Please select what you would like included for printing: Copy the text below and then paste that into your favorite email application Hannah Lichtenstein passed away early on the morning of March 13 in the personal care unit of Juniper Village She passed in the company of facility staff hours after having been surrounded by family and receiving Viduy a last rights prayer from Rabbi Seth Frisch Hannah was born to Tillie and Phil Shulman in Philadelphia to whom she remained close until their deaths Hannah graduated high school at the early age of 15 and at 19 married Gerson She gave birth to her daughter Elise in 1944 and her son Ken in 1949 Facing conventions which made it difficult for women to peruse higher learning or leadership roles Hannah showed her enterprising spirit and wit in novel ways She taught private dancing lessons and bridge lessons She teamed up with a neighbor to design and sell handbags directly to department stores salesperson and business strategist in her husband’s family business - Rodeo Ben Western Wear In addition to her enthusiasm for business games and words: she was an accomplished bridge and scrabble player Near the end of her life she said that one of her proudest accomplishments was forming and leading the SHHH which changed its name to Hearing Loss Association of America a support and advocacy group for the deaf and hard-of-hearing Her playful spirit will be forever captured in her many clever poems and thoughtful writings A Graveside Service will be held at Roosevelt Memorial Park located at 2701 Old Lincoln Hwy Contributions in her memory may be made to Hearing Loss Association of America www.HLAA.com  Enter your phone number above to have directions sent via text This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply Service map data © OpenStreetMap contributors DestinationsPlanningInspirationShopSearch SavesOpen main menuEuropeLiechtensteinShop A pipsqueak of a country, Liechtenstein snuggles between Switzerland and Austria, among mountain ranges that rise steep and rugged above the Rhine. Besides the sheer novelty value of visiting one of the world's tiniest and richest countries, Liechtenstein is pure fairy-tale stuff – a mountain principality governed by an iron-willed monarch, embedded deep in the Alps and crowned by turreted castles. Liechtenstein Back to topAttractionsMust-see attractionsSchloss Vaduz A riot of turrets and towers plonked high on a hillside and set against the theatrical backdrop of jagged mountains Kunstmuseum Liechtenstein This black concrete and basalt cuboid on pedestrianised Städtle hosts temporary exhibitions revolving around the gallery’s collection of contemporary art… Liechtensteinisches Landesmuseum This museum provides a fascinating romp through the principality’s past from medieval witch trials to the manufacture of… Burg Gutenberg Balzers’ most visible icon is this state-owned Parliament Building Liechtenstein's 25-member Parliament has been convening in this somewhat startlingly modern building Postmuseum Liechtenstein once made a packet producing souvenir stamps for enthusiasts but that market has been hit by the rise of email Walsermuseum this museum recounts the intriguing story of the Walsers and contains curious carvings out of twisted tree trunks and branches… Treasure Chamber In the same building as the Postmuseum (at the opposite end) you'll find this museum with a unique collection of the treasures of Liechtenstein View more attractionsPlanning ToolsExpert guidance to help you plan your tripBest Things to Do Discover the best things to do in Liechtenstein, from stunning natural vistas and cultural experiences to exhilarating mountain adventures. ArticlesLatest stories from LiechtensteinRead more articlesFilter by interest: No part of this site may be reproduced without our written permission Forty of the late pop artist’s distinctive works will go under the hammer at Sotheby’s in New York next month Forty works from the private collection of Roy Lichtenstein will go on sale for the first time at auction next month chart four decades of Lichtenstein’s career They include his shift from abstract expressionism to pop art in the 1960s New photos from Sotheby’s give a rare glimpse into Lichtenstein’s home studio Photograph:  Art © Estate of Roy LichtensteinThe collection is expected to make more than $35m (£26m) when it is auctioned by Sotheby’s in New York next month Several of the works come from Lichtenstein and his wife Dorothy’s home in Southampton where the artist created some of his most significant works Woman: Sunlight Photograph:  Art © Estate of Roy LichtensteinRecent photos taken by Sotheby’s offer a rare look inside the light-filled studio that formed part of the residence which was only accessible to the artist’s closest circle during his lifetime and was rarely photographed the head of contemporary art at Sotheby’s New York said the works “provide a front-row seat to Lichtenstein’s incomparable genius the group is a survey of the artist’s reflections of art history over four decades of practice.” Lichtenstein was born in New York City in 1923 and took classes at the highly regarded Art Students League of New York in his teens He was drafted into the US army in 1943 where he served as a draughtsman and artist He later completed his fine arts degree at Ohio State University Lichtenstein held his first solo show in New York He found fame in the early 1960s with his large-scale reworkings of comic-book illustrations including a series of “girl paintings” depicting stereotypical “damsels in distress” His range expanded to include sculpture and ceramics and he became an icon of the pop art movement alongside the likes of Andy Warhol and James Rosenquist Free weekly newsletterYour weekly art world round-up A preliminary sketch for a 1968 Time magazine cover Photograph:  Art © Estate of Roy LichtensteinNot everyone was a fan An infamous 1964 Life magazine headline asked of Lichtenstein: “Is he the worst artist in the US?” Others criticised the lack of credit he gave to the comics artists who inspired him a director of the Paul Bianchini Gallery in Manhattan the president of the Roy Lichtenstein Foundation Mitchell Lichtenstein said: “What I most appreciate is the sense of humour embedded in all of it It’s a wry humour that was part of who he was every day When asked for comment about his subject matter he often said: ‘It’s just marks on a page.’” The works coming to auction include Reflections: Art (1988) part of a series that ironically looks back on the artist’s earlier works by making them look like stylised mirrors; Woman: Sunlight a flat sculpture showing a woman’s profile; and a 1968 drawing of a smoking gun made for the cover of Time magazine when the assassinations of Martin Luther King Jr and Robert F Kennedy had sparked a fierce debate about gun control and “giant in her field,” as described by her former BC Law colleagues retired professor Cynthia Lichtenstein passed away in November at the age of ninety She served as a faculty member for thirty years but remained a major international force professionally until her final days,” noted Dan Coquillette who served as dean during many of Cynthia’s years at BC Law she became a distinguished visiting professor at George Washington University Law School and a visiting professor at Brooklyn Law School while occasionally teaching a seminar in international financial law at BC Law A renowned specialist in international banking and transactions Lichtenstein lectured in numerous cities around the world including London In addition to significant involvement with a major New York law firm over the years she served briefly with the European Economic Community Among her many contributions to public and private international law Lichtenstein served as the president of the International Law Association (American Branch) from 1986 to 1992 an officer of the American Society of International Law and a member of the Board of Editors of the American Journal of International Law from 1982 to 1991 She was an honorary editor of the American Journal of International Law and treasurer of the International Law Students Association which administers the Jessup Competition the international law moot court competition with participants from over eighty countries She also served as a vice-chair of the International Law Association Lichtenstein graduated magna cum laude from Radcliffe College and magna cum laude from Yale Law School She earned a master’s degree in comparative law from the University of Chicago Law School When word of Lichtenstein’s passing circulated at BC Law School a number of colleagues shared memories of her University Professor Emeritus: Cynthia was a true pioneer Countless students saw her as a role model but her inspiration to our women students was really incalculable but remained a major international force professionally until her final days Professor Emeritus: She was one of the faculty who was most supportive of our efforts in strengthening our clinical programs Despite her time at a “prestigious” New York law firm and work in more traditional academic fields she did not see clinical education and poverty law as inferior but as essential parts of a complete legal education … When I became director of [the BC Law London Program] in 2001 I realized the extent of Cynthia’s influence and reputation Everywhere I went in London folks lauded Cynthia This ranged from individuals at public regulatory institutions such as the Financial Services Authority Professor & Dean’s Distinguished Scholar: Cynthia was very welcoming to me when I did a year-long visit before joining the permanent faculty She would regale me with stories of BC Law—-an important introduction to our institutional culture —as well as her own life and career which was pathbreaking … We ended up going to the symphony together where I received a first-hand demonstration of Boston driving Which could also be said about her overall philosophy of life … She seemed to carry on no matter what consistently overcoming impediments such as a stroke that affected her speech but not her indomitable will to communicate.” Rappaport Center & Dean’s Distinguished Scholar: Cynthia was a generous extremely helpful reader of some of my early attempts at scholarship when I first started teaching at BC She was an extraordinarily gifted scholar … very well-connected and deeply respected in many fields of law …  I will always be most grateful for her mentorship Professor Michael and Helen Lee Distinguished Scholar: Cynthia was a force of nature in our community and wonderful colleague … The hardest assignment Dean Dan [Coquillette] ever gave me arose when the University decided to repaint and recarpet the offices in Cynthia’s wing … First I had to find her amid the obstacle course but I followed her voice and located her behind the desk the movers are coming tomorrow.” “I don’t think so Mark.” We proceeded to converse that way for quite a while in an immovable standoff … Cynthia retired years later and left the only office at the school that had its original paint and carpet Founders Professor of Law: Cynthia was a wonderful support to the younger women on the faculty in 1994 when I was hired She had a marvelous sense