HOBOKEN, N.J. (July 29, 2024) – Stevens Institute of Technology head softball coach Emily Kaczmarek announced Monday that Riley LaBoe has been hired as an assistant coach
LaBoe most recently served as a graduate assistant coach at Wheeling University
LaBoe spent the last two seasons in her graduate assistant role at Wheeling after previously serving as the team manager prior
as well as managed aspects of the team operations
"I'm excited to welcome Riley to Stevens!" Kaczmarek said
"I think her intensity and background is a fantastic fit
Riley will be a great resource for our student-athletes and outstanding addition to the coaching staff."
LaBoe was a member of the softball team at Wheeling as a player from 2018 through the 2020 season
The team totaled 44 wins across the three seasons she was on the roster
LaBoe earned her Bachelor of Science degree in Exercise Science from Wheeling in 2022 and then went on to complete his Master of Business Administration degree at Wheeling this past May
LaBoe joins a softball team that narrowly missed out on the MAC Freedom playoffs a year ago after posting a 16-20 record and a 6-8 record in MAC Freedom play
All but two players from last year's squad will be coming back to hit the field in the spring
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DJ Art Laboe sits in his studio and talks about his 75 years in the radio business in 2018
a pioneering disc jockey who hosted a syndicated oldies show for decades
the pioneering DJ credited with helping end segregation in Southern California
Laboe died Friday night after catching pneumonia
a spokesperson for Laboe's production company
Laboe's last show was produced last week and broadcast Sunday night
Laboe is credited with helping end segregation in Southern California by organizing live DJ shows at drive-in eateries that attracted whites
Blacks and Latinos who danced to rock-n-roll and shocked an older generation still listening to Frank Sinatra and Big Band music
Laboe is also credited with coining the "oldies
released the compilation album "Oldies But Goodies: Vol
1," which stayed on the Billboard's Top 100 chart for 183 weeks
He later developed a strong following among Mexican Americans for hosting the syndicated "The Art Laboe Connection Show." His baritone voice invited listeners to call in dedications and request a 1950s-era rock-n-roll love ballad or a rhythm and blues tune from Alicia Keys
His radio shows gave the families of incarcerated loved ones
a platform to speak to their relatives by dedicating songs and sending heartfelt messages and updates
California and Arizona inmates would send in their own dedications and ask Laboe for updates from family
It's a role Laboe said he felt honored to play
"I don't judge," Laboe said in a 2018 interview with The Associated Press at his Palm Springs studio
He often told a story about a woman who came by the studio so her toddler could tell her father
"It was the first time he had heard his baby's voice," Laboe said
said the music Laboe played went with the dedications enhancing the messages
songs like Little Anthony & the Imperials' "I'm on the Outside (Looking In)" and War's "Don't Let No One Get You Down" spoke of perseverance and desire to be accepted
Born Arthur Egnoian in Salt Lake City to an Armenian-American family
Laboe grew up during the Great Depression in a Mormon household run by a single mom
His sister sent him his first radio when he was 8 years old
The voices and stories that came from it enveloped him
attended Stanford University and served in the U.S
he landed a job as a radio announcer at KSAN in San Francisco and adopted the name Art Laboe after a boss suggested he take the last name of a secretary to sound more American
When the United States entered World War II
He later returned to Southern California area
but a radio station owner told the aspiring radio announcer he should work on becoming a "radio personality" instead
Laboe bought station time and hosted live overnight music shows from drive-ins where he'd meet underground rockabilly and R&B musicians
"I got my own built-in research," Laboe said
Laboe soon became one of the first DJs to play R&B and rock-n-roll in California
Teen listeners soon identified Laboe's voice with the fledgling rock-n-roll scene
Laboe had an afternoon show and became the city's top radio program
Cars jammed Sunset Boulevard where Laboe broadcast his show and advertisers jumped to get a piece of the action
Laboe was one of the few to get an interview with the new rockabilly star
The scene that Laboe helped cultivate in California became of the nation's most diverse
Places such as the El Monte's American Legion Stadium played much of the music Laboe aired on his radio show
Laboe maintained a strong following throughout the years and transformed into a promoter of aging rock-n-roll acts who never faded from Mexican American fans of oldies
A permanent display of Laboe's contributions resides in The Rock and Roll Hall of Fame Museum in Cleveland
iHeartMedia's KHHT-FM (92.3) dropped Laboe's syndicated oldies show after the station abruptly switched to a hip-hop format sparking angry protests in Los Angeles
I'm So Lonely I Could Cry," wrote essayist Adam Vine
Laboe returned to the Los Angeles airwaves on another station
a syndicated cartoonist and television writer who grew up listening to Art Laboe in San Diego
said the DJ maintained a strong following among Mexican Americans for generations because he always played Latino
white and Black artists together on his shows
Laboe also didn't appear to judge his listeners who asked for dedications for loved ones in prison
"Here is someone who gave a voice to the most humble of us all through music," Alcaraz said
president and CEO of the Los Angeles-based National Hispanic Media Coalition
said generations of Latino fans attended Laboe-sponsored concerts to hear the likes of Smokey Robinson
"I see these really tough looking guys in the crowd
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I will give you my top four classic oldies as dedications to the people they make me think about
by "classic oldies," I'm referring to songs written and recorded in the 1960s before my parents ever set foot in the United States
Marisa and I used to drive around the country in my old Grand Marquis
We would go up and down Route 66 without much of a plan or money
So we blasted this song over and over again
especially those who traveled to New Orleans with me back when we were all young and still trying to find ourselves
"A Change is Gonna Come" is the song I would always play as we were driving into NOLA for the simple basic fact that it talks about a river
But the more I listened to Sam Cooke's poignant song about racism and segregation
the more I realized how important that song was for me as a disillusioned youth
MONROE COUNTY — Sheriff Troy Goodnough reported the arrest of a driver involved in a car chase with county deputies on Tuesday
Deputy Jacob Laboe was dispatched to the Monroe County Community Credit Union on North Dixie Highway
after the report of a man threatening staff members and demanding money
The man had left a silver Chevrolet Impala
which was identified as the same vehicle involved in a home invasion incident in Newport reported in the early hours that day
Laboe found the suspect's vehicle on North Dixie Highway near the Woodland Beach Subdivision
While he initially pulled over for a traffic stop
following the car northbound on North Dixie Highway
"At this time deputy Nick Bailey was able to deploy stop sticks at the intersection of North Dixie Highway and Pointe Aux Peaux Road
striking both front tires of the suspect vehicle," the sheriff's office said in a release
Laboe continued following the car at a slower pace
with the Impala then running on two flat tires
Deputies were eventually able to stop the car on North Dixie Highway
The driver was taken into custody without further incident
The suspect was identified as a 49-year-old from Carleton and lodged at the Monroe County Jail on charges of home invasion
— You can reach Connor Veenstra at cveenstra@gannett.com
His live radio shows brought together white
Black and Latino audiences who danced to rock’n’roll at drive-in eateries
Art Laboe, the pioneering DJ credited with helping end segregation in southern California, has died. He was 97.
Laboe died on Friday night after catching pneumonia, said Joanna Morones, a spokesperson for Laboe’s production company, Dart Entertainment.
Laboe’s last show was produced last week and broadcast on Sunday night.
Laboe is credited with helping to end segregation in southern California by organizing live DJ shows at drive-in eateries that attracted white, Black and Latino residents who danced to rock’n’roll and shocked an older generation still listening to Frank Sinatra and Big Band music.
Read moreLaboe is also credited with coining the phrase “oldies, but goodies”. In 1957, he started Original Sound Record, Inc, and in 1958 released the compilation album Oldies But Goodies: Vol 1, which stayed on the Billboard’s Top 100 chart for 183 weeks.
He later developed a strong following among Mexican Americans for hosting the syndicated The Art Laboe Connection Show. His baritone voice invited listeners to call in dedications and request a 1950s-era rock’n’roll love ballad or a rhythm and blues tune from Alicia Keys.
His radio shows gave the families of incarcerated loved ones, in particular, a platform to speak to their relatives by dedicating songs and sending heartfelt messages and updates. People incarcerated in California and Arizona would send in their own dedications and ask Laboe for updates from family.
It’s a role Laboe said he felt honored to play.
“I don’t judge,” Laboe said in a 2018 interview with the Associated Press at his Palm Springs studio. “I like people.”
He often told a story about a woman who came by the studio so her toddler could tell her father, who was serving time for a violent crime, “Daddy, I love you.”
“It was the first time he had heard his baby’s voice,” Laboe said. “And this tough, hard-nosed guy burst into tears.”
Anthony Macias, a University of California, Riverside, ethnic studies professor, said the music Laboe played went with the dedications enhancing the messages. For example, songs like Little Anthony & the Imperials’ I’m on the Outside (Looking In) and War’s Don’t Let No One Get You Down spoke of perseverance and desire to be accepted.
Born Arthur Egnoian in Salt Lake City to an Armenian American family, Laboe grew up during the Great Depression in a Church of Jesus Christ of Latter-day Saints household run by a single mom. His sister sent him his first radio when he was eight years old. The voices and stories that came from it enveloped him.
He moved to California, attended Stanford University and served in the US Navy during the second world war. Eventually, he landed a job as a radio announcer at KSAN in San Francisco and adopted the name Art Laboe after a boss suggested he take the last name of a secretary to sound more American.
When the United States entered the second world war, Laboe served in the navy. He later returned to southern California area, but a radio station owner told the aspiring radio announcer he should work on becoming a “radio personality” instead. As a DJ for KXLA in Los Angeles, Laboe bought station time and hosted live overnight music shows from drive-ins where he’d meet underground rockabilly and R&B musicians. “I got my own built-in research,” Laboe said.
Laboe soon became one of the first DJs to play R&B and rock’n’roll in California. Teen listeners soon identified Laboe’s voice with the fledgling rock-n-roll scene. By 1956, Laboe had an afternoon show and became the city’s top radio program. Cars jammed Sunset Boulevard where Laboe broadcast his show and advertisers jumped to get a piece of the action.
When Elvis Presley came to Hollywood, Laboe was one of the few to get an interview with the new star.
The scene that Laboe helped cultivate in California became one of the nation’s most diverse. Places such as El Monte’s American Legion Stadium played much of the music Laboe aired on his radio show, giving birth to a new youth subculture.
Laboe maintained a strong following throughout the years and transformed into a promoter of aging rock’n’roll acts who never faded for Mexican American fans of the oldies. A permanent display of Laboe’s contributions resides in the Rock and Roll Hall of Fame Museum in Cleveland.
In 2015, iHeartMedia’s KHHT-FM dropped Laboe’s syndicated oldies show after the station abruptly switched to a hip-hop format, sparking angry protests in Los Angeles. “Without Art Laboe, I’m So Lonely I Could Cry,” wrote the essayist Adam Vine.
Later that year, Laboe returned to the Los Angeles airwaves on another station.
Lalo Alcaraz, a syndicated cartoonist and television writer who grew up listening to Art Laboe in San Diego, said the DJ maintained a strong following among Mexican Americans for generations because he always played Latino, white and Black artists together on his shows. Laboe also didn’t appear to judge his listeners who asked for dedications for loved ones in prison, Alcaraz said.
