This website is using a security service to protect itself from online attacks The action you just performed triggered the security solution There are several actions that could trigger this block including submitting a certain word or phrase You can email the site owner to let them know you were blocked Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page The korean wave showcases South Korea’s vibrant and diverse pop culture this phenomenon has spread to all corners of the world the exhibition not only explores the genesis of hallyu and its links to traditional Korean art but also highlights its global influence on artistic fields This thematic exhibition presents a dazzling kaleidoscope of South Korea’s artistic and cultural history from K-pop costumes and famous dances to unforgettable film props a recreation of the set from four-time Oscar-winning film Parasite a Google Art Dance Room where visitors can learn K-Pop moves and dance along with well-known choreographers and the fascinating revival by South Korean pop stars of iconic hanbok dress are just some of the highlights awaiting visitors at the exhibition Following highly successful stops at the Victoria and Albert Museum in London Museum Rietberg is the only venue in Europe displaying this spectacular exhibition originally conceived by the Victoria and Albert Museum The move marks the first production of copper in the O'Kiep Copper District in more than four decades Copper 360 has begun underground mining operations at the Rietberg Mine in South Africa’s Northern Cape Province The move marks the first copper production in the O’Kiep Copper District in more than four decades with a history stretching back to the early 20th century The mine was operational until its closure in 1983 Its reopening is expected to significantly benefit the local economy by creating jobs and supporting community initiatives Copper 360 said the mine’s revival is part of its Cluster Mining Model which aims to reactivate several historical dormant mines in the area initially developed by Newmont and Gold Fields have defined ore bodies and existing underground infrastructure Don’t let policy changes catch you off guard Stay proactive with real-time data and expert analysis Copper 360 holds mining rights over an area of 19,000 hectares where 12 mines and 60 historical prospects have been identified Copper 360 CEO Jan Nelson said: “The commencement of mining activity at Rietberg is an exciting moment for us and the culmination of several years of planning; but inasmuch as it marks a milestone for Copper 360 it also signals the beginnings of a new era for the Northern Cape.” the mine has measured and indicated resource of 4.78 million tonnes (t) at 1.27% copper Ore from the mine is being processed at the Nama Copper Modular Floatation Plant (MFP) 2 The company noted that the mine’s reopening advances Copper 360 from producing copper plate to producing copper concentrate This mine is expected to produce 45,000t a month at a grade of 1.6% copper as the second MFP (MFP 1) Give your business an edge with our leading industry insights View all newsletters from across the GlobalData Media network Copper 360 Limited is pleased to announce the commencement of underground mining operations at its Rietberg Mine in the Northern Cape Province of South Africa The reopening of the Rietberg Mine represents a significant milestone for the company as it is the first time in more than four decades that copper is mined in the O’Kiep Copper District (“OCD”) It also represents an historic milestone in South Africa’s mining history with copper again being mined in an area which was the site of the first mineral discovery in the country in 1652 which has a rich history dating back to the early 20th century The resumption of operations has and will continue to contribute substantially to the local economy providing employment opportunities and supporting community development initiatives in the Northern Cape region Rietberg is the first of a number of historical dormant mines initially developed by Newmont and Gold Fields with defined ore-bodies and established underground infrastructure that Copper 360 plans to re-open in the area as part of its Cluster Mining Model (“CMM”) The company holds a mining right across nineteen thousand hectares where 12 mines and 60 historical prospects have been identified each with its own comprehensive dataset said: “The commencement of mining activity at Rietberg is an exciting moment for us and the culmination of several years of planning; but inasmuch as it marks a milestone for Copper 360 it also signals the beginnings of a new era for the Northern Cape This achievement is a credit to our executive and management and the grit and determination of the Namakwaland people that come from the communities in the area; and who form part of our Copper 360 team Nelson added that It furthermore transitions the company from only producing copper plate to predominantly producing copper concentrate “This is significant as 80% of the company’s revenue will be generated from copper concentrate significantly growing the cash margin of the company for having the foresight to identify that Copper would become a critical future metal and then the determination to procure the mineral area and develop it over a period of 16 years.” Nelson added that concomitant to its operations will be positive outcomes like job creation and the up and downstream economic benefit to communities,” he said 400 subscribers and