of humor and was always encouraging… you’ll do great … I walked into the class and then walked back in and was fine.” Nothing could have made me feel better than that Professor: I share Mary [Bilder’s] appreciation of Cynthia as a great source of support and encouragement to us as the “new,” and at the time still pretty few One image that I cannot get out of my mind was the way that Cynthia would make an invariably astute point in a faculty meeting and then—seemingly out of the blue—catch my eye and give an affirming nod of her head (whether to emphasize her own point or encourage me to add my own I never could tell Professor & Dean’s Distinguished Scholar: I too have many fond memories of Cynthia especially the warmth she showed me as a new professor at the school … I have very vivid memories of her office I will always remember the first time I sat in her office for a conversation and the close proximity of all the furniture to the door Professor & Deans Distinguished Scholar: Cynthia was a character I will always remember her bright yellow rubber boots which she wore rain or shine courageous as her strong shoulders led the way to women law teachers Professor & Dean’s Distinguished Scholar: It was [Cynthia’s] retirement that opened the door to my invitation to come to BC Law and she could not have been more gracious in her welcome was write an essay about her work… I could not have been more pleased when she turned to me and just said “you get me.” It was reassuring to a young scholar “replacing” an esteemed senior colleague (as if) always easing the way for the next generation Liberty Mutual Insurance Professor of Law: Many years ago Cynthia contacted me out of the blue simply to introduce herself to me as a junior female law professor in her field of banking law … Still I had known of and admired her from afar as a giant in the field From that time when she generously reached out she always cheered me on and made me feel welcome and valued … When BC made the decision to hire me she reached out once more to express her delight I will never forget that and her spirit lives on Professor Emerita: Cynthia Lichtenstein was one of the first women I met when joining the BC Law School faculty in 1985 She was incredibly gracious and welcoming and encouraged me to follow my interests She had a deep passion for the London Program She said that the time she spent on the London program with John and Joanne Flackett and her beloved husband Charles were among the happiest times of her life … [The program now the Dublin Program] still carries the DNA that Cynthia helped create We have a strong international program in part because of her passion and talent for creating opportunities for students featuring some 40 significant works by the legendary artist In a special partnership, Sotheby’s is working with the Lichtenstein family to bring this trove of works to auction These pieces have remained within their personal collection for decades offering a unique glimpse into the artist’s legacy This will be the first time they are auctioned The collection spans four pivotal decades of Lichtenstein’s artistic journey tracing his evolution from Abstract Expressionism into his signature Pop art style in the 1960s It continues through his exploration of modern art themes in the 1970s his celebrated “Reflections” series from the 1980s and culminates with his famous interiors and nudes of the 1990s the works on offer consistently display the artist’s distinct humor “I’ll let art historians speak about the loftier aspects of my father’s work but what I most appreciate is the sense of humor embedded in all of it,” says Mitchell Lichtenstein “It’s a wry humor that was part of who he was every day Yet though there’s so much humor in his work to my father art was all about composition he often said ‘It’s just marks on a page.’” Leading the sale are several key lots including the striking painting Reflections: Art (1988) estimated at $4 million to $6 million; the compelling wood sculpture Woman: Sunlight also estimated at $4 million to $6 million; and the painting Stretcher Frame with Cross Bars III (1968) with an estimate of $2.5 million to $3.5 million “This phenomenal group of works provide a front row seat to Lichtenstein’s incomparable genius,” says David Galperin “Lichtenstein’s imagery continues to spark conversation as vividly today as it did at the time of its creation…The full scope of the offering is a rich and varied selection that will resonate with collectors around the world—there is truly something for everyone.” © 2023 Hudson One Media, LLC. All rights reserved. Privacy Policy recalling that she was just about to enter high school when her country became a member of the United Nations 34 years ago said a key motivation was the wish to safeguard its sovereignty  This theme resonates strongly among many small States today adding that the Organization has been a key foreign policy platform for her country  “We have made a significant political investment,” she said highlighting the veto initiative Liechtenstein put forward recently  The aggression against Ukraine by the Russian Federation has not only destroyed the European security architecture; it has undermined the international legal order  As a small State without armed forces respect for international law is the guarantor of Liechtenstein’s sovereignty adding that its unequivocal stance in support of Ukraine is a commitment not just to the international order “but ultimately to our own security” Two years of this brutal war of aggression has brought immeasurable human suffering economic devastation and environmental damage  Stressing the importance of bringing about a just peace she said that it must be based on international law and must ensure criminal accountability for those who initiated this war of aggression  “This alone will give small States everywhere the confidence and belief that their sovereignty and territorial integrity will be protected and safeguarded here at the United Nations,” she said  Expressing support for a strong Security Council she said there is little indication that it will be able to come together in the way current challenges require  Instead of criticizing and lamenting what is a political reality the international community must think about alternatives  This Assembly is the key platform in this respect noting that it has taken the lead on Ukraine and has adopted important decisions on the Gaza war  Under the terms of the veto initiative the Assembly has been given the option to act whenever the Council is paralyzed by the veto “We have witnessed with horror that terrorist attack on the civilian population of Israel on 7 October and we are shocked and appalled by the suffering of the civilian population of Gaza,” she said  Reaffirming support for the two-State solution she called for full respect for international humanitarian law and the immediate release of all hostages  Expressing support for the efforts of the International Criminal Court to investigate according to its mandate she said there is no other conflict where the UN has a clearer and longer-lasting responsibility  Calling on the international community to uphold international law she said:  “It is us in this room that have the power and means necessary.”  It is encouraging that small States are standing up for the rule of law and against the rule of might noting that the International Court of Justice has been consulted for guidance in challenges ranging from the applicability of the Convention on the Prevention and Punishment of the Crime of Genocide to climate change The women of Afghanistan do not have a voice at all adding:  “I therefore want to speak up for them from this podium.”  The denial of even their most basic rights is unacceptable for this Organization adding that the UN must support action to fight this extreme case of gender persecution  Women across the world have been speaking up as agents of change for many years and experience has shown that entrusting more leadership positions to women will get better results for everyone it is a credibility challenge for the United Nations that a woman has yet to lead this Organization adding:  “After decades of talking about gender equality the United Nations should shine as an example of that.” Listen to and download the full statement in mp3 format. UN PhotoPrevious sessionsAccess the statements from previous sessions. Copyright ©2025 CBS Interactive Inc. All rights reserved. Home Best in Travel is here! Discover 2025’s destinations The 30 best countries, cities and regions to visit in 2025 Plan your trip with Elsewhere, by Lonely Planet See where a Lonely Planet Membership takes you Subscribe to our weekly newsletters to get the latest travel news, expert advice, and insider recommendations Explore the world with our detailed, insightful guidebooks Stay ahead of the curve with our guidebooks Uncover exciting new ways to explore iconic destinations Every month, we release new books into the wild Search Search Close search menu Explore Best in Travel 2024 Africa Close menu Countries Antarctica Antarctica Close menu Regions Asia Asia Close menu Countries Australia & the Pacific Australia & the Pacific Close menu Countries The Caribbean The Caribbean Close menu Countries Central America Central America Close menu Countries Europe Europe Close menu Countries Middle East Middle East Close menu Countries North America North America Close menu Countries South America South America Close menu Countries Pass the imposing medieval Burg Gutenberg on the Liechtenstein Trail and more with this guide Visiting Liechtenstein is like stepping into a bedtime story, with cows grazing in grassy meadows, mountains that touch the clouds and a turreted castle on a hill inhabited by a prince and princess. Europe’s smallest country is located between Switzerland and Austria with the Rhine River running down the middle Despite the notable influence of its neighbors Liechtenstein has a character and charm that is all its own.  here are twelve top things to do in Liechtenstein where Liechtenstein’s 25-member Parliament convenes.  Planning tip: Although much of Vaduz can be squeezed into one day if you’re pressed for time allowing a couple of days is a wise choice to fully experience the city.  Atop a hill above the capital sits the turreted medieval castle of Schloss Vaduz (Vaduz Castle) the residence of the prince of Liechtenstein Although the castle grounds are closed to the public you can still see the former fortress up close is dotted with historical information about the royal family with panoramic views of the entire country.  Planning tip: As the summer months draw to an end the prince hosts a fireworks party at Schloss Vaduz on August 15 to celebrate Liechtenstein’s National Day and a reception in the princely rose garden welcomes the public for a rare glimpse at the castle grounds Overlooking the prince’s vineyards is the Michelin-starred restaurant Torkel the historic building underwent renovations in 2021 to highlight the medieval remnants with modern comfort and design blending features like the preserved wine press with contemporary decor to create a timeless ambiance The menu is driven by quality and seasonality presented in the restaurant’s signature style Book a reservation for lunch or dinner to enjoy a meal fit for a prince.  