Domestic and international bands can enter the popular German Open Championships in Warstein-Belecke later this year
The German Open Championship is offering an invitation to both domestic and international bands to compete at its event which takes place in Warstein-Belecke from October 17th to 19th
Invitations are now open for an event that alternates with the German National Championships and is organised by the Deutsche Brass Band Verband e.V
in cooperation with the International Brass Festival Sauerland-Herbst
The joint Championship/First Division (A Section) has six places on offer for those wishing to be placed in it
whilst the B Section (First/Second Division) has places for bands at that nationally graded level
The C Section is for Third/Fourth and Youth Bands with 6 places available
When applying bands must indicate which section of competition they wished to be placed in
In Sections A and B bands can field up to 35 players
whilst Section C is open without a maximum
A Section bands must include a test-piece plus a solo item in a programme set that must not exceed 35 minutes in duration
B Section bands must include a chorale or march plus test-piece in a programme not exceeding 25 minutes
C Section bands must include a test-piece in a programme not exceeding 25 minutes
For further details bands should go to: www.dbbv.org
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May 6 • The British Open Spring Festival will be held in Birmingham in 2026
May 6 • The incredible live sounds of Mike Lovatt's 'Brass Pack' can now be enjoyed following the release of their new album
May 6 • The music making will go on long into the night in Stavanger on Friday with a special Midnight Brass treat from Manger Musikklag
May 6 • Whitworth Vale & Healey capture the essence of victory as there are also wins for Delph
Dobcross Silver and St John's Mossley in Buxton
Saturday 10 May • Winter Gardens Complex
May 6 • Midlands Area Champions IBB have an opening for an experienced percussionist
Ambitious and enjoying a varied concert/contest program
we are looking forward to the third section finals 2025
May 6 • Midlands Area Champions IBB have an opening for a full-time Bass player (position negotiable) Ambitious and enjoying a varied concert/contest program
IBB are looking forward to the third section finals 2025
Rehearsals Mon/Thu in Coalville near M1 J22
May 5 • Ocean Brass are inviting applications for our Principal Cornet position
as we prepare for an exciting schedule of concerts and contests in the second section through 2025 and beyond
Purchase from RFR Group adds highest energy rated asset to managed REIT portfolio
has acquired an office and research & development facility leased to Infineon Technologies AG (Infineon)
a global real estate investment and development group
commented: "As one of the world's largest semiconductor companies
Infineon is a market leader and a solid addition to CPA®:18 – Global's tenant portfolio
The recently completed facility is a mission-critical asset for Infineon and demonstrates its long-term strategic commitment to the region
The purchase from RFR Group also highlights our ability to structure transactions worldwide with institutional owners and developers to provide liquidity in support of their global portfolio strategies."
noted: "Given their focus on long-term leased quality single-tenant assets as well as their global investment expertise
Carey's CPA®:18 – Global was the ideal buyer for this asset. The transaction enabled us to efficiently carry out our strategic portfolio initiatives."
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trends and uncertainties are the general economic climate; the supply of and demand for office and industrial properties; interest rate levels; the availability of financing; risks associated with the acquisition and ownership of properties
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reference is made to CPA®:18 – Global's respective filings with the Securities and Exchange Commission
Company contact: Kristina McMenamin W. P. Carey Inc. 212-492-8995 [email protected]
Press contact:Guy LawrenceRoss & Lawrence212-308-3333 [email protected]
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Soviet coins and a harmonica were among the 400 artifacts archaeologists recently unearthed at the sites of an infamous Nazi massacre
At the end of World War II in Europe
over the course of a few days in March 1945
the Nazis murdered 208 Polish and Russian forced laborers in Germany's Westphalia-Lippe region
Archaeologists have been looking for traces of the massacre in three rural sites — near the towns of Warstein
They presented their findings to the public on March 8
Similar tactics were used in a field near Eversberg, where archaeologists also discovered artifacts; the Germans used grenades to blow a giant pit in the ground
where they shot another 79 forced laborers and a child
foreign laborers were forced to dig the trenches where 57 of them would be buried
The Nazis had tried to cover up their crimes at these sites
American troops liberated the region just weeks later
they forced German townspeople to exhume the dead to be reburied in proper cemeteries
Similar investigations took place at Eversberg and Warstein
and just 14 of the victims have been identified by name
and the murders are “an example of this part of our history that we have to face.”
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He might have been referring to comments by Alexander Gauland
one of the leaders of Germany’s far-right Alternative for Germany (AfD) party
who said last year that "Hitler and the Nazis are just bird sh*t in more than 1,000 years of successful German history."
Originally published on Live Science
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Toggle Sensemaker Daily The King's gun club Alexi Mostrous
Every year, from May to September, marksmen’s festivals are held in the Sauerland in Germany. The three-day extravaganzas consist of marches through villages, church processions and dances. The highlight is a shooting competition, aimed at a wooden bird, that determines the new annual King.
The origin of the clubs behind the festivals goes back to the civil defence in the Middle Ages. Most of these clubs or “brotherhoods” have strict rules; they represent conservative Christian values and do not allow women as members.
Growing up in a small village and visiting the local marksmen’s festivals since childhood has led me to this personal reflection on the tradition, which started in 2015 and took in 31 festivals.
