Would it surprise you to learn that the man behind the iconic Leatherface mask in the 1974 horror movie The Texas Chain Saw Massacre was not at all like the character he portrayed
You might be shocked to find out he was a writer
That’s right. Gunnar Hansen — the hulking actor who portrayed the original masked killer in Tobe Hooper’s classic horror film — wrote poetry. In fact, he wrote a whole book of poems
Fans of The Texas Chain Saw Massacre and its various sequels and spinoffs will come to learn all about the man behind the mask in director Michael Kallio’s new documentary about Hansen
The documentary premieres in Iowa April 25 at Fleur Cinema in Des Moines and is available on Blu-ray through Anchor Bay Entertainment
Kallio first met Hansen at a fan convention in the early ‘90s
They quickly became friends and started making horror movies together
Kallio would occasionally bring up the idea for a documentary about Hansen’s life
this was the guy who played one of the most terrifying serial killers in horror history — and Kallio was now casually chatting with him about sailing in regattas
He knew there was more of his story to tell
“The guy seemed like a guy who could do anything — and did do anything,” Kallio said
the project became a way to honor Hansen’s life and legacy after he died in November 2015
Kallio got to work conducting and collecting interviews for his documentary
which he now describes as “my love letter to Gunnar.”
Ten years after Hansen’s death — and 50 years after the original film came out — Kallio’s Dinner with Leatherface was finally completed in late 2024
The finished documentary and the accompanying special features consist of over 60 interviews with Hansen’s family
including horror icon Bruce Campbell and original cast members of The Texas Chain Saw Massacre
The documentary also features a never-before-seen interview that Hansen gave to Icelandic director Júlíus Kemp in 2009
Kallio is the first to admit that Hansen’s life was defined by much more than his fame as Leatherface
But he knows that the role was the catalyst for his career in entertainment
“It's funny because I tried not to put Texas Chain Saw Massacre in this documentary as much as possible,” he said
“The truth of the matter is it was part of his life
When The Texas Chain Saw Massacre came out in the ‘70s
“I think it's the rawness and the realism and the inventiveness of making a movie that's that suspenseful and scary and nerve-racking
with very little blood and very little money,” he said
low-budget style of Hooper’s cult classic would
set the template for several major slasher franchises to come
And the character of Leatherface — a towering
masked monster — would be imitated by the likes of Michael Myers in Halloween and Jason Voorhees in Friday the 13th
What Dinner with Leatherface offers horror fans is a glimpse behind the famous character
"I think the funny thing that people might take away from this is inspiration
You’d never think Leatherface would inspire you,” Kallio said
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Worked at Wells Fargo in Arden Hills as a custodian for many years
Jim was a sports fan of the Minnesota Vikings and Minnesota Twins and he enjoyed bike riding in his spare time
UPDATE: Due to the severe winter weather predicted
the burial has been rescheduled to 2pm FRIDAY December 20
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He played one of the most fearsome and intense characters to ever slice into the silver screen in Tobe Hooper's The Texas Chain Saw Massacre
Gunnar Hansen could not have been more different than his legendary role as the terrifying Leatherface
Gunnar's legacy as a kind and humble person lives on through the countless friends he made while working on film sets and conversing with fans and peers at horror conventions
One such friend is writer/director Michael Kallio
who celebrates and pays tribute to Gunnar's life in the new documentary Dinner with Leatherface
Featuring insightful interviews with fellow actors
Dinner with Leatherface celebrates the man behind the mask of one of cinema's most iconic cannibals
exploring not just his vital role in The Texas Chain Saw Massacre
but also spotlighting his work as an author and a supporter of indie cinema with roles in movies such as Mosquito
With Dinner with Leatherface now available on Blu-ray and DVD via Anchor Bay Entertainment ahead of its theatrical release this month
Daily Dead had the pleasure of catching up with Kallio in a new Q&A feature to discuss the making of Dinner with Leatherface
including the documentary's nearly nine-year-long journey to the finish line
the ambitious undertaking of interviewing so many people who knew Gunnar
teaming up with Anchor Bay to release the film
and what he hopes people will take away from "the Gunnar Hansen playbook of life."
Thank you for taking the time to answer questions for us
and congratulations on your new documentary
and altogether heartfelt look back on the legacy of Gunnar Hansen
who brought one of the most iconic cinematic characters to life in The Texas Chain Saw Massacre
What inspired you to celebrate Gunnar’s life with this documentary
Michael Kallio: Thank you for your interest in me and more importantly your interest in this here film
There were a few factors that inspired this documentary
The main one was spending time with Gunnar
I would always hear something new or interesting that he had done or was preparing to do
He had many adventures and had stories to tell
so many that I don’t think I ever heard the same story twice and that was one of the fascinating aspects of Gunnar
we should make a documentary about you and he would always say that no one would be that interested
so he didn’t think anyone would watch a doc about him
Another piece of inspiration was all the stories I had heard throughout my knowing Gunnar of others meeting him
but also hanging out with him and getting to know him on a personal level
especially if it was intelligent or creative talk
I heard many stories from other people about how they hung with Gunnar
We used to break bread and go out for drinks and conversation quite a bit when he visited the Detroit area back when I lived there
I had spent the day going through set photos of my first feature
I was putting together an ad-slick/promo piece for the American Film Market so I could hand it off to a friend
in hopes he could get some interest in re-releasing Hatred as the rights had recently reverted back to me
It was so great reminiscing about working with Gunnar and making my first feature film with him and the rest of the cast and crew
and I started thinking about the documentary idea again
I dropped off the ad slicks to my producer friend and shortly after
I received a text from another friend sending her condolences about Gunnar
There goes the doc idea.” After the initial shock wore off
it clicked that I needed to make the doc anyway
tell his story through the people he had known
I needed to tell his story and his adventures
I needed to make a tribute to this man who not only became a friend but also championed me and my career
Gunnar inspired me to make Dinner with Leatherface
More than 50 years after its initial release
Tobe Hooper’s The Texas Chain Saw Massacre remains one of the most uncompromising
and Gunnar played a huge role in making it such a classic film
Do you remember seeing The Texas Chain Saw Massacre for the first time
and why do you think Hooper’s film and Gunnar’s performance continue to make an indelible impression on viewers half a century after The Texas Chain Saw Massacre premiered
Michael Kallio: I saw Texas Chain Saw Massacre sometime in the mid-’80s
I wasn’t a fan of horror films when I was younger
I remember walking out of the theatre with my mom after seeing Raiders of the Lost Ark back in 1981
We passed a Poltergeist poster hanging in the hallway
Let’s go see THAT when it comes out.” I was like
LADY.” I was too nervous to see a movie produced by Steven Spielberg
My extent of my horror movie love was the classic Universal monster movies and anything Roger Corman did with Vincent Price in the Edgar Allan Poe stage of his career
and being somewhat of a brooding artist type loner (LOL)
I related to those types of horror stories but nothing that might “scare” me
That was the case UNTIL I was at a friend’s birthday party..