receive our weekly eNewsletter Please check your inbox or spam folder to confirm your subscription Please check your inbox to confirm your subscription opening at the Rietberg Museum in Zurich from April 4 to August 17 is an unmissable opportunity to dive into the heart of one of the most relevant and global cultural phenomena of recent decades: the Hallyu the movement has gradually invaded the different spheres of world culture becoming one of the most powerful and pervasive cultural expressions of our time Hallyu has led South Korea to be recognized not only as an economic powerhouse but also as a hub of innovation and cultural creativity.The exhibition at the Rietberg Museum stages of development and global expansion of the Hallyu phenomenon It will tell the story of how a nation that has experienced profound social and economic transformations since the end of the Korean War has managed to emerge as a cultural beacon attracting millions of people around the world Korea’s ability to blend tradition and modernity to mix popular culture with traditional elements has given rise to a new universal language that has broken down geographical One of the distinguishing features of the exhibition will be its ability to represent the multiplicity and complexity of the Hallyu phenomenon which has evolved over the years to embrace different artistic and social spheres will explore in detail how this musical form has conquered the world transcending the borders of South Korea and becoming a global force that unites millions of fans in every corner of the planet and social phenomena that have captured the collective imagination changing the international music landscape Interactive installations will allow visitors to relive some of the visual and choreographic experiences that characterize K-pop offering a unique opportunity to learn the dance steps of some of the most well-known songs and to appreciate the attention to detail in the sets and costumes The exhibition continues with a section devoted to Korean films and TV series where films and TV productions that helped bring Korea to the world film scene will be highlighted Films such as Bong Joon-ho’s Parasite which won the Academy Award for Best Picture in 2020 are just a few of the examples that highlight how Korea has been able to tell universal stories politics and human drama in a language that has won a global audience The exhibition also explores the role of digital platforms and social media in the international success of these works highlighting the power of global reach and the influence new media has had in expanding the popularity of Korean content considered one of the pioneers of video art will be another highlight of the exhibition Paik played a pivotal role in the global art scene using video and technology to explore new modes of communication and to tell visual stories that anticipated the global dynamics of digital culture which blend elements of Korean tradition with technological experimentation offer food for thought on the continuing evolution of visual culture and its ability to transcend physical and cultural boundaries the exhibition will also explore Hallyu’s sociocultural aspects particularly her impact on Korean national identity and how South Korea has managed to build a powerful soft power through her culture Hallyu played a key role in promoting Korean values globally helping to enhance the country’s image and strengthen its status in the international arena The exhibition will provide a space for reflection on how popular culture can be used as a tool of cultural diplomacy and how traditions have been reinterpreted and projected on a global scale One of the most engaging sections of the exhibition will be devoted to fashion and beauty two areas that were strongly influenced by Hallyu The Hallyu phenomenon revolutionized the canons of beauty in South Korea and many other countries introducing new aesthetic ideals ranging from skin care to fashion from cosmetic surgery to the enhancement of somatic features making South Korea a global benchmark for beauty It will be interesting to explore how Korean fashion has created trends that have become a global phenomenon with South Korean brands and designers now among the most admired around the world The exhibition is also a sensory experience that will engage visitors in 360 degrees the Rietberg Museum will offer an experience that will allow the public to connect with every aspect of Hallyu It will be possible to taste typical Korean dishes learn about culinary trends that are also influencing the international food industry and discover how Korean culinary culture is spreading around the world Korean Wave will have the opportunity to reflect on the incredible transformation South Korea has undergone in recent decades and to understand how its impact on the world is increasingly relevant Family owned and operated for over 85 years MKD - Grandville4145 Chicago Dr. SWGrandville, MI 49418Get Directions Phone: (616) 534-8656 LaGrave Christian Reformed Church107 LaGrave Ave SEGrand Rapids, MI 49503Get Directions Designer’s Choice Grand Vase Arrangement 616.724.1800 | Contact Us | Careers | Customer Reviews | Delivery/Refund Policy | © 2025 MKD Funeral Homes Upon completing your online flower order, our florist will immediately receive the details of your purchase. Our florist will then prepare your arrangement(s) with care and make the delivery to the location you provided during the ordering process. If you experience any