Stiftung Moritzburg. Estado de Sajonia-Anhalt Sebastian Sasse (arquitecto de proyecto project architect); Vanesa Manrique, Nina Nolting, Olaf Syrbe, Miguel Ubarrechena (colaboradores concurso competition collaborators); Udo Brunner, Nina Nolting, Dirk Landt, Susann Euen, Siverin Arndt (colaboradores proyecto project collaborators); Fuensanta Nieto, Enrique Sobejano, Sebastian Sasse, Johannes Stumpf, Karl Heinz Bosse (dirección de obra site supervision); Juan de Dios Hernández, Jesús Rey (maqueta model) GSE, Jorg Enseleit (estructura structure); Rentschler y Riedesser, Jürgen Trautwein (instalaciones mechanical engineering) Roland Halbe; Lutz Winkler; Ludwig Rauch; Aurofoto Sorry, there arent any match using your search terms, please try again using other terms. The partial destruction of the north and west wings in the 17th century during the Thirty Years War left the castle with the image of a romantic ruin which it has kept over the centuries to today. Except for a stillborn project by Karl Friedrich Schinkel in 1828, until now no integral work has been planned to alter and enlarge the ancient ruin for the art museum housed there since 1904. elevationsA very notable collection of modern art - mainly of German Expressionism - that includes works painted by Lyonel Feininger in the city of Halle has now been enlarged with the Gerlinger donation, one of the most valuable private collections of the Die Brücke Expressionist group. sectionsThe angular geometry of the new scenery of roofs and metal tower contrasts with castle’s existing irregular shape and high roof In spirit with the uneasy and expressive forms painted by Feininger the new fragments continue the process of changes that feature in the history of the Moritzburg Castle over time You'll now receive updates based on what you follow Personalize your stream and start following your favorite authors If you have done all of this and still can't find the email Join us at the Akustika Fair at the Nuremberg Exhibition Centre from April 4-6 Meet The Strad team at stand F08 and pick up a free copy of the magazine The Strad Directory Jobs By Tim Homfray2022-08-24T09:12:00+01:00 A fascinating snapshot of Dvořák from a Saxony festival Description: A fascinating snapshot of Dvořák from a Saxony festival Kevin Zhu (violins) Matthew Lipman (viola) Jan Vogler (cello) Juho Pohjonen Works: Dvořák: Piano Quartet no.2 in E flat major; Piano Trio in E minor ‘Dumky’; Scherzo (Terzetto in C major); Gypsy Song op.55 no.4 (arr This CD claims to tell the story of Dvořák’s chamber music although it opens with the fourth of his Gypsy Songs arranged for cello and piano played with appropriate feeling by Jan Vogler A violent opening outburst to the E flat major Piano Quartet no.2 sets up playing of constant vivid contrasts and biting leavened by passages of vibrato-rich warmth The emotional energy is maintained in the Lento from Vogler’s yearning opening melody through to the ferocious outbreak of C sharp minor In the Allegro moderato the musicians evoke the schmaltzy world of Viennese coffee houses and the finale offers a jaunty resolution to earlier tensions Read: Chad Hoopes: ‘I want to pass along the knowledge and the influences that I have had’ Listen: The Strad Podcast Episode #22: Chad Hoopes on interdisciplinary teaching and learning Video: Chad Hoopes performs Mendelssohn Violin Concerto There is passion and fierce joy in the opening Lento maestoso Vogler is to the fore here and in both the following movements Violinist Chad Hoopes brings vivid G-string tragedy to the final Lento maestoso the switches between song and dance are finely done The album ends with a dainty account of the seventh Humoresque from Tiffany Poon Powerful advocacy makes this emerging cycle a vital listen Hungarian treats offered with plenty of pizzazz Period instruments used to telling effect in late Beethoven US correspondent Thomas May reviews Midori’s performance of the Brahms concerto with the Seattle Symphony under guest conductor Anja Bihlmaier on 23 January 2025 An all-American celebration of the concept of home Fine musicianship can’t quite overcome a flawed programme concept Site powered by Webvision Cloud Dresden Magazin Die Vielfalt von Dresden Elbland im offiziellen Stadtmagazin art lovers and horse fanciers – they all find what they are looking for in Moritzburg Because this small town in Saxon Elbland has much more to offer than its stately home An excursion should also take in the stud farm Adams Gasthof inn and well-stocked fish ponds The most well-known view of Moritzburg is of the castle set on its artificial island surrounded by a large pond It was initially the site of a hunting lodge built in 1542 by Duke Moritz of Saxony Elector Augustus the Strong began converting the original Renaissance-style structure north of Dresden to the Baroque country palace we see today It is a popular destination for day trippers the Fasanenschlösschen (Little Pheasant Castle) in the castle grounds will be showing 100 large-format colour slides dating back to the period around 1900 (1st May – 31st October 2018) They tell of the beauty of the royal gardens and of the forest and pond landscape that characterises Moritzburg Castle triathlon the Moritzburg Castle Triathlon will take place for the 17th time against the impressive backdrop of the baroque hunting lodge (9th – 10th June 2018) the event takes on a new format – the so‑called ‘BarockMan