“Here is someone who gave a voice to the most humble of us all through music,” Alcaraz said. “He brought us together. That’s why we sought him out.”
Alex Nogales, president and CEO of the Los Angeles-based National Hispanic Media Coalition, said generations of Latino fans attended Laboe-sponsored concerts to hear the likes of Smokey Robinson, the Spinners or Sunny & the Sunliners.
“I see these really tough looking guys in the crowd,” Nogales said. “Then Art comes out and they just melt. They love him.”
“I am incredibly excited to be going to Madigan Army Medical Center. I had the opportunity to do an away rotation there over the summer and loved the culture, the didactic and clinical education and the emphasis on patient education. I am very excited to be an Army OBGYN."
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Print When Art Laboe was a child
his mother couldn’t pull him away from the radio
I listened to all the announcements,” he told The Times in 2009
“I was enthralled with this box that talked.”
went on to fill Southern California’s airwaves for more than 70 years
He was one of the first to play rock ’n’ roll on the West Coast and was a pioneer in creating a compilation album
baritone voice became a beacon for generations of fans
Behind a microphone until late in life, Laboe died late Friday while battling pneumonia, Joanna Morones, a spokesperson for Laboe’s production company, said. He was 97.
Entertainment & Arts
From KCRW to Power 106, here’s how the local radio community is honoring Art Laboe, the radio titan who died Friday at age 97.
Through the decades, his nighttime love song and dedication show endured unchanged in a sea of constant radio format shifts.
Listeners would call in from Oxnard, Boyle Heights, Riverside; from as far as Phoenix, Albuquerque and Nevada. They were lovers, loners, kids and grandmothers — some who had tuned in since grade school.
Laboe helped them celebrate anniversaries, mourn the loss of loved ones and profess their love. He played intermediary in arguments and blew kisses on birthdays.
His radio program consistently ranked near the top evening time slots and was syndicated in more than a dozen cities, drawing about a million listeners per week. His show was broadcast in Los Angeles for more than 20 years on Hot 92.3 (KRRL-FM).
“He was the voice of the real L.A.,” said Lou Adler, the famed record producer, manager and hardcore Laboe fan. “He reached out and touched people growing up in this melting pot. He cut right through it and understood us.”
Art Laboe with Little Richard in the early 1970s. (Art Laboe Archives) Laboe was born Art Egnoian in Salt Lake City on Aug. 7, 1925, in the same decade commercial radio broadcasting began. He was a loner growing up, he said in a Times profile, a small Armenian kid who “wasn’t a big, good-looking hunk.”
His parents divorced when he was 13 and he moved to South Los Angeles to live with his sister. He started his own amateur radio station in 1938 out of his bedroom. Over the airwaves he was anonymous, and listeners, he was pleased to find, were drawn to his voice.
He attended Stanford University and, after a stint in the Navy during World War II, scored his first job at a station in San Francisco. A general manager encouraged him to adopt the last name Laboe because it sounded catchier.
By the time he returned to Los Angeles in the 1950s, rock ‘n’ roll was beginning to make its furious ascent. Laboe, a plainspoken man with sharp business instincts, dove in and promoted the music.
California
After more than 50 years on the radio, the disc jockey is still going strong, playing sentimental songs and taking dedications. His deep, soothing voice is cherished by his Latino listeners.
He broadcast his show live from Scrivner’s Drive-In at Sunset and Cahuenga boulevards, and teenagers showed up in droves to watch, creating traffic jams around the classic hamburger joint.
As the crowd grew, he would lean in to the microphone and say, “Hey mothers, gather up your daughters. Here comes Art Laboe and his devil music.”
His audience grew so large at the drive-in that Laboe began to host dance shows. The city of Los Angeles did not allow public dances for those under 18 at the time so he headed to the El Monte Legion Stadium.
There, up to 3,000 fans would gather every other week to dance away to rising stars such as Sam Cooke, Ritchie Valens and Jackie Wilson. Laboe used to greet fans at the door and help them out with 50-cent pieces if they were short on money.
“It was like a tidal wave, and kids went nuts for it,” Laboe told LA Weekly in 2005.
Concertgoers formed a rainbow of colors: white fans from the Westside, Black listeners from South L.A. and Latino fans from the Eastside.
Until the end, many of those Latino listeners — their children and grandchildren — remained devoted fans.
“He is more Chicano than some Chicanos,” comedian Paul Rodriguez said in 2009. “And everyone from the toughest vato to the wimpiest guy would say the same.”
Art Laboe in Glendale, AZ in 2009. (Los Angeles Times) During his Scrivner’s days, Laboe noticed that listeners often gravitated to oldies, songs that were 4 or 5 years old. He began calling them “Oldies But Goodies,” a phrase he later trademarked as other broadcasters began to borrow it.
In 1959, he took the concept and commercialized it, creating one of the first compilation albums of oldies music. His first volume (there were 15 total) stayed on the Billboard Top 100 chart for more than three years.
Those collections, along with his radio show, promoted countless music groups that may have otherwise been forgotten: the Shirelles, the Platters, Eddie Holman, Brenton Wood.
“You don’t replace people like Art Laboe,” said author-historian Harvey Kubernik. “His reach was monumental. He was a disc jockey, program director, concert promoter, label owner, columnist.”
soothing voice had filled Los Angeles’ airwaves for more than 60 years
He used to love working holidays because that’s when the best — and often the most sentimental — dedications came in
For years he ran his show inside his dimly lighted Hollywood studio
His star on the Hollywood Walk of Fame was just a few blocks away on the corner of Hollywood Boulevard and Highland Avenue
he used to ease into his leather chair just before 7 p.m
Laboe chatted with each fan and read their dedications on the air:
“Her name is Ana Ivette Vasquez and I want to let her know that I’m really sorry for doing her wrong
for all the tears she dropped and pain I put her through
I want to dedicate this song from deep down in my heart.”
Art Laboe and Ricky Nelson at Scrivner’s Drive-in in Hollywood in 1957
(Art Laboe Archives) He estimated that about half of his callers were Latino
Some had loved ones locked up in prisons in places like Chino
“who might feel that what they have going on is of little importance in life and now they come on the radio and their voice goes out to the whole world.”
In the early 1970s, even future Mayor Antonio Villaraigosa said he used to cruise through Boyle Heights in his canary-yellow 1964 Chevy, bumping Laboe’s music.
“His show was the first place a young Chicano kid had to air his feelings, the first place you could say something and be heard,” said Ruben Molina, author of two books on Chicano music and American culture.
Jerry Lee Lewis and Art Laboe at the El Monte Legion Stadium. (Art Laboe Archives) Off the radio, Laboe lived a mostly quiet life. He lived alone in a house in the Hollywood Hills and enjoyed eating at the Chateau Marmont, where everybody seemed to know him. He moved to Palm Springs in 2015 when his broadcast moved to KDAY-FM (93.5).
His family, he used to say, were his listeners.
Approaching 90, he remained healthy and active, doing push-ups and pull-ups. And he still came on the radio every Sunday evening with “The Art Laboe Connection Show,” which he began broadcasting from his home when the COVID-19 pandemic began. He had been set to broadcast one of his signature DJ concerts last Saturday at Glen Helen Amphitheater in San Bernardino.
“Radio,” he told The Times, “is my life.”
Esmeralda Bermudez writes narrative stories about the lives of Latinos for the Los Angeles Times. She was born in El Salvador, raised in the Los Angeles area and graduated from USC.
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FILE - DJ Art Laboe sits in his studio and talks about his 75 years in the radio business on Oct
Blacks and Latinos who danced to rock-n-roll
the pioneering radio DJ who read heartfelt song dedications to generations of loyal listeners and was credited with helping end segregation in Southern California during an eight-decade broadcast career
Laboe died Friday night at home in Palm Springs
a spokesperson for Laboe’s production company
His final show was produced last week and broadcast Sunday night
Laboe is credited with helping end segregation in Southern California by organizing live DJ shows at drive-in eateries that attracted white
Black and Latino listeners who danced to rock ‘n’ roll — and shocked an older generation still listening to Frank Sinatra and Big Band music
The DJ is also credited with popularizing the phrase “oldies
released the compilation album “Oldies But Goodies: Vol
1,” which stayed on the Billboard’s Top 100 chart for 183 weeks
He later developed a strong following among Mexican Americans for hosting the syndicated “The Art Laboe Connection Show.” His baritone voice invited listeners to call in dedications and request a ’50s-era rock ‘n’ roll love ballad or a rhythm and blues tune from Alicia Keys
It’s a role Laboe said he felt honored to play
“I don’t judge,” Laboe said in a 2018 interview with The Associated Press at his Palm Springs studio
“It was the first time he had heard his baby’s voice,” Laboe said
said the music Laboe played went with the dedications
songs like Little Anthony & the Imperials’ “I’m on the Outside (Looking In)” and War’s “Don’t Let No One Get You Down” spoke of perseverance and a desire to be accepted
He later returned to the Southern California area
but a radio station owner told the aspiring announcer he should work on becoming a “radio personality” instead
Laboe bought station time and hosted live overnight music shows from drive-ins where he would meet underground rockabilly and R&B musicians
“I got my own built-in research,” Laboe said
He soon became one of the first DJs to play R&B and rock ‘n’ roll in California
Teen listeners soon identified Laboe’s voice with the fledgling rock ‘n’ roll scene
Laboe had an afternoon show and became the city’s top radio program
Cars jammed Sunset Boulevard where Laboe broadcast his show
and advertisers jumped to get a piece of the action
The scene that Laboe helped cultivate in California became of the nation’s most diverse
Places such as the El Monte’s American Legion Stadium played much of the music Laboe aired on his radio show
Laboe maintained a strong following throughout the years and transformed into a promoter of aging rock ‘n’ roll acts who never faded from Mexican-American fans of oldies
A permanent display of Laboe’s contributions resides in The Rock and Roll Hall of Fame Museum in Cleveland
iHeartMedia’s KHHT-FM dropped Laboe’s syndicated oldies show after the station abruptly switched to a hip-hop format sparking angry protests in Los Angeles
I’m So Lonely I Could Cry,” wrote essayist Adam Vine
a syndicated cartoonist and television writer who grew up listening to Laboe in San Diego
Laboe also didn’t appear to judge listeners who asked for dedications for loved ones in prison
“Here is someone who gave a voice to the most humble of us all through music,” Alcaraz said
“I see these really tough looking guys in the crowd
Former Associated Press reporter Russell Contreras contributed biographical material to this report
2022 to correct that Laboe did not coin the phrase “oldies
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Imagine succeeding someone who'd been at his job for 79 years
Known for its oldies music, dedications and that legendary voice, the long-running “The Art Laboe Connection” continues to bring people together despite Laboe’s death in October at age 97
Endless archives of his booming musical and programming introductions allow listeners to still hear Laboe on the radio
but it's Rebecca Luna — known on air as Old School Becky Lu — who now curates their requests
when she was hired as a call screener for “The Art Laboe Connection” at the recording studio on Desert Park Avenue in Palm Springs
she became Laboe's co-host to lessen some of the challenges of remote production
surrounded by memorabilia: pictures of Laboe with different artists
recognition plaques and even a Laboe bobblehead
“Congratulations” banners still hang on the walls
from when the show celebrated one of Laboe's many anniversaries of being on the radio
she'll sit behind the mic in the chair where Laboe once sat
and read song dedications from people of all walks of life
Some listeners simply treasure memories with music
Others seek connection despite distance or circumstance — Luna estimates that just under half of the requests the show gets are from people in prison who want to communicate with their loved ones “on the outside.”
