2025Quentin Tarantino avec la Palme d'Or obtenue pour Pulp Fiction
en mai 1994.Pool BENAINOUS/DUCLOS/Getty ImagesSave this storySaveSave this storySaveOn May 23
Clint Eastwood was set to present the Palme d'Or at the closing ceremony of the 47th Cannes Film Festival
Many members of the group gathered at the event expected Krzysztof Kieslowski’s celebrated film Trois Couleurs: Rouge
because in general I don't make films that bring people together
(left to right) The Pulp Fiction crew: Samuel L Jackson
Clint Eastwood later said that the decision had been made democratically
and that Pulp Fiction had simply stood out from the rest of the pack
and it caught everyone's attention pretty well,” he told the American Film Institute
“I was surprised that the members of the European jury jumped out of their seats..
Original story from VF France
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The city of Cannes aims for a massive adoption of crypto payments
transforming local commerce by the summer of 2025
Cannes is therefore ready to become the French capital of cryptocurrency payments
The city is preparing for an epochal transformation in the world of digital payments
aiming to have crypto accepted by almost 90% of its stores by the summer of 2025.
This ambitious initiative is part of a context of growing global interest in new forms of digital currency.
strongly supported by the Mayor David Lisnard
aims to innovate the commercial sector of a city already famous for its international film festival and luxury boutiques.
The decision to adopt cryptocurrencies on a large scale is not random: the city wants to attract a wealthy and highly technological international audience
particularly during peak periods such as the famous Cannes Festival.
the goal is impressive: to involve 90% of local businesses in the use of cryptocurrency payments by 2025
This fact makes Cannes one of the most advanced French cities on this front
ready to demonstrate that cryptocurrency payments are no longer a niche phenomenon linked to the so-called Web3
Since last February, the municipal administration has activated training courses dedicated to business owners. These meetings aim to provide practical skills on the integration of payment systems in cryptocurrencies in shops and services
will probably be the first to massively adopt this technology
It is a clear signal towards modernization and openness to new technologies
with a significant impact on the way tourists and residents make purchases
placing Cannes among the first French cities to invest so decisively in this type of digital innovation.
The experience of Cannes does not arise in isolation, but is part of a broader global movement. Several cities around the world are indeed beginning to accept cryptocurrencies for public and private services
For example, Lugano, in Switzerland, has introduced payment in bitcoin for municipal taxes since December 2023
Cities like Colorado in the United States and Vancouver in Canada have adopted similar practices
Panama City announced that from April 2025 it will accept cryptocurrency payments for some local taxes
the phenomenon is expanding but remains still at the initial stage
Toulouse has already set an important precedent: since March 2025
the public transport network Tisséo accepts payments in cryptocurrencies for bus and metro tickets
Further confirmation comes from a recent survey
which reveals that 39% of executives of small and medium-sized French enterprises have already personally invested in cryptocurrencies
This indicates a progressive familiarization of the entrepreneurial class with this type of digital asset
These data suggest a profound change in consumption habits and in the economic landscape: cities must adapt to remain competitive in an increasingly global and technological market
The initiative in Cannes represents a turning point in the spread of cryptocurrency payments in France
The project could indeed serve as a replicable model for many other tourist cities in the country
thus promoting a broader democratization of the use of cryptocurrencies in the French commercial fabric
The modernization of the payment system is closely linked both to the desire for technological innovation and to the attraction of an international clientele with strong purchasing power
If the experiment successfully goes into full operation
it could establish a new economic paradigm in which cryptocurrencies become ordinary tools in commercial and tourist routines
further pushing towards a more complete integration with the digital world
The decision of Cannes to expand the adoption of cryptocurrency payments marks a significant step towards the digital future not only of the city
The commercial transformation planned by 2025 will change the way of shopping and could generate a very significant technological and tourist impact
and consumers are called to actively participate in this change
acquiring new skills and habits that will be increasingly demanded in the world to come
the Cannes strategy invites reflection: investing in technological innovation is no longer an optional choice
and consolidate the city’s role on the international stage.
