Girls participate in a procession in the Cavalhadas festival in Pirenopolis
A Portuguese priest brought the tradition to Brazil in the 1800s to celebrate the Holy Spirit and to commemorate the victory of Iberian Christian knights over the Moors
A boy take parts in a procession during the Cavalhadas festival in Pirenopolis
Flag girls take part in the Cavalhadas festival in Pirenopolis
Residents perform Emperor of the Divine Holy Spirit procession during the Cavalhadas festival in Pirenopolis
Girls protect themselves from the sun under the Holy Spirit flag during the Cavalhadas festival in Pirenopolis
Residents perform the Emperor of the Divine Holy Spirit procession in the Cavalhadas festival in Pirenopolis
Girls take part in the Cavalhadas festival in Pirenopolis
Brazil (AP) — People in the heartland Brazilian city of Pirenopolis took to the streets on Sunday in a procession of the traditional Cavalhadas festival
The tradition began in the 1800s with a Portuguese priest who wanted to celebrate the Holy Spirit — one of the entities of the Roman Catholic Church’s trinity — and also commemorate the victory of Iberian Christian knights over the Moors
The Emperor of the Divine Holy Spirit procession started in the early hours in Pirenopolis
a city of 25,000 residents 150 kilometers (93 miles) west of the Brazilian capital Brasilia
Other countryside cities across the South American nation also celebrate the Cavalhadas festival
The festivities include an open air reenactment of a battle between Christian warriors and Muslims
the defeated Moors are converted to Catholicism
Brazil, the largest country in South America, is known for its culture, landscapes, and history. With a vast territory that encompasses the Amazon Rainforest
Brazil offers an array of travel experiences
Beyond the well-known cities like Rio de Janeiro and São Paulo
there are many smaller towns that showcase the country’s welcoming spirit and heritage
These towns often retain much of their traditional architecture
making them inviting destinations for those looking to explore Brazil's lesser-known gems
Paraty, established in 1667 in the state of Rio de Janeiro, played a key role in Brazil's colonial economy as a major port for gold exportation to Portugal
The town's significance grew with the Caminho do Ouro (Gold Trail)
a historic route that facilitated the movement of gold from Minas Gerais to Paraty’s port
This historic pathway and the town’s well-preserved Portuguese colonial architecture
including the cobbled streets and churches
set Paraty apart as a living museum of Brazil’s colonial era
Paraty's welcoming nature is reflected in its blend of cultural heritage and the natural surroundings of the Atlantic Forest and the Bay of Paraty
fostering a community that values both preservation and hospitality
Founded in 1727 during the Brazilian Gold Rush, Pirenópolis in Goiás emerged as an important mining hub
The town is also notable for its colonial architecture
including the Church of Our Lady of the Rosary
exemplifies the town's historical significance
Pirenópolis is also renowned for its cultural traditions
which reenacts the medieval battles between Moors and Christians
It shows the town's commitment to preserving its cultural heritage and welcoming visitors to partake in these traditions
Cachoeira do Abade is a private natural reserve in Pirenópolis
It gives visitors a chance to experience the region’s biodiversity
evidences the town's colonial architecture and houses religious artifacts that date back to the 18th century
For those interested in geology and hiking
Serra dos Pireneus has trails that lead to the peak of Pico dos Pireneus
makes it a welcoming destination for nature enthusiasts and conservationists
where visitors can observe stalactites and stalagmites formed over thousands of years
Campos do Jordão, located in the state of São Paulo
was established in the 19th century as a health resort due to its high altitude and cool climate
it had gained popularity as a retreat for those seeking relief from the summer heat and a place for patients with respiratory conditions
What sets Campos do Jordão apart is its distinct European architectural influence
often earning it the nickname "Brazilian Switzerland." This Alpine-style town attracts visitors year-round
particularly during the winter festival in July when the town becomes a hub of cultural activities
Horto Florestal (State Park), established in 1941, spans over 8,000 hectares of preserved Atlantic Forest and features hiking trails, picnic areas, and a range of native flora and fauna. The Amantikir Gardens, inspired by various international garden styles, is a diverse botanical experience with over 700 Brazilian plant species spread across 60,000 square meters
has panoramic views of the town and surrounding Serra da Mantiqueira mountain range
São Miguel dos Milagres, a small town on the northern coast of Alagoas, is known for its beaches and tranquil environment. Unlike many coastal destinations in Brazil, São Miguel dos Milagres has remained relatively untouched by mass tourism, which has preserved its nature and local culture. The area is part of the Coral Coast, home to one of the largest coral reefs in Brazil
The welcoming nature of São Miguel dos Milagres is evident in the town’s small-scale
family-run accommodations and community-focused tourism efforts
Among the attractions in São Miguel dos Milagres, the beach of Praia do Toque is a place for visitors to enjoy warm, clear waters and explore the coral reefs at low tide. Foz do Rio Tatuamunha, a protected area, has guided boat tours to observe the native manatee population
part of a conservation program aimed at protecting these endangered marine mammals
is a coastal road that connects a series of small
Founded in 1875 by German and Italian immigrants
Gramado in Rio Grande do Sul is recognized for its European architectural influence and well-preserved traditions
The town’s development as a tourist destination began in the mid-20th century with the establishment of parks
such as the annual Festival de Cinema de Gramado
one of the most significant film festivals in Brazil
and culinary offerings make it a welcoming destination that feels distinctively different from other Brazilian towns
Key attractions in Gramado include the Mini Mundo, a miniature park created in the 1980s. It has meticulously crafted replicas of world-famous buildings and landmarks. Lago Negro, an artificial lake surrounded by pine trees brought from the Black Forest in Germany
is great for paddle boating and also has scenic walking paths
It is a cozy spot for visitors to enjoy Gramado's culinary offerings and artisanal goods
especially during the town's festivals and events
located in the state of Rio Grande do Norte
was originally a quiet fishing village that gained recognition in the 1970s when surfers and backpackers discovered its beaches and waves
derived from the Portuguese word for "keg," comes from a rock formation along the coast that resembled a barrel to the early Portuguese explorers
Its welcoming atmosphere is enhanced by the town's laid-back vibe
a mix of local and international influences
and a community that is open and accommodating
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PIRENOPOLIS, Brazil -- Over the course of nine days, a religious procession known as the Folia of the Divine Holy Spirit brings messages of faith and song to farms...
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With a title taken from a text by Júlio Pomar – Em Matéria de Matérias-Primas – the exhibition at Atelier-Museu Júlio Pomar
is based on the understandings and disagreements about raw materials used by André Romão
Jorge Queiroz and Susanne Themlitz in relation to Júlio Pomar’s work
The artists engage in conversation with Pomar’s work
in particular the series Mascarados de Pirenópolis (1987-88)
the artist addresses the theme of the Whitsun festivities
where the inhabitants of the town of Pirenópolis ride decorated horses wearing masks in an allusion to death and the devil
Pomar captures this atmosphere in the colour festival in each of the series’ paintings: colours that challenge us like a jaguar
According to the artist “all the work points outwards
it feeds on the other’s so as to search for its own truth”
If we think of the way the exhibition was made
we can pinpoint this idea – finding the world’s materials that bring energy into the work
The works in the exhibition dialogue with each other according to these ways of making
composed of bits of the world – pieces of cloth
not only by the scenes portrayed – human figures mounted on horses that threaten to run us through -
but also by the coloured work in which we discover a tension between figure and background
solved through the dilution that produces that (con)fusion – the figures get lost in the background
contributing to accelerate or heighten the colour throbbing
in the different mediums with which she works
echoes Pomar’s appeal concerning the making of the work
The works presented by the artist clearly dialogue with the colours of Pomar’s Mascarados
a potential three-dimensional expression of the atmosphere of Pomar’s paintings
extend the painting universe to other realms
emphasising the notion of contamination and movement
something that can be seen not only in the ceramics but also in the glass pieces
where the artist accumulates oil on paper under the magnifying glass
the artist’s textile work is all over the exhibition
Susanne Themlitz has hung coloured fabrics
in shapes similar to the spots in Pomar’s paintings
with the fragments of sleeping bodies and the natures surrounding them (Dick-sonia antartica)
also adds an object-based profile to the festival
2022) in dialogue with an 80s mask collected by Pomar is a symptom of an affinity with the collecting gesture that draws both artists together
the natural world is also in the exhibition
confirming once again that artwork and world have a close connection
Also on the subject of heads – or masks -
the exhibition shows several of André Romão’s drawings
The vegetal forms are blurred with faces – eyes made of shells
something that seems to recapture an ambiguity similar to that in Pomar’s paintings
there is no dilution exercise like in Pomar’s chromatic efforts
a sober ambiguity – already at the end of the festivities
establishes a point of contact with André Romão’s drawing series
They are also drawings of plant landscapes
Jorge Queiroz presents a group of paintings in which the dilution of the figures in patches of colour establishes formal connections with Pomar’s series
There is also an ambiguity in the paintings presented by the artist
this time shattered – in comparison with Pomar’s vibrant works
A splintering arising from the scenes and planes dissolving into each other – shifting patches that are figures
All the layers of Queiroz’s paintings share the same starting point – the paint becomes body
The blurring of the represented (or presented)
where a colour fever is the painting’s main subject – blotches masquerading as body and situation
Em Matéria de Matérias-Primas is at Atelier-Museu Júlio Pomar until March 12.
