project and an anti-democratic project
It’s important in this moment to understand that democracy is
I think that one inspiration that projeto Querino leaves for the audience is to remember that
despite all of the advancements that happened in Lula’s government — during Lula’s first two administrations
and from the social point of view and economic point of view we were much better off than we are today — Brazil is not a country free of racism
We still haven’t solved the issue of racism
Brazilian democracy will only reach its peak
when people have equal opportunities to exercise their rights as a citizen that we didn’t have even before Bolsonaro
Going back to [the Lula administration] won’t resolve that
We need to think about this moment as an opportunity to create a new Brazil
to create a Brazil where people are not impeded from exercising their full potential as citizens
A democracy should be where there isn’t a differentiation between people
I believe that this is the main message that we wanted to relay in this finale
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“We consider the witches’ broom not a plague
but rather a ‘holy’ broom,” says Rubens de Jesus
That’s not a sentiment shared by many of de Jesus’s fellow small farmers
who in the 1990s saw their valuable cacao trees devastated by an outbreak of the fungal disease in the south of Brazil’s Bahia state
leaving more than 150,000 farmers unemployed in what had been Brazil’s main cacao-producing region since the 18th century
Bahia’s cacao was highly valued on the international market
providing decades of abundance for local landowners known as “colonels,” who exported the crop by the ton every year
the fungus that causes witches’ broom disease (WBD) in cacao trees
The cacao trees shriveled up and sprouted the abnormal stems that give the disease its name
home to 150 people in the municipality of Ibirapitanga
the outbreak opened the way for land reform
They mobilized for their land rights and received training and support from institutions
eventually becoming an example of how to overcome adversity
They started selling premium cacao to major brands and achieved freedom
financial independence and food sovereignty
Before joining the Dois Riachões land reform settlement
many of the community’s residents worked on cacao farms as temporary employees
paid weekly based on how much work they did
Working conditions were harsh: about 15 years ago
or about $4.60 at the exchange rate at the time
“I thought I was worthless; it was almost like slave labor,” he says
Workers didn’t get to participate in all stages of cacao production
and it remained so for several generations
so we wouldn’t understand the whole cycle of cacao.” This was designed to keep them dependent on the landowners
the families of many cacao farmers had never eaten chocolate until they took possession of the land
and many did not even know what chocolate was
but I was not allowed to suck on a cacao seed
or it would be deducted from our payment,” says Luiza dos Santos
adding that they were monitored up close by “shift corporals,” as the farm foremen were known
That was until some farmers started to get involved in social movements fighting for land
And they decided to set up camp on an abandoned farm by the BA-652 state road: Dois Riachões
after six years of fear and sleepless nights
their persistence paid off and they managed to occupy the property
which was eventually granted to them by INCRA
land reform would have been virtually impossible in the region
But the 40 families who occupied the land already knew that planting cacao would guarantee their livelihoods and their main source of income
the 406-hectare (1,003-acre) settlement has no single owner; it is instead managed collectively by all 150 community members
When the farmers first took over Dois Riachões
There was nothing on the land but livestock and cacao
As is customary in movements fighting for land
they planted food crops such as cassava and beans for their own subsistence as soon as they arrived
they started selling the surplus in neighboring towns and the reality finally began to change
from being called “troublemakers and thieves,” they started to be praised as food producers
an agroecological system that had been practiced in the area for 170 years
It consists of cultivating without clearing the forest
This is possible because cacao grows well in the shade; here
it has the added benefit of preserving a patch of southern Bahia’s dwindling Atlantic Forest
at least 50 species of native trees are required
This differs vastly from much of the cultivated land in Bahia
encouraged by the state government and major industries
Another crucial decision by the community was to center their cacao farming around the local and ancient parazinho variety rather than on hybrid or cloned ones widely used in the area
In addition to providing much tastier chocolate
it contributes to maintaining the age-old farming tradition
Another trademark of Dois Riachões is collective participation
Each farming stage is carried out as a joint effort
and the farmers sing while breaking the cacao
“We can’t handle 4 hectares [10 acres] by ourselves
but we can do it by working with the neighbors,” says Mara Silva
the community’s income per hectare is four times higher than from a conventional system
“Agroecological production is our only option
Today we still have Atlantic Forest in Bahia thanks to cacao,” de Jesus says
Through partnerships with several institutions
the residents of Dois Riachões also learned to master fermentation
the most sensitive and rigorous stage of the cycle
responsible for producing truly high-quality cacao beans
they have managed to sell to the two main premium chocolate brands in the Brazilian market: first Amma
“It’s a beautiful and integrated community with a beautiful organization,” Amma’s founder
“We made a [chocolate] bar and stamped it to inform identity
Dengo has helped raise the quality of the beans even further by requiring that they be analyzed by Brazil’s Cocoa Innovation Center
which assesses whether they meet the standard for processing
Other smaller but also prestigious brands have followed
“It’s a fantastic feeling when Amma sends us chocolate with that name written on it: Dois Riachões Association,” de Jesus says
“Anyone who buys it will be consuming a product that doesn’t harm nature
and will benefit those who are at the end of the chain
the community is introducing cacao and its derivatives into its own diet
“We’re starting to use it for ourselves as well
Food production is liberation,” Mara Silva says
“The process of struggle in Dois Riachões advances toward quality education and access to all levels of training,” says Teresa Santiago
a farmer and member of the community’s education commission
The commission has built a day care center and is finishing off work on a National School of Agroecology
but now I’m finishing college,” Santiago says
Farmers’ average monthly earnings went from 246 reais in 2008 to 2,000 reais today ($144 to $365)
the community opened a school factory and is about to launch its own chocolate brand
All this in the midst of the COVID-19 pandemic — a sweet success in such difficult times
The history of the community is told in the independent documentary short Dois Riachões
Directed by filmmaker Fellipe Abreu and journalist Patrícia Moll
it was released in November 2020 at the Terra Madre Brasil event promoted by Slow Food
Banner image of the Dois Riachões settlement in Ibirapitanga
This story was first reported by Mongabay’s Brazil team and published here on our Brazil site on Feb
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