Philip John Van Bruggen passed away at home on January 2
We believe that he is now spared from his chronic pain from fractured vertebrae and other health problems
We are grateful for his doctor and the many health care providers
and family that contributed to his care and in supporting Bonnie during his long health journey
Phil was born February 25 1942 to Dr John and Ruth (Hurt) Van Bruggen in St
while his father was finishing a doctorate in biochemistry
He graduated from Beaverton High School in 1960 after attending his senior year in Denmark
Graduating from the University of Oregon with a BA in psychology and biology in 1964
he then attended graduate school at OHSU for one year
and married Yvonne “Bonnie” Otis on June 26
They both then completed graduate school at the University of Iowa where Phil earned a Ph.D
Phil discovered his talent and delight in teaching at several colleges
There were also administrative adventures as Dean of the Graduate School of Geneva College
Provost and then acting President of Berkshire Christian College
and Executive Vice President and then Interim President of Sterling College
Philip’s Christian faith began in his childhood in a Christian family
and informed much of what he was and what he did
In his retirement there was the glories of returning to Oregon and the wonderful Pacific Ocean
He also loved classical music and reading novels
Phil and Bonnie always had at least two cats and enjoyed watching and feeding wildlife
Chapel by the Sea Presbyterian Church of Lincoln City
He is survived by his sisters Anna Myers and Linda Holeman
and his wife of nearly 60 years Yvonne “Bonnie” Adell Van Bruggen
son John Trahan Van Bruggen and his wife Annette
daughter Jennifer Adell Van Bruggen Hamilton and her husband Hudson
Memorial gifts may be directed to Chapel by the Sea
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Lucie Horsch/Orchestra of the Eighteenth Century(Decca)On a record where instruments matter more than the music
Horsch celebrates Brüggen and the remarkable 17th and 18th-century recorders he collected
and regularly worked with other period bands
including the Orchestra of the Age of Enlightenment
But in the early years of his career he was an outstanding recorder player
who from the mid 1950s onwards brought a new expressive flexibility and rhythmic freedom to the recorder repertoire
as well as commissioning new works for the instrument
View image in fullscreenArtwork for The Frans Brüggen ProjectTen years after Brüggen’s death
it’s that achievement as an instrumentalist that is celebrated on Lucie Horsch’s disc
More specifically it’s the remarkable array of recorders from the late 17th and early 18th centuries which he collected and played that are in the spotlight here
For the 26 tracks Horsch uses 15 different instruments – sopranino
treble and tenor recorders – some of which are now so fragile that she was only able to record a couple of takes on each
There is a mixture of original pieces – by Telemann
among others – alongside arrangements of Haydn
with the Orchestra of the Eighteenth Century used for the larger-scale movements
With instruments from different eras and countries
the pitch of the performances naturally varies
Horsch points out in the booklet that she had to play them much more carefully and delicately than she would a modern recorder
and to emphasise the differences she plays movements of Handel’s F major sonata on different instruments
For once it’s the instruments that matter more than the music; anyone remotely interested in recorder playing will find it fascinating
and get a reminder of just what an extraordinary musician Brüggen was
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Both companies plan to create a range of oat-based drinks
concentrates and other "functional oat products" for German retail
German cereal manufacturer H&J Brüggen and dairy producer Frischli plan to set up a joint venture focused on oat-based food and drink products
both companies look to produce a range of oat-based drinks
concentrates and other “functional oat products”
The plan has been submitted to the national federal cartel agency
Upon receiving approval from the competition authority
both groups expect joint operations to begin under the new business in early 2025
Brüggen and Frischli confirmed they would still run their own companies independently following the establishment of the joint venture
Both groups said the proposed business would combine each other’s knowledge in processing milk and oats products and help them respond to the growing demand for plant-based milks in Germany
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one of the three general managers of the family-run Brüggen
said: “The establishment of this joint venture marks a significant step in our corporate strategy
which focuses on sustainable growth and innovation.”
added: “By combining our respective strengths and experience
we are ideally positioned to set new standards in the oat drink sector
“This joint venture will enable us to strengthen our market position and offer our customers even greater added value.”
Brüggen processes a range of private-label breakfast cereals
oat flakes and snack bars to retailers and manufacturers worldwide
The group manages two factories at its headquarters site in Lübeck
It also owns three other manufacturing sites in Chile
Frischli processes shelf-stable private-label dairy products
As well as its main plant in Rehburg-Loccum
the group also owns three dairy factories in Weißenfel in Saxony-Anahalt
Eggenfelden in Bavaria and Schöppingen in North Rhine-Westphalia
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but is introduced on the PA to wrestling audiences in the southern U.S
as “Seven-foot Van Bruggen from the great Canadian Rockies.”
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We apologize, but this video has failed to load.Try refreshing your browser, ortap here to see other videos from our team.Play VideoArticle content“It’s all a work [storyline]
as they say in wrestling,” said Van Bruggen
“They need heels and villains and I’m the bad guy to stir up the crowd as I go in against usually all-American good-guy type opponents.”
The former national-team rower and Canadian Henley singles champion out of Claremont Secondary never thought his athletic career would take this turn
especially after just almost making the Canadian rowing team for the 2016 Rio Olympics
But one day in a supermarket line in Cobble Hill
he heard a shopper behind him whisper to another: “This is like standing behind the Undertaker.”
His rowing teammates always joked to him that with his imposing stature he should try the World Wrestling Entertainment
He called his former friend from his Claremont days — WWE wrestler Chelsea Green — and asked her how to break into pro wrestling
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“Chelsea and her sister used to drive me to rowing practice on Elk Lake and Chelsea’s accomplishments are such an inspiration to me because of the passion and persistence it took for her to reach the big time,” said Van Bruggen.
“Chelsea’s first response to me was: ‘What took you so long?’ ”
But there were no illusions. Body size is one thing. Working your way up the pro wrestling ladder quite another, but Van Bruggen’s rise has been striking since jumping into the game in 2023. The 32-year-old former member of the Canadian Scottish Regiment infantry is currently on the Coastal Wrestling Championship tour in Florida, Georgia and Tennessee and has been invited to the WWE proving grounds in Orlando as an up-and comer.
“My name is being whispered among the higher-ups. I believe it’s not if but when,” said Van Bruggen, son of former Triathlon Canada CEO Kim Van Bruggen.
But nothing is given in this brutal business. It is earned. The entertainment is scripted but the athleticism is real, and Van Bruggen has already suffered broken ribs.
“The amount of work is incredible, from learning the footwork and moves and developing a character that can draw out the emotions of the fans,” he said.
“It’s about telling a story. It’s good versus evil. And the audience is in on it.”
That is evident in that his rugged, tough and tumble “Van Bruggen from the great Canadian Rockies” character belies his otherwise soft-spoken and gentle demeanour.
This has taken a serious commitment as Van Bruggen, who owns a farm in Cobble Hill, has moved to Florida. His wife Grace, a former Camosun volleyball player and daughter of former UVic basketball great and two-time Olympian Gerald Kazanowski, and their two-and-a-half year old son Axl have relocated with him. It was a major decision, but it’s what needs to be done when you are on the potential cusp of the big time.
“I believe I am on the radar,” said Van Bruggen.
That would make two Islanders in the WWE, along with Green. And that’s not just a storyline.
transmission or republication strictly prohibited
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Brüggen KG has become the co-owner of Latvian Rīgas dzirnavnieks grain processing company by acquiring 50% of their shares through a subsidiary
as confirmed by representatives of Rīgas dzirnavnieks parent company Dobeles Dzirnavnieks
The deal needs approval from the Competition Council
The deal concerns only oat grain processing
whereas flour and flour product production
as well as Rīgas dzirnavnieks brands Herkuless and Saimniece will remain under Dobeles dzirnavnieks
Dobeles dzirnavnieks will continue distributing Rīgas dzirnavnieks products in Latvia
The company adds that from now on Rīgas dzirnavnieks will specialise on oat grain processing
as the company that has long-term cooperation with the biggest distribution networks in Europe and the world
will ensure the sales of products made in Riga on the global market
Dobeles dzirnavnieks board chairman Kristaps Amsils stresses that the creation of a joint company will help strengthen cooperation between the two companies
promote Rīgas dzirnavnieks’ own sustainable growth and competitiveness of its products on the global market
as well as ensure stable grain processing volumes in Latvia
He stresses that the company has had successful cooperation with H
supplying the company with oatmeal and other cereal products produced in Dobele
Amsill also mentions that specializing in oat grain processing will allow you to compete more successfully in the global market
expand the range of products and develop the production of new products
He is confident that through cooperation with H
Rīgas dzirnavnieks will gain additional experience and knowledge that will help further develop Latvia’s grain processing industry
The transaction for the establishment of the joint venture was concluded in cooperation with the law firm Spīgulis
Minister of Economics Viktors Valainis stresses that the increase in foreign investment and exports plays a crucial role in promoting a faster economic development of the country
Rīgas dzirnavnieks last year worked with a turnover of EUR 31.279 million and a profit of EUR 953 165
The company was registered in 1991 and has a share capital of EUR 6.579 million
“Rīgas dzirnavnieks” produces grain processing products – wheat and rye flour
rolled grains and groats for industrial consumers
as well as pre-packaged products for individual consumption under the brands “Hercules”
“Hercogs” and “Īsta saimniece”
The company is part of the Baltic Mill Group
Dobeles dzirnavnieks operated with a turnover of EUR 237.505 million in 2023
but the company’s profit increased by 77.7% and was EUR 12.172 million
The company Dobeles dzirnavnieks was registered in 1991 and its share capital is EUR 3.897 million
The largest shareholder of the company is the Estonian grain producer Tartu Mill
The company’s main activities are the production of all kinds of wheat flour
Also read: Nicaraguan leader: Zelenskyy and Netanyahu are spawn of Hitler and the devil
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brings a measure of experience that is not for the faint of heart
He was in the east Bend Safeway when the bullets were flying in 2022 during a mass shooting incident that killed three
and he was at Smith Rock State Park a year later
on the day law enforcement officers intercepted a heavily armed Portland man who allegedly planned to shoot rock climbers and their friends
a gun enthusiast who is about to become a father
has found himself speaking more these days about gun safety as the Oregon Supreme Court debates the fate of Measure 114
which requires background checks for all firearm sales and closes loopholes that allow some gun sales to occur before a background check is completed
“It’s a feeling I never felt before: The feeling of being hunted,” Van Bruggen said
“The past two years have been a period of healing and getting back to normal
Then we started to go back to grocery stores and other public places slowly and developed a comfort.”