Duett’ in which two-person teams share a long-distance challenge Moritzburg Festival The Moritzburg Festival is conceived by its organisers as both an experimental laboratory and a gathering of excellence Peter Bruns and Jan Vogler – modelled it on the famous Marlboro Festival in the USA Under the artistic direction of the cellist Jan Vogler it has become one of the world’s most acclaimed chamber music festivals Walk with the Brücke The artists who came together under the name ‘Brücke’ (Bridge) in Dresden in 1905 rank among the most important exponents of Expressionism in Germany These famous artists would gather each summer in Moritzburg to paint and share their ideas on art The views they captured on canvas can be revisited on foot Stallion parades The state stud farm of Moritzburg was founded in 1733 and is home to more than 80 stallions To ensure that they are fit for breeding purposes Lord Brown II and their ilk can often be seen trotting through the streets Just a few hundred metres from the stud farm itself is the parade ground where the three stallion parades held every September attract more than 17,000 visitors Commemorating Käthe Kollwitz Käthe Kollwitz (1867 – 1945) is the most important German female graphic artist and sculptor of the 20th century The house in Moritzburg where she died is open to the public photographs and excerpts from the Käthe Kollwitz’s diary and letters gives an insight into her artistic career which spanned more than 50 years Adams Gasthof (Adam’s Inn) Regulars at the bar here have included boxer Max Schmeling and film star Henny Porten It has been licensed for the sale of alcohol since 1675 When brothers Bernd and Uwe Haufe acquired the mighty half-timbered building in 2017 they stated their intention to combine tradition and Zeitgeist: the game dishes but the interior has been tastefully modernised Fish and Forest Festival around the castle pond The Schlossteich is one of 24 ponds in which the local fishery enterprise popular for its high ratio of filet to bones and since then the fish have been bred continuously A highlight of the traditional Fish and Forest Festival on the last weekend of October (27th – 28th October 2018) is the grand fishing demo known as the Moritzburger Fischzug Gondola trips 1719-style: The baroque jet set When the nobility get married it is generally a high-profile public occasion Augustus the Strong had great plans for0 his son With idyllic vineyards instead of rugged Himalayan peaks there is no likelihood of anyone mistaking the Spitzhaus steps in Radebeul… Experience Dresden Elbland in 360-degree panoramas:More than 60 locations were recorded using drones and high tripods Produced with funding from the Free State of Saxony within the framework of the Tourism Promotion Plan Essenzielle Cookies ermöglichen grundlegende Funktionen und sind für die einwandfreie Funktion der Website erforderlich Inhalte von Videoplattformen und Social-Media-Plattformen werden standardmäßig blockiert Wenn Cookies von externen Medien akzeptiert werden bedarf der Zugriff auf diese Inhalte keiner manuellen Einwilligung mehr Feature Films Database Southern Mediterranean films database Scriptwriters European Film Schools Production Companies Distributors International Sales Submit a Film Industry Reports Co-Production Podcast Online Screenwriting Training Course Guided Course for Feature Film Writing Script Analysis Analysis of the potential of your series Cineuropa's Training Catalogue Film 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Advertise on Cineuropa Logos and Banners Laying your eyes on the baroque beauty of Moritzburg Castle with its lush landscape beautiful architecture and well-preserved historical interior you’d rather expect it to host the set of a fairytale movie or a period piece the baroque building formed the backdrop for the action-packed showdown of Charlie’s Angels The Saxon castle acts as character Alexander Brok’s wealthy holiday home in the ski resort of Chamonix-Mont-Blanc in France the place where Brok celebrates his annual Vision Party Epic fight scenes between the angels and their nemeses are framed by a large collection of historical red deer antlers crystal chandeliers and walls full of 17th century leather tapestries with monumental figurative paintings which contrast beautifully with the ultramodern party scenes The film shooting took place over a period of 10 days in 2018 mainly in the castle’s Dining Hall (Speisesaal) and Hall of Monstrosities (Monstroesensaal) Moritzburg Castle might feel familiar to a lot of European film fans: it is where Cinderella famously lost her shoe in the popular Czech-German winter family film “Three Wishes for Cinderella” / “Drei Haselnuesse für Aschenbroedel” / “Tři oříšky pro Popelku” from 1973 which became a Christmas holiday classic in several European countries (Description provided by EUFCN and MDM Film Commission (Mitteldeutsche Medienförderung GmbH)) Subscribe to our newsletter to receive the most important daily or weekly news on European cinema Cannes 2025 Marché du Film AFCI runs its second annual Global Film Commission Network Summit at Marché du Film Festivals / Awards Czech Republic Czech Republic’s Anifilm goes sci-fi Distribution / Releases / Exhibitors Europe European Arthouse Cinema Day set to return on 23 November Cannes 2025 Marché du Film Indie Sales presents a three-star line-up at Cannes HOFF 2025 The Shadow and U Are the Universe