overlooks the plain of the Pays de France and the forest of Chantilly This historic site is now home to the exceptional collections of the Musée National de la Renaissance Formerly the property of Renaissance lord Anne de Montmorency the château bears witness to the ambitions and successes of this powerful man Anne de Montmorency was an avant-garde collector and heir to a colossal fortune which he increased thanks to a judicious acquisitions policy his marriage to Madeleine de Savoie and royal favor he owned some 130 châteaux in France and two residences in Paris including the Hôtel de la rue Sainte-Avoye with its gallery painted by Nicolo dell'Abbate His architectural achievements include the Petit Château at Chantilly (1559) and the gallery-bridge at Fère-en-Tardenois The de Montmorency family owned the land on which a medieval castle once stood Anne de Montmorency had this castle demolished in 1538 to build a residence worthy of his title of Constable and brought together the most prestigious craftsmen of the time many of whom had worked on the royal construction site at Fontainebleau tapestries and paintings by artists such as Rosso The château remained in the Connétable family until 1632 when Henri de Montmorency was executed on the orders of Richelieu bequeathed the property to the Condé family The château remained in their possession until the French Revolution Napoleon established a school for girls of the Legion of Honor after the reconstruction of an eastern wing the school opened its doors under the direction of Madame Campan Thousands of girls were educated here until 1962 the château was made available to the French Ministry of Cultural Affairs to house the Musée National de la Renaissance which was inaugurated in 1977 after extensive restoration work Most of the collections come from the Musée de Cluny notably the splendid David and Bathsheba tapestry whose imposing dimensions (75 m long by 4.50 m high) have found a home in the Galerie de Psyché We're delighted to discover the Chapelle d'Ecouen in connection with Chantilly whose history is closely linked to that of Chantilly Constable of France and advisor to François I and Henri II Inheriting the estates of Chantilly and Écouen in 1522 a precursor of French Renaissance architecture Montmorency called on the major artists of the time to create a richly decorated place of worship the chapel was dismantled and its art objects dispersed but Château d'Écouen became the home of the young girls of the Legion of Honor renovated Chantilly and rebuilt a chapel inspired by the one at Écouen the Écouen chapel has housed the first room of the Musée National de la Renaissance bearing witness to the château's 16th-century history through its architecture and painted vault The museography brings together works from the Renaissance with links to other sponsors and artistic centers witness to a sumptuous era rich in history Take advantage of this exceptional experience to admire Renaissance masterpieces and immerse yourself in the world of Anne de Montmorency Don't miss this opportunity to marvel at the treasures of the Musée National de la Renaissance and soak up the unique atmosphere of the Château d'Écouen Musée national de la Renaissance - Château d'Écouen Address: 95440 Écouen Telephone: 01 34 38 38 50 Access by car from Paris: A1 freeway from Porte de la Chapelle Use this practical information to plan your visit to Château d'Écouen and discover the National Renaissance Museum Immerse yourself in the history and art of the Renaissance by visiting this exceptional site and its unique collections Refer your establishment, click herePromote your event, click here The Nuit des Musées is an opportunity for participating institutions to offer the public a fresh look at their collections Château d'Écouen, a Renaissance gem in the Val d'Oise region of France invites you to take a trip back in time and discover the splendor of an era when art and culture flourished under the aegis of great patrons Situated some thirty kilometers north of Paris built between 1538 and 1550 by architect Jean Bullant for Anne de Montmorency stands majestically on a hilltop with a breathtaking view over the French plain Château d'Écouen is home to the prestigious Musée national de la Renaissance with its priceless collection of works and objets d'art from the 15th to 17th centuries you're immediately transported into a world where every room tells a story - the story of a time when beauty and refinement were a veritable quest reflects the elegance and innovation of the French Renaissance visitors are greeted by a rich and varied collection: Flemish tapestries Italian ceramics and even works of art that testify to the openness to the world and curiosity of the men of that era Château d'Écouen is more than just architecture and collections having played host to key historical figures and been the scene of events that have shaped its history It's also a starting point for exploring the cultural riches of Val-d'Oise a region that has preserved its heritage while embracing modernity If you'd like to immerse yourself in the history and art of the Renaissