The suspect’s families responded right away Police say they have “solid” evidence that the people involved were planning acts of terrorism The authorities also accuse them of links with the Islami Chhatra Shibir a student organisation connected to the country's largest Islamist party Dhaka (AsiaNews) – More than 30 students many from the Bangladesh University of Engineering and Technology (BUET) were arrested early this week in Sunamganj under the Bangladesh’s anti-terrorism law on suspected ties with Islami Chhatra Shibir an organisation believed to be the student wing of the Bangladesh Jamaat-e-Islami the country’s largest Islamist political party The next day the students’ relatives held a press conference in Dhaka claiming that the students were innocent “We can say that our children are not involved in any anti-state activity They are ordinary students,” said one parent on behalf of the others the students went for a boat trip to Sunamganj's Tangua Haor They were not available on their phones for a long time,” he said “many called suddenly and asked for their identity card number saying that they had been arrested and were at the Tahirpur police station We then tried to contact the local police superintendent and the officer in charge Tangua Haor is a wetland that draws thousands of visitors every year the 34 students are accused of disturbing the peace and conspiring against the state in a "religious jihad" the officer in charge of the Tahirpur police station explained that the police had received a reliable tip that the students were involved in anti-government activities "Do you think we arrested them for no reason We received solid information that they had come here to plan sabotage," he said including brochures about camp funding and Qurʾān reading but 32 of the 34 were eventually released on bail Subscribe to Asia News updates or change your preferences the vibrant capital of Brazil’s Paraná state seamlessly blends forward-thinking urban planning with abundant green spaces Curitiba entices visitors with its striking architecture If you’re wondering about the best things to do in Curitiba read on to uncover this city’s top 10 attractions Location: Situated in the Jardim Botânico neighbourhood Design: French-inspired garden with fountains Size: Sprawling over 245,000 square metres built in an Art Nouveau style with metal and glass The Botanical Garden of Curitiba is a nature lover’s paradise Stroll through the impeccably landscaped French gardens admiring the serene ponds and artfully designed flower beds The star attraction is the magnificent greenhouse an Art Nouveau masterpiece constructed with metal and glass you’ll find a diverse collection of plants Architecture: Unique tubular structure with a transparent roof Location: Situated in the quarry of Pedreira Paulo Leminski park Nestled amidst the greenery of Pedreira Paulo Leminski park the Wire Opera House is an architectural marvel This striking theatre features a tubular steel structure and a transparent polycarbonate roof Attend a concert or simply admire the building’s innovative design which harmoniously blends with its natural surroundings Focus: Dedicated to the works of renowned Brazilian architect Oscar Niemeyer Architecture: Distinctive eye-shaped building connected by a curving ramp over a water feature Collection: Houses exhibits on architecture Art and architecture enthusiasts shouldn’t miss the Oscar Niemeyer Museum lovingly nicknamed the ‘Eye Museum’ due to its unique shape the museum’s eye-catching exterior is a work of art in its own right you’ll find rotating exhibitions showcasing Niemeyer’s iconic designs along with collections of contemporary art and design Location: Situated in the northern part of Curitiba Highlights: Stunning panoramic views of Curitiba skyline a tranquil oasis built on the site of an old quarry This picturesque park offers breathtaking views of Curitiba’s skyline especially at sunset when the city is bathed in a warm golden glow Events: Hosts various events and fairs throughout the year named after the indigenous tribe that once inhabited the area Rent a paddleboat and glide across the serene lake or explore the extensive network of walking and cycling trails Keep an eye out for the park’s most famous residents—the capybaras who can often be seen lounging near the water’s edge Pedestrianised: One of the first pedestrian-only streets in Brazil Architecture: Lined with historic buildings including the Palácio Avenida and the Art Nouveau-style Paço da Liberdade and street vendors selling local handicrafts Immerse yourself in Curitiba’s vibrant city life on