win at Estonia’s Haapsalu Horror and Fantasy Film Festival Crossing Europe 2025 Awards The New Year That Never Came and The Flats crowned at Crossing Europe Cannes 2025 Marché du Film Be For Films to sell Love Me Tender in Cannes Cannes 2025/Sponsored Latvia set to shine bright at Cannes, led by Sergei Loznitsa’s competition entry Two Prosecutors Las Palmas 2025 MECAS/Awards Manuel Muñoz Rivas and Joana Carro win awards at the eighth MECAS Cannes 2025 Marché du Film Playtime to present some high-impact and entrancing trump cards at Cannes Production / Funding Italy Shooting begins on Walter Fasano’s Nino, a portrait of scoring maestro Nino Rota goEast 2025 Review: My Magical World Robot T-Oby Giulio CallegariFrench release May 7 Dreams (Sex Love)by Dag Johan HaugerudBerlinale 2025 - Golden Bear for Best FilmGerman release May 8 The Mohicanby Frédéric FarrucciVenice 2024 – Orizzonti ExtraItalian release May 8 Surfacingby Cecilia Atán, Valeria PivatoSan Sebastián 2024 - New DirectorsSpanish release May 9 Jaśmina Wójcik • Director of King Matt the First The Polish director discusses her approach to taking on a 1920s children’s literary classic in an unexpected way Želimir Žilnik • Director of Eighty Plus The Serbian director discusses his deep suspicion of ideologies in relation to his irresistibly charming latest feature, which follows a man whose life spans three political systems Paulina Jaroszewicz • Distribution and marketing manager, New Horizons Association Cineuropa sat down with the Polish distributor to discuss her company’s strategy as well as the connection between its distribution line-up and BNP Paribas New Horizons Festival’s programme Lorcan Finnegan • Director of The Surfer The Irish filmmaker discusses his mystery-thriller, how he created the character with Nicolas Cage and his approach to the use of colours in the film Privacy Policy The images used on this website have been provided by journalists and are believed to be free of rights if you are the owner of an image used on this website and believe that its use infringes on your copyright We will remove the image in question as soon as possible We have made reasonable efforts to ensure that all images used on this website are used legally and in accordance with copyright laws About us | Contact us | Logos and Banners Mission | Partners | Team | Donations | Terms and conditions Shop The Dorothy Braude Edinburg (Class of 1942) Collection 1980.126 Käthe Kollwitz became an anti-war activist after her son died during World War I (1914-1918) in order to capture the despair felt by impoverished families in postwar Germany In this preparatory sketch for an International Workers Aid poster a mother passes a piece of bread behind her back to the crying child on the right having already given the rest to the other child still begging for more With pleading expressions the two children look up at their mother who slumps over and covers her face in despair This emotional and highly political drawing reveals how Kollwitz channeled her experience as both an artist and mother into the role of activist working towards an end to the suffering of Germany’s children DeLorme Intern Rachel Beaton (‘21) curated a series of six acquisitions donated by members of the Friends of Art at the Davis Over the course of the 2021-2022 academic year the Davis will present each artwork individually for a time period of two months these artworks grapple with the image of the mother as a complex—and often conflicted—figure in both art history and the artists’ personal lives Sign up for our mailing list Wellesley College Land Acknowledgment Copyright © 2025 Davis Museum, Wellesley College cellist and artistic director of the Moritzburg Festival in Dresden Franz Schubert composed one of the most famous and beautiful pieces of chamber music ever written but Schubert evidently wrote it for a group of musicians who had gathered to play another composer's piece and those just happened be their instruments The piece's fourth movement consists of a theme and variations the tune of which Schubert had previously written as an adaptation of a poem called "The Trout." The verses depict a coldblooded angler as he hooks a merry fish Cellist Jan Vogler, artistic director of the Moritzburg Festival just outside Dresden, Germany, devoted special attention to the Trout Quintet at this year's festival. The result is a new recording that begins with a traditional performance and doesn't stop there Amid the festival's idyllic surroundings of Baroque castles and cavernous Vogler asked each of the ensemble's five international soloists to come up with their own variation on the piece "We can give a personal note to ["The Trout"] and can say 'This is the way I see this song — this is where I come from or what interests me in life,' " Vogler says "The listener can have an idea of who these performers are who come together for the Trout Quintet and also can see that one can still write some variations on this wonderful song." the musicians were skeptical of Vogler's idea to put a classical performer's personal or playful spin on the revered and historic piece: It sounds like a challenge we often associate with other art forms If Schubert had intended to unveil "The Trout" at a recital featuring only a viola and a Norwegian Hardanger fiddle (a Scandinavian folk instrument) the outcome might have been something like the variation created by fiddler