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Carol Laufen passed away peacefully on February 27
2025 at the age of 85 after a valiant battle with cancer
1939 in the vibrant lower east side of New York City
and she carried her New Yorker spirit with her everywhere she went
Carol's life was enriched by her love of family
She met her late husband Joseph Laufen at a party in her NYC apartment
an appropriate starting point for their marriage filled with friendship
New Jersey where they raised their daughters Christine and Cindi
Only for the immense love of her daughters did she leave the city that shaped her (and begrudgingly learn to drive).
she and Joseph built a rich community in South Orange
which they left behind in a second to be nearer to Cindi
The ease with which Carol and Joe rebuilt a community and friendships at Pine Hills in Plymouth is a testament to their loving and social natures
They also frequently braved the 24-hour travel day to Sydney
this distance was an opportunity to explore the world with the people she adored
Her love for her family would have taken her anywhere
illustrated her compassionate and caring nature and the strength of their relationship.
Carol was a constant supporter of her grandchildren
to whom she was known as “Por Por,” attending every possible recital
She was immensely proud of both her children and her grandchildren
who equally cherished her warm and empathetic heart
She was also a loving and attentive sister to Betty Chan
Her siblings were her first and closest friends
They leaned on each other during difficult times and shared countless experiences filled with joy
Her love for her sister Betty extended just as deeply in her relationship with her niece Pam
to whom she provided irreplaceable friendship
Carol possessed a thirst for knowledge that led to study at New York University and work in both advertising and computer programming in the healthcare sector
an experience which strengthened her sense of identity and confidence in her ability to succeed
Carol volunteered at local hospitals and worked at Plimoth Plantation's museum shop
Carol found immense joy in her wide range of interests
Her love for dogs was evident in her dedication to Jasmine and BaiLee
and her knack for finding a good bargain was unmatched
a trait which she undoubtedly passed down to her daughters and grandchildren
was a paragon of friendship and connection in which she was extremely involved
Her presence and leadership in the Film Committee
and the Asian Affinity Group was a source of comfort and camaraderie for those around her and a source of joy for her.
She will be greatly missed by her family and friends
but they will carry her legacy of love and compassion with them always.
All services will be private. In lieu of flowers, please consider a donation in loving memory of Carol to Dana Farber cancer research
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river-like flow that reduces water usage and simplifies cleaning
reflecting the duo’s shared belief in purposeful design and environmental responsibility.
designboom visited the exhibition and spoke exclusively with the designer Yves Behar and Marketing and Design Director of Roca Group Marc Viardot to learn more about the ideas behind VOLTA, and how ceramic design can become a platform for sustainability and sensory experience
‘There was no reason to reinvent the wash basin
we had already spent 12 years reinventing typologies
textures… but this was about new functionality,’ starts Viardot our conversation in Milan
LAUFEN and designer Yves Behar present VOLTA | all images courtesy of LAUFEN
the electric kiln signals a shift in ceramic design – one that brings sustainability into dialogue with both functional and aesthetic ambition
‘The starting point was the electric kiln – a major innovation,’ says Viardot
‘It’s the world’s first CO2-free ceramic production line
We are currently the only ceramics factory doing this
That’s where our thinking began: the kiln already fires all the products in the Gmunden factory today
but we started wondering what else it could unlock.’
developed using LAUFEN’s fully electric kiln
VOLTA reflects a shared vision for sustainable ceramic production
the electric kiln represents more than just a breakthrough in ceramic production – it sets the tone for a design approach that seeks to optimize sustainability at every stage
he reimagines the conventional wash basin by introducing a sculpted water path that offers a dynamic and intuitive experience
Inspired by the movement of natural streams
the design gently guides water through a central channel
helping it carry away debris more efficiently
The result is a more natural interaction that reduces water consumption and simplifies cleaning
water is delivered invisibly and disappears quickly
It’s purely functional,’ Behar tells designboom
we wanted to create an experience closer to nature
The idea of a river or a vortex was in the very first sketches.’
inspired by the movement of natural streams
the design guides water through a central channel
Transforming the concept of a river into a functional ceramic form was no small feat
Both Behar and Viardot faced technical and conceptual challenges as the prototypes began to take shape
Without any digital simulation tools to predict the water flow
the team had to rely on physical experimentation
and observing how the water moved in real-time
The sink’s distinctive geometry is made possible by LAUFEN’s Saphirkeramik
a high-performance material that enables the precise formation of thin lips and intricate contours
pushing the boundaries of what ceramic can do
‘The main challenge was not knowing if it would work,’ recalls Behar
‘There wasn’t any software to simulate this – we had to build real
full-size prototypes to see how water would behave
Persevering in an unknown direction was the biggest challenge
You can always make something “pretty,” but doing something new and functional takes courage and belief
That material innovation from Marc and LAUFEN really enabled us to pull this off.’
fine edges and intricate forms are made possible by using Saphirkeramik
The collaboration marks more than just the launch of a new product – it signals a broader vision for the future of bathroom design
VOLTA is not a standalone object but the beginning of a larger exploration into reducing water consumption and incorporating natural elements into home design
Its sculptural form and functional principles have the potential to evolve into a series of products aimed at changing the way we interact with water
It’s a fundamental innovation with many applications,’ concludes the designer
but as a platform for reducing water consumption
for exploring the poetics of water.’
the basin reduces water use and simplifies cleaning – blending form
Volta was unveiled at the ‘A new Dimension of Water’ exhibition during Milan Design Week 2025
its intention is to create a closer experience to nature
Behar and Viadot view the basin as a hallmark for broader water-conscious design
brand: LAUFEN | @laufenbathrooms
designer: Yves Behar | @yvesbehar
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style
Elisa Massoni / DesignAtLarge
Laufen
Fuseproject
“A new dimension of Water” will be the installation hosted at the LAUFEN space in Milan from 7th to 13th April
representing an immersive journey to discover how a project can flow freely like water
honoring the essential role of natural elements in shaping our daily spaces
the Swiss bathroom company LAUFEN has always been a pioneer in seeking progressive and cutting-edge design solutions
the recent inauguration of the world’s first electric tunnel kiln for sanitary ceramic production marks an epochal turning point in the company’s sustainability journey
Inaugurated in November 2023 after four years of development at the LAUFEN Gmunden facility in Austria
this innovative electric kiln represents a consistent alternative to conventional fossil fuel-dependent production
and automated e-kiln is a fundamental milestone in Gmunden’s transition towards the world’s first net-zero sanitary ware facility and plays a central role in the Roca Group’s decarbonization strategy to achieve net-zero emissions by 2045
In response to this revolutionary technology, LAUFEN invited the Founder and CEO of Fuseproject
to imagine the first object created using this pioneering process
The collaboration with Behar was a natural progression after the installation of the new electric kiln
“To see a major industry leader taking a tremendous bold initiative and create the very first kiln of this size powered by solar and green sources of electricity set the basis for a fantastic collaboration”
“My favourite saying that I use a lot in my work is that design accelerates the adoption of new ideas
The new idea of the electric kiln can be experienced in the way that it takes the force of the sun and turns it into power
While our ceramic designs show us the beauty and motion of water and creates an experience of nature“
The designer, known for his philanthropic initiatives and humanistic approach to projects, has always shown particular interest in the interaction between technology and design quality to ensure a better life and a more sustainable future
LAUFEN presents the result of this collaboration: a new concept that revolutionizes the basin’s form with a design that perfectly balances pure aesthetics
The project also marks a new chapter in exploring Saphirkeramik
LAUFEN’s innovative ultra-thin and highly versatile ceramic material that has transformed our relationship with bathroom design over the years
this extraordinary ceramic material revolutionized bathroom design through its unique characteristics of resistance and thinness
Marketing and Design Director of Roca Group: “It was a dream come true to create something together that has never been done before
paired with LAUFEN’s unique Saphirkeramik technology
Since this was Yves’ first project with sanitary ceramic
we gave him carte blanche to create an icon
Inspired by the first CO2 free production in the world
Yves’ approach was very fresh and resulted in an unconventional new concept for the bathroom
It feels a bit like we reinvented the wheel – at least the way we relate to the daily use of water.”
LAUFEN’s exhibition at Milan Design Week 2025 follows a conceptual path that allows visitors to discover the innovative processes developed by the company in recent years
The journey begins in the courtyard with a scaled reproduction of the electric kiln
offering a real image of the Gmunden facility in Austria
visitors enter an immersive environment where exhibited products emerge from darkness like actors on a stage
The nighttime scenography of the LAUFEN Milano space enhances Yves Behar’s refined designs
created in Saphirkeramik – an extraordinary material that unites past and future
Yves Behar drew inspiration from water – an element that has played a significant role in his life and has always captivated him
sculptural washbasins that beautifully reinterpret its movement
The innovative aspect comes from the unusual shape of the basin’s interior
which not only creates a sense of movement in its aesthetics but also creates a swirling water motion that perfectly cleans the basin
LAUFEN has developed a large hidden drain that reduces the siphon’s dimensions and makes the overall aesthetics more elegant
The sustainability values dear to both the brand and the designer are also reflected in the product itself
The two-level internal design allows water to flow quickly to the basin’s bottom
reducing the need to fill the entire sink and minimizing water consumption
This innovative approach makes the project particularly noteworthy from a water-saving perspective
The exhibition concludes on the ground floor with a collection of Alape
which debuts at the Milan Design Week under the LAUFEN umbrella
This final chapter showcases a seamless synthesis of elegance and technological advancement
embodied by the latest glazed steel and metallic-surface washbasins: Rivo and Tendo
The washbasins are presented together with the new premium ARUN furniture collection creating an ensemble that stands out for high-quality material
Beyond demonstrating the seamless compatibility of LAUFEN faucets
the newly integrated washplaces combine precision
and state-of-the-art technology with timeless elegance in a perfectly balanced symbiosis.
and unique expertise — a testament to the transformation of ideas into industrial processes and to the craftsmanship that has accompanied humanity since its origins
A closing chapter that not only honours tradition but also paves the way for new creative possibilities in the future
get to know the most interesting Design trends & innovations
(Innovative StartUp) Registered office: Via Aurelio Saffi 29
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‘Volta’ by Yves Béhar for Laufen
Inspired by the movement of water and to be produced in a CO2-free electric kiln
‘Volta’ has an innovative circular form
With more than 130 years of expertise in perfecting bathroom essentials
it’s no surprise that Laufen has a few impressive innovations in store for us this year
it has created a CO2-free 100m industrial tunnel kiln
powered by solar and green electricity to produce ceramic sanitaryware
It's a world first and it highlights the company's continued commitment to sustainability
kilns continuously fire products as they move through the tunnel
so pieces do not need to be loaded and unloaded as with batch kilns
‘My inspiration for “Volta” comes from water
the element that [has] played an important role throughout my life,’ he says
‘I wanted the motion of water to be part of the experience
so the water moves in a circular motion like a river.’