Rua XV de Novembro a bustling pedestrian street in the heart of the historic centre Admire the eclectic mix of architectural styles from the grand Palácio Avenida to the intricate details of the Paço da Liberdade Focus: Dedicated to preserving the history and culture of Paraná state Collection: Exhibits on indigenous artifacts Building: Housed in a former government palace dating back to 1904 Dive into the rich history of Paraná at the Paranaense Museum housed in a stately palace from the early 20th century The museum’s extensive collection covers everything from indigenous art and artefacts to exhibits on the state’s colonial past and natural wonders It’s a fascinating journey through time and a great way to gain a deeper understanding of the region’s cultural heritage Location: Situated about 8 kilometres northwest of the city centre History: Settled by Italian immigrants in the late 19th century Cuisine: Known for its authentic Italian restaurants particularly those serving traditional pasta dishes Experience a slice of Italy in Curitiba’s Santa Felicidade neighbourhood founded by Italian immigrants over a century ago This charming area is renowned for its exceptional Italian cuisine with numerous family-run restaurants serving up delectable pasta dishes and wood-fired pizzas visit the Vinícola Durigan winery for a tasting or attend a cultural event at the Casa Culpi Theme: Pays homage to Curitiba’s German heritage Events: Hosts traditional German festivals like Oktoberfest and Christmas markets Location: Situated in the Vista Alegre neighbourhood Step into a fairy tale at the German Woods a whimsical park celebrating Curitiba’s German influences Follow the Hansel and Gretel-themed trail through the enchanting forest climb the wooden lookout tower for panoramic views and admire the replica of a traditional German church Don’t miss the lively German festivals held here throughout the year Location: Largo da Ordem square in the historic city centre Surrounding Attractions: Stunning colonial architecture including the Church of the Third Order of Saint Francis visit the Largo da Ordem Fair on a Sunday morning This vibrant open-air market is a treasure trove of local handicrafts and enjoy live music and entertaining street performances The fair takes place in the historic Largo da Ordem square surrounded by beautiful colonial buildings that are worth admiring in their own right As you explore Curitiba’s top attractions, stay connected with Airtel’s Postpaid international roaming plans Airtel ensures you can share your experiences Their affordable data packs and 24/7 customer support provide peace of mind allowing you to fully immerse yourself in Curitiba’s urban wonders and natural beauty Curitiba offers a perfect blend of innovative urban design From the awe-inspiring Botanical Garden to the thought-provoking Oscar Niemeyer Museum the city’s top attractions showcase its commitment to sustainability Whether you’re marveling at the Wire Opera House’s unique architecture or savouring authentic Italian flavours in Santa Felicidade Curitiba promises an unforgettable experience and get ready to discover the many wonders of this captivating Brazilian city Post Courier THE Glassman Bill 2022 is not being enforced in Hela Province perpetrators still walking around freely and continues accuse and torture of women over sorcery practise Rural Women’s Development Foundation founder it seems that even local police have no knowledge of how to deal with the sorcery accusation related violence (SARV) and that they need to start enforce it by charging perpetrators involved in sorcery violence in the communities they tell the victims that there is no case and they cannot deal with it solve the issue out in the community through compensation While the minority group of women are displaced “SARV issue is not only a social issue but an economy issue women cannot progress in the community to generate income we have to find money to sustain their livelihood and many other activities relating to our economy,” Tangua said One victim can have more than 10 secondary victims indirectly involving her children district and GBV Special Parliamentary committee must start looks at ways to address the issue and how the bill can be enforced in the province Glassman Bill 2022 was amendment to the Criminal Code to accuse anyone of sorcery or of being a sanguma.  If someone accuses a person of sorcery and the accused is harmed the person who made the accusation can receive up to a K10 000 fine and up to 10 years in prison.  