Planning tip: If spending the night in Vaduz, consider staying at Park Hotel Sonnenhof this boutique hotel piles on the luxury with its plush rooms The world’s tiniest winemaking nation, Liechtenstein has been dabbling in viticulture for the past 600 years – long before it became a country. Sunny slopes, limey soils and warm föhn (foehn) winds make grape-growing conditions ideal. Clamber up through the flower-draped vineyards of Vaduz and you reach the Hofkellerei the prince of Liechtenstein’s wine cellars Delve down to the atmospherically vaulted cellar for a tasting of berry-forward pinot noir reds and crisp Located in the heart of Vaduz, the Princely Collections, which include crown jewels, Fabergé eggs and other treasures, are on display at the Schatzkammer (Treasure Chamber) the collection draws visitors from around the world to admire the craftsmanship in each masterpiece works of art studded with precious materials opulent gifts to the rulers of Liechtenstein lunar rocks and even the first postage stamp issued by the country as you peruse the Treasure Chamber’s dazzling exhibits Planning tip: Stop by the Liechtenstein Center next door to the Schatzkammer for information about Liechtenstein and to get a souvenir passport stamp while the nearby Walserhaus is a 400-year-old house furnished in 19th-century fashion North of Treisenberg is the hair-raisingly high Fürstensteig trail one of the most famous paths in the Rätikon mountains The approximately 6.4km (4-mile) trail takes about 2.5 hours climbing through tranquil pastures and mountain pines before ascending to spectacular close-up views of the razor-edge Drei Schwestern (Three Sisters) peaks Planning tip: Weather conditions may affect access to the route Plan ahead and check the local information center for the most up-to-date details.  For views rippling across the Rätikon Alps bed down in a bunk at Pfälzerhütte in the Naaftal Valley On an eyrie-like perch atop 2108m (6916ft)-high Bettlerjoch saddle this stone hut is terrific for striking out into the surrounding alpine wilderness with high-level trails threading into the remote mountains hard-core rock climbing on nearby peaks and eye-level encounters with wildlife including whistling marmots and elusive ibex.  Planning tip: Mountain bikers can tackle steep ascents and exhilarating descents on the 9.6km (6-mile) the 1602m (5259ft)-high resort of Malbun feels – in the nicest possible sense – like the end of the world When the flakes fall on its dark timber chalets and the pearl-tipped peaks of the Rätikon Alps Chairlifts wing skiers and boarders up to Sareis at 199m (656ft) and over 22km (14 miles) of slopes there are pine-scented winter walking trails to crunch along – the prettiest and most popular being the 4.8km (3 miles) Or glide in quiet exhilaration along cross-country trails in the Valüna Valley then grab a toboggan and dash down through the snow under a brilliant frieze of stars.  with bell-jangling cows grazing flowery meadows marmots popping out of burrows to give a little whistle and hiking trails swinging joyously into the heights which leads up to the cross-topped summit of Augstenberg (2358m/7739ft) and wows with arresting views over Austria Nature takes center stage at Ruggeller Riet a marshy refuge near the northern tip of Liechtenstein Bring binoculars for the wildlife-rich peatlands marshes and moors of the Ruggeller Riet nature reserve where storks flock en masse when the blue Siberian iris blooms in late May and early June The preserve encompasses 220 acres along the Rhine River A circular loop takes walkers past rock caves and peat bogs to an inland canal for a comprehensive look at the rich biodiversity hosted throughout the preserve.  Planning tip: Schedule your visit in late May or early June to see the Siberian iris blooms cover the meadows with a wash of blue and catch a glimpse of the rare birds that nest there.  Liechtenstein is tiny and easy to get around Bikes and e-bikes are a brilliant means of getting around on the flat western side Bring or rent a bike for a day or two exploring Vaduz on the Liechtenstein Rhine Valley Trail or tackle the mountain trails for a more challenging adventure there’s the Drei-Länder cycling tour dipping into three countries With multiple itineraries available for pleasure riders and for more advanced cyclists each route highlights the natural beauty of the Alpine region The best way to acquaint yourself with this pocket-sized nation is by hitting the 75km (47-mile) Liechtenstein Trail which kicks off in castle-topped Balzers on the Swiss border in the south and ends in Schaanwald snug against Austria in the north this trail has moments to make your heart sing A family feast in the tiny European principality of Liechtenstein, set snugly between the Swiss and Austrian Alps, features farm produce, local wine and home bakes sweetened with orchard fruits. Inside, I spot how spacious and light it is, but barely notice the gleaming kitchen, carefully chosen ornaments or her great-nephews’ art projects. I’m transfixed by the view: floor-to-ceiling, wall-to-wall glass doors frame a spectacular Alpine panorama of snowy peaks, forested slopes and verdant Rhine Valley. Tina lays the shopping on the spotless kitchen island and ties on an apron painted with her great-nephews’ colourful handprints. She passes Laura a small knife and directs her to six apples and an old chopping board. It’s time to get to work. Willi and his niece, Laura, help to set the table for a meal of knöpfle.Photograph by Kassie Borreson“Careful with your fingers!” she cautions Laura, who’s now slicing onions, before talking to me about Liechtenstein’s traditional food. “It’s simple stuff,” she says. “It came from what people had. Farmers had flour and eggs, so knöpfle was an economical meal.” And, she tells me, it’s the same with ribel, Liechtenstein’s national dish, made with cornmeal, milk and butter. Tina and Willi cook all sorts of dishes together, but for the Thursday family lunches, Tina follows her mother’s traditional recipes, making the dishes she ate as a child. These include ribel, semolina dumplings in broth, shredded pancakes with plum and cinnamon compote, and sweet, yeasted dumplings with vanilla sauce. “That’s all the children want,” she smiles, Laura nodding eagerly in agreement. “They’re on rotation every six weeks.” Tina spoons whipped cream onto the slices of tart and ice cream and we drift back out into the sunshine to eat it. The tart has a gentle flavour, barely sweet, the crunchy almond flakes providing a pleasing contrast to the soft apple and crumbly crust. The table is littered with cups of espresso and the warm, clear air is filled with the sound of forks scraping pastry off plates. I sit back and look at the view across the valley once more. I think I could be a mountain person, too. 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In 1987, when he bought a two-story metalworking factory on Washington Street in the West Village, he worked downstairs, ate lunch at the same diner every day and lived upstairs in a one-bedroom with his wife She died in July after spending most of the past three decades cementing her husband’s legacy and selling off nearly everything he had touched One of the last remaining items to be put up for sale is a four-story townhouse directly next door to the old studio The $6.9 million listing acknowledges the house is “currently being used as an office,” though images don’t show any desks or file cabinets just empty rooms and a water cooler in the kitchen the 20-foot-wide house is still divided into a labyrinth of smaller rooms — with two bedrooms per floor on the top two stories and on the garden level The dining room at the back opens on to a kitchen whose back wall has been replaced with windows that look out on a yard The couple met when Roy stopped by the blockbuster Pop Art show “American Supermarket” to sign shopping bags and found Dorothy playing the part of a cashier — a simple meet-cute origin for a legacy now valued in the tens of millions the foundation reported holding $40 million that it planned to donate they’ll bring the family about $26 million Updated 10:21 a.m.: The article originally stated that the Roy Lichtenstein Foundation was selling the townhouse It has since been corrected to clarify that Dorothy Lichtenstein’s estate owns the townhouse Password must be at least 8 characters and contain: you’ll receive occasional updates and offers from New York This website is using a security service to protect itself from online attacks The action you just performed triggered the security solution There are several actions that could trigger this block including submitting a certain word or phrase You can email the site owner to let them know you were blocked Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page © Roy Lichtenstein Foundation; D.F./Artists Rights Society (ARS) Roy Lichtenstein once said: “I take a cliche and try to organize its forms to make it monumental but it is crucial.” Lichtenstein defied traditional good taste and became a celebrated artist by imbuing ordinary objects—from hot dogs to trash cans—with tremendous power Join art historian and scholar Avis Berman author of Roy Lichtenstein: The Impossible Collection (Assouline Ultimate Collection as she traces Lichtenstein’s artistic development and explores his transformation into an iconic Pop artist who redefined American art in the 1960s Avis Berman is an independent writer and art historian Berman is the author of Rebels on Eighth Street: Juliana Force and the Whitney Museum of American Art; James McNeill Whistler; and Edward Hopper’s New York; and co-author and editor of Katharine Kuh’s memoir My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator she helped establish the Roy Lichtenstein Foundation oral history program she contributed to similar projects for the Helen Frankenthaler Her articles and reviews have appeared in numerous magazines and newspapers She has contributed essays to encyclopedias She is now at work on the first biography of Roy Lichtenstein This program is co-presented with our Brandeis University Partners: Department of Fine Arts and held in conjunction with the exhibition, Lichtenstein100 Download the free Rose Art Museum app in the App Store or access the web version on your device's internet browser for self-guided tours and more The Rose Art Museum is closed on Mondays and Tuesdays federal judge sentenced crypto hacker Ilya "Dutch" Lichtenstein to five years in prison for his involvement in the $3.6 billion Bitfinex hack and subsequent money laundering See Also: Revolutionizing Cross-Border Transactions with Permissioned DeFi The 35-year-old and his wife Heather Morgan pleaded guilty last year to one count of conspiracy to commit money laundering over the 2016 theft of nearly 120,000 bitcoin from the virtual currency exchange Lichtenstein, a U.S. citizen born in Russia, used "advanced hacking tools and techniques" to break into the company's network and fraudulently authorized more than 2,000 transactions transferring 119,754 bitcoin from Bitfinex to a cryptocurrency wallet under