Erik Sollid and violist Lars Anders Tomter; it's reminiscent of a clog dance "It does sound like some Norwegian fjord," Vogler says Given how popular this particular piece was to become Schubert may have never envisioned that he was composing something that nearly 200 years later would be a staple of chamber music and to feel very strongly about the music you're producing," Vogler says Why shouldn't we play with this song?' and show that we still besides taking the music very seriously." Become an NPR sponsor The Moritzburg castle in the city of Halle is exemplary of the Gothic military architecture in 15th century Germany Despite the partial destruction of the north and west wings during the Thirty Years War the site has managed to retain most of its original features: a surrounding wall three of the four round towers at the corners But more importantly, the castle has been home to an art museum since 1904. The challenge arose when this exhibition space needed to be expanded, without modifying or adding onto the original columns. With some genius and creativity, Nieto Sobejano Arquitectos created a new exhibition space based on a single © Laurian GhinitoiuThe Moritzburg castle was already host to a notable collection of modern art, mostly German Expressionism paintings, for over a century. So when the museum received a large donation by one of the most valuable private collections of the Die Brücke Expressionist group, they knew they would need more space to accommodate these incoming works. © Laurian GhinitoiuNieto Sobejano Arquitectos' solution was to design a new roof as a large platform, and fold it so that it rises and breaks to allow natural light to enter. In doing so, the original floor was left untouched, and no columns needed to be inserted into the main gallery. © Laurian GhinitoiuThe visual geometry of an angular metal tower built along the castle's existing irregular shape and high roofs creates an interesting new aspect to the castle. The architects believe that these new developments will only to add to the interesting history of the Moritzburg Castle over time, and enhance the image of the romantic ruin. these musicians had played there and had very much liked the atmosphere and the concept behind that festival a masterpiece of Baroque architecture built by King Augustus II the Strong the festival has become a touchstone for chamber music and the related concerts take place in key locations in and around Dresden Beside high-level chamber music musicians and attractive program the festival stands out also because of its academy in which experienced professional soloists supervise or perform together with young performers There are around fifty such “academicians.” Together they also comprise the orchestra that performs the festival's opening concert was brought to a peak in the quality of dialogue among the soloists by these five musicians as they challenged each other's energy and dynamics The next day a room in Moritzburg Castle that is as majestic as it is impressive this room is indeed a special setting for any concert attentive in her accompaniment to the contrasting spirits of these scores Her voice wended its way into the twists and turns of the spells cast by the instrumentalists before getting lost in the ghostly shadows of the castle As a conclusion, all these virtuosi joined together with pianist Antti Siirala to play Dvořák‎'s Piano Quintet in a frenzy of musical fireworks In addition to each musician's individual qualities the harmony of their work together was remarkable Far too unknown in the French-speaking world, the Moritzburg Festival is definitely a landmark event for the quality of its programming and for an atmosphere in which music and art are bound together. With more than twenty years behind it and led by the ever-energetic and communicative Jan Vogler this festival can always be relied on to be full of surprises and discoveries Les champs obligatoires sont indiqués avec * mon e-mail et mon site dans le navigateur pour mon prochain commentaire and enjoyable disc played by a couple of musicians from whom we can expect continued big things in the future What can one say about Jan Vogler’s recent recording (from Sony Classical) of solo cello music by Tchaikovsky That it’s smartly-played is to be expected: Vogler’s an intelligent and capable musician and he doesn’t fail to deliver here The famous Variations on a Rococo Theme sing sweetly and clearly There’s lovely dialogue between soloist and orchestra (here the warm vibrant Frankfurt Radio Symphony conducted by Andres Orozco-Estrada) in their conversational exchanges not to mention plenty of energy that’s tapped over the course of the score’s near-twenty-minute duration; the closing pages are particularly exciting And there’s a nice intensity to Vogler’s playing of the Serenade mélancolique and Souvenir d’un lieu cher both heard in his arrangements for cello (as opposed to violin) and orchestra It’s all good and fine: none of it’s particularly risky either the programming or the interpretations is in the closing performance of the Souvenir de Florence Vogler and friends (members of the Moritzburg Festival Ensemble) turn in a reading that burns hot The opening waltz really rips – the group’s articulation of the opening theme is furiously energetic – and their take on the third movement has lots of personality might have benefited from a slightly brisker tempo and