I think I was a sophomore in high school and we were going to eat pizza
and go into his Michigan basement and watch a horror movie
I was going to bail after cake but was reminded that a young lady
was there and she was looking forward to us watching a spooky movie in a dark basement
but I was also a fan of this particular girl and I didn’t want to look like a wimp
The VHS tape was put into the machine and the movie started
The girl death-gripped my arm as if I could save her if a Deadite crawled out of the screen
It was like all the fear had left me and I had a blast
especially the girl who eventually started hurting my arm hiding behind it and using it as a makeshift shield
and one of those classics was The Texas Chain Saw Massacre
It was like I was desensitized from the fear of horror
I delved into reading Stephen King and Clive Barker books
I was obsessed with horror after that night in the basement watching Evil Dead
I really remember being some what upset after my first viewing of the original TCM
I wanted it to be gory and it certainly isn’t
I remember it making me laugh a bit because
although I didn’t QUITE “get it” right away
I definitely consider it a masterpiece in both horror and satire
Gunnar’s multi-level performance is both beautiful and terrifying
The grittiness and documentary feel gives the film a visceral tone and atmosphere
It’s definitely beyond just watching a movie
It’s an experience and holds up strongly no matter how many times I see it
You interviewed many people who knew Gunnar
How did you go about interviewing everyone for this documentary
and how much time did it take to edit the footage and choose what to include in the final cut
I made the decision to make the doc less than a week after Gunnar’s death
Bruce helped produce my first feature film
and he has been a mentor and another champion of my career for over 30 years now
People would take me more seriously because he is one of the classic faces of horror now and I was starting this project with literally no money
I figured I could do a lot with little to no funding
he agreed to be my first interview subject
a horror-centric bookstore located in Burbank
He helped produce also and got others interested in the project and helped put the word out
for people who knew Gunnar because of the many
and record signings with horror folks from the signing events he had in his store
People like my producing partner James Wilderhancock
and others helped me get in touch with people
I also reached out via social media trying to connect with people in the genre who had worked with Gunnar or saw him at the numerous conventions he attended
Dinner with Leatherface ended up being a huge passion project for me
filming started to snowball and we got more and more interviews
There were times where I would hire (very inexpensively) a person or a small crew in other states (and a few times
to the subject being interviewed and they’d film remotely and send it back to me
Many of these small crews or people did it out of love for Gunnar as well
we had a pandemic which slowed the process down tremendously but I still managed to get an interview in the can here and there
One of those interviews was with director of photography of both the original TCM and the remake
stepped in and helped me get the remaining cast of the original Chain Saw Massacre
and a few other people I was having a bit of trouble tracking down
When we finally made the decision to stop interviewing and really start editing (I was more focused on interviews than editing during the process
Anchor Bay had come on board to help me finish it
so the new founders Tom Zambeck and Brian Katz came on as executive producers
to cobble together what had become the completed doc
but Josh and Julia really did a lot of the heavy lifting
It took about four months to get it to the finish line..
you could have made a series out of all the footage we had
Dinner with Leatherface took almost nine years to make
Gunnar Hansen’s book Chain Saw Confidential: How We Made the World's Most Notorious Horror Movie is a very insightful look into the making of Tobe Hooper’s classic film
and it’s one of several books that Gunnar wrote
Did you utilize Chain Saw Confidential in your own research for this documentary
I really wanted to make the movie about Gunnar and not about The Texas Chain Saw Massacre
I wanted to focus less on the thing that made him so famous and more on the OTHER stuff he had accomplished and about him personally..
his friends outside of the “biz,” which he kept very separate
I thought about taking quotes from the book and start every chapter with an excerpt from the book within the doc
It was the catalyst to everything that made him who he was within the reality (if there is such a thing) of showbiz..
so Chainsaw Massacre stories and people and the situations that happened are IN the doc because they had to be but
I wanted to keep Gunnar’s book separate and the original movie as separate as I could
I consider Dinner with Leatherface as a companion piece to Chainsaw Confidential
there are TCM stories and such within my doc
but we also plug the book he wrote about the experience of making that movie and in turn
hopefully lead those who see the doc who haven’t read the book to the written material
They can then expand their knowledge about Gunnar and certainly expand the story of how the movie was made and received
I love that in addition to celebrating his role as Leatherface in The Texas Chain Saw Massacre
you also highlight Gunnar’s other performances in films such as Hollywood Chainsaw Hookers
How important was it for you to explore Gunnar’s film career beyond The Texas Chain Saw Massacre
Michael Kallio: I was a fanboy of Gunnar’s before I knew him
I poached like four or five actors from Mosquito for Hatred of a Minute (Gunnar included
Mosquito was coming out the same time I was ramping up pre-production on Hatred
so that movie was very important to include in Dinner with Leatherface
I was getting ready to shoot my first movie in Michigan
Gary’s movie was definitely on my radar and needed to be part of the doc
I used to pick Gunnar up at the airport sometimes when he had to come to town to shoot extra scenes or pick-ups for Jones’ killer bug flick
it was really important to get all those other film projects
as they were part of Gunnar’s love for filmmaking and how he picked projects not just based on the script but also how he had a love for creative people and being involved with that kind of folk
I wanted to focus more on everything else that Gunnar had been a part of
both in the movie world but also in his personal life
Throughout your conversations and research for this documentary
what was the most surprising or memorable thing that you learned about Gunnar
Michael Kallio: Every time I was with Gunnar
and peers were all pretty memorable and not too surprising
The one thing that pops into my head was told to me by my producer
he had revealed to me that when he met Gunnar
they ended up talking about horror films and he told Lowell the movie The Exorcist terrified him
mountain of a man was scared of William Friedkin’s classic horror masterpiece
It made me laugh that Gunnar would be weirded out by that film..
Neither Gunnar nor I could or would want to watch that movie..
