Ransom Everglades School junior Avery Almazan works hard at school
“Mainly the things I do for community service have to do with soccer,” she says
“Ransom tends to host things for the community that we can do
Most of my time I coach little kids playing,”
She volunteers with the Soccer Life Foundation
“We go to Armbrister Park in the Grove next to carver on Grand Avenue and coach them,” she says
We do a lot of meetings in school through Ransom Everglades Athletes Can Help (REACH).”
Ransom athletes do clinics during the school year
“We go twice in one week and the boys go the next week.”
The Ransom girls team won the District 16 Championship and moved on to regionals this year
she was named an All-Miami-Dade Soccer Team Honorable Mention
Outside of school she plays for two club teams
Girl’s Academy team out of Palm Beach Gardens and Elite Clubs National League (ENCL) out of Naples
Club leagues are where the college recruiters go to find talent and Almazan hopes to play in college
She has been chatting with schools of interest
After college she wants to become a lawyer who specializes in business
a community service organization for girls
She says the group tries to do things that are fun such as fashion shows
as well as ushering at places such as Actors Playhouse
She also volunteers for the American Heart Association
She’s involved because her father is the chair for the southeast region
“I’ve been talking to my school to do a service project,” she says
AEDs are Automated External Defibrillators
portable devices that use electric shocks to restore hearts to normal rhythm
Schools have them to help kids or adults who go into cardiac arrest
so if they are put in that terrible situation
“My dad showed us a video of a young boy on the field in cardiac arrest
He could have been saved but no one knew where the AED was
Athletic trainers usually bring the AEDs but if a team is at an away game or if the trainer isn’t there
it’s important for the students to know where the AEDs are in the school
Almazan has spoken to the Health Club at school
She’s looking for a spot in an assembly to talk to the students
She hopes to get it done before the end of the school year
the National Honor Society for Portuguese and Spanish
She is a member of the Miami Venture Entrepreneurship (MVE)
“There are meetings where we have guest speakers,” she says
finance and how to get businesses off the ground
One of the things she likes to do is attend Lending to End All Poverty (LEAP) meetings
“There’s a website where you can choose people online
Like donate 10 dollars to this woman in Africa to buy shirts for her shop
look no further than Miami Community Newspapers
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Additionally, the newspaper has exclusive Miami community podcasts, providing listeners with an in-depth look into Miami’s culture. Whether you’re looking for local Miami news, or podcasts, Miami’s Community Newspapers has you covered. For more information, be sure to check out: https://communitynewspapers.com
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Engineering Alumni Awards
Zepeda-Almazan graduated from the Engineering Plus Program (now Integrated Design Engineering) in 2019 with a degree that combined an emphasis in mechanical engineering with a concentration in engineering management
actively participating in the Engineering Leadership Program
Zepeda-Almazan serves as a manager of athlete science at Adidas
where she combines her engineering expertise and passion for innovation to lead international cutting-edge product development and research focused on enhancing athletic performance
commitment to mentorship and passion for integrating engineering and design make her an exceptional role model for current students and alumni
Contributions to the College of Engineering and Applied Science:
Zepeda-Almazan has made significant contributions since her graduation in 2019
positively impacting the CU Engineering community and the Integrated Design Engineering Program (IDE) through her leadership
She has remained a dedicated advocate for the program
actively participating in events that connect her with current students
She frequently connects with current IDE students through remote mentoring
she served as an alumni panelist for the BOLD Center
sharing her professional journey and offering valuable insights to inspire students
As a member of the Graduates of the Last Decade (GOLD) Board
Zepeda-Almazan collaborates with other alumni to foster mentorship
build connections and support student success
her participation in faculty-led K-12 Engineering Experts Panels empowers educators to inspire the next generation of engineers while enhancing the visibility of CU Boulder’s programs
Through her approachable and inspiring presence
Bea continues to make a lasting impact on the IDE and BOLD communities while enhancing the visibility and reputation of CU Boulder’s engineering programs
Zepeda-Almazan exemplifies the qualities of an outstanding alumni role model
representing our engineering programs and college with professionalism
dedication and a deep commitment to giving back
Her contributions extend beyond direct mentorship and panel discussions; she has consistently volunteered her time to foster a supportive and inspiring environment for students
even while excelling in her demanding career at Adidas
She attributes her unique career pathway — combining engineering and sports product design — to the opportunities and connections she cultivated during her time at CU Boulder
she is driven to give back by providing the mentorship
support and connections that helped shape her own journey
Zepeda-Almazan’s ongoing involvement underscores the enduring impact alumni can have on academic programs and reflects her passion for helping IDE and the College of Engineering and Applied Science continue to develop well-rounded engineers ready to thrive in an ever-changing world
As an active alumna of both the IDE program and the college
she is truly deserving of recognition for her continued support
and efforts to nurture the next generation of engineers
Phone: 303-492-5071 Email: cueng@colorado.edu
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"Editor's Pick" review of pianist's "triumphant," "gorgeous" new album
Pianist-composer Fabian Almazan’s ambition is not a matter of opinion. (Consider: The string quartet of violinists Megan Gould and Tomoko Omura, violist Karen Waltuch and cellist Noah Hoffeld isn’t supplemental, but rather equal partners in his band with Almazan, bassist Linda May Han Oh
guitarist-vocalist Camila Meza and drummer Henry Cole.) So his creation of a nine-part suite
is no surprise; nor is its multilayered complexity
More remarkable is the degree to which he pulls it off
Little improvisation is apparent in the first four movements
though perhaps that’s because Almazan’s grand structure leaves little room for it
Shape-shifts occur internally to each movement
and then segue to the next without disruption
with lyrics about exploring the world and finding one’s place in it
provide a stronger through line—but their presence
the variety and intensity of emotional payloads engage the listener
pathos (particularly in the dulcet fourth movement
Improvisation does add another level of excitement—particularly rhythmic excitement
on an album that is predominantly melodic—to the suite’s back half
Oh’s bass cookery in part five (“Tribu T9”) is matched by Cole’s verve in part seven (“Pater Familias”)
wherein the drummer captures a feel of spontaneity despite not actually soloing
(That’s to say nothing of the album’s three solo improv interludes
of which Cole’s is the best; the album download also includes the full suite
as a single track.) Yet it takes nothing away from the more composed sections
whose musical and emotional sweep hold their own
They also proffer some high drama and narrative ebb-and-flow: Almazan’s interest in film scoring pays dividends here
Preview, buy or download songs from the album Alcanza by Fabian Almazan on iTunes.