The bird raising for the shooting competition in Olsberg. In this village, women are not allowed to join this ritual. The bird is based on the imperial eagle and wears crown, sceptre and orb.
Michael Lehmkühler, King in Brunskappel for 2016/17, posing for a portrait. In this village of under 250 inhabitants, an invitation to join the club is sent to all at the age of 16.
The Marksmen’s Brotherhood in Warstein. Flag-bearers are tasked to carry the flags during the parades. In some clubs they receive penalties if the flag is damaged or the flag’s tip gets lost.
The so-called “Geck shooting” in Oberkirchen determines the viceroy. Only a few clubs shoot for the viceroy on a figure of the medieval court jester. In other clubs, the penultimate shot counts as viceroy.
Marksmen during the parade in the village of Oberkirchen, in which the anniversary couple and the new royal couple are picked up and escorted through the village with a marching band.
Silke Hülfshoff poses for a portrait. She is the Queen in Brunskappel for 2016/17. Usually, the dresses are bought especially for the occasion.
The last shot of the competition in Warstein in which Marc Brautigamm became the new king. The shooting competitions are being regulated more strictly; clubs complain about this and see their tradition as endangered.
The jubilee king in Brunskappel, who shot down the bird 50 years ago, has requested that this year the marksmen march the last meters to the hall through the nearby river. This had not happened for several decades.
Spectators during the parade in Warstein. During the festival, residents are asked to decorate their houses with the club flags.
The king and court are celebrated at the royal table at night. The bird on the ceiling is the emperor bird which is shot out of all kings every five years.
Hans Dieter Baller, a member of the royal household in Warstein for 2018. To be king once is his big dream.
Ladies of the royal household on the royal table in Brunskappel. The royal household is chosen by the King and Queen. At night, the marching band plays directly at the king’s table while people stand on table and chairs.
Preparations for breakfast on the day of the shooting competition in Warstein. The chairs are reserved for the royal couple.
The marksmen and the marching band shortly after entering the marksmen‘s hall in Oberkirchen. The club was founded in 1827 and has about 750 members. Only men are allowed to join the club.
Marco Schäfer, the first flag officer in Brunskappel, poses for a portrait in the marksmen’s hall.
Ladies of the royal household in Balve celebrate the royal couple shortly after the marches. In Balve, the festival is celebrated in a big natural cave.
One bird is constantly hanging in the marksmen’s hall.
The village, Silbach, used to be a mining town. The usual club clothing for the mining industry was also taken over by the marching band.
Marksmen’s hall of Brunskappel. Club flags are hung in the hall after the parades. In the Sauerland, the halls were built decades ago and belong to the marksmen’s clubs.
Hans-Georg and Kriemhilde Vogt pose for a portrait in Silbach. Georg shot the bird in 1968, which is why the couple celebrate their 50th anniversary in Silbach and get honoured during the festival.
Marksmen during the mass in Siedlinghausen. The sermons mostly deal with the charitable tasks and history of the marksmen.
Two marksmen at the emergency exit of the marksmen’s hall. The beer nearby is usually transported in carrying baskets for 10 beers.
The first marksmen’s festivals were celebrated in the time around Pentecost. The May was also called the green month, which is why the marksmen dressed green.
Carolin Dreisbach, ladies’ cup bearer 2002 in Langewiese, is a member of the only club in the Sauerland where women are members, and are also allowed to take part in a shooting competition.
Snack house in Küstelberg. A stand with currywurst and fries is indispensable on a marksmen’s festival.
The 43rd marksmen’s festival in the city of Marsberg. The city-festival is celebrated each time in a different associated village. Because of the number of visitors, a tent was built next to the marksmen’s hall.
Two second world war carbines are used for the shooting competition. The ammunition for the shootings is subject to strict regulations and is much weaker loaded.
Frank Gerke poses for a portrait. His uniform is based on the old mining town of Silbach. He had the task being torchbearer.
A marksman late at night at a shooting gallery. Such booths can be found at every festival. For many years, the same booth operators have come to the festivals.
Marksmen and visitors during the royal dance in the Balver Cave. For over 150 years, the Brotherhood celebrates its festival in this cave. The oldest surviving flag in Balve is from 1845.
Markus Rustige poses for a portrait. The wooden rifle is worn during the processions and often decorated with flowers.
The war memorial in honour of the dead from the two world wars in Brunskappel. A visit to the memorial, with prayers and wreath-laying, is an integral part of every festival.
The Kreisschützenfest in Grevenbrück, a festival for all the clubs in the Sauerland area, and the last of the season, ended with a firework display.
Felix Hagedorn and Nicole Ewald pose for a portrait in the marksmen’s hall in Warstein. They are the royal couple of the bachelor Marksmen’s Club in Warstein for 2017/18.
Arne Piepke grew up in a small village surrounded by hills and trees. His attitude towards photography was shaped by an urge to break out and explore. He deals with social issues and the people’s connection to history and their surroundings.
In 2018 he won the PDNedu Student Contest in the category photojournalism, was among the winners of PDN Emerging Photographer and got nominated for the W. Eugene Smith Student Grant.
He is a founding member of DOCKS Collective and currently attending the MA Photographic Studies in Dortmund/GER.