If anyone accuses a person of sorcery and they are killed This means the accuser is responsible even if they never actually touch the person they are accusing This means that practicing as a glassman or glassmeri is against the law Get the latest news delivered straight to your inbox Click here to view a slide show about Eva Tanguay "I Don't Care," released on a 78 rpm disc in 1922 by the Los Angeles label Nordskog this song should be as familiar as "Over the Rainbow" or "Like a Rolling Stone" or "Rapper's Delight." And here we arrive at the crucial fact: For roughly two decades Eva Tanguay was the biggest rock star in the United States To call Tanguay a "rock star" is anachronistic but appropriate She was not just the pre-eminent song-and-dance woman of the vaudeville era (One of her many nicknames was "The Girl Who Made Vaudeville Famous.") She was the first American popular musician to achieve mass-media celebrity with a cadre of publicists trumpeting her on- and offstage successes and outrages and an oeuvre best summed up by the slogan that appeared frequently on theatrical marquees: "Eva Tanguay performing songs about herself." She was the first singer to mount nationwide solo headlining tours drawing record-breaking crowds and shattering box-office tallies from Broadway to Butte Newspaper accounts describe scenes of fan frenzy that foreshadowed Frank Sinatra at the Paramount Theatre and Beatlemania Her family moved from Canada to Massachusetts in the 1880s Eva was playing child leads in summer-stock theater companies She arrived in New York at age 19 and found work on the variety stage her name surfaced in the newspapers: She was appearing in a production called Hoodoo and when a fellow chorus girl accused her of hot-dogging onstage Tanguay turned and choked her cast mate until the girl's face turned blue and she passed out It was Tanguay's first taste of notoriety and her first big backstage altercation trampling the conventions of demure femininity "They say I'm crazy and got no sense/ But I don't care," Tanguay sang "They may or may not mean offense/ I care less." The song was broadly comic but shocking nonetheless in 1904 when Victorian notions of female propriety prevailed Blasting out "I Don't Care," Tanguay gave voice to an anarchic feminism that claimed the old stigma of female "hysteria" as a badge of honor—the Victorian neurasthenic recast as a liberated I don't careWhat they may think of meI'm happy go luckyMen say that I'm pluckyI'm happy and carefreeI don't care I don't careIf I should get the mean and stony stareAnd no one can faze meBy calling me crazy'Cause I don't care She delivered her songs while executing dervishlike dances Tanguay suffered severe cramps from her performances—backstage she instructed prop directors to unknot her calves by beating them with barrel staves She told reporters that her goal was "to move so fast and whirl so madly that no one would be able to see my bare legs." She sang in a slurred screech punctuated by yaps and cackles ricocheting seemingly at random between her upper and lower registers Beneath the hiss of the 87-year-old "I Don't Care" recording you can hear the maniac's grin that Tanguay wore when she sang insertAudioPlayer("http://www.podtrac.com/pts/redirect.mp3/media.slate.com/media/slate/Podcasts/091125_MB_Tanguay.mp3","true") Tanguay was "exactly and scientifically … the Soul of America at its most desperate eagle-flight." Tanguay is like the hashish dream of a hermit who is possessed of the devil both limbs and vocal chords without rhythm … I feel as if I were poisoned by strychnine … She is perpetual irritation without possibility of satisfaction … I could kill myself at this moment for the wild love of her The Vulture of Prometheus may have been pushing it—but Crowley was right about the singer's distinctive Americanness old-fashioned Yankee individualism joined hands with the nascent 20th-century religion of showbiz and star power personality," she sang in one of her signature numbers "That's the thing that always makes a hit/ Your nationality or your rationality/ Doesn't help or hinder you one bit." Tanguay was businesswoman-provocateur—an indefatigable plotter of new looks and fresh succès de scandales A 1910 editorial cartoon in the New York Review titled "A Tanguay Resting," showed the star scribbling with a giant pencil surrounded by a growing mountain of notes for new schemes: "Bright Thoughts," "Original Ideas," "New Song," "New Act," "Manuscripts," "Offer," "Contract." "I can fit the entire costume in my closed fist," she told reporters "Miss Tanguay produced a roll of bills and cried: 'Take it all and let me go Even when Tanguay kept her hatpins sheathed she thrived on "beef." She staged high-profile feuds with Ethel Barrymore and vaudeville star Gertrude Hoffman slammed Tanguay for performing "La Marseillese" in a skimpy dress made entirely from French tricoleur flags and responded in verse: "Now you who have slandered you are dirt beneath my feet/ For I have beaten you at your game Decades before the first Elvis impersonator slicked up his pompadour vaudeville was chockablock with performers donning Tanguay's outfits and belting out her songs She took on the copycats in "Give an Imitation of Me" (1910): If you are broke without a souAnd really don't know what to doJust take my tip go on the stageAnd you can be the season's rageWatch me while I'm on the billThen jump into vaudevilleAnd give an imitation of meRush around the stage and fuzzle up your hairGet a pair of tights and holler "I don't care." American audiences had never encountered such bluster Tanguay's "whole performance is of herself subject and sub-subject.") But Tanguay's shtick was based on self-deprecation as much as self-aggrandizement framing her act as an elaborate spoof of virtuosity and professionalism Critics called her singing "unlistenable," "awful," "a hairshirt to the nerves"—and she professed to agree with them She elaborated on the point in "I Don't Care": My voice is what you'd call a freakBut I don't mind it …If teachers rates I could affordOr I had studied hard abroadI'd now be working for my boardAnd that's why I don't careI don't care I don't careIf I'm not Queen of SongAnd while I am shouting You may all be doubtingAnd hoping it won't last long …My voice may sound funnyBut it's getting me the moneySo I don't care deliberately deploying comic effects: drawling and mixing straight-ahead singing with a kind of proto-rap patter In "I Don't Care," Tanguay bragged about this technique: "Some lines I sing Tanguay brought down the house with a slapstick sendup of prima-ballerina dance moves belting out "When Pavlova Sees Me Put It Over" while staggering through pliés and arabesques Tanguay's vocal style, meanwhile, mocked the Europhile emphasis on formal training, clear diction, pure intonation, and squarely hit notes. Think of her boast in "I Don't Care": "If teacher's rates I could afford/ Or I had studied hard abroad/ I'd now be working for my board." In other words: Roll over, Beethoven. (Or maybe it was: Step aside, Victor Herbert.) Vernacular pop culture was winning the day In a country being remade by modernity—by new machines and new immigrants by rising skylines and rising hemlines—Tanguay's madcap screech was audibly This is where the received history of popular music begins to crack open The standard pop music narrative regards vaudeville and Tin Pan Alley as quaintly pre-historic—the sepia-tone showbiz that was swept aside by "gritty" roots music and the triumphal rise of jazz and rock 'n' roll whose spectacular performances anticipated so much 20th century pop it's that turn-of-the-century variety stage where popular song first was transformed into mass entertainment was rowdy and transgressive—as "rock 'n' roll" as rock itself remain indifferent to the pop pioneers who lurk on variety theater bills and in sheet music cover photographs The methodological mess is exacerbated by a dearth of the usual primary sources The period's wax cylinders and 78 discs were primitive and rackety and the musical aesthetics—the broad comedic gestures and booming voices raised to reach the theater rafters—were ill-suited to a medium that would come into its own with the invention of the microphone and the rise of dulcet crooners Why bother with the rinky-dink record business when the big money and the big glory waited on the vaudeville proscenium Tanguay didn't bother stepping into a recording studio until the very tail end of her run We can be thankful that she did—imagine how doubly obscure she would be without that "I Don't Care" 78 This letter is from Eva Tanguay (of the stage) once you were in the audience when I played Detroit—and anyone who has seen me before the footlights is interested in me … I was thinking in the generosity of your heart could give me a car … I have always had a car having owned eleven I live off a sort of an alley in a small house which is set in back of a big one there is no view other than the backyards of other houses … It is very sad to have had so much and be cut down to poverty but my illness prevents me from doing any work Although I could sing on radio if the programme was without the audience viewing the entertainer three thousand and most always twenty-five hundred my home consisted of gold glasses