To take on Peggy Lee phrase-for-phrase, squeak-for-perky-squeak, with those soft sexy whispers, would be by far the easier course. Callaway, wise in the ways of … Read More “Ann Hampton Callaway Fever: A Peggy Lee Celebration (Palmetto)”
While a partnership between alto saxophonist Jim Snidero and guitarist Kurt Rosenwinkel wasn’t immediately predictable, upon closer analysis, makes perfect sense. Both have been active … Read More “Jim Snidero Feat. Kurt Rosenwinkel Far Far Away (Savant)”
Vibraphonist Chris Dingman has always been a thoughtful musician, his unique, kinetic style providing both emotional uplift and meditative escape. With his new album, Journeys … Read More “Chris Dingman Journeys Vol. 2 (Self-Released)”
As one who has feverishly collected the Prestige Cookbook albums of the great tenor saxophonist Eddie Lockjaw Davis for years, I was dumbstruck when I … Read More “Eddie “Lockjaw” Davis with Shirley Scott Cookin’ with Jaws and the Queen (Craft)”
JazzTimes—“America’s Jazz Magazine”—provides comprehensive and in-depth coverage of the jazz scene
JazzTimes is a favorite of musicians and fans alike
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Community Safety Department Director To Resign Amid Tension With Cambridge Police Department
From Lab to Startup: Harvard’s Office of Technology Development Paves the Way for Research Commercialization
People’s Forum on Graduation Readiness Held After Vote to Eliminate MCAS
8 Takeaways From Harvard’s Task Force Reports
Almazan ’16 filed a wrongful death lawsuit against Harvard on June 18
alleging the University mishandled a sexual harassment case involving Almazan
The suit alleges that Harvard improperly handled two sexual harassment cases involving Almazan — a student at Harvard Medical School and the Harvard School of Public Health — and another unnamed individual
resulting in emotional distress that contributed to Almazan’s suicide in June 2021
Filed by his parents Adrian and Marietta Almazan in the Suffolk County Superior Court
the suit also names former Harvard Office for Dispute Resolution Investigator Jennifer Kirshenbaum and an unnamed former HMS student — who appears to be the same unnamed individual involved in the sexual harassment cases — as defendants
The first Title IX case identified in the suit included multiple complaints filed by Almazan in November 2020 against the unnamed individual
while the second was filed by the individual against Almazan one month later
The lawsuit claims that Harvard’s Office of Dispute Resolution committed breaches of contract in handling the cases
including failing to notify Almazan for multiple weeks that a claim had been made against him
during which time he had been providing information to an investigator
It also alleges that the ODR failed to notify Almazan of his “reconsideration or appellate rights” — which would allow him to appeal the verdict — and claims they deliberately sought out expert witness opinions that would support the claim against him
The suit accuses each of the defendants of “negligent infliction of emotional distress” that led to Almazan’s death and seeks an amount deemed “fair and just,” in addition to punitive damages
A spokesperson for HMS and did not respond to a request for comment on the suit
The lawsuit comes less than two months after a Harvard Counseling and Mental Health Service employee was found not culpable of negligence in handling the mental health case of Luke Z
an undergraduate who died by suicide at Harvard in 2015
who represented Tang’s family in that case
He did not respond to a request for comment on the new filing
—Staff writer Veronica H. Paulus can be reached at veronica.paulus@thecrimson.com. Follow her on X @VeronicaHPaulus
—Staff writer Akshaya Ravi can be reached at akshaya.ravi@thecrimson.com. Follow her on X @akshayaravi22
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(WSMV) - Homicide detectives found the man they believe is responsible for the targeted shooting death of a man at an Antioch park in April 2024
neighbors found 36-year-old Francisco Almazan-Rojas shot to death in William Pitts Park just after 8 a.m
Multiple 9mm bullet casings from a semi-automatic pistol were found at the scene
detectives learned Almazan-Rojas was shot seven times
with five of his wounds occurring “at close range” and when he “was in a kneeling position on the ground,” according to the report
Detectives determined the shooter took Almazan-Rojas’s phone and left the scene in his pickup truck
which was later found abandoned approximately 15 miles away at 1711 Luton Street in the Talbot’s Corner neighborhood
Almazan-Rojas’s phone was still in the truck
Surveillance footage from businesses near where the truck was found led detectives to identify 21-year-old Miguel Cruz-Lopez as the person driving the stolen truck to where it was discarded
Detectives then confirmed Cruz-Lopez’s connection through his cell phone locations at the time of the murder and various online posts where he was seen with two 9mm pistols
Cruz-Lopez was arrested overnight on March 26
at an apartment complex on Paragon Mills Road and charged with criminal homicide and especially aggravated robbery
but a judicial commissioner intervened and removed the option to post bail
He is scheduled to appear in court on Thursday
and he admitted to fatally shooting Almazan-Rojas in the park
Ballistics testing will determine if the 9mm pistol found on his person during the arrest is the murder weapon
His alleged accomplice in the murder at the park
He was tied to the incident when detectives learned he followed behind Cruz-Lopez in a Hyundai Sonata as he moved the victim’s Ford pickup to Luton Street
Pulido was charged with accessory to murder and was released after posting a $5,000 bond
The Contemporary Dayton presents the work of three nationally recognized artists working in painting
The Contemporary Dayton presents the work of three nationally recognized artists working in painting
Laura Sanders is a Columbus-based artist who also maintains a studio in New York City
Sanders’ lush figural paintings often feature women outdoors and deal with themes of survival
Another theme evident in this mid-career survey is the passage of time
from a young girl to an adult woman.
Erin Holscher Almazan is a Professor of Drawing and Printmaking at the University of Dayton
Almazan’s exquisite new body of oil paintings examines the separation naturally occurring as a mother’s children grow up
Scarlett Trust is an interdisciplinary artist who recently received her MFA from CalArts and lives in the Dayton region
Trust's sculptures and videos act as intimate self-portraits and reflections of her psyche and the complexities and dualities in female identities
Rice University students come from all different walks of life to form the wonderfully diverse and vibrant community the university is known for
the university’s weeklong orientation program
Rice Connections offers the opportunity for students from different faith traditions
cultural backgrounds and more to come together and meet their freshman peers
we want to increase participation in QRC because we have a lot of resources and a lot of people
they might not be aware that there’s a lot of stuff for them,” Almazán said
adding that QRC’s offerings range from a variety of social events to reading materials to sexual education and informational pamphlets
713-348-0000 | Privacy Policy | Campus Carry
Cuban-American pianist/composer Fabian Almazan found his musical roots as a child in Havana
Cuba was where he first became involved in the classical piano tradition
he has developed a personal voice through the electric manipulation of the acoustic piano in live and studio settings
Fabian has toured his music extensively as well as accompanied artists such as Linda May Han Oh
Avishai Cohen and Ambrose Akinmusire among others
He is also the founder of Biophilia Records
Biophilia means “an instinctive bond between human beings and other living systems.” In addition to creating meaningful and imaginative music
Biophilia Records artists are united by a common interest in having a positive impact on the environment and our communities
Biophilia artists collaborate with organizations that specialize in conservation
regularly volunteering hands-on in community events
Fabian lives in New York City with his wife
UK Jazz News: What is the best advice you received about balancing/juggling parenthood and career
Fabian Almazan: If you will have a child with a partner
You will have maybe 10% of the time to do your work that you had prior to becoming a parent
Enjoy the time with your child because time really does fly
UKJN: What information or advice do you wish you’d received but didn’t (and had to learn through trial and error or on the go)?FA: All children are different so be aware that advice given to you might not apply to you
No amount of tour-induced sleep deprivation can prepare you for the lack of sleep that comes with having a baby.