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I arrived in Italy in the rather peculiar situation of being the owner of a hot-air balloon but never having been in one
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I’m in Italy, in Piedmonte, staying in a lovely little town called Mondovi while I attempt to learn to fly a hot-air balloon. I’m not learning in my balloon; I’m the guest of a gentleman called Andrew Holly, a man who appears to have more balloons than is strictly necessary for one individual.
The original plan was to slowly learn my new hobby back at home in the Cotswolds but I need a minimum of 16 hours’ flying time before I can even think about getting a pilot’s licence and it quickly became apparent that this would mean a lot of time standing in English fields at dawn waiting for the wind to drop while attempting to persuade friends to get out of bed and drive the recovery vehicle.
So Andrew suggested I join him in Mondovi as the town, being sheltered on almost three sides by the Alps, is particularly blessed with the weather conditions needed to balloon.
So I’m here for 10 days’ tuition in between eating and drinking my bodyweight in fresh pasta, pizza and Rossinis. Fortunately, I have chosen to be a hot-air balloonist and not a gas balloonist. The latter is the one where you need to chuck ballast out of the balloon, as it gets progressively less buoyant. Anybody flying with me in one of those would view me as an impediment to prolonged flight and would be seriously considering chucking me overboard.
I arrived in Italy in the rather peculiar situation of being the owner of a hot-air balloon but never having been in one. There was a little part of me that was rather nervous. I had vivid nightmares in which I howled like a demented baby, crying and clinging to the wicker wastepaper bin that we fly around in, while demanding to be brought back to terra firma.
As it was, I absolutely loved my first flight. We floated low and slow over the red-tiled rooftops of Mondovi before hovering over the tips of trees and spotting wild boar and deer in the forests below. It was magical.
When, on my second flight, we soared up to 3,000ft, I did feel a slight urge to head down the screaming baby route. Fortunately, I managed to conceal my panic by muttering admiring things about the clouds and not looking down too much. As my flight hours increase however, I am getting a little calmer at altitude; you can’t beat the fantastic feeling of floating low over the Italian countryside like some voluminous peeping Tom.
Join thought-provoking conversations, follow other Independent readers and see their replies
What began as a hobby grew into a lifelong passion and thriving career in international equestrian sports for Jens Wawrauschek
Jens has developed himself into a specialist in the training and buying and selling of show jumpers
he knows how to find the perfect balance between training champions and creating perfect matches between horse and rider
Jens Wawrauschek is not your typical descendant of a family of riders
Although his passion for horses was always present
equestrian sports remained mostly a hobby for his family
he decided to broaden his horizons and started working at the stable of Olympic champion Lars Nieberg
who at the time managed the Gestüt Wäldershausen in Homberg/Ohm
This experience fueled his interest further
and he pursued a degree in event management at EN GARDE Marketing while also studying business economics in Bremerhaven
I continued to train and sell sport horses," Jens recalls
and Jens found the perfect balance between his passions: working with horses and customer service
He had the opportunity to join the renowned stable of Paul Schockemöhle
where he focused on training and marketing sport horses
This experience led him to work with Holger Hetzel and eventually Hans Horn in the Netherlands
I learned a lot about selecting the best young show jumpers and developing them to championship level," Jens explains
It was here that he also developed his sharp eye for matching the right horses with the right riders
Jens took the leap into entrepreneurship and founded his own business: 'Jens Wawrauschek Horses.' Thanks to the spacious and professional facilities provided by the Cramer family in Warstein
he was able to focus entirely on training and selling high-quality show jumpers
combined with excellent after-sales service for his clients
I honestly had no idea where Warstein was located," he laughs now
and he has since grown fond of the advantages this location offers
with relatively short travel times to key equestrian venues such as Peelbergen and Opglabbeek
and close to major airports like Frankfurt
The picturesque village at the edge of the Sauerland has proven to be the ideal place for training and trading sport horses
"I now have a long-term lease contract with the Cramer family
and I am very grateful for this stable situation."