problems with the product you ordered, please contact our business office by email at admin@mkdfuneralhome.com The kingdom of Benin in present-day Nigeria is the focus of recent debate concerning the restitution of stolen cultural assets from Africa In 1897 the British army conquered its capital Benin City and plundered thousands of ceremonial items and objects of prestige from the palace Benin is not only known for its colonial past it shares a long history with Europe and is renowned for the production of high-quality brass terracotta and wooden objects – an industry which continues to thrive today present and future of collections from a colonial context it presents Benin’s artistic legacy from a historical and comparative cultural perspective Museum Rietberg has teamed up with partners from Nigeria and its diaspora in Switzerland This collaborative approach not only involves studying the objects themselves but also researching their respective provenances and curating the exhibition The challenge for all participants – both in Switzerland and Nigeria – was deciding how to handle questions regarding colonial injustice and restitution The exhibition features some forty works of art from Benin and its neighbouring art regions as well as their backstories highlighting the art trade and the reception of the works The permanent exhibition includes pieces by contemporary artists as well photographs and multimedia stations provide visitors with a deeper understanding of the subject matter The exhibition is part of the Benin Initiative Switzerland financed by the Swiss Federal Office for Culture In 2024 all eight partner museums will be participating with extensive exhibition programmes and accompanying events Museum Rietberg presents the exhibition Iran Portrait of a country in the Park-Villa Rieter celebrating the work of the photographer Antoin Sevruguin (1851–1933) Antoin Sevruguin was born in 1851 to Armenian parents in Iran we would call him a Secondo (an expression used for and by “second-generation” immigrants in Switzerland); for a long time he referred to himself as a “Russian photographer” and probably Azeri (a Turkic language) and advertised himself in French as a “photographe artistique,” but he saw himself as an Iranian His goal was to make a portrait of his native country that was as comprehensive as possible His oeuvre included around 7,000 photographs his photographs were already being published in European books; he was awarded gold medals in Brussels and Paris and in 1900 raised to the nobility by the shah in 1900 For many international and Iranian experts Antoin Sevruguin is still a “foreigner,” someone who photographed the country and the people with a “foreign eye.” But is that correct How can we recognize today whether Sevruguin’s photographs are “exotic,” “oriental,” “ethnographic,” or “Iranian” how did his contemporaries regard his photographs Today these photographs tell a story from another time But the images also teach us that many can be understood only after taking a second or third look The exhibition features 63 photographs from the collection of Museum Rietberg and is accompanied by a brochure in German 2024 /MONTSAME/. At the invitation of President of Mongolia H.E Viola Amherd is paying a State Visit to Mongolia on August 2-4 Following the Signing Ceremony of Cooperation Documents the two Heads of State held a press briefing We signed a Joint Declaration between Mongolia and the Swiss Confederation and a Memorandum of Understanding on Democracy between Mongolia and the Swiss Confederation I am confident that these documents would determine the future direction of cooperation between our two countries and significantly contribute to strengthening democratic institutions and governance We will implement a joint project to strengthen democracy foster cooperation between the legislative and civil society organizations The exhibition “More Than Gold: Splendor and Thought of Indigenous Colombia” will be showcased at the Rietberg Museum in Zurich This landmark exhibition features over 400 pieces of gold and other materials from the Colombian archaeological heritage with 219 of them belonging to the collections of the Gold Museum of the Banco de la República The exhibition was shown to audiences in the United States in 2022 The traveling exhibition received critical acclaim at the Los Angeles County Museum of Art (LACMA) under the title “The Universe in Your Hands: Thought and Splendor of Indigenous Colombia.” At the Museum of Fine Arts it was titled “The Universe in Your Hands: The Golden Worlds of Indigenous Colombia.” The conception and creation of this exhibition took about six years and resulted from collaborative curation between Colombian and North American researchers with the participation of leaders from the Arhuaco community Considered one of the most significant exhibitions on Colombia’s indigenous cultures due to the contemporary relevance of the themes and indigenous participation in the curation the exhibition “More Than Gold: Splendor and Thought of Indigenous Colombia” will be inaugurated on March 21 at the prestigious Rietberg Visitors will be able to admire gleaming gold ornaments to intricately designed ceramics and textiles crafted between 600 AD to 1600 AD who inhabited the diverse topography of Pre-Columbian territories yet safeguarded common ancestral worldviews The official inauguration will take place on Thursday Thanks to the participation of several Arhuaco communities of the Sierra