the great slow movement offers opportunities for just about everyone to showcase their lyrical sensibilities; none of the players disappoint For an album that’s consistently at that level of the Souvenir de Florence violinist Benjamin Beilman’s fine new record for Warner Classics that pairs music by Schubert It’s a disc that’s played with interpretive savvy and commanding chops: here’s a player whose confidence and musicality shines through each of these disparate pieces in a powerful way; he’s an artist with something to say and he’s not afraid to broadcast it loudly from the relative freshness of Beilman’s program isn’t overly played — or represented too much on disc playing with spirited lyricism and a rhythmic energy that palpably carries through its slow These same qualities are likewise apparent in his responsive traversal of Leos Janacek’s gritty Violin Sonata and his lithe effervescent reading of Stravinsky’s brilliant Divertimento The latter is a particular treat to hear: culled together from Stravinsky’s ballet Le Baiser de la fee itself an adaptation of little-known music by Tchaikovsky the Divertimento lacks little for charm and high spirits But Beilman takes the music seriously and his performance does his account of Fritz Kreisler’s Viennese Rhapsodic Fantasy for all the Wienerisch schwung and élan with which he imbues the piece Beilman is partnered with (far more than merely accompanied by) pianist Yekwon Sunwoo whose accounts of the keyboard parts are as fully involved There’s a 20th- and 21st-century market — not a big or terribly successful one but a market all the same — for reworking the music of great composers after their deaths either to suit the times or to somehow expand their reach generally by Arnold Schoenberg) tend to succeed through some combination of sheer extravagance and a total departure from the restraints of a given composer’s sound world does orchestrating Brahms in the style of Brahms or Mahler in the style of Mahler lead anywhere promising: the end results tend to sound warmed over and thin – the musical equivalent of a tumbler full of water with a drop of whiskey So that makes the success of Donald Fraser’s engrossing and triumphant orchestration of Edward Elgar’s Piano Quintet all the more impressive Fraser was certainly aided in his project by the symphonic scope and the orchestral quality of the original Quintet; he also benefited from his study of Elgar’s orchestration of Bach’s Fantasia and Fugue (which hails from shortly after the completion of the Quintet) The end result is essentially Elgar’s Symphony no if you want to fit Anthony Payne’s completion of Elgar’s sketches for his projected Third Symphony into the count): mighty proves a more satisfying contribution to the Elgar canon than does Payne’s important but sometimes maligned to the fact that Fraser was working here with music entirely written by Elgar crafting an orchestration to the piece that does it justice often inspired handler of the orchestra: not only his symphonies (most notably in the Second) but also parts of The Dream of Gerontius and shorter works like In the South inventive command of instrumental resources But Fraser seems to have internalized most of Elgar’s tricks There are judicious moments of tambourine and snare drum to color his percussion writing Elgar’s penchant for splitting his violins in half – one section playing tremolo the other not (for instance) – is echoed here It’s played to the hilt on Avie’s new recording by the English Symphony Orchestra conducted by Kenneth Woods The disc’s liner notes speak of the players’ excitement in rehearsal and performance and that comes across palpably here while the second powerfully recalls the haunting slow movement of the Second Symphony if (like in the original chamber version) it runs a little bit too long offers playing of vigor and real catharsis Fraser’s refashioning of Elgar’s marvelous song cycle Sea Pictures The biggest problem here is that there’s really no justification for converting the original in the process jettisoning Elgar’s fine orchestration of the first Maybe the idea was to give this unduly neglected gem a bit more of a wider audience and greater opportunities for performance ably performed here by the Rodolfus Choir and the English Chamber Orchestra (again conducted by Wood) lacks the brilliance of the original as well as some measure of its directness At least the Quintet proves a magnificent revelation Jonathan Blumhofer is a composer and violist who has been active in the greater Boston area since 2004 His music has received numerous awards and been performed by various ensembles including the American Composers Orchestra Since receiving his doctorate from Boston University in 2010 in addition to writing music criticism for the Worcester Telegram & Gazette Δdocument.getElementById( "ak_js_1" ).setAttribute( "value" The Lady’s Dressing Room (1732) BY JONATHAN SWIFT Five hours (and who can do it less in?) By haughty Celia… but this Littlefield review has convinced me to make the purchase your comments reek of what is wrong in today's society and also if entitlement About Us Advertising/Underwriting Syndication Media Resources Editors and Contributors © 2025 The Arts Fuse. All Rights Reserved. Site by AuthorBytes site of the Macau Numismatic Society 2015 Coin Show where he took this fascinating video of recently-discovered dies used by the Otto Beh Company of Esslingen