You don't have permission to access the page you requested What is this page?The website you are visiting is protected.For security reasons this page cannot be displayed and marches have slowed down or stopped various parts of France as demonstrators and labor unions voice their opposition to a set of proposed labor law reforms that will relax existing regulations France’s Socialist government has pushed through proposals that will lengthen the work week to 48 hours from 35 and make it easier for employers to hire and fire workers despite strong opposition in Parliament and from the public As the French Senate began debating the proposals this week more protests and strikes are planned—even while France’s infrastructure is being strained as it hosts the Euro 2016 Soccer Championship We want to hear what you think about this article. Submit a letter to the editor or write to letters@theatlantic.com A collection of winning and honored images from this year’s nature-photo competition A collection of amazing recent images made with the Hubble Space Telescope Mourners of Pope Francis gathered at the Vatican scenes from the the second weekend of Coachella 2025 and landscapes of the Earth’s arctic and subarctic regions “When I read the newspapers, I have the feeling that the news are there to scare us” There is a constant game between light and shadow in which the shadow of the night is reminiscent of a Magritte-like surreal environment, in a sleepy city, embodied by the almost symphonic dialogue conducted between intense spots of light emitted by the urban lamps and the luminous headlights of cars. Burki created the show in a way that allows the visitor to see it without having to abide by a specific sequence, and they can interrupt it in any given moment, since there is not a linear narrative with a sequential order. The exhibition Sometimes Shade, Sometimes Light by Marie José Burki has the curatorship of Leonor Nazaré and it can be seen until November 20 at Espaço Projeto of Calouste Gulbenkian Museum Modern Collection. it identifies itself more and more with this consistent bold and consistent design in its editorial line She is a Historian and Art Critic graduated by the Superior Institute of Artistic Careers of Paris in Critique of Art and Aesthetics She is also graduated in Aesthetics from the University of Paris I - Panthéon – Sorbonne and has the "Postgraduate Course in History of Art Manuela is the author of books on authors in the area of Plastic Arts and has participated in Colloquiums as Lecturer related to Artistic Heritage; Painting; Sculpture and Design in Universities; Higher Schools and Autarchies Lately she specialized in the subject of Public Art and Urban Space with the analysis of the artistic works where she has made Communications She writes for Umbigo magazine about the work of artists in the area of the visual arts who appear in the field of exhibitions and also the dissemination of emerging Portuguese values with new supports since installation where the body appears in its various aspects Subscribe to the Newsletter (EN Version)! I accept the Privacy Policy Subscribe Umbigo