It’s hard to believe that it’s already been nearly ten years since Gunnar passed away
but his legacy continues to resonate with viewers and those who worked with him
Do you have a favorite memory of meeting Gunnar and talking with him
Michael Kallio: Every time I hung out with Gunnar was an experience in and of itself
Whether it was going to dinner after picking him up at the airport
driving him to a set or just talking to him on the phone
Gunnar was always a joy to converse and hang with
The first time I met Gunnar was a life-changing experience..
I was a fanboy actually working at a convention
a novelty company that also sold masks and makeup and the like
had their own line of horror props and masks created by my boss and friend
Jeff and I had a table at the show selling our horror wares alongside the guests
I had already been working on a screenplay and had Gunnar in mind for the main bad guy role
I had even shot a trailer on Super 8 for the film
which we were going to use as a tool to raise money
That film was called Southern Hospitality (the Super 8 trailer is a special feature on the Blu-ray of Dinner with Leatherface)
and I really wanted to talk to Gunnar about being in my first feature film
I finally got the guts to approach him when I saw he had a small lull at his table
When I got to his table I asked for an autograph on a photo of the infamous “first kill” of William Vail in the original movie
We started talking about the incredible sound design and music
and how they made that our favorite scene in the movie
I mentioned the movie I wanted him to be in
He gave me his mailing address and phone number
expressing interest in Southern Hospitality and after about 45 minutes
I went home after that weekend and sent him the script
he called me and after an hour or so of just chit-chat
gave me some really great notes and the rest is history
and when he started visiting and working in Michigan
This leads up to another one of my FAVORITE memories of Gunnar..
My “producers” on Soho went their way and I went mine
I wrote Hatred of a Minute and created a role with Gunnar in mind to star
When I was finished with the script and felt good about it
I sent it to Gunnar with a note on what happened to Southern Hospitality
for which I had paid Gunnar for a letter of intent (to entice investors with a “star” in hopes to raise money for the film)
Gunnar called and I was able to lament of the falling apart of the project
but I was going to do Hatred instead and would he be a part of it
He understood and was kind in comforting me as I was pretty bummed the original project completely crumbling
He said he would read the new script and get back to me ASAP
there was a message on my answering machine from Gunnar
Check your mail in a few days.” I called him back
excited about what was coming to me in the mail
the only changes that were made was the title of the movie and the date
We were shooting a scene where I was going to kill Gunnar’s character..
Who would have thought a film-loving kid from Michigan would get to meet not one but two of his horror heroes: Bruce Campbell
That doesn’t happen every day and it was happening to me
what do you hope viewers take away from Dinner with Leatherface
Michael Kallio: The knowledge of this great man and how he lived
How he was kind and passionate about art and writing and film and sailing and LIFE
I hope people see what an incredible human he was and try and be just a little bit kinder
he was an example of decency and how he had such an impact on others in the most positive way
I hope people take a page or twelve from the Gunnar Hansen playbook of life
When can horror fans look forward to sitting down for Dinner with Leatherface
Michael Kallio: The Blu-ray with a bunch of fun special features drops February 25th
It will be playing in theaters around the country (and hopefully
soon the world) starting in March and will keep playing theaters until we run out of them (at least through June or July..
I currently don’t know when or what platforms it will stream on
We are focusing on physical media and theatrical first
but keep those eyeballs peeled and your ears to the grindstone
will be updating you all when something new happens with Dinner with Leatherface
do you have any other upcoming projects that you can tease for our readers
There’s some stuff I can’t really talk about as they are in the preliminary stages BUT
I’m re-releasing my first film starring Gunnar
I have a ’50s sci-fi spoof (featuring the TRUE acting debut of musician and actor Jack White) called Mutant Swinger from Mars that Anchor Bay will be releasing physically and on streaming this year
I have some other documentaries I’m directing and a few I’m helping produce..
a doc about the fanbase of the movie Howard the Duck
which will be dropping from Anchor Bay this year as well
One last thing I have in development is a sci-fi/horror/comedy called Rednecks Vs
And thank you to everyone who got through my long-windedness
To learn more about Dinner with Leatherface
Dinner with Leatherface: Documentary about Gunnar Hansen
the actor who portrayed Leatherface in "The Texas Chainsaw Massacre" (1974)
and fellow actors share personal stories and discuss the dichotomy between the maniacal chainsaw-wielding character he played on-screen and the very intelligent
soft-spoken man he actually was in real life
Trailer via JoBlo Horror:
Stine’s Goosebumps books and Are You Afraid of the Dark?
Derek has been fascinated with fear since he first saw ForeverWare being used on an episode of Eerie
When he’s not writing about horror as the Senior News Reporter for Daily Dead
Derek can be found daydreaming about the Santa Carla Boardwalk from The Lost Boys or reading Stephen King and Brian Keene novels
HELSINKI FINLAND
Construction of temporary summer streets in Kallio and Alppiharju will begin on 5 May
with the aim of completing most installations by 12 June
involves transforming selected street sections into pedestrian-friendly zones using street furniture and greenery
The new areas will be built primarily in place of existing on-street parking
This allows the installations to be dismantled easily at the end of the season
The exact construction schedule will depend on weather conditions and material deliveries
Work starts on Fleminginkatu and Porthaninkatu
where seating and planting areas will be set up
A performance stage will be installed between Karhupuisto and Kallio Library
Some Porthaninkatu areas will feature wooden platforms reused from previous Esplanadi experiments
Additional installations will follow near Kallio Church
Work will generally take place on weekdays between 07:00 and 18:00
with some tasks scheduled during evenings or weekends to minimise traffic disruption
Fleminginkatu and Agricolankatu will become one-way residential streets
A section of Fleminginkatu through Karhupuisto will close to vehicles
The taxi stand near Karhupuisto will be removed
and some parking spaces will be eliminated on Porthaninkatu
Temporary pedestrian routes will be marked during each construction phase
The Vaasankatu summer street project will begin later, following ongoing pavement and drainage upgrades along the street’s southern edge. Completion is expected by early July. Until then, some parking areas near Vaasankatu and Aleksis Kiven katu will remain inaccessible
with resident parking redirected to adjacent streets in Vilhonvuori
The City aims to use these summer streets to assess the potential for permanent pedestrian zones and public space improvements
and successful designs could lead to permanent changes through city council decisions
Existing street furniture from previous years will be reused and adapted for this summer by carpenters at the city’s Stara workshops
Stara is also responsible for the construction
The initiative supports Helsinki’s broader goals to enhance public space
and improve conditions for local businesses
The city also hopes the temporary changes will encourage residents to spend more time outdoors and consider alternatives to car-based mobility
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Visitation will be held at the Jackson and Barnard Funeral Home, 233 Larch Street, Wednesday March, 26th, 2pm-4pm, with funeral service at the Church of the Epiphany, 85 Larch Street, on Thursday March, 27th at 11am. Internment in the Waters Cemetery to follow.
