the jurema is a most willful tree: When you think it’s dead its leaves tear through the soil again in search of light a people for whom jurema is the most sacred of plants a cosmic bridge between the living and the spirits its branches grow even stronger,” emphasizes Mocinha Kapinawá It happened during the Cutting of the Wires When Maria Bezerra da Silva – known today as Mocinha Kapinawá a leader in Mina Grande village – was still a teenager but already on the frontline in the fight against Colonel Romero Maranhão and his land-grabbers now the largest village in the Kapinawá territory had been under pressure from farmers wanting to take over their lands “because of the wealth we have here the Kapinawá territory coincides geographically with the Catimbau Valley a privileged point in the hinterlands of Pernambuco whose maze of hills stores an abundance of water sources — high-quality water that springs at the foothills irrigates the vegetation and quenches the thirst of those in need It was on the outskirts of Mina Grande — a name that means ‘Big Spring’ — that families began to witness the encroachment of wire fences over their fields claiming that these were “unclaimed” lands the leader of the land-grabbers and also the father-in-law of the mayor of nearby Buíque city was in charge of forging the deeds at the city hall “That’s when the suffering began,” says Mocinha And it began because the Kapinawá did not accept those fences: Systematically they set out to cut and burn any wire that rose on their lands there was a shootout with gunmen hired by the land-grabbers That happened while the Kapinawá were also discovering themselves as Indigenous people they had become used to being called caboclos a generic and derogatory term in the backlands for the local population whose ancestry is unknown and so they were believed to be until a document signed by the Emperor’s daughter proved otherwise a group of villagers from Mina Grande went to work on the construction of a road in nearby Ibimirim They were the ones who mentioned the existence of a deed from when Brazil was an empire specifying a donation of lands to the residents of the village of “Macaco dos Índios,” in gratitude for their participation in the Paraguayan War Macaco is not only the name of one of the oldest villages in the Kapinawá territory but the document also detailed all the boundaries of the donated lands including the names of the benefiting families whom the Kapinawá recognized as their ancestors Further research revealed that the village of Macaco had been known since the 17th century as a home for Indigenous people at that time referred to as Paratió (or Prakió) everything suggested that these Paratió were the same Kapinawá of today forgotten of their past and — more importantly — unaware that they were rightful owners of those lands the Kapinawá reemerged with increased strength on Caatinga soil no longer as “caboclos,” but as Indigenous people whose meaning would be “grass and water,” two resources that abound in the territory The kinship and proximity to the Kambiwá people helped so much so that two of them ended up becoming masters of the Kapinawá on their journey of self-recognition Dôca and Zé Índio were the first chief and shaman of the Kapinawá responsible for reteaching long-forgotten practices Toré is a ritual common to several Indigenous groups in the Brazilian northeast and is based on the consumption of anjucá or “jurema wine,” a sacred drink made from the Mimosa tenuiflora tree whose magical power leads people into a trance and contact with the encantados — spiritual forces linked to the ancestors and nature “Jurema is a mother to us,” summarizes Mocinha the Kapinawá engaged in a conflict that lasted three years the Mina Grande families quickly brought it down “We danced the ritual at night and went out with a scythe at 3 a.m On the last wire cut, the farmers gave up. For the Kapinawá, a new struggle began, that of recognition by the Brazilian authorities as Indigenous people and legal owners of their territory — a long process that only materialized in 1998, when the Kapinawá Indigenous land was finally ratified with an area of 12,260 hectares (30,295 acres) roughly corresponds to the extent of the land donated by the empire in 1874 delimited by the Macaco and Catimbau streams to the south and north The issue is that there were also Kapinawá villages beyond the Catimbau Stream which were left outside the Indigenous land “The chief at the time didn’t take into account the families that were spread out on this side,” says Socorro Kapinawá (surnamed Silva França) As the journey of indigeneity recognition was concentrated in Mina Grande and neighboring villages where the struggle for territory was also more violent it’s said the communities north of the Catimbau Stream At the time of demarcating the Indigenous land “It’s kind of complicated to say this there were villages that didn’t want to participate,” reveals Mocinha Anthropologist José Augusto Laranjeiras Sampaio director-adviser of the National Association for Indigenist Action (ANAI) and professor at the State University of Bahia (Uneb) has closely followed the Kapinawá since the time of Cutting of the Wires He confirms Mocinha’s statement: “When they were surveying the land not every community felt comfortable submitting to Funai [the National Indigenous Peoples Foundation] And as these communities were not being threatened Not that they didn’t experience their own land struggle The lands there had been titled by adverse possession to individuals and then sold to landowners Many Kapinawá families were expelled in this process; others became tenants of the occupied territories When these villages also decided to fight for their territory it was too late: just four years after the Indigenous reserve on the other side of the stream was ratified the Kapinawá New Area was converted into a national