it’s the image of a man holding tightly to the hands of two young daughters as they ran down the soft drink aisle together toward the back of the store that haunts his thoughts
When the Oregon Alliance for Gun Safety reached out to Van Bruggen recently
he stepped forward to talk about his experiences and feelings
Often gun rights dominates gun safety discussions
Alliance for a Safe Oregon executive director
“You can see this in the Oregon Legislature
where politicians walked out last year over meaningful gun violence prevention policies that were supported by over 70% of Oregonians
rather than collaborating on meaningful action that respected firearm owners,” Marks said
“We need to change who we are listening to.”
One is a federal case that’s on appeal after a U.S
District Court ruled in July 2023 that Measure 114 is both constitutional and in line with the U.S
Supreme Court’s recent rulings on gun safety
Lawyers for the gun lobby appealed the 9th U.S
The second challenge involves a Harney County judge who ruled that Measure 114 is unconstitutional under the Oregon Constitution
The Oregon Department of Justice appealed the decision and oral arguments in the case took place last week
policymakers need to hear from people like Van Bruggen
Talking about gun violence sometimes can be triggering
has introduced a series of legislative measures to support responsible gun ownership
“The time for tweeting out thoughts and prayers in response to gun violence in our country is long past,” Wyden said
“Our communities deserve action that keeps everybody safe in schools
That’s’ why I’m taking comprehensive action to pass commonsense legislation that would protect domestic abuse survivors
repeal the gun industry’s legal liability shield and strengthen gun storage provisions.”
Most shootings involving a firearm stem from mental health issues
said Jefferson County Sheriff Jason Pollock
Every single case I have ever been involved in regarding a homicide that is not drug dealer related
“Fix the drug issue and the mental health issue
and we will see a drop in violence across the board.”
talking about the shooting that killed two men on Aug
He was on the phone with his then-fiancé talking about mixers for their signature cocktail that would be served at their upcoming wedding
a man came up to him and whispered in his ear that there was a gunman in the store
He started to run toward the back of the store
but was concerned the back entrance might be blocked
He ran up the produce aisle moments before Donald Surrett
Van Bruggen would later learn that the gunman
“I don’t want to lose momentum for our mission to make our community safer
Having a baby on the way also compels me to take a stand on gun safety to make our community safer for those that are most vulnerable.”
The incident carved a hole in the heart of the community
For the past two years Van Bruggen has worked to regain his footing
although not back to the east Bend Safeway
He’s using his grief now to provide a platform to talk about gun safety and to take action
and I want my child to grow up in a safer world,” Van Bruggen said
referring to the daughters who ran down the soft-drink aisle
“Now that I’ve spent the last couple years of regaining my footing
my grief is more about taking action and looking for ways make the world safer for my kid.”
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If you ever find yourself in Florida attending a Coastal Championship Wrestling (CCW) match
you might hear the announcer declare: “From the great Canadian Rockies
standing seven feet tall and weighing 305 pounds – Van Bruggen!” You would then see Kale Van Bruggen burst into the ring
Van Bruggen entered the world of wrestling later than most
after working his way through several other careers
After growing up in Saanich where he graduated from Claremont Secondary School
he joined the Canadian Army and rowed with Rowing Canada
a spinal injury forced him to step away from the sport in 2016
He moved to Cobble Hill in 2019 and launched Gold Standard Hauling & Services
a trucking business serving Vancouer Island
and I had my peaceful life on a little farm in Cobble Hill with my wife and son,” Van Bruggen said
he's received comments about his size his whole life
‘I feel like I’m walking behind the Undertaker.’ My wife and I joked about giving wrestling a shot,” he said
He called an old friend and Claremont classmate
the reigning WWE Women’s United States Champion
Green suggested he attend Flatbacks Wrestling School in Apopka
Van Bruggen hopped into his old Cadillac and drove 6,300 kilometres to train
He’s been wrestling on the indie circuit ever since
“I’ve completely fallen in love with pro wrestling,” he said
I’d never wrestled a match in front of people in my life and wasn’t planning on it that night
I just went to help set up the ring and guardrails.”
he has been travelling from town to town with the CCW promotion
Van Bruggen says it’s “not a question of if
but when” he gets a call to audition for WWE
challenges remain – he is currently on a tourist visa and cannot earn income as a wrestler
he relies on his trucking company for income while working on securing a performance visa that would allow him to stay in the U.S
“If WWE reaches out in the next three-and-a-half months and decides to give me a tryout
an invite to the WWE performance centre has always been the goal
a stepping stone to the wrestling big time.
and a retired Texas Ranger character called “Big Iron Buck,” he now wrestles as Van Bruggen – a butt-kicking Canadian from the Rockies
“It’s great because it garners a lot of heat – a lot of negative emotions from the crowd
“When the babyface – the good guy in wrestling – comes out
They’re excited and want to see good overcome evil.” Van Bruggen then duels with the babyface
an element he said has taken some getting used to
I never even had social media,” Van Bruggen said
“The first time you walk through the curtain and hear the fans yelling and screaming – whether they’re excited or angry – it doesn’t matter
While pro wrestling revolves around performance
the athleticism and the pain are all real
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The Royal Holland Society of Sciences and Humanities (KHMW) has appointed SBE Professor Lisa Brüggen as a scientific member
Lisa Brüggen is Professor of Financial Services at Maastricht University and the Director of Netspar
a knowledge network that brings together science and the pension
She is also Extraordinary Professor at the Chair of Pension Communication and Decision Support
“I am honored to become a scientific member of the Koninklijke Hollandsche Maatschappij der Wetenschappen,” Brüggen says about the appointment
“What appeals to me is the emphasis on the connection between science and society
a core aspect of my work at Maastricht University and of Netspar
I also appreciate the KHMW's commitment to young talent through science awards
It's honorable to contribute to that and promote science with social value.”
The Royal Holland Society of Science or Koninklijke Hollandsche Maatschappij der Wetenschappen
is the oldest “Learned Society” in the Netherlands
It aims to promote science and build a bridge between science and society
The Society has a two-tiered structure: on the one hand
representatives of society interested in science (society members) and on the other
a group of scientists (scientific members)
who are responsible for scientific activities
For more info, click here to go to the KHMW website
Recent research by scientists at Maastricht University in the Netherlands and Aarhus University in Denmark shines a new light on the gender pay gap
Discrimination makes women want to work fewer hours.
Higher air pollution increases the likelihood of people voting for opposition parties rather than ruling parties. This is the major finding of research by Nico Pestel
a scientist at the Research Centre for Education & Labour Market (ROA) at the Maastricht School of Business and Economics
We are proud to announce that SBE further improved its ranking in the recently published 2023 CEO Magazine’s Global MBA Rankings
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.
