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Lyndal Oatley and Malin Wahlkamp-Nilsson are looking to expand their team at Gestüt Eulenhof in Germany with a home groom
Gestüt Eulenhof is a state-of-the-art equestrian centre nestled in the quiet town of Dülmen in Germany
The yard has 33 boxes and all the amenities of a high performance dressage stable
This is a unique opportunity to work in a small team in familiar and friendly atmosphere
The home groom will have to assist in the the daily care taking of horses
The candidate has to be a team player and have an eye for detail
No cleaning of stalls nor riding will be involved
Accommodation on the farm and a shared car will provided
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By Matt Mueller2020-02-24T06:00:00+00:00
Fresh off the German theatrical deal for Merkel to Paramount, as reported by Screen at the start of EFM
producer Alexander van Dülmen has a multitude of film and TV projects on his Carte Blanche International slate
as well as Merkel Carte Blanche is in post-production on writer-director Damir Lukacevic’s Wet Dog
about a 15-year-old German-Iranian boy who discovers he comes from Jewish origins; the Warner Bros Germany co-production is due for local release in early September
Carte Blanche is aiming to move into production by the end of the year on Winter Near
an adaptation of Mirna Funk’s 2015 novel about a young Jewish woman raised in East Berlin who follows her Israeli boyfriend to Tel Aviv to find out more about her past
Viviane Andereggen will direct with Aenne Schwarz attached to play the lead
Warner Bros Germany is also co-producing with van Dülmen
who hopes to complete financing soon. Winter Near is due to be followed in early 2021 by Alone
a remake of a 2007 Thai horror about conjoined twin sisters
Carte Blanche has art thriller Panama Painting
a true story about the provenance of a painting hanging in a New York art gallery that was revealed by the Panama Papers scandal
which is a co-production with Bertrand Faivre’s The Bureau; and Thailand-set German-Russian culture-clash comedy Phuketgrad
which Til Schweiger and Fedor Bondarchuk are circling
four series are in active development led by Nhiem
a six-episode drama set in Vietnam about a young Viet Cong cameramen chronicling the war from the other side of the conflict
which Roger Donaldson (No Way Out) will direct and be showrunner on
Also in the TV pipeline are drug-dealer drama Snow King; Catherine & Potemkin
a drama series about the relationship between Catherine the Great and Russian statesman Grigory Potemkin which has Austrian filmmaker Stefan Ruzowitzky attached as director/showrunner and Hadding again on script duties; and Coryza
an adaptation of Polish sci-fi author Stanislaw Lem’s novel The Chain Of Chance that van Dülmen is producing with Grant Hill
It’s all part of a big shift in recent years for van Dülmen
who in 2002 set up independent film licensing company A Company
which sold German films into central and eastern Europe
the CIS and Vietnam; he later also set up a distribution arm in Vietnam which is still operating
van Dülmen started to move away from sales and towards production
“It was already foreseeable that A Company had to get into production and would not be able to sell forever because the world was changing,” he says
“And not only because of streaming but because of some geographic aspects which
was the changes in the whole Eastern European and Russian landscape after [the 2014 invasion and annexation of] Crimea and the isolation of Russia
van Dülmen started by earning credits as a co-producer
a Germany/France/Poland co-production about a young Jewish boy who escapes the Warsaw ghetto
where he was invited on board by Stefan Arndt to help navigate the complex financing structures required to get the Wachowski brothers project off the ground
the film was financed through an independent patchwork of investors from China
combined with money from German film funds
“The co-production paperwork on that film was so thick
you could put it into a library,” laughs van Dülmen
“It was a group of at least 10 different parties that had to get under one umbrella
but on the other hand being able to observe authorities like Grant Hill – who has done all of the Wachowski’s movies – and watch how they do it was a very helpful and exciting experience.”