Germany to produce coins for China in 1897-98 In this video, David talks to Ken Krah, Senior Coin Grader at Numismatic Guaranty Corporation (NGC); Michael Chou of iAsure Group Champion Auction; Rick Biagi of Pacifca Trading Company; and Ulf Dräger of the Kunstmuseum Moritzburg Halle (Salle) Read more about this topic on CoinWeek by following this link CoinWeek is the #1 website online for news and information about numismatics CoinWeek has also won the NLG Award for best numismatic website 4 years running Be sure to share this video with your friends and be sure to check out all CoinWeek has to offer COINWeek is the most advanced independent on-line media source for print and video Rare Coin and Currency news; with analysis and information contributed by leading experts across the numismatic spectrum More news and videos about coin collecting at CoinWeek and website in this browser for the next time I comment This site uses Akismet to reduce spam. 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Welcome Mickeymickey@disney.comManage MyDisney AccountLog OutPAGE NOT FOUNDThe page you requested was not found You may have followed an old link or typed the address incorrectly We've also been doing some house cleaning so the page may have been moved or removed Please try searching for what you are looking for or you could go to the home page and start from there Or you may be interested in today's top stories Bon Voyahe and Sir Graditz became the winners of the Bundeschampionate qualification classes held at the regional shows in Riedstadt and Moritzburg the past weekend At the regional dressage show at the Burghof stable in Riedstadt/Wolfskehlen the 5-year old Zenturion and the 6-year old Belissimo's Bob took highest honor The Bundeschampionate qualification classes were ridden on 5 June 2021 Stefanie Lempart rode Michael Wiedmann's Wurttemberger stallion Zenturion (by Zalando x Rubin Royal) to the top of the board Steffen Frahm and Ulrike Gasser's Hanoverian gelding Dancing Rocket (by Dancing World x Hofrat) were the runners-up with XXX while Mariusz Kihm and Petra Hoffmann's Hanoverian gelding Filandro (by Finest x Rotspon) finished third with XX In the M-level dressage horse test for 6-year olds Italian Rocco Di Pierro and Petra Wessels' Oldenburg gelding Bellissimo's Bob (by Belissimo M x Delatio) reigned supreme Symader and John rewarded the duo with 8.5 for walk and trot 8 for canter and submission and 8.5 for general impression who bred the gelding together with his wife Marsha placed first with 8.30 points in the horse's first ever M-level test Birgit Hild and Josef Kathmann's Oldenburg stallion Lexicus K (by Licotus x Davignon II) tied in second place on 8.0 with Hannah Rother aboard the French owner Golden Romance Malleret PF (by Governor x Sir Donnerhall) and 8 for submission and general impression while Golden Romance Malleret PS received 8 for walk and canter 7.5 for submission and 8.0 for general impression The smaller qualifier at the state stud in Moritzburg was a clean sweep for Susann Göbel who won both the 5 and 6-year old division The trophy in the 5-year old class went to Göbel aboard the state stud owned stallion Bon Voyage (by Bon Coeur x Rohdiamant) with an 8.0 score She also swept the 6-year old category with the state stud stallion Sir Graditz (by Sezuan x Sir Donnerhall) on an 8.1 final score The aptly named Sir Graditz scored 7.5 for walk 7.5 for submission and 8.5 for general impression Photo © Nau Fotografie & Webdesign Stalls for Rent at Durondeau Dressage in Peer, Belgium Exceptionally Well Located Equestrian Facility in Wellington, Florida Well-built Equestrian Estate With Multiple Business Opportunities in Sweden Stable Units for Rent at Lotje Schoots' Equestrian Center in Houten (NED) For Rent: Several Apartments and Stable Wing at High-End Equestrian Facility Stable Wing Available at Reiterhof Wensing on Dutch/German border Real Estate: Well-Appointed Country House with Extensive Equestrian Facility in the U.K. Rémi Blot We have a lovely Hitler cognac that will blitz your socks off Restauranteur Silvio Stelzer of French cognac and Champagne belonging to history’s most hated man, one Adolf Hitler, under his restaurant — Zum Dreispitz — on the grounds of Moritzburg Castle Seltzer purchased a villa on the grounds of the historic site back in 2007, but it was only during a recent renovation that the discovery of six interconnected underground cellars — and the bottles — dating back to World War II was made. On Hitler’s commands, and as Europe starved in 1944, the S.S. hid war-time delicacies likealcohol chocolate and cigarettes in cellars that somehow escaped the post-war pillaging of the Red Army he kept his highest ranking officers happy with the best delicacies the Nazis could loot who gets to keep the newly-discovered bottles It’s definitely not going to Hitler’s heirs — and there are a few, some living in Long Island New York — Bavaria seized all of Hitler’s estate after the end of WWII in 1945 I’d like to ask you to please support the Forward American Jews need independent news they can trust At a time when other newsrooms are closing or cutting back the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S rising antisemitism and polarized discourse This is a great time to support independent Jewish journalism you rely on See our full guidelines for more information, and this guide for detail about canonical URLs