Luna recalls feeling a bit intimidated but mostly eager to learn
so (they) were training me on how to take the calls
how to write out the dedications and how to set them up for Art
Luna had some knowledge of the work since she'd taken broadcasting classes at College of the Desert
She also became a radio co-host for the college's "Wired Live at 5" and "Rock-a-Holics."
Though she once aspired to be a sideline sports reporter on TV
My dad was a party DJ and he was an aspiring on-air DJ," she said
Laboe and Luna shared an eclectic taste in music
overlapping on some favorite genres including doo-wop and rock
that was the ’50s and ’60s eras while for Luna
Laboe is credited with coining the phrase “oldies
Silence falls over the studio when Luna is asked about Laboe's death
It happened late last year after a bout of pneumonia
who produces “The Art Laboe Connection” and worked with Laboe for over 20 years
said seeing him less due to the pandemic somehow helped her cope with the loss
“(COVID) created a little bit of a distance
(It) helped me grieve and accept it a little more easily,” Morones said
She added that “all the love and condolences coming in from the listeners and the artists and the people that knew him” was also comforting
the phones just went crazy with people calling in
saying they were sorry and they too felt like they lost somebody
because Art's voice was part of their lives.”
business savvy and ongoing passion for the job
“One of the sayings he had for himself was 'Don't walk through it.' ..
He wrote it on a little Post-It,” she said
Luna said she and Laboe became close colleagues
From making sure they hugged goodbye after work to driving him to get groceries at the local Albertsons
Luna said they found their “regular things.”
so he would talk with people and just get to know them for a little bit
before we went on our way,” she remembered
the show was broadcasted out of Los Angeles
Laboe grew tired of LA and began working more out of the Coachella Valley studio in 2013
“I was born in Indio JFK (Memorial Hospital)
“We can say this is a local show,” she added
While the show records in the valley and is a recognized SoCal staple, it airs on 14 radio stations across California and Arizona. It also streams online at oldschool1047.com
Morones said the show "didn't put up a flagpole" to announce Luna's transition to sole host to make it smoother
Regular listeners were already familiar with her as a co-host
and Morones said she trusted Laboe's expertise at “spotting talent.”
Laboe’s legacy now includes a passing of the torch to Old School Becky Lu
In doing “The Art Laboe Connection” on her own
Luna said she is not trying to reinvent or change it
there are new “elements” that have been introduced
These elements include Luna's ability to pronounce names
read dedications and talk to callers in Spanish
“The fact that the show is being continued with the voice of a Latina feels huge because that's a lot of our audience.”
his work was appreciated by people of a variety of backgrounds
He's been credited with helping end segregation in Southern California by organizing live DJ shows at drive-in eateries
Black and Latino people to dance to rock-n-roll during the '50s
when the older generation was mostly listening to Frank Sinatra and Big Band music
Luna emphasized how the Mexican American community in particular embraced Laboe
his work becoming part of lowrider car culture
prevalent in East Los Angeles and other parts of California
"Laboe was the voice that they would listen to — on their rides or their Sunday kickbacks at the park or barbecuing with their family," she said
a producer and DJ for KCRW in Los Angeles known as DJ SiLVA
she and her family would often tune into Laboe in the car as they headed home to the Inland Empire after visiting relatives in LA
we were always at these huge family gatherings and like
big barbeques and different birthdays and celebrations
Because a lot of the times the party was over by Sunday night
listening to Art Laboe on the radio,” Silva-Torres said
She said she is “eager to see” where Old School Becky Lu takes the show
“It's really cool because she will share in common that same experience
Luna's takeover of the historic show is not only significant because she is a person of color
but also due to the rarity of women DJs on the radio in the United States
Data from the job posting website Zippia.com shows most DJs in the country are white (72%)
Black or African American (8%) and Asian (3%)
Only 36% of all radio DJs in the country are women
who goes by Boogie Boudreaux and started her work as a DJ at KCRW in 2021
her job “didn't seem like something that was groundbreaking” as she was forging her way
it dawned on her during a DJ meeting at her station that consisted of solely women
“We were all sitting down kind of looking at each other
where it's majority women and it feels like there's a bubble bursting.”
Boudreaux said the station currently employs over 100 people
To have Luna at the helm of “The Art Laboe Connection,” Boudreaux said
points to the importance of having women's voices on air
"We want to hear from people that are like us
you want to identify with someone and you want to hear them get excited about things that you get excited about."
Morones said Laboe was aware his audience would welcome "a female voice" and someone who spoke Spanish before inviting Luna to co-host
“Art had talked about (adding) someone young
Eliana Perez covers the eastern Coachella Valley
Reach her at eliana.perez@thedesertsun.com or on Twitter @ElianaPress
It sold well enough to become the first of 15 volumes in a series released on his own Original Sound label
establishing a template for others to follow
Laboe had been broadcasting jazz and swing music on radio stations in California since the 1940s
He switched easily to rock’n’roll on its appearance in the middle of the subsequent decade and became identified with the new music by its young audience
who thronged to watch him doing his show live from a drive-in hamburger joint on Hollywood’s Sunset Boulevard
He was still broadcasting well into his 90s
and taped his last show on the day before his death
View image in fullscreenLaboe
with Jerry Lee Lewis performing at one of his concerts
Photograph: Michael Ochs Archives/Getty ImagesHis other great distinction was the creation of a series of concerts at the El Monte Legion Stadium
a venue built as a sports centre for schools
Laboe knew that Los Angeles’s city fathers
unnerved by the arrival of rock’n’roll and by the prospect of black
white and Hispanic teenagers mingling together in large numbers
was outside the LA city limits and subject to no such restriction
Laboe presented dances at the 3,000-capacity stadium
featuring such hit artists as Jackie Wilson
as well as the doo-wop groups particularly beloved by the young Chicanos and Chicanas among his multiracial audience
While not entirely free from the kind of trouble feared by the LA board of education
Laboe’s dances flourished and were fondly remembered long after they had ceased and the hall had been demolished
He was born Arthur Egnoian in a suburb of Salt Lake City
Art went to live with an older sister in South Central Los Angeles
where he attended George Washington high school
he assembled radio equipment in his bedroom and began broadcasting
He served in the US Navy during the second world war
and it was while stationed in San Francisco Bay that he was given a slot on KSAN
he broadcast on the KPOP station from Scrivner’s drive-in
welcoming stars who dropped by to plug their latest 45 and soon establishing a reputation not just for playing the coolest records but for reading out dedications sent in by his listeners across the state
including young inmates of California’s penitentiaries
He might have been of their parents’ generation
but he gave them a voice and a message board
The growing size and diversity of the crowds gathering around the drive-in led to police harassment and persuaded Laboe to look for a site for larger gatherings
Admission to the dances in El Monte cost a couple of dollars
and the disc jockey would sometimes slip a coin or two to a teenager short of the price of a ticket
View image in fullscreenLaboe in 2009
hosting one of his Valentine’s Super Love Jam concerts in Glendale
Photograph: Jay L Clendenin/Los Angeles Times/Getty ImagesLike his contemporary Alan Freed
who popularised the term “rock’n’roll” in his broadcasts from Cleveland and New York
Laboe sometimes took a joint composition credit (as Arthur Egnoian) for tunes created by others
such as the instrumental hits Teen Beat by Sandy Nelson and Bongo Rock by Preston Epps
both released in 1959 on his Original Sound label
Laboe was never caught up in the wave of payola scandals as the 50s drew to a close
In 1963 the Penguins’ lead singer, Cleve Duncan
a fondly evocative doo-wop pastiche written by Frank Zappa and Ray Collins
who would later found the Mothers of Invention
the music he loved went briefly out of fashion before being revived via TV shows such as Happy Days and the films American Graffiti and Back to the Future
Long a resident of the Hollywood Hills, he died in Palm Springs, from where in recent years he presented The Art Laboe Connection
syndicated from a local station to others across California and neighbouring states
His loyal audiences included the Mexican-American community of East Los Angeles
who remembered with affection the way his shows had encouraged a breakdown of the barriers between races
When it comes to Southern California radio personalities
there are few who match the cultural impact of Art Laboe
Though he died in 2022 at the age of 97
Laboe’s legacy lives on thanks in part to Rebecca Luna
Better known by her radio persona Old School Becky Lu
the 44-year-old Coachella Valley native has been at the helm of “The Art Laboe Connection” since her mentor’s passing
The radio show is syndicated to 14 radio stations across California and Arizona
“The whole generation of Art Laboe [listeners]
“It’s in my blood and was instilled in me because that’s the music my parents grew up with.”
spinning vinyl at backyard and park gatherings
Such was her love for the music that her Uncle William nicknamed her “Becky Lu from the Old School” because she was the only kid at family functions singing along to the oldies
“I knew every word to the songs,” she says
In 2011, while raising her son and after spending more than a decade working at a local casino as a cocktail server, Luna enrolled at the College of the Desert. It was there where she began her radio career. She was among the inaugural cohort of students who helped launch KCOD, the award-winning community college radio station
Luna was working as a receptionist for the Palm Springs office of Alpha Media
a multimedia company that owns and operates radio stations across the country
The job proved to be a pivotal moment in her career; while out on a cruise with one of the company’s local DJs
Luna learned that one of her fellow receptionists was moonlighting as a call screener for Laboe
who had relocated his studio and offices from Hollywood to Palm Springs in 2013
and told her that “The Art Laboe Connection” was looking for another call screener
She remembers getting emotional during her interview with Joanna Morones
who asked about her personal connection to the show
one of the many things that made Laboe special was his willingness to make space for everyone on his program
including the incarcerated — two of her family members had spent time in prison
tearing up as she thinks of the families the show has helped connect
“Some of these kids grow up without a father
and they’re learning about their [parent] through music or letters
We didn’t have the internet like it is now
You could only write — and that’s why the ‘Art Laboe Connection’ means a lot to me.”
the world shut down because of the COVID-19 pandemic
so we had to set one up for him at home to record,” she said
The production team needed someone to be live at the studio to help out with the dedications and co-host the show. Laboe tapped Luna, whom he deemed to be representative of his fan base. It was a forward-thinking decision in a lifetime full of them. Per Zippia
women and Latines account for approximately 36% and 11% of all radio DJs
“It honestly fell into my lap naturally,” said Luna
reworked take on her childhood nickname as her on-air moniker— Old School Becky Lu
Laboe and Luna established a caring work relationship
“That’s what I strive for behind the microphone.”
Many sought the familiarity of Laboe’s voice to counter the isolation of stay-at-home orders and social distancing rules
Luna says letters from fans increased and the dedications tripled during that period
the decision was made for the show to continue with Luna at the helm
The current iteration of “The Art Laboe Connection” is a hybrid program
alternating between archival clips of Laboe introducing a song or reading a dedication
“I express the dedications in different ways and read them how I feel they should be [conveyed,]” she says
recognizing that some listeners are used to a more “conversational style.”