UKJN: Your top tip(s) for other parents in jazz:FA: If the child is showing interest
potty train as early as possible.UKJN: Best general travel/gigging/tour-with-child advice:FA: In the US
Travel with lots of snacks and extra clothing in case there are accidents
Airplane toilets are loud and can easily frighten children
Make sure you explain to them that you are going to flush the toilet and it will be loud before you do so
Enroll your children in the frequent flier miles programs
Use local transportation as much as possible on the road to go to zoos
playgrounds and museums so that you don’t have to take a car seat with you
Bring new toys they have never seen before and pull them out when there are meltdowns in long flights.UKJN: What is one way that figures or structures in the jazz industry could better support parents who are working jazz musicians?FA: It is extremely difficult and important to find the right child care that parents feel comfortable with in foreign places
who are intimately familiar with their local communities
could provide child-care takers for parent-musicians
UKJN: What has surprised you about becoming a parent and remaining engaged with your professional activities and ambitions?FA: How easily I can drop everything I dedicated my life to prior to having my son
literally nothing else matters.UKJN: What boundaries have you set for yourself as a parent in jazz (could be related to travel/touring
I have to be able to justify it to myself and him
I have no desire to play music with anyone who doesn’t understand that
(*) Parents in Jazz was started (first as ‘Mothers In Jazz’) by vocalist Nicky Schrire in August 2022
The initiative aims to create an online resource for jazz industry professionals with children
and jazz industry figures who work with and hire musicians who are parents
The insight of the musicians and administrators interviewed for this series provides valuable emotional
philosophical and logistical information and support that is easily accessible to all
“Parents In Jazz” shines a light on the very specific role of being both a parent and a performing jazz musician or jazz arts professional
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25 students from various backgrounds were welcomed into the second cohort of Yale Law School’s Launchpad Scholars
a program committed to diversifying the legal field.
Yakeleen Almazan ’25, Yale senior and Law School Liman Fellow, applied to be a Launchpad Scholar during her sophomore year. After submitting her application in spring 2023, she later found out she was selected to be part of the program’s inaugural class.
said that she is interested in pursuing a legal career to address “crimmigration” through direct representation
She told the News that being part of the program made her feel “empowered” to start the law school admissions process to achieve this goal
“I feel very confident going into this process
because I’ve learned so much already from [the program],” Almazan said
The Launchpad Scholars program, funded in part by the law firm Latham & Watkins
remains committed to diversifying the legal field by empowering participants to maximize their potential as law students and legal professionals.
begins with an annual welcome summit at Latham & Watkins
the scholars engage in year-long programming designed as preparation for law school applications.
Almazan highlighted the importance of voices from people who have personal stakes in going to law school
such as those with ties to incarceration and immigration
She said that her participation in the program validated her connection to the legal field.
The program’s activities culminate in a week-long event held on Yale’s campus
where scholars from around the world convene.
“The best moments have definitely been the welcome summit,” Cruz Almonaci
“Being able to meet other Launchpad Scholars and hear about their stories
their journeys and what they’re up to has been really amazing
Every single one of them is doing something that I admire.”
Launchpad Scholars are paired with mentors from both the Yale Law School and lawyers working with Latham & Watkins.
This year’s class features students from 23 different undergraduate institutions
of which three-fourths are or will be the first in their family to graduate from college
Around one-fourth of this year’s cohort are first-generation immigrants.
assistant director of admissions for the Launchpad Scholars Program
“Our second cohort has so far proven to be as dedicated
and thoughtful as our first,” Feuille wrote to the News
“They have jumped at every opportunity to make the most of Launchpad
and their commitment to realizing their law school dreams is nothing short of inspiring.”
partner and global recruiting committee chair at Latham & Watkins
emphasized how the program is adapting in its second year.
Penzer specifically highlighted an extended LSAT preparation period and investment of more time and resources into helping scholars prepare personal statements and other application essays.
The first cohort saw a median score improvement of over 15 points when comparing the diagnostic exam to the official LSAT.
“We’ve added programming to better tailor the experience to the needs of our scholars
and to best position them for success,” Penzer wrote to the News.
Feuille further highlighted the pride in year one as motivation to continue modifying the program in the best interest of the scholars.
Another new addition to this year’s programming is the hosting of quarterly virtual social events to strengthen ties within the class.
In response to the success of the first cohort
associate dean of admissions and financial aid
noted her excitement for the future success of the scholars as both law students and lawyers.
“All of us at Yale Law School and Latham & Watkins have been blown away by their commitment to preparing for the LSAT
focus on writing authentic and sophisticated essays
and — most importantly — support for each other personally and professionally,” Ingber wrote to the News.
Penzer highlighted the enriching aspects of the program for all involved
specifically drawing attention to the mentorship program between Latham & Watkins and the Law School.
Almazan noted specific appreciation for both her Launchpad mentor
Almonaci also cited appreciation for the authenticity of the program
Almonaci encourages everyone interested in law school to apply
She emphasized that people often feel their applications to law school need to be perfect
but that students really just need to have a will to learn more about the law and be down-to-earth
“My fellow Launchpad Scholars are amazing in their various ways,” Almonaci said
“I think what really unites all of us is that we have a very strong sense of purpose.”
Applications for the 2025-26 cycle of the Launchpad Scholars program will open up next spring.
27: An earlier version of this article misspelled Michèle Penzer’s last name
Taking advantage of the amphitheater’s shape
the design features ribbon-like fabric panels suspended from the university building
These ribbons provide shade for the terraced seats while allowing airflow and natural light to pass through
The bright orange fabric contrasts with the surrounding greenery and adds vibrancy to the concrete courtyard
The structural design enables the ribbons to be easily removed or adjusted
Bolts at the upper fittings allow angle modifications
while lower metal fittings permit quick detachment
This flexibility ensures the structure can be dismantled during long vacations or typhoon seasons
all images courtesy of Jorge Almazán and Keio University StudioLab
Completed in November 2023, the shaded terrace designed by architects at Jorge Almazán and Keio University StudioLab quickly became a popular gathering space for students
Observational studies and cafeteria usage trends from April to July revealed a 1.5 to 2-fold increase in visitors compared to the same period before the project’s implementation
Students utilized the shaded space for dining and leisure
with some spending short breaks while others remained for extended periods
Thermographic measurements taken in July indicated that shaded bench surfaces were approximately 20°C cooler than those exposed to direct sunlight
highlighting the effectiveness of the fabric shading
easily installed shading system capable of covering a large area
the Hiyoshi Ribbon Terrace demonstrates a practical approach to enhancing the usability of outdoor spaces in educational settings
the shading structure enhances a sunken amphitheater at Keio University’s Hiyoshi Campus
ribbon-like fabric panels create shaded seating areas
making the amphitheater more usable for students
the bright orange fabric provides a striking contrast to the greenery surrounding the courtyard
the maypole-inspired design suspends ribbons from the building
integrating shade with airflow and natural light
terraced seating benefits from the shaded environment
the ribbon-like shading system enhances comfort while maintaining visual openness
the vibrant orange ribbons bring energy and color to the concrete campus courtyard
the structural system allows the ribbons to be easily removed or adjusted for seasonal needs
name: Hiyoshi Ribbon Terrace architects: Jorge Almazán + Keio University Studiolab | @keiostudiolab
designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.
edited by: christina vergopoulou | designboom
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style
RAYMOND Almazan had some good-natured Christmas Day trash talking with import Cheick Diallo
And he has some parting words with the former NBA player just before the PBA Commissioner’s Cup game between Meralco and Converge was over at the Smart Araneta Coliseum
“Let’s see in the playoffs,” Almazan told the 28-year-old import as the Bolts bowed to the FiberXers on Wednesday
The two got entangle in a short verbal joust after Diallo blocked Bong Quinto’s layup and committed a foul with 2:57 left in the game and the FiberXers leading by a mile
asked for a goal tending violation on the import for a possible three-point play
who was in street clothes due to an ankle injury
While the veteran big man took the trash talking as part of the game
he also stressed Diallo should have given him some respect
hinting the import may have said something personal against him
kasi I’ve been in this league how many years
“Kaya gusto ko sana makatapat namin sila sa playoffs.”