Nevada de Santa Marta who worked closely with the curatorial team the exhibition offers a symbolic look at the objects revealing that they contain conceptions of the universe and invites us to understand the objects from the categories and values inherent to indigenous societies rather than through our Western vantage points The objects also reveal worldviews in which human communities coexist and relate on an equal level with communities of animals where all have the mission of ensuring the care and maintenance of the balance of the universe The Swiss adaptation has been led by María Fernanda Ugalde an Ecuadorian archaeologist and curator of the American collections at the Rietberg Museum who also managed the exhibition’s visit to this museum the motivation for choosing the new title of the exhibition was “to highlight the presence of the beautiful gold objects of pre-Hispanic Colombia This follows the spirit of the exhibition concept referring with ‘more than gold’ to other materials as well as to the cultural value inherent in the pieces beyond the valuation of gold in terms of monetary wealth.” With the arrival of Europeans in South America the ancient knowledge and wisdom of indigenous cultures were disregarded and classified as superstitious practices The exhibition seeks to communicate part of that knowledge and enable new readings of the archaeological pieces through intercultural dialogue There are six thematic axes: World conception; The people of ancient Colombia; Our home our cosmos; The extended family; Materials: technology and concepts of value; and The care of the world The decision to unveil these treasures in Switzerland holds particular significance marking the Gold Museum’s triumphant return to the Rietberg after fifty years Europeans were enthralled when the Gold Museum presented its legengary exhibition: “El Dorado” As visitors marvel at the splendor of these ancient artifacts they bear witness to a testament of resilience and cultural pride the Gold Museum of the Banco de la República can proudly claim to have hosted more than 220 international exhibitions since 1954 and part of its core mission to disseminate Colombian archaeological heritage “The Rietberg exhibition aims to offer a nuanced portrayal of Colombia’s indigenous cultures highlighting their profound cosmological beliefs and artistic achievements,” remarked Maria Alicia Uribe chief curator at the Gold Museum of the Banco de la República Several museums led this shared exhibition with their leading curators María Alicia Uribe and Héctor García from the Gold Museum of the Banco de la República The research process was documented in the film “Unpacking the Universe,” which was recently awarded the Anthem Prize in the category of education “By incorporating indigenous perspectives and voices into the curatorial process we challenge Western-centric narratives and foster a more inclusive appreciation of indigenous heritage,” stated Koontz during the inauguration in Houston Joining three of the most prestigious cultural institutions in North America – LACMA Montreal Museum of Fine Arts (MMFA) – the Rietberg Museum is the only museum of non-European cultures in Switzerland and the third-largest museum in Zurich it occupies three 19th-Century mansions in Rieterpark It stands out for the importance of its collections including over 23,000 objects and 37,000 ethnographic photographs of peoples from different continents the quality of its temporary exhibitions and cultural activities and the high number of visitors it attracts Peru” exhibition with pieces from the Lima Art Museum Presenting the cosmology of cultures that inhabited the Atlantic and Pacific regions Andean highlands and highest coastal mountain range in the world – Sierra Nevada de Santa Marta – in a world overshadowed by modernity the Colombian Gold Museum’s treasures offer a poignant reminder of the enduring legacy of indigenous cultures “This exhibition represents a momentous occasion for the Gold Museum as it reaffirms our commitment to sharing Colombia’s rich cultural heritage with audiences around the world,” declared Héctor García a curator from the Gold Museum of the Banco de la República “More Than Gold: Splendor and Thought of Indigenous Colombia” will shine brightly in the heart of Zurich a showcase of unique artifacts that also serve as beacons of hope inviting audiences to rediscover the beauty and complexity of Colombia’s rich cultural heritage Colombia’s Portable Universe heads to Montreal Museum of Fine Arts  The City Paper was founded in 2008 as Colombia’s first free English language newspaper it was awarded the country’s Manuel Murillo Toro medal in communications for contributing to informed and objective coverage of Colombia Copyright © 2024 The City Paper | Terms and Conditions Subscribe to daily business and company news across 19 industries copper ore mined from Rietberg Mine inforty one years.">Copper 360 staff welcome the first load ofcopper ore mined from Rietberg Mine in The reopening of the Rietberg mine is not only a significant milestone for Copper 360 but also a historic moment for South Africa's mining industry It represents the revival of copper mining in an area that was the site of the country's first mineral discovery by Simon van der Stel in 1685 "The commencement of mining activity at Rietberg is an exciting moment for us and the culmination of several years of planning; but inasmuch as it marks a milestone for Copper 360 it also signals the beginnings of a new