In lieu of flowers, donations may be made on Eva’s behalf to Sudbury Symphony Orchestra or Joan Mantle Music Trust would be appreciated.
Tribute Archive
Find upcoming events at the Events.hel.fi website
Find municipal decisions in the Decision-making section
The users of the events stage must comply with the terms and conditions of the stage
The terms and conditions are put in place to ensure that the use of the stage does not cause any disruptions to local residents and operators.
The maximum allowed attendance is 200 people at a time
and the events must be free of charge and open to everyone
The event organiser is always responsible for the event
All the rules governing the use of the stage are available on the ‘Kesäkadun tapahtumalava’ (summer street events stage) page in Varaamo
A similar events stage can be booked on the Korkeavuorenkatu summer street in front of the Design museum as of 16 May
The booking calendar for this stage will also be opened on 2 May
The Töölönlahti bay events stage is already open and available for booking in Varaamo
You can find these stages in the Varaamo service by searching for “tapahtumalava”
are shared dancing events for all who want to skip through musical landscapes
The urban barn dances are part of the concept of the summer streets’ events stage
A total of four dance events will be held on the Kallio summer streets’ events stage over the summer on the first Saturday of each month from 15.00 to 18.00
The events are open to all and free of charge
The event will be organised jointly by the City of Helsinki and Lauri Jäntti
Urban barn dances are based on improvisation
meaning that the only principles guiding the activities are being aware of the situation
respecting the boundaries of others and general hospitality among the participants
any style and way of participating and physical movement is welcome: nothing is too much or too little
The music varies from Argentinian tango to blues
from salsa to opera and from Finnish dance music to evergreen musical hits and everything in between
University of the Arts Student Union (TaiYo) arranged an open call in autumn 2024 for student projects for the ‘Vapaan taiteen tila’ pop-up programming in the Kallio summer streets in summer 2025
The purpose of the programme entity is to offer space for small and less polished performance concepts by students
A total of four performing arts shows will be performed on the summer streets
The performances vary from dance performances reflecting on their surroundings to bands playing folk music
a street theatre performance tailored to Kallio summer streets and an open-minded combination of jazz and soft rock influences
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It is with immense sadness that we announce the passing on Monday March 10 of our beloved wife
Her sons and husband were with her as she passed peacefully
Also present was Father Chris Dunn who provided invaluable emotional and spiritual support
In navigating the challenges of the past few months
Beloved wife of her lifelong sweetheart Raimo
Cherished daughter of Graydon (1924-2022) and Shirley (nee McBurnie) Sharpe
Brenda was well liked and respected by her parents-in-law Else (late) and Valtteri (late) Kallio
and Raimo's siblings John (Juhani) and Rita
Juhani's wife was the 'other' Brenda Joyce Kallio in the family
and the two shared a special kinship. She was adored by her nieces and nephews
Devoted and adoring grannie to Olivia, Ava
Brenda was truly at her most joyful when spending time with her grandchildren and participating in their milestones and cheering on their hockey games
She prided herself on being the kindest
most fun loving and adoring grannie she could possibly be
Her love for her grandkids continues to live on and she will be greatly missed
Marie where she spent her summers with her three siblings at Upper Island Lake at the family cottage
She cherished her childhood memories of Island Lake throughout the years and was grateful that her children
grandchildren and extended family could create decades of memories together at that very same lake.
She met her lifelong sweetheart Raimo in the Sault in 1969 and they were married in 1971. Together they spent two years in Waterloo where Raimo was attending University and had their first son Aaron in 1972. Brenda worked for the City of Kitchener
a City that Brenda instantly fell in love with and where she and Raimo raised their three children.
her relatives in her great grandfather Rolland Rous clan helped them settle and become comfortable in a new city
family reunions and card games of “Lucy.”
Brenda enjoyed a long and fulfilling career at the City of Nepean and later City of Ottawa
she was a manager in information management
She met many lifelong friends at friends at work with whom she remained in close contact with
sharing laughs and reminiscing about the years of hard work
many of which Brenda was instrumental in planning and participating in
Brenda's zest for life and travel allowed her to explore new frontiers after her retirement in 2008.
She was passionate about keeping those memories alive and coveted her trip pictures and tales of adventure with her family across Europe and the world
She loved to share new insights on countries she and Raimo visited
and the many laughs and stories of friendship on those infamous Stortini group trips
Brenda loved her “workout crew”
which had her stay fit long into her 70’s
making many new friendships that she cherished to the very end
Brenda was also a golf shark who routinely outshined her husband and sons
she always said she didn’t care about the score as long as she was out with her family
Brenda had a longstanding and special relationship with Florida
spending time with her own parents and children in the warm sun across the years
She especially loved watching the amazing Florida Sunsets with her family and friends while walking the beautiful beaches
Her spirit will continue to live on in every sunrise and sunset
in the gentle waves and in the white sands that gave her so much joy throughout the years
Brenda will be forever remembered by her infectious smile
You will never meet a kinder heart on this planet
Brenda was a special person and a tribute to humanity
May memories of her live long in your hearts
Funeral arrangements are entrusted to the Kelly Funeral Home
The funeral service will begin at 1:00 p.m
donations would be appreciated to the Ontartio Finnish Resthome Foundation in the Sault
the Ottawa Hospital Foundation or the Bruyère Health Foundation
A celebration of life will be held later in the summer in Sault Ste
For those unable to join us in person on April 4th, you are welcome to register for the Livestream via the following link: https://my.forever.link/register/arbormemorial-kelly-barrhaven/brenda-kallio
More In Memoriam >
Residents of the village of Kallio - which was made up of 80-or-so houses
a church and a school - were forced to evacuate their homes more than 40 years ago to make way for a reservoir that supplies water to the capital
But drought conditions in recent months have caused the water level here to drop dramatically
and drone footage shows the ruins of buildings poking out the top of the water
Read more on this story here.