other French cities might soon follow this example
thus accelerating the digital revolution in payments and the real economy
Stay updated on all the news about cryptocurrencies and the entire world of blockchain
A website dedicated to all things film-related
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday
We’re just 11 days away from opening night
and the schedule is starting to take shape
A tentative schedule is starting to leak and can be seen below
The only ones not 100% confirmed are Kelly Reichardt and Saeed Roustaee
but it looks like they will both be screening during the final days of the festival
As for Bi Gan’s “Resurrection,” it’s apparently booked to screen on May 22
but has still not been announced by Cannes
it passed through Chinese censors and will indeed be playing at the festival
The runtime for that film is said to be 2.5 hours
all that’s left to announce is the Cannes Classics section
which is rumored to open on May 13 with a 4K restoration of Charlie Chaplin’s “The Gold Rush.”
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2025 Most shops in Cannes to accept crypto by summer this year — Web3 exec Cannes
the French city famous for hosting the Cannes Film Festival
is said to be a top tourist destination for festivals and events
News COINTELEGRAPH IN YOUR SOCIAL FEEDMerchants in Cannes
the site of the international Cannes Film Festival
are set to begin accepting crypto payments by summer this year in an effort to attract clientele with high disposable income by modernizing the city's commercial payment ecosystem
founder and head of strategy of Web3 payment company Lunu Pay
the Cannes municipal government is aiming for a 90% adoption rate among local merchants
In February, Cannes Mayor David Lisnard announced a crypto payment integration training session for business owners and professionals to promote the widespread acceptance of crypto payments in the city
Cannes’ shift toward embracing cryptocurrencies reflects the broader trend of crypto adoption by city
and federal governments as these institutions seek to remain competitive on the global stage
Related: Panama's capital to accept crypto for taxes, municipal fees
In December 2023, the Swiss city of Lugano started accepting Bitcoin (BTC) and stablecoin payments for taxes and municipal fees as part of the city's broader initiative to become a global crypto hub
Governor Jared Polis of the US state of Colorado directed the state's Department of Revenue to begin accepting crypto tax payments in September 2022
The Canadian city of Vancouver passed a motion in December 2024 to make the jurisdiction a “Bitcoin-friendly city” by exploring integrating BTC into the city's financial system and potentially adopting a Bitcoin treasury strategy
Panama City mayor Mayer Mizrachi suggested the move would modernize the city and bring increased investment as well as global recognition
Magazine: Crypto City Guide to Seattle: Site of CZ’s downfall and pot crypto vendors
who are both movie influencers.","type":"text"},{"_id":"55ALEVEY2BDVBDXMDVI3A52CWY","additional_properties":{},"content":"“Every filmmaker dreams of creating a feature worthy of Cannes—and having it passionately dissected by cinephiles on TikTok
I’d like to thank my mom...” said Bullock in a statement
","type":"text"},{"_id":"PE22MHPZFBDHZJ5WEKBCLCNMR4","additional_properties":{},"content":"The campaign is running through May 25
She was previously creative editor at Campaign US
and also served as a writer and reporter at Sidekick by Morning Brew and PRWeek
He previously covered the private equity industry as a reporter for PEI Media
Lindsay Rittenhouse is a senior reporter for Ad Age
covering broad advertising industry trends
He was previously a freelance journalist and podcaster covering pop culture and entertainment as well as a Pilates instructor and a professional dancer
the “Scream” franchise and Halloween costumes
covers household and personal-care marketers
He's based near Cincinnati and has previously written for the Atlanta Journal Constitution
woodworking and graphic design industries and worked in corporate communications for the E.W
Gillian Follett is a general assignment reporter for Ad Age. She writes about a variety of topics including social media
influencer marketing and the creator economy
Gillian graduated from Syracuse University’s S.I
He previously covered corporate communications and public relations agencies as a reporter at PRWeek
Jon Springer covers sports marketing and beverage marketing
He formerly covered the food retail industry for Winsight and Supermarket News
and is a former sports and features writer for The Cecil Whig
He has worked in newspapers from Albany to New York City
He has also worked at every advertising industry trade publication that matters
and he once visited Guatemala and once rode the Budapest Metro
Adrianne Pasquarelli is a senior reporter at Ad Age
She is also a host of the Marketer’s Brief podcast and spearheads special reports including 40 Under 40 and Hottest Brands
Pasquarelli joined Ad Age in 2015 after writing for Crain's New York Business
where she also focused on the retail industry.