Although Jens has achieved success in competitions up to the 1.60-meter level
"My highest goal is the long-term development of my horses
Their individual growth is an essential part of success for me
it’s about ensuring the horses perfectly suit their new owners," Jens explains
This philosophy is at the core of his work as a rider and horse trader: finding the right match and ensuring that horses and riders bring out the best in each other
managing partner of the Warsteiner Group passed away on November 20
His passing means the Warsteiner Brewery has lost its senior partner and a man who made history in the German and international beer market
Albert Cramer was a visionary who tirelessly promoted the growth and development of his brewery and gastronomy business
As the eighth generation of the Cramer family from the Sauerland region in western Germany
Albert Cramer was a successful entrepreneur who remained loyal to his hometown Warstein and the people living in the region
who joined the executive management team of the Warsteiner Group in 2006
will continue the management of the company into the ninth generation
Albert Cramer grew up together with his three sisters in his parents’ home
After completing high school in Bad Godesberg
he went on to study business administration at the University of Cologne
gaining his first professional experience at the business consulting firm Kienbaum
he joined the family brewery managed by his father
and later became a limited partner and shareholder before assuming 100 percent of the company shares
With an output of more than 300,000 hectolitres
the Warsteiner Brewery was already among the largest breweries in Germany
Albert Cramer’s innovative ideas and marketing talents helped lead the family enterprise headquartered in the Sauerland to become the largest and most successful privately-owned brewery in Germany with an annual output of more than six million hectolitres
which also includes the German hotel chain Welcome
consists of diverse subsidiaries with approximately 2300 employees generating annual revenues of more than 520 million euros
Albert Cramer was the first German brewery owner to promote beer through national advertisement campaigns
effectively suggesting a correlation to sparkling wines and champagnes
Cramer succeeded in developing a new trend in fine dining
making beer in Germany socially acceptable amidst more sophisticated settings
Together with the renowned glass designer Hermann Hoffmann
Cramer created in 1969 the Warsteiner Tulip
a beer glass that influences the brand image of Warsteiner to this day
the iconic glass was immortalized on canvas by the legendary pop-art artist Andy Warhol in New York City
Warhol’s examples of the tulip glass adorn the administration building of the Warsteiner Brewery
the young entrepreneur undertook a bold investment to build a new Warsteiner brewery in the Waldpark area on the outskirts of Warstein
thereby laying the foundation for a solid and prosperous financial future for the entire region
Albert Cramer created the most modern brewery in Europe
which to this day sees continuous investments and commitments to the environment and sustainability
Albert Cramer was in the position to invest outside of Germany early on his career
and he successfully grew his enterprise into the largest export business among the private breweries in Germany
the Warsteiner brand is present in more than 60 countries around the world
Warsteiner set up its own sales companies in USA
and successfully integrated acquisitions of the Paderborner Brewery
the Frankenheim Brewery in Düsseldorf and the Herforder Brewery as well as holdings in the König Ludwig Schloßbrauerei Kaltenberg in Bavaria
Cramer initiated in 1986 the first Warsteiner International Montgolfiade
which grew into the largest annual hot-air balloon festival in Europe
With mass ascensions of over 200 balloons and more than 300 pilots from around the world
this annual event draws more than 200,000 spectators each year to Warstein and plays a significant role in the attractiveness and tourism in Nordrhein-Westphalia and the Sauerland region
Albert Cramer was also a fan of Formula One racing and successfully merged his love for the sport with his marketing engagement
making the Warsteiner brand world famous in the 1990s
Another of Cramer’s successful sponsorship activities focused on international ski and equestrian events
Albert Cramer felt passionately about giving back to the community by promoting charitable projects in Warstein and its surroundings throughout his life
This heartfelt commitment to ensure long-term
sustainable support is evident in the Paul-Cramer-Foundation which he set up in honor of his father
This foundation has been financially aiding social and cultural initiatives in the region for many years
Albert Cramer also fostered many international children’s charity projects throughout his lifetime
including the building of several SOS Children’s Villages as well as other third-world projects in South America and Africa
Albert Cramer was a pioneer of the German brewing industry who shaped and formed the German market inimitably
He leaves a great void in the lives of his loved ones
His strong personality and his creative powers will be long remembered and appreciated by all those who came in contact with him personally
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German Under 25 dressage rider Anna Christina Abbelen has decided on a professional career in horses and agreed to set up an independent business at her boyfriend Christoffer Lindenberg's place near Bonn
Abbelen is the 2014 European Junior Riders Champion (on Furst on Tour) and won double silver at the 2017 European Young Riders Championships (on First Lady)
In 2018 she made the transition to Under 25 Grand Prix level with Henny Hennessy
a horse trained to S-level by Manuela Gorski
She competed at four internationals in 2019 and mainly focused on the national Piaff Forderpreis circuit in Germany
The European Under 25 Championships are still on her wish list
Abbelen has now decided to begin her own dressage business at her boyfriend Christoffer Lindenberg's yard in Rodderberg
The Danish born Christoffer is son of the renowned Danish gynaecologist Svend Lindenberg
He is a jumper rider and for the past 12 years has been based in Germany
He is now begun his own business in Rodderberg
where Abbelen will move in her three horses and future clients
In 2019 Abbelen had moved from her base at Heiner Schiergen's in Krefeld to go study in Munich
She still needs to hand her Masters Thesis on the theme of "Story-Telling" following an internship in a communication company in Cologne
In September 2020 she also wants to do one semester abroad
just across the border in Maastricht (NED)
before she can become a Master in Business and Communication
Anna recently returned back north with her horses
though not to Krefeld but instead to Lindenberg in Warstein
but hopes to reconnect with Schiergen soon
In an interview with St-Georg
"because of my allergies (Anna is allergic to horse hair) it is still unclear if it will work (a professional career in horses)
But at least for my Under 25 time and as long as I am young
i want to ride first and make a living out of it
I always say the things will come the way they come."
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The German brewing industry loses one of its more colourful albeit controversial characters
yet at times charming and very much down-to-earth
whereas in later years he gravitated towards the role of a patriarch
His private life and his professional life saw their fair share of dramas and tragedies
was run by his father and his cousin when he joined in 1968 at the age of 25
Warsteiner was a medium-sized brewery in the back of beyond
But in Warstein they were no country bumpkins
They saw that marketing – in those days a newfangled discipline – could take their beer to places and eventually to market leadership
the brewery was producing 2 million hl beer
he had to buy out his cousin Claus for an estimated 200 million Deutschmarks (today EUR 100 million)
Mr Cramer turned his family business into Germany’s largest brewing company
With the slogan “The real deal” (“Das einzig Wahre”) his Warsteiner pils became the biggest selling beer brand in Germany
At its peak in 1994 Warsteiner sold more than 6 million hl beer
Mr Cramer initiated an ambitious expansion programme
which led him to set up distribution companies in the U.S.