Volume 9 - 2021 | https://doi.org/10.3389/fenvs.2021.763917
The herbicide glyphosate interferes with the shikimate pathway in plants and in major groups of microorganisms impeding the production of aromatic amino acids
Glyphosate application on plants results in a slow death
accelerated by reduced resistance to root pathogens
Extensive glyphosate use has resulted in increasing residues in soil and waterways
Although direct glyphosate effects on animals are limited
major concerns have arisen about indirect harmful side effects
we focus on indirect effects of sublethal concentrations of glyphosate on plant
animal and human health due to shifts in microbial community compositions in successive habitats
Research results of glyphosate effects on microbial communities in soil
rhizosphere and animal guts have been contradictory due to the different integration levels studied
Most glyphosate studies have tested short-term treatment effects on microbial biomass or general community composition at higher taxonomic levels in soil
More detailed studies showed reductions in specific genera or species as well as biological processes after glyphosate application
Plant growth promoting rhizobacteria and beneficial intestinal bacteria often are negatively affected
while pathogenic bacteria and fungi are enhanced
Such shifts in microbial community composition have been implicated in enhanced susceptibility of plants to Fusarium and Rhizoctonia
of birds and mammals to toxic Clostridium and Salmonella species
and of bees to Serratia and Deformed Wing Virus
glyphosate exposure and concentrations in urine have been associated with intestinal diseases and neurological as well as endocrine problems
but cause-effect relationships need to be determined in more detail
outbreaks of several animal and plant diseases have been related to glyphosate accumulation in the environment
Long-term glyphosate effects have been underreported
and new standards will be needed for residues in plant and animal products and the environment
FIGURE 1. Increase in agricultural area treated with glyphosate (in comparison with total herbicides and insecticides) and in application rate on GR soybeans in the USA between 1990 and 2014 extracted from the United States Agricultural Statistics Service (NASS) website. http://www.nass.usda.gov/Surveys/Guide_to_NASS_Surveys
but not on both types of effects in plants and animals
In this paper, we focus on indirect effects of sublethal concentrations of glyphosate and GBH on the health of terrestrial plants, animals and humans due to shifts in microbial community composition in various habitats, ranging from soil to plant and animal surfaces and animal and human intestinal tracts (Figure 2)
The objectives are to present an overview of the scientific literature on 1) glyphosate accumulation in the environment
and in plant and animal products 2) its effects on microbial communities in soil
and 3) potential effects of shifts in microbial community composition on plant
Depiction of glyphosate flows in the agricultural production chain
Microbiomes consist of a wide range of commensals
probably due to the great diversity and compensatory ability of microorganisms within such large groupings
Changes in functional genes were also detected in the rhizosphere after glyphosate application at the recommended dose (3 L/ha) of a liquid glyphosate formulation onto EPSPS-transgenic soybean plants (Lu et al., 2018). Although microbial diversity in the rhizosphere of these plants was not affected, functional genes involved in plant growth promotion such as nitrogen fixation genes were affected negatively by glyphosate application (Figure 3)
Effects of glyphosate on prokaryote communities on roots of EPSPS-transgenic soybeans cultivar Z31 sprayed with dilute glyphosate (y-axis) or water (x-axis)
as determined by shotgun metagenome sequencing analysis of 16S rDNA
Yellow and blue data points indicate genes with significantly higher and lower relative abundance
in Z31 plants sprayed with glyphosate than in those sprayed with water
Brown points represent genes without significant difference between the two treatments
Data on effects of actual glyphosate concentrations in animal feed and the intestinal tract on microbial communities and animal health are generally scarce (Katholm
the potential effects of glyphosate residues on the in vivo gut microbiome still needs to be investigated in more detail
Recent isolates are less sensitive to glyphosate and GBH than older isolates
TABLE 1. Means and standard errors of minimal inhibitory concentrations (MIC, mg/ml) of glyphosate-based herbicides for N bacterial strains, as determined in 9 different studies. The means were calculated from the original published data (Supplementary Table S2)
The test wells (micro titre plates) were incubated under aerobic or anaerobic conditions
and bacterial growth was assessed either by turbidometer or visually
Plates that were assessed with a turbidometer had not been incubated under anaerobic conditions
Experiments on effects of glyphosate on the gut microbiome of pigs were somewhat contradictory. No effects on bacterial families were detected by 16S rRNA sequencing after Roundup® LB plus (2.85 mg/kg body weight per day) had been added to bacterial cultivation fluid from pig colons in chemostats (Krause et al., 2020). However, small effects were observed at the functional level by metaproteomics (Krause et al., 2020)
Potential effects on lower taxonomic units were not tested
glyphosate can have sublethal effects on the honeybee microbiota and possibly its health (see paragraph on disease effects below)
we focus on indirect health effects through changes in the plant microbiome
Effect of glyphosate (mmol/L) on Fusarium disease severity caused by F
oxysporum on glyphosate-resistant maize seedlings
Effect of glyphosate (mmol/L) on the growth lag phase
oxysporum at three different water activities (WA) in vitro
resulting in a negative effect on biotrophic fungi like the rust fungi
This type of research has not been done with mammals as far as we know
and relationships of health problems to the pig microbiome are not clear
Associations between pregnancy outcomes and changes in the microbiome were not explored in these studies
Effect of 1,000 mg/kg of glyphosate on macroscopic and microscopic growth of Lactobacillus delbrueckii subsp
bulgaricus in a solid growth medium for 48 h
Solitary wild bees (such as Ceratina and Megalopta species) had a core microbiome that was partially shared with that of the pollen provision (Graystock et al., 2017). Lactobacillus was identified as core bacteria in all bee species and pollen sources investigated and was considered essential for a healthy microbiome (Graystock et al., 2017). Lactobacillus species are particularly sensitive to glyphosate (Baffoni et al., 2016)
suggesting that sublethal glyphosate concentrations may have negative health effects on solitary bees too
coli strains that enhance the risk of colon cancer are more tolerant to glyphosate than commensal E
Deep-sequencing data at genus and species levels of the microbiomes of rhizosphere soil, plants and animals are still rare. However, significant effects of glyphosate on microbiomes have been demonstrated by deep sequencing recently (Lu et al., 2018; Mao et al., 2018; Motta et al., 2018; Romdhane et al., 2019)
the probability of demonstrating glyphosate effects depends on the depth of the analysis in terms of taxonomic and functional integration levels
Future improvements in deep sequencing and analysis techniques may be helpful in this respect
Detecting glyphosate effects on microbiomes and their macro-organism hosts is also hampered because of increasing difficulties in finding:
1) Truly negative controls due to increasing residues in soil, water, food and feed (Séralini, 2020; Silva et al., 2018; de Araujo et al., 2016)
2) Differences in sensitivity of microorganisms as more and more species are becoming resistant to glyphosate (Grube et al., 2019; Pöppe et al., 2019)
3) Actual residue levels above the maximum residue limits if the MRLs are raised over time (Benbrook, 2016; (European Commission), 2020)
Thus, documentation of negative side effects of glyphosate will become more and more difficult (Séralini, 2020)
This does not mean that there are no negative side effects now compared to truly negative controls available 25 years ago
independent and trustworthy research is needed to revisit the tolerance thresholds for glyphosate residues in water
food and animal feed taking all possible health risks into account
AvB developed the ideas, collected literature, and wrote the manuscript. MF contributed ideas and suggestions for manuscript improvements, MH contributed references, CR made suggestions and edited the manuscript, PH prepared the glyphosate flow chart and made suggestions for the text, DK prepared Supplementary Table S1
and VG corrected the text on environmental fate of glyphosate and contributed ideas and suggestions for the manuscript as a whole
Publication fees were paid by the SLM group of Wageningen University
We are grateful for collaboration and financial support of the SPRINT project funded by the European Commission through Horizon 2020
the EU research and innovation programme (grant agreement no
The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest
All claims expressed in this article are solely those of the authors and do not necessarily represent those of their affiliated organizations
Any product that may be evaluated in this article
or claim that may be made by its manufacturer
is not guaranteed or endorsed by the publisher
for reviewing an earlier version of this review
The Supplementary Material for this article can be found online at: https://www.frontiersin.org/articles/10.3389/fenvs.2021.763917/full#supplementary-material
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on Tuesday May 17 at New Life Reformed Church of Sioux Center
Interment will follow in Memory Gardens Cemetery of Sioux Center
Visitation will be held on Monday May 16 from 4-8pm with the family present from 5-7pm at the New Life Reformed Church in Sioux Center
Arrangements are under the direction of Memorial Funeral Home in Sioux Center
1985 to Bruce and Lorna (Horstman) Midthun in Sioux Center
He was raised and educated in Sioux Center graduating from Sioux Center High School in 2004
2007 he married Kari Lyn Van Bruggen at First Reformed Church in Sioux Center
He was currently employed at B & B Plumbing and Heating in Sioux Center
and spending time with his family and friends
Brock was known for his quiet wit and caring heart
He will always be remembered for the great love he showed his children
Those left to cherish his memories are his wife Kari of Sioux Center
His children Kambrie and Bruxsen both at home; his parents Bruce and Lorna Midthun of Sioux Center; his grandparents
Gerrit and Ruth Horstman of Sioux Center; his sisters
Holly (Matt) Dibbet all of Sioux Center; his father and mother-in-law
Glen and Anita Van Bruggen of Sioux Center; two sisters-in-law
Jana (Jonathan) Lammers of Sioux Center; Numerous nieces and nephews
Brock was proceded in death by his grandparents
Two uncles Calvin Horstman and Roger Midthun
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ABOUT US
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BURIALCREMATIONSEND FLOWERS
quick-witted and fun-loving mom Trudy Vonkeman (aka Geertruida Anke
You may know her from her daily 5km coulee walks (weather permitting) —until what turned out to be multiple myeloma stopped her in her tracks in October; her attendance at cultural happenings
or her volunteer work with the Galt Museum & Archives and the Dutch Canadian Club of Lethbridge
1934 to Hendrik Laurens van Bruggen (1900-1978) and Ankje (née Spoelstra
Trudy survived WWII and the infamous hunger winter of 1944
to live a life filled with family and great friends (including fellow Scout leaders); work as a stenographer
banking and book publisher assistant; travels by foot
her most challenging adventure was emigrating to Canada in 1981 with her husband Wim and three children to join his family on the prairies
Left to mourn in Canada and recall great memories are her daughter Anine (Chris Oxley and son Mason Hoffos with Lauren Morris)
Sebastian and Maxwell) and Herwin (Terriann Nolette
Louis Tolsma and their families; extended family in Alberta
and Ontario (including Jon Oxley and Sharon Lank
Trudy's oldest brother Johan and his extended family will miss her
Trudy's youngest brother Henk van Bruggen (Ada
her elder sister Elly's children Anneke
and other extended family will remember mom
and extended family members including cousin Frits van Bruggen
sisters-in-law Evelyn Tolsma and Alice Schuld.
