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The design festival in Germany aimed at experimental designers
students and furniture brands and hosted workshops and performances to exchange ideas on future designs.
by Haus OttoPublished on : Sep 05
The inaugural Salone di Aschau, a collaborative design festival, took place in Aschau im Chiemgau in Bavaria, Germany, on July 13 - 14
The event was hosted by furniture publisher Nils Holger Moormann and curated by the design studio Haus Otto
Designers, retailers, furniture labels, students and design enthusiasts came together to develop a contemporary concept of a 'design fair'
Salone di Aschau was aimed at both professionals and design rookies
to exchange experimental and inclusive concepts concerning the future of design
At various locations around the headquarters of Nils Holger Moormann, artists, designers and brands showcased exhibition pieces, conducted workshops and presented performances
This diverse range of activities fostered a relaxed atmosphere of exchange
where important topics were playfully debated
The OpenDesign class from HFBK Hamburg, under the supervision of Studio Œ, garnered significant interest by hosting a workshop where participants could craft their walking sticks. Using self-designed tools, the students set up their own product design line, transforming craftsmanship and DIY creations into an art form
Kuhlmann intrigued guests with her performative installation
the interdisciplinary designer hid refined nails in a haystack
turning the act of searching into a creative experience
Brands Loehr, Dante – Goods and Bads, Bottone, Mono and Tecta displayed exhibits beyond their standard collections in the historic stables of the venue: The former horse stalls served as windows into various work processes, values and portfolios of the furniture design brands
In the courtyard in front of the Festhalle, Holger Moormann demonstrated the often complex development of design and production processes using an early prototype of the Bruto chair design
as well as a playful reimagining of the FNP shelf as a giant sound system
Marstaller and Oliver-Selim Boualam (BNAG) were also part of a workshop which showcased sustainability and DIY in a playful rather than didactic manner
Using parts of the iconic FNP shelf by Axel Kufus and brackets developed in collaboration with the type foundry Dinamo
visitors could create their seating objects
Across the design exhibition, several design objects could be found, including the humorous contemporary design interventions by Studio Œ
or the works by designer and researcher Johanna Seelemann
whose Harvest Crown for Pigs and Oase vases explored the intersections between humans and nature
With Salone di Aschau, Nils Holger Moormann provided an open platform for exhibitors. Additionally, the furniture designer presented critical perspectives
highlighted by an installation by the Pentagon Group from 1991 that questioned the purpose of furniture fairs
Gestures like these make the company a consistently surprising and critical player in the design landscape
With its interdisciplinary approach, versatility and creativity, Salone di Aschau offered new ideas for future fair concepts. By fostering a sense of community, the design event shifted the focus away from consumption and growth
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