his control, said the Department of Justice He covered his tracks by deleting access credentials and other log files that could have revealed his presence after which he enlisted his wife Morgan's help to launder the stolen funds They used "numerous sophisticated techniques," such as setting up fictitious identities for online accounts depositing the stolen funds into accounts at dark net markets and cryptocurrency exchanges and mixers before withdrawing them and even exchanging a portion of the stolen funds into gold coins "Neither the hack nor the laundering scheme was an impulsive decision," prosecutors said adding that Lichtenstein spent months attempting to gain access to Bitfinex's infrastructure and get the accesses and permissions he needed to orchestrate the hack Lichtenstein is also set to serve three years of supervised release after his imprisonment. He has already served out two years and nine months of the sentence, after the "Crypto Couple" were arrested in New York in February 2022 The couple laundered about 21% of the stolen funds worth at least $14 million at 2016 prices and exceeded $1 billion at the time of their 2022 arrest Law enforcement seized the rest of the funds "He became one of the greatest money launderers that the government has encountered in the cryptocurrency space," the prosecutors wrote Ramesh has seven years of experience writing and editing stories on finance She has previously worked at formerly News Corp-owned TechCircle business daily The Economic Times and The New Indian Express By submitting this form you agree to our Privacy & GDPR Statement whitepaper whitepaper whitepaper whitepaper Government Cybercrime Artificial Intelligence & Machine Learning Finance & Banking Endpoint Security Continue » Overview Bitfinex Hacker Lichtenstein Sentenced to 5 Years in Prison Sign in now Contact Support Create an ISMG account now Create an ISMG account now Sign in now Cookies enable us to provide the best experience possible and help us understand how visitors use our website You are using an outdated browser. Please upgrade your browser or activate Google Chrome Frame to improve your experience Why Study Business at Leeds? Why Study Business at Leeds?   Leeds MBA 60th Anniversary Remember your defining moments at Leeds? Important Bridges to our Business Community "Recruiters recognized the skills I’ve developed through my focus on sustainability." Lichtenstein said that she was hesitant at first about the role with Bloomberg since she is not a finance major and initially wanted a role that focused on sustainability A mentor helped her see that she had all the skills she needed to be successful and that sustainability could be a part of jobs in many different fields allowing her to seek companies whose values aligned with her own Guest speakers and peers in Sustainable Business Club where she serves as the vice president of marketing have inspired Lichtenstein to make a difference and helped her to see that there are many paths to impact “I am excited to work in an environment where my values align with others and where there are many opportunities to learn and grow within the company,” she said I aspire to create a positive impact on the world through my work I have lots of ideas for making a difference and I think Bloomberg will give me the perfect foundation to begin this journey.” Lichtenstein is passionate about using business to solve challenges like climate change she witnessed the stark divide between wealthy people living in mansions just across a highway from people who were struggling with a lack of basic infrastructure in townships Classes at Leeds taught her about business models that create positive social and environmental impacts she hopes to return to South Africa and start a business that would address inequality with long-term solutions “The most growth comes in uncomfortable situations and it's important to explore diverse opportunities.” Lichtenstein sees building skills and staying true to her values as the key next steps on her career journey She has advice to share with other Leeds students about pursuing rewarding opportunities and an impactful career “I think one of the most important things is to keep an open mind and step out of your comfort zone,” Lichtenstein said The Social Responsibility and Ethics Certificate prepares students with many of the skills that helped Lichtenstein land her job and it pairs well with any area of emphasis at Leeds            995 Regent DriveKoelbel Building419 UCBBoulder, CO 80309-0419Location & Map Welcome Desk +1 (303) 492-1811Undergraduate +1 (303) 492-6515Graduate +1 (303) 492-8397 University of Colorado Boulder Privacy • Legal & Trademarks • Campus Map University of Colorado Boulder Essential digital access to quality FT journalism on any device Complete digital access to quality FT journalism with expert analysis from industry leaders Complete digital access to quality analysis and expert insights complemented with our award-winning Weekend Print edition Terms & Conditions apply Discover all the plans currently available in your country See why over a million readers pay to read the Financial Times LEAVE A COMMENT Two years ago, the United Nations General Assembly adopted the Veto Initiative through an effort led by Ambassador Christian Wenaweser of Liechtenstein The initiative establishes that if any of the permanent members in the Security Council — Britain Russia and the United States — casts a veto in a vote the president of the General Assembly must convene a formal meeting of the body within 10 business days the relevant countries have stepped up to the Assembly rostrum to do as required the public may not perceive any changes in Security Council actions especially on resolutions related to the war in Gaza But Wenaweser is optimistic about the initiative’s effect on Council proceedings and aims to take it further “The veto issue just hits a nerve,” he says based on conversations with his fellow diplomats adding that “it’s been more successful than I hoped and thought.” Liechtenstein tried to push through the initiative, officially the “standing mandate for a General Assembly debate when a veto is cast in the Security Council,” in 2020, but the pandemic created delays. The initiative was finally adopted on April 26 there have been 13 votes resulting in a veto with Russia responsible for six solo and another three with China three of them related to the war in Gaza and the other to the question of Palestinian full membership in the UN In early September, we sat down with Wenaweser at the Liechtenstein mission to dig into the strategy he’s embracing on Security Council reform and to split apart the legalistic hairs. The timing was propitious, as negotiations were reaching the final sign-off by UN member states on the Pact for the Future to embody the Summit of the Future this month Wenaweser was refreshingly casual and frank not afraid to betray his disdain for those who sit around at the UN complaining about how bad things are but don’t stick their necks out to get anything done Wenaweser has also been a passionate defender of the International Criminal Court Before his diplomatic training and subsequent career in foreign affairs Wenawaser had a deep humanities background This combination seems key to his out-of-the-box thinking and creative problem-solving The veto power given to the P5 is acknowledged by almost every UN member state as an enormous issue But between one side that says no more veto and the side that won’t give it up Wenaweser and his allies are saying that “what we want is to diminish the veto in all its aspects and take it to a place where it stops doing the harm that it is doing now.” especially since Russia’s invasion of Ukraine in 2022 “As a European country,” he says “we’re thinking very differently about our own security in the last two years war was a thing that happens elsewhere or in our region decades ago Outlining his road map for solving that problem he notes: “If the Council is not doing its work And that place is the General Assembly.” — MARIA LUISA GAMBALE This interview is part of PassBlue’s small state series The conversation was edited and condensed to ensure flow and clarity PassBlue: How did Liechtenstein become the leader on the veto initiative which now everybody thinks is a great idea it’s an advantage that nobody thinks we’re pursuing grand policy national interests and people believe that we do it in the interests of the institution PassBlue: Having had the veto initiative idea for so long and now seeing it in action how do you think it’s working out in practice it’s been more successful than I had hoped and thought the new president of the General Assembly talked about it it just confirms that the veto just hits a nerve And when people talk about Security Council enlargement The problem is not does Brazil get a seat or does India get a seat That’s why we have not been able to enlarge the Security Council further potential in it because what is happening now is extremely positive What we want for the General Assembly is to not only respond but to adopt its own decisions PassBlue: Many observers may say there are still atrocities happening unchecked Wenaweser: There is accountability now because you go to the General Assembly And people are also able to propose something in response to a veto if they so wish If you look at the states that have vetoed since the adoption of the veto initiative the Russians don’t particularly care They’re fine vetoing and going to the General Assembly and playing the game and they’re happy to give their speech And I think the initiative has increased their level of discomfort with the veto I think the bar for China to veto something is higher now The US is a special case because they co-sponsored the veto initiative. And you would have to ask them how they feel about it, because they have vetoed several times now. But our selling point to the US at the time was saying, Look, your vetoes are all Middle East vetoes. They go to the General Assembly anyway on the emergency special session [ESS] the veto initiative takes all the Russian vetoes to the General Assembly PassBlue: Why does it stymie China to have to defend its Council vetoes in the General Assembly Wenaweser: Because they now that the veto is unpopular and want to have strong partnerships with the membership PassBlue: What are some highlights on how the process is working or the actual value coming out from the General Assembly (GA) debates Wenaweser: The first veto since the mandate was established was on nuclear issues with DPRK [North Korea] Is the state going to show up in the General Assembly say: I have no obligation to go to the GA and to explain my veto I said what I had to say at the time of adoption or no adoption at the time of action in the Security Council The GA is not the body to discuss the veto because the veto is cast in the Council because our argument has always been institutionally that the Security Council does its work on behalf of all of us If I ask you to do something for me and you’re not doing it We had an agreement that you do this for me have all in the past said we are not accountable What’s also extremely positive is just the strong interest