Crafted using Laufen’s innovative SaphirKeramik
‘Volta’ features a complex interior and exterior profile that doesn’t increase the overall size of the basin
Its unique design is a harmonious blend of form and function
making it a standout piece that could become a true icon in bathroom design
‘Yves’ approach was fresh and resulted in an unconventional concept for the bathroom,’ says Marc Viardot
marketing and design director of Roca Group
‘It feels like we reinvented the wheel
or at least reimagined how we engage with water in our daily lives.’
Volta’s design contrasts the simplicity of the outer form with the functional
‘In addition to creating an aesthetic of movement with the swirling water that cleans the basin perfectly
it also allows water to pool at the bottom
This makes it ideal for activities like shaving or washing your face without filling the entire sink,’ Béhar adds
‘I wanted “Volta” to express Laufen’s incredible sustainability commitment
embodied in the world’s first industrial electric kiln that produces CO2-free ceramics.’
laufen.com
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Home » Enchanting design at the Kimpton BEM Budapest featuring Laufen
a stunning addition to IHG’s luxury portfolio
brings together the historic charm of Budapest and the visionary design of Marcel Wanders
Located on the Buda side of the Danube River
this boutique hotel sits within a meticulously restored 19th-century mansion
offering guests a luxurious stay infused with local culture and folklore
known as the “Pearl of the Danube,” is celebrated for its rich history
nestled in the UNESCO World Heritage-listed Castle District
provides a perfect base for exploring this captivating city
with iconic landmarks like the Fisherman’s Bastion and Matthias Church just a stone’s throw away
created by the visionary Marcel Wanders Studio
captures the essence of Hungarian folklore
weaving whimsical elements into the historical fabric of the building
renowned for his imaginative and unconventional approach
has created a space that is both enchanting and luxurious
The interiors are a blend of modern elegance and playful design
with patterns inspired by Hungarian mythology and flora
set against a backdrop of cool colours and striking architectural details
The project marks another milestone in the ongoing collaboration between LAUFEN and Marcel Wanders. LAUFEN has a rich history of working on prestigious hospitality design projects with the team, including the acclaimed Mondrian Doha
The partnership also led to the creation of The New Classic for LAUFEN
a complete bathroom collection that redefines contemporary design
setting a new standard for timeless elegance in modern washrooms
At Kimpton BEM Budapest, Marcel Wanders’ enchanting design vision extends into every bathroom space, where The New Classic washbasin
along with the LUA wall-hung pan and freestanding bathtub
bring sophistication to private guest rooms and suites
featuring LAUFEN’s innovative Lema waterless urinal and Cinto urinal divider
all seamlessly integrated to embody the hotel’s blend of history and modern luxury
the Swiss brand Laufen has stood for design
innovation and outstanding sanitary ceramics
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© 2025 copyright TOPHOTELPROJECTS GmbH – all rights reserved
Faloon is a contributing editor and writer to Contractor, Contracting Business magazine and HPAC Engineering and principal of Faloon Editorial Services
The former editor of Plumbing & Mechanical magazine
Faloon has more than 26 years of experience in the plumbing and heating industry and more than 35 years in B2B publishing
She started a freelance writing and editing business in 2017
Faloon spent 3 1/2 years at Supply House Times before joining the Plumbing & Mechanical staff in 2001
Previously, she spent nearly 10 years at CCH/Wolters Kluwer
a publishing firm specializing in business and tax law
where she wore many hats — proofreader
A native of Michigan’s northern Lower Peninsula, Faloon is a journalism graduate of Michigan State University. You can reach her at [email protected]
Von: Boris Schlepper
weil die Kapazität der Schule erschöpft ist.","url":"https://www.fr.de/frankfurt/schule-in-frankfurt-laeuft-ueber-eltern-machen-sich-sorgen-93706891.html"};c&&a.navigator.canShare(d)&&(c.style.display="",c.addEventListener("click",b=>{b.preventDefault(),a.setTimeout(function(){a.navigator.share(d)},0)}))}})(window,document);
Grundschulkinder der Georg-Büchner-Schule in Bockenheim sollen täglich sechs Kilometer laufen
weil die Kapazität der Schule erschöpft ist
Ab kommenden Schuljahr soll die gesamte Grundstufe in die Schloßstraße ausgelagert werden
da die Kapazität an der Pfingstbrunnenstraße nicht ausreicht
wie die Stadt sich die Auslagerung im ehemaligen Gebäude des Deutschen Institut für Internationale Pädagogische Forschung (DIPF) vorstellt
Einerseits müssten sie zur Schloßstraße laufen und wieder zurück
was für manche bis zu 1,8 Kilometer pro Strecke bedeute
Anderseits müssten sie in ihre Horte zum Mittagessen
was weitere zwei Kilometer Laufen bedeute – insgesamt knapp sechs
der etwa durch eine Unterführung am Westbahnhof und entlang der Voltastraße und Hamburger Allee führe
So hätten die Mädchen und Jungen mehrere ungesicherte Überquerungen
Straßen mit kurzen Grünphasen und schlecht einsehbaren Ecken zu bewältigen
Bei einer Begehung seien Eltern völlig verzweifelt gewesen
„Uns sind die Sorgen der Eltern bezüglich des Schulwegs bekannt“
Ende März habe eine Ortsbegehung der Schulwegkommission stattgefunden
die Elternvertretung und der Kinderbeauftragte teilgenommen hätten
„Es wurde eine Liste mit Maßnahmen erstellt
die die Sicherheit des Schulweges erhöhen sollen“
darunter etwa Verlängerungen von Ampelschaltungen
Anbringen von Zebrastreifen oder Aufstellen von Pollern
Die Schritte würden nun geprüft und wenn möglich
Darüber hinaus sei der Schulweg nach dem Hessischen Schulgesetz „als sicherer Schulweg einzustufen“
„Auch liegen alle Wege zur Auslagerung sowie zum Hort deutlich unter zwei Kilometern
Somit besteht kein rechtlicher Anspruch auf einen Shuttle-Bus.“ Da die Stadt die Sorgen und Kritik der Eltern ernst nähme
„welche Erleichterungen wir der Schule anbieten können
da die Grundschule im neuen Schönhofviertel wohl erst ab 2027/28 fertig wird
Kinder besuchen stattdessen die Grundstufe in der Büchner-Schule
Das ehemalige Gebäude des DIPF sei deshalb für die Nutzung durch eine Grundschule umgebaut und renoviert worden
die gesamte Grundstufe auszulagern und nicht nur einzelne Jahrgänge.“ Das Gebäude an der Schloßstraße biete dafür ausreichend Platz und werde zum neuen Schuljahr zur Verfügung stehen
Lediglich die Außenfläche werde eventuell erst einige Wochen später freigegeben werden können
Dächer und Heizungen müssen dringend erneuert werden
dass die Schüler:innen bereits in den Distanzunterricht mussten
Dieser Inhalt"+t(a)+"kann aufgrund Ihrer Datenschutz-Einstellungen nicht geladen werden
Kieron Marchese
Kieron is a freelance writer and Digital Consultant who doesn't consider himself a design lover but a user of design - which to him is more than enough
Snøhetta
Choosing Snøhetta to redesign its Swiss headquarters was a considered decision by Laufen
Known for its dedication to sustainability and a resource-sensitive approach to architecture
with an ethos built on the careful use of raw materials and water efficiency
This alignment has given rise to a newly reimagined space in Switzerland
a dedicated space for the bathroom industry that offers architects
and installers both inspiration and insight
designed by the Basel architectural firm Nissen & Wentzlaff; the building’s exterior
resembles a ceramic washbasin and was cast in one piece
mirroring the company’s signature approach to ceramic design
Snøhetta was entrusted with a full transformation of the reception
reshaping the building into a vibrant centre of design and technical sophistication
“The concept operates on two levels—first
the material itself,” explains Patrick Lüth
Managing Director of Snøhetta Studio in Innsbruck
“Essential materials used in ceramic and fitting production are showcased
offering a tactile and sensory experience.”
beginning with a sense of raw materiality in the Greeting Space
where visitors encounter Laufen’s essential materials
Gleaming brass panels are set against earthy
echoing the material foundations of the brand’s craftsmanship—where clay becomes ceramic and brass becomes faucets
Snøhetta’s design highlights these elements as both tangible and symbolic
grounding visitors in the tactile quality of the production process
Snøhetta employs various methods to reduce CO2 emissions in new buildings
but interior refurbishments offer more limited options
attention to detail and material selection becomes crucial
A rammed earth wall was chosen for its low carbon footprint
and the materials used throughout the space were carefully sourced locally to further support sustainability
“At its core—the showroom captures the tension between materiality
“The second level expands on the broader meaning of ‘Matter,’ signifying something of importance or relevance.”
This is interpreted both as material substance and thematic significance
an area for discussions and events that extends the brand’s philosophy of material importance
It reflects both physicality and relevance
connecting the visitor’s journey to a broader sense of purpose
The function here is to invite contemplation
combining the warmth of earth tones with functional spaces that support gatherings and brand immersion
Honouring the original building’s structure
Snøhetta chose to preserve the exposed concrete that circles the first and second floors
retaining elements such as the concrete barricades to create a harmonious symmetry with other raw materials.