subject line “republish,” with any questions or to let us know what stories you’re picking up Copyright © 2025 The Forward Association At the 2025 DSP Stallion Licensing in Munich the breeding stallion Decurio was proclaimed Elite sire Decurio is a 17-year old Hanoverian stallion by Desperados out of Regentin (by Rotspon x Borneo x Gardeoffizier) Decurio was named premium stallion at the 2010 Hanoverian Stallion Licensing in Verden and move to his owner's place He did his 30-day performance test in Moritzburg in the November 2011 and scored 8,93 for dressage and 7,48 for show jumping total 8,18 points He achieved his lifetime licence through sport Decurio only had a very short and light career in sport He was first competed by Kay Pawlowska in 2012 They finished third at the 2012 Hanoverian Young Horse Championships In 2019 Decurio returned to the arena with Susann Göbel at M-level Another 2-year break followed and in 2021 he did his first S-level test and showed at a handful of competitions at small tour level through August 2023 As a breeding stallion Decurio has sired 8 licensed sons so far of which 4 are in stud book I (Danny Decur Eighteen of his daughters are state premium mares He has 191 offspring registered for sport in Germany of which 5 have reached S-level Only one offspring seems to be "famous" in international sport and that is Angelina (by Decurio x Liberator) which Carolina Miesner rode to team gold at the 2020 European Children Championships Nationally he sired Grand Prix horse Dhamani (Uwe Schwanz) De Sandro was a regional (South German) champion as a young horse DSP has now proclaimed Decurio an elite sire The title is based upon several parameters Decurio succeeds Quaterback, Don Diamond, Rivero II, and Millennium as DSP elite dressage sires Well-built Equestrian Estate With Multiple Business Opportunities in Sweden Real Estate: Well-Appointed Country House with Extensive Equestrian Facility in the U.K. Please enable JS and disable any ad blocker Post-war german architecture now enjoys recognition and protection today associated with the utilitarianism and pragmatism that prevailed in the reconstruction of the war-devastated country the so-called post-war modern architecture (Nachkriegsmoderne) produced high-quality works that significantly influenced the urban development of German cities Helmut von Werz was one of the notable architects of this period and many others who contributed to the transformation of the Bavarian capital after World War II Von Werz designed and built numerous works of various types and programs with the Bavarian State Archaeological Museum standing out as one of the most prominent examples of new museum architecture in Germany at the time Six cubic volumes dominate the appearance of the building facing Englischer Garten Park became the hallmark and image of the museum the passage of time made it necessary to undergo a significant transformation and a complete update of the museum in its functional and technical aspects Although Von Werz’s project was not officially protected by the Bavarian heritage conservation institution which theoretically would have allowed for radical alterations or even demolition our proposal was based on an opposite approach conscious of both its architectural quality and the environmental reasons that favor the rehabilitation of existing structures rather than their demolition Working within the material and conceptual constraints of a building requires discipline and restraint it involves relinquishing the prominence of new interventions discovering areas of freedom within the existing limits that enable transformation Johann Wolfgang von Goethe eloquently conveyed this idea in a sonnet where he praised the presence of limitations and laws as drivers of creative freedom: “It is in working within limits that the master reveals his greatness / And the law alone can give us freedom.” our rehabilitation project for the Munich Archaeological Museum is the result of a patient and precise process within the constraints of the original project and spatial laws to find the meaning of the new intervention and expansion Recognizing the values of the existing building in formal the museum is faithfully restored in its most prominent architectural elements The new additions are primarily limited to the insertion of a spacious public staircase the expansion of administrative and conservation areas covered with an exposed concrete structure resonates with the orthogonal geometry of the original project offering a large exhibition space that can be subdivided as needed A system of in-situ concrete beams with basaltic aggregate and black-pigmented cement spans 27-meter-long spaces over a vast horizontal area illuminated through perimeter skylights that demarcate a childrens’ playground area for the adjacent nursery thematically conceived as a small archaeological garden The bearing structure therefore becomes the formal support of the space and the focal point of the interior image of the new architectural intervention retain the dimensions and proportions of the original design the building looks unchanged after its rehabilitation maintaining the same precise and abstract appearance that characterized it since its construction where each of its spaces has been transformed to varying degrees reaffirming the thought of the German poet AV Monographs 257-258: Nieto Sobejano Cliente ClientAutoridades