“If somebody is trying to express their love
I will say it like I’m talking to that person
whether it’s a happy birthday message or [for] somebody [who’s] passed away
I have even given marriage proposals on the show — five so far,” she says
Laboe was known to leave a playful valediction — a smooch — at the end of his show
Luna signs off often by incorporating Spanglish
She claims her bilingualism has helped bring further diversity to the show
“We’re getting more dedications in Spanish on social media,” she said
Luna sees her role on the show as an act of service
Her public appearances are an effort to put faces and stories behind the letters she receives
to strengthen a connection with what she calls the “Art Laboe Family.”
“We are ministering to these listeners,” she says
As a belated Valentine’s Day treat, we’ve asked Old School Becky Lu to put together a playlist for you, which you can find here
Consider subscribing to the Los Angeles Times
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(Jackie Rivera / For The Times; Martina Ibáñez-Baldor / Los Angeles Times) Things we read this week that we think you should readNearly five decades later, Yuri, ‘la Madonna Mexicana,’ is still bringing ‘espectáculo’ to her fans
Dubbed ‘la Madonna Mexicana,’ pop diva Yuri talks reinvtention
showing up for her fans and her ever-changing hair
Column by De Los regular contributor Alex Zaragoza
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— are affecting artists all across the country
And just as we were seeing some big opportunities for BIPOC artists specifically
Gig drivers strike in L.A. and other major cities, hoping to disrupt Valentine’s Day business
Lyft and DoorDash staged a one-day work stoppage Wednesday to protest poor wages
Behind L.A. County’s less-scrutinized cities and suburbs, a disturbing finding on arrests
Pasadena and South Pasadena had large disparities between the rates of arrest for Black and Latino populations and those of their white and Asian counterparts
California Latinos have become more skeptical of unauthorized immigrants. What changed?
In a state where an estimated 83% of Latinos are of Mexican heritage
the changing faces of illegal immigration are drawing less and less empathy
Mayorkas interview: DHS head talks about impeachment, border and growing up in L.A.
Mayorkas told The Times about his Los Angeles upbringing
his thoughts on the impeachment vote and the challenges before him
Laboe Orthodontics has been increasing patients’ self-esteem – one smile at a time
To celebrate the practice’s golden anniversary
office staff had T-shirts made and held special drawings over a 10-week period
were themed and catered to families like tickets to a Tigers’ game to movie night
Patients received tickets to enter based on healthy checkups and good brushing habits
Thomas Laboe and is currently owned by his son
The 87-year-old Monroe resident said growing up
he didn’t know he wanted to be an orthodontist
“My college years were interrupted when I was diagnosed with cerebrospinal meningitis,” he said
so I enlisted and spent three years in the Army before going back to college to finish my undergraduate training
I had a brother who was a practicing dentist and I decided to go to dental school.”
Thomas started his career with his brother
They built their practice on a parcel of land where the Laboe family farmhouse once stood and where he spent most of his time while in grade school
I joined John in general practice for five years before I went back to school for my orthodontic training,” he said
Thomas became an orthodontist and as his practice grew
Thomas and his wife Marilyn raised their nine children in Monroe
Thomas has seen generations of patients and said providing psychological benefits for both children and adults in need of oral rehabilitation has been one the best aspects of his extensive career
“Most of the patients are children and they’re wondering why their parents brought them in,” Dr
“But what I enjoy is the fact that I have the ability to change someone’s image of themselves
I’m changing their appearance and they will be able to smile with confidence.”
working with his son has been one of the best highlights of his career
Anthony started working with his father in 2001
and I was so very pleased that he wanted to be an orthodontist,” Dr
he’s my only child who said from a very young age that he wanted to be an orthodontist
It’s been a real delight to have him here and to take over the practice.”
Thomas reduced his time in the office due to the coronavirus pandemic but still maintains a valid license
“Not many people have the opportunity to work side-by-side with their father
Anthony recalls growing up and being in the office while his father interacted with patients
All of them had some type of orthodontic care
I’m the only one my father never worked on,” he said
it was to help empty trash or do some kind of manual labor
I never had any experience with orthodontics and didn’t know very much about braces.”
He said watching his father interact with patients and seeing the way they reacted to his care helped cement the idea to pursue the same profession
Anthony has continued cultivating the practice his father began
he’s made some office renovations like replacing doors with sliding barn doors and installing farmhouse-style flooring
The country décor pays homage to the family property on which the office is located
There’s even a wall dedicated to everyone’s sweet tooth
the removal of orthodontic brackets on their teeth
they fill a water bottle with an assortment of candy while the staff applauds
It’s a sweet celebration of their orthodontic success
Anthony said the staff has been a huge part of the practice
some of which have been employed at the practice for close to 50 years
Cristy Myers of Carleton was hired out of high school and has been with the practice 48 years
Sue Smith of Erie has worked there for 43 years
“Several staff have retired that had been here for a long time
It is a testament to my dad that the staff has stayed with him and didn’t look for a different job,” he said
Anthony estimates there are more than 500 patients that are currently undergoing orthodontic care and said his approach to dental care has been to make it an experience worth coming back for
“I’ve always wanted my patients to have a positive experience and not be afraid to see me,” Dr
“I try to joke around and make it fun for them and not something they’ll dread.”
One aspect of being an orthodontist that he thoroughly enjoys is the interaction he has with his patients and their parents
“There’s such a great feeling when you can show someone their before and after pictures
I love getting to the point when we’re done
and they look in the mirror and they’re so happy with their teeth,” he said
You see their self-esteem and their confidence change.”
Anthony shares advice offered by a former instructor – “only brush the teeth you want to keep.”
“People don’t realize how valuable teeth are until they don’t have any,” he said
KQED Live EventsPRX Podcast Garage EventsEvents Around the Bay AreaMember Benefits with KQED LiveVideos from KQED LiveWatch recordings of recent KQED Live events
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circa 1945. (Courtesy of Art Laboe)Art Laboe
widely credited as the first DJ to play rock and roll on the West Coast
died earlier this month in Palm Springs at the age of 97
after a broadcasting career spanning some 80 years
He coined the term "oldies but goodies," and his beloved radio show drew a racially diverse audience from across California and beyond
California Report Magazine host Sasha Khokha got a chance to interview him for a 2019 story
we're reprising that piece as a tribute to Laboe
Listen to the story in the audio link above
and started dating someone who grew up on Laboe's music
We would drive on country roads lined with orange groves and tune into Laboe's Sunday radio show
where people from all over the state would send in lovey-dovey dedications to each other
And then there was Laboe's signature on-air smooch into the microphone
My now-husband Karl was a low-rider growing up
cruising in his Nissan mini-truck with tinted windows
custom-painted graphics on the side and a booming stereo
which played songs by artists like Rick James
Tierra and the Temptations — from the 12-inch woofers
while waxing his car and cleaning the custom spoke wheels with a toothbrush
he had moved away from the low-rider lifestyle
He's one of generations of Californians — especially Chicanos and Latinx folks — who've grown up on Laboe's music
After all, Laboe has been spinning oldies and love songs since 1943. He coined the term “oldies but goodies” and was one of the first DJs on the West Coast to play rock 'n' roll
He still takes to the airwaves from a Palm Springs studio six nights a week from 7 p.m. to midnight, hosting The Art Laboe Connection — a show broadcast on more than a dozen stations across California
Watch a tribute to Art Laboe produced by videographer Bryan Mendez:
Laboe spends hours every day playing songs that are about the heart
many of those calling in with regular dedications have loved ones in prison
I would listen to him until my last breath," says longtime listener Rosie Morales
She calls in every single day with a dedication to her husband Scrappy
who's serving a life sentence in Kern Valley State Prison in Delano
She can't call her husband directly right now
But she can hear Laboe smooch kisses sent by her husband into his microphone
"He's able to communicate to our loved ones when we can't," Morales says
"He brings that spark into relationships."
Some incarcerated people send in a week's worth of dedications to their spouses or lovers
with a different love song for each day of the week
"Art’s so concerned about the prisoners
because for every person that's inside there can be 10 or 20 family members on the outside affected by that person being in jail," says his longtime audio engineer
I won't be able to go see him for two weeks
but I can talk to him on the radio.’ The guys in prison sit there and wait to hear their wives’ voice on the radio," Morones says
Laboe's obsession with radio started when he was eight years old
when his sister sent his parents what he called "this box that talked." He set up a ham radio station in his bedroom at age 14
he walked into radio station KSAN in San Francisco and asked for a job
and he hadn’t yet honed his rich baritone
But he did have one thing: a radio operator’s license
The station had lost its engineers to the draft — this was World War II. The manager offered him a job on the spot
which the manager thought sounded "too ethnic" for the airwaves in 1943
So Art Egnoian — the son of Armenian immigrants — took the name of the station’s receptionist and became Art Laboe
starting with the teenagers who attended his live concerts or dances back in the 1950s
He made a name for himself hosting rock 'n' roll concerts in the Los Angeles suburb of El Monte
too," Laboe smiles. "I’m happy that [our concerts and shows appeal to] everybody
a complete mixture of what we have in California."
Laboe is still hosting live shows across California and the west
wearing his signature bedazzled track suit and a sparkly bowler hat
Laboe says he knows people his age always say this kind of thing
but he is nostalgic for the old days — a time when people used to have a little more kindness for each other
“It would be good if we had a little bit more of what we used to have in the world," Laboe says
people are people and they still have the same basic wants and needs
if they could just have a little bit more of it for each other."
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But beyond being a beloved disc jockey whose show was eventually broadcast across the nation
Laboe spread a radical message of racial unity way before such messages became mainstream
The prolific “Oldies but Goodies” radio legend died Oct. 7 of pneumonia. His death comes at a time when we need his message of tolerance more than ever. So today, a tribute to Art Laboe. Read the full transcript here.
Guests: TimesOC feature writer Gabriel San Román
L.A.’s radio community pays tribute to Art Laboe, a legend and mentor: ‘End of an era’
Column: I’m playing an Art Laboe album to counteract the noxious vibe from L.A. City Hall
Art Laboe dies; his ‘Oldies but Goodies’ show ruled the L.A. airwaves
Reader letters: Memories of the Roxy and the debate over ‘Sound of Freedom’ July 29, 2023 About The Times
Podcasts
The Instagram page for his syndicated show
“The Art Laboe Connection,” announced that the radio legend died at his home in Palm Springsat age 97 after battling pneumonia
“Art Laboe’s legacy will endure as his team will continue to produce his current nightly request and dedication syndicated radio show
The Art Laboe Connection,” the Instagram post said
Laboe, whose voice filled Southern California’s airwaves for more than 70 years, was known for being the first to play rock ‘n’ roll on the West Coast and creating the compilation album “Oldies But Goodies.” He became a beloved figure for generations of fans, particularly for Latinos, for his call-in dedication show, which aired first on HOT 92.3 FM and then on KDAY-FM (93.5).
Art Laboe filled the Southern California’s airwaves for more than 70 years
A memorial for the Los Angeles radio vet will be announced later
but figures from L.A.’s local radio stations are already paying tribute online
“RIP to the one and only #ArtLaboe,” tweeted KCRW DJ Candace Silva-Torres
“Art Laboe was one of the best DJs and it was a beautiful Sunday tradition to listen to his love songs radio show,” tweeted KCRW host Tyler Boudreaux.