The third thing is that people are thinking differently about the role of the General Assembly now And we want to take this farther because what we want is a collective mindset That’s the philosophy of the veto initiative PassBlue: So, this is one step in a long process. As to other efforts, let’s talk first about the Pact for the Future and its work on creating momentum at least for Security Council reform and general governance reform How much faith are you putting in that process for advancing work on the veto problem PassBlue: What’s an ideal future for you with the veto overall Wenaweser: You have three schools of thought: The P5 that say the veto is a fact of life The French and the Brits don’t say that And that is formally the view of a majority of the member states But they all go in the room and say that the veto is bad And then some people add to that that the veto should be gone We have all accepted it when we joined the UN We are not able to abolish the veto unless the P5 say they don’t want it anymore That’s the reality legally and politically because you cannot change the Charter unless the P5 agrees What we want is to diminish the veto in all its aspects and take it to a place where it stops doing the harm that it is doing now And the veto also has a pervasive effect inside the UN system the P5 think they have a God-given right to decide on senior appointments not only on who is the secretary-general but also who is the head of the Office of Legal Affairs They think they have a right to have a permanent seat on the Economic and Social Council And they think they all should have a judge on the International Court of Justice if it weren’t for the fact that the Charter says that these five particular countries have the veto Wenaweser: Would I write the Charter the way it was written We live where we live and we have the treaty that we have The French and the Brits have not cast a veto since 1989 And they’re doing that because they do not believe they can afford it politically If the remaining three who have the veto think about it in those terms and say: This is politically a disaster for us We really should think about this very hard and only do it in the most extreme circumstances PassBlue: What’s next on the horizon for Security Council reform Wenaweser: What’s going on in the Council now and the paralysis that you see across most of the files is not because of Ukraine and Gaza That is just the geopolitical constellation that we have right now you’re just not going to have a broad basis for agreement on most issues That means we will have for the foreseeable future a Security Council that can’t do its work because someone is going to veto anything meaningful our choice is to either say we have a UN that does not do work on peace and security because the UN is an organization about peace and security It’s not a service delivery organization that is humanitarian assistance and education and vaccinations and all these things that are also important The Charter says it’s a peace and security organization for our people very differently about our own security in the last two years PassBlue: The failure to get a ceasefire in Gaza is a top issue that comes to people’s minds when they think about Security Council dysfunction right now What’s come out of GA meetings on resolutions concerning Gaza Wenaweser: One outcome was a resolution by the General Assembly calling for a ceasefire it doesn’t matter if a resolution was passed in the Council or in the General Assembly People see that it was passed with 143 in favor or it was passed with 12 votes in favor [in the Council] What matters is that there is a resolution from a political body of the UN Then some people say: But it’s legally binding if it comes from the Security Council It’s not legally binding if it happens in the General Assembly If there is a resolution in the Security Council that is passed in the Council that is legally binding We will not implement because this is just a hostile act against us and nothing happens if there is no implementation there is no value added to the text being legally binding We disagree with that because the Charter in Article 25 says states have an obligation to implement Security Council decisions It doesn’t say Chapter 7; it says Council decisions But if you have a P5 country who says some Council decisions are not legally binding then you really must wonder: Why are we going to the Council PassBlue: You started these efforts on Security Council reform in the mid-2000s Do you feel like the world is in a better or worse place now Have things improved because there’s been chipping away to keep Security Council reform on a front burner Or has the political situation worsened so much that we’re in a worse position Wenaweser: If you look at the work of the Council in isolation The rest of the membership is much less complacent There is much less inertia and indifference People are less willing to just accept the status quo Before it was always: We go to the Council But it’s also necessary because we are in the process of losing the UN as a peace and security organization And there is still a strong need to say that we want the UN in that role PassBlue: You’ve been here 21 years and dedicated to UN security reform for almost 20 years What keeps you going in your belief in this process Wenaweser: I believe in the ideals of the UN There are always a lot of people who say you can’t do this And my understanding of my job is that I’m here to do that We are the people that are supposed to bring change I really think people look at us here as agents of change They have an expectation that we shape things around the UN and we should at least try to live up this expectation This interview has been updated to reflect the ambassador’s comments more accurately she produces film and media projects and is director of the 2011 film “Sarabah,” about the Senegalese rapper-activist Sister Fa She has produced and directed video for National Geographic Gambale’s work in all media can be viewed at www.veradonnafilms.com This site uses Akismet to reduce spam. Learn how your comment data is processed. I think this issue is bigger than a Russia-Ukraine issue it is about former colonies and colonial powers issues The fundamental question is why France has a veto right at the UN Security Council level and Senegal does not have one Why United Kingdom has a veto right at the UN Security Council level and Nigeria does not have one The 1945 world has to come to an end and the 21st century world has to build a better and stronger organisation which can secure peace everybody has the right to his/her ideas and hopes but looking at the UN Security Council’ s composition undemocratic functioning and its proven negative impacts on peace in the world members of the UN Security Council are among the big weapons they will never build peace because they have to sell their weapons the world needs to deeply and critically rethink about a post UN Security Council i.e the creation of a new WORLD PEACE structure which will answer to the world’s needs in the 21 st century and beyond! Says Mr Nobody of a two-times billionaire president I think the "dewokeization" of the UN is correct Thank you Arthur for this important contribution on this very… Thank you Frank for this very important challenge facing humanity,… independent women-led media company that covers foreign affairs and the United Nations with a focus on women’s issues and the impact of major world powers on ordinary citizens We are strongly committed to high-quality original reporting and our team strives to ensure that these powers are accountable for their actions and decisions Don't miss a  story,  Subscribe to PassBlue We respect your privacy and take protecting it seriously your new go-to podcast to spice up your weekday mornings with relevant news and behind-the-scenes from Brussels and beyond From the economy to the climate and the EU's role in world affairs this talk show sheds light on European affairs and the issues that impact on our daily lives as Europeans Tune in to understand the ins and outs of European politics Dare to imagine the future with business and tech visionaries Deep dive conversations with business leaders Euronews Tech Talks goes beyond discussions to explore the impact of new technologies on our lives the podcast provides valuable insights into the intersection of technology and society Europe's water is under increasing pressure floods are taking their toll on our drinking water Join us on a journey around Europe to see why protecting ecosystems matters and to discover some of the best water solutions an animated explainer series and live debate - find out why Water Matters We give you the latest climate facts from the world’s leading source analyse the trends and explain how our planet is changing We meet the experts on the front line of climate change who explore new strategies to mitigate and adapt A once-in-a-generation collection of Roy Lichtenstein’s art is heading to auction in May with Sotheby’s expecting the vibrant selection to pull in more than $35 million (€30.8 million) The sale will feature 40 pieces from the late pop art pioneer’s personal trove – a treasure chest of paintings many of which have never been seen publicly Many works come directly from the Southampton home Lichtenstein shared with his wife Dorothy including rare pieces made in the artist’s own studio – a space usually kept private and rarely photographed “From drawings to paintings to sculpture, this phenomenal group of works provide a front row seat to Lichtenstein’s incomparable genius,” said David Galperin, Sotheby’s Vice Chairman and Head of Contemporary Art in New York “The full scope of the offering is a rich and varied selection that will resonate with collectors around the world – there is truly something for everyone.” “Lichtenstein’s imagery continues to spark conversation as vividly today as it did at the time of its creation,” Galperin added Lichtenstein was drafted into the US Army during WWII and later taught fine art at Ohio State University He shot to fame in the 1960s with comic-inspired works like his “damsels in distress” series – bold A 1964 Life magazine article famously asked Yet the decades that followed would prove Lichtenstein’s enduring relevance As his widow Dorothy championed through the Roy Lichtenstein Foundation celebrated and cheekily reimagined the history of art Sotheby’s will exhibit highlights of the collection in Hong Kong before returning them to New York ahead of the May sales it’s a rare chance to glimpse – and maybe even own – a piece of pop art history Find out more about the auction here Ilya Lichtenstein (Alexandria Sheriff's Office) Prosecutors have requested that Ilya “Dutch” Lichtenstein who pleaded guilty last year to the 2016 hack of crypto exchange Bitfinex should spend five years behind bars for his crime were arrested in Manhattan in February 2022 and charged with conspiring to launder nearly 120,000 bitcoins stolen during the hack Though Lichtenstein and Morgan were first believed to only have laundered the proceeds of the hack (worth approximately $7.5 billion at today’s value) Lichtenstein later admitted to being the original