Postgraduate in Philosophy (Aesthetics) and Master in History of Contemporary Art
from the Faculty of Social and Human Sciences of Universidade Nova de Lisboa
She has been part of the research group in Literature
She is interested in the intersections between visual arts
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the pavements of Rua do Rosário are packed with people drinking cold beer and caipirinhas
Music throbs from bar to bar and outside the street's most expensive-looking house two armed guards stand solemnly looking on
Soon the carousing is interrupted again when three men on horseback appear
draws catcalls from the intoxicated crowds as he fights to keep his skittish horse under control
It's a battle between man and beast all the way downhill as the horse bucks and lurches but the rider wins
just - and then races back up for a victory lap
Welcome to a regular Saturday night in Pirenópolis
With a name like something from a graphic novel and a claim to fame as home to more VW Beetles per capita than any other town in Brazil
you might think Pirenópolis would be better known
in a country as big as this one it is easy for places to go undiscovered
Goiás doesn't often feature on the tourist circuit
With its vast inland plains and big skies spreading east from Brasilia
All of which have played a part in drawing the state's other big signature feature: hippies
Although the region is home to such counter-culture hubs as the Vale do Amanhecer (Sunrise Valley)
a religious community started by a clairvoyant truck driver
where a self-styled 'psychic surgeon' calling himself John of God claims to heal cancer
alcohol abuse and 'spiritual desperation' with invisible operations
a less extreme alternative scene can be found around the town of Alto Paraiso
locals like to call Alto Paraiso the Brazilian capital of the third millennium
which crosses Machu Picchu in Peru and zips through the town
is to blame for the high number of UFO sightings in the area
But travelling there by bus from Brasilia felt less like a mission to Mars than a journey to the centre of the earth
The 225km route carves a path through endless fields and red earth deep into the Brazilian interior
That Alto Paraiso isn't your average hilltop hangout quickly became clear when I got off the bus to be met by a man in dreadlocks playing a flute
I wasn't there to buy beads or bongs but to visit the nearby Parque Nacional da Chapada dos Veadeiros
this 65,000 hectare park (only a small part of which is open to the public) was listed as a Unesco world heritage site in 2001
in the hope of protecting the unique cerrado ecosystem from encroaching cattle
and now biofuel farming; the rate of habitat loss here is said to be even greater than that in Amazonia
What remains is an impressively rich biodiversity
Of the 10,000 plant species found here - including 25 different orchids
murity palms and babaçu palms - 44 per cent exist only in the cerrado
Though rarely spotted in the areas tourists are allowed into
the park also attracts some of Brazil's most unusual - and in some cases endangered - animals
The catch is that you can't enter Chapada dos Veadeiros without an accredited guide
So the next day I met Marcelo from Travessia Tourism and what appeared to be the only two other tourists in town - Yaz from Australia and Maggie from Switzerland - for the drive to the park
Access is via one of two trails - either 'canyons and rocks' or 'waterfalls' - and we opted for the waterfalls
Setting off for a five-hour hike past towering waterfalls
it wasn't long before the scrubby vegetation opened out and we were confronted by a spectacular view across a vast
criss-crossing a stream over natural stepping-stones
From feathery grasses to colour-splattered bushes
flowers that looked like exotic sweet peas
bright lichen-mottled driftwood and the region's signature chuveirinho
or 'shower flower' (imagine a football-sized dandelion)
the plants were so beautifully bizarre that it was like walking through a children's storybook
Eventually we came out at the largest waterfall
a 120m-high cascade that thundered so hard into the bottom of the adjacent canyon that it seemed to be falling in slow motion
Just as mesmerising was the multi-coloured quartz crystal in the park's rocky ground
it is now left to provide a glimmering carpet
crouching down to stroke the ground as we came to a particularly sparkly spot
He didn't feel quite as enthralled after lunch when
having nonchalantly stripped and dived into the nearest pool
Marcelo suddenly shouted across to him that he should get out of the water unless he wanted an athletic-sounding organism to swim up his penis
I thought back to Yaz a few days later when I headed back south to Pirenópolis and went for a swim at Cachoeiras Bonsucesso
Judging by the number of people taking a dip
I don't think there could have been any underwater nasties there
though the family crowds might not have appreciated his casual approach to swimwear
a farm surrounded by rolling green meadows and grazing horses that look so English that if it weren't for the odd termite mound or palm tree you might think you were tramping through the grounds of a stately home
The forest trail that spools out from the back of the farm is more exotic
if you're lucky you may catch a glimpse of a morpho butterfly whose huge
electric-blue wings shimmer against the muddy background
The Vagafogo brunch is an institution among tourists from Brasilia
I spent an hour working my way through mangaba juice
starfruit chutney and sanclish (a tasty mix of curd cheese
I seemed to be the only non-Brazilian visitor
But then Goiás has always been off the map
a group of 4,000 people who live around 100km from Alto Paraiso
when the construction of Brasilia started opening up this region
the Kalungas had lived hidden from the outside world ever since their ancestors had run away from their colonial slave owners hundreds of years earlier
Apparently they stayed undetected only because this part of Goiás was so neglected
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