RIP to the one and only #ArtLaboe 💕 The end of an era
Anthony Valadez, who co-hosts KCRW’s “Morning Becomes Eclectic,” tweeted a photo of Laboe
noting that “no one could ever do shout-outs like this O.G.”
“Thank you for all the many years and amazing times you spent with us here at 93.5 KDAY!,” the station tweeted.
Romeo Mastin, who co-hosts KDAY’s “Morning Show,” paid tribute to Laboe, his “longtime Friend and Mentor,” with a video on Instagram. In the clip, Mastin and Laboe are seen backstage, exchanging radio stories and laughs.
Photos: Deejay Art Laboe returns to the L.A. airwaves Art Laboe
of the oldies and sentimental on-air dedications
encouraging me and allowing me to be a part of your Amazing Journey,” Mastin wrote in his caption
“We’ve shared so many stories over the years and you would always tell me that ‘I have that THING’ That will bring Joy to others and to never stop smiling
“I know that you are smiling from Heaven because this City
the World and everyone that tunes into the @artlaboeconnection LOVES YOU!!
and I will make sure to do my part to continue your Legacy,” Mastin added
Hip-hop station Power 106 also remembered Laboe on Twitter, noting that “his staple Sunday night show on our sister station @935kday won’t be the same.”
Also remembering Laboe on social media was Amoeba Music
the popular music store shared a photo of one of Laboe’s “Dedicated to You” CDs
“Rest In Peace Art Laboe,” said the store’s tweet. “The broadcasting legend, king of dedications, and longtime host of ‘Oldies but Goodies’ has died at age 97.”
Times staff writer Esmeralda Bermudez contributed to this report.
Alexandra Del Rosario is an entertainment reporter on the Los Angeles Times Fast Break Desk. Before The Times, she was a television reporter at Deadline Hollywood, where she first served as an associate editor. She has written about a wide range of topics including TV ratings, casting and development, video games and AAPI representation. Del Rosario is a UCLA graduate and also worked at the Hollywood Reporter and TheWrap.
Hollywood Inc.
Television
Music
Print In 1993
my parents saved up enough money to buy a massive Kenwood home entertainment system complete with gigantic speakers and a five-CD player
I remember the exact year because the first CD I ever bought was “Promises and Lies” by UB40 — don’t judge
My second CD was “Art Laboe’s Memories of El Monte: The Roots of L.A.’s Rock And Roll.” That one quickly became scratched and scuffed because of how much I played the collection of oldies but goodies mixed in with 1970s R&B stars like Earth
As the songs played again and again on the Kenwood or the knockoff Walkman my parents eventually bought me
I’d stare at the “Memories of El Monte” cover
It’s a photo of one of the many dances and concerts Laboe, a pioneering DJ who died last week at age 97
hosted at the old El Monte Legion Stadium during the 1950s
when he essentially introduced rock ’n’ roll to the Southland
A young Laboe is near the edge of the cover
a pose slightly different from the original album
I’d stare at it again and again because it was a scene I didn’t recognize in my super-Mexican neighborhood or high school
A white girl near the bottom corner waves at the camera
A Black couple hold something in their hands
A Latino teen wears what looks like a tuxedo jacket and a massive sombrero
Black kids from Compton and local Chicano kids used to come out to our shows every weekend,” Laboe told an academic decades later — a rarity then
The tracks on “Memories of El Monte” were meant to evoke the raucous spirit of those shows
Tejanos belt organ-drenched love songs in Spanish
Black artists blaze through “Pachuko Hop” and “Corrido Rock.” There’s even a doo-wop song penned by freak-rock icon Frank Zappa
I’m streaming that album right now on YouTube
not just because of Laboe’s death but as an incantation against the noxious vibe that emanated this week from L.A
Multiple communities are looking for healing right now. Everyone is looking for someone to bring us together, to take us to that promised land of integration and allyship that always seems to be just out of grasp in Los Angeles.
We had that person. His name was Art Laboe.
here’s how the local radio community is honoring Art Laboe
The obituaries are rightly hailing his genius — how Laboe played rock ’n’ roll in Southern California when L.A
How he trademarked the term “oldies but goodies” as far back as the early 1960s
How he built a musical empire on nostalgia via sold-out concerts and especially his call-in show
It was the stuff of fascination for academics and hipsters alike: How did this old white man with a buttery voice get an army of sad girls and smileys from Victorville to pour out their hearts every night with on-air dedications to loved ones
Laboe wasn’t trying to keep alive a peaceful past where no problems existed
His mix of yesteryear and today was an eternal act of rebellion
every fan was a quiet attack against racism
in a decades-long career that started at a time when schools and housing were legally segregated
and concluded in a present where such discrimination sadly still exists
Racism couldn’t get past the bouncer in the Laboe universe
rock legend Jerry Lee Lewis played one night
soul sensation Jackie Wilson performed on another
There was so much dancing and friendly interaction between racial and ethnic groups that El Monte authorities fretted about what chaos the shows might provoke (hint: nothing) and ultimately tore down Legion Stadium to build a post office
“If this great stadium was still here today,” the liner notes for “Memories of El Monte” read
right above a photo of the long-gone structure
“we would still be having our dances and good times.”
“The Art Laboe Connection,” weaved its way through decades of musical styles — Chicano rock group Tierra
even hip-hop — within the span of half an hour
Music
but because they taught me about people who weren’t like me
a Black singer from Compton who had a decades-long career largely supported by Latino fans like myself
Long before there were talks about prison reform
Laboe urged compassion for incarcerated people — it took me years to realize that the reason so many dedications came from Chino was because of the state prisons located there
Laboe was Armenian himself, born Art Egnoian. Cedillo was a huge Laboe fan, telling The Times in 2009 how he and former Los Angeles Mayor Antonio Villaraigosa used to cruise in the 1970s with Laboe’s show on the radio. “There was no place else to be,” Cedillo said, “but right there, listening to his music.”
I met Laboe only once — sometime in the mid-2000s, at a rooftop party after an L.A. Weekly music awards show in Hollywood. He was short — just over 5 feet — yet held court with the Black and Latino young men and women who flocked to the then-octogenarian to say how much he meant to them.
No one asked for autographs — Laboe freely handed out business cards with his signature on one side.
On the other side was a photo of the DJ in his younger days, leaning over albums as he reached for a mixing board, smiling at the world he created — one some of us aren’t courageous enough to imagine.
Art Laboe, known for his radio presence and for coining the phrase "oldies but goodies", has died, The Associated Press reports
Laboe's production company confirmed that Laboe died on Oct
Laboe was on the air for nearly 80 years.
Art Egnoian was born in Salt Lake City on Aug
He grew up during the Great Depression raised by a single mom
His first radio was gifted to him by his sister when he was 8 years old.
He went to Stanford University and joined the Navy during World War II where he would land his first job at a station in San Francisco in 1943
and white artists during a time of segregation in the music industry
The name "Laboe" came after a general manager had suggested the name because it was catchier.
he developed the now widely adopted call-in request format
landing at his long-term home at Los Angeles' KXLA
Laboe rose in radio popularity connecting with the teenagers of the 1950s and their love for rock 'n' roll
He hosted drive-in shows live on the streets of Los Angeles which drew in crowds of youth of all racial and socioeconomic backgrounds.
Laboe would relocate his shows to El Monte Legion Stadium to avoid laws aimed at enforcing racial segregation.
Over time Laboe continued to have a strong following making a multigenerational audience of oldies lovers
For Chicane/x fans across the southwest he remained an outlet to connect with each other and share love for aging rock-and-roll acts.
His call-in format became an avenue for them to dedicate their love for their significant others
to let incarcerated people remain connected with their loved ones.
In an interview with The Associated Press he recalled one of those dedications made by a woman and a toddler
They went into Laboe's studio for the little kid to say "Daddy
“It was the first time he had heard his baby’s voice,” Laboe said in 2019
Laboe's show was dropped from iHeartMedia's KHHT 92.3 station in Los Angeles which sparked outcry
He would get picked up by Palm Spring's KDAY 93.5 in 2015.
His worked continued to be syndicated across the Southwest.
Radio stations across the country are paying homage to the legendary DJ. Here in the valley, radio station MEGA 104.3 will be doing a tribute all day on Oct. 16th
Fans of Art Laboe have been sharing their memories and admiration for the man.
Musical artists have also sent in their respects for Laboe
including local legends like MC Magic who worked with Laboe
His presence was widely felt by the community in Phoenix and has had even a hand in uplifting local talent to the national level
His live shows like the Valentine Super Love Jam would bring crowds of fans
His last one hosted at the Footprint Center featured artists like The SOS Band
"The Jets" and other notable artists.
More: 'Funky Broadway': How 1 night at a Phoenix Elks Club changed the history of funk
Laboe continued to host his regular programming until his death
He made his final episode last week which aired on Oct
Have a question you need answered? Reach the reporter at rromeroruiz@gannett.com. Follow him on Twitter @raphaeldelag
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legendary pioneering radio icon and music veteran
the man who coined and trademarked the phrase “Oldies But Goodies™,” he was 97
He died peacefully at his home in Palm Springs
marked 79 years as a radio performer marking the longest continuous period of broadcasting service
Art Laboe’s legacy will endure as his team will continue to produce his current nightly request and dedication syndicated radio show
which is heard on 93.5 KDAY/Los Angeles Sundays from 6pm-midnight
and weeknights from 9pm-midnight on KOCP/Oxnard
and many stations throughout the Southwest
A memorial service will be announced later
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Art Laboe, a disc jockey for more than 70 years and one of the first to play rock 'n' roll on the West Coast, died Friday of pneumonia. He was 97
His popular "The Art Laboe Connection Show" had a legion of devoted listeners, and was especially beloved by Latinos, who would call in to dedicate love songs in both celebration and remembrance. "He was the voice of the real L.A.," record producer Lou Adler told the Los Angeles Times
"He reached out and touched people growing up in this melting pot
He cut right through it and understood us."
changing his birth name "Egnoian" to "Laboe" when the general manager told him it sounded catchy
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Laboe returned to Los Angeles and began broadcasting shows live from drive-ins
becoming popular with young people from across the city
"Concertgoers formed a rainbow of colors: white fans from the Westside
and Latino fans from the Eastside," the Times writes
bringing Ritchie Valens and Sam Cooke to perform
he found that listeners really enjoyed songs that were about five years old
He subsequently coined the term "Oldies But Goodies," and made hit compilation albums of the same name
and continued to host "The Art Laboe Connection" up until a week before his death
and had been set to broadcast one on Saturday from San Bernardino
"You don't replace people like Art," author-historian Harvey Kubernik told the Times
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Catherine Garcia, The Week USSocial Links NavigationCatherine Garcia has worked as a senior writer at The Week since 2014
Her writing and reporting have appeared in Entertainment Weekly
NBC News and "The Book of Jezebel," among others
She's a graduate of the University of Redlands and the Columbia University Graduate School of Journalism
just days after producing what would be his final show
On the corner of Sunset and Alvarado — above the Burrito King — is a billboard dedicated to the king of dedications.
Art Laboe's face may not be instantly recognizable
Laboe’s been a conduit for lovers dedicating love songs to each other.