era for the Northern Cape,” said Copper 360 CEO Jan Nelson in a media statement “This achievement is a credit to our executive and management and the grit and determination of the Namakwaland people that come from the communities in the area; and who form part of our Copper 360 team.” Rietberg is the first of several dormant mines that Copper 360 plans to reopen in the area as part of its cluster mining model The company holds a mining right across 19,000ha where 12 mines and 60 historical prospects have been identified Resource estimate: Measured & Indicated resource of 4.8Mt at 1.27% Cu representing 60,800 tonnes of copper metal High-grade samples: Sampling from draw points underground has yielded values as high as 6.08% copper Processing: Ore is being processed at the Nama Copper Modular Floatation Plant with a production start-up target of 12,000 tonnes per month at copper grades of 1.6% Cu in situ Expansion: Production is expected to increase to 45,000 tonnes per month within four months as the second MFP is commissioned Recovery: Plant recoveries of 75 to 85% are targeted during start-up with previous test work indicating potential recoveries of 92% This development is expected to contribute substantially to the local economy It also transitions the company from predominantly producing copper plate to producing copper concentrate "This is significant as 80% of the company’s revenue will be generated from copper concentrate significantly growing the cash margin of the company,” added Nelson “It is also a testament to our Chairman for having the foresight to identify that Copper would become a critical future metal and then the determination to procure the mineral area and develop it over a period of 16 years.” This initiative not only promises economic benefits but also positive social outcomes for the local communities and the historic region Choose a topic below and thereafter view all articles on the topic using the "Next >" button or swiping left Choose a topic below and thereafter view all articles on the topic using the "Next >" button or the keyboard right arrow key went to be with her Lord after a brief battle with cancer on December 7 Sharon will be forever known as the voice who could sing the praises of her faith Simple words cannot explain the love and passion she gave to everyone in her life and there was never a doubt her focus in life was her Christianity Her faith was evident in all she did and through every song she sang She dreamed of the day to be reunited with the love of her life He too was a strong Christian and left us too early in August 1988 there is no doubt the heavens have a new voice that is clearer and full of joy to finally be there She left us knowing without a doubt where we can find her when our day comes to leave this earth She was surrounded by her loving family and friends in her final days and we all rejoice for her now Scott Holwerda; brother and very special wife and friend Josh Holwerda and AJ Holwerda; great-grandchildren and Dominic and Greyson Monte; nieces and nephews many of whom have passed on in advance of her are countless and are forever in the minds of her children as supportive and loving and always present Sharon was preceded in death by her loving husband Andrew (Andy) Jack Holwerda; and her parents at Matthysse Kuiper DeGraaf Funeral Home (Grandville) 4145 Chicago Dr The burial will take place at Floral View Memorial Gardens Relatives and friends may meet the family Friday at the funeral home and Saturday from 9-9:45 a.m we kindly ask for all donations to be made to Faith Hospice Condolences may be sent online at www.mkdfuneralhome.com a delicious warm healthy meal is a wonderful way to show support and comfort you can help ease one of the burdens your friend or family member faces during the weeks and months following the loss of their loved one Show them how much you care with meals from Memorial Meals Order Memorial Meals Please select what you would like included for printing: Copy the text below and then paste that into your favorite email application Enter your phone number above to have directions sent via text This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply Service map data © OpenStreetMap contributors This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. You can email the site owner to let them know you were blocked. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. The 12th century Gitagovinda – the love story between the shepherd girl Radha and the Hindu god Vishnu – was illustrated around 1775 in one of today’s most famous and precious series of Indian painting. The exhibition invites visitors to learn more about this great poetic oeuvre and become immersed in and enchanted by the moving narrative with the help of the museum’s own miniature paintings – the largest coherent set in the series – and works from other collections. Who was the Buddha? What did he teach? What rituals do Buddhists perform in everyday life? These are just some of the questions that a major exhibition at the Museum Rietberg addresses. With support of the Robert H. N. Ho Family Foundation and Engagement Migros. Twenty-one works in Swiss museum collections were looted from Benin City when the Royal Palace was plundered by the British Army in 1897 published by the Swiss Benin Initiative (SBI) group focused on 96 Benin bronze items in eight museums including the Musée d'ethnographie de la Ville de Genève and the Museum der Kulturen Basel The Swiss Benin Initiative was launched