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HELENA — October 17 and 18 marks this year's annual Youth Hunt in Montana
limited to youngsters between the ages of 10–15
These dates were chosen because of Montana's annual 2-day teachers' convention
which are no-school days for most public-school students
a 14-year-old first-time youth hunter shares his experience
me and the kid who was shooting next to me
so thankfully I was able to jump up and start celebrating once I pulled the trigger," Kallio said
The annual youth deer hunt is open to 12 to 15 year olds who have completed hunter education
and are accompanied by an adult who is at least 18
Ten to 15 year old apprentice hunters can also participate as long as they are accompanied by an adult mentor who is 21 or older
Brianna Helmbrecht has been tagging along on hunts with her dad since she was five
but got her first deer through the youth hunt at age 15
Of course it is okay a little hit and miss
but we chased him up the mountain and eventually I got him
a nice 3-point mule deer," Helmbrecht says
Both Brianna and Keith harvested their first deer during this year's youth hunt and both were excited
but for different reasons.Keith said he's going to make a hat rack from his deer's antlers and Brianna said she's happy to provide for her family
Brianna and Keith said hunting has taught them patience and a greater appreciation for the outdoors
"It teaches you how to navigate the mountains a little bit better and will give you better opportunity of seeing what is really out here," Helmbrecht says
but general big game rifle season starts on Saturday
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Water reserves at the artificial Lake Mornos in central Greece have hit their lowest level in 16 years as a drought induced by climate change rampages across much of southern Europe this summer
sunken villages at the bottom of water reservoirs are not meant to be seen
But the ruins of Kallio in the mountains of central Greece are becoming very much visible — and they have a warning to deliver
As an unprecedented drought induced by climate change rampages across much of southern Europe this summer
reserves at the artificial Lake Mornos — the biggest of the four reservoirs supplying drinking water to Greece's capital
Athens — have hit their lowest in 16 years
The receding waters have exposed what was left of Kallio
a village submerged in the late 1970s to create the reservoir some 200 kilometers (125 miles) from Athens
Colonies of freshwater mussels sprout from cracks in the muddy stonework — the now-empty shells tinkling like wind chimes in the breeze
blending with the sound of cowbells from herds grazing around the lake
Greek authorities insist there is no cause for alarm
But if the drought continues and no action is taken
Athens could run out of water in about four years
Official advise Athenians to be conscious of their water consumption and preserve where they can
deputy mayor of the surrounding Doris municipality
says he is concerned for the future after a drought has lasted for three years
if it doesn't rain enough and there's no snow
then next year we'll be talking about a dramatic situation,” he says
total reserves for the city of about 3.6 million people fell to 678 million cubic meters in early September
from 1.13 billion cubic meters two years previously
Lake Mornos now has about 335 million cubic meters of water — from 592 million in September 2022
when the lake's reserves fell to 210 million cubic meters
And it's not just Athens. Over the past two years, most of Greece has suffered dry winters and record-hot summers, which contributed to a spate of destructive summer wildfires
a blaze northeast of Athens gutted scores of homes and scorched a land area almost twice the size of Manhattan
As the tourism-reliant country sees record numbers of foreign arrivals — and a summer spike in water consumption — some parts of the country face cuts in drinking water
empty irrigation reservoirs and drying boreholes
the Environment and Energy Ministry said Eydap would reopen existing boreholes north of Athens and draw water from a fallback reservoir
It would also take additional action over the next four years
tap rivers further afield and recycle wastewater for irrigation and industrial use
water-saving actions will be implemented,” a ministry statement said without elaborating
“Everyone is advised to join in the common effort through rational use of water reserves,” it added
There is concern that more — and worse — is coming
with human-generated greenhouse gas emissions
and rising temperatures have increased the risk of droughts
Kallio's 60-70 village homes and a half-dozen water mills seemed a small sacrifice for the greater good
The few of its inhabitants who didn't move to Athens or other cities relocated to higher ground
they can now see the ruins of their old homes
it was a great village,” said Constantinos Gerodimos
"People from other villages would come here to get water.”
Associated Press writer Theodora Tongas at Lake Mornos
Read more of AP’s climate coverage at http://www.apnews.com/climate-and-environment
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The Dalles Ore., June 14, 2024 — Eric Kallio, performed a live outdoor concert at The Dalles Wasco County Library today June, 14 as a part of the library’s "Lunchtime Concerts on the Deck" series featuring different musicians every Friday in June from 12 p.m
Concert goers enjoyed Kallio’s original folk music and tacos from Tacos Tumbras on the deck
Eric Kallio holds up a sticker that features the album art of his first solo album.“Glass Wood & Steel" is my first solo album released in 2016
but each track beautifully captures the tones of the three American acoustic guitars that I perform live with today
They harmonize together creating layers of acoustic texture,” said Kallio
Eric Kallio started playing the guitar in 1992 while living in Virginia
Initially influenced by artists like the Allman Bros
he began to learn how to play their styles
He's performed in seven different bands on on electric guitar and bass with styles ranging from rock
He moved to Oregon in 2007 and continued to perform with various groups in the Portland area
In 2010 he joined forced with Reed College as one of their PE and outdoor programs instructors
Hood to manage their private hostel and adventure base camp
This is when he started focusing on playing acoustic guitars
Eric started his solo singer/songwriter approach to music in 2012
It was then that he found his singing voice and began exploring reso-phonic guitars and slide playing
He is currently performing with the three iconic American acoustic guitar innovations that include
He is also active in the studio as a session player for many other artists
Eric is a blooming new force in the world of folk music.