He’s a purveyor of rhythm & blues since the time when L.A.’s airwaves were segregated
An Armenian DJ without a drop of Latino blood
who’s now the adopted godfather to L.A.’s Chicano youth
He also coined the phrase “oldies but goodies."
They were oldies and definitely goodies in 1955 when Laboe started broadcasting live from Scrivener’s Drive-In burger joint in Hollywood
only music they were hearing were these schmaltzy love songs and all of a sudden
here’s this afternoon program and the microphone is live
'Hey Joe!' You hear all this background going on," said Laboe
They’d never heard anything like that on the air
It was fresh and spontaneous and teenagers couldn’t get enough
I was at the right place at the right time
and rock and roll came like a tidal wave," said Laboe
"I was like a surfer that caught this giant wave and it just pulled me along with it."
Political scientist and civil rights activist Jaime Regalado grew up in Boyle Heights
"He was the Dick Clark for Chicanos and for many young whites who liked the original R&B sound as it became rock and roll
and African-Americans as well," said Regalado
thousands of kids over the years just worshiped him because he basically integrated rock and roll and rhythm and blues music for a very diverse and a very hungry audience
While anyone in radio today would pay good money to cultivate Laboe’s loyal Latino audience
teens could dance only at school or church
So Laboe booked bands like Handsome Jim Balcom
The Jaguars and The Penguins and headed to the Long Beach Municipal Auditorium and El Monte Legion Stadium.
a lot of my friends had the cool-looking cars and the cool-looking girlfriends
Of course we used to go in groups," said Regalado
had a tuck-and-rolled lowered Mercury and I used to love it
We used to identify with it and that was part of the emblem
Laboe still dazzles concert fans with his gold lame suits
and getting on the air with him is still a right of passage for East side kids
Marie Torres was a lovestruck 14-year-old in El Monte in the early 90's
She remembers calling Laboe and dedicating songs to her former love
"My boyfriend was a year older than me and I called to dedicate 'Always and Forever' to my old man," said Torres
I grew up in the suburbs and I said in 'East Los.'"
Sitting in his dimly lit studio about an hour before his show
he recalled a moving request from a woman whose husband was an avid listener in prison
'You think I could have my daughter say something to her daddy?' Carrissa
'I love you daddy.' And he had never heard his daughter’s voice
He knows this because when the guy got out
He was 97. Laboe died Friday night in his Palm Springs home after a bout with pneumonia
Laboe's last show was produced last week and broadcast Sunday night. The DJ was well-known in the Palm Springs area
broadcasting his syndicated radio show out of his studio on Desert Park Avenue
he broke the Guinness World Record for the longest career as a radio presenter/DJ when he began his 75th year on the radio
Read more: DJ since WWII, 92-year-old Art Laboe goes for longest on-air career Guinness record
Laboe is also credited with coining the "oldies, but goodies" phrase. In 1957, he started Original Sound Record, Inc., and in 1958, released the compilation album "Oldies But Goodies: Vol. 1," which stayed on the Billboard Top 100 chart for 183 weeks.
He later developed a strong following among Mexican Americans for hosting the syndicated "The Art Laboe Connection Show." His baritone voice invited listeners to call in dedications and request a 1950s-era rock-n-roll love ballad or a rhythm and blues tune from Alicia Keys.
His radio shows gave the families of incarcerated loved ones, in particular, a platform to speak to their relatives by dedicating songs and sending heartfelt messages and updates. California and Arizona inmates would send in their own dedications and ask Laboe for updates from family members.
It's a role Laboe said he felt honored to play.
"I don't judge," Laboe said in a 2018 interview with The Associated Press at his Palm Springs studio. "I like people."
He often told a story about a woman who came by the studio so her toddler could tell her father, who was serving time for a violent crime, "Daddy, I love you."
"It was the first time he had heard his baby's voice," Laboe said. "And this tough, hard-nosed guy burst into tears."
Anthony Macias, a University of California, Riverside, ethnic studies professor, said the music Laboe played went with the dedications, enhancing the messages. For example, songs like Little Anthony & the Imperials' "I'm on the Outside (Looking In)" and War's "Don't Let No One Get You Down" spoke of perseverance and desire to be accepted.
Born Arthur Egnoian in Salt Lake City to an Armenian American family, Laboe grew up during the Great Depression in a Mormon household run by a single mom. His sister sent him his first radio when he was 8 years old. The voices and stories that came from it enveloped him.
He moved to California, attended Stanford University and served in the U.S. Navy during World War II. Eventually, he landed a job as a radio announcer at KSAN in San Francisco and adopted the name Art Laboe after a boss suggested he take the last name of a secretary to sound more American.
When the United States entered World War II, Laboe served in the Navy. He later returned to the Southern California area, but a radio station owner told the aspiring radio announcer he should work on becoming a "radio personality" instead. As a DJ for KXLA in Los Angeles, Laboe bought station time and hosted live overnight music shows from drive-ins where he'd meet underground rockabilly and R&B musicians. "I got my own built-in research," Laboe said.
Laboe soon became one of the first DJs to play R&B and rock-n-roll in California. Teen listeners soon identified Laboe's voice with the fledgling rock-n-roll scene. By 1956, Laboe had an afternoon show and became the city's top radio program. Cars jammed Sunset Boulevard where Laboe broadcast his show and advertisers jumped to get a piece of the action.
When Elvis Presley came to Hollywood, Laboe was one of the few to get an interview with the new rockabilly star.
The scene that Laboe helped cultivate in California became of the nation's most diverse. Places such as the El Monte's American Legion Stadium played much of the music Laboe aired on his radio show, giving birth to a new youth subculture.
Laboe maintained a strong following throughout the years and transformed into a promoter of aging rock-n-roll acts who never faded from Mexican American fans of oldies. A permanent display of Laboe's contributions resides in The Rock and Roll Hall of Fame Museum in Cleveland.
His shows were heard on stations including KFWB, KXLA, KPOP, KDA, KPPC, KRTH, KRLA and KFI. His show has been syndicated since 1991.
In 2015, iHeartMedia's KHHT-FM (92.3) dropped Laboe's syndicated oldies show after the station abruptly switched to a hip-hop format, sparking angry protests in Los Angeles. "Without Art Laboe, I'm So Lonely I Could Cry," wrote essayist Adam Vine. Later that year, Laboe returned to the Los Angeles airwaves on another station.
Laboe accrued a number of honors over his many decades on the air. His recorded voice is in the Rock and Roll Hall of Fame, and he has a star on the Hollywood Walk of Fame and the Palm Springs Walk of Stars. The City of Coachella named a day in his honor in 2007 after producing his live "Valentine Love Jam" at Spotlight 29 Casino. He was also inducted into the Radio Hall of Fame and Museum of Broadcast Communications in 2012.
Lalo Alcaraz, a syndicated cartoonist and television writer who grew up listening to Art Laboe in San Diego, said the DJ maintained a strong following among Mexican Americans for generations because he always played Latino, white and Black artists together on his shows. Laboe also didn't appear to judge his listeners who asked for dedications for loved ones in prison, Alcaraz said.
"Here is someone who gave a voice to the most humble of us all through music," Alcaraz said. "He brought us together. That's why we sought him out."
Alex Nogales, president and CEO of the Los Angeles-based National Hispanic Media Coalition, said generations of Latino fans attended Laboe-sponsored concerts to hear the likes of Smokey Robinson, The Spinners or Sunny & The Sunliners.
"I see these really tough-looking guys in the crowd. I mean, they look scary," Nogales said. "Then Art comes out and they just melt. They love him."
This article was compiled using reporting from Associated Press reporter Christopher Weber, former Associated Press reporter Russell Contreras, Desert Sun reporter Ema Sasic, former Desert Sun reporter Bruce Fessier and City News Service.
The Monroe County Sheriff's Office recently announced the hiring of three deputy sheriffs: Morgan Ramos, Alexandra Czarniecki, and Jacob Laboe.
Deputy Ramos grew up in Bowling Green, Ohio and graduated from Bowling Green Senior High School. After graduation, she attended Bowling Green State University where she earned her bachelor’s degree in criminal justice.
Deputy Czarniecki grew up in Dearborn and attended Dearborn Divine Child High School. After high school, she attended college at Schoolcraft. She currently serves in the U.S. Coast Guard Reserves.
Deputy Laboe grew up in Monroe and graduated from Monroe High School in 2017. After high school, he attended Monroe County Community College earning an associate degree in science. Prior to beginning his law enforcement career, he worked as a home caregiver for persons with developmental, cognitive, and intellectual disabilities.
All three new deputies are graduates of the Washtenaw Community College Police Academy.
The radio legend died last week, but his legacy lives on.
Generations of Angelenos and Californians grew up with Art Laboe. Whether he was the soundtrack to your summer cruising down Whittier BLVD or turning you on to “oldies but goodies,”―there’s definitely a chance he’s in one of your memories.
In 1949, Laboe came to Los Angeles and began what would become his almost 8-year decade career in the city. He would become one of the first DJs to break down barriers in radio. He was one of the first DJs to give a public voice to Black and Brown communities over the airwaves, often allowing listeners to call in and dedicate a song to their loved ones. As Anthony Macias, a UC Riverside professor put it in 2004, Laboe gave these communities “a medium through which their voices could be heard.”
He was also one of the first DJs to fight against the idea of segregation on the radio by often playing artists of all racial backgrounds–from iconic Black artists playing rock to Brown Chicano soul bands. His beloved range and lineup of music would later be coined as, “oldies but goodies.”
The significance of these acts alone would also pave the way for future Black and Brown hosts and disc jockeys.
Later on in his career, every Sunday listeners could count on his syndicated show “The Art Laboe Connection Show,” where many could connect to family members and even inmates in California, Arizona, or Nevada. Laboe would often read parts of letters written by inmates on air.
“I don’t judge,” Laboe said in a 2018 interview with The Associated Press. “I like people.”
It was this very impact he had on people that was recognized by the Los Angeles City Council, and in 1981, they declared July 17 as Art Laboe Day. He later received a star on the Hollywood Walk of Fame.
After nearly 80 years on air, Laboe died on Friday, October 7, 2022 due to pneumonia. He was 97. The heartbreak has been felt in Los Angeles and beyond California,―however, his legacy lives on.
Many went online to share their memories with Laboe, and some even took to creating artworks, or leaving flowers on his Walk of Fame star. We’ve collected photos of Angelenos honoring Laboe’s memory below.