Bávaras de la Construcción Munich Bavarian Building Authorities Munich Arquitectos ArchitectsNieto Sobejano ArquitectosFuensanta Nieto Colaboradores CollaboratorsAnja Lunge (arquitecta de proyecto project architect); John Bohlmeyer Claudia Wulf (equipo de proyecto project team); BM.C – Baumanagement GmbH Drees & Sommer München (gestión de obra site management) Drees & Sommer München (gestión de proyecto project management) Stepan & Partner (estructura structural engineer); Canzler Ingenieure GmbH Duschl Ingenieure GmbH & Co KG,Teuber+Viel Ingenieurgesellschaft für Energie- und Gebäudetechnik mbH (instalaciones mechanical engineer); Priedemann Fassadenberatung GmbH (fachada facade engineering); Ingenieure Süd GmbH (física constructiva/acústica building physics/acoustic consultant); Müller-BBM Building Solutions GmbH (protección contra incendios fire safety); Oswin Nikolaus Lichtgestaltung (iluminación lighting); Atelier Brückner Gmbh (planificación de exposiciones exhibition planning) Finalización Completion2024 (estimado estimated) there arent any match using your search terms SUPPORT OUR JOURNALISM: Please consider donating to keep our website running and free for all - thank you Last month, The Polish political magazine, Polonia Christiana, published a longer article where they argue to reintroduce the monarchy in Poland The magazine also criticised the Republic of Poland’s political system The magazine Polonia Christiana does not state which royal family they support to take the throne Now, one of the current candidates as King of Poland in a recent interview has stated that he does not want to become King. Prince Daniel of Saxony has told the German magazine TAG24 that he does not want to lead any monarchist revolution in Poland Prince Daniel says he has felt an increased pressure the recent months from Polish royalists who want help from him and other members of the Wettin-family The Prince said: “I cannot imagine that I will lead such a political movement” The future leader of the royal house of Wettin continues He summed up his basic political views with one sentence: “I am a Democrat.” Prince Daniel of Saxony who is sitting in the council of his municipality of Moritzburg is therefore not interested in a career as non-elected monarch There are a number of candidates for the title “King of Poland” One of these was the German Prince Daniel of Saxony This leaves us two pretenders from the royal dynasty of Saxony They are Prince Rüdiger of Saxony and Alexander and both claim the title Margrave of Meissen The most prominent monarchist organisation in Poland today is “The Conservative Monarchist Club.” It was founded in 1988 in the form of a society; it considers itself a successor to the Conservative Monarchist Club originated in Kraków which in turn succeeded the Conservative Party founded in 1922 He shuldn’t lose sleep over it…it will never happen The visitor record of the pre-corona year 2019 has thus almost been broken There was also a significant increase in turnover in 2024 "Schlösserland" once again promises highlights for visitors Almost 2.1 million people visited the State Palaces This means that the pre-corona level of 2019 - the year with the highest number of visitors to date with 2.13 million guests - has been reached again as Managing Director Christian Striefler said at the presentation of the 2024 annual results eight percent more visitors came to "Schlösserland Sachsen" "We can look back on a year that leaves us very satisfied and pleased," said Striefler Pillnitz Palace and Park were the most popular with almost 407,000 guests followed by Moritzburg Palace with 278,000 guests Striefler described December as the "best month" the "Spook under the Christmas Tree" in Weesenstein Castle and the "Christmas Garden" in Pillnitz Castle Park brought about a change Visitor numbers used to be higher in the warmer months of May and September revenue amounted to 13.2 million euros - an increase of one million euros compared to 2023 despite higher costs Striefler highlighted the opening of Colditz Castle as a highlight which attracted almost 27,000 visitors last year The museum there offers insights into earlier eras and escape stories from the time when Colditz was a prisoner of war camp There was a success to celebrate in Moritzburg: the Cinderella exhibition welcomed its 1.5 millionth visitor in its 13th season Climate change also presented the SBG with challenges last year "This is actually what worries us the most," said Striefler Increasing extreme weather events such as heavy rain flooding and storms are a particular problem for the historic gardens Pillnitz Palace Park and the Great Garden in Dresden each suffered damage amounting to around 400,000 euros The "Schlösserland" also has some highlights in store for visitors in 2025 The park railroad in Dresden's Great Garden is celebrating its anniversary this year it will start its 75th season with a newly renovated station the new exhibition "Cowshed and Silver Plates" opens at the end of June where visitors can immerse themselves in the everyday world of nobility and servants the special exhibition "Thin Ice - Inuit on Display" which runs from the end of June to November explores the forced journey of showmen two centuries ago © 2009 - 2025 DieSachsen.de | Alle Rechte vorbehalten | Entwickelt mit publizer in Sachsen um Ihr unglaubliches Erlebniss auf DieSachsen.de weiter verbessern zu können.