A light terrazzo floor, harmonising with the building’s concrete tones, creates an industrial yet welcoming ambiance. Alongside these tactile encounters, a dedicated digital space allows visitors to delve deeper into the Laufen universe
blending analog and digital brand experiences
a modular display invites visitors to engage directly with the brand’s bathroom collections
arranging combinations on movable shelves that allow for hands-on exploration
Other thoughtful considerations have been made throughout the Laufen Forum
which has been reimagined to ensure accessibility
A ramp replaces the originally flat flooring
inspired by the concentric ripples of water drops
reflects both Snøhetta’s appreciation for water as a design element and its intrinsic role in Laufen’s identity as a bathroom specialist
a grey-toned ceiling with skylights maximises natural light
“Each of the Laufen product lines has a certain look and feel
These auras and moods are documented in specific Look Books,” says Lüth
each niche creates its own mood and is a perfect match with the respective collection
It’s about elevating the qualities of the product line through the setting
with strong colour connections to the design.”
marking a significant milestone in this evolution
This ethos of connection extends beyond the physical space. By bringing to life Matter as both material and concept, Snøhetta illustrates a brand narrative that’s rich in detail and intent
The partnership has yielded creative touchpoints at Eurobagno and will next appear at ISH in 2025
expanding Laufen’s vision through Snøhetta’s design expertise
this partnership came to life in the Matter installation
an exploration of the fundamental materials Laufen uses in its ceramic collections
Designed to echo the thematic core of the showroom
the installation was an impactful display of raw elements—clay and brass—as symbols of Laufen’s dedication to craft and heritage
capturing the brand’s story through material
Laufen Forum is more than a showcase of products; it’s a space of communication—a central tenet for the brand and a platform where visitors can experience the story behind each product
fostering a deeper appreciation for the processes and values that define the brand.
on June 12th Snøhetta introduced the redesigned LAUFEN Forum at the LAUFEN headquarters near Basel
all images courtesy of LAUFEN and Snøhetta
the Norwegian transdisciplinary studio left the exposed concrete that rings around the first and second floor untouched
creating a symmetry between all raw materials
Snøhetta replaced the once flat flooring with a ramp
a gradual uphill to allow for a more accessible entrance
once concrete with a semi-reflective finish
with round lines that recall the shape of water drops as water is another important element in Snøhetta’s architecture approach and of course a fundamental element in the bathroom company’s products
stand adjacent to the rammed earth that continues through the reception area and desk
These materials are the essence of LAUFEN’s manufacturing process and bathroom collections: clay is fundamental in creating ceramics and brass is the material faucets are made of.
and its exterior resembles a well-known LAUFEN ceramic washbasin
interpreted as both material and meaningful significance
elegantly embodied in the various spaces of the LAUFEN Forum
Visitors are welcomed in the Greeting Space
where the defining materials of clay and brass highlight the essence of the brand
they encounter a refined expression of Matter as both physical substance and thematic focus
and the ceiling in gray tone can make the natural light spilling for the numerous overhead skylights even brighter
Patrick Lüth shares with the designboom that the exposed concrete is the character of the space
The design team has a huge respect for the existing building and as proof
some concrete parts have remained residents
LAUFEN and Snøhetta implemented and interpreted ‘Matter’ in two different ways
‘One emphasizes the qualities of raw materials
The other focuses on creating spaces that matter to people
and utilizing these spaces for relevant topics
These two sides of matter complement each other
which we co-created with LAUFEN,’ he adds
one of the stars in the redesigned LAUFEN Forum is the heart of the room
LAUFEN hosted a panel talk with Patrick Lüth
Roca Group’s Director of Sustainability and Institutional Relations
moderated by art historian and curator Michelle Nicol
Reflecting on what set the tone of the reimagination during its creation process
the managing director of Snøhetta Studio Innsbruck brought up the essence of intuition and how important the aspect of the unconscious was in the design
‘I think it’s important that we work in teams and collaborate with people who have different intuitions due to their cultural background
These processes allow us to curate and bring out the more intuitive
so that we are not too pragmatic all the time
The rationale is important if you talk about the execution
but you need people to go into a design process with their heart
and their intuition in order to create something meaningful,’ says Patrick Lüth.
pathway leading to the open space in the center of the interior
colour-coordinated with the exposed concrete of the curved
provides a neutral backdrop for curated product displays designed with natural clay plasters and paints
visitors can experience the tactile qualities of LAUFEN’s bathroom products
from washbasins and toilets to matching furniture
Each bathroom collection is presented with signature colors
‘We’ve embraced the character of the place
We actually painted the ceiling a gray tone to give the necessary contrast
We also replaced the damaged concrete flooring with terrazzo
but kept the concrete walls – they’re beautiful,’ he adds
this joint multidisciplinary project was not just about architecture
but also about a new way of communicating and understanding the brand universe
Snøhetta brings in movable and modular shelves and panels to display the Swiss manufacturer’s bathroom collections
The product display on the upper floor is a little more playful: a wealth of LAUFEN products can be found on industrial shelves
Visitors can arrange and combine products from various collections on movable racks
allowing for interactive exploration and testing of product combinations
This hands-on exhibition provides new opportunities to understand and experience the bathroom living space as the bright terrazzo and exposed concrete create an industrial yet welcoming ambiance for this setting
a digital space complements the analogue brand world
allowing visitors to digitally explore and immerse themselves in the company’s universe
Having these multipurposes shelves and panels on the second floor was intentional for Snøhetta
‘We have the colorful booths downstairs that represent each LAUFEN series and create a mood
They can take a shower and a toilet and put it together with a wash basin
they can bring it over and place it in a setting that they want too,’ Patrick Lüth explains to designboom
Snøhetta also redesigned the individual product booths inside LAUFEN Forum
The official opening of the Snøhetta-redesigned LAUFEN Forum took place on June 12th 2024
The event also welcomed the installation Color Archaeology by Roberto Sironi
which can be seen in the LAUFEN Forum until mid August 2024
which was presented for the first time during Fuorisalone 2024 at LAUFEN space Milano
shares the culmination of an academic research undertaken by Sironi on behalf of LAUFEN
and conveyed with the imaginative vision of Studio Lys and Beda Achermann
Snøhetta retained the exposed concrete as part of LAUFEN Forum’s original design
view of the second floor inside LAUFEN Forum
the movable shelves and panels roll with their built-in wheels
the managing director of Snøhetta Studio Innsbruck
company: LAUFEN | @laufenbathrooms
design: Snøhetta
Home » Scandinavian charm at 25hours Hotel Paper Island
Once a bustling hub for shipping and storage, this vibrant locale has transformed into a cultural epicentre, perfectly blending past and present. Designed by COBE Architects and Stylt Trampoli
the hotel effortlessly combines Nordic elegance with modern functionality
offering a tranquil escape within walking distance of iconic attractions like the Royal Opera House and Nyhavn’s colourful waterfront
visitors are immersed in nautical-inspired décor accented with warm wood finishes
evoking the cosy ambiance of a Nordic summerhouse
This theme extends into the guest rooms and shared spaces
where thoughtful details highlight the region’s design heritage
The 128 rooms are each designed to provide a unique
ensuring a memorable stay for every guest.
these elements create modern bathroom environments that reflect the hotel’s commitment to blending timeless design with contemporary convenience
the hotel offers a rich culinary and social experience
Guests can indulge in Asian-inspired cuisine at Tiger Lily
the hotel’s on-site restaurant with an open show kitchen
soaking in panoramic views of Copenhagen’s harbour
This collaboration between LAUFEN and 25hours Hotel Paper Island marks another milestone in their partnership with the hotel group. LAUFEN bathroom solutions have also been showcased at the 25hours Hotel The Circle in Cologne
LAUFEN products enhance the overall guest experience
marrying design excellence with functionality
Home » Versatile product specification from LAUFEN for IBIS and TRIBE
Demonstrating versatility and excellence in Budapest as Laufen collaborates with two distinct hotel brands from the Accor Group; the vibrant Ibis and the bold Tribe
at the Budapest Stadium housed within The Liberty
This prestigious project highlights Laufen’s ability to cater to diverse hotel categories
The two brands share some public areas yet maintain distinct identities in their accommodations
Ibis offers economic rooms that focus on vibrancy and accessibility
while Tribe appeals to those seeking a mid-scale environment with a strong design aesthetic
This duality presents a unique challenge in maintaining a coherent design narrative while distinguishing between the brands’ different market positions
Laufen installed the Pro WC Wallhung rimless white toilets
These feature a hygienic design that prevents bacteria accumulation
echoing the brand’s commitment to cleanliness while maintaining a contemporary aesthetic
the Val washbasin bowls with an undersurface ground demonstrate Laufen’s commitment to both style and functionality
providing ample space for guest toiletries and enhancing the user experience without compromising on style
The shared public spaces are equipped with Kartell • LAUFEN wallhung toilets and washbasins in a bold matt black
This selection is particularly notable for both its stylish design and exceptional functionality
the Twintronic wall-mounted faucets with IR sensors facilitate water and energy conservation while ensuring a hygienic environment
a key requirement for public and semi-public washrooms
This project not only strengthens Laufen’s partnership with the Accor Group but also reinforces its reputation as a leader in providing comprehensive
and functional bathroom solutions for hospitality brands
Through innovative design and a keen understanding of client needs
Laufen continues to set standards in hotel bathroom aesthetics and functionality
making it a preferred choice for major hospitality projects worldwide
Architect DPI Design Kft
Interior Designer AKSL Arhitekti
Developer Wing Zrt
Owner Wing Zrt
Bathroom manufacturer Laufen has announced further details of its plans for this year's ISH 2025 exhibition
which is returning to Frankfurt from 17th - 25th March.