who founded a maternity hospital in Lethbridge in 1910
Mom was amused that the path of her own life also ended up in Lethbridge
a celebration potluck and coulee walk will be held to honour our unforgettable mom
Please join us—we'd love to hear how she touched your life
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your comment will be added once approved by the admin
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IPE magazine July/August 2023
By IPE Staff2024-06-27T07:00:00+01:00
MN – The Dutch fiduciary manager has reshuffled its board following the acquisition of its pension administration unit by PGGM
and IT director Toine Straathof will all leave the MN as their functions will become obsolete
MN emphasised that the departure of van Bruggen
“Van Bruggen took this job [in 2022] when he was already almost retiring
His big wish was to be the director of a pension administrator,” an MN spokesperson said
which will continue as a fiduciary manager for the Dutch pension funds PMT
will now be led by two co-presidents — Fleur Rieter and Martijn Scholten — who are already part of the firm’s board
The board of directors will also have two directors of fiduciary management and a director of operations
Two of the three remaining positions have already been filled by internal recruits
while MN is still on the lookout for a second director of fiduciary management
AP3 – Per Lindqvist has been appointed by the Swedish government as a new board member of the Stockholm-based national pensions buffer fund
Lindqvist is currently head of group treasury at Swedish steel firm Alleima
and a board member of Alleima Pensionsstiftelse (Alleima pension foundation)
His previous roles include that of deputy head of Danske Markets Sweden
and head of the treasury centre of state-owned Swedish mining company LKAB
European Securities and Markets Authority (ESMA) – The Authority has appointed Thomas Richter
CEO of the German Investment Funds Association (BVI)
to its Securities and Markets Stakeholder Group (SMSG)
The four-year term in this high-level advisory committee begins on 1 July 2024
The SMSG is composed of 30 members representing the financial industry
The committee provides the ESMA with advice and must be consulted on technical standards
it can flag inconsistent applications of European Union law and inconsistent supervisory practices in member states
Taskforce on Nature-related Financial Disclosures (TNFD) – Razan Al Mubarak
president of the International Union for Conservation of Nature (IUCN)
has joined TNFD as its new co-chair alongside David Craig
The TNFD co-chairs lead the 40-member Taskforce which released its corporate reporting recommendations in September 2023
The TNFD is now focused on the incorporation of its recommendations into corporate reporting standards and a range of capability building initiatives to help market participants take concrete action to identify
assess and manage their nature-related issues
Al Mubarak replaces Elizabeth Maruma Mrema who stepped down from her role in March given the growing demands of her responsibilities as deputy executive secretary of the United Nations Environment Programme (UNEP)
DWS – Ulrich von Creytz has been appointed to the position of DWS’s chief investment officer real estate for Europe
von Creytz will report to Clemens Schaefer
he will leverage his extensive experience in client relations and his deep knowledge of European real estate built over a 20-year period to enhance the client and capital focus of the platform’s investment process
Von Creytz joined DWS in 2004 and has held several leadership positions within its real estate business
he was head of the real estate specialists in EMEA overseeing teams in Frankfurt and London
He has played a critical role in growing client relationships
demonstrating an ability to align investment themes and product offering with the strategic investment objectives of clients
He will join DWS’s Europe investment committee and will maintain his two board positions in Germany
Unigestion – The firm has appointed Jean-Pierre Mustier and Bernard Gault as non-executive directors
Both have multi-decade careers in the financial industry and private equity
who has close to 40 years of experience in investment banking and private equity
is chair of German commercial real estate bank Aareal Bank and French technology company Atos
Gault is the founding partner of investment company Barville & Co
and chair of the Centrale-Supélec Foundation
Unigestion Holding’s board now comprises Bernard Sabrier (chair); Patrick Fenal (deputy chair); Alain Robert (former executive vice chair of UBS Global Wealth Management); Beatrice Weder di Mauro (professor of international economics at the Graduate Institute of International and Development Studies in Geneva
State Street Global Advisors (SSGA) – The asset management business of State Street Corporation has selected James Ferrarelli to the position of executive vice president and chief operating officer
Reporting to SSGA CEO Yie-Hsin Hung, Ferrarelli will be responsible for delivering technology
systems and operational infrastructure that will support the business across all asset classes
Ferrarelli will join from Charles Schwab where he served as the chief information officer of their wealth and asset management divisions
he was responsible for technology strategy
third-party product integration and production management of the technology platforms supporting the business enterprises within the corporation
investment and technology group which includes the Dalriada Trustees
has named corporate solicitor Fiona McGowan as general counsel
McGowan will be responsible for working as part of the senior executive team and with the group board on effective risk management
with oversight of risk controls and compliance
She will also work with senior executives on calibrating 3173’s response to the complex and changing legal and regulatory landscape and support the high standards of governance and decision-making across all group companies and operations
McGowan brings more than 30 years of experience as a solicitor
most recently serving as head of legal for Abrdn
She was head of legal for Standard Life Investments and supported its merger with Aberdeen Asset Management in 2017
First Sentier Investors – Adele Swan has been named as the firm’s new chief people and culture officer
Swan has three decades of experience across all aspects of people and culture within the financial services sector globally
including with Standard Life Aberdeen (now Abrdn)
She has extensive experience in organisational design and development strategies
change management and HR operational delivery
which coupled with a sound understanding of First Sentier Investors and its culture
are all critical elements of the chief people and culture role
In addition to being acting chief people and culture officer
leadership and DE&I at First Sentier Investors for the last two years
VEDRA Pensions – The German pension buyout firm has appointed Olaf John as senior advisor of its management board and advisory council
John takes over the role of senior advisor in addition to his work at Legal & General Investment Management (LGIM)
LGIM appointed John as European client solutions director in May
He is an expert in asset management and company pension schemes
he served as head of the German branch of Mercer Global Investments Europe
including the investment and regulation committee of the working group for the German occupational pension association aba
Laborfonds – The Italian pension fund for the employees in the Trentino-Alto Adige/Südtirol region has appointed Lorenzo Bertoli as the new president and Alfred Ebner as the new vice president
Since 2009 Bertoli has held the position of general director of Cassa del Trentino
and has previously been an advisor to Laborfonds
Ebner was general secretary of the CGIL-AGB union in the city of Bolzano
and president of the INPS regional committee of the Trentino-Alto Adige region
Other members of the new board of directors of Laborfonds include Wolfgang Alber
Werner Gramm and Alessandro Lunelli representing employers
Alex Piras and Matteo Salvetti represent employees
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while his team Club Brugge secured passage to the semi-finals of the Belgian Cup
Club Brugge defeated the other elite team of Belgium
The quarter-final match of the Belgian Cup took place on Tuesday night
Jashari assisted for the first goal scored by Christos Tzolis in the 23rd minute
Tzolis also scored the second goal in the 69th minute
while Michael Skoras was correct from the penalty in the 86th minute for 3:0
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Annex of the former Radio Prishtina (first floor) George Bush pn
Eunice Van Bruggen age 90 of Sioux Center
A funeral service will be held at 11:00AM on Tuesday
at Faith Christian Reformed Church of Sioux Center with Rev
Interment will follow the funeral service in Memory Gardens Cemetery in Sioux Center
A visitation will be held from 10:00AM until the time of service on Tuesday at Faith Christian Reformed Church
Memorial Funeral Home of Sioux Center has been entrusted with the funeral arrangements
Eunice Joretta Van Bruggen was born on August 8
to Christian and Elizabeth (Colsman) Gesink in Sioux Center
She grew up in Sioux Center and graduated from Western Christian High School
She received her Nurses Aide degree and worked at Pine Rest in Grand Rapids
MI and later returned to Sioux Center and worked at the Sioux Center Hospital
She was joined in marriage to Ted Van Bruggen on June 10
at the First Christian Reformed Church in Sioux Center
Eunice was a member of the Faith Christian Reformed Church where she sang in the choir and was involved with Bible studies and volunteered at the church and school
Eunice loved spending time with her children
When they were babies she loved to hold and rock them
singing favorite lullabies from her own childhood
a highlight was getting to spend a week at grandma and grandpa’s house each summer
She and Ted loved traveling together after retirement and volunteered at many SOWER projects
She will be remembered not only for her love of cats
giving lots of treasured moments to her family
She had a great love for her family and especially the Lord
Eunice is survived by her husband of 70 years
Ted Van Bruggen of Sioux Center; her children: Doug (Hedy) Van Bruggen of Sioux Center
Todd (Jennifer) Van Bruggen of Sioux Center
MN; grandchildren: Brad (Libby) Van Bruggen
Sam (Abby) Van Bruggen and 21 great grandchildren
She is also survived by two sisters: Eleanor Vonk and Helen Van Wyhe; brother
Arlis Feenstra and numerous nieces and nephews