Even more ambitious was his plan to tap into emerging markets
he built a one million hl brewery outside Buenos Aires
which unfortunately never turned profitable
which he was forced to sell to France’s Pierre Castel in 2007
the Düsseldorf Frankenheim brewery and the brewery Herford in Westphalia
plus a stake in Schloßbrauerei Kaltenberg in Bavaria
these takeovers helped to conceal the fact that his own Warsteiner Brewery was witnessing significant volume losses
By 2011 its output had dropped to 2.7 million hl beer
which includes the German Welcome Hotel Group
employs some 2,300 people and has an annual turnover of more than EUR 520 million
Mr Cramer is survived by his three daughters
Josephin and Catherina and five grandchildren
To ensure that his brewery will be run by a ninth generation family member
in 2006 joined the Warsteiner management team
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Historians in Germany unveiled on Friday some 400 artefacts unearthed from three rural sites where Nazi troops killed 208 forced labourers shortly before the end of the war.
Shoes, clothes and prayer books are some of the finds researchers dug up in Arnnsberg Forest, in Sauerland, a mountainous area in North-Rhine Westphalia, in western Germany.
It was there that between March 20 and March 23, 1945 — just six weeks before the armistice that would end World War II — members of the Waffen-SS and Wehrmacht gunned down 208 Polish and Russian forced labourers before stealing their most precious belongings.
Most of the artefacts were excavated from the scene of the first mass murder in Langenbachtal near the city of Warstein in which 71 people were killed, including 60 women, 10 men and one child. The two other nearby sites at Eversberg and Suttrop yielded fewer finds.
The bodies had been exhumed shortly after the end of the war with American troops ordering former members of the Nazi party to unearth those killed at two of the sites and bury them in a nearby cemetery — a process they filmed and photographed. The third site was discovered in late 1946 after the English military authority received an anonymous tip.
So far, only 14 of the 208 victims have been identified.
Marcus Weidner, an archaeologist who worked on the excavations, said the artefacts "should be used for memorial, cultural projects," including at the Fulmecke cemetery, where most of the victims rest.
Regional Westphalia-Lippe executive head Matthias Löb said of the finds: "We have been experiencing the trivialization and increasing denial of the crimes of the Second World War and the Nazi dictatorship for several years, but the murders are part of our history that we must own up to."
ballooning once made a solid contribution to science and to war
You wait a long time for a literary book about ballooning to appear and then… well, the stock joke about coming in threes doesn't quite work because there are only two such new books afloat. In Julian Barnes's Levels of Life, the ballooning piece is only one section out of three. But, still, there's something in the air.
Richard Holmes caught the bug a long time ago. He traces his fascination to an encounter with a helium balloon at the age of four. Besides the attraction of the romance, the danger, and the views, for Holmes the footstepping biographer the appeal lies in the stories: "Show me a balloon and I'll show you a story; quite often a tall one".
The birth of ballooning in the 18th century was one chapter in his magisterial The Age of Wonder; here he has the licence to pursue more of those tall tales. Many of the pioneers had dreams of commercial success, especially in America, but the history of ballooning is mostly a catalogue of stunts, eccentric characters, fairground razzmatazz and, above all, accidents, often fatal.
This was the last serious use of untethered balloons, after which came the dirigibles, powered, steerable airships exemplified by the Zeppelins; much circus trickery, often involving women balloonists; and Richard Branson. Still, on a sunny day, a balloon sailing over a heat-hazed landscape always gladdens the heart.
'Nanoscience: Giants of the Infinitesimal' by Peter Forbes and Tom Grimsey will be published by Papadakis in October
By Richard Holmes","description":"Now a weightless pastime
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Christiane Seelgen
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the archaeologists said that the items left behind were a testament to the last hours of people who were cruelly murdered
German archaeologists have revealed some of the poignant artifacts that they have unearthed at three sites where the Nazis slaughtered 208 forced laborers just before the end of World War II
and a prayer book are among the everyday items that have been dug up from sites in the Arnsberg Forest which is situated in a mountainous area in the North-Rhine Westphalia region of Germany
gunned down 208 Russian and Polish forced laborers in the period from 20 to 23 March 1945
The slaughter took place in three separate locations in the Arnsberg Forest
The first round of killings was carried out near the town of Warstein in the Langenbach Valley when Nazi troops forced 71 prisoners (10 men
and one child) to march into the forest after telling them to leave their belongings on the side of the road as they would come back to collect them
A firing squad then shot the unsuspecting victims
after which the corpses were interred in mass graves — but only when the soldiers had helped themselves to anything that they wanted from the bodies
The soldiers took all of the cash held by the prisoners
The victims’ clothing was distributed to German people living nearby
Most of the artifacts on display from the archeological dig were recovered from this first location
but that the artifacts also provided valuable information about the manner in which this slaughter was conducted
these personal possessions such clothing decorated with beads and buttons
and crockery have lain underground along with evidence of the massacre
and even the shovels used to cover the corpses
It was in this location that 57 laborers were forced to dig trenches that had been laid out in a zig-zag pattern
Little did they realize that they were digging their own graves
Fewer artifacts were recovered from here suggesting that the Nazi forces were better prepared to hide the evidence of their evil actions
The last site excavated was near the town of Meschese at a place called Eversberg
The Nazis used hand grenades to create a pit
They then lined up 80 victims along the top of the hole
This mass grave was hidden under a paddock in which cows grazed
archaeologists found over 50 items including Russian coins
It is likely that the Nazis viewed these things with disdain
but the archaeologists believe that these items would have held a special place in the hearts of the victims
There were no bodies exhumed during the course of the excavation since
American troops forced former members of the Nazi Party to exhume the bodies at the first two locations and bury them in a nearby cemetery
This process was photographed and filmed by the Americans
It was not until November 1946 that an informant told the British military of the mass grave
the British exhumed the bodies of the massacre victims and arranged for them to be reinterred at the Fulmecke Cemetery in Meschede
alongside the victims of the other two massacres
this could change in the future as there is a renewed push to undertake a genealogical study to positively identify more of the anonymous victims and bring closure to their families
Read another story from us: Genocide And War Crimes – The Worst Japanese Massacres of WWII
the executive head of the Westphalia-Lippe region
said: “We have been experiencing the trivialization and increasing denial of the crimes of the Second World War and the Nazi dictatorship for several years
but the murders are part of our history that we must own up to.”