Both teams were called for technical fouls shortly after the sequence
and two blocked shots as Converge stretched its winning run to four and improved to 6-2 overall in a tie with guest team Eastern at third place
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Andrea Manenti left his position as vice president of Bridgestone North Region on 1 February 2025
He also departed his role as head of the company’s UK and Ireland operations
Bridgestone told Tyres & Accessories that David Almazan
Bridgestone UK & Ireland commercial director
heading Bridgestone EMEA North Region and the UK and Ireland
Drew Chapman continues in his role as consumer director
Manenti’s departure adds to the list of leadership changes at Bridgestone since the reorganisation of the company’s management structure in February 2024
including the instatement of a new business unit covering Europe
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We have the address for the funeral home & the family on file
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The family of Christine Maryann Almazan M.D
created this Life Tributes page to make it easy to share your memories
Memorial Services will be held at 11:00 AM on Satur..
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Youth motivational speaker Freddie Almazan speaking to TODAY on May 27
2006 should have been like any other day for 13-year-old Freddie Almazan
All he remembers is that he was walking home from school that afternoon
Then he woke up in the hospital a few weeks later
He had been shot in the back of his head on his walk home in California
It also marked the start of what would be a decade-long battle with depression
before he eventually decided to turn his life around during his university years
speaks extensively about how one can find “beauty in the broken pieces”
and thus grow and bounce back from the challenges one faces in life
Mr Almazan was speaking to TODAY on the sidelines of the Rotary International Convention 2024
where the 31-year-old is a conference speaker
Rotary is an international service organisation connecting more than 1.4 million volunteers from more than 46,000 Rotary clubs globally to tackle issues of concern
The organisation meets at the annual Rotary International Convention
which is held in a different city each year
This year’s convention was held in Singapore between May 25 and 29
and saw more than 14,000 Rotary members and participants from 151 countries and more gather at the Sands Expo and Convention Centre at Marina Bay Sands
Mr Almazan remembers little of what happened that afternoon in November 2006
apart from how much his life had changed as a result
“I just remember walking home and then a few weeks later
I remember waking up to what I thought was like a nightmare,” he said
He was surrounded by doctors at his bedside
They asked him several questions — including if he knew what the date was and if he could feel his arms
“That was when they told me that I had been shot.”
The shotgun used in the attack had been loaded with several ball bearings
Some of these had hit the back of his head and neck
damaging his nerves and leaving him partially paralysed
He underwent many surgeries and therapy sessions — including physical and speech therapy — to regain his mobility and ability to speak
He was discharged from the hospital some time in January 2007
He was caring for his little brother one night when the realisation of his situation fully hit him
“I thought the entire time that I was dreaming and that one day I would wake up
“Being there with (my brother) made me realise that maybe this wasn’t a nightmare
it was the same story and I wasn’t going back to the way things were
When he eventually returned to high school later that year
“I started comparing myself to other people
I started self-harming and I was even suicidal.”
This marked the start of what would be a decade-long battle for Mr Almazan
It was when he studied sociology at the University of California that he decided to turn his life around
Mr Almazan had the opportunity to spend a semester studying in Brazil — a chance he jumped at because he believed the new environment would do him good
he had been very insecure throughout his schooling years because he feared that people would judge him based on the way he looked
He shied away from others and did not have many friends
“I thought if I went to a new country where everything was completely different and nobody knew anything about me
“But I got to Brazil and I realised my life was the same.”
The realisation that nothing had changed prompted Mr Almazan to ask himself if he wanted to continue living his life the same way — or if he would try to move forward with his life
He started making little changes to how he lived his life
One of his biggest fears was to talk to people
afraid that they would judge and reject him
a first step out of his comfort zone involved taking a risk to put himself out there and start talking to more people
“Doing that and realising that nobody really cared about the way I looked gave me confidence to try more
I started going out and I started doing things
It was just little things that I was doing over and over again
which he described as an “emotional experience”
Mr Almazan knew that he wanted to share about this and to help others as well
Rolling up his shirt sleeve during the sit-down interview
he revealed a tattoo on his left arm that reads: “The meaning of life is to find your gift
Mr Almazan recalled how — when he was applying to university — he had chanced upon clips of motivational speaker Nick Vujicic sharing his story online
“I remember thinking that I was going to do that one day
that I wanted to be like him one day,” Mr Almazan said
Mr Almazan was speaking with a friend when he began sharing his story in detail with her for the first time
She got visibly emotional and asked if he would consider becoming a motivational speaker
Mr Almazan began to seriously explore how he could do so
and eventually signed up for a mentorship programme that would guide him on his motivational speaking journey
“I was talking to this woman in my community
I shared with her my story and then she started crying
The woman’s daughter was also battling depression at the time
On what he hopes others would also take away from his sharings
Mr Almazan said: “We can’t always control everything that happens in life — people go through things
But these challenges don’t have to define who we are.”
Referring to the Japanese practice of kintsugi — the act of repairing broken pottery by mending them with gold — from which he draws inspiration
Mr Almazan noted how people often try to replace broken things with something new
“But what kintsugi does is that it repairs that damage… and where it’s fractured
“Kintsugi teaches us that our scars shouldn’t be something that we should be ashamed about
He said that embracing this has helped him to realise that the challenges he faced were also what developed his character and made him who he is today
and I am more valuable because of that story.”
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Central Valley’s Angel Melgoza, Sal Almazan and Carlos Zepeda and Ceres High’s Parker Borges turned in individual standout performances while representing their respective boys wrestling teams at the James Riddle Memorial Classic on Dec. 14.
Melgoza, Almazan, Zepeda and Borges placed in the top eight at the Oakdale High School event.
Melgoza, Almazan and Borges claimed medals by virtue of their top-seven performances.
Zepeda fell one win shy of winning hardware.
“It’s one of the toughest, one-day tournaments in the state,” Hawks’ head coach Rob Beckhart said.
“We knew he (Parker) could do it (medal),” Bulldogs’ leader Adam Borges said. “But it’s a tough tournament. There are so many schools there. They come from everywhere.”
The 12th-place Hawks and 31st-place Bulldogs posted scores of 62 and 21, respectively, at the 41-team tournament.
“It’s one of the better showings I remember us ever having there,” Beckhart said.
“Overall, we competed very well,” coach Borges said. “The kids wrestled tough. There were a lot of close matches.”
