8 seconds is all it takes to become a legend The eternal captain of RC Celta has added a new feat against Atlético de Madrid by scoring his 162nd goal at the Riyadh Air Metropolitano a goal with which the player from Moaña has made his mark in 28 of the 30 stadiums in which he has played as an away player Since his first away goal against Granada CF at the Nuevo Los Cármenes stadium Iago Aspas has forged an everlasting trajectory leaving his mark in practically the whole of Spain which underlines his talent and eye for goal A legendary record only matched by a footballer with the character and determination of O Rei das Bateas who in this way equals Samuel Eto’o as the eighteenth all-time top scorer in Laliga These data highlight the Afouteza and Corazón of a player who is soul for the sky blue team and that this Friday, before the RC Celta – CA Osasuna match, will collect his ninth Manuel de Castro Hándicap award for his incredible performance Iago Aspas continues to write a never-ending story of love for this shield that he has nailed to his head has a vast catalogue distributed in over 35 countries Δdocument.getElementById( "ak_js_1" ).setAttribute( "value" This site uses Akismet to reduce spam. 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Advertise on Cineuropa Logos and Banners Spain “My film is an anti-power movie: in particular against that of the patriarchy” by Alfonso Rivera 26/03/2021 - With this documentary revolving around a feminist struggle the Galician director scooped the Special Award for Best Director of a Spanish Premiere at the most recent Seville European Film Festival Margarita Ledo Andión (Castro de Rei, Lugo, 1951) is a filmmaker, writer and professor of Audiovisual Communication at the University of Santiago de Compostela, Spain. With her latest film, Nation [+see also: film review trailer interview: Margarita Ledo Andión film profile] she pocketed the Special Award for Best Director of a Spanish Film Having Its National or World Premiere at the 2020 Seville European Film Festival The filmmaker answered this writer’s phone call while in Santiago in order to discuss the feature which is hitting Spanish screens on 26 March Cineuropa: It’s impossible not to use the adjective “feminist” when referring to Nation: is this a never-ending struggle?Margarita Ledo Andión: That’s exactly what it is. The problem lies in changing people’s mentality, which is something that’s not easy to achieve. The film has a quality label from the ICAA defining it as “recommended for the promotion of gender equality” this is a long and winding road because it seems like we have overcome certain issues because it’s all about changing values that have been ingrained throughout history and that have taken root They just come out at certain points because even if you think you’re not a male chauvinist Even when women feel at ease in their submissive role they are replicating those assimilated values And what moved me about filming with these women is that they started working at the age of 14 At the very point when they start interacting with one another they intuitively start to organise themselves and end up structuring themselves into a union these are women who will no longer take a step back As soon as we had our first weekly pay packet to build up self-esteem and to gain recognition from our families and other people That’s how women started to feel like citizens with the right to participate in everything How did you manage to include those old films illustrating the historic moments?I coordinate a research project about films in non-hegemonic languages which is strongly connected to European policies on diversity and we have published three volumes entitled Para una historia del cine en lengua gallega [lit “For a History of Cinema in the Galician Language”] I gained access to the archives of the public TV channel where I came across material that hadn’t even been classified They had to digitise it so that I could watch it and I unearthed uncut material that had not been edited by the TV channel itself which meant that it wasn’t organised in line with the media discourse The confrontational moments that appear in the film imply emancipation for the women: it could well be that they are thwarted or do not gain their rights they overcome their fears and leap over the social barrier I worked on the visual aspect of that material which sends shivers down one’s spine and makes one feel unsettled because of its imperfections it depicts the difficult conditions under which it was recorded Both for the women who were at the heart of the events that you narrate and for the actresses for example?I wanted different female profiles so some of them have one that’s more agitated (such as the trade unionist) or there’s the one who’s the unifying thread that wandering sibyl who’s dedicated herself to a life as a single woman who encapsulates that profile of a caregiver and a smuggler: she passes on her own experience to various generations the participants came to realise that it was a film because they had previously thought it was a TV programme or report But it’s not something consigned to being a mere minor statement; rather It’s an anti-power film (in particular against that of the patriarchy) given that the epic tale of these women was very blurry The male-focused epic tale is remembered more widely the characters look directly into the camera in search of some mutual understanding from the viewer.That is a constant in my films The glance towards the cinema stalls is a small gesture that implores the person watching you to make contact with you somehow It’s therefore trying to establish that invisible thread with everything that makes up a film and with the screen as a passageway and a barrier It goes far beyond the screen and establishes a community with the female viewers: in this way it confirms that the film exists on the screen and thus constitutes a demand for the cinemas and screens to remain open and active Please subscribe to our newsletter to receive more stories like this directly in your inbox 02/05/2025 Annegret Richter • Artistic director, Stuttgart International Festival of Animated Film“There’s no