hacker In August 2023, Lichtenstein pleaded guilty to one count of conspiracy to commit money laundering, which carries a maximum sentence of 20 years in prison. Morgan pleaded guilty to one count of money laundering conspiracy, a less serious money laundering offense with a five year maximum sentence, as well as one count of conspiracy to defraud the United States, which also has a five year maximum sentence. Last week, prosecutors suggested that Morgan – who, according to court documents, did not know about her husband’s theft until 2020, when he enlisted her help to launder the coins – should serve only 18 months behind bars. Prosecutors have asked the judge to go harder on Lichtenstein, however, who they argue spent months devising a scheme to gain access to Bitfinex’s systems and carry out his attack. They also point out that, while Lichtenstein has no official criminal history, he “experimented with other hacking and financial fraud activity” beginning as a juvenile. In 2016, before he hacked Bitfinex, Lichtenstein stole approximately $200,000 from another crypto exchange. In their sentencing memo, prosecutors urged the judge to mete out a “strong sentence” for Lichtenstein in order to deter other “juveniles starting to head down a path similar to [Lichtenstein’s].” Prosecutors said that they believe Lichtenstein’s risk of recidivism is low, citing his age at the time of the crime and the fact that he was “abusing Adderall at the time of the offense, which may have contributed to the activity.” “The government believes that the defendant will be able to use his considerable skill sets for legitimate ends, and hopes that he will make positive contributions to the cybersecurity and anti-money laundering industries following his sentence,” prosecutors wrote. As part of his guilty plea, Lichtenstein already agreed to forfeit all the proceeds of his crime. Lichtenstein is set to be sentenced on Nov. 14 at 2:00 p.m. in Washington, D.C. Morgan will be sentenced 24 hours later. On the news team at CoinDesk, Cheyenne focuses on crypto regulation and crime. Cheyenne is originally from Houston, Texas. She studied political science at Tulane University in Louisiana. In December 2021, she graduated from CUNY's Craig Newmark Graduate School of Journalism, where she focused on business and economics reporting. She has no significant crypto holdings. We use cookies to provide our services and for analytics and marketing. To find out more about our use of cookies and how you can disable them, please see our Privacy Policy. By continuing to browse our website, you agree to our use of cookies. Click here to read our privacy policy. High diver James Lichtenstein finished second at the World Cup in Bahrain in September he beat the last two world champions to win his first Red Bull Cliff Diving World Series event So far in 2024, American high diver James Lichtenstein made five podiums. He finished no worse than fifth place internationally. And his signature dive is a back quint. View this post on Instagram A post shared by Red Bull Cliff Diving (@redbullcliffdiving) What are the odds his year would stack up like that?   Give him a pen and Lichtenstein could figure it out. At Notre Dame University, he studied actuarial science, a branch of math that involves statistics and probability to assess risk. It’s mostly used in the finance and insurance fields, but Lichtenstein once used it to figure out whether his famous back quint dive was even possible. “The math said it was – but who knows if the math is 100% correct? You hope it is,” he said, but the dive “also has to feel right.” The back quint entails taking off with his back to the water and executing five somersaults in less than three seconds. He used it in a 27m competition for the first time in 2021, at an event in Los Angeles. “Luckily, it felt right and the math made sense,” he said. It also gave him legitimacy in the world if high diving. “Once I did the back quint, people go, ‘Oh, this guy’s the real deal,’” he said. Red Bull took notice, and invited him to compete in their Cliff Diving World Series in 2022. “You’ve got to be doing something special to even get invited,” Lichtenstein said. But even before his Red Bull debut, he said, “I was known for doing dives that no one else would do. For example, most people do their twists in the first flip and I was like, ‘I want to try it in the second flip.’” Lichtenstein was also known for doing that in trampoline, his main sport while growing up in suburban Chicago. “I never liked diving that much until I actually started getting good at it in college,” he admitted. One reason he preferred trampoline, he said, is that “in trampoline, there’s nothing in your way. Versus in diving: you’re trying to get away from the board, but still also be close to the board. Then you’re doing flips in directions where you’re flipping back towards the board.” View this post on Instagram A post shared by James Lichtenstein (@jamesdlich) But his love for learning new tricks was omnipresent. Halfway through his first year at Notre Dame, he saw high diving for the first time and immediately knew he wanted to do it “because it gave more time in the air to do these crazy tricks and see what’s possible and still compete,” he said. Two days after he graduated from Notre Dame, in 2017, he performed in his first show and started doing the back quint off a 20-meter tower at Holiday World & Splashin’ Safari in Santa Claus, Indiana. “It was a good setup,” Lichtenstein recalled. “It had a solid tower and a deep enough pool. So it was a good place to train – and get paid to train. That’s how I saw it.” These days, Lichtenstein trains on the 27m tower in Fort Lauderdale, Florida, which opened in 2022 and was touted as the first of its kind in the Western hemisphere. The first person to dive from 27m on that new tower was Lichtenstein’s current coach, 2017 world champion Steven LoBue. That facility, Lichtenstein said, is a huge reason why he’s been so successful this year.  “If you’re training the height you compete from, you have an advantage over the rest of the world,” he said by phone from Florida six days before the World Aquatics World Cup finale in Brasilia, Brazil. “Just having access to 27 meters,” he said, has made a crucial difference. “I can’t imagine not having the option to do anything higher than 10 meters until competition.” The only other 27m facility in the world that’s open year-round is in China. Lichtenstein opened the year by placing fourth at the World Aquatics Championship in Doha, Qatar, in February by using his back quint (with a 5.3 degree of difficulty) and his harder optional dive, an armstand back 4 ½ (with 5.6DD). Then, at the second Red Bull event of the year, in Boston, he finished second behind the 2024 world champion Aidan Heslop. Three weeks later at Polignano a Mare, Italy, he placed second again, this time behind the 2023 world champion Constantin Popovici. In July, he took third behind both men in Northern Ireland. Then, on August 10 in Oslo, Lichtenstein claimed his first victory. The winner was awarded a three-litre bottle of rose wine. “That was nice,” Lichtenstein said. “I was surprised that it made it home in my suitcase.” He followed the Oslo win by taking second place at the World Aquatics World Cup in Manama, Bahrain, in a contest so tight that the difference between first place Popovici and third place Heslop was only 4.20 points. View this post on Instagram A post shared by James Lichtenstein (@jamesdlich) If Lichtenstein has calculated his odds of winning It will be his first trip to South America and he’s feeling no stress “It’s less pressure than Red Bull because there’s no series title to win,” he said the Brasilia World Cup is a qualifier for the 2025 World Aquatics championships in Singapore Lichtenstein’s second-place at the Bahrain World Cup in September put him in an excellent position to make the cut “I was slightly more relaxed [there] and not as worried about the outcome,” he said it’s a point system – and points are just numbers “I can get last place [in Brasilia] and still make it.” Following the sale of a select group of works from the Collection of Dorothy and Roy Lichtenstein at Sotheby’s in November 2024 Sotheby's is pleased to partner with the Lichtenstein family to offer an expanded trove of more than 40 works by the American Pop icon at auction this May Coming to auction for the first time after remaining in their personal collection for decades the group of works charts four decades of Lichtenstein’s practice following his shift from abstract expressionism to Pop art in the 60s to his exploration of modern art in the 70s through to his celebrated Reflections series from the 80s and culminating in his famous interiors and nudes of the 90s “Roy’s Lichtensteins” form a throughline of the artist’s most introspective examinations of his life and practice: the metaphorical reflections on his own oeuvre his reflections on other artists and the art historical canon and his formal explorations of rendering reflections in his work A remarkable grouping of the artist’s output across various media Among the works on offer are the artist’s investigation of the work of the modernists subjecting them all to his own aesthetic and asserting his place in art history A common thread of Lichtenstein’s distinct humor and joie de vivre is woven throughout Works highlight his more literal takes on reflection and plays on illusion drawings and studies mark the genesis for Lichtenstein’s most iconic paintings Estimated to achieve in excess of $35 million highlights from the collection will travel to Hong Kong from 18-23 April before returning to New York for pre-sale exhibition ahead of Sotheby’s Contemporary Evening and Day sales this May Roy Lichtenstein fell in love with art from an early age Drawing and sculpting in his teenage years he took classes at the Art Students League and also developed a deep love for jazz music he later completed his Fine Arts degree at Ohio State University Lichtenstein had his first solo show in New York became an assistant professor at State University New York at Oswego While he gained popularity in the early 1960s for his renowned “Girl Paintings,” the decade also saw him expand into sculpture and ceramics His work was regularly shown in major exhibitions solidifying his place in the Pop art movement alongside the likes of Warhol and Rosenquist his Ben-Day dots proved controversial at the time and an infamous 1964 LIFE magazine headline asked: “Is (Lichtenstein) the worst artist in the U.S.?” In 1968 who later became president of the Roy Lichtenstein Foundation a notable philanthropist and custodian of the artist’s legacy “Lichtenstein was keenly aware of his place in the lineage of art history The crux of his practice is this interrogation of the nature of art and image making and this is singularly relevant in one of the group's highlights Whether adapting the works of artists such as Claude Monet or using his own work as a jumping off point Lichtenstein’s practice is uniquely reflexive and referential This amazing group of works epitomizes that concern.” Lucius Elliott Head of Sotheby’s Contemporary Evening Auctions in New York Lichtenstein turned his attention