Seeded fifth, Melgoza placed third in the 215-pound weight bracket.
Melgoza beat Palma’s Damien Lopez-Reglado (pin, 1:58), Windsor’s Max Solorio (pin, 1:59) and Bakersfield’s Jesse Addington (pin, 4:13).
“He (Melgoza) takes wrestling serious,” Beckhart said. “He wants to do well in the sport.”
Almazan beat Tracy’s Ruben Cornejo (major decision, 12-4), Turlock’s Freddy Luna (pin, 2:31) and Calaveras’ Noah Johnson (pin, 0:55).
“I can’t say I’m surprised,” Beckhart said. “He’s worked hard to get to this point. He has pretty high goals. He wants to get to state like everybody else.”
Zepeda beat Calaveras’ Nathan Kavanagh (pin, 3:44) and Merrill West’s Tara Sanghera (decision, 25-19).
“The things he does to, he does very well,” Beckhart said. “He’s pretty good in the neutral position. He has crazy hip and flexibility. He’s hard to pin down.”
Parker Borges placed fourth at 150 pounds.
Borges beat De La Salle’s Andrew Jimenez (pin, 1:18) and Durham’s Zachariah Zwinger (pin, 2:21).
“Parker puts in the work at practice,” Adam Borges said. “He’s willing to sacrifice to get what he wants.”
Central Valley’s Sunny Breshears (150 pounds, 2-2 record), Anthony Diaz (157s, 2-2), Jayden Mattox (126s, 1-2), Rotceh Mendez (132s, 1-2), Caleb Beckhart (138s, 1-2), Zack Esparza (175s, 1-2), Urijah Krigbaum (144s, 0-2) and Sean Vernon (165s, 0-2), and Ceres High’s Alijah Jackson (106s, 0-2), Michael King (113s, 0-2), Daniel Tubera (138s, 0-2), Jonas Hayes (157s, 0-2) and Abraham Rodriguez (175s, 0-2) all gained valuable experience while competing at the Riddle Classic.
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a former music instructor at Adelante Dual Language Academy
is currently serving a prison sentence for sexual abuse
four lawsuits have been filed against the school district over its handling of complaints against the teacher
An investigation by the school district in 2014 documented multiple complaints Santiago inappropriately touched students, according to records obtained by KQED in response to a Public Record Act request
Administrators determined he should be transferred to another school in the district
Santiago continued to teach for nearly a decade before he was charged with sexually abusing 10 students at Adelante
The latest lawsuit alleges that school staff and the district’s current interim superintendent
were not only aware of Santiago’s inappropriate behavior but also chose not to notify the police
Superintendent Almazan declined to comment
The attorney for the victims, Morgan Stewart, said Santiago should have “unequivocally” been reported to authorities. All mandatory reporters are required by law to report all known or suspected cases of child abuse or neglect
“This is a clear conspiracy to cover this up
not report it to the police,” Stewart said
He’s acting in a sexually inappropriate manner with 12- and 13-year-olds
And there’s a direction from the superintendent not to call the police on that.”
Almazan was the principal at Sheppard Middle School in 2014 when she completed an investigation into complaints against Santiago
Almazan found “an overall discomfort and/or feeling of insecurity in Mr
Santiago’s band class among female students that were interviewed.”
Among other allegations referenced in the investigative report by the school
Santiago was accused of physically moving a female student by holding her head and shoulders
touching a female student at her waist to move her
and asking a parent to drop off his child at his house
Almazan recommended Santiago be transferred out of Sheppard Middle School
The lawsuit alleges former Alum Rock superintendent Stephen Fiss instructed staff not to call law enforcement in response to the complaints
“Superintendent Fiss did not want me to contact the police regarding this matter at this time,” reads a draft for an investigative report prepared by the school included in the suit
Next to those instructions is a handwritten note reading
is also named as a defendant in the lawsuit
Gutierrez argues she blew the whistle on Santiago and was terminated after doing what was necessary to protect the children
Gutierrez looks forward to all of the legal claims playing out in court because the facts will demonstrate that Alum Rock has an entrenched history of doing what is politically best for them
and not what is best for students and families,” the statement reads
Almazan, the former Sheppard Middle School principal who investigated Santiago, was appointed interim superintendent with the district in March after the previous superintendent, Hilaria Bauer, was abruptly fired
Trustee Minh Pham told the San José Spotlight that the school board is searching for a permanent replacement
and Almazan is unlikely to apply for the position
Most of the victims in the recent lawsuit are under 14 years old
Stewart noted that Adelante and the district are made up of largely Hispanic and lower-income families
Many families do not necessarily have the ability to speak out or go to law enforcement and trust their schools to be a safe place
“It’s devastating,” Stewart said
“And I don’t even know that the parents fully grasp everything that the school did to harm them all along the way.”
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General Counsel for the UCLA Alumni Board of Directors
Araceli Almazan ‘04 has been guided by her passion for law
Her commitment to UCLA arose from the impact UCLA made during a pivotal time in her life
The university gave so much to me and opened so many doors
that’s why I give back.” Throughout her journey from first-generation student to her current role as a lawyer and volunteer leader engaging fellow alumni
she has relied on her inquisitive nature and perseverance in pursuit of her goals
Growing up across the street from UCLA’s crosstown rival
encountering college students on a daily basis
made the idea of higher education a reality
Her parents had what she calls a “visionary outlook on life,” unconditionally supporting Almazan and her brother
immigrants from Mexico with elementary school educations
were always very supportive.” While they encouraged her
they didn’t have first-hand knowledge of A-G requirements or standardized tests so Almazan sought help from teachers and counselors
“If you don't get the answer you want after you’ve asked two people
Because of overcrowding in her neighborhood school, she attended Robert Frost Middle School and John F. Kennedy High School in Granada Hills. Almazan outperformed many of her classmates academically, yet while they had plans to attend law or medical school, she asked herself why she did not, “It opened my mind to a world of opportunities.” Her junior year she participated in the Chicano Youth Leadership Project (CLYLP)
sponsored by Cal State Sacramento to build young people's leadership potential
She traveled to Sacramento where she toured the capitol
visited the assembly floor and learned about the college admission process
This experience inspired Almazan to set her sights on earning a law degree and work in politics
Almazan’s counselor suggested she apply to UCLA
she took part in the Freshman Summer Program which prepares first generation
underrepresented students for a successful transition to college
I was determined to achieve my goal.” When she overheard a fellow student talking about UCLA's College Honors Program
she sought it out and was admitted as an incoming freshman
At UCLA, Almazan embraced every available opportunity, or created her own. She says, “Never take yourself out of the running. Don’t make the decision for them. If they say no, then you’re only back to square one.” She traveled to Washington, D.C. through the UCDC program
where she worked in the Department of Education and interned for California’s Lieutenant Governor Cruz Bustamante
She joined several organizations and programs including the Early Academic Outreach Program (EAOP) helping students to become competitive college applicants; MEChA Calmécac as a peer counselor
a student-initiated retention program; and was part of the founding class of Hermanas Unidas
supporting Chicanas/Latinas in their pursuit of higher education
Almazan was a research assistant for Professor Abel Valenzuela whose research on immigrant day laborers helped frame national conversations. Luskin Public Policy Professor Michael Stoll became a mentor to Almazan writing letters of recommendation
“When I look back on my experience with UCLA
I think about the current undergraduates who share my background and I hope they know about the programs
Almazan graduated with a bachelor’s in political science with honors and a minor in public policy and education
She was a member of Golden Key International Honour Society
the National Society of Collegiate Scholars
and the National Political Science Honor Society - Pi Sigma Alpha
she participated in the California Senate Fellows program at the State Capitol
Almazan spent the next several years earning advanced degrees — including a Juris Doctorate from UC Davis; a master's in public administration with a concentration in public policy from Columbia University; and a second master's degree in public affairs with a concentration in management from the London School of Economics and Political Science (LSE)
Almazan is currently a senior associate with the law firm Alvarez-Glassman & Colvin
work that combines her career’s common themes of policy
She handles both litigation and transactional matters representing municipal entities and public entity clients in all areas of civil litigation
she is directly involved with the cities of Southeast Los Angeles
many in leadership roles in their community
She joined the Southeast Bruins Alumni Network whose mission is to serve the community as volunteers and ambassadors for UCLA
As president of Southeast Bruins for two years
she created opportunities to engage local alumni in UCLA and raise scholarship funds
UCLA football watch parties and New Bruin send-offs
The group organized a Thanksgiving turkey drive for 180 local families in need
a teddy bear drive for young patients at UCLA’s Mattel Hospital and a campus tour for middle and high school students
heard from speakers and wrapped it up with a raffle for UCLA swag
Almazan also gave back to UCLA by becoming a mentor through UCLA ONE
She credits the guidance she received as a student with her success
is because I took the initiative and asked questions.” In this role
As general counsel for the UCLA Alumni Board
Almazan continues her commitment to the Association’s mission to engage alumni directly in UCLA
She continues to reach out to Bruins and encourage others to do the same
a place to come together and build community.” During the COVID-19 pandemic
Almazan believes the Alumni Association is rising to the challenge in finding new ways to increase alumni participation
and we’re constantly thinking of creative ways for people to get involved
including those who live overseas or far from campus.”