silver plates and everything that meant refinement now I'm alone and cut off entirely from my world I so loved If I had a car I could go out afternoons and might connect some way with managers whose secretary wrote to Tanguay expressing regret that her request could not be met and by selling her old stage costumes out of a storefront on Hollywood Blvd Her name would turn up in the press occasionally when reporters pilgrimaged to her home for a "Where are they now?" interview In a Life magazine profile published shortly before her death she complained bitterly that her legacy and—her word—"artistry" had been ignored The long neglected Tangua Primary School in the Nipa-Kutubu Electorate of Southern Highlands Province has become the proud recipient of K500,000 from the Nipa-Kutubu District Development Authority.It was revealed by Nipa-Kutubu MP Dr Joseph Billy at a fundraising event hosted by Johnny Yawari of the famous Wame Blood productions aiming to raise funds for a classroom to support the children of Tanuga in Kutubu.Dr Billy said the funding was not only for a double classroom but also for the construction of staff houses at the Tangua Primary School.“K150,000 is for a double classroom building while the other K350,000 is for teachers’ houses to be built,” he said.At the event Dr Billy requested the National Government and the developers in his district to take note of the development needs of the project host district and its province.“I urge the National Government and developers to partner with us and not act like governments.“Our goal should be to forge a culture of partnership and co-operation so that we can work together towards the betterment of our local people,” the MP said.He had also expressed his sincere appreciation towards the generous sponsors who had attended the fundraising event which includes the Mineral Resource Development Coperation (MRDC) and others.Dr Billy also acknowledged the Governor for Hela Philip Undialu who graced the event and also committed another K200,000 Leon Buskens.“As the local member of Parliament responsible for Kutubu it is unfortunate that we have to raise funds for something as basic as a classroom.“The present state of affairs is unacceptable and it is high time that we took action to address this issue,” Dr Billy said A 23-year-old student is alleged to have set fire to the commonly known White House or Student Representative Council (SRC) President’s Residence at the University of Technology in Lae last June Ian Tangua who was studying at Unitech has been charged by the Lae district court for allegedly setting fire (arson) to the White House one of the four buildings at Unitech that was gutted down in June last year Tangua is currently out on an extended bail of K2,000 and in Port Moresby but has been directed by the Lae district court to report to the officer in charge (OIC) of the Hohola police station in Port Moresby every Tuesdays until the matter returns to court in April From Tsak Valley in the Wapenamanda district of Enga province Tangua has been charged to have willfully and unlawfully set fire to a building The case against Tangua made a fresh appearance at the Lae district court in December 2016 then adjourned to two days to December 14 A bus carrying dozens of tourists in Colombia plunged into a gorge over the weekend The bus reportedly crashed and plunged more than 160 feet into a gorge killing several of the passengers who were on board.  María Constanza García Alicastro "I deeply regret the tragic road accident that occurred today at kilometer 49+700, in the municipality of Tangua, on the road that connects Pasto with Ipiales," she wrote.  the authorities have reported 13 people dead who have been transferred to hospitals in Pasto My deepest condolences to the families affected by this tragedy and I express all solidarity An aerial view showing a bus crashed after going off the road At least 13 people were killed and 28 injured after a bus crashed on the road linking the southwestern city of Pasto with the border crossing to Ecuador on December 3 (Photo by Raul ARBOLEDA / AFP) (Photo by RAUL ARBOLEDA/AFP via Getty Images) RAUL ARBOLEDA/Getty Images The bus was reportedly carrying 42 passengers The bus was reportedly traveling amid difficult conditions on a road with “complicated curves," according to reports Victims from the crash were reportedly rushed to different hospitals in Tangua The tourists were reportedly heading for Santuario de las Lajas which is a popular tourist destination a couple of miles from the Ecuadorian border Our thoughts are with everyone involved in this tragic situation