We can only hope that these victims who have been ignored for so long will at long last get the attention they deserve
Ian Harvey is one of the authors writing for WAR HISTORY ONLINE
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Five new galleries display 500 works from the IWM’s collection which show the power of imagery to question and influence thinking about conflict
Culture | Exhibitions
There's a picture I can't forget since my visit to the Imperial War Museum’s new Blavatnik Art, Film and Photography Galleries. It’s a photograph, taken immediately after the end of the Second World War
her hand curled around the younger boy’s eyes to keep him from seeing what lies next to them as they pass – a line of decomposing bodies; murdered Soviet citizens in Warstein
by a member of the United States Army Signal Corps is a piece of reportage
a record of the Allies’s practice of forcing German civilians to personally witness the horrifying consequences of their actions and inactions
and it raised questions – should children be shielded from these horrors
be immune from blame and therefore punishment
indoctrinated from their earliest days into hate
should they be shocked out of their conditioning
as weak or pathetic or downright evil people
in the face of the atrocity of the Holocaust
also harrowingly represented across both newsreel and artworks in these galleries
not to conclude that the latter is necessary
But my complex response to this small picture is a keen example of the power of imagery to question
expose and influence thinking about conflict
That’s the focus of these five new galleries
a permanent home for this extensive part of the IWM’s collection
which before was treated rather as an afterthought
In the first room a wall of different kinds of works, from Evelyn Dunbar’s 1943 painting Land Army Girls Going to Bed to Peter Jackson’s They Shall Not Grow Old from 2018
and a timeline outlines the development of art and image as a response to and a tool of conflict from Walter Sickert's contemplative
patriotic painting Tipperary in 1914 to John Timberlake and Suzanne Plunket’s images of the 9/11 attacks
In the following rooms, we get glimpses of the many facets of image-making – photomontage such as kennardphillipps' Photo Op, 2007, a picture of Tony Blair taking an early selfie with a backdrop of a burning oil field is contrasted with composites and staged images from the Great War
raising questions about intention and authenticity
The co-opting of the female body as a symbol of nationhood crops up over and over in the propaganda section
while the light of humanity amid the darkness of war is a repeated theme throughout
so that the gorgeous pinky-yellow evening light that diffuses through the scene is more pronounced
and the tenderness between the blinded men
And image as memorial is never far away – Steve McQueen's unfinished project Queen and Country
each of which commemorates a soldier killed in the Iraq War between 2003 and 2008 (unfinished because McQueen expected them to be issued by the Royal Mail
which never happened) has also been conserved
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there’s far too much here to take in at once
initiate new discussions and reinforce anew the conviction that the cost of conflict is always
IWM, from November 10; iwm.org.uk
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Young people aren’t staying in Germany’s small rural cities
These now empty places are becoming centers for radical right wing ideologies
This is particularly noticeable in eastern Germany
where more than 2 million people—mostly well-educated women—have left to pursue lives in the more prosperous former West
they’ve left shrinking cities and deteriorating infrastructure
Over the past 10 years, Ochs and Hegemann have found themselves spending more time in the Uckermark. In that time, they’ve co-developed the annual Uckermark Festival alongside fellow musicians and Uckermark residents Thomas Fehlmann and Gudrun Gut (we featured her home there in our recent video feature about her)
They’ve witnessed the consequences of the region’s cultural brain drain first hand
In 2011, they were approached by PCK Refinery— an oil refinery in the Uckermark city of Schwedt that’s also the region’s biggest employer—to help find ways to make the city more attractive to young professionals. The result was the founding of Happy Locals
a Berlin-based initiative that aims to reverse the brain drain by working with local city administrations to establish independent cultural spaces for young people
Both Ochs and Hegemann helped to shape Berlin nightlife before and after the fall of the wall. They are convinced that small rural towns can become more attractive by offering spaces for young creatives to meet in a setting as free as possible from economic pressure. These can be party spaces, like Tresor
The idea is that these spaces will act as incentives to get people to either stay or come back after getting higher education in a big city
Happy Locals recently won the prestigious Kultur- und Kreativpiloten Prize
which is awarded annually by Germany’s Federal Government
We caught up with Ochs and Hegemann to ask them a few questions about their project to reshape the rural cultural landscape
Dimitri Hegemann: I really would have liked to have stayed in my village back then
But there was no place where I could put my ideas into practice
Woodstock was the inspiration for me and a few friends back then
I still think many of the hippie ideals are very good: the critical stance
advocating for peace—and to be open for new music
DH: I actually wanted to establish a rural commune
That’s why I moved to West Berlin in 1980
I’ve regularly been spending time in the countryside
young people are still struggling with similar problems
Conservatism forces them to move to the city
even if they don’t entirely want to leave
it’s a reason why they won’t move back later
AO: Small town life was not inspiring enough for me
I definitely wanted to get out of the province
I’d already moved around a lot—from one small town in the southwest of Germany to the next
Maybe that’s why I was never so rooted in a certain place
The only way of feeling kind of home was by walking through nature
I spent a lot of time with my family in nature and always loved it
But I needed the impulse of the big city then
The longing for nature and peace is growing again