Its stand, which will look to 'delight, engage and educate visitors', will be created by Norwegian interdisciplinary design studio Snøhetta
On display will be Laufen’s newest innovations
which underline the company’s commitment to sustainability through responsible use of raw materials and water-efficient solutions.
visitors will first experience the Matter Space
which will connect them with the production process and raw materials of ceramics
They will then journey through a variety of spaces: Our Planet Matters
each featuring relevant products and concepts
Laufen aims to engage visitors with its ongoing technological research
and unwavering commitment to a more sustainable future – demonstrating care for natural resources and a responsible approach to innovation
A major highlight of the stand will be a display of ceramics fired without carbon emissions in the world’s first CO₂-free electric kiln
a Roca Group initiative at the Laufen plant in Gmunden
This innovative kiln marks a significant step towards the Group’s goal of achieving net-zero emissions by 2045
Laufen will showcase its water-saving saving toilet with a urine separator
developed in collaboration with Austrian design studio EOOS
New connected products and digital concepts
exploring how today’s bathroom can become a personalised living space will be showcased along with the new Arun furniture collection featuring real-wood oak and walnut veneers combined with ceramic stone-look countertops
Demonstrating that stylish bathrooms can be accessible to all
the new Base 2.0 and Juna furniture collections will take centre stage in the Democracy Matters section of the stand
partner at Snøhetta and managing director of its Innsbruck studio
said: “What Laufen and Snøhetta share is a commitment to sustainable solutions
Just as Snøhetta integrates the latest research in regenerative and sustainable architecture into its designs
Laufen sets new standards with CO₂-free production
The new electric tunnel kiln in Gmunden highlights impressive innovation in sustainability.”
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Laufen presents its Snøhetta stand design for ISH 2025
Laufen has revealed the design of its new stand at ISH 2025 designed by Snøhetta
which underlines its view that sustainability is the key for future-oriented bathroom architecture
The stand will presents Laufen’s innovative solutions and new projects
while highlighting the company’s resource-sensitive approach with a commitment towards a more sustainable future
The bathroom environment has undergone a great evolution in recent years both in the design of spaces
as well as in technological and material innovation
Laufen says it has played an important role in this transformation thanks to a holistic approach that integrates ceramics
accessories and hidden installation systems
all characterised by a high degree of innovation and a unique design
always created with a strong commitment to sustainable production
Laufen is renewing its collaboration with the Norwegian transdisciplinary studio Snøhetta
with which the Swiss bathroom specialist shares a common ethic built on the careful use of raw materials and water efficiency
At the centre of the booth concept there is Matter in the dual English meaning of matter and relevance: this theme acts as a common thread and creates spaces based on a strong and emotional perception of the brand.
The new stand is designed to transform the visit into an engaging experience and highlight the central themes for Laufen: continuous technological research
the dialogue with the world of architecture and above all a future that prioritises sustainability and demonstrates greater care for natural resources
The company will present ceramic products fired without carbon emissions in the advanced production plant in Gmunden where the company has implemented the world’s first CO2-free electric kiln for the production of sanitary ceramics
In addition there will be a wide range of brassware products with water-saving solutions
Laufen has given a first look at its plans for HIX 2024: Colour Archaeology by Roberto Sironi
developers and hoteliers are increasingly challenged to create environments that not only maximise the potential of the buildings they inhabit
but also connect deeply with the communities they serve
Laufen will demonstrate its pivotal role in this evolving design movement
offering designers an opportunity to incorporate historically rooted colours into hotel bathrooms
creating environments that are authentic and connected to cultural history
At the Laufen booth
visitors are invited to experience Colour Archaeology
which showcases a new colour palette built upon the culmination of an academic research project led by Roberto Sironi on the brand’s behalf
Drawing from over 10,000 artefacts curated from global museums
Sironi has meticulously categorised them into vivid colour clusters reflective of their cultural heritage
Collaboration with the Laufen team has resulted in the offering of a refined palette of harmonious tones
allowing designers to ground spaces in a rich historical context while providing sustainable
timeless design solutions that transcend fleeting trends
Renowned for his research-based and process-oriented approach
Sironi explores eight civilisations from around 3000 B.C
From the azure hues of Egypt to the vibrant blues of Mesopotamia
and the earthy reds reminiscent of the Roman Empire
Sironi’s historical journey reveals a spectrum of colours that have either been created chemically or from natural materials
The booth design draws from the ancient ceramics of two specific regions: the blue-green hues of ancient Egyptian ceramics are realised in Egyptian Cerulean
while Babylonian Sand delves into the warm tones found in the Tigris and Euphrates Basin
presented through the visual medium of The New Classic and Sonar collection
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Home » Bathroom Design 2025: Sustainability
Bathroom design for 2025 features innovations such as energy-efficient technologies
The future of bathroom design is here
and wellness for a transformative experience
From carbon-neutral manufacturing processes to spa-inspired shower systems
the latest trends emphasize energy efficiency
such as AI-powered smart mirrors and touchless fixtures
are setting new standards for modern living
We delve into a few bathroom technology trends for 2025
As sustainability remains a cornerstone of bathroom design
companies are pioneering new ways to integrate energy-efficient technologies with environmental responsibility
is setting a new industry standard with its Austrian plant in Gmunden
where the world’s first electric tunnel kiln for sanitary ware is now in operation
This enables the firing of ceramic washbasins without CO2 emissions
marking a significant step toward carbon-neutral manufacturing
this advancement presents an opportunity to create environmentally responsible bathroom spaces
“In a fast-paced world, we need spaces where we can slow down. The modern bathroom becomes such a place through design that conveys a discreet sense of safety and technology,” Marc Viardot, Marketing and Design Director at Roca Group
LAUFEN has been at the forefront of water and energy conservation solutions since launching its ECO+ initiative in 2015. A decade later, these product lines continue to push the boundaries of efficiency and design. Featured in its 2025 catalog, the Sonar collection showcases sapphire ceramic material with the hidden ECO+ function in its faucets
This ensures that only cold water is dispensed when the lever is in the central position
thus preventing unnecessary hot water consumption
Antoniolupi‘s Apollo collection redefines the shower experience by integrating light and water into a singular, immersive sensory experience. Designed by Brian Sironi and released in 2024, Apollo is both a showerhead and a lamp
offering a balance between function and aesthetics
This product employs advanced miniaturization technology to combine LED lighting with water flow
creating a holistic experience that engages multiple senses
The Apollo collection consists of wall-mounted and ceiling-mounted configurations
with the most iconic wall element crafted from cast brass in a distinctive Y shape
the system activates automatically with water flow and features a delayed switch-off function
enhancing user convenience and energy efficiency
The latest generation rain and nail jets further elevate the shower experience
providing a luxurious and customizable retreat
inspired by the classical mythology of the sun god
integrates the elements of light and heat with water
reinforcing a symbolic connection that enhances both functionality and emotional well-being in modern bathroom spaces
featuring a thin horizontal light slit that enhances the iridescence of the Pearl surface and maximizes the concept of wellness
The Pearl tub boasts a handcrafted olive-grey marble exterior with a textured finish that contrasts beautifully with the smooth
resin-coated interior featuring a mother-of-pearl finish
At the heart of the design lies the Airpool system
Tiny perforations at the bottom of the tub release a steady stream of air
creating a gentle and soothing massage effect
The tub’s border elegantly opens to reveal a discreet control panel
allowing users to customize the water jets for an unparalleled relaxation experience
Unveiled at CES 2024, Baracoda’s BMind is the world’s first AI-powered smart mirror dedicated to mental wellness
touchless experience featuring advanced gesture recognition
and sentiment analysis powered by Natural Language Processing (NLP)
BMind’s AI-driven technology identifies subtle emotional cues and adapts to the user’s mood
delivering personalized recommendations such as guided meditation
Equipped with Generative AI for interactive coaching
BMind provides users with customized wellness routines designed to manage stress and promote mental well-being
BMind’s recognition with a 2024 CES Innovation Award underscores its contribution to smart home technology and its potential to redefine preventive healthcare
TOTO, the world’s largest plumbing manufacturer, introduced the WASHLET G5A Integrated Smart Toilet in 2024
setting a new benchmark in luxury and hygiene
Featuring a sleek design with customizable water temperature and pressure
the G5A offers a comprehensive and indulgent experience
The TORNADO FLUSH® system utilizes two powerful nozzles to create a centrifugal
cyclonic rinsing action that effectively reduces waste buildup and ensures superior cleanliness in a single flush
The PREMIST function automatically sprays a fine mist of water onto the toilet bowl surface before each use
enhancing waste removal and maintaining hygiene
TOTO’s proprietary CEFIONTECT® ceramic glaze creates an ultra-smooth surface that resists dirt and stains
keeping the bowl cleaner for longer periods
the EWATER+ system mists the wand and bowl after each use
reducing reliance on harsh cleaning chemicals and promoting a more sustainable cleaning routine
Your source of innovation in architecture & design
Flin and Atupri are creating a content nurturing network that focuses on relevant content
health insurer Atupri also realigned its content marketing
The focus should be on content that is actually searched for and consumed
Flin supports the implementation of the various focus topics
In close cooperation with the health insurance company
the agency is creating a content nurturing network geared towards maximum relevance
which should literally get the content marketing strategy up and running
Atupri and Flin want to motivate beginners and returning runners to start running - and thus draw attention to the support for health-promoting measures provided by Atupri's supplementary insurance
At the heart of the campaign are practical training plans that guide beginners step by step - including weekly training updates by email
The content was developed in close collaboration with fitness coach Niklaus Jud from Unik Sports and Olympic medal winner Markus Ryffel
"The running story is a successful starting point
we will regularly address new focus topics that are geared towards the needs of our target groups," explains Alana Bienz-Ruchti
Marketing automation is a central element of the collaboration
"We don't want our content to be intrusive," explains Flavio Dal Din
"Our aim is to automatically guide customers to the right supplementary insurance from Atupri with relevant content."