Named after a municipality on Germany's Baltic Sea coast
and a hybrid drivetrain that can be powered by generators or a battery bank
The vessel's battery capacity is notable for its improvement over those of the previously delivered hybrid ferries in the SFK fleet
the installation of two 272kWh batteries driving permanent magnet (PM) motors ensures the ferry will be able to sail over greater distances on full electric mode
Laboe is notable for using a similar design as three earlier all-electric ferries that were also built by the Holland Shipyards Group for SFK
The most noticeable difference is the slightly greater length for accommodating up to 300 passengers on two decks
The ferry's upper deck has both an enclosed cabin and a forward open-air seating area for use during days of clear weather
though sun protection from Van Berchum is also fitted
Mess tables and toilets are available in the main passenger cabins
which are kept comfortable year-round thanks to an HVAC system from Windex Engineering
The propulsion setup includes PM motors from Hybrid Ship Propulsion
two Sandfirden Technics EU Stage V-compliant generators
and a De Waal Machinefabriek steering system
Blokland Non Ferro meanwhile provided the vessel's coolers
Navigation can be performed by only one crewmember thanks to an ergonomically laid out central helm station
Work on the interior spaces including the wheelhouse was undertaken by Hoogendoorn MBI
which also performed similar works on the same owner's other Holland Shipyards-built ferries
Laboe has already commenced operational sailings
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Oldies stations are one of the most tried and true formats on the FM radio dial
seemingly ubiquitous if often absorbed subconsciously
Whether heard in the produce aisle at the local supermarket
or while driving on the interstate through an unfamiliar city
Depending on the depth of a station's playlist
nostalgic doo-wop track by the Penguins (featuring Cleve Duncan) might float past
Over the same stately chords as the Penguins' best-known hit
"Earth Angel," Duncan sings of lost love and happier times: "I'm all alone,/ Feeling so blue,/ Thinking about you,/ And the love we once knew;/And each time I do,/ It brings back those memories,/of El Monte." What in the fleeting 2:46 of a 45rpm vinyl record seems like standard sentimental Oldies fare
turns out on closer inspection to be a fascinating artifact and reminder of the interethnic promise that early rock n' roll held for the youth of Southern California
"Memories of El Monte" was penned by Frank Zappa
later a major figure in 1970s progressive rock with his band the Mothers of Invention
and arguably one of the most innovative composers of the American avant-garde
The doo-wop track for the Penguins was one of the first songs that Zappa wrote
and reflects his adolescence steeped in the fertile rhythm & blues scene of the greater Los Angeles area
When Zappa wrote the song in 1962 with friend (and future Mothers singer) Ray Collins
he had been listening to Memories of El Monte
a 1960 re-issue compilation of singles from the mid-'50s heyday of doo-wop put out by Original Sound Records
the independent label of local radio celebrity and concert promoter
who agreed to pay to record and release it as a single on his label
Laboe used his connections to help Zappa recruit the lead vocalist of the Penguins
backed by tenor Walter Saulsberry and the Viceroys
Laboe asked Zappa to include mentions in the lyrics of classic doo-wop songs that also happened to be tracks on the Original Sound compilation
is a poignant call-and-response recollection of dances past:
And the Medallions with "The Letter" end..
The resulting single is at one level a curious postmodern pastiche of the doo-wop genre
not out of place with Zappa's later affectionate parodies and homages to American popular music genres
But the central role that Laboe played in its making as well as the evocation of El Monte tap into a deep reservoir within the cultural history of Southern California
Beginning with dances he threw at El Monte Legion Stadium in 1955
through a half century as a beloved Oldies DJ connecting with his audience on a nightly basis
Art Laboe has become an iconic voice for Californians who do not fit the glamorous conception many Americans hold of L.A
As author Susan Straight lyrically suggests
teaching kids," and calling Laboe every night to dedicate songs to their loved ones
Art Laboe grew up with the medium of radio broadcasting
He was born Art Egnoian to immigrant parents of Armenian descent in Salt Lake City
three years after Marconi first began regular wireless radio broadcasts of entertainment programming
he remembers being "completely enthralled by the box that talked," a fascination that became a hobby and then a profession when he moved to Los Angeles in 1934 to live with his sister after his parents divorced
Laboe became involved in ham radio circles and even started a station out of his bedroom in 1938
As Laboe related the story in an interview with Josh Kun
it was during his service in the Navy Reserve during World War II that he received his first break in commercial broadcasting
While stationed on Treasure Island in San Francisco Bay in 1943
the young Art Egnoian showed up one day at local station KSAN to ask for airtime
he was able to secure a one-hour time slot - 11pm to midnight - because of a shortage of license-holding DJs due to the war; crucially he had acquired the relevant broadcast licenses during a brief stay at Stanford to study Radio Engineering
The station manager at KSAN suggested that Egnoian change his name
so Art took the last name of a secretary working there
Laboe stumbled upon the technique that has become the signature of his broadcasting style: the personal dedication
and live theatrical and musical performances
the task that fell to Laboe in his time slot
He quickly discovered that a prime segment of his audience were young women who would call in to dedicate songs to husbands
the personal dedication was a tangible form of connection between the DJ
and the invisible audience receiving his broadcast
But it also has helped to gain the loyalty and personal investment of listeners
When a listener calls to dedicate a song to a loved one
Laboe serves as an intermediary between his listeners
while offering recognition by his voice for a personal emotion or experience
the dedication has been fundamental to Laboe's approach
Bridging the distance of military service has been extended to other absences - for loved ones in prison
or even just the lonely worker on the graveyard shift
Laboe's focus on taking requests also helped him - again fortuitously - to anticipate the groundswell of rock n' roll within postwar teen culture in the mid-1950s
Laboe had a difficult time finding work when more experienced DJs returned from the service
He bounced around stations east of Los Angeles in Palm Springs and the Pomona Valley before trying a mobile DJ booth for KPOP in L.A
and one that he would occupy for eight years from 1951 to 1959
was in the parking lot of Scrivener's Drive-In at the corner of Sunset and Cahuenga in Hollywood
Scrivener's was the epicenter of L.A.'s effervescent teen culture
and discretionary income to set the standard for youth nationwide of a new mode of freedom through consumption
Laboe began at Scrivener's doing a late show until 4 am
broadcasting to cruising teens throughout the region
He eventually added an after-school broadcast at 3 pm - what he called "record hops" - taking song recommendations from the kids he interviewed
When the national craze surrounding the first rock n' roll hits of Elvis Presley
Art Laboe became the first DJ to play these singles on the West Coast
largely based on tips from his teen informants at Scrivener's
While continuing to play the doo-wop and R&B records that had been the staple of his broadcasts until then
Laboe achieved local celebrity because of rock n' roll
as his show became the highest-rated on L.A
radio and served as a promotional destination for this new brand of pop stardom
The runaway popularity of the Scrivener's broadcasts created traffic jams around the drive-in
convincing Laboe to organize "dances & shows" for his radio audience
somewhat rundown boxy auditorium with a 3000-person capacity
which had been built as a wrestling venue for the 1932 Olympics and later hosted boxing
Laboe came to El Monte because regulations in the city of Los Angeles did not allow public dances for patrons under 18
Laboe hosted an event on every other weekend at Legion Stadium
drawing enthusiastic teenagers from all over the region
The events alternated dancing to records with live performances
both by local artists such as rockabilly duo Don & Dewey and Rosie & the Originals
and rising stars that included Jackie Wilson
the Latino heartthrob tragically killed in a plane crash in 1959
Laboe cemented a bond with his audience by going into the crowd to meet people
He would talk with groups of teens and ask them about themselves and their favorite songs
Laboe also visited those waiting in line outside to get into the venue
but when a big name-act such as Jerry Lee Lewis or Jackie Wilson appeared
leaving some concertgoers short of the extra 50 cents
As Laboe tells it in an interview for the SEMAP archive
"I remember filling both my coat pockets with half dollars - there were a lot of half dollars around then - and I went outside where everybody was waiting in line and went up and down the line and I could see who was trying to dig up some money - people were real honest about it - and I was handing out these half dollars to some of these kids." When the promoter chastised him for leaving the stage and giving away money before the show
Laboe replied that's how he wanted to do it
allowing everyone the chance to get into the show
For the six years that Laboe put on shows in El Monte
he provided a venue for a spontaneous community of youth that cut across ethnic
While the shows drew the more affluent fans from the Westside who had made up the Scrivener's crowd
the core audience for the events was drawn from the local Mexican-American enclaves in East L.A.
and El Monte as well as black and white working-class neighborhoods south and east
radios and automobiles helped facilitate an informal network across Los Angeles
united by Laboe's personality and love of the music
that converged at Legion Stadium for an intercultural exchange remarkably free of the racial tensions within social spaces that characterized their parents' generation
Laboe remembers that the events were meant to be "fun
fun," and the atmosphere encouraged non-conformist fashion (due to lack of a dress code)
and a general good will that seems almost utopian in retrospect
And memories of El Monte Legion Stadium - only the recent past when Zappa wrote his single - have made a strong impression to this day on Laboe
It remains an open question for further research whether the harmonious atmosphere that Laboe and others remember reflects a nostalgic veneer or a genuine collective spirit that tolerated and perhaps encouraged interethnic mixing
and dating in an era when crossing such boundaries was deeply fraught
As with many such conjunctures in American popular music
an incipient moment of promise proved to be fleeting
as the emerging record industry in Los Angeles absorbed
and transformed the energy of early rock n' roll into a more predictable and manageable product
The El Monte shows had inspired a wave of local bands who enjoyed success as live performers in dancehalls across the Eastside
but these groups were increasingly overshadowed in the '60s and '70s by the popularity of national acts on the radio
One group that emerged from the late '50s scene to achieve national success
"Low Rider," captures (if in caricature) one of the central elements of a night out in El Monte
By the time Legion Stadium was torn down in 1974 to make way for a post office
the concerts there had truly passed into memory even as the music of that time persisted on the radio with the emergence of Oldies stations
Art Laboe's brand of nostalgia has never been rueful
and his career over the last four decades reflects the optimism and resilience that characterized his personality from the beginning
Laboe arguably invented Oldies as a format
coining the term on a series of compilations on Original Sound titled Oldies But Goodies
he came up with the concept at Scrivener's Drive-In to refer to tracks only three or four years old that his audience would still request
is that "it's old but it's gotta be good," which still serves as a core principle of his radio shows today
Laboe has also maintained longstanding "familial" relationships with several performers who appeared at El Monte
including the Penguins and Rosie Hamlin of Rosie & the Originals
acts whom Laboe continues to play on his show and presents at Oldies concerts in the L.A
from AM to FM to cable and into the era of Clear Channel
Laboe has always leveraged his popularity to retain full autonomy in the presentation of his show
Laboe appears 31 hours over 6 nights a week on Killer Oldies and Art Laboe Connection
and remains a Top 5 draw nationally in the ratings
In an era when many Oldies stations are automated
Laboe draws on his own deep knowledge of popular music and the musical affections of his listeners to intersperse perennial hits with singles more obscure to a younger audience
he remains popular across a wide range of age groups
and proudly takes dedications from ten-year-olds as well as abuelas
he puts people on the air "from womb to tomb."
built off his affable stewardship of the El Monte "dances & shows," that has made Laboe an honorary voice of the Mexican-American community in Southern California
his radio program providing a soundtrack of Chicano identity
State Senator Gil Cedillo vividly recalls cruising through Boyle Heights in the early '70s with Antonio Villaraigosa in the future mayor's canary yellow 1964 Chevy listening to Laboe
whom he likened to "everyone's favorite uncle in the neighborhood." Comedian Paul Rodriguez told the L.A
Times that Laboe "is more Chicano than some Chicanos
and everyone from the toughest vato to the wimpiest guy would say the same." Yet Laboe's reputation remains strong even among younger Mexican-Americans today
such as a 21-year-old student who told Susan Straight
I grew up in Baldwin Park and the whole neighborhood listens to him
Laboe typically demurs at such suggestions
and one has the sense that he is a universalist in his sense of the origin and appeal of Oldies: everyone chipped in over the years to make great music and have a good time
In the shark tank that commercial radio and the record industry can often be
unassuming approach throughout his career is remarkably rare
But his longevity makes complete sense in that he seems to have a wise understanding of the meaning that the music has for his listeners - in their memories and their relationships - and he makes himself the conduit for that
If Art Laboe has led a charmed life in radio
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High Desert residents shared thoughts after hearing of the death of Southern California radio legend Art Laboe
who was credited with popularizing the phrase "oldies but goodies."