Almazan has recently joined the Chancellor’s Society
a dedicated community of annual donors that represents the model of philanthropic leadership at UCLA
continuing her commitment to the University
She advises students to “take advantage of everything UCLA has to offer
If you were accepted it’s because you have what it takes.”
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MERALCO pulled off a 99-94 win over Magnolia in the opener of the PBA Governors’ Cup on Sunday despite missing the services of two key players from last season’s champion team
The Bolts were without the injured Raymond Almazan and Allein Maliksi to open Season 49 at the Smart Araneta Coliseum
They’re a bit older na rin so it’s just a safety precaution,” said Trillo afterwards
The two played major roles when the Bolts scored their breakthrough championship in the PBA last season by winning the Philippine Cup crown
The 36-year-old Maliksi was relegated to the injured/reserved list prior to the game and was replaced by Jolo Mendoza
who provided quality minutes by finishing with 13 points including scoring the second four-point shot in PBA history in the waning minutes of the second quarter
Maliksi said he could be out of action for the next two weeks
“Ang pakiramdam ko kasi okay na pero sabi nga ng doctor ingatan ko na lang,” he related
could be back as early as the Bolts’ next game against TNT Tropang Giga on Thursday
Fabian Almazan is among the 25 artists DownBeat thinks will help shape jazz in the decades to come
Pianist Fabian Almazan has a distinct recollection of an incident that took place years ago at the Village Vanguard
a moment that made him feel that his art could connect with listeners in a profound way: “Out of the corner of my eye
You could tell he was really enjoying the music
Almazan
isn’t far removed from his own childhood memories
feeling sad and alone but comforted and inspired by his love for music
“I don’t know what that boy’s life was [like],” he mused
Almazan has spent more than a dozen years in Terence Blanchard’s band
and his esteemed status as a collaborator has been bolstered by work with Paquito D’Rivera
Dave Douglas and Linda May Han Oh (whom he wed in 2018)
Almazan has intertwined his formative love for classical repertoire and jazz with the musical influences of his homeland
resulting in two significant recordings with his band Rhizome
which he founded to express a commitment to environmentalism
The philosophy behind the label is to showcase artists who
“care about the environment and stand in solidarity with the people who are fighting to protect this Earth.” Among the artists on the Biophilia roster are Oh
trumpeter Adam O’Farrill and vocalist Sara Serpa
The label actively collaborates with authors and conservationists
helping to raise awareness of initiatives to fight pollution and climate change
is a trio effort recorded with Oh and drummer Henry Cole
his first return trip there since his family’s departure
“I wrote poetry when I was 7 years old about how much I loved Cuba
I thought Cuba was the most wonderful place on Earth.”
“I think it’s important to not ignore that little voice that’s inside of you that’s telling you what you really like and what you have passion for
That moment at the Vanguard remains a keystone
Just listen to that voice and go after it.” DB
This story originally was published in the November 2020 issue of DownBeat. Subscribe here
“This is one of the great gifts that Coltrane gave us — he gave us a key to the cosmos in this recording,” says John McLaughlin
In his original liner notes to A Love Supreme
The Blue Note Jazz Festival New York kicks off May 27 with a James Moody 100th Birthday Celebration at Sony Hall
Blue Note Entertainment Group has unveiled the lineup for the 14th annual Blue Note Jazz Festival New York
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we’re left with similarities,” Collier says
“Cultural differences are mitigated through 12 notes.”
DownBeat has a long association with the Midwest Clinic International Band and Orchestra Conference
but it’s still kind of productive in a way
because you have something that you can be inspired by,” Andy Bey said on a 2019 episode of NPR Jazz Night in America
who illuminated the jazz scene for five decades with a four-octave range that encompassed a bellowing…
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Esther Almazán and Golding Kidd at James Joyce Tower and Museum in Dublin
Arizona State University alum Esther Almazán
who earned her MFA in dramatic writing in 2020 from the School of Music
has spent the past year researching and writing in Galway
Her work focuses on studying the intersectionality between Native Americans and Native Irish
Almazán received the Kennedy Center Latinx Playwriting Award for Distinguished Achievement
the ariZoni Theatre Awards of Excellence and the Gammage Theatre Scholar Award
and was a Eugene O’Neill National Playwrights Conference semifinalist
Her original play “Indian School” was presented by ASU Theatre.
A culmination of her Fulbright research project
“A Yaqui and Béal: Yoeme and Irish in Conversation,” was presented on May 6 at the O’Donoghue Theatre as part of the Galway Theatre Festival
The theatrical piece combines family legends and wisdom from Irish and Yoeme elders
with conceived work that includes audience input
not just me collecting verbatim interviews and staging those
but also opening it up to Irish playwrights,” she said
“Ireland is like the land of the playwright
Almazán said one challenge of this experience was simply getting settled into a new place
exacerbated by the housing crisis in Ireland: “For a minute I thought I was gonna have to live in my car!”
But after a lot of persistence and a chance meeting
Almazán found a place to live — a renovated storage space in a small town
with views of lush green hills right out her front door
But I'm kind of in the middle of nowhere,” she said
Almazán drove to the university four times a week to audit classes and work with students
it was out of her comfort zone to take acting classes again.