from comic book images to encompass a broader array of inspirations and source material he and Dorothy often retreated to their coastal residence in Southampton which featured a separate studio situated just across the lawn from the main home Complete with his signature rotating custom easels Lichtenstein created many of his works in his light-filled studio Recent images taken by Sotheby’s offer a rare look inside the artist’s private featuring several of the works on offer in the auction in the space his work is held in esteemed collections around the world including the National Gallery of Art in Washington ArtDependence Magazine is an international magazine covering all spheres of contemporary art ArtDependence features the latest art news highlighting interviews with today’s most influential artists fair directors and individuals at the axis of the arts The magazine also covers series of articles and reviews on critical art events new publications and other foremost happenings in the art world If you would like to submit events or editorial content to ArtDependence Magazine, please feel free to reach the magazine via the contact page Dorothy Lichtenstein and her beloved bouvier Dorothy Lichtenstein at an Express Session event in January Dorothy Lichtenstein in her Southampton studio Roy and Dorothy Lichtenstein with "Cup and Saucer I" (1976) and "Teapot on Stand" (1977) in their Southampton studio Kathy Goodman met Dorothy Lichtenstein in a variety of ways though her first impression was always the same Whether it was at a party in an artist studio or in a professional setting Lichtenstein was unfailingly radiant — strikingly beautiful with a unique perspective on life that she had shared with her husband those qualities only broadened and deepened as she watched her friend grow into the benefactor and champion of the arts that became her public persona — one defined by her generosity When she wasn’t fulfilling her philanthropic obligations Lichtenstein shied away from the spotlight often preferring the company of close friends and family books and pets to the glitz and glamour of the East End and beyond and navigated her own periods of turmoil with elegance and grace and that first impression Lichtenstein made is as vibrant today as it was then she was the most special person I’ve ever known,” Goodman said Lichtenstein died from complications of congenital heart disease at her home in Southampton surrounded by her loved ones — including her stepsons “I’m having real difficulty accepting that she’s gone,” her longtime friend said attending Midwood High School before studying political science at what was then Beaver College in Pennsylvania — since renamed Arcadia University landed a job at the Paul Bianchini Gallery in New York the gallery staged the show “The American Supermarket,” which included work by Andy Warhol After the artist broke up with his then-girlfriend she told Gagosian Quarterly in an interview in 2018 The Lichtensteins were independent and yet completely intertwined “Dorothy was great at all the things my father was either not great at or didn’t want to do,” he said and so as far as career and going out and what it entails to be a success And he just always wanted to be back in the studio tapped into yoga and spirituality — frequenting author Peter Matthiessen’s Ocean Zendo in Sagaponack — penned a cookbook she enthusiastically stepped into the role of a maternal figure just always knew the right thing to do,” Lichtenstein said “I’m embarrassed to say that at my advanced age “You just always knew you would get the best advice about pretty much anything from her,” he continued it’s not like I suddenly realized what’s gone When his father died from pneumonia in 1997 his stepmother was thrust into the public eye as She co-founded the Roy Lichtenstein Foundation and got to work facilitating public access to the artist’s body of work and supporting the arts and education as she could “She was a philanthropist the way one should be and not many are,” explained Robert Reeves founder of the Stony Brook Southampton MFA in Creative Writing and Literature program She was the most authentically generous person among people who are benefactors that I’ve ever met.” the organizations that Lichtenstein touched through the foundation are endless the Bridgehampton Child Care & Recreational Center the Pollock-Krasner House & Study Center Terrie Sultan first met Lichtenstein during the Parrish Art Museum’s search for a new director and remained close during her 12-year tenure in the role “She quickly became a trusted and foundational ally in all aspects of the museum’s plans for the new building and her support was transformational at all levels,” she said “The museum could not have succeeded without her This was largely because of her unwavering graciousness “She welcomed me into her circle of friends and we shared many social lunches and evenings talking about our shared interests in art landscape and the importance of the cultural institutions here in the Hamptons her legacy lives on through the Lichtenstein Theater the creation of the Dorothy Lichtenstein ArtsReach Fund with her friend Agnes Gund and the long-term loan of Roy Lichtenstein’s “Tokyo Brushstrokes I and II” that are the iconic gateway symbol of the museum “Dorothy’s touch is everywhere one turns at the museum,” she said The same can be said of the Stony Brook Southampton Arts program who clearly remembers Lichtenstein approaching him after a college event featuring a conversation with comedian Mel Brooks and actress Anne Bancroft in 2003 “Dorothy was take-your-breath-away gorgeous,” he said and I was in this first-time position of leadership What can I do?’ I said that always ruined me forever for fundraising.” Lichtenstein became the program’s primary benefactor allowing it to not only survive but thrive over the years from its beginnings as part of Long Island University and through the transition when Stony Brook University took over the Southampton campus and integrated the arts program into its larger curriculum and provided what very few artists and academics receive: the freedom to invest in themselves and their vision which is the most wonderful gift you can give to artists.” And in honor of her dedication and enthusiasm the university officially renamed the Southampton Arts program in 2022 — which is now known as the Lichtenstein Center “She didn’t really relish putting her name on things; I think she would have been happy not to,” Reeves said “She and I both agreed that the arts were under attack they were in retreat — certainly everywhere in the country today The strategy was that lending her name would in some way — the hope and maybe a fragile hope — help protect us in the world and it would help protect us in the university to see if her name could give us some clout.” it associated the arts program with “one of the most distinguished women in America and one of the most distinguished philanthropists,” Reeves said It associated the program with a visionary executive director of the programs in film and television “It was so in her chest — the kind of laugh that had seen the incredible highs of life She was in all these really high places.’ You could hear that in her laugh like she was in the height of the art world “In the way she carried herself and the sound of her voice and the way she looked and I never felt there was any hierarchy.” Lichtenstein decided to wind down the foundation and gift the majority of its collection to museums embracing her own opinion on philanthropy: that nonprofits were not meant to last forever She noted that Lichtenstein was instrumental in the transformation and founding of The Church in Sag Harbor as well as supporting the rebuilding of the Sag Harbor Cinema in the midst of the COVID-19 pandemic “It would be hard to find a better model of empathy and grace than Dorothy and she will not soon be equaled,” Gornik said “I really loved and looked up to Dorothy as a queen of a woman and I am so grateful for her example of true generosity.” Lichtenstein found herself seated in the cinema watching “Anselm,” her 3D glasses perched on her face it was really great — and that’s what Dorothy would do,” Hoye said “She would take time and sit and talk about anything.” able to pick up right where she left off in many conversations she would regale him with tales about her stepsons while isolating at her home on Captiva Island in Florida “We would often go swimming in the Gulf of Mexico — it was more of a floating around and talking than a swim,” he said “It was so great because she had a free flow of ideas too — her walls no longer covered in art by her late husband but rather pieces by friends and local artists many that she bid on during benefit auctions when she saw they weren’t getting attention It is also the space that she shared with her 100-plus-pound Bouvier he was so stinky and he was such a big mop and he was such a sweetheart Goodman paid Lichtenstein and Brutus a visit knowing that her friend’s health was starting to decline she suggested they go outside and spend time in the gardens instead they keep trying to get me to go outside and see the gardens ‘Do you know why that is?’ and she burst out crying,” Goodman recalled “It was the right question to ask because she needed to have that moment she is survived by their spouses — Vincent Sanchez and Jennifer Moore “Her legacy is something in the area of just being sure to be your higher self to be in conversation with your better angel,” Goodman said after news of Lichtenstein’s death had circulated through the community screenwriter Jennie Allen — associate director for the MFA in film at the Lichtenstein Center — reached out to Brandeis “The fireflies are lighting up in synchrony tonight You've read 4 of your 7 free articles this month Please log in or create an account to continue reading Our goal: to leave no breach of freedom of information unreported our latest investigation reports as well as our publications produced every day by our regional offices in connection with our network of correspondents in 115 countries around the world we carry out in-depth work with governments and institutions We offer concrete solutions and launch international initiatives We are on the ground to assist journalists in danger Do you believe there can be no freedom of conscience without freedom of the press Do you want to help free and independent journalism Do you want to defend the right to information There are several ways to support RSF: find the one that suits you and join the fight Go behind the scenes of RSF and discover in detail our operations our governance… but also our favourite picks projects and events we support and who act in their own way to advance our commmon ideal Liechtenstein is preparing to privatise its only public broadcaster, Radio Liechtenstein following a public vote to scrap its funding As public broadcasting across Europe faces similar threats Reporters Without Borders (RSF) calls on the Liechtenstein Parliament to outline a roadmap to ensure the station maintains its editorial independence the parliament of Liechtenstein — the German-speaking principality with a population of 38,000 — will start discussing the future of