in June 2021 when the participating Swiss museums joined forces under the leadership of Zurich’s Rietberg Museum An SBI statement says: “In addition to creating an effective network among the participant museums the primary focus was on the collaboration and exchange of information with Nigeria for the purpose of investigating the provenances of the collections from the Kingdom of Benin held by the said museums in Switzerland.” Switzerland is the latest country to shine a light on the artefacts looted by the British army from what is now southern Nigeria as part of a punitive expedition (“Benin bronzes” includes objects not only made of bronze but brass and ivory too) Nigeria has repeatedly called for their repatriation outlines how “21 objects [out of 96] belong to category one [looted] which corresponds to 22% of the Swiss Benin holdings records in writing or circumstantial evidence such as burn marks provide a direct link to the fateful events of 1897.” “probably looted” includes a total of 32 Benin objects (34%) we have no written evidence to link them directly to 1897,” the SBI says though it “may assume with considerable certainty that they were violently appropriated in 1897” items listed in categories one and two may be returned to Nigeria the museums concerned express their openness to a transfer of ownership of the looted and probably looted objects; this could involve a repatriation of the works a circulation or loans to Swiss museums,” says an SBI statement Meanwhile, research showed that the remaining 16 and 27 objects probably are not or definitely are not connected with the military operation of 1897. The research also shows that only eight objects were acquired by the Basel Museum der Kulturen immediately after 1897, while the majority of items entered Swiss museums later over a longer period of time up until 2022. “In this context, private collectors along with the international and Swiss art markets played a pivotal role,” the SBI says. but how many are prepared to give them back We asked museums in five countries for their position on restitution news7 November 2022Benin bronzes online database goes live with details of thousands of looted artefacts"Digital Benin" catalogue gathers together information on objects stolen from the Kingdom of Benin and now held in collections around the world the japanese architect known for his cardboard structures, shigeru ban architects, has designed the museum rietberg zurich’s temporary summer pavilion of easily constructed creating symmetry in the scale and proportion when viewed from the fountain on the front lawn the simple construction compliments the color palette and open airy nature of the colonnaded wing the structural columns vary in size and stack inside one another for off-season storage carbon steel trusses hold up a fabric roof the entire extension is enclosed by polycarbonate panels allowing ample fresh air to circulate while providing additional sun shading the construction uses no fixed connections in its assembly so the whole thing can be removed in the winter months and re-assembled the following spring or summer shigeru ban architects museum rietberg temporary pavilion image © didier boy de la tour (left):(right):images © didier boy de la tour the temporary exhibition space balances the symmetry of the existing museumimage © didier boy de la tour AXOR presents three bathroom concepts that are not merely places of function but destinations in themselves — sanctuaries of style Japan’s most famous tiger will reside exclusively at Museum Rietberg in Zurich Now the entire temple’s painted walls and a number of other awe-inspiring masterpieces by Rosetsu are being shown for the first time outside of Japan the Japanese painter Nagasawa Rosetsu (1754–1799) accomplished the monumental paintings of a tiger and a dragon both symbols for the original life force of mankind and nature on the walls of the central worship hall in the Zen temple Muryōji in one single night These icons of Japanese paintings will leave its country of origin for the first time to feature prominently in an exclusive exhibition at the Rietberg Museum Zurich The exhibition at the Rietberg Museum will survey Rosetsu’s art through a selection of sixty of his most important paintings many of which are registered as Important Cultural Properties or Important Art Works come from various temples and renowned museums in Japan The highlight of the exhibition will be a magnificent ensemble of 48 screens and hanging scrolls displayed in a recreated original floorplan of the Zen temple Muryōji This Zen temple in the southern part of Japan’s main island holds the largest and most important collection of Rosetsu’s paintings Various stories recount the creation of this breathtaking ensemble The installation of these works would present an unprecedented opportunity to view and examine the paintings in a single venue outside their home in Kushimoto and indeed the first such installation of architecturally specific paintings in an exhibition outside Japan The exhibits run the gamut of formats and subjects from exquisitely executed scrolls depicting birds and flowers in brilliant polychrome pigments to large-scale sliding doors and folding screens with fantastic landscapes With his unconventional compositions and powerful brushwork Rosetsu always offers a fresh take on traditional subject matter Please enable JS and disable any ad blocker Occupational Health profile: Katherine Miller Manufacturing profile: Christopher