park the Catimbau landscape — remarkably beautiful by the way — has been a landing and passing place for Indigenous peoples for 6,000 years as evidenced by numerous bones and stone inscriptions throughout the region The Catimbau National Park has the second-largest concentration of rock paintings in Brazil — 64 cataloged archaeological sites — second only to Serra da Capivara A large stone slate that Ronaldo Kapinawá knows very well “The national park was my childhood amusement park,” says Ronaldo Siqueira a tourist guide and an archaeologist who graduated from the Federal University of Cariri where he went to study the official version of Indigenous people’s history and then return home and rewrite it according to the Kapinawá version which archaeologists interpret as a hand?” says Ronaldo showing one of the park’s cave paintings on his cellphone it’s something else,” he assures and then raises his eyes to the panoramic view of the valley unfolding at his feet “Look at these palm trees in the landscape See if this painting isn’t a set of babassu palms So much so that the thumb doesn’t even appear.” as the rock inscriptions are locally called are topographic maps that people passing through the region drew to indicate water “It’s already the fourth map that I can identify here in the valley,” he says showing yet another archaeological site on his cellphone with the certainty of someone who is intimate with both the territory where he was born and the art that was inscribed there “I have this vision because my perspective is Native I am a historian of my own history.” “And I have a great teacher who tells me what each drawing means,” Ronaldo reveals “It’s the old trunk of the Kapinawá all those who have passed away and left their history recorded great-great-grandfathers; they are here spiritually it’s like reading a book they wrote.” despite all the evidence of the continued presence of Native people in the valley not a single Indigenous person was consulted when the federal government decided to allocate 62,300 hectares (154,000 acres) for the creation of a national park “Catimbau National Park was created without any fieldwork It was created with aerial photos,” says anthropologist Guga Sampaio “This is very common in Brazil: You see from above that there are few people living there and you create a park in the areas that traditional communities have preserved Then you remove those who preserved it.” There was indeed an attempt to remove the 45 families living in the area at the time by Brazil’s environmental agencies with several intimidating meetings with the authorities There were six Kapinawá villages entirely within the park in addition to another six in an intermediate zone between the Indigenous land and the national park outside both but using the latter’s perimeter for hunting and suddenly a national park shows up without consulting us,” says Socorro Kapinawá sitting on the porch of her house in Malhador village facing a vast Caatinga area that she herself has been working to preserve “And we suffered a lot of pressure at that time The IBAMA [Brazil’s main environmental agency] representative came up to us and said ‘You’re getting out of here.’ So we went into battle We sought the organizations that could defend and help us.” Among these organizations were the Indigenous Missionary Council (CIMI) and ANAI who played a crucial role in mediating the process of the communities’ self-identification as Indigenous with Funai ‘We are Indigenous here,'” recalls Guga justifying the delay compared with other Kapinawá: “Being Indigenous in Brazil is difficult You have to have a good reason to say that you’re Indigenous the Kapinawá learned that the headquarters of a farm within the national park would be transformed into a lodge families from almost all 26 Kapinawá villages marched to the main house and took possession of it in a process that became known as Recoupment is a coexistence agreement between the Indigenous people and the national park management authorities — except for the restrictions that by law apply to any Full Protection Conservation Unit in Brazil And it’s because of these restrictions that tension persists “We have to ask their permission for everything,” complains Socorro Kapinawá “You can’t put electricity in your home without asking the national park manager You can’t remove material to fix the roads There’s a lot of sand here; it’s not possible to drive And she goes on: “If we need wood to fix a fence we have to ask permission to get it from the valley and we know which trees sprout again after cutting the ones that have this regenerative power They want to stop us from doing something that we know how to do and have been preserving for so long.” The problem is that they want to take it from inside the park There needs to be a project for us to authorize.” “there’s no problem collecting within one’s area What can’t be done is clear-cutting and selling wood.” both Socorro and Jailton agree there are cases of illegal wood removal from inside the national park “The Indians even communicate when there’s an environmental violation,” says the head of the park But Socorro asks for more: “We want to partner up to defend the Caatinga but they don’t monitor them.” Jailton argues “We’re only two permanent employees here – and I am one of them.” the most painful thing is the restricted access to places that the Kapinawá consider sacred Jailton says the Indigenous people are free to move around the park “There are many places we can no longer go because they have become tourist spots a natural sandstone amphitheater sculpted by water and wind “There are many places that are now tourist routes that have always been sacred the Catimbau Valley is sacred ground for the Kapinawá people “It’s in the forests that the encantados live,” explains Mocinha We go to the forest and ask for strength from our ancestors.” A jurema