Responsible at Atupri: Alana Bienz-Ruchti (Communications Specialist)
Florence Hauri (Communications Specialist)
The campaign is now running on Atupri's digital channels
Responsible at Flin: Flavio Dal Din (Project Management and Strategy)
Leandra Brun and Lukas Günter (Content Marketing)
Partner: Fabio Zahnd (social media content)
Norwegian design studio Snøhetta has reimagined the Laufen Forum
the Swiss bathroom manufacturer’s headquarters
Laufen opted to partner with the studio thanks to their shared commitment to resource-saving and long-lasting sustainability solutions in architecture and design
The careful handling of raw materials in production and the efficient use of water in Laufen bathroom products formed a common foundation for the project
where defining materials of clay and brass spotlight the essence of the brand
provides a neutral backdrop for curated product displays
designed with natural clay plasters and paints
visitors can experience the tactile qualities of Laufen’s bathroom products
The product display on the upper floor meanwhile is a little more playful: a wealth of Laufen products can be found on industrial shelves
and visitors can arrange and combine products from various collections on movable racks
“It was important to us that the core of the Laufen brand was the focus in the newly designed Laufen Forum,” says Patrick Lüth
“The essence of Laufen is represented by the tension between materiality
Innovative materials and essential design for the bathroom collection with rigorous yet soft lines
Straight and rigorous lines alternate with soft shapes
creating a timeless design in the Meda collection
designed by designer Peter Wirz of Studio Vetica for Laufen
‘Made for Life’ is the starting claim; the result is a complete system of ceramics
and bathtubs with essential and modular forms to adapt to any bathroom environment and style
Innovative materials and environmentally friendly production are reflected in: washbasins with a rigorous profile; furniture available in various colors and finishes; a spectacular Marbond bathtub
a composite material with a pleasant and velvety touch
or corner versions; and toilets with the new Silent Flush technology
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traversing ancient ceramic cultures in a time span from 3000 B.C
‘Similar to an alchemical process – and ceramics is first and foremost alchemy – the disciplines of art
if you approach ceramics as you do other historicized materials
you cannot ignore the study of that medium throughout history
Ceramics has always been an expression of identity
and this was the starting point of the project,’ begins Roberto Sironi
Swiss bathroom company LAUFEN reveals its new 12-color palette developed by Roberto Sironi
‘Color palettes often have the limitation of having a temporal expiration as they are linked to trends
I have endeavored to set up the project through deep research
developing timeless hues already present within history
we spent more than a year in the industrial translation of the originally identified colors
searching for perfect colors and refined tactility
used by various civilizations for millennia
remain captivating and evoke emotion for people of the present and future,’ continues Roberto Sironi
Roberto Sironi’s Anthromorphic artistic ceramics
played a crucial role in his research for LAUFEN | image © Federico Villa
Each of the 12 colors that make up Color Archaeology is inspired by artefacts from antiquity
religious and social archetypes of civilizations in different eras
with the strength to retain its value and expressive power well into the future
the project unfolds through the study and chromatic classification of thousands of ceramic works from the databases of the most important international archaeological museums
The spectrum of colors from the serene blues of Ancient Egypt to the fiery brick red orange of Roman sealed earth
the Nazca and Moche ochres of pre-Columbian productions
the shady greens of the Japanese Kamakura period
the sandy tones of Mesopotamian productions
and the night blues of medieval Islamic ceramics
in a compendium of colors that reinterpret archaeological ceramics through chromatic classification
‘I extensively researched the history of ancient ceramics to identify clusters that enabled me to isolate a range of colors
we are referring to a recognizable tone of blue that has been acknowledged throughout history
developed by the Egyptians through technological innovation
has survived history not only for its chromatic definition but also for its socio-cultural significance,’ says Roberto Sironi
each of the 12 colors that make up Color Archaeology is inspired by artefacts from antiquity
religious and social archetypes of civilizations in different eras (Jade Green)
The 12-color palette evokes temporal fragments and specific geographies
designed to be applied to today’s ceramic contemporaneity and to enter domestic spaces
the installation is divided into three parts
it is possible to admire the 10 ceramic pieces created by Roberto Sironi in collaboration with ceramist Luca Mandaglio
each piece evokes and references a historical production
Embedded within these sculptures are echoes of archaeological excavations
where objects are revitalized with colors that have their roots in millennia-long history of ceramics
Each single hue represents a result of a complex alchemical process
reflecting the available raw materials and serving as a testament to the technological advancements achieved over time
designed by Studio Lys with the graphic project by Studio Achermann
develops through a light enveloping structure which acts as a narrative support to visually narrate the research
while in the courtyard there is an installation which presents a series of artistic ceramics – which I created together with the ceramist and researcher Luca Mandaglio – as research on color and matter in ancient ceramics,’ he continues
the spectrum of colors from the serene blues of Ancient Egypt to the fiery brick red orange of Roman sealed earth (Kashan Blue)
visitors are transported into the second floor with the artistic visuals created by Beda Achermann and his studio
The internationally renowned art director has been working with LAUFEN for several years
capturing the brand’s eclectic character and spirit and applying his approach to the brand
which blends tradition and modernity through an ultra-contemporary language that combines art
The third part of the exhibition showcases a series where a series of compositions
made with LAUFEN’s iconic Saphirkeramik pieces
come alive with the hues of the new palette
All the products here have been produced at LAUFEN’s highly innovative production facility in Austria and fired in the world’s first electric tunnel kiln powered by renewable energy
while the new shades are combines with faucets
furniture and accessories to create evocative and sophisticated environments
The Color Archaeology exhibition project realized by Matteo Fiorini – Studio Lys is conceived as a travelling installation and after the Milan Design Week will be hosted in other LAUFEN spaces
‘My goal was to reinterpret a series of colors developed artistically and craftily throughout history into colors applicable to industrial ceramics
We have worked hard to achieve this goal and the results make me proud
I believe that when a project is research-based
it creates something with the power to be both seminal and generative
The concept is that these colors can also serve as the pivotal point for professionals or individuals in designing the color palette and materials within the bathroom environment,’ concludes Sironi
commissioned by LAUFEN and undertaken by Studio Roberto Sironi
the color research expresses the Swiss bathroom company’s vocation in the search for new expressive languages and multidisciplinary contaminations (Red Ochre)
the project unfolds through the study and chromatic classification of thousands of ceramic works from the databases of the most important international archaeological museums (Ancient Mud)
each single hue represents a result of a complex alchemical process
LAUFEN entrusted Roberto Sironi with its first-ever research on color
which required three years of development (Babylonian Sand)
Color Archaeology takes place at the LAUFEN space in Milan
with installations crafted by Matteo Fiorini from Studio Lys
and the artistic vision of Beda Achermann (Studio Achermann)
company: LAUFEN | @laufenbathrooms
designer: Studio Roberto Sironi
installation curation: Roberto Sironi with Beda Achermann
exhibition project: Matteo Fiorini – Studio Lys | @studiolys__
graphic project: Beda Achermann | @bedaachermann
colors: Burnt Orange; Red Ochre; Andean Purple; Reddish Patina; Ancient Mud; Dusty Pink; Babylonian Sand; Celadon Green; Jade Green; Egyptian Cerulean; Umber Green; Kashan Blue
Posted in Products on 28 June
LAUFEN has commissioned Norwegian design studio Snøhetta to create a new brand experience in the heart of the Swiss bathroom manufacturer’s headquarters in Laufen
The Snøhetta team has completely reimagined the LAUFEN Forum
The main central space is designed for events and meetings
LAUFEN and Snøhetta share a commitment to saving resources and in creating long-lasting solutions in architecture and design
when it came to the redesign of the LAUFEN Forum space
the careful use of raw materials in production and efficient use of water formed a common foundation for the project
“It was important to us that the core of the LAUFEN brand was the focus in the newly designed LAUFEN Forum,” says Patrick Lüth
“The essence of LAUFEN is represented in the tension between materiality
The entrance area is a deliberately tactile space
The new entrance area features clay and brass
two essential materials for bathroom ceramics and fittings
visitors will find a wall and reception desk made of rammed earth
these materials symbolise the project’s focus on how LAUFEN brings together raw materials
technical know-how and aesthetics in its products
Above left: Each LAUFEN collection has its own colourful niche; Above right: Upstairs
LAUFEN products are displayed on industrial shelves and moveable racks
the centre of the LAUFEN Forum is a circular space designed for events
Its light terrazzo floor tones with the exposed concrete of the curved
niches display the various LAUFEN collections
LAUFEN products are displayed on industrial shelves and wheeled racks
allowing visitors to move them around and test different product combinations
“To truly connect with cultural life and remain relevant
a brand must go beyond traditional communication
LAUFEN’s expertise in ceramics and fittings is constantly evolving through collaborations with architects and designers,” says Roger Furrer
Stockist: 01530 510007 or laufen.co.uk/point-of-sales
LEMI is pleased to introduce HARMONY LOUNGE
Akula’s Echo Collection is manufactured for both indoor and outdoor use
Dornbracht kitchen fittings available in a new finish
Swiss bathroom manufacturer Laufen has unveiled its latest WC technology
Available on all new Meda and KartellLaufen wall-hung WCs
the new addition to Laufen’s range minimises noise
ensuring minimal disruption between hotel bathrooms and guestrooms
“Considering the noise level of the flush might not be top of your list when choosing a new toilet,” says Emma Mottram, Laufen’s Brand Marketing Manager
“But it’s surprising how loud a flush can sound in the middle of the night
Silent Flush operates by spiralling water through the toilet bowl
made possible thanks to the shaping of the inside of the rimless WC
which guides water along an optimised path
The result is a vortex that cleans the toilet using minimal water
The outcome is a collection with a subtly artistic charm and a hint of the fantastical
Fantasy is a word that should be living in the design world
It’s typically a matter of how designers can do something interesting
fantasy is a word that should also be in that range.’ says Marcel Wanders in his conversation with designboom on LAUFEN’s The New Classic collection
LAUFEN reunites with Marcel Wanders to reimagine ‘The New Classic’ ceramic washbasins (pattern: Cosmopolitan)
Established in 1892, LAUFEN (see here) has ascended in the sanitary ware manufacturing industry by combining material research and strategic design partnerships
A significant moment came in 2013 with the introduction of its Saphirkeramik: a material developed by the Swiss company that achieves remarkably thin profiles while maintaining a high degree of durability. As Marcel Wanders reinvisioned The New Classic collection
the Dutch designer embraced the opportunities enabled by this technologically advanced medium
On working with the material in The New Classic
‘it’s very special because it seems invisibly innovative
As we use Saphirkeramik [in the collection]
we are able to do something that looks beautiful
LAUFEN has created a niche in sanitary ware manufacturing with its material research and strategic design partnerships (pattern: Cosmopolitan)
The New Classic had earned a prestigious iF Design Award for its elegance and form
Marcel Wanders focused on the overall meaning and profiles of the pieces
the designer has come back to enrich the washbasins with a series of bespoke
LAUFEN and I had this idea to not work with colors
The result is created with a really intricate technique that allows for a very subtle
decorative structure or movement without being overly ambitious… It’s a way to differentiate and create another story,’ says Wanders as he describes the evolution of the washbasins
in the 2023 relaunch of the collection Wanders enriches the washbasins with a series of bespoke
The washbasins are renewed with three distinctive patterns: Cosmopolitan
recurring shadows create a mesmerizing play across their surface
visually revealing the sink’s geometric intricacies
Cosmopolitan reflects an architectural and sophisticated essence
Bohemian takes on a more untamed complexity
showcasing swirling elements that narrate a captivating story across the ceramic
Ornamental introduces a repetitive series of hexagonal
floral-shaped elements that harmonize eclectic and traditional influences.