Listen to Eric Kallio on Spotify, Band Camp or on his website at: www.erickallio.com
Available to everyone; supported by readers like you
Cole Goodwin is a former writer at Columbia Community Connection and a longtime resident of the Columbia River Gorge
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Wayne was born in Worcester on February 6th
he graduated from Worcester Boys Trade with a focus on Electrical work
He then began his career as an electrician
working for the IBEW electrical workers union local 96
before accepting other electrical positions
most recently as a Journeyman electrician for General Mechanical Contractors Inc
Susan Aboody-Kallio; three children he adored and enjoyed spending so much time with
Wayne Kallio and his wife Tammy of Worcester
his mother Merilyn (Salerno) Miller and her husband Phillip of Shrewsbury; a sister
Karen ( Kallio) Loftus and her husband Bill two brothers
Matthew Kallio and David Miller; his mother in law
brother-in-laws Richard and Christian Aboody; his maternal Grandmother Virginia Salerno; Aunt and Uncle
instrumental in his life Donald and Elaine Kallio of Rhode Island; Many nieces
and many friends He was pre-deceased by his paternal Grandparents Tauno Kallio
He was the backbone and light of his family and remained devoted to them in life and challenges no matter what
Wayne was a beautiful person who enjoyed the simple pleasures of life; spending time with family and friends
family trips to the Beaches of New England
He also had a big heart that would help anyone who needed it
lending a hand to care for people especially family members
He truly believed that family and friends were the most important parts of life
His strength kept him grounded and helped him through life's challenge over the past several months
Wayne’s passing leaves a hole in our hearts
but his loving and caring soul will not be forgotten
Due to the Covid-19 outbreak, funeral services will be held privately. MERCADANTE FUNERAL HOME & CHAPEL, 370 Plantation St is honored to assist the family with arrangements
memorial remembrances in his name can be made to Dana Farber Cancer Institute/Wayne Kallio P.O Box 849168 Boston
Donations can also be made to the children’s fund at TD Bank North in C/O Susan Aboody-Kallio
We would like to thank all the health care providers that have cared for Wayne
Special thank you to Dr.Sonali Harchandani for her tremendous caring heart
Also to Hospice nurse Katherine Carelli for making Waynes end of life so peaceful
We thank you all for continuing the care through this very scary time
We are unbelievably thankful from the bottom of our hearts
Never have gone unnoticed and we cannot express enough appreciation
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Two Major Rock & Metal Names Appeared In Google's Year In Search 2024 Roundup
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we probably have most of the instrumentation recorded already."
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The tour kicks off on October 10 in Stuttgart
Tales From The Thousand Lakes (Live At Tavastia) is out this June
Im Interview berichtet Keyboarder Santeri Kallio über den Gothic Rock der 1990er-Jahre
das Für und Wider eines Allstar-Projectes und die künftigen Pläne von CEMETERY SKYLINE
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UPM Biomedicals observes that progress on the 3Rs remains slow
stresses the importance of validating alternative methods
Recent years have seen a growing movement away from animal testing and toward models that more closely replicate human physiology
This shift aims to protect animal welfare while concurrently addressing the poor translational value of animal models in biomedical research and drug development
The regulatory landscape surrounding animal testing in preclinical development and chemical safety assessments has also shifted significantly in recent years
Regulatory bodies on both sides of the Atlantic
Food and Drug Administration (FDA) and the European Medicines Agency (EMA)
have encouraged the phasing out of animal models in favor of in vitro models and New Approach Methodologies (NAMs)
Despite the revised regulatory guidelines and innovations in alternative methods
the reduction of animal testing across biomedical research
and chemical safety assessments has remained slow
many in vitro systems still include animal-derived materials
what more can be done to reduce our industry’s reliance on animals
Both the EMA and FDA have taken significant steps to minimize animal testing and expedite the development and implementation of in vitro methods
particularly in the development of new drugs
has been proactive in encouraging the adoption of the 3Rs (Replacement
the European Union issued a new directive to encourage NAMs to be incorporated in the assessment of the safety and efficacy of new medicines to replace or reduce animal use.2
regulatory action has gone one step further—the FDA Modernization Act 2.0
it abolished the requirement for animal testing in preclinical drug development.3 This marked a regulatory paradigm shift aimed at reducing the ethical and financial burdens of animal testing
The picture is also beginning to change with regard to chemical safety assessments
Environmental Protection Agency (EPA) has set ambitious goals to reduce animal testing by 30% by 2025 and eliminate it entirely by 2035
Authorization and Restriction of Chemicals (REACH) regulation
mandates that animal testing should be used only as a last resort
the reduction of animal tests across the board has been minimal
There are two areas where animal testing remains prevalent: drug development and
new drugs undergo a long and costly development process that includes extensive preclinical efficacy
preclinical toxicity testing has traditionally relied heavily on animal models to assess factors including chronic and acute systemic toxicity
Using in vivo models for these tests is not only ethically challenging
but also provides poor predictive value of human responses
animal testing is still mandatory for obtaining marketing authorization in the European Union
and while the updated FDA legislation no longer requires animal tests where approved NAMs can be employed
many developers still favor long-established animal models
Chemical safety testing is another area of concern
The expanding use of chemicals in everyday products
demands ever more rigorous toxicological testing to ensure human and environmental safety
Driven by an increased awareness of the acute and chronic effects of chemical exposure
safety assessment of chemicals requires the interrogation of a host of factors like genotoxicity
ban on animal testing for cosmetics since 2013 and the EPA setting clear targets to reduce animal testing in chemical safety assessments
animals are still required to test the long-term effects of chemicals
One major challenge to overcome in the replacement and reduction of animal testing is the painstaking validation of alternative methods
Although many advanced human cell and 3D culture–based methods have been developed
very few have been validated for regulatory use
Validation is crucial to ensure that these models produce consistent
which is essential for their acceptance in regulatory frameworks
Pharmaceutical companies often use advanced human cell models in drug discovery for their own purposes
but too often keep these platforms proprietary rather than submitting them for regulatory validation
This isolationist approach hinders the broader adoption of validated alternative methods
as the innovations remain within the confines of the company and are not shared with the larger scientific community
the potential benefits of these advancements are not fully realized
academic incentives for validation are lacking
The academic system tends to prioritize novel findings and their dissemination in high-impact publications
which is costly and time consuming and yields few publications
Addressing these issues will require a concerted effort from both the scientific and regulatory communities to prioritize and support the validation of alternative methods
Although advanced in vitro models provide effective alternatives to animal testing
many of these models still heavily rely on animal-derived materials
A great number of animals are sacrificed in the production of antibodies
and importantly for many cell culture applications
the extracellular matrix in which cells are cultivated
the number of animals used in such products is significantly greater than the number of the animals used for in vivo tests.4
To address this substantial and sometimes invisible use of animals
the industry should encourage the development and adoption of animal-free cell culture materials and reagents
Adopting animal-free alternatives such as nanofibrillar cellulose (NFC)
when an animal-derived 3D cell culture matrix isolated from a mouse tumor is used
This mouse could be saved by instead opting for an animal-free matrix made from NFC and water
the NFC approach could replace 1.5 million mice
Advanced cell models should provide an answer to reducing animal use in the long run
animal-free materials and reagents provide a quick and significant step toward the goal we share
Although significant progress has been made toward reducing animal testing
Continued efforts in validating alternative methods and raising awareness about the hidden use of animals in reagents are essential
The future of drug development and toxicology screening lies in innovative in vitro methodologies that promise faster
the pharmaceutical industry can move closer to a sustainable future where human-relevant models replace animal testing
fostering more ethical and effective management of the drug development pipeline
Johana Kuncova-Kallio, PhD, is the director of UPM Biomedicals
1. EMA Press Office. EMA implements new measures to minimize animal testing during medicines development
2. Directive 2010/63/EU of the European Parliament and of the Council of 22 September 2010 on the Protection of Animals Used for Scientific Purposes
3. FDA Modernization Act 2.0
A worldwide survey on the use of animal-derived materials and reagents in scientific experimentation
Copyright © 2025 Sage Publications or its affiliates
including those for text and data mining and training of large language models
A unique concert event – extravORGANza – will showcase the king of instruments
The concert will feature some of Sudbury’s finest musicians
organ/piano; Charlene Biggs; piano; Cristina Masotti and Myron Kozak
“This will be a unique opportunity to hear works by Johann Sebastian Bach
Johann Pachelbel and Wolfgang Amadeus Mozart on both the organ and piano,” a release promoting the show said
“Held in the beautiful acoustics of Sudbury’s historic Church of the Epiphany
it is sure to be an unforgettable afternoon of great music.”