She was preceded by her parents; two brothers and sisters-in-law: Melvin and Carol Gesink and Owen and Jan Gesink; sister and brother-in-law
Frances and Richard Baker; sister-in-law and brother-in-law
Jeanne and George Huizenga and brothers-in-law: Harold Van Bruggen
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at Hillcrest Health Care Services in Hawarden
The family prefers memorials be directed to the Hawarden Ambulance Association or the Hawarden Christian Reformed Church
the daughter of Arie and Jacoba (Vanden Horn) Ravenswaay
She was raised in the Ireton area and educated at the Country School for 8 years in Ireton
She married Albert Van Bruggen on February 16
Anna was a founding member of the Hawarden Community Reformed Church
head of the kitchen committee for various events at the church
Anna became a member of the Christian Reformed Church in Hawarden
She spent many hours embroidering and completing puzzles
She was an avid competitor in cards and board games
She enjoyed cheering for West Sioux athletics
Anna was very involved with volunteering at the Hawarden Calliope Village and was active with the American Legion
She is survived by two sons and their wives
Darrel (Dutch) and Kathy Van Bruggen of Spencer
Iowa and David (Dutch) and Judy Van Bruggen of Hawarden; a daughter
Washington and Dorothy Tiedeman and her spouse Harlan Tiedeman of Beresford
South Dakota; 11 grandchildren; 21 great-grandchildren; and many nieces and nephews
Anna was preceded in death by her husband
Albert Van Bruggen; her parents; her sisters
and Bernice DeKock (Marion); brother-in-law Jake DeBruin; and granddaughter
Click to watch
Retired women receive an average of 40 percent less pension than men
This difference is mainly due to the fact that women work less
“Women are also generally less concerned with their financial future than men and have less knowledge of pensions,” said Lisa Brüggen of pension think tank Netspar in an explanation
almost half of the Dutch (48 percent) are not aware that the pension income of women is lower than for men
Five out of ten women (52 percent) consider the pension gap to be (very) worrying
compared to three out of ten men (30 percent)
Three-quarters of women (74 percent) find it (very) important that this gap is closed
while this applies to only half of the men (57 percent)
The research also shows that women spend less time delving into their pensions than men
When asked who knows more about their own pension situation
men significantly more often answered “I more than my partner.” Respondents also believe that employers and pension providers should communicate more clearly about the consequences for pensions if they work less
winning accolades for his astonishing variety of tone colour
rhythmic flexibility and the sheer brilliance of his technique
Like many other period-instrument specialists, he subsequently brought historical principles to bear in his work with modern-instrument orchestras such as the Chicago Symphony, the Royal Concertgebouw and the Vienna Philharmonic
the flute at the Amsterdam Muzieklyceum and musicology at Amsterdam University
His virtuoso technique on the recorder propelled him to celebrity status
he would hold the instrument to his mouth at an implausible angle
and – as his colleague Joel Cohen recalled – coax from it nuances and shadings that few would have imagined possible: "The little whistle heaved and sighed like a wood nymph in the embrace of some ardent faun."
Notes would be slightly bent in slow passages to exquisitely yearning effect
The tone would be alternately warmed and cooled
and pinpoint articulation and bold use of rubato deployed to expressive effect
seized the potential of his exceptional technique
allied to his heavy-lidded but boyish good looks
to produce a poster of their star performer for distribution with his long-playing albums
If at first his inflections and messa di voce swellings ("placing the voice"
with the dynamics on a single note rising and falling) seemed mannered
it is a tribute to his persuasive musicianship that such gestures became widely accepted
Controversial as his playing was at the time
Brüggen was able to defend his practice with detailed reference to 17th- and 18th-century performance treatises
No less idiosyncratic was his involvement with the Dutch counterculture movement at this time. In 1972 he founded with Kees Boeke and Walter van Hauwe an avant-garde recorder trio called Sour Cream
The concluding piece of one of their Boston concerts featured a Keystone Kops-style chase around the stage
with the ensemble playing Telemann trios again in Boston
stretched himself out on a chaise longue and proceeded to read the newspaper
The Boston Globe was satisfyingly outraged
which he dispatched in appropriately theatrical style
Brüggen's work with the Orchestra of the Eighteenth Century was in general less marked by controversy
shared equally in the proceeds of concerts
"I earn the same as the second clarinet," Brüggen once said
Compared with the bracing readings of classical repertoire by Nikolaus Harnoncourt
Brüggen's were less extreme and could never be accused of attention-seeking
relaxed tempi and lilting phrases were admirably suited to Haydn and Mozart
though they exploited the acerbic timbres of period instruments
were for some tastes too solid and conventional
for example the notable Mass in B minor for Philips (1990)
the shape of each movement unfolding with seeming inevitability
Brüggen continued to conduct even when his health deteriorated in the latter years. By the time of a performance of music from Rameau's Les Boréades at the final event of a residency for his orchestra at the Royal Conservatoire in The Hague last May he was using a wheelchair and a nasogastric tube
But he still drew playing of extraordinary spiritual intensity
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BMInt is pleased to reprint this extended excerpt from the 1985 book “Reprise: The Extraordinary Revival of Early Music
with text by Joel Cohen and photos by Herb Snitzer.”Of all the melody instruments
the most important during the seventeenth and eighteenth centuries was unquestionably the violin; the transverse flute trailed forlornly at a distant second place
Yet the first modern superstar to emerge from the early music ranks was neither a violinist nor (primarily) a traverso player
His instrument was the one favored by countless thousands of early music enthusiasts—the recorder
His enormous public success surpassed anything previously conferred on an early instrument specialist (except perhaps for harpsichordist Wanda Landowska two generations earlier)
the relatively restrained coterie of the early music faithful
No one ever threatened to make Gustav Leonhardt or Sigiswald Kuijken into a matinee idol; but around 1968 Telefunken
which was releasing solo recitals by Brüggen on a regular basis
began packaging a poster-size photograph of their star with some of his [LP] albums
heavy-lidded and weary of this mortal frame
past the solicitations of his adoring fans
toward some profound and mysteriously burdensome Unknown
Large numbers of artistic and sensitive young ladies affixed the poster to their bedroom walls
The recorder was one of the first obsolete instruments to be revived in modern times
This unpromising stick of wood has also been known as the blockflöte
It has shared a long history with its sister instrument
the transverse flute (also known as the flauto traverso
despite numerous transformations of its manufacture across the centuries (or rather because of them)
descends in a straight line from the wooden traversi of earlier centuries
The recorder has no comparable place in modern concert life
Its decline and fall had to do perhaps with its somewhat intractable nature
which allows its players many kinds of nuances and tonal colors
a recorder has basically only two aural states
on and off—something like the switches inside a computer chip and about equally supple and humane
the recorder was counted among the instruments of seduction by the painters of the Italian Renaissance
Many a sixteenth-century painting of a bacchanal contains a symbolic recorder (along with other things meant to signify pleasure) somewhere within its frame
Frans Brüggen revived that seductiveness by indeed playing the instrument
rather than merely brandishing it like some Venetian cupid; and in so doing he managed to rouse his audiences to heights of enthusiasm rarely seen in the calm
contemplative circles of the musical antiquarians
holding the recorder at an odd and slightly defiant angle to his mouth
to the most astonishing kinds of metamorphoses
Abjuring the ticky-tocky style popular with Baroque performers in the recently elapsed fifties
Brüggen coaxed nuances and shadings from his instrument that few would have imagined possible heretofore
a thousand kinds of ways to shape a group of notes together
seemed to issue forth from the recorder’s narrow bore
Nothing stood still or grew stolid: in the fast movements
Brüggen’s incredible technique allowed sixteenth notes to cascade into the hall at breakneck speed
the sustained notes would rise disquietingly from the correct pitch
touch a point about a quarter-tone above the center
The little whistle heaved and sighed like a wood nymph in the embrace of some ardent faun
The Brüggen maniera quickly revolutionized the teaching and playing of the recorder and its music
aspiring virtuosi took to sticking the recorder at unusual angles to their faces and to playing every long note with a roller-coaster swell in the middle
Controversies flamed at weekend recorder workshops as to whether the celebrated hallmarks of the Brüggen playing style were truly founded in Baroque performance practice
Frans Brüggen himself defended many of his ways from the august podium of a visiting professorship at Harvard
There (and elsewhere) he was able to explain that many of the seemingly audacious things he did with a recorder were simply the application of precepts from seventeenth- and eighteenth-century performance treatises
Brüggen applied the basic precepts his own way
The spirit of contradiction coursed hot within his veins
and so he took every possible clue from the old manuals which would enable him to build a performing style that would be different from the Dolmetsch workshops
isn’t-it-nice-weather-we’re-having manner of the official chamber orchestras
his originality spawned a host of Frans clones just a few years later
It is flattering for any performer to realize that he is the object of imitation and emulation
For someone with Brüggen’s rebellious and individualistic temperament it must have been infuriating as well
Controversies and camp-followers notwithstanding