Bradley Johnson is Ad Age's director of data analytics
Johnson focuses on data and financial topics related to marketing
Los Angeles and New York including editor at large
overseeing breaking news and daily coverage
He also contributes reporting on the beverage
automotive and sports marketing industries
He is a former reporter for McClatchy newspapers
where he covered business and state government and politics
Jones Krahl is U.S. head of creative and creative fellow at Deloitte Digital
Donald Trump may be threatening tariffs on films made outside the US but France is happily cheering a Hollywood invasion next week
The annual Cannes Film Festival has its most glittering line-up for years
Joaquin Phoenix and Tom Hanks and the directors Wes Anderson and Richard Linklater
Robert De Niro will be in town to accept an honorary award
and some guy called Tom Cruise will toast the world premiere of Mission: Impossible — The Final Reckoning
Even the jury for the Palme d’Or includes Halle Berry and Succession’s Jeremy Strong
although it is headed by the French actress Juliette Binoche
this year features directorial debuts from Scarlett Johansson
Rumored to be royalty, the prisoner transformed Sainte-Marguerite into an international attraction, but one part of the island that hasn’t received attention until recently is the 12-bedroom Le Grand Jardin Cannes by Ultima Collection
13th-century walled estate—the only private residence on Sainte-Marguerite—whose past owners include the Sun King
According to legend, Napoleon’s horses even grazed in the gardens here while troops prepared cannonballs on the island
A raised pool is perched over 3.5 acres of botanical gardens that stand where the originals once grew
and olive and lemon trees spilling down to the sea
Herbs and other ingredients are hand-harvested by the property’s private chefs before meals
When Ultima Collection—whose boutique portfolio of ultra-luxury private chalets
and hotels are located in spots like Gstaad and the shores of Lake Geneva—acquired the estate
“The property had undergone many changes over the past 50 years
resulting in a confusing mix of styles that lacked cohesion,” CEO Petar Krstic tells Galerie
“Our goal was to create a space that respected the past without leaning too heavily on contemporary design.”
Braided vines draped over archways form a path to the 16th-century
now converted into a Rapunzel-like suite with a balcony overlooking Saint-Honorat
if guests prefer to host their own poker tournament
“Given its history, we decided to transform one of the [fortress] spaces into a hidden, dungeon-inspired bedroom but with all the modernity and comfort of Ultima Collection,” says Krstic, adding that the group prioritizes working with local painters and artisans, and selects luxury fabrics from France or Italy, such as Dedar and Loro Piana
you feel as though the island belongs to you.”
The other rooms are scattered across seven buildings on the estate
the design embraces the South of France’s refined
coastal chic aesthetic in a way that still allows the natural surroundings to shine
“You can’t imagine how organized you need to be when working on an isolated island,” explains Krstic
adding that everything was made-to-measure and assembled onsite
“Since we preserved the original structure
we had to navigate all the challenges that came with it.”