“Art Laboe was more than a radio personality; he was the man who united a generation of Hispanic
and white listeners under the banner of music,” said Monica Fuentes
“He was also the man who gave us a voice and a reason to listen.”
The 97-year-old Laboe died Oct.7 at home in Palm Springs after catching pneumonia
a spokesperson for Laboe’s production company
During his nearly 80 years in the radio business
Laboe grew an army of listeners devoted to tuning into his syndicated oldies show
Art Laboe and his song dedications were very much a part of mine and many other teenager’s lives,” said Cindy O’Donnell
who graduated from Baldwin Park High School in 1981
“His show was a safe place to share a crush
O’Donnell admitted that she called Laboe and dedicated the 1961 song "Angel Baby by Rosie & The Originals to her secret crush
“Art Laboe was a true legend,” O’Donnell said
Business owner Damion Carlos of Victorville said
“Laboe was part of our culture growing up,” and remembers as a child “listening to all the shout outs and my dad listening to the oldies.”
Hearing countless numbers of radio listeners calling Laboe with messages to loved ones is what moved Carlos to pick up the phone
“We would call over and over and over in excitement to leave a shout-out to a lover
we would get all dressed up in our old school gear and get tickets to the Art Laboe concert in Glen Helen Amphitheater
Laboe was part of the Latino culture that will be missed
who added his hopes that someone would carry on the Art Laboe Show in his honor and memory
“Much like the late Dodger radio announcer Vin Scully
Art Laboe was a Los Angeles icon,” said Melissa Alvarado
“Their voices owned the airwaves over Southern California
and Latino listeners who danced to rock ‘n’ roll — and shocked an older generation still listening to Frank Sinatra and Big Band music
he released the compilation album “Oldies But Goodies: Vol
1,” which stayed on Billboard’s Top 100 chart for 183 weeks
He later developed a strong following among Mexican Americans for hosting the syndicated “The Art Laboe Connection Show.” His baritone voice invited listeners to call in dedications and request a ’50s-era rock ‘n’ roll love ballad or a rhythm and blues tune from Alicia Keys
and served in the Navy during World War II
he landed a job as a radio announcer at KSAN in San Francisco
He adopted the name Art Laboe after a boss suggested he take the last name of a secretary to sound more American
but a radio station owner told the aspiring announcer he should work on becoming a “radio personality” instead.
Laboe bought station time and hosted live overnight music shows from drive-ins where he would meet underground rockabilly and R&B musicians
“I got my own built-in research,” Laboe said
He soon became one of the first DJs to play R&B and rock ‘n’ roll in California
Teen listeners soon identified Laboe’s voice with the fledgling rock ‘n’ roll scene.
Laboe had an afternoon show and became the city’s top radio program
iHeartMedia’s KHHT-FM dropped Laboe’s syndicated oldies show after the station abruptly switched to a hip-hop format
sparking angry protests in Los Angeles.
Laboe returned to the Los Angeles airwaves with two syndicated radio shows broadcast across the American Southwest
The Art Laboe Connection and Art Laboe Sunday Special.
The Associated Press contributed to this story
Daily Press reporter Rene Ray De La Cruz may be reached at 760-951-6227 or RDeLaCruz@VVDailyPress.com. Follow him on Twitter @DP_ReneDeLaCruz
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The radio pioneer died Friday night at home in Palm Springs after catching pneumonia
Shafiq Najib is a former writer-reporter at PEOPLE
Riding the Airwaves for Seven Decades and Counting
it seems only fitting that the lowriding men
and children have a liking for those oldies but goodies
has been around for decades and many of the cars we see were originally built in the '40s
These rides have been carefully restored to like-new status
ready to cruise the boulevards in the evening hours just as tradition has had it for decades
at least three generations of lowriders from East Los Angeles have cruised the infamous Whittier Boulevard
Art Laboe's mother was a maid and his father a smelter
As the family took on The Great Depression of the 1930s
times definitely did become very difficult
it brought on an opportunity for the family to move to Los Angeles — the city that would eventually bring Art worldwide fame and would serve as his home from then to this present day
Graduating George Washington High School at the age of 16 in the summer of 1942
particularly as a radio officer for PanAm's Latin American division based in Miami
Art's service brought him great experience with the technical and commercial aspects of radio and it earned him a coveted FCC-cleared first class radio license
He simply walked in and asked the receptionist for the manager
The receptionist directed Art to the manager's office and when he walked in
the manager did not seem too interested in speaking to Art
"Who let you in here?" Art explained he was just looking for a job and the manager basically said
we have no job here for you unless you have an FCC-cleared first class license." Art proudly pulled out his license and showed it to the manager
It was that moment that seemed to change Art's life forever
bringing what would become a lifelong career in radio
Art has been on commercial radio for 72 years — longer than anybody
Art has been playing just about every genre of music there is from big band and country to the first stages of R&B in the early '50s
Art is a part of the Rock & Roll Hall of Fame
Art was officially inducted in the Radio Hall of Fame in Chicago in 2012 and Art was one of the famous celebrities to receive a star on the Hollywood Walk of Fame near the corner of Hollywood and Highland
Art was also the first non-Hispanic recipient of the Impact Award from the National Hispanic Media Coalition
So why is Art Laboe so popular among the lowrider crowd
Art believes it started in the mid '50s when he did his first "Oldies But Goodies" concert at the El Monte American Legion Stadium in the East Los Angeles area
Of course the area was predominantly Latino
but it was Art's ability to coordinate concert appearances of popular artists at the time
and Bruce Brown were just some of the many artists who played to the concertgoers
Art also cites the old "Lovelines" section that used to be inLOWRIDERMagazine for many years (the section was for readers to make love dedications to each other) and he compares it to the popular part of his radio show where he reads dedications over air
Art says Latinos are always big on dedications
Art's on-air presence and his personal appearances for concerts and community events have definitely put him on the map
It wasn't uncommon for Art to do a plethora of charity shows and give away scholarships in the Latino community in the L.A
Art was even the only non-Latino grand marshal for the East Los Angeles parade
He has made friends with people like Dick Clark
He has been able to bring the joy of music to millions of people over the radio waves and in his concerts
Art still coordinates numerous concerts throughout the year bringing together popular R&B singers and bands from back in the day
"Art Laboe Connection," is still going strong airing over a dozen stations in the Southwest U.S
from San Diego to Las Vegas to Albuquerque
The show also broadcasts six nights a week worldwide online at KOKO94.com
he is finding time to write an autobiography
promises to give interesting details in Art's career voyage
Art says he plans on continuing to do his radio show and concerts
but when that day comes where he is no longer on this earth
he says you can best believe that he'll be throwing concerts up above with all the late artists
The entire show airs Monday through Friday
7 p.m. to midnight and Sunday 6 p.m. to midnight Pacific Time worldwide on KOKO94.com.
KOKO 94.3 Fresno, CA,(a station owned by Art Laboe):
Monday through Friday 7 p.m. to midnight and Sunday 6 p.m. to midnight, also heard with KOKO94.3 Android app (and hopefully iPhone app by time this prints).
Monday through Thursday 8 p.m. to midnight, Friday 9:30 p.m. to midnight and Sunday 6 p.m. to midnight, also heard on Tune In radio app.
Monday through Thursday 10 p.m. to midnight and Sunday 6 p.m. to midnight, also heard on Tune In radio app.
Monday through Thursday 10 p.m. to midnight and Sunday 7 p.m. to midnight, also heard on Tune In radio app.
KOCP Old School 95.9 Oxnard-Ventura-Camarillo, CA:
Monday through Friday 9 p.m. to midnight and Sunday 6 p.m. to midnight.
KQAV Old School 93.5 Palmdale-Lancaster-Antelope Valley, CA:
KQIE Old School 104.7 Riverside-San Bernardino-Redlands, CA:
Sunday 6 p.m. to midnight, also heard on iRadioNow app.
Sunday 6 p.m. to midnight, also heard nationwide on iHeartRadio.
Sunday 6 p.m. to midnight, also heard on Tune In radio app.
Sunday 8 p.m. to 10 p.m., also heard on Tune In radio app.
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His last radio show was produced last week and broadcast this past weekend
a pioneering US DJ credited with coining the phrase "oldies
A spokesperson for Laboe's production company Dart Entertainment confirmed that he died on Friday
Laboe's career as a radio DJ spanned almost 80 years
with his first broadcasts taking place in 1943 on San Francisco's KSAN while he was serving in the United States Navy
It was on KSAN that he began to encourage listeners to call in to his shows
an uncommon format for radio broadcasting at the time
Latin and white artists with no consideration of their racial differences
a significant difference from the established music industry segregation of Southern California and beyond at the time
Organising live DJ shows at a drive-in diner in Los Angeles
he also drew crowds of teenagers from many different races to listen to the music that he played
Those dance parties were eventually relocated to the El Monte Legion Stadium
which was outside of Los Angeles city limits
He did so in order to get around laws at the time that were designed to enforce racial segregation
One such law required the Los Angeles Board of Education to give permission for social dances marketed at teenagers to go ahead
Laboe went on to host radio shows with KCMJ in Palm Springs and KPOP in Los Angeles for short periods of time
before eventually finding himself at Los Angeles' KXLA
It was while with KXLA that he begun to put on the overnight music shows at drive-in diners
while he was also an early adopter of R&B and rock & roll music on California's airwaves
Laboe presented broadcasts via iHeartRadio-owned station Hot 92.3
but he moved on to 93.5 KDAY after the format switched up its programming in 2015
The broadcaster continued to produce and present radio shows right up until his death
A DJ credited with helping to end segregation in Southern California has died after a health battle
who is also credited with coining the famous phrase "Oldies but Goodies," died on Friday at the age of 97
According to Joanna Morones, a spokesperson for Laboe’s production company, Dart Entertainment, the musical man passed away after catching pneumonia, the Associated Press reports
His last show was produced last week and broadcast on Sunday after he passed away
Laboe is remembered his role in helping put an end to segregation in Southern California
He organized live DJ shows at drive-in eateries in the area
where people of all races would dance to rock-n-roll
One year later, in 1958, Laboe released the compilation album “Oldies But Goodies: Vol. 1."
The album remained on Billboard’s Top 100 chart for 183 weeks.
He later hosted the "The Art Laboe Connection Show," a syndicated show hosted by Laboe from Palm Springs, California.
Inmates in California and Arizona were also able to submit dedications and request updates from family through Laboe
Laboe said that he liked people and insisted: "I don't judge."
Laboe would occasionally tell a story about a woman who wanted her toddler to say "Daddy
I love you," so her father could hear it on the radio
He explained at the time: "It was the first time he had heard his baby’s voice
Laboe was also one of the few media members to get an interview with Elvis Presley when he came to Hollywood
who was born Arthur Egnoian in Salt Lake City and grew up in the Great Depression
and served in the US Navy during World War II
It was then that he took on the name Art Laboe.