the country's only public media outlet, Radio Liechtenstein in its final session before the parliamentary elections in February 2025 A public vote held on 27 October ended in a decision to repeal the law governing public service broadcasting This referendum was initiated by the opposition party Democrats for Liechtenstein (DpL) which criticised the radio service’s growing costs paid for by state finances as they believed these expenses were disproportionate to the radio’s programming quality and the low subsidies given to private media setting the public service’s effective end date – scheduled for late 2025 but subject to change by law – as well as the potential privatisation process which may be the only means for the station to survive Under the current media support law — which is also due to be reformed in a parliamentary vote in early December — Radio Liechtenstein is entitled to approximately 800,000 Swiss francs (858,000 euros) after privatisation instead of the 4 million Swiss francs (4.3 million euros) it currently receives as a public entity coupled with the short timeline for implementing the referendum result even as it begins taking steps to improve efficiency “We respect the will of the Liechtenstein people as expressed in the referendum its result threatens a vital pillar of democracy: the independence and pluralism of journalism. Radio Liechtenstein is facing the nightmare haunting European public broadcasting: dissolution or privatisation We call on the Landtag to act responsibly: delay the privatisation until at least the end of 2026 to give the radio station time to prepare for the transition and impose guarantees on its future investor so the station maintains its editorial independence By respecting these conditions – which RSF advocated for in a meeting with the Ministry of Home Affairs on 28 November – the Landtag’s measures would align with the provisions on public and private media outlined in the European Media Freedom Act (EMFA) a law Liechtenstein is about to apply nationally While not a member of the European Union (EU) Liechtenstein is part of the European Economic Area — an economic alliance of countries integrated into the EU's internal market — which is subject to the EMFA Liechtenstein's media pluralism had already been undermined when one of the country's two daily newspapers, Liechtensteiner Volksblatt closed due to financial issues in March 2023 the country’s citizens only have access to one national daily newspaper, Vaterland and one national television channel, 1FLTV Across Europe, far-right parties such as the National Rally in France are advocating for the privatisation of public broadcasting Liechtenstein ranks 15th out of 180 countries and territories in RSF’s 2024 World Press Freedom Index We depend on you in order to be able to monitor respect for press freedom and take action worldwide You support our activities when you buy our books of photos: all of the profits go to Reporters Without Borders 2024 (GLOBE NEWSWIRE) -- Information Services Corporation (TSX:ISV) (“ISC” or the “Company”) is pleased to announce a new contract win the Company has signed an agreement with the Principality of Liechtenstein (the “Principality”) to deliver a digital commercial registry system The total value of the contract is CHF$6.2 million (approximately CA$10.0 million) and is for a period of 5 years The contract—which includes the deployment of an end-to-end digital solution for the Principality’s eHandelsregister—will be powered by ISC’s flexible and scalable RegSys platform This system will enable government personnel to streamline workflows provide efficient and accessible services to businesses and support the Principality’s commitment to digital transformation RegSys will provide a suite of 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1-306-798-1137corp.communications@isc.ca the home of Liechtenstein’s royal family in Vaduz BERLIN (AP) — Voters in Liechtenstein have voted to withdraw state funding from the tiny country’s public radio broadcaster a decision that leaves the station’s future in doubt 55.4% of participants voted to scrap legislation that grants state funding to Radio Liechtenstein at the end of 2025 The measure was initiated by a small opposition party It argued that Radio Liechtenstein is swallowing more than 70% of state funding for the media giving it an unjustified advantage against private media The station was slated to get public funding to the tune of 3.95 million Swiss francs (nearly $4.6 million) over the next four years The government argued before the vote that it’s questionable whether Radio Liechtenstein could be privatized successfully “because it is hardly possible for a private radio station in Liechtenstein to generate enough advertising income.” It says Radio Liechtenstein had an average 11,400 daily listeners in the country in 2021 the last year for which figures are available Liechtenstein is a principality of about 39,000 people that borders Switzerland and Austria It has close ties in particular with Switzerland with which it has a customs and currency union Roy Lichtenstein's 1994 sculptures "Tokyo Brushstroke I & II" at the Parrish Art Museum The Parrish Art Museum in Water Mill is home to thousands of works by acclaimed artists the beloved pop artist who lived in Southampton and used comic book-style coloring and details to create eye-catching imagery That famous style was applied beyond the canvas as Lichtenstein also used it to design various sculptures throughout his career If you’ve ever wanted to see Lichtenstein’s trademark style in the third dimension you can swing by the Parrish and see it in person “Tokyo Brushstroke I & II” are the first works of art that greet guests pulling into the museum’s entrance the two Lichtenstein sculptures have been on view at the Parrish since 2014 as part of a long-term loan from The Fuhrman Family Foundation but because these works are located outdoors they have been exposed to the elements for a decade the pair of Lichtenstein sculptures received a facelift the Parrish re-debuted “Tokyo Brushstroke I & II” after collaborating with Two Sticks Inc. a New York-based conservation studio specializing in modern and contemporary art a blast cleaning and specialty painting company The vibrant displays are now back to standing tall in the Bacon Family South Meadow west of the Parrish’s entrance and Dorothy Cullman chief curator of art and education and deputy director of curatorial affairs at the Parrish Art Museum explained that the project to refurbish the pieces was undertaken with the museum’s understanding that these kinds of sculptures require refreshing every 10 years The restoration work took three to four months and had to be completed prior to the bitter cold of winter setting in Great care and precision were required for this job but those are common tactics applied by American Stripping Co said the project began in late September and involved him and other ASCo staffers spending about six weeks at the Parrish before the work was completed in early November While other restoration projects involve stripping a sculpture’s old paint completely Sejd said his team determined that the original paint of the Lichtenstein sculptures still had good adhesion and only needed to be painted over with fresh colors that matched the original He added that paint stripping was done only in local areas that required paint removal back to bare metal surfaces “All previously painted surfaces were aggressively mechanically sanded to remove failed or otherwise aged paint,” he explained “It was a very detailed process of matching the colors We had to be very specific to the Lichtenstein art that was chosen many years ago It’s important that the artist’s intent comes forward.” Sejd said that seven colors were included in the process of painting and masking the sculptures Since the project began so late in the painting season the team had to factor both cold temperatures and dew conditions into the process of preserving the precise edges and smooth color transitions in the work Erni and Two Sticks for ensuring Lichtenstein’s original vision was met in the restoration “Through a lot of hard work and experience you get all those small details right,” Sejd said “All those little lines blend together and work perfectly.” Two Sticks is also well-versed in sculpture restoration especially when it comes to Lichtenstein’s work said that the company has been working with the Roy Lichtenstein Foundation for over 20 years and was able to find the precise color swatches that were originally used on the sculptures Griffith added that it took three weeks to acquire and approve the paints with said specific swatches for the sculptures the Brushstroke series,” Griffith said of Lichtenstein “What’s interesting is the ‘Tokyo Brushstroke’ .. it’s one of the beginnings of the very large-scale [pieces] he only worked on more human-scale and then started scaling them up.” both sculptures are totally refurbished and once again standing sentential in all their vibrant hues at the entrance of the Parrish Art Museum “‘Tokyo Brushstroke I & II’ are the perfect sculptures for a museum: They are a monument to the essence of art — something that is ephemeral yet fundamentally important for a painter: the genius of the brushstroke,” Erni said “The shapes and colors are awe-inspiring and joyful — they attract visitors to come closer and awaken curiosity about what’s here.” Roy Lichtenstein has a long history on the East End were year-round residents of Southampton starting in 1970 The Parrish has organized multiple Lichtenstein exhibitions of over the years including a 1982 exhibition of work spanning from the 1950s to the early 1980s and a 2006 display of the artist’s paintings with Native American artifacts from the Montclair Art Museum The Parrish’s most recent Lichtenstein exhibition was in 2021 and it showcased some of his overlooked early works dating all the way back to 1948 “There’s something about [Roy’s] work that just makes you feel happy,” Glenn Fuhrman co-founder of The Fuhrman Family Foundation “There’s something about the bright colors the way he takes a simple brushstroke that everybody from childhood to adulthood understands and makes it into a sculptural object When you see them in that giant scale in those bright colors There is some degree of awe that comes when you look at something in that scale especially right next to the highway in this beautiful field next to this architectural masterpiece that the museum is The juxtaposition of all of those things enhances the appreciation of the work.” “I am thrilled that these spectacular sculptures have been returned to their original vibrant glory thanks to the incredible generosity of The Fuhrman Family Foundation and an amazing team,” noted Erni in a release and James Sejd’s crew from ASCo did a remarkable job restoring the sculptures “It was a challenging undertaking and required the utmost professionalism and attention to detail — all while working from three-story high scaffolding,” she added “We are also grateful to the Estate of Roy Lichtenstein and the Roy Lichtenstein Foundation for their guidance.” The Parrish Art Museum is at 279 Montauk Highway in Water Mill