The cabana-clad pool deck can host morning yoga or Pilates
as well as catered sundowners and dinners under the stars
or you can throw a soiree in the gardens by the water lily-filled koi pond
The historic walls open to a beach perfect for picnicking
and on the rare occasion when the weather isn’t cooperating
the full-service spa is equipped with a sauna and hammam
as well as a hair salon and treatments partnering with haute skincare lines by Augustinus Bader and Seed to Skin Tuscany
you feel as though the island belongs to you”
In a region sporting some of the priciest real estate
where private villas designed by some of the world’s best architects is the norm
Le Grand Jardin Cannes by Ultima Collection offers something others don’t—a private sanctuary steeped in royal history on one of the Riviera’s few islands
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The world really misses Takeoff. The youngest member of the Migos was murdered in 2022
and some of us feel his loss acutely whenever the other Migos release new music
It’s obviously terrible that a young artist was gunned down so brutally and randomly
you might gain a new appreciation for what he brought to the table — the inventive linguistic and rhythmic energy of those Migos records
shares “Dope Boy Phone,” a previously unreleased single that brings him and Takeoff back together
and it stands as another reminder of what we’re missing now
The way those guys were constantly recording
“Dope Boy Phone” wouldn’t enter the pantheon of Migos tracks
but it’s fun to hear them going back and forth and ad-libbing each other’s verses again
Quavo is headed to the Cannes Film Festival
Quavo has appeared in a few low-budget movies over the years
and he was also on that one episode of Atlanta
he’s the lead of an action movie called Takeover
He plays a guy who’s on parole and who’s drawn back into the world of street racing
and Billy Zane plays a criminal who’s trying to tempt Quavo’s character into a diamond heist
so it must’ve sat on the shelf for a while
The sales agency 13 Films recently acquired Takeover
and it’ll screen for potential buyers at this year’s Cannes Film Festival
It’s not in competition at Cannes or anything; this does not look like an art film
it looks like this will be part of the shadow market of straight-to-streaming low-budget movies; the sale of movies like that is just another thing that happens at Cannes
The most important stories and least important memes
the Jury for the 78th Festival de Cannes will be chaired by French actress Juliette Binoche
She will be joined by American actress and filmmaker Halle Berry
Indian director and screenwriter Payal Kapadia
Korean director and screenwriter Hong Sangsoo
screenwriter and producer Carlos Reygadas and American actor Jeremy Strong
The Jury will have the honor of awarding the Palme d’or to one of the 21 films in Competition
broadcast live by France Télévisions in France and by Brut
Find all the news of the Festival de Cannes
Joachim Trier and Jafar Panahi to screen at film festival – as well debuts by actor-turned-directors Johansson and Harris Dickinson
The Cannes film festival looks set to cement its reputation as the world’s ultimate springboard for serious films with an eye on box office success, with new works by auteur heavyweights Wes Anderson, Ari Aster, Kelly Reichardt and Richard Linklater all set to premiere on the Croisette this May.
Read moreCannes delegate general Thierry Frémaux and president Iris Knobloch announced this year’s lineup at a press conference in Paris on Thursday morning
Rising British actor Josh O’Connor plays the lead in two competition films
US film-maker Kelly Reichardt’s Vietnam war-set The Mastermind and South African director Oliver Hermanus’s gay romance The History of Sound
Before Sunrise maker Linklater makes his second major festival appearance of the year with Nouvelle Vague, telling the story of the making of Jean-Luc Godard’s Breathless. Linklater’s new film Blue Moon
premiered at the Berlin film festival in February
Also in the running for the Palme d’Or are Sentimental Value by Norwegian director Joachim Trier, who was nominated for best film in 2021 (when lead Renate Reinsve won the best actress award) for The Worst Person in the World
Iranian dissident Jafar Panahi with A Simple Accident
and influential Belgian arthouse titans Jean-Pierre and Luc Dardenne
Last year’s Palme d’Or winner, Sean Baker’s Anora, walked away from the Oscars with five gongs 10 months later, and films that premiered on the French Riviera last May ended up racking up a total of 31 Oscar nominations and nine wins, underscoring its status as the world’s premier film festival.