the Brüggen legacy has permanently transformed and deepened our understanding of the recorder and its literature
to consign the recorder to the slag-heap of music history
The instrument’s peculiar overtone structure and limited dynamic range made it seem more often than not just plain inadequate for the transmission of serious musical thought
By developing the inherent technical possibilities of the recorder to their maximum
and by applying a superior musical intelligence to every tiny detail of performance practice
Brüggen showed us that recorder playing could be as stimulating and rewarding an activity as anything else
And he proved that there is really no such thing as an “inferior” instrument; there are only players without enough imagination
Brüggen’s keen sense of opposition and contradiction led him to many of his important discoveries in the field of recorder technique
Those same character traits also led him to question many other idées reçues of the musical order
He became interested in avant-garde contemporary music
and cultivated friendships with some eminent contemporary composers; one day
during his Baroque seminar at Harvard [with this writer in attendance]
he taunted his students by playing the solo piece that avant-garde composer Luciano Berio had written for him
and defying his listeners to pick out the mistakes he was deliberately inserting in Berio’s hard-to-read score
His involvement with the Dutch counterculture movement led to some unusual moments during his recitals: at a [Boston] concert with the trio Sour Cream (Brüggen plus two of his student-colleagues
the last piece featured a Keystone-Kops chase around the concert stage
the same trio performed again in Boston more determined than ever to épater les bourgeois
While Kees and Walter played Telemann duos
Brüggen wandered onto the Jordan Hall stage
and nonchalantly began reading a copy of the daily newspaper
The event provoked an indignant editorial from the Boston Globe a couple of days later
At least some members of the educated classes
who often brush their teeth in the morning to the strains of canned Vivaldi
Brüggen himself seemed less and less amused by the idea of giving solo recitals on the recorder
He still commands astronomical fees for those appearances
but nowadays [mid 1980’s] his heart and soul are elsewhere
Some of his colleagues view Brüggen’s recent activity as a conductor with a measure of mistrust
The recorder virtuoso’s decision to found (and even in part to autofinance) his own orchestra was greeted in some quarters with the skeptical jeers accorded Secretary of State William Seward as he arranged to purchase Alaska from the Russians
both the Alaska purchase and the Orchestra of the Eighteenth Century (as Brüggen has named it) were worthwhile undertakings
is intended for the performance of pre-classical and classical period music
Brüggen has become increasingly drawn to the style period just following the one he originally specialized in
applying to those later masters the same kinds of approaches that worked so well with Lully and Vivaldi and Bach
The instrumentalists have been recruited from the first ranks of the younger Baroque players; their instruments replicate those in use at the end of the eighteenth century; and the playing style is derived in large part from our historical knowledge about orchestras of that period
More important (and here is the main difference between this orchestra and certain others that have delved into the Mozart-Haydn repertoire with period instruments)
the performances are strongly personal statements about the music rather than efficient sight-readings
given the increasing professionalism of early music players
to rehearse Mozart’s Jupiter Symphony in the morning and produce a technically adequate disk recording in the afternoon
do justice to the “inside” of a genuine musical masterpiece like the Jupiter
Too many important things must be left undiscussed and undecided
Brüggen’s current performances reflect a lot of hard work on a myriad of small details: tone color
the articulation of individual notes in inner voices
Familiar works (like the late Mozart symphonies) seem to come alive again
revealing themselves as though for the first time
Hearing that music with this ensemble is something like seeing a familiar Old Master painting on its return from a thorough cleaning and restoration
Colors that had been dimmed and dulled by layers of grit and varnish can now reappear with their true intensity and expressive impact
We are now hearing many “early music” performances of Mozart and Haydn (Beethoven and Schubert as well)
offered by people who apprenticed first in Baroque music
Frans Brüggen’s experiments in this direction must be counted among the most satisfying of the lot
Brüggen’s success with Mozart depends on those same personal qualities that were evident in his recorder playing: the refusal to take anything for granted
and the untiring search for solutions that probe beyond convention and lazy self-evidence
We have noted earlier [in the book] that the decision to make one’s life in early music has as much to do with the present as it does with the past
Nowhere is that more evident than in Frans Brüggen’s career
he has consistently refused to play by the established rules
His search for other precepts and other principles came from an inner need to do things his own way
The music of the distant past has been a means toward a personal end
Frans Brüggen the surgeon would have invented an outlandish but brilliantly successful technique to transplant some obscure but necessary vital organ
Frans Brüggen the auto mechanic would probably have set about redesigning the internal combustion engine
just to show the world how badly it had been done in the first place
It was a loss to the hospitals and the garages of this planet
but we music lovers can be glad: young Frans picked up neither a scalpel nor a monkey wrench as his tool for getting even with the world’s dullards
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which resulted in my (and Laura’s) playing with him in “O18” for six happy years
Many wonderful memories remain with me from those years
including some of Frans’s maddening experiments with seating
But he was always trying to re-create the music we played
My fondest memories were of Rameau suites
which we toured with in Australia and Eastern Europe while the wall was still up (1985)
We played all the Brandenburgs — Frans playing flute and recorder — in Cöthen (where Bach composed them) and in Leipzig on his 300th birthday — the very day
The combination of the momentousness of the occasion (felt keenly by every Leipziger
it seemed) and the political situation (no other “Western” group was there to perform!) made the event unforgettable in all its vivid detail
Bach’s triumph over sordid political realities was palpable
I remember Frans sneaking into the choir loft of the Thomaskirche and playing a few notes on his wooden baroque flute
Frans had both a seriousness and a capriciousness that earned him the undying loyalty of his orchestra
I traveled with them again some 15 years after I had left to join the Lydian String Quartet
Many have been with him for the whole run of 34 years
He made a transformation from a matinée idol tootler into a serious conductor
cleverly parleying his renown as an instrumentalist-provocateiur into engagements for his newly created orchestra
always the searcher and always listening to the orchestra and its possibilities
He refused for a number of years — much to the chagrin of recording companies — to record with the orchestra
And then he insisted in recording live performances
Frans will be missed sorely in Holland and throughout the seriously listening world
Comment by Daniel Stepner — August 18
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Above: Oldenburg/van Bruggen, Leaning Fork with Meatball and Spaghetti II
Oldenburg/van Bruggen, Dropped Bouquet
Claes Oldenburg and Coosje van Bruggen in their studio with Standing Collar with Bow Tie (1992)
Oldenburg/van Bruggen, 27th Anniversary: Entwined in a Creative Duet...
Claes Oldenburg, Typewriter Eraser
Oldenburg/van Bruggen, Props and Costumes for Il Corso del Coltello
we revisit our 2021 article celebrating his partnership with Coosje van Bruggen
was realised and exhibited at Pace New York’s ‘Claes & Coosje: A Duet’
It was a well-worn condition of 20th-century art: the creativity of women eclipsed by the fame of their husbands. But in New York
an exhibition at Pace Gallery is seeking to remedy one of these historical imbalances: Coosje van Bruggen’s vital yet historically unsung role alongside Claes Oldenburg in the Pop Art powerhouse that is Claes & Coosje.
‘The exhibit as a whole is a beautiful
intelligent and compelling elucidation of artistic partnership in celebration of multiplicity over reductive views of authorship,’ the duo’s daughter
Maartje Oldenburg, tells Wallpaper*.
The pair met in 1971, when Coosje was a young curator at the Stedelijk Museum in Amsterdam
and Claes was a subversive and prominent force in Pop Art
They married six years later and Coosje soon turned from interlocutor into fully fledged artist and collaborator in her own right
She brought a lot to the table: the intellectual rigour of a critic combined with the poetic sensibilities of a sculptor
instantly recognisable public artworks that prove difficult to forget.
uncanny replicas of familar objects were Claes & Coosje's bread and butter
The Pace exhibition spans from their early collaborations in the 1980s to their final works in the late 2000s
soft sculptures and drawings relating to their most famed works.
commissioned and conceived with the writer Germano Celant and architect Frank Gehry
is a suite of gloriously warped musical instruments that Claes & Coosje created around the time of their last major solo show
‘The Music Room’, presented at Pace Gallery, New York
whimsy and subversive spirit of Claes & Coosje’s remarkable collaboration
the mood changes from amused awe to reflection
Claes presented his wife with small sculptural works as tokens of affection
Claes created 31 intricate paper flowers for her as an anniversary gift
Flowers spring up as a recurring theme in their work
and formed the basis of their final project together
Dropped Bouquet – an enormous painted aluminium sculpture created this year and on display for the first time – was initially conceived for a grassy
sloping hillside in the sculpture garden of Indianapolis Museum of Art
but the original commission was never realised
‘It is personally meaningful to realise Dropped Bouquet today to bring Coosje into a present with growing awareness of and appreciation for the too often minimised contributions of women,’ Maartje says.