transmission or republication strictly prohibited
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died at the Beth Israel Deaconess Hospital in Boston on February 6 th at the age of 91
Seth was the son of Finnish Immigrants Seth A
He was proud of his heritage and enjoyed playing Finnish Folk songs on the accordion
He began working on the Cranberry bogs as a child
after graduating from Plymouth High School in 1950
He made many friends there and continued to visited them after he retired
At the time of his death he was literate in Seven Languages.va) Kallio
Seth is predeceased by his wife Dorothy (Fava) and is survived by his daughter
Calling hours for Seth were held at the Shepherd Funeral Home
Ma on Tuesday February 13 th from 4 to 6pm
A Graveside Service was held on Wednesday February 14 th at the Union Cemetery in Carver at 11am
The City of Helsinki is planning summer streets in the Kallio area
The preparation is based on the wishes of city residents to have summer streets in Kallio
Several participatory budgeting proposals have suggested both temporary and permanent improvements to the walking environment in Kallio
Vaasankatu and Fleminginkatu were among the most desirable destinations for summer streets in Helsinki
The Kallio summer streets are intended to bring improvements to the walking environment and the comfort of the area for the summer seasons 2025 and 2026
the summer streets would be open from May to the end of September in 2025 and 2026
The summer street measures are especially targeted at the surroundings of Fleminginkatu
individual sites will be implemented throughout the neighborhood in Torkkelinaukio Square and in front of Kallio Church
In the draft plan of Kallio's summer streets
The City of Helsinki has implemented summer streets since 2021
Trials that improve the walking environment
are also part of the measures of the walking promotion programme
Kallio's summer streets are created together with residents and entrepreneurs in the area
entrepreneurs and other actors have participated in the planning of the Kallio summer streets in workshops in August and September
“We would also like to know what kind of things the city residents would like to implement for themselves on the Kallio summer streets
We are happy to hear more about the ideas and can be contacted at a low threshold,” says Project Manager Valtteri Karttunen
Kallio's summer streets will be discussed by the Urban Environment Committee on Tuesday 12 November
The Committee will decide on the further planning of the summer streets
The feedback received through resident interaction and the survey
will be carefully evaluated and the feedback will be utilised in the details of the plans
as the preparation of summer streets proceeds to further planning
The feedback will also be taken into account when planning permanent improvements in the area
and Ruth Kallio-Mielke (BBA-Accounting ’81 and MS-Taxation ’89)
have long contributed to the institution that did so much to shape their success in public accounting
they have served UWM’s accounting program as mentors
a breakfast meeting with Jerry Leer Professor Paul Fischer started them down an exciting new path with the potential to make a real difference in accounting education at the Lubar School of Business
the Deloitte Communications Lab in Lubar Hall is the direct result of their inspiration as well as their generosity
Stuart and Kallio-Mielke (and their spouses Sheryl Stuart
BBA-Marketing ’93) and Steven Mielke (BBA-Accounting ’82 and MS-Taxation ’86) were the lead donors for the lab
which was also funded by gifts from other Lubar alumni at Deloitte and matching gifts from the firm
Dean Kaushal Chari thanked the Stuarts and Kallio-Mielkes for their leadership in making the lab a reality
“This is a truly great initiative led by two outstanding accounting alumni who are committed to our students and the accounting program’s continuing leadership in Wisconsin,” he said
“When we stepped back and looked at our students
Ruth and I knew they were better,” Stuart shared at the ceremony
“But we wanted to explore how to create a real differentiator for them in the area of business communication
which is such a critical skill for them to have as accounting professionals.”
Every voice needs to be heard,” added Kallio-Mielke
“So when James approached me with the idea
The Deloitte Communications Lab is a dedicated facility for accounting students to collaborate on writing assignments that are now embedded into multiple courses in the accounting curriculum
It also provides space for workshops and one-on-one meetings with their writing coach
a senior lecturer in UWM’s English department
and their Deloitte colleagues is having an absolute positive impact on our students,” says Associate Professor Veena Brown
supported by the lab and dedicated writing staff
have resulted in a marked improvement in our students communication skills.”
she shared with Stuart and Kallio-Mielke how the initiative they championed has made her a better writer and earned her recognition at her internship
I had the opportunity to create work papers
and was later chosen to speak in front of the CEO and CFO of the company,” she said
“What I learned here through this program helped develop my ability to prepare and present to that top-level audience
I’m so appreciative of all of the opportunities that this lab represents for me and my fellow students.”
View all news
View all events
Copyright © University of Wisconsin-Milwaukee and University of Wisconsin Board of Regents.