Read moreThis year’s Un Certain Regard category will see actor Scarlett Johansson’s directorial debut with Eleanor the Great
as well as British director Harry Lighton’s queer romance Pillion
starring Alexander Skarsgard and Harry Melling
best known as Dudley Dursley in the Harry Potter films
another drama by an actor-turned-director – Babygirl’s Harris Dickinson – also premieres in the sidebar
The 78th edition of the festival will have its first ever Nigerian film in the official selection: British-Nigerian director Akinola Davies Jr’s Lagos-set debut feature My Father’s Shadow tells the story of two young brothers on the day opf the tumultuous 1993 Nigerian presidential elections
Tom Cruise will walk the red carpet in Cannes to promote Christopher McQuarrie’s latest in the Mission: Impossible franchise
will premiere second world war coming-of-age tale Amrum
based on the childhood of screenwriter Hark Bohm
Although it wasn’t announced in the press conference on Thursday
Fremaux later on Thursday confirmed that US director Spike Lee’s Highest 2 Lowest
a re-imaging of Akira Kurosawa’s 1963 crime thriller starring Denzel Washington
would also be screening out of competition at Cannes
The Cannes film festival runs from 13 to 24 May
The Phoenician Scheme, , dir: Wes Anderson
Jeunes Méres, dir: Jean-Pierre and Luc Dardenne
The History of Sound, dir: Oliver Hermanus
O Secreto Agente (The Secret Agent), dir: Kleber Mendonça Filho
La Misteriosa Mirada del Flamenco (The Mysterious Gaze of the Flamingo), dir: Diego Céspedes
My Father’s Shadow, dir: Akinola Davies Jr
L’Inconnu De La Grande Arche, dir: Stéphanie Demoustier
Tôi Yamanamino Hikari (A Pale View of the Hills), dir: Ishikawa Kei
Eleanor The Great, dir: Scarlett Johansson
Once Upon a Time in Gaza, dir: Arab and Tazan Nasser
Le Città Di Pianura (The Last One for the Road), dir: Francesco Sossai
Testa O Croce? (Heads or Tails), dir: Matteo Zoppis, Alessio Rigo de Righi
La Femme La Plus Riche Du Monde, dir: Thierry Klifa
Mission: Impossible – The Final Reckoning, dir: Christopher McQuarrie
Feng Lin Huo Shan (Sons of the Neon Light), dir: Mak Juno
Das Verschwinden des Josef Mengele (The Disappearance of Josef Mengele), dir: Kirill Serebrennikov
Tell Her That I Love Her, dir: Romane Bohringer
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the 25-year-old Palestinian photojournalist and subject of the upcoming documentary film Put Your Soul on Your Hand and Walk
was killed with her family Wednesday by an Israeli missile that targeted her building in northern Gaza
The strike occurred just one day after she learned that the film centered around her life and work had been selected to premiere at the ACID Cannes 2025 film festival
Director Sepideh Farsi remembers Hassona for her talent
“I can’t tell you how devastated I am,” says Farsi
She shares that Hassona had joyfully accepted the invitation to Cannes but had emphasized her desire to return to Gaza and remain on her family’s land
Farsi adds that there is a chance that Hassona’s building had been targeted
“given the high number of journalists and photographers in Gaza who have been killed by the Israeli army.” In tribute to Hassona’s work
we play the trailer to Put Your Soul on Your Hand and Walk and share a selection of her photography and poetry
Fatma Hassona was a 25-year-old photographer and artist from Gaza who documented the devastating impacts on Israel’s war on Gaza
She’s also the subject of a new documentary called Put Your Soul on Your Hand and Walk
Fatma was killed along with at least nine members of her family in an Israeli airstrike on her home in northern Gaza
Fatma was killed a day after the documentary was accepted at the Cannes Film Festival
No one lives here or here or there or there
SEPIDEH FARSI: When the war started on October 7th
I was traveling around the world presenting my last film that talks about a war I’ve personally experienced as a teenager in Iran
I decided to go to Cairo in order to cross through Rafah
because all the roads to Gaza were blocked
I started filming Palestinian refugees who were just arriving from Gaza
Meeting her was like a mirror held in front of me that made me realize how much both our lives are conditioned by walls and wars
AMY GOODMAN: Part of the trailer of the new documentary Put Your Soul on Your Hand and Walk
We’re joined now by the film’s director
Our deepest condolences on the death of Fatma
who you were introducing the world to even further in this new documentary
It’s really hard to — I can’t believe she’s gone
the time you have spent with her on — over Zoom
the fear every single time you reached out to her that this might be the last conversation is just — that is the feeling you have throughout this documentary
in describing the most difficult situations that her family was in and the number of people that have died around her
that is what infuses the entire documentary
if I could not — if she couldn’t connect
at least we would exchange some text and audio messages and photos