wine-fueled toré ritual usually takes place in the central hut of the villages but it’s not rare to also be held in the middle of the Caatinga forest — especially if it involves a healing ritual — or inside the many caves that spread across the Catimbau Valley and most of them are full of rock engravings — for the Indigenous people unequivocal proof that their ancestors passed through here (and indeed That’s where our ancestors are,” says Ronaldo went to inhabit the magical realm of Juremá and now they return to Earth whenever summoned through the jurema trance manifesting as caboclos or “masters.” These masters are the very personification of the Caatinga trees: Master Aroeira the Caatinga is food that strengthens body and soul it’s the flesh of the fruits and the veins of the leaves that serve as sustenance “our wet nurse,” according to Mocinha “We use it for everything.” From the coconut of this native palm tree From the trunk comes the heart of palm and bró they make the roofs of the huts and the traditional Kapinawá hat they can make a medicinal tea that relieves back pain “The ouricuri is one of the most sacred plants for us,” summarizes Socorro straws for braiding and herbs for healing that only the Caatinga provides “I haven’t been to the hospital for over 10 years with the encantados and the plants of the Caatinga,” says Ronaldo that the Kapinawá will not give up this territory that is a temple “We just want to have the free will to live in our spaces to be able to enjoy our land without them breathing down our necks,” says Socorro “We’re in what is ours; they’re the ones who arrived later.” “There is a process stuck at Funai,” says anthropologist Guga Sampaio, who is closely following the Kapinawá struggle. “The solution that is being given is what they call dual allocation,” he explains “To avoid uncreating a national park you establish an Indigenous land in the form of shared management.” Guga says the model was initially adopted on Bananal Island now both Araguaia National Park and Inãwébohona Indigenous Land The same thing in the Amazon state of Roraima where the Raposa Serra do Sol Indigenous land overlaps Monte Roraima National Park “And it has worked well here on Monte Pascoal where the Pataxó people live,” says Guga “As we know that the demarcation will take time we see that the coexistence efforts are going well What they [the park management] have done is put the Kapinawá as guides and responsible for preservation.” adds that “in the new management plan So that’s what the Kapinawá are doing While the law does not grant them the land that is rightfully theirs — and while the few park employees are unable to maintain it — they have decided to take care of Catimbau themselves Ronaldo started by recovering a degraded area left by his grandfather 10 years ago And there are countless pots on Socorro’s porch whose seedlings will one day be trees like those already growing in the backyard a mandacaru cactus and a 6-year-old jucá where “you can already sit in the shade … When I saw that I had such a big yard at home I decided I was going to start remaking the Caatinga here.” Recaatingamento is the name given to a series of practices that seek to recover the Caatinga dry forest in degraded areas “We make small embankments where this water will be stored and return to the soil irrigating the groundwater,” explains Ronaldo All this in the midst of productive backyards. “We call it agrocaatinga,” says Socorro where forests and fields work together to increase food security making Malhador village the largest agroecology laboratory in the Kapinawá territory An experiment center has the Saturnino Vieira de Melo Indigenous school at its core where Ronaldo is the coordinator and where dozens of children learn to recaatingar the Kapinawá territory themselves From the geodesic dome that serves as a nursery jatobá and many other Caatinga trees have already been donated to families throughout the territory for them to plant on their land “We’re passing on to children these teachings that come from the ancestors,” Ronaldo says Creating this link between people and the territory.” “The Caatinga has a very strong regenerative power,” says Socorro you see the strength with which the new leaves come a people where children are initiated from an early age not only into caring for the Caatinga but also into connecting with its magical power “Even children drink jurema wine,” says Socorro “To prepare tomorrow’s warriors Mocinha confirms: “We are jurema seeds.” And then she starts singing the song that ends every toré whose melody doesn’t break alone the silence of the Mina Grande’s central yard because suddenly the wind blows and it seems that all the trees decide to sing with her: “The leaflet of jurema/that the wind is carrying /it goes on and on and on/and the caboclos follow along …” This feature was shortlisted for a Gabo award in May A community-led strategy to save Brazil’s dry forests from desertification In Brazil’s Caatinga, adapted agroforests are producing food from dry lands Athiê-Souza, S. M., Melo, J. I., Silva, L. P., Santos, L. L., Santos, J. S., Oliveira, L. D., & Sales, M. F. (2018). Phanerogamic flora of the Catimbau National Park, Pernambuco, Brazil. Biota Neotropica, 19(1). doi:10.1590/1676-0611-bn-2018-0622 Las-Casas, F. M., Da Pereira, I. M., Dos Santos, L. D., & Naka, L. N. (2019). The avifauna of the Catimbau National Park, an important protected area in the Brazilian semiarid. Revista Brasileira de Ornitologia, 27(2), 79-93. doi:10.1007/bf03544452 The “fortress conservation” model is under pressure in East Africa as protected areas become battlegrounds over history and global efforts to halt biodiversity loss Mongabay’s Special Issue goes beyond the region’s world-renowned safaris to examine how rural communities and governments are reckoning with conservation’s colonial origins and trying to forge a path forward […]