‘LAUFEN can now speak to a different audience
Or even a little bit more romantic,’ exclaims the designer
and Ornamental create a mesmerizing play of shadows across the ceramic surfaces (pattern: Cosmopolitan)
This collection’s durability is twofold: there’s the material robustness that comes from its patented Saphirkeramik body and then there’s the longevity that was designed into its form
the designer and LAUFEN seek to produce something that can endure the test of time
whether that be shifting styles or high-stress environments.
‘the whole idea of newness is fundamentally challenging
I start in the past and bring it to the future to expand the time zone that an object lives in
I seek to situate my work between my grandmother and my grandchild
I’m trying to make things feel recognizable
It brings me back to that good place.”’
the Saphirkeramik body of the sinks are able to achieve durable and elegantly thin profiles (pattern: Ornamental)
designer: Marcel Wanders | @marcelwanders
LAUFEN presents LAUFENXNM3 – the capsule collection created in collaboration with NM3 design studio
NM3, the Italian design studio founded by Delfino Sisto Legnani, Francesco Zorzi and Nicolò Ornaghi, and LAUFEN have joined forces to create a line of furnishing that goes beyond the bathroom environment thanks to the rigorous geometric shapes and quality of the materials
‘LAUFENxNM3’ fits into any interior design style as it also expresses the eclectic living solutions of the Swiss brand
Made through simple metal carpentry processes
shaped and screwed together through the use of a single material
‘As a design brand we work a lot with stainless steel; in general we prefer raw materials
We never adapt our designs to the aesthetic of a specific brand
we always try to keep our industrial and modern character
so it’s important for us to talk with the industry first to understand what can be produced
instead of design with limitations in mind,’ says Francesco Zorzi
the collection consists of vanity units and furnishing accessories
It is the first time that LAUFEN experiments with the use of steel in the bathroom
Furnishing elements are reduced to a minimum
which welcome the ceramic and take on a sculptural
LAUFENxNM3 consists of vanity units and furnishing accessories
mirrors and accessories characterized by a fine
the collection offers a high degree of customization thanks to the possibility to choose between the different countertop washbasins of the brand’s collections.
‘LAUFENxNM3 does not specifically look like a bathroom collection and we are really proud of that
the stools and trolleys can be used in commercial environments like ateliers and offices
but also in residential settings like living rooms
the series is so abstract that it can be configured in so many different ways
I believe this might even lead to new paths for the way bathroom collections are perceived,’ remarks NM3
stainless steel has a kaleidoscopic effect
Unlimited compositions are made possible as the type of material helps in embracing and reflecting the style of the room
LAUFEN has decided to portray the collection inside four very elegant Milanese entryways of the 20th century
where the architects of the time experimented with extremely precious materials mixing furniture
The steel pieces by the NM3 studio stand out in these luxurious rooms and seem suspended between polychrome marbles and ceramics that create unusual textures
doors and windows made with precious materials as if they were theatrical backdrops
‘We were very impressed by how much attention to detail LAUFEN pays when it comes to production and quality control
Even though the company has never worked with stainless steel before
our end products look exactly as our initial sketches and prototypes – the form and character never changed,’ adds NM3
unlimited compositions are made possible as the type of material helps in embracing and reflecting the style of the room
made through simple metal carpentry processes
the collection is characterized by its reflective quality and attention to detail
Italian design studio NM3 founded by Delfino Sisto Legnani
brand: LAUFEN | @laufenbathrooms
designer: NM3 | @nm3.xyz
high detail and world-renowned swiss quality
the brand has continuously created delicate
beautiful yet innovative products and materials
initiated in 1963 by artist kurt ohnsorg – an austrian pioneer of modern ceramics – and under the patronage of conrad H
the ceramics art symposium gmunden stood as a legendary six week event that
artists from europe were joined by those from nigeria
canada and the USA to truly make the occasion a laboratory of international ceramic creativity
technicians and craftsmen learnt from one another
and the initiative became a folklore from the alps
(above) profile of kurt ohnsorg (below) video of rainald franz of the austrian museum of applied arts
kurt ohnsorg brought a whole new attitude to austrian ceramics
which has received international attention
[it brought] artistic design to industrial production
that’s why the exhibition was ground-breaking,‘ states rainald franz
as he explains ohnsorg’s unique initiative and how LAUFEN supported the symposium by opening up their factories and studios to the artists
the austrian museum of applied arts’ exhibition was part of a commercial collaboration with the artist kurt ohnsorg
it was held at a time when the profession of a designer did not exist
this led to visionaries working together with artists
united a leading industry of austrian ceramics together with an internationally renowned artist – and the results are iconic in terms of beauty as well as the movement they started
the international initiative, though, still lives on today. lester’s son paul, together with gmundner keramik manufactory and the association for the promotion of european ceramics artists, revived the symposium in 2003. later in 2018, the event began to be held at the LAUFEN manufactory engelhof
where artistic perspective of digital ceramic production is explored
the ceramics art symposium gmunden exhibition in LAUFEN werk(s) kunst
the ‘1963 – 1969 kurt ohnsorg symposia in the laufen werk gmuden‘ showcases the innovative concept and the creations made
the engaging exhibition has been created with the sculptures formed during the six week events
material compositions and pure artistic concepts
where ceramic is highlighted as a material for contemporary art
the exhibition merges the creations from the original events and the revival in 2018
in the words of kurt ohnsorg’s manifest
‘the love of handcraft is not to be viewed as a sentimental inclination
but rather as the most ideal possibility for people to engage with matter’
the exhibition highlights this philosophy through the history of the sculptures themselves and the intrigue and conversation their displays provoke
the historic ceramics art symposium gmunden exhibition hopes to inspire current artists as well as simply amazing the general public
aino nebel’s plate and disc uses saphirkeramik as canvases for her artwork
the pieces from the legendary original events from 1963 to 1969 have been merged together with those created during the 2018 revival
this include creations from european artists including beate gatschelhofer (austria)
tomasz niedziólka (poland) and brigitte penicaud (france)
equally identified as sculptures as they are products
their pieces showcase modern explorations of ceramics and highlight the evolution of the craft since the original symposium
jonathan keep speaking about his design process and the opportunity to join the 2018 revival
enrica casentini’s playground comprises of 10 molded forms that each explore color variations
beate gatschelhofer’s monolog in a series feature 147 velvet-smooth parts that showcase a subtle change in color
jonathan keep’s cantor roots sculpture 3D prints LAUFEN’s renowned saphirkeramik
name: 1963 – 1969 kurt ohnsorg symposia in the laufen werk gmuden
location: LAUFEN showroom & innovation hub at salzgries 21
stations: ceramic museum westerwald, germany; the museo carlo zauli faenza, italy; the museum la piscine roubaix, france; and more
In and around the brutalist, endless architecture of Casa Albero in Rome, LUA by LAUFEN creates a visionary link to modularity, form and function with the pure, precise lines of the collection. The complete bathroom series by designer Toan Nguyen results in a balance of geometry
LUA personalizes and adds comfort to the most intimate space in the home.
Toan Nguyen’s LUA collection for LAUFEN photographed in Casa Albero
As the modular structure opens up, the LUA collection fills the space with poetic functionality. In over a decade of collaboration with swiss company LAUFEN, Toan Nguyen continues to meet new challenges through a long process of research and development
no single piece is more important than the others; each has its own specific role inside the collection
Every item has been honed down to the smallest details to offer a balance of shape and usage
‘For me design is above all an approach
a close attention to the object applied to the craftsmanship of excellence as well as serial production such as LUA,’ describes Toan.
each item of LUA has been honed down to the smallest details to offer a perfect balance of form and maximum usage flexibility
All the pieces in the collection are based on the form of an oval
with slightly flexed extremities: a geometric shape that required an extensive series of drawings and studies to obtain a linear result that is both logical and functional at the same time
With straight lines and gently rounded corners and edge radii
a symbiosis of ceramic elements make up LUA
The overall harmony of the bathroom pieces provides the user with helpful features through a visionary impact
are available in the most common sizes from hand to double bowl wash basins
while they can be wall-hung or placed on countertops thanks to their ground undersides
LAUFEN demonstrates further attention to detail by adding drill holes to allow the attachment of a towel rail
thus negating the need to go through wall tiles
the freestanding bathtub of the LUA collection inside the sphere guest house part of the Casa Albero
Along with careful consideration for aesthetic details
the WCs also make bathroom planning even more flexible
Available in a wall-hung and free-standing version
the rimless ceramic pieces feature a rounded bowl and narrow seat
a close attention to the object applied to the craftsmanship of excellence as well as serial production such as LUA,’ explains Toan
Casa Albero can be read as a result of an architectural composition
played out as an arrangement of elements and spaces
The minimalism of the faucet series elegantly complements the washbasins
beak-shaped curved and narrow handle levers
these fittings make the everyday use of the sanitary furniture more practical
while being rounded on the underside for a comfortable grip
the faucets are also reducing energy consumption as warm water only becomes available if the lever is turned to the left as opposed to the usual central position.