Spencer Continuous Improvement profile: Eline Rietberg Eline Rietberg joined us in July 2020 and works as Continuous Improvement / Project Manager at our sister company FN Steel in the Netherlands Learn more about Eline and why she chose to join us.. What has been your journey to your current role Following my formal education at Delft University of Technology where I obtained a Masters in Applied Mathematics and a Masters in Science Communication I worked for a shipbuilding company headquartered in the Netherlands where I played an active role in the implementation of the ERP (Enterprise Resource Planning) within the supply chain This solution helps businesses integrate data and processes and facilitates accurate and timely access to reliable information on which to base informed decisions More recently I held a Business Analyst position for an essential network provider in Melbourne Australia where I worked as part of the integration team responsible for the integration of a recently acquired business into the existing organisation I’m relatively new to the organisation, having only started to work for FN Steel at the beginning of July What knowledge and expertise do you bring to your role In terms of experience from my previous roles but aside from this I bring an enthusiasm to identify areas and deliver improvements in respect of products services and processes to meet the demanding requirements of the markets we serve which I am just beginning to appreciate are quite diverse What are you enjoying about FN Steel so far I've witnessed the breadth of knowledge and skills within the organisation and the passion of its employees In order to try to familiarise myself with the people and processes I’ve worked nightshifts so I can appreciate the scale of the operation and the complexities of the manufacturing process What has struck me most has been the openness of the team to engage and share knowledge and the ‘get-it-done’ mentality that is the cornerstone of the business Where do you see yourself in 5-10 years' time within FN Steel I aspire to implement and add rigour to the continuous improvement programme including some significant IT solutions that will contribute to business continuity and will improve our overall business efficiency Why did you choose to apply for a job at FN Steel After moving back from Australia to The Netherlands unexpectedly due to the Covid-19 pandemic I elected to return to a role in manufacturing as I'd previously enjoyed working in the shipbuilding sector the combination of Project Management and Continuous Improvement is really appealing to me friendliness and the genuine interest of all the interviewers convinced me of a real cultural fit My role includes leading the formalisation of the ERP implementation project including managing the different continuous improvement workstreams and liaising with the stakeholders to make these projects happen I'm involved in steering committees on a weekly basis to monitor progress and ensuring we stay on track and make certain that our customers see the benefits of these projects What advice would you give to other people considering a career at FN Steel If you like a challenge and are open to a dynamic environment with a range of opportunities to learn, FN Steel might be the perfect place for you new to the industry or a steel industry professional Look out for your first newsletter in your inbox soon We help you navigate a myriad of possibilities Sign up for our newsletter for the best of the city By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Switzerland facebooktwitterAbout us Contact us A very unique exhibition on Jainism which was recently on display at the Rietberg Museum in Zürich left a mark highlighting Jainism and connecting its ethics for the first time to a very contemporary set of questions which are shared globally by the younger generations the exhibition facilitated collaboration among scholars of different institutions and perspectives—from the Museum Rietberg and the realm of art history to the CERES University Centre for Religious Studies in Bochum and the contribution from a long-time collaborator an Indian film-maker and curator.In this interview talks about the larger vision behind organizing the exhibition and major artworks showcased in the exhibition among other things.Q: Tell us about the larger vision behind organizing the exhibition ‘Being Jain’ at the Rietberg Museum?A: The Museum Rietberg is the largest museum of non-Western art in Switzerland As a result of its outstanding and innovative exhibitions and its collaborative research the Museum Rietberg enjoys international repute The founding donator of the Museum Rietberg had acquired important Jain art works in the 1920s the collection was systematically complemented The first Rietberg exhibition on Jainism goes back to 1974 With the exhibition “Being Jain: Art and Culture of an Indian Religion,” the Museum attempted to go new ways: It presented not only exceptional artworks but invited visitors to actively engage with diverse topics related to sustainability Few religions formulate ethical values as rigorously as Jainism renunciation of possessions and universal tolerance are the guiding principles of this religion The exhibition not only provided insights into Jainism but also encouraged visitors to change their own perspectives and explore new paths.Q: How do you think the exhibition has contributed to raising awareness about Jainism among a global audience especially given