After going on to co-produce Sophie Barthes’ Madame Bovary starring Mia Wasikowska
van Dülmen founded Carte Blanche International in 2016 with director Stephan Wagner
selling A Company’s 300-film library to Poland
the Czech Republic and other eastern European territories
The Carte Blanche partnership came about as a way to combine van Dülmen’s financing and deal-structuring expertise outside German borders with Wagner’s experience in physical production (the German filmmaker has more than 30 feature and TV-movie credits to his name)
Wagner also held the rights to Stanislaw Lem’s The Chain Of Chance and was looking for a partner with international connections to build the sci-fi project
“He’s been mostly active in Germany but he somehow never managed to do anything internationally.”
Wagner directed Carte Blanche’s inaugural production Merkel
a political thriller about the defining moment of Angela Merkel’s chancellorship – the 2015 refugee crisis – that was financed by ARD
Medienboard Berlin Brandenburg and Bavaria Media International
The project was initially set up as a TV feature
before interest from German and international partners encouraged van Dülmen to think more ambitiously and raise the budget from €2.4m to €3.1m
The deal with Paramount Pictures Germany is for a three-week theatrical release from March 28
before Merkel is shown on the country’s largest public broadcaster ARD
which put up about two-thirds of the budget
Paramount plans to release the film into 50-100 cinemas
and may put it back on screens after the TV broadcast if demand warrants
“It’s an experiment because it’s only three weeks,” notes van Dülmen
citing the fact that some German cinema chains will refuse to play the film because of the country’s strict theatrical windowing rules
“But our digital world means you show people movies when they want to see movies
Adapted by Florian Oeller from Robin Alexander’s 2017 book The Driven Ones
van Dülmen notes that films about still-living politicians are unusual in Germany due to stricter laws around personal rights
Turkish president Recep Tayyip Erdogan was able to sue a German TV comedian in 2017 using an obscure loophole in Germany’s criminal code that made it a crime to insult foreign leaders
Even though that loophole has since been closed
van Dülmen admits he did have concerns around Merkel’s portrayal of Hungarian prime minister Viktor Orban
who features in the narrative played by Romanian actor Radu Banzaru (opposite Imogen Kogge as the German chancellor)
this would be the best thing that could happen Alexander
that would raise so much publicity around the movie!’” he says
“But I’m not really waiting for this because it would be so expensive.”
van Dülmen says he anticipates a 75/25 split going forward between projects that Carte Blanche develops for international and those aimed squarely at the German market
“I delivered German movies to Eastern Europe and Russia
I made Til Schweiger become a real star in Russia
in this German industry,” he explains of his international ambitions
“I have always been international and I need the world
I want to make films that connect to different countries
and I know something about other markets.”
EXCLUSIVE: Skoog’s previous works have screened at Berlinale
PS1 MOMA New York and Moderna Museet Stockholm
Baby’ is also the closing night film at Cannes Directors’ Fortnight
Lutz Rippe take over as co-CEOs of Studiocanal Germany
Meirelles directed episodes of Sympathizer and Sugar
After starring as a heroic Second World War navigator
Boyle wanted to “play someone the polar opposite”
The director talks taking inspiration from ‘Carrie’
Screen International is the essential resource for the international film industry
access to the Screen International archive and supplements including Stars of Tomorrow and World of Locations
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2023: The long-term trial (LTT) was conducted at Yara International’s Hanninghof research center in Dülmen
and studied the long-term effects of nutrient management in farming
The study concludes that balanced application of mineral fertilizer is part of sustainable crop production
the LTT portrays the pivotal role of balanced nutrition in soil health maintenance
The research findings address the challenges facing the global food system
and the increasingly urgent need for effective resource management to ensure a resilient food system while protecting the environment
The relationship between nutrient application and soil fertility is best studied in LTTs because soil fertility develops gradually
evaluating its effect on crop production requires monitoring over a long time and proper data documentation
It can take decades before changes become visible
trends of crop yield and effects of the environment on agriculture or vice versa
Since agriculture is removing nutrients from the soil with each harvest
an efficient replacement of nutrients back into the soil is required to sustain crop yields
While an unbalanced application of nutrients results in low nutrient use efficiency and high environmental pollution
