creating a shifting visual relationship with its environment
The design prioritizes an inward architectural experience that highlights the presence of water in the forest
the pavilion is conceived as a space that collects and frames it
This concept is expressed through a geometric configuration that defines a central void within a 5 x 5 x 5-meter virtual cube
The inward-sloping roofs channel rainwater toward the center
referencing historical precedents such as the Roman atrium and the traditional Diola dwellings of southern Senegal
both of which incorporate rainwater collection as a fundamental spatial principle
The pavilion functions as a contemplative structure
activated by water without a utilitarian purpose beyond observation and experience
all images by P + S Estudio de Arquitectura unless stated otherwise
The material composition by P + S Estudio de Arquitectura is designed to enhance spatial perception through minimal elements
The primary framework consists of pinewood
allowing light to filter through while ensuring durability and weather resistance
defines the pavilion’s interior and exterior surfaces
The exterior linen is treated with a black protective coating
while the interior retains its natural finish
emphasizing the contrast between enclosure and interior space
This layered material approach establishes a dialogue between varying textures and transparency
Wood and linen reference the architectural and cultural identity of Normandy
particularly the exposed timber-framed ‘colombage’ construction and the region’s linen production
COMPLUVIUM integrates these materials to establish a connection between local building traditions and contemporary spatial experimentation
reinforcing the relationship between architecture
COMPLUVIUM by P + S Estudio de Arquitectura highlights Rouen’s climatic conditions through its design
a geometric pavilion that contrasts with yet integrates into the natural forested surroundings | image by Linfeng Zhou
the pavilion’s central void is defined by a 5 x 5 x 5-meter cubic configuration | image by Javier Callejas
pinewood framework forms the structural base
grounding the pavilion in natural materials
fiberglass with resin acts as a waterproof yet translucent protective membrane
linen and fiberglass skins create a semi-transparent envelope that changes with the light
inward-sloping roofs direct rainwater to the center
locally sourced linen fabric wraps the interior and exterior
black-coated linen on the exterior contrasts with the untreated
the pinewood structural framework stands on timber foundation piles
minimal materials maximize the sensory and perceptual experience of the space
inspired by Normandy’s ‘colombage’ timber-framed houses
and materiality | image by Javier Callejas
a reflection on architecture’s relationship with climate
name: COMPLUVIUM. Pavilion Second Edition La Forêt Monumentale (2024-2026) architects: P + S Estudio de Arquitectura | @paradasalvador_estudioarq
lead architects: Francisco Parada + Laura R
photography: P + S Estudio de Arquitectura
designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.
edited by: christina vergopoulou | designboom
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style
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France's Kevin Staut and Vida Loca Z (Vigo d'Arsouilles x Cornet Obolensky) took a home win in Sunday's CSI4* 1.55m Grand Prix Région Normandie in Canteleu
Staut and Vida Loca Z took the win ahead of Andres Vereecke (BEL) and Noyelle vd Begijnakker (Kannan x Palestro vd Begijnakker) in second in 44.83 – topping a field of 50 horse-and-rider-combinations.
Kyle Timm (CAN) and Candar Mail (Lando x Fergar Mail) took the third place with a time of 45.66 seconds
followed by Jos Verlooy (BEL) and Origi (Vigo d'Arsouilles x Karioka del Follee) in fourth in 46.55
Barbara Schnieper (SUI) and Canice (Cascadello x Cornet Obolensky) completed the top five with a time of 48.30 seconds.
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The Forêt Monumentale exhibition
presents a trail of monumental artworks in the Roumare Forest
inviting visitors to explore and appreciate the natural environment through art
blending art and nature in innovative ways
Visitors embark on a journey through the forest
encountering 13 artworks that challenge traditional notions of art by integrating diverse creative forms.
Cathedral of Green by Olivier Thomas | all images by Alan Aubray
This broad participation reflects the global interest in merging artistic expression with natural landscapes
The forest as a sacred place by Boa Mistura team
Compluvium by P + S Estudio de Arquitectura