I think that’s probably a normal aspect of getting older
But communities don’t use their potential
and they let these potential doers—we call them operators—just go away
They move to the big city and are lost forever
To quote Annette’s text from the “Happy Locals” manual: “If the youth get bored in their hometown and cannot develop
they usually want to go to the next biggest city
because they hope to have a more fulfilling life there.” That’s how it was for me
I was mainly busy with techno and with the city
when I started traveling around Brandenburg on a regular basis
I felt reminded of my own situation in the ’70s
we want to encourage the mayors and municipalities to focus on youth again
Our presence is not meant as a provocation
The fact that young people move from the countryside to the city is nothing new and that won’t change
is whether it is possible to design the province in such a way that some of them come back after education
in recent years it has become clear that the municipalities have to be careful that not too many young people leave and never come back
to finally be able to do something on their own initiative
It doesn’t immediately have to be something provocative or world-changing
DH: There are still youth centers here and there
AO: Especially the self-managed youth centers have been subject to budget cuts
And the people who ran them grew older and perhaps they didn’t find anyone to continue running them
because that way of thinking wasn’t promoted
These are mainly people who completely dedicate themselves to their projects
There are usually only very few such people in each small town
People should finally take them seriously and give them the opportunity to do something aside from the conventional youth center
they should receive a kind of work contract
I think that would actually also be the cheapest way
Apart from the fact that it would reduce depopulation and curb the danger that a far right mainstream becomes established
They can also join forces and pay for it together
The absurd thing is that everything is already in place for it
The youth is hungry and the ideas are there
DH: We went to the Schwedt city administration and told them that we wanted to ask young people from the city two questions: What do you like
we quickly got in contact with a few people who were based in both Berlin and Schwedt
Their reaction was: “If we manage to open a space where people can develop things undisturbed
then we will stay in Schwedt.” That confirmed our theory
They then advertised our upcoming workshop in the local press and by word of mouth
The kids who participated immediately knew what they needed
AO: Afterwards the municipality said that we could continue to use the room
There was basically a promise from the mayor
But then suddenly he was impossible to get ahold of and the key to the shop was gone
They dragged it out until all the momentum was drained
DH: There definitely was resistance–from several directions
in Schwedt there is a big theater: the Uckermärkische Bühne
This is a kind of municipal theater with 80 or 90 employees
And even they often complain that young people are leaving the city
So we had a discussion and said: “Okay
then take 10% of your budget and invest it in the youth.” First the room was quiet
One of our team had to explain that I didn’t mean it literally
AO: One of our priorities is that we encourage administrations to approach the youth and then
They should make the funding and the space available but then leave the design to the young people
DH: We’re not talking about 100 people who should be hired now
We’re talking about one or two operators who are responsible
At the moment when that kind of space is created and young people realize they are being taken seriously and can get involved there
the attractiveness of remaining local or coming back after completing training or studies rapidly increases
We have also suggested that the local economy contributes
the local bank could have a new logo designed by a few street artists from the town
That also sends a signal: This is the new generation from Schwedt
AO: What’s important is that the young people in their town or small community have the experience of producing something on their own or setting it up on their own
It’s about experiencing self-efficacy
That then also creates a sense of identification with the place: “I can do something cool here
so I’ll stay here.” Or: “I’ll come back after my education.” The latter is perhaps even better
because a change of perspective equals a broadening of horizons
It’s important that these people then come back with the knowhow that they’ve acquired
DH: Finding that will to reinvent oneself is the biggest challenge
the staleness from 40 years of youth work was quite pronounced
The youth center was totally cramped and had that kind of outdated atmosphere
My idea was to rebuild the center as a social sculpture
But I don’t want to have to discuss for three months
They probably thought: “What are these Berliners doing here
Are they crazy or what?” The young people
were quite taken with the idea of transforming the building according to their own ideas
Another challenge was the lack of external input
There is a lot of high culture and people have quite a lot of money
But there’s hardly any room for subculture
There is a lot of concentration in Mannheim and Heidelberg
But it’s very thinned out in rural areas
Subculture is often actively obstructed there
Getting there by train is something quite different than going to the Rhein-Neckar area
DH: Our coaching is always based on how Berlin was after the wall came down
We try to convey the experience of that time
when a lot was possible and there was hardly any control
those failures and success stories have decisively influenced the city of Berlin
I think we need to develop a system to coach the decision makers
AO: Last November we had a network meeting at Kraftwerk
There were various actors from allover Germany that we’d met previously
We want to continue that networking and exchange of knowledge
The long-term goal is to start an academy for young people: Academy for Subcultural Understanding
we want to hold similar networking meetings and workshops for the decision makers
as well as for the educators who run existing youth centers out in the communities
We’ve just submitted funding applications for that