And most of the time we would connect to talk
by the end of this period and when the selection was announced and I had started the — you know
“Do you accept to come?” She said
on the condition that I go back to Gaza afterwards
like the other Palestinians.” But we were trying to get her out at least for the film’s presentation
I can’t tell you how devastated I am
Is it pronounced “acid,” the ACID team
AMY GOODMAN: That said about Fatma Hassona
“Her smile was as magical as her tenacity: bearing witness
we rejoiced at each of her appearances to see her alive
if you can tell us how she came to pick up her camera
And one of the — just so poignant through this documentary is we meet
one by one — even your surprise — in meeting her family members
who happen to be in the space she’s in wherever she manages to connect to you
speaking to her in Paris or wherever you are
This was a big thing for me also and for her
I shared it with her in the sense that I had many moments of doubt
exchange and share with her all of my travels and my adventures and what I was up to
I thought that it was my way of contributing to giving her something she didn’t know yet
because she never had a chance to be out of Gaza
One of the cities I would love to see is Tehran.” And I told her
“I cannot go back to Tehran myself.” And she’s like
“Because of political reasons.” It was such an absurdity to her
She couldn’t even imagine how other people than Palestinians could be locked out of their country
whereas these people are locked in their country and cannot go out
it was such a contrast between what I was living and she was living
and we built the whole film and our relationship around this discrepancy of our experiences
And I think that was one of the points that was very rich in our exchanges
You’re my daughter’s age,” and she said
it’s like — and she was so spontaneous
so generous and so systematic in her documenting the genocide also and in her vision of what they were going through
AMY GOODMAN: We’re showing her photographs
SEPIDEH FARSI: I still keep asking myself the question whether there was a link between the film selection in Cannes and a day later
given the high number of the journalists and photographers in Gaza who have been killed by the Israeli army
I would love to — an investigation to be done to find out
because she was so dear to me and to many of us
But the fact is that the bomb was launched on her house
It might be that her parents or one of the two parents are still alive
SEPIDEH FARSI: As I explain in the trailer and the beginning of the film
at some point touring the world with my previous film
But a piece of the puzzle was missing for me
and that was the Palestinian point of view and the Palestinian narrative
it became so unbearable to me that I decided to go to Gaza
I started working with Palestinian refugees in Cairo
and through one of them I was introduced to Fatma online
AMY GOODMAN: And talk about why she first picked up this camera
She has died with so many members of her family
also died while she was alive in this last year and a half
SEPIDEH FARSI: I think part of the Palestinian destiny or the Gazawi destiny is that they knew there is this fatality
because we have nothing to lose,” it’s so enormous to hear
It takes time to take it in and to realize what she means
but I think there is this fatality they are prepared for
I did ask her whether she would like to continue music
photography is the most important for me.” And she herself described her camera as a gun
like the sniper who ups the gun and shoots
And it is essential to document this war and the genocide.” And she kept saying that all the time
I think it was very important to her that her photos and her work generally
would remain and be relayed and shared with larger audiences
And that’s what I will be trying to do by all means
AMY GOODMAN: Do you have her poem in front of you that you could read
AMY GOODMAN: We’re talking to Sepideh Farsi
Her new documentary film Put Your Soul on Your Hand and Walk features Fatma Hassona
the day before she died in an Israeli airstrike with
that the film had just been accepted at the Cannes Film Festival
The highly anticipated American film will be presented Out of Competition at the Grand Théâtre Lumière
director and screenwriter Christopher McQuarrie
and the cast will walk the steps of the Palais des Festivals
his gripping masterclass and the emotional reception of his honorary Palme d’or
In Mission: Impossible – The Final Reckoning Tom Cruise’s Ethan Hunt
who he has portrayed since the beginning of the franchise in 1996
and his IMF team ask you to trust them one last time
Tom Cruise and Christopher McQuarrie continue their partnership, working together again, with McQuarrie & Erik Jendresen co-writing the script, from Paramount Pictures (Top Gun, Rocketman) and Skydance
The Final Reckoning delivers an unforgettable cinematic experience
Tom Cruise is Ethan Hunt in Mission: Impossible – The Final Reckoning
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