Helsinki’s nightlife has changed significantly over the past decades
Previously vibrant districts such as Punavuori and Kallio have lost their status as live music hubs
a visiting researcher at the University of the Arts Helsinki
has studied the reasons behind this shift and links it to broader economic and urban planning processes
meaning "death of clubs," emerged in the early 2010s to describe the disappearance of live music venues from city centres
This trend has been widely observed in the United Kingdom as well. Vibrant nightlife in with packed dancefloors, roulette or blackjack tables in night clubs
taxi queues after hours and the next day hangover all seem like a faint memory from the past
Explanations have included the impact of COVID-19 lockdowns
and the increasing prioritisation of tourism in urban spaces
Bottà argues that nightlife’s vulnerability must be understood through the lens of new economic structures
extracted and exploited without concern for the fragile ecosystems built around them,” he states
Punavuori became the centre of Helsinki’s nightlife from the 1990s onwards
Originally a working-class district with small and inexpensive apartments
the area attracted young residents interested in urban life
developed into a lively hub with numerous clubs and bars
the area began to lose its nightlife businesses
A similar shift occurred in the city centre
where three major music venues closed down in 2020 within just a few months
Many of the vacated properties were taken over by hotel chains and co-working spaces
Property investors initially benefitted from the vibrant nightlife but later increased rents
pushing out the very businesses and residents that had made the area attractive
Wealthier residents then complained about noise
Bottà likens this process to the exploitation of natural resources: value is extracted
A similar transformation has taken place in Kallio since the late 2000s. Historically a working-class neighbourhood with many affordable flats, Kallio became a hub for live music and club culture
The district was long associated with lower-income residents and issues such as drug-related crime
new residential developments in nearby areas
have driven up rents and altered the district’s social composition
Bottà predicts that Kallio will follow the same path as Punavuori
underground music culture has responded by organising events in occupied buildings
these events emerged as a reaction to the mainstreaming of techno clubs
from London and Berlin to Vilnius and Madrid
underground parties operate outside of market-driven principles
They emphasise spontaneity and DIY organisation
Bottà believes such models could help counter the influence of large corporate players in nightlife
The study suggests that underground nightlife plays a key role in developing alternative and sustainable cultural practices
Bottà stresses that these models should be recognised and supported
but lasting solutions require broader structural changes
nightlife will continue to suffer,” he states
He argues that urban planning measures alone are insufficient and that cities must address the economic forces driving nightlife’s decline
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Summer streets offer residents opportunities to spend time together or separately as well as participate in activities and lounge about and relax. The Kallio summer streets consist of areas with different themes and atmospheres, brought together by the communal, open and creative spirit of Kallio. The objective is to improve residents’ comfort in the area.
The construction of summer streets will begin towards late April. A total of one kilometre of summer streets will be created along Porthaninkatu, Fleminginkatu and Vaasankatu. The most significant summer squares will be located around Karhupuisto park and Franzéninaukio square. Four smaller summer squares will also be created in Kallio. In addition to this, renewed potted plant arrangements with even more plants will be brought to Hämeentie.
The summer streets will be primarily executed by replacing street parking spaces with plants and furniture. The summer streets will consist of light structures without major structural changes to existing street structures. This way, the summer streets will be easy to take apart for the winter in the autumn, when normal traffic arrangements are reinstated.
The width of lanes will remain the same on Porthaninkatu to allow for trams to also travel along the street in the summer. The narrowing of driving lanes in the temporary garden streets of Fleminginkatu and Vaasankatu will enable the improvement of the comfort of the streets in a way that does not require a narrowing of the walkways.
Brick-and-mortar shops and restaurants will be able to expand their operations in all summer streets. Many restaurants have already spread onto street parking spaces with their parklet terraces in previous summers. In the coming summer, around ten businesses will be taking advantage of the possibility to expand their premises in the street even further.
Space for maintenance and pick-up and drop-off traffic will remain in summer streets. There may be slight changes to driving routes within Kallio, but there will always be an available route to each property. The taxi station will continue to be located around Karhupuisto park and public transport routes will mainly remain the same.
The plans for summer streets are based on thoughts and ideas by communities and other operators in Kallio. Residents had the opportunity to participate in the planning by attending resident events organised in Kallio in autumn 2024 and by completing an online survey. A group consisting of local business owners and operators also worked on the plan by employing co-creation methods.
A key ingredient of the summer street look and spirit is ample and verdant plant life, which surrounds all of the activities. Plants are used to create a soft contrast to the otherwise very urban street space. Similarly to the furniture, the plants will also be reused, as bay and olive trees used on Esplanadi will make an appearance in potted plants in Hämeentie.
A temporary events stage and the adjoining Karhupuisto events area built between Karhupuisto park and Matti Helenius park can be booked by residents between 16 May and 30 September 2025. The events stage will feature programming by local operators, such as University of the Arts Helsinki, over the summer.
“It is great to see the City offer operators in the culture sector an opportunity to utilise the summer streets’ events stage. This supports the accessibility of art and brings life to urban spaces through diverse events,” says University of the Arts Student Union employee Karoliina Korvuo, who is involved in producing ‘Vapaan taiteen tila’ pop-up programming in late July and early August.
Summer street projects are used to determine the suitability of permanent pedestrian area measures in each project area. Summer street projects will be evaluated and any lessons learned will be recorded to eventually identify the best measures and implement permanent improvements in urban spaces through political decision-making.
Helsinki will assess the impact of summer streets from a variety of angles. The impact assessment pays attention to the business activities of service companies and the volume and direction of traffic flows, among other things. In addition, the effects on the smooth flow of maintenance traffic, noise, air quality, biodiversity and people's comfort in the summer streets will be examined.
Hawai‘i Police DepartmentJuvenile Aid Section – Area IIOfficer Jeremiah HullPhone: (808) 326-4646, Ext. 301Report No.: 22-092496
Hawai‘i Island police are searching for 17-year-old Tanaiyah Hao-Kallio who was reported as a runaway.
Hao-Kallio was last seen on Tuesday, October 18, 2022, near the intersection of Makala Boulevard and Queen Ka‘ahumanu Highway in Kailua-Kona.
Tanaiyah Hao-Kallio is described as being 5 feet 9 inches tall, 140 pounds, with black hair and brown eyes.
Police ask anyone with information on Hao-Kallio’s whereabouts to call the police department’s non-emergency line at (808) 935-3311.
Tipsters who prefer to remain anonymous may call the island-wide Crime Stoppers number at 961-8300 and may be eligible for a reward of up to $1,000.00. Crime Stoppers is a volunteer program run by ordinary citizens who want to keep their community safe. Crime Stoppers does not record calls or subscribe to any Caller ID service. All Crime Stoppers information is kept confidential.
The Crime Stoppers TV Program is available on-demand from Nā Leo TV.
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