DH: It’s slowly being recognized that the future only functions with youth
a lot of effort is being put into rural development
The practical implementation is often lacking
That’s also where I see our job: to support and encourage that
I certainly don’t want to overdo that anarchic Berlin-thing
there are enough building blocks in every community to make things happen
And it stands or falls upon having a space where people can meet and unfold
There are often concerns relating to liability
There’s a degree program at the technical college called “cultural work”
We gave a Happy Locals talk there and around 40 students attended
Afterwards we got into conversations with some of them
also because they don’t know exactly what they want to do in life
only that it should be in the cultural field
We asked how many of them came from the city and how many came from the country
It turned out that three-quarters came from the country
And during our conversations it also came out that many of them would best like to go back and transform an old train station into a cultural center or something
That strengthened my conviction that there needs to be even more engagement in training and education
DH: We also considered how this overdose of creative people in Berlin can be distributed
They’d be in Stralsund for three days
My idea would be a kind of booking agency for provincial tours
I don’t yet know exactly how it would work
But young people in the small towns need that
AO: That would be a nice win-win situation
It’s still the case that people in the city talk somewhat condescendingly about the province and provincial people
while those from the villages accuse city-dwellers of thinking that they know everything better
We imagine an open and constructive exchange
the pressure to do something sensible decreased rapidly
I met a lot of sympathetic young people who also had no idea where the journey was heading
Our mantra was always: Let’s just try as many things as possible
That’s what’s comfortable about the city
Previously I thought I was a total loser simply because I didn’t want to become a bureaucrat
AO: What we want to convey and pass on to the young people is a certain carefreeness
we also had that because there was a greater sense of security in our generation
If people have the opportunity to try things out
then over time they develop a confidence in their own abilities
Also that one can pull themselves out of a crisis situation on their own
That is an important lesson that can be learned when you have more freedom
But if–as is typical these days–everything is always predetermined and the structures leave little space
then one can’t develop that self-confidence
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Papua New Guinea's Premier Business Magazine
The World Bank’s Steffi Stallmeister
Education is a powerful driver of development and is one of the strongest instruments for reducing poverty and inequality as well as improving health and gender equality
Born in Warstein in north-west Germany (pop: 26,000)
Stallmeister credits her upbringing for her deep interest in education
My father was a shepherd and that shaped my values and also my passion for education
because it is education that opens up opportunities
Education opens doors to new opportunities to change lives
because it’s critical that a country has education as a basic priority
Stallmeister joined the World Bank to make a difference
‘The World Bank’s strong support to education and its overall goal to reduce poverty and boost shared prosperity attracted me to the institution,’ she says
Stallmeister worked for the German development agency
focusing on vocational training and economic development issues
has a basic knowledge of Spanish and Indonesian and two Masters degrees
‘My favourite part of PNG so far has been meeting the people in the communities
who welcomed me and never lost patience in answering my many questions.’
Stallmeister’s work with the World Bank has so far taken her to Africa
the World Bank’s priorities have been infrastructure and agriculture
The World Bank’s cumulative lending to PNG totals US$298.67 million (K868.3 million) for 16 active projects focusing on infrastructure
A key agricultural project is the Productive Partnerships in Agriculture Project (PPAP)
designed is to improve the livelihoods of some 60,000 smallholder cocoa and coffee producers
PPAP aims to work with smallholder farmers to double yield and improve the quality of their coffee and cocoa
so it’s absolutely critical to strengthen the agriculture sector and create opportunities for Papua New Guineans in rural areas,’ she notes
Her three-year appointment as PNG Country Manager ends in 2017
but could be extended for a further two years
because the idea is to rotate experts across regions
as the World Bank philosophy is to share global knowledge and to change countries and regions and that’s how we add value.’
Thankyou for your articial on Ms Steffi Stallmeister and her passion for education in PNG
I share here thoughts and Idears and would like to assist
you see our company makes modula classrooms that we can transport to PNG
We are known in the area for many years and ask if you can put us in contact with this lady by email…………
regards David T……………
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LUXEMBOURG — According to eyewitnesses at the Grand Duke's palace
Nancy Pelosi was rushed to the hospital earlier today after her blood alcohol level plunged dangerously
Sources say that the Democrat representative is now in stable condition
having downed several vodka tonics and three glasses of wine since the incident
who has been caring for Pelosi since she was hospitalized earlier today
Pelosi skipped her usual four morning screwdrivers
then accidentally drank too much water over lunch
If not for the quick actions of our emergency personnel to get a fifth of vodka in her bloodstream
Condolences and casks of alcohol have poured into the Luxembourg hospital where Pelosi is staying overnight
in a heartwarming effort to keep Pelosi safely sloshed
Initial reports note that the doctors have graciously tried some of the gifts themselves so that they can make sure the alcohol content is high enough for Rep
doctors had outfitted Pelosi with one of those beer hats to ensure she always had a steady supply of alcohol at the ready
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