it’s relatively a lesser known religion in the Western world?A: Jainism is a religion which is largely unknown outside of India The general audience in Switzerland had hardly ever heard about this religion before This lack of knowledge was the biggest challenge in promoting this exhibition in Switzerland we contributed to a change in public awareness: we attracted a significant number of visitors and diverse print and online media reviewed our show in detail and very positively We experimented with new formats like podcasts to reach out to new audiences The exhibition shone a light on the Jain community living in Switzerland we explored together with local Jaina guests questions of day-to-day ethics By asking “What does this have to do with me?” we addressed issues of non-violence and vegetarianism.Q: Collaboration among scholars from various institutions and perspectives played a crucial role in the exhibition’s success Could you discuss the significance of this collaboration and its impact on the exhibition’s content?A: Indeed the overwhelming international support we received for the exhibition was critical to its success It was backed by the Center for Religious Studies (CERES) at the Ruhr University in Bochum the Loyola Marymount University (LMU) in Los Angeles The exhibition was generously funded by the Parrotia Foundation and Max Kohler Foundation in Switzerland by the Swiss and Indian corporates Swiss Re and Star Worldwide by the Arham Foundation in India and the City of Zurich we received tremendous support from the Indian Embassy in Bern and the Swiss Embassy in New Delhi I am grateful to all the partners who made this exhibition a success It is a significant contribution to the ongoing celebrations of the 75th anniversary of the Swiss-Indian Friendship Treaty.Q: How did the involvement of an Indian filmmaker and curator enhance the exhibition’s narrative and presentation?A: In addition to the artworks five short films by Harsha Vinay had a central They dealt with the ritual practices of the Jains the production of manuscripts and their use and the everyday life of Jain ascetics in India Portraits and interviews allow insights into very personal life stories These films gave the audiences a glimpse of how Jains in India practice their religion today Many visitors were moved by the film on Sallekhana (fasting to death) I particularly remember one visitor who was still moved to tears when she congratulated me for what she felt was an extraordinary experience Some visitors came several times to see the films We still receive demands for public screenings.Q: What were some of the key artworks or artifacts showcased in the exhibition that provided insights into Jain philosophy and practice?A: About 200 masterpieces of Jain art were on display; from sculptures and sacred texts to utilitarian objects used by monks The artworks came mostly from the collection of the Museum Rietberg but also from important Indian museums and private collections I was truly moved to see the artworks from Mathura such as the Ayagapatta from the State Museum in Lucknow this relief represented one of the most ancient artworks in the entire exhibition We had a testimony from the beginning of Jain art in India Outstanding were the two amazing black sculptures of Jinas from the Manjusha Museum in Dharmasthala A major highlight was the entry to a beautifully carved wooden shrine from Gujarat dated to the 17th century which the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya in Mumbai lent to us Other beautiful objects came from the National Museum in New Delhi the Jagdish and Kamla Mittal Museum of Indian Art in Hyderabad and the Museum of Art and Photography (MAP) in Bangalore The presence of these Indian loans made this exhibition so special red and black sculptures of Jinas and the magnificent bronzes created a unique atmosphere To see these rare and outstanding artworks from India in Zurich was a true privilege and a strong symbol of the friendship between our two countries.Q: As the Deputy Director and Curator of South and Southeast Asian Art how does the exhibition fit into the larger narrative and mission of the Rietberg Museum?A: I see here clearly three points this exhibition was a major event in the history of our exhibitions It informed our Swiss audiences about a new topic This exhibition is the first major and broad show on Jainism in Europe for a long time Previous exhibitions focused on art history or single aspects of this religion The new and fresh approach to looking beyond the object and understanding its significance its relevance in our today’s world is a major achievement for our museum this exhibition is an expression of Rietberg’s commitment to collaborate with its many partners conservators and donors need to work more closely together the exhibition “Being Jain” embodied our mission well this exhibition goes beyond a classical art exhibition In addition to the presentation and contextualisation of artworks we asked how do they inspire us to face the challenges of our time Do Jain concepts such as tolerance and non-violence offer answers to our questions The Game of Questions” gave the opportunity to approach these questions in a playful way It combined analogue on-site game elements with a web-based app allowing visitors to ask their own questions To involve audiences in our work is a new and irreversible step towards a more participatory museum © SUNDAY GUARDIAN LIVE 2025 | DIRECT NEWS PRIVATE LIMITED | ALL RIGHTS RESERVED.