“I haven't been an actor for a very long time
but I am saying yes to everything,” she said
“I'm just saying yes and jumping in and learning and meeting people.”
Almazán was able to meet actors she needed for her production in her classes.
“I've got this amazing group of Irish students and one student from Luxembourg,” she said
“They're really eager and excited to work on this project.”
She said that she wanted to gather as many people as possible who were interested in working with her.
“I don't want it to be only through my lens
I want it to be through Irish lenses,” she said
Almazán has been exploring different areas in Ireland
She said that she’s seen numerous connections between her work in the United States and her research in Ireland
the owner shared about the local industrial schools in Ireland.
which were industrial boarding schools where children were kidnapped and put in those places
and they found the graves of those children
all leading up to my play ‘Indian School,’” Almazán said
“The first place I walked into in Ireland tells me
‘Children were dying in these industrial schools
where they were horribly abused and worked to death.’ Just like they were in the U.S
Another Irish friend taught her about the practice of preserving fairy rings.
teaching us about the earth and how to preserve parts of it,” she said
ancient warnings to keep things the way they should be.”
Her final project included a variety of perspectives
including work that was devised as audiences entered the space.
“I have this really tremendous group of theater artists who will help devise in the lobby and then bring it on to the stage in real time,” she said. “I got to learn a lot about devising at ASU, with some of the most remarkable people, like Liz Lerman and Michael Rohd.”
Almazán said working with the people in Ireland has been one of the best parts of her experience as a Fulbright Scholar.
“One thing I will take away from this is the strength that I've gained from just being around the Irish people,” she said
“and the kindness that has been shown to me.”
University of Galway students enjoying a Sonoran meal and telling family stories
Esther Almazán and cast at the Galway Theatre Festival launch
The poster for Esther Almazán's Fulbright research project "A Yaqui and Béal: Yeome and Irish in Conversation."
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dancers with their faces wrapped in red fabric or a ceiling full of balloons
36% of all banned titles featured characters or people of color and a quarter (25%) included LGBTQ+ people or characters
This week-long intensive provides an in-person workshop for early-career writers from communities underrepresented in the publishing world
Learn how the creation and display of art is entwined with the U.S.’s most fraught cultural and political debates
The next four years could reshape the United States for decades to come
Join us in fighting every day to protect the freedom to write and the freedom to read
The PEN Ten is PEN America’s weekly interview series
whose upcoming play La Paloma Prisoner will premiere off-Broadway in April
What was the first book or piece of writing that had a profound impact on you
Early in high school I remember reading Kate Chopin’s The Awakening and how I felt I had crept into a secret world of women’s voices
The internal voices that women were hiding were screaming off the page
I vowed I would never allow my voice to be quietly drowned
James Baldwin’s essay “The Creative Process” has served as an incredible guide that I continually return to
Revolution Books on Malcom X Blvd in Harlem
it’s truly a place of resistance and where you can find a spectrum of vast content
“Maintaining momentum for me is to keep being affected by what is happening in the world
continually imagining what a liberated Latinx future would look like keeps me inspired.”
How do you maintain momentum and remain inspired
I love to be surprised by an audience after I’ve soaked myself in tons of research during the writing process
When I work with collaborators in a play process
the re-drafting of writing is in response to what we discover in the room
I’m invigorated when a piece of writing is explored through sound design
Each play is diverse in dramatic structure and subject matter—a hybrid structure that incorporates components of dance theatre
As an arts facilitator to youth and incarcerated women
I am moved and inspired to create work about women and their history and to amplify a voice for their futures
I am particularly dedicated to working with vulnerable communities who lack access to arts platforms
in combination with trained artists and advocates in order for marginalized voices to gain visibility
advocacy organizations and scholars—societal engagement that is vital to my process as an artist
Maintaining momentum for me is to keep being affected by what is happening in the world
continually imagining what a liberated Latinx future would look like keeps me inspired
I will never forget when I was invited to make a keynote speech to the graduating class in the Bronx at the Pan American International High School
the students entered with the Latinx flag of their country on their backs and held them up high
I saw an empowered presence of Latin America in the U.S
being shaped by young people who practiced their cultural heritage through writing adaptations of Latinx classics and through dance and music
I was just rereading passages from Jane Caputi’s Goddesses and Monsters: Women
Wise Women and Beloved Sisters: Heroines in Folktales from Around the World edited by Kathleen Ragan
This book keeps me close to womxn’s magic…
“My characters and I are saying and committing actions that societally have been reserved for men
and it’s been part of my journey that I must fight a psychological and physical battle to continue writing.”
What do you consider to be the biggest threat to free expression today
Have there been times when your right to free expression has been challenged
there have been several companies and individual artists
writers who are being denied visas to present their work here in the United States
The Trump administration is overtly “cracking down” on cultural exchange
Some that I became aware of: South Korea’s Bereishit Dance Company
Malian singer and griot Hawa Kassé Mady Diabaté
and the Latinx playwright from Yucatan Mexico
human trafficking and LGBTQ issues affecting women in Yucatán
the attempts to censor the very nature of the work
that somehow the work must be “adjusted” in order to assimilate to the agenda of the administration
To deny an artist a visa is to deny the cultural relevance of the work
of the human being who creates the work and their national identity
This creates a culture of fear as artists are also being denied access to the U.S
because of what they have stated in media interviews and social media posts
This is a threat to community and social organizing
limiting the distribution of progressive media content and alternative perspectives
When it comes to my personal experiences of my own free expression being challenged
I’ve had a spectrum of events happen to me
Everything from being being physically assaulted
being asked to alter the language in works
and rejection from opportunities when not complying with those demands
There was concern when the female characters in my plays “spoke filth” because they used profanity and were behaving like men
while David Mamet is praised for every glorified “fuck” in his plays
while women in his world often lack of agency and dimension
I have often been told that my work is overly feminist
some feedback from a fellowship application stated that my work was agitprop because of its focus on women and narratives of Latin America
During my first playwriting workshop in NYC
a group of the men from the workshop surrounded me after a session and threatened me
“they were tired of men’s names being dragged through the mud.” The play I was developing
was about the real life experiences of sex workers who boxed themselves into cargo ships in order to migrate and men’s authentically destructive role against women in that narrative
“The Virgin Stripper,” I was physically attacked by men several times as they attempted to stop me from performing my monologue
it was the articulate language of deconstructing rape culture while I was dressed as a stripper that triggered them
It was the writer’s identity in me that they couldn’t manage to control or shut down
You can also add to the list the number of times I was threatened by Trump supporters when I spoke at political rallies…
My characters and I are saying and committing actions that societally have been reserved for men
and it’s been part of my journey that I must fight a psychological and physical battle to continue writing
Is there such a thing as “the writer’s identity”
I believe there absolutely is a “writer’s identity,” this is the heart of a writer’s positionality
what shapes their unique choices in how they create or describe a world
I’ve lived my life in constant translation: as a child translating for my immigrant parents
and now translating the Latinx culture to U.S
I am navigating the challenging power structures of society
I situate myself within the cannon of Latin American dramatists who are members of the diaspora in the United States
exploring how that role influences the construction of the dramatic voice
This positionality led me to my life’s dedication in writing the “Latin is America” play cycle
where I have written several plays within this bilingual cycle that will ultimately comprise of 33 plays
one for each of the countries and dependencies in Latin America
While I do not feel that the identity of the writer should limit the subject matter in which the writer engages with
not having cultural sensitivity or lived experiences with particular themes leaves the possibility open for an individual writer who is not conscious their own identity to appropriate the cultural materials and the narratives of others
“People need stories the way they need water
What is the most daring thing you’ve ever put into words
Have you ever written something you wish you could take back
dangerous of all my works I would have to say is my theatrical sex trilogy: 1
“Porning the Planet: The De-sensitization of a Nation;” 2
“Seventeen Days: A Pornographic Faust adaptation;” and 3
“Goddesses Return to the Temple: Nina Hartley reveals it All.”
Porning the Planet: A multi-media butoh dance narrative
As NASA chooses her for the making of the film Porning the Planet
Sensora attempts to answer multiple personality disorder through the building of a porn persona
our savior Sensora follows a journey from glam porn star to snuff assassinated president
and her daily rituals are witnessed and downloaded for mass absorption into the collective consciousness
Seventeen Days: Loosely based on the biography of pioneer porn star Georgina Spelvin of The Devil in Miss Jones
This new play traces the history of pornography through the lives of legendary grandmother porn Star Spelvin and 17-year-old granddaughter based on Sasha Grey
living out (The Devil in Miss Jones) Faustian spiral leading to depths she may never escape
Goddesses Return to the Temple: Nina Hartley reveals it All: The 30,000 BCE Venus of Willendorf statue is embodied by a middle-aged pregnant women who seeks to know the ancient ways of women’s powers
She begins to surprisingly worship The Goddess (Nina Hartley) at the temple/strip club
The process of writing these works has been the most taxing on my psyche
It required me to confront the ways in which female archetypes and traditional female roles have influenced our modern notions of womanhood as well as the exploitation of the female body and spirit in our media-driven culture
I in no way restrained myself from describing or capturing the violence committed against women and the grotesque content that is consumed as entertainment
“Porning the Planet,” which was developed with adult star Brittany Andrews
required me to immerse myself in every aspect of the industry
Brittany challenged several of my pre-conceived notions of her experience and agency in her career choices
So many of our modern devices and their functions were designed with collaborations between tech companies
government agencies and the adult industry
Our complicity in the maintenance of female exploitation is upheld by the way we interact with technology and the more we make technology the main means of human communication
While there is a brutality to these three pieces
the images and how the body is being shaped on stage are extreme
I assured that the characters are not solely living a place of victimhood
These pieces are also comedic because it was through humor that I discovered that these legendary women were dismantling the limited whore/virgin dichotomy
I was shocked recently when I heard the words I had written during a performance
that revealed the abuse of power committed by my first playwriting teacher in undergrad
Because it took me so many years to confront that truth
suddenly the truth couldn’t be taken back because it had been spoken in a communal space
“Your narrative is always valid even when it’s not being valued
Trust your gut when you feel someone is intimidated by your boldness
I work with young people closely every week and the overall advice I would give and do give is to write about the forces that oppose you and celebrate the forces that uplift you
To confront internal and external forces that seek to damage us and our community; is many times the initial motivation that moves young writers from examining the world to writing about it
Writers are in need of a response or transformation and you need a community to process the work with
Often what comes up in workshops that I facilitate with young writers is the importance of one’s own narrative
someone else will attempt to represent you
Your narrative is always valid even when it’s not being valued
I also recommend to keep photos of ancestors and objects that are sacred to you somewhere close to you and above your head as you write
Keeping a plant and a lit candle near you as you write is also helpful
I have fantasies of having dinner with Toni Morrison
I would ask her how she navigated life as a woman of color in the literary world
how motherhood expanded her personal and professional life
I would like to hold her hand and ask about the sacrifices she made to build her body of work
perhaps this will help me make peace with this inevitable struggle
Then I would love to meet Laura Keiler who passed in 1932 in Denmark
“Does that Feel Good to you my Lark?: A Doll’s House adaptation.” Keiler’s legacy as an incredible writer and advocate of the women’s movement is overshadowed by her fame for being the “inspiration for Nora.” In the play
I deconstruct how her narrative was appropriated and manipulated by Henrik Ibsen
I want to desperately ask her about the manuscript she sent Ibsen before A Doll’s House was published
So hopefully when I meet her in this special spiritual dimension
I can understand Danish and she can understand English
People need stories the way they need water
Raquel Almazan is an interdisciplinary actor
Her eclectic career as artist-activist spans original multi-media solo performances
She is a practitioner of Butoh dance and the creator/teacher of arts programs for youth and adults
Her work has been featured in New York City—including Off-Broadway—throughout the United States and internationally in Greece
and Sweden; including several of her plays within her lifelong project on writing bilingual plays in dedication to each Latin American country (Latin is America play cycle)
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Raymond Alamazan was there when Meralco suffered the 2019 and 2021 Governors’ Cup Finals heartbreaks against Ginebra
Now everything is worth the wait and pain as the Bolts hoist the 2024 Philippine Cup crown
Raymond Almazan gave frontcourt partner Cliff Hodge big hug as confetti fell on them after Meralco lorded over the PBA Season 48 Philippine Cup at the expense of San Miguel
Almazan just kept shouting at the top of his lungs
dapping his teammates as the Bolts seized a breakthrough title before a raucous crowd at the Smart Araneta Coliseum
When he talked to reporters later that night
Almazan still struggled to find the words to describe his feelings after winning his second PBA championship
“Grabe ‘tong championship na ‘to sobrang…” he said
taking his time to wait for the perfect word to come
[RELATED STORY: PBA: Chris Newsome drills championship winner as Meralco dethrones San Miguel as Philippine Cup champion]
the reed-thin center compared this title to the one he felt with his former team during Rain or Shine’s conquest of Alaska in the 2016 Commissioner’s Cup
He was part of the coach Yeng Guiao-led Elasto Painters
and Extra Rice duo Beau Belga and JR Quinahan
Beermen’s Don Trollano and Jericho Cruz also suited up for the Elasto Painters then
Kasi talagang binuild namin tong team na to,” said Alamzan after the 80-78 Game 6 win over the Beermen at the Smart Araneta Coliseum
[ALSO READ: Meralco lifer Cliff Hodge after winning first PBA title: ‘God’s given me everything that I’ve ever wanted’]
Alamazan just couldn’t help but feel elated to accomplish his mission of helping deliver a PBA crown for the Bolts
He was there when Meralco suffered the 2019 and 2021 Governors’ Cup Finals heartbreaks against Ginebra
he remained hell-bent on bringing one for the proud franchise that believed in him
this time at the expense of the Beermen no less
Now as he hoisted his second PBA title and first with the Bolts
Almazan realized all the pain and sacrifices proved worth it
as Meralco recovered from a 1-3 and 3-5 start early in the All-Filipino
Pinaghirapan mo talaga championship napakasarap sa feeling.”
[ALSO READ: ‘I’M SO PROUD OF HIM’: CJ Perez tips hat off to new PBA champion and Finals MVP, Chris Newsome]
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