‘The idea is to offer a final solution to the user
but for this project it felt even more significant
We really paid close attention to the details like the radius that the specific ceramic could allow in order to achieve the optimal water flow,’ remarks Toan
the modularity of the project and the relationship between form and function of Casa Albero
the purity and precision of the geometric lines that derive from a long research and experimentation on the matter
‘we really paid close attention to the details like the radius that the specific ceramic could allow
in order to achieve the correct water flow,’ remarks Toan
LUA’s compact bathtub can still offer a comfortable relaxing shower thanks to the large
even floor space and the highly anti-slip material
In a free-standing and a wall-mounted version
the furniture piece is also ideal for two people at once as the ergonomically shaped depressions are placed at each end while the outlet is positioned in the middle.
‘I wanted to create a form that is like a part of our collective memory
sometimes there is a tendency to exaggerate
to make the product different,’ claims Toan.
‘I wanted to create a form that is like a part of our collective memory,’ explains Toan referring to LUA’s shape
LANI matches the design language of the classic ceramic lines
The bathroom furniture set is characterized by its slim side panels and recessed doors with indented handles as well as the soft-close doors and drawers
Glass shelves inside the cupboards and practical accessories like drawer organizers or towel rails add extra comfort
the interior of the furniture is featured in a shade of anthracite
while the exterior is in wild oak wood finish surface
LUA personalizes and adds comfort to the most intimate space in the home
human beings and their relationships with objects are the central focus of Toan Nguyen’s work
and with LUA he has made a collection that seamlessly combines pure forms and high levels of workmanship
designer: Toan Nguyen /@toan_nguyen_studio
brand: LAUFEN /@laufenbathrooms
in the shift from physical to digital, swiss brand LAUFEN launches a virtual space that aims to mold the two together
‘LAUFEN virtual space’ is an immersive experience where you can explore the company’s bathroom products in four colorful
the idea behind the project is to provide a more human interaction than typical online platforms, which have both been propelled in popularity as well as into ubiquity due to the ongoing coronavirus pandemic
the virtual space is designed to tell a story
and take people on a journey through different scenarios and products
the experience aims to create the feeling as if strolling through a physical LAUFEN booth at industry events of the past
blurring the boundaries between physical and digital, the LAUFEN virtual space was conceived by swiss architects gabrielle hächler and andreas fuhrimann, who have previously worked with the brand to create LAUFEN booths for many global events including salone del mobile 2018
the creative duo use architectural spaces for storytelling
enhancing this expertise to build immersive
interactive and highly experiential spaces virtually
the architects teamed up with annabelle schneider
a swiss-born and new york-based experiential interior designer
to bring the rooms to life with further visuals and narratives
sound designer carlo peters then developed the soundscape for each virtual environment
which LAUFEN describes as ‘a platform of hope and reflection’
the collage before entering the room features industrial elements
the room itself seems open to the elements as if it’s been abandoned; fluffy clouds of smoke occupy the scene and a puddle of water reflects the surroundings
the sound created for this space is otherworldly and even a little bit dystopic
next up is the escape from abandoned city life to the desert
and what sounds like a banjo starts to play
even a frog comes to say hello at the end.
visitors to LAUFEN virtual space will next find themselves immersed in a mysterious forest
the hoots of an owl and rustling leaves underfoot make you feel as if you’re the one wandering through the woods
layers of code bring a technological element while orange and mustard-hued LAUFEN pieces create a welcome color contrast.
and it showcases LAUFEN’s collaboration with artist monique baumann
this virtual experience reflects baumann’s tactile collage style
sharing a glimpse into her techniques of making
the swiss-based artist uses three different pieces of art applied to three kartell by LAUFEN ceramic products
which are available in a special limited edition
to discover the surreal showroom, visit the LAUFEN virtual space website here
name: LAUFEN virtual space
brand: LAUFEN
idea & concept: gabrielle hächler / andreas fuhrimann architects concept
content design and visualization: annabelle schneider
The artist is putting us right back in our feels with his new release
With the way the weather is currently set up
we’re feeling to wrap ourselves in a cosy blanket and watch the rainfall from the comfort of our homes
And providing the perfect soundtrack to these warming moments is Lucas Laufen with “Weathering”
Gently easing us into a poignant soundscape laced with delicate strings
the artist smooth glides through the production before landing at the melancholic climax
Weathering is about this realisation and the change that comes with it
recognising the positive in the apparently bad weather
stories on the way to the knowledge I gained and the people who helped me to recognise this
Tying the single release with his long-awaited album of the same name
the artist continues to channel these emotions through a plethora of personal heartfelt single and productions
If there was ever a moment to be in your feels
make sure you do it with Laufen playing in the background
mirrors and accessories as well as furniture pieces
each item unites the designer’s world renowned flair and creativity with the manufacturer’s new material in forms that are reminiscent but actually brand new
the ultra-modern saphirkeramik has been molded into a classic and iconic form,’ claims marcel wanders
‘this lightweight yet resilient material gave us the unique opportunity to celebrate the beauty of fine porcelain with our elegant
the new classic collection by LAUFEN reflects marcel wanders studio’s take on neoclassicism
classic forms embrace a modern sense of style and functionality
which remains consistently focused on indulgence
humanity and everyday utility whilst recalling the poetry and romance of bygone times
this is only made possible thanks to the brand’s saphirkermik material
which produces ultra-thin yet ultra-strong forms
which are reminiscent of the opening sepals of a flower
this creates a highly distinctive presence that is lavished with surface tension
marcel wanders studio has also designed a premium set of faucets
which are influenced by the monumental porticos from the roman empire
conical silhouette feature distinctive groves that flow into graceful curves
there is also a dividing line below the slender handle and slim spouts
shower and bidet are paired with polished chrome faucets
whilst there is also the option for a wall faucet with two knobs installed directly to the wall – the system is ingeniously concealed behind
the neoclassical collection assembles a very broad and versatile range of product offerings to fit all bathrooms and needs
the countertop washbasin has a width of 600
back-friendly form created from the skin-soothing sentec material
the collection also includes wall-hung bidet and rimless toilet bowls
these offerings help create enchanting bathrooms for any interior design style
as equally distinctive as the bathroom pieces
the new classic collection by LAUFEN also offers a set of furnishing pieces that accentuates its contemporary theme yet is also highly practical
the molded door panels add an extra classical touch to the interior space
these pieces include vanity units for both countertops
tall cabinet is also available in dark real oak veneer
a range of sculptural accessories – also made from saphirakeramik – complete the collection
these vary from a wall-mounted shelf and soap dish to a toilet brush holder and even an elegant oval mirror
these result create a balance between the delicate organic aesthetics of the ceramic and the rigorous geometry of the accompanying furniture
brand: LAUFEN
collection: the new classic
designer: marcel wanders studio
as the classic archetypes are reinterpreted with even more fluid and soft lines
obtaining an elevated sculptural character.
ILBAGNOALESSI is the result of collaboration between the Alessi Italian design factory and the Swiss bath furnishings specialist LAUFEN
LAUFEN‘s iconic ILBAGNOALESSI collection returns in a completely renewed look
the result of the evolution of materials and continuous technological research
For 2022 collection is enriched with new linguistic codes
introducing the principle of the Frame – the modular lighting system enclosing a number of settings of the ceramic fixtures
The Swiss company’s revolutionary ceramic manufacturing
advanced technology and lighter forms lead the project into a new phase
ILBAGNOALESSI has developed a completely new approach to the design of the bathroom space
made possible thanks to the interaction of the two companies
ILBAGNOALESSI has developed a new approach to the design of the bathroom space
Thanks to LAUFEN’s ongoing research on ceramics
the extremely strong and malleable material Saphirkeramik has been created
Its thin nature permits the formation of daring lines that were not possible 20 years ago; the high-performance material links past with future
experimenting with this special ceramic material
has designed basins with rounded edges in different sizes
reinterpreting washbasins and washstands with long
accentuated through the use of a new light and slim profile
‘The introduction of Saphirkeramik has made it possible to reduce the traditional double border of ceramic fixtures to a single thin surface
emphasizing the elegance of the organic design of this line of products,’ says the designer of ILBAGNOALESSI
LAUFEN finds maximum expression in the balance between form and function
The important feature of the collection involves three variations of finish and color for all the ceramic pieces
The matte finish – in the colors white
black and coffee – gives the product a more contemporary image
while the freestanding welcoming bathtub takes its cue from the form of the washbasins
a mineral composite that offers a velvety sensual surface
the tub is ideal for a long relaxing soak as the slim border widens to offer a comfortable headrest and a surface for objects
The 2022 version – also available with black on the outside and white on the inside – is of great theatrical impact and in tune with the revised finishes of the collection.