escapism and design stories from around the world direct to your inbox
The exhibition offers rare insight into the fantastical world of Claes & Coosje
‘When my eyes first skipped across more than 40 images of large-scale projects
displayed chronologically on a single wall
because they represent my childhood but also my parents’ lived commitment to the immanence of art that
moving between personal and public spheres
This article was first published in spring 2021
‘Claes & Coosje: A Duet’ ran at Pace New York in spring 2021, pacegallery.com
oldenburgvanbruggen.com
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*
responsible for the art pages across digital and print
She started at Wallpaper* in 2017 and has written for leading contemporary art publications
and lectured on review writing and art journalism
Claes Oldenburg with Coosje van Bruggen: Drawings is a survey of 40 collaborative works by contemporary artists Claes Oldenburg and Coosje van Bruggen
This exhibition presents drawings and one sculpture spanning the artists’ careers from 1961 through 2001
It offers an intriguing and insightful look at works on paper by two extraordinarily innovative modern artists well known for their monumental and imaginative sculptures
which are located in major cities throughout the world
The exhibition presents a chronological survey of works highlighting the ingenious ways in which Oldenburg and van Bruggen appropriated and re-invented form
Beginning with studies of Oldenburg’s first and well-known monumental soft sculptures of the 1960s
Claes Oldenburg with Coosje van Bruggen: Drawings reveals a collaborative evolution of work that culminates with drafts of their large-scale hard sculptures of the late 1990s and early 2000s
The drawings represent the conception of an artistic idea
striking visual representations of manifested creations where line and form playfully intertwine the surreal and the natural elements of a landscape
Visitors will see artworks on loan from the Whitney Museum of American Art, the Kimiko Powers Collection, and the Oldenburg and van Bruggen studio as well as one work from the DAM’s permanent collection. Notably, this exhibition includes an exclusive presentation of eight drawings of the monumental Big Sweep sculpture located outside the DAM
giving visitors the unique opportunity to view the creative process and ideas behind one of the most beloved outdoor sculptures in Denver
© 2018 Claes Oldenburg and Coosje van Bruggen
Digital Image © Whitney Museum of American Art
Proposal for a Sculpture in the Form of a Pan and Broom
Collection Claes Oldenburg and Coosje van Bruggen
Study for a Sculpture in the Form of a Broom and Pan with Sweepings
Pencil and colored pencil on paper; 30 x 40 in
fiber-reinforced plastic; painted with polyurethane enamel
Denver Art Museum: Purchased in honor of Tom and Noël Congdon with funds from 1998 Collectors’ Choice
Additional funding was provided by Mark and Polly Addison
Wax Crayon and watercolor on paper; 11 13/16 x 17 1/2 in
New York: gift of The American Contemporary Art Foundation
Digital Image © Whitney Museum of American Art
Bronze and stainless steel on acrylic base; 48 x 16 1/4 x 7 in
Denver Art Museum: Funds from Alliance For Contemporary Art
New York: Gift of The American Contemporary Art Foundation
Sketch for a Soft Sculpture in the Form of a Cake Wedge- Woman for Scale
Wax crayon and watercolor on paper; 11 x 13 11/16 in
Proposal for a Skyscraper in the Form of a Chicago Fireplug
Crayon and watercolor on paper; 13 1/2 x 10 3/4 in
New York; gift of The American Contemporary Art Foundation
Proposed Colossal Monument for Lower East Side—Ironing Board
Wax crayon watercolor on paper; 11 15/16 x 17 11/16 in
Proposal for a Cathedral in the Form of a Colossal Faucet
Crayon and watercolor on paper; 13 11/16 x 10 15/16 in
Graphite and pastel on paper; 39 3/16 x 27 1/2 in
Evelyn and Leonard Lauder Fund 99.52.2 © 2018 Claes Oldenburg and Coosje van Bruggen
Claes Oldenburg and Coosje van Bruggen in their studio with "Standing Collar with Bow Tie” (1992)
Claes Oldenburg with Coosje van Bruggen: Drawings is presented in association with the Whitney Museum of American Art
New York and supported by the Eleanor and Henry Hitchcock Foundation
Marieke Van Bruggen has been coding for nearly 30 years
but she still feels like she’s “learning a lot in this space”
“This space” being the realm of data and digital analytics
a part of the retail industry that has become increasingly critical to business success
even just since Covid with e-commerce obviously getting much more of a focus than it was previously,” Van Bruggen told Inside Retail
Currently head of digital analytics and optimisation at GPC Apac
the parent company of automotive retailers Repco and Napa Auto Parts
Van Bruggen studied design at university and is entirely self-taught when it comes to data
Her natural affinity for detail has aided her career progression from e-commerce manager to data expert
“A former manager used to refer to me as ‘special ops’ because she said I have this ability to dig into the detail of things and find creative solutions for things,” Van Bruggen shared
While that makes the work sound quite glamorous
the reality is decidedly less so: “It’s not very sexy
but a large part of my role is data hygiene,” she said
“A fair amount of time needs to be spent making sure all of your platforms and processes are nailed down because you’re really relying on the quality of that data that you have access to.”
This is particularly important for a business with a large portfolio of subsidiaries like GPC
we’ve even got business services in there as well,” she said
“Every single website that I work across has different customer requirements
but it also adds that variety that I just love within retail.”
When it comes to putting all of that data to use
Van Bruggen believes that having a holistic view is key to deriving meaning from the numbers
“My common experience is that a lot of executive teams typically will have a checklist of standard KPIs that they want measured in dashboards
and it’s because that’s what they’ve had in previous businesses or what they’ve heard from industry experts,” she said
‘You can have all the dashboards in the world
but in order to find meaning from your data
you actually have to have an idea of your customers’ pain points or your overall business goals.'”
One example she often gives is that a retailer might see their conversion rate decreasing
but if their average order value is going up
their overall revenue could still be increasing
“If you’re myopically focused on just that conversion number
you’re always going to be disappointed,” she said
Van Bruggen is also a big proponent of using qualitative data
She works closely with GPC’s customer insights teams and voice of customer programs to identify these pain points and then further analyses the blockages with quantitative data
“If you’re just looking at quantitative
it’s really hard to find that direction to go in,” she said
GPC has a wealth of data across its marketing
and ensuring the business has a unified customer view is a big area of focus for Van Bruggen
“I definitely haven’t seen any businesses that I think are nailing it around making sure that their data is not siloed and is applicable across different areas of the business,” she said
though customer data platforms (CDPs) “make a huge difference for those retailers that have lots of data and can stitch it together,” she added
While incoming privacy legislation in Australia is set to disrupt the way retailers collect and use their customer data
Van Bruggen chooses to view this as an opportunity rather than a roadblock
“If you can communicate to the customer and say
‘If you’re willing to share your data with us
this is the benefit that you receive,’ and people see it more as a value exchange
I think that enhances the process,” she said
“It actually forces us to step up and say
‘If this is what we want to do as a business
we have to make sure that the customer is aware of it
but also appreciates why we’re doing it.'”
“The real area of excitement for me at the moment is retail media — the pace that it is picking up in Australia and the questions it raises,” Van Bruggen said
GPC is currently working to understand how customers interact with store installations and fixtures
While she sees a big opportunity to capture a level of customer data that was previously only available online
she cautioned that the impact of retail media on the customer experience is still unclear
“I’d love it if someone did a study or
because I hypothesise there might be some scenarios where the ad revenue gained from a particular retail media campaign would actually be less than what you would have gained in customer sales had you not had that campaign,” she said
“I think there’s an overall view that retail media can be the gravy on top of an existing product revenue stream
There’s less of a view of how much cannibalisation there might be from having a retail media campaign that actually distracts customers from purchasing product or maybe makes it harder for them to find.”
When asked what her “gut” tells her
Van Bruggen replied that it probably comes down to the creative material
you can have an amazing display or an amazing digital screen
it can decrease the customer’s overall engagement
when the creative really aligns to the brand and the retailer
I think that’s where the real opportunity is,” she said
While some data experts might take offense to being asked what their gut says
Van Bruggen believes that it still has an important role to play in decision-making
“I think a lot of people want data to be black and white
and this is the direction we’ll go in
we’ve been data-driven and we can go to bed and sleep easily at night
is grey and really open to interpretation and really open to
where people can make the numbers look how they want them to look,” she said
“I get quite frustrated when I see people who quote numbers incorrectly
I think the gut still has an important element within that
It’s just how the data informs the gut.”