the Hanninghof study concludes that the best solution to achieve both effective and sustainable agriculture is a balanced combination of mineral nutrients and integration of organic fertilizer available on the farm with mineral fertilizer
titled Effect of Balanced and Integrated Crop Nutrition on Sustainable Crop Production in a Classical Long-Term Trial
was conducted by scientists Melkamu Jate and Joachim Lammel
The Hanninghof trial involved crops grown on 16 plots of loamy sand soil that were given either organic fertilizers
various combinations of the two or neither of the above
The complete long-term trial can be read here
Contacts Brede HertzenbergHead of CommunicationsMobile: +47 906 09 009E-mail: brede.hertzenberg@yara.com
Rejane SouzaSVP, Global InnovationMobile: +47 412 04 418E-mail: rejane.souza@yara.com
Yara grows knowledge to responsibly feed the world and protect the planet
Supporting our vision of a world without hunger and a planet respected
we pursue a strategy of sustainable value growth
promoting climate-friendly crop nutrition and zero-emission energy solutions
Yara’s ambition is focused on growing a nature positive food future that creates value for our customers
shareholders and society at large and delivers a more sustainable food value chain
we have taken the lead in developing digital farming tools for precision farming and work closely with partners throughout the food value chain to improve the efficiency and sustainability of food production
Through our focus on clean ammonia production
fertilizer production and other energy intensive industries
Founded in 1905 to solve the emerging famine in Europe, Yara has established a unique position as the industry’s only global crop nutrition company. We operate an integrated business model with around 17,000 employees and operations in over 60 countries, with a proven track record of strong returns. In 2022, Yara reported revenues of USD 24 billion. www.yara.com
About Yara Agronomic Research and Development (YARD):
Yara Agronomic Research and Development (a.k.a. YARD) is a diverse and engaged global team with broad and deep expertise. YARD focus on innovation and value capture by ensuring agronomically sound content embedded in all new solutions development or expanded reach/value capture of current solutions, regardless of the type of solution (fertilizers, biostimulants, recommendations, tools, services, knowledge sharing, etc.).
KuegelerEurope's last remaining wild horsesThe town of Dülmen
The horses here are known as the Dülmen pony - a prized breed and also Europe's last remaining wild horses
The animals are left to themselves most of the year across the 360-hectare site at Merfelder Bruch
The equine event attracts about 15,000 visitors each year
the round-up is intended to help manage numbers
while the auctioning of the animals is meant to finance their upkeep The breed of wild horses found in Dülmen is said to be easily domesticated
Local farmers take the day off to participate as horse wranglers
Their first task is to separate the mares from the stallions
The youngest male horses are then led to the next stage of the event
where they are rounded up and chased around
while those that are caught are sold at auction later on
The wild horses at Merfelder Bruch are caught by hand
using a humane technique taught by veterinarians
the horses used to be pulled down by their necks - a practice
which was criticized by animal rights advocates
The trapping of the animals helps with preservation efforts
not only by managing numbers but also by limiting inbreeding
The annual event in Dülmen isn't only about the wild horses
Other animals occasionally get to feature as well
a man performed this entertaining stunt with his dogs
there's also the usual summer festival atmosphere with sausages
has removed the title after years of deliberation and two failed attempts to push the motion through
The Führer was awarded honorary status in April 1933
when city officials – led by the local Nazi party leader
Julius Bielefeld – voted unanimously to bestow the title on him
Historians estimate some 4,000 German towns and cities awarded similar titles to Hitler and other senior Nazis
Archivists began researching the topic in the 1990s when councils debated whether to leave Hitler's name on their lists for historicity or to remove it out of respect for others who had been given similar recognition
Communities have generally been slow to act
dropped Hitler's honorary status shortly before world leaders descended
succumbing to international pressure and government fears of the embarrassment it was likely to cause
Attempts by the Social Democrats (SPD) to change Dülmen's records were initially thwarted because of legal restrictions after it was declared that honorary status "automatically ceases on death"
However Waltraud Bednarz of the SPD argued that to leave the city archives unaltered would be "an insult to others awarded this status"
Thomas Schaarschmidt of the Centre for Research into Contemporary History in Potsdam said it was impossible to gauge exactly how many towns and cities regard Hitler as an honorary citizen
"Many town archives were destroyed in the war so there are no official records," he said.