One of the central pieces is the toilet: its rounded cover completes the design of the ceramic body in seamless continuity
generating a unified object that is completely different from a traditional toilet
the important feature of the collection involves three variations of finish and color for all the ceramic pieces
ILBAGNOALESSI 2022 also offers a series of furnishings that incorporate materials of the latest generation
have borders at a 45° angle – a solution that works both aesthetically and functionally
earthy tones of the colored laminated versions play with the stoneware surfaces
creating chromatic effects and refined material contrasts in relation to the ceramic fixtures
For even more versatility and personalization
the color palette offers a range of over 30 hues and 3 special nuances
‘When I began to think about the ceramic fixtures of ILBAGNOALESSI in the early 2000s
I was immediately drawn to the image of white stones polished by water
washbasin) was usually based on the composition of three elements: a basin
the central element that contains the water; an element for connection to the wall
and possibly another one for connection to the floor
With the ceramic fixtures of ILBAGNOALESSI I went beyond traditional design practice
taking a stone and directly attaching it to the wall,’ continues the designer
the new Frame element is equipped with an LED system
the different scenarios of which can be controlled via APP or remote control
is the frame structure made of black aluminum
which accompanies the mirror and furniture as a connecting element and sets the scene for the unusual shapes
This element is equipped with an LED system
The modular lighting system allows the brightness to spread in multiple directions
creating different personalized configurations in the bathroom space
with the option of shifting between warm and cool luminous hues
With this easy-to-install concealed technology
LAUFEN puts ILBAGNOALESSI into a digital era
the bathroom collection made its debut at Fuorisalone 2022 in Milan at LAUFEN Space Milano
which hosted an installation staged by Studio Lys inspired by the work of the visionary French architect Claude Parent
name: ILBAGNOALESSI
designer: Stefano Giovannoni
144 double washbasins and 142 bathtubs for the scheme which were also designed by the architects themselves
the design for ’56 leonard’ was originally revealed in 2008
LAUFEN’s custom-made products offer an unrivalled level of refinement and individuality
the washbasin and bathtub is defined by their pill-shaped form and is produced in LAUFEN’s solid surface material called sentec
the bespoke design corresponds and mimics similar curving forms found throughout the residential units to ensure consistency. LAUFEN’s dedicated research and development team with its head office in switzerland
has an in-depth knowledge of custom fabrication and is able to meet the requirements of architects on an individual project basis
resulting in bespoke bathroom solutions of unrivaled quality
with seven production facilities in central europe
it is capable of manufacturing sanitaryware
showers, faucets and furniture in materials including cutting-edge ceramics and solid surface materials
in which the opportunities to innovate on any scale are virtually limitless.
designed by the architects herzog & de meuron and custom-made by LAUFEN image © designboom
LAUFEN told designboom about their experienced employees which are focused on exploring the limits of precision
functionality and efficiency. this attitude enables them to realise the sophisticated and unique designs required for iconic projects across the globe
LAUFEN offers support and advice to architects at every stage of a project
engaging in a continuous dialogue to ensure the outcome is in line with the overall creative vision
this hands-on engagement with each undertaking allows the company to facilitate innovation and true customization on an unprecedented level
the pieces takes a pill-shaped form which mimics the theme in the apartment’s interior image © designboom
a perfect example of LAUFEN’s collaborative approach is the latest landmark building designed by swiss architecture firm herzog & de meuron
the architects also chose wall-mounted LAUFEN pro WCs
these 577 pieces were treated with a custom matte-white coating and imprinted with a special LAUFEN 56 logo
LAUFEN showcased the bespoke series for 56 leonard / herzog & de meuron image © designboom
the 60-storey tower is located in the tribeca neighborhood in new york image courtesy of 56 leonard / herzog & de meuron
the architecture of the building itself is composed of protruding geometries that results in a spatially dynamic elevation
this organization produces cantilevered interior spaces as well as outdoor balconies for each of the dwellings
the apartments are based around the idea of individuality and intimacy within each home
this concept is translated into every room
which feature a range of products designed by the architects and custom-made by LAUFEN to their precise specifications
bespoke designs correspond and mimic similar curving forms found throughout the residential units image © designboom
144 double washbasins and 142 bathtubs for use throughout the marble-tiled bathroom suites – 577 WCs featuring a custom matte-white coating and imprinted with a special LAUFEN 56 logo are also seen inside
the bathrooms will feature a range of products designed by the architects and custom-made by LAUFEN to their precise specifications
visualization of the bathroom inside 56 leonard image courtesy of 56 leonard / herzog & de meuron
see designboom’s instagram coverage @milan.design.week
the original washstands highlighted new design opportunities and in the years since
from ‘floating’ to floor-standing washbasins and WCs
when designing the LAUFEN sonar collection
patricia urquiola was inspired by the rigor of architectural minimalism and the dynamism of sound waves specifically in water
with a three-dimensional texture then sculpting the external surfaces
the interior surfaces are incredibly clean and smooth in contrast
conveying an image of balance and elegance overall
the beautiful forms are made possible by the brand’s innovative saphirkeramik material
it rewrites the rulebook and opens new possibilities in terms of aesthetics
the ceramic can create radius rims of between only 2-3mm rather than the conventional 7mm
even double washbasins made from saphirkeramik can fit in small urban bathrooms that had previously just managed to fit a standard basin
this quality is delivered without adversely affecting either the bowl’s capacity or bathroom layout
the exploration of saphirkeramik has led to further creations in the sonar line
these include a floor-standing washbasin that conceals all the plumbing within a small footprint as well as free-standing washbasin which
extends the magic of collection as if they were floating
with gently sloping bases that channel water into transverse recesses
bowls and bathtub are now accompanied by a new 600mm-wide washbasin and additional compact 100mm-wide double bowl washbasins – either as wall-mounted or countertop variants
these can be paired with geometrically-designed vanity units that not only support but highlight the unique shape of washbasins
they are coated in an elegant range of metallic finishes – gold
copper and titanium – as well as a nero marquina finish
sonar also now includes a new oval free-standing bathtub made of marbond material
its slender exterior is finished with the distinctive sound wave texture
this round dish seemingly balances yet actually simply attaches to the piece’s rim to serve as a platform for body care essentials
there is also a head and back rest to further enhance comfort in the tub
sonar adds both floor-standing and wall-hung WCs to the collection
they share the distinctive D-shaped form of the other sanitary ware pieces
the designs are tapered to the front to evoke a visual lightness to the pieces
brand: LAUFEN
collection: sonar
the 2021 collection speaks of a contemporary ambience further enhanced by a variety of finishes
washstands and bathtubs all becomes complete with the inclusion of décor elements
mirrors and more furnishing features that give endless possibilities of composition
this versatility is pictured by fashion photographer hugo comte and still-life photographer oliver helbig
capture the multi-faceted character of the designs
hugo comte captures the pieces in playful
for their extended family, LAUFEN and kartell decide to give two completely different visual interpretations: one by the belgian fashion photographer hugo comte who has captured dreamy atmospheres for world renowned designers like burberry
fendi and many more; the other by the german still-life photographer oliver helbig whose work blurs the boundaries between nature
comte decomposes the pieces and creates a playful and improvised scene; where helbig plays with light and color to feature abstraction and form
both visions show the designs in an ever-shifting
the fashion photographer studies the designs in relation to people and their movement images by hugo comte
kartell by LAUFEN creates a range of relationships
one being the juxtaposition between the ceramic sanitaryware
and the plastic furniture and accessory components
this relationship is emphasized by the fresh hues of mustard yellow
olive green and powder blue of the plastic
and the glossy or matte finishes of the ceramics in white
the contrast continues with the transparent elements like the boxy toothbrush holder and the sound rack shelving system
adding lightness to the solidness of the ceramic
each furniture piece within the collection
can be arranged and combined in various ways signifying the fluidity of the space thus allowing greater design freedom.
the bathroom fixtures add their own softening touch to the ample ceramic surfaces where their minimal and slim curves highlight the linearity of the concept and create a serene environment for well-being
this attention to detail is important to the collection as faucets and mixers offer even more choice to the overall design
they are available in brushed stainless steel and chromium-plated finishes and regarding installation
the collection’s wide range of products offers an eclectic mix that stimulates new interior ideas rich with personalization
kartell by LAUFEN succeeds in giving added value to the bathroom as space
which can then evolve as people’s needs do too
from the complementary accessories like the all saints mirror to the ceramic fixtures that can be either wall-mounted or freestanding
it is possible to adapt the bathroom collection to spaces of different sizes and styles as each product is compact yet adjustable
brands: LAUFEN and kartell
collection: kartell by LAUFEN
photographers: hugo comte and oliver helbig
the design takes visitors through the brand’s 127 years of history and then onward towards the future
this will be with a focus on using the materials from the industrial ceramic production and connecting the experience with two precise points: the original (the material) and the arrival point (the finished product)
the clay mountain (left) beside the stacked
three-dimensional installation all images courtesy of LAUFEN
as visitors enter the installation at the teatro arsenale inside the 5vie district, they will witness a mountain of clay laying beside the installation. the raw material – water and kaolin – forms not only the basis of snarkitecture‘s design but also of LAUFEN itself
from clay to ceramic, the various stages of production are captured as the brand expertly transforms clay into unique
in the form of a precisely stacked sequence of washbasins
which also exemplifies the concept of mass-manufacturing
brand: LAUFEN
collaborators: snarkitecture
aims to upend how we process human waste and heal the environment in the process
non-mechanical apparatus that performs the separation without the user even knowing it
The journey to create the Save! toilet began in 2011, when EOOS joined the Bill and Melinda Gates Foundation’s “Reinvented Toilet Challenge,” which sought to address global sanitation crises with sustainable solutions
EOOS managing partner Harald Gruendl saw a major opening for design to make a positive social and environmental impact
“Everyone speaks about circularity and the circular economy,” he tells Metropolis
“Recycling nutrients is the most basic form of circularity there is.”
(The Teapot Effect is so named because when tea is poured slowly
the liquid tends to dribble down the spout
but a fast pour forms an arcing stream.) The only catch is that all urine must first hit the pan—meaning men must always sit down to use the toilet
where it played into the show’s theme of “Broken Nature.”
“Once you have a product you need an application,” says Gruendl
who explains that urine separation must be widely implemented at a system-wide level to be truly effective
Cities would have to install separate infrastructure to collect and treat urine; a more likely short-term scenario is that buildings would collect and store the urine until a tanker truck picks it up
having an effective and simple solution to kickstart the discussion is essential
“[Bjarke Ingels Group partner] Kai-Uwe Bergmann was one of the first architects I told about this technology,” says Viardot
“It didn’t take too long for him to be enthusiastic about it and see how we could implement the Save
toilet.” (BIG’s New York office hosted an event showcasing the design this past May.) Both Viardot and Gruendl are hopeful that cutting-edge design firms like BIG and environmentally-minded consumers will be the toilet’s early adopters
You may also enjoy “This Minimalist Public Pool Creates Its Own Water-Filtering Ecosystem.”
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