This article is part of Inside Retail’s #IRWD365 campaign
to shine a spotlight on inspiring women in Australia’s retail industry and drive tangible change towards gender equality
Kate Moomaw is assistant conservator for modern and contemporary art in the conservation department at the Denver Art Museum
Kate has been at the DAM since 2011 and her favorite artwork that has been on view here is Geneviève and the May Wolf by Kiki Smith
In part one of this series
we discussed assessing what needed to be done to conserve Big Sweep by Claes Oldenburg and Coosje van Bruggen
The next step in the conservation process was to meet with specialists in automotive painting and refinishing to refine the treatment plan and find the right specialist for the job
Custom automotive painters were expected to be a good fit for the job as the sculpture had been painted with a paint similar to automotive paints
custom automotive painters frequently undertake complex repainting projects that must be executed to extremely high standards
Four companies were interviewed and Steve Aigner and his company Body Works Custom Painting were selected
the treatment plan was refined to include partial repainting of four of the broom bristles and the front edge of the lower white paper wad
as well as buffing of scratched and abraded areas on the other bristles to minimize the appearance of damage
This treatment plan was sent to Claes Oldenburg and his studio for their review
Some research was needed into the original colors used on the sculpture to provide specifications for purchasing the paint
The paint samples prepared when the sculpture was made were sent back to the paint manufacturer
to be matched again to be sure the color formulas were correct
Steve and his company obtained the various paint materials needed–primer
and additives–and prepared mock-ups in his shop so that they could learn the properties of the paint and make sure the color matches were correct
and renting lift equipment were also made in the weeks prior to the work
The first step of the treatment itself was for conservation staff to wash the entire sculpture
and I worked from lifts to reach all of the surfaces with a brush and pressure washer
as you can see in the image at the top of this post
Steve Aigner and the lead painter from his company
The first steps were filling deep chips in the surfaces and careful sanding to recreate the perfectly smooth surface
A crack in the surface of the fiberglass paper wad was also repaired
All of the areas with minor scratches and abrasions that did not go all the way through the paint were then lightly sanded and buffed to minimize the appearance of the damage
I worked together with Steve to determine an appropriate level of sanding and buffing and to make decisions about which areas to treat
The next step was to mask off all the parts of the sculpture that were not to be painted with paper
and plastic to prevent overspray from the paint application from depositing on the surfaces
All areas to be painted were sanded to allow the new paint to adhere well and were wiped down with solvents to remove any dirt or grease
Primer was applied first to areas that had been repaired and was allowed to dry
Applying these coatings with a spray gun is a specialized skill that takes years of experience to develop
Check out the video in the slideshow below of James Lamarr spraying the clear coat onto the front brown bristle
the masking was removed and some final buffing and finishing was carried out
although this outdoor sculpture and others are made of durable materials meant to withstand the outdoor environment
these materials are still highly vulnerable to activities like climbing and skateboarding and can be easily damaged
Help to preserve outdoor sculptures for everyone by avoiding such activities and spreading the word
Image credit: Claes Oldenburg and Coosje van Bruggen
Denver Art Museum: Purchased in honor of Tom and Noël Congdon with funds from 1998 Collectors’ Choice
Damaged brown bristle before the conservation treatment
Damaged brown bristle after the conservation treatment
Gerard Ter Bruggen has been appointed regional director West and North Europe by Cargolux
Ter Bruggen started the Cargolux on 1 January and is based in Amsterdam
the Baltic States and the Benelux countries
Ter Bruggen was the Qatar Airways cargo manager North and Western Europe
Cargolux executive vice president sales and marketing
Niek van der Weide says: “We are very pleased to have Gerard in our team of six regional directors in Area two (Europe
His vast experience and excellent contact with the major customers are an important factor and will certainly help Cargolux to further expand and strengthen the relationships with our clients.”
Ter Bruggen has 35 years of experience in the airline industry
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we look back at some of the conductor’s best recordings
What these later discs demonstrate is how different Brüggen’s approach was from his contemporaries and fellow pioneers in the early music world
Brüggen’s interpretations of Beethoven offer a fascinating encounter with a historically informed music-making that speaks and moves with a grandeur and structural momentum that is never about the shock-therapy of individual moments
iconoclastic tempos or overheated rhetoric
Instead, Brüggen’s approach was characterised by a remarkable quality of letting the music speak for itself, apparently without interpretative intervention. The same was true of his Bach: across a little than two hours, he unfolded the Mass in B minor as an epiphany of musical song-lines that intertwined in a continuous celebration of polyphonic possibility and spiritual revelation
This was a completely different and more consistently lyrical world from the one that Nikolaus Harnoncourt or Roger Norrington
have created in the same repertoire; Brüggen revealed another dimension to early musical possibility
Picking just a few moments from decades of recordings to mark his life in music is an invidious exercise
here are a handful of links to a tiny fraction of the extraordinary riches this one-of-a-kind musician has left us
Watch this beautifully poised 1966 performance from Brüggen on the recorder
accompanied by Gustav Leonhardt on harpsichord
Brüggen leads his Orchestra of the 18th Century
An object lesson in how to create a line from the beginning to the triumphant end of this gigantic symphony
A performance of huge lyrical intensity and expressive power
again with the Orchestra of the 18th Century
in which this grandest of all 18th-century symphonies is monumentally revealed
flautist and key figure in Holland’s early music scene passed away at his home in Amsterdam
Frans Brüggen, a conductor and key figure in Holland’s early music scene, has died at the age of 79
He was also a visiting professor at Harvard University
Brüggen co-founded the Orchestra of the 18th Century
which specialises in making music using authentic instruments or replicas from the period
Some of his most famous recordings include selections from the Pièces de Clavecin en Concerts of Jean-Philippe Rameau
Brüggen was the uncle of the recorder soloist and Amsterdam Loeki Stardust Quartet member Daniël Brüggen
and was married to art historian Machtelt Israëls
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By Tom Joyce2024-06-14T10:29:00+01:00
The new solution from Dutch AI specialist Source.ag is set to support growers in their decision making with accurate
a specialist in AI solutions for fruit and vegetable growers
an AI-based solution that enables accurate yield forecasting up to eight weeks prior to harvesting.
and the recent release of Source Irrigation Control
the company said Source Cultivation was a “new addition in the suite that takes greenhouse efficiency to the next level”
By simulating the outcome of cultivation strategies
which was officially launched at GreenTech in Amsterdam
aims to support growers in their decision-making processes with accurate
“It provides growers with valuable and consistent insights into how cultivation strategies
“When combined with the execution of the crop plan
Source Cultivate can forecast with a 90 per cent accuracy three to four weeks out.
the software facilitates seamless data sharing between the greenhouse and sales teams through its API
ensuring complete transparency and enabling timely adjustments to yield expectations and their corresponding values
With Source Cultivate handling the complex data analysis for yield forecasting
the grower can focus on the greenhouse management.”
Source.ag collaborated closely with top-tier growers in its development of Source Cultivate
leveraging their invaluable insights and practical expertise.
“By combining on-the-ground knowledge with Source.ag’s expertise in plant science and data science
the company said it had created a “cutting-edge
scalable AI software solution” that addresses one of the most challenging issues faced by modern agriculture
“Source Cultivate can provide a simulation that tells us what effect our early cultivation choices have on the rest of the season,” said Bart van den Bosch
“It also offers insights when circumstances change
simulating what the consequences of those changes will be for our yield forecast
Source Cultivate is set out to bring us more certainty
Ernst van Bruggen (right) with co-founder Rien Kamman
commented: “Yield forecasts are often inaccurate and only available shortly before the harvest
resulting in sales teams trading with unreliable and outdated information
many times come as a surprise and have a massive impact on the average sales price
we are committed to giving the reins back to growers and augmenting their skills through AI
Source Cultivate is the solution that enhances growers’ ability to predict yield accurately
The final day of €1,100 Estrellas Poker Tour Main Event at the 2022 PokerStars and Barcelona©Casino European Poker Tour has reached its end after six hours of play that saw the final nine players out of a field of 6,313 play down to the newest EPT Champion in what was the largest live poker tournament in EPT history
That newest champion was Rick van Bruggen of the Netherlands
The 27-year-old is more of a cash game specialist
and this victory is by far and away the largest live tournament score of his career
He had previously only had $20,000 in career earnings over a six-year span since 2016 through six small cashes spread throughout the Czech Republic and the United States
I’m going to spend some money for sure.” He said with a big smile
seemingly basking in the glow of the remarkable win
All you need to know about the 2022 WSOP is here
Van Bruggen began the day second in chips behind Jack Sinclair
The two chip leaders would immediately start to pound down the rest of the players
with Van Bruggen and Sinclair holding as much as two-thirds of all chips in play between them with eight players still remaining
But Van Bruggen would take the lead from Sinclair and start to distance himself as the dominating force as it seemed that he could not lose a hand all day
slipped closer down to the rest of the pack as his large stack became a smaller one
Discussing his position at the start of the day
so I was trying to just play very tight and hope people bust
He would use his dominating chip position well as he gave no room to breathe to the short stacks
often putting pressure on them so that he could take as many pots as he could
Every hand I looked at my cards and was like yeah
and ten big blinds (for the opponents) so yeah very very fun.”
The day began with only eight of the nine players in their seats as Ahmad Rehaime showed up over an hour late to the table
Rehaime would be the next player to go in seventh place as he could not get any positive traction after his late arrival
and his stack was dwindled down and eventually exhausted
The lone PokerStars online qualifier Bjorn Bruns from Germany hit the rail next in sixth place as he remarkably turned his €109 online qualification into a six-figure score
Three-handed play would not last very long as Simon Bouaksa’s short stack was swallowed up by Van Bruggen to set up heads-up play
Heads-up was a short affair as Van Bruggen had an overwhelming lead from the start. Sinclair did manage to double up once to edge closer, but it would not be enough as Van Bruggen put the finishing touches on his dominating win after taking back the reigns with a few key hands
That wraps things up for the PokerNews coverage of the ESPT Main Event
Stay tuned for all the other action here in Barcelona throughout the rest of the series
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