definition of which target group it has to be for; you can tell any story with stop motion” 02/05/2025 Sanja Božić-Ljubičić • CEO, Pickbox, Mediatranslations, Mediavision and NEM“We will always stay focused on the CEE region, a region that’s unique – it can be challenging, but it’s also incredibly rewarding” 30/04/2025 Mirko Goran Marijanac • Media sales executive, DeAPlaneta Entertainment“It’s all about using AI ethically, and making the most of its tools to boost efficiency in animation and distribution” 29/04/2025 Anne Pouliquen • Founder and Director, Futura Cinema“Futura Cinema acts as a bridge between cinemas, cultural innovation and technological solutions” 28/04/2025 Paulina Jaroszewicz • Distribution and marketing manager, New Horizons Association“What has changed in recent years is that we buy half of our line-up based on script – like for Carla Simón’s Cannes Competition title Romería” all interviews Subscribe to our newsletter to receive the most important daily or weekly news on European cinema Cannes 2025 Marché du Film AFCI runs its second annual Global Film Commission Network Summit at Marché du Film Festivals / Awards Czech Republic Czech Republic’s Anifilm goes sci-fi Distribution / Releases / Exhibitors Europe European Arthouse Cinema Day set to return on 23 November Cannes 2025 Marché du Film Indie Sales presents a three-star line-up at Cannes HOFF 2025 The Shadow and U Are the Universe win at Estonia’s Haapsalu Horror and Fantasy Film Festival Crossing Europe 2025 Awards The New Year That Never Came and The Flats crowned at Crossing Europe Cannes 2025 Marché du Film Be For Films to sell Love Me Tender in Cannes Cannes 2025/Sponsored Latvia set to shine bright at Cannes, led by Sergei Loznitsa’s competition entry Two Prosecutors Las Palmas 2025 MECAS/Awards Manuel Muñoz Rivas and Joana Carro win awards at the eighth MECAS Cannes 2025 Marché du Film Playtime to present some high-impact and entrancing trump cards at Cannes Production / Funding Italy Shooting begins on Walter Fasano’s Nino, a portrait of scoring maestro Nino Rota goEast 2025 Review: My Magical World Market TrendsFOCUSA busy spring festival season awaits the European film industry. Cineuropa will continue to keep its readers up to date with the latest news and market insights, covering the buzziest events, including Cannes, Kraków, Karlovy Vary, Tribeca, Hot Docs, Annecy, Brussels, Munich and many others Distribution, Exhibition and Streaming – 02/05/2025Slovak crime-thriller Černák becomes the highest-grossing film in domestic cinemasThe second film in the saga about a local mafia boss, directed by Jakub Króner, outgrossed its first part, which dominated Slovak cinemas last year Animation – 30/04/2025Mirko Goran Marijanac • Media sales executive, DeAPlaneta EntertainmentDuring our chat, the exec shared key insights from this year’s Cartoon Next and touched on the current climate for the animation sector Jaśmina Wójcik • Director of King Matt the First The Polish director discusses her approach to taking on a 1920s children’s literary classic in an unexpected way Želimir Žilnik • Director of Eighty Plus The Serbian director discusses his deep suspicion of ideologies in relation to his irresistibly charming latest feature, which follows a man whose life spans three political systems Paulina Jaroszewicz • Distribution and marketing manager, New Horizons Association Cineuropa sat down with the Polish distributor to discuss her company’s strategy as well as the connection between its distribution line-up and BNP Paribas New Horizons Festival’s programme Lorcan Finnegan • Director of The Surfer The Irish filmmaker discusses his mystery-thriller, how he created the character with Nicolas Cage and his approach to the use of colours in the film Privacy Policy The images used on this website have been provided by journalists and are believed to be free of rights if you are the owner of an image used on this website and believe that its use infringes on your copyright We will remove the image in question as soon as possible We have made reasonable efforts to ensure that all images used on this website are used legally and in accordance with copyright laws About us | Contact us | Logos and Banners Mission | Partners | Team | Donations | Terms and conditions La Desbandá' was one of the most tragic episodes of the Spanish Civil War when thousands of people from Malaga fled by road towards Almeria after Franco’s troops entered the city in February 1937 there were many unsung heroes whose courageous acts are gradually being brought to light One of these people was lighthouse keeper Anselmo Antonio Vilar García who for two nights turned off the Torre del Mar lighthouse in an effort to prevent thousands of people from being killed as Italian troops bombed the Malaga to Almeria road (now the N-340) Vélez-Málaga town hall now wants to remember the figure of Vilar who kept the lighthouse of Torre del Mar switched off during the early hours of 6 and 7 February 1937 It is working alongside local journalist and researcher who has compiled information on Vilar and has written a number of articles about him The town hall is looking into the best site to commemorate this hero of ‘La Desbandá' coinciding with the 85th anniversary of the tragedy after speaking to five survivors who were able to confirm the events Vilar took charge of the lighthouse when he was 48 "life was soon to put him in a momentous situation.” tens of thousands of people left not only Malaga but also Cadiz and Loja in Granada province besieged by Franco-supporting Italian forces who launched their attack from the skies and the sea the refugees crowded into Torre del Mar in an attempt to hide from the bombs knowing that thousands of people were hiding near his lighthouse made his decision: he turned off the lights to prevent the planes from getting their bearings and continuing their slaughter There is no official record of the lighthouse keeper's fate but Vilar is believed to have been captured and killed inside the walls of Vélez-Málaga's cemetery "It is for this heroic act that we think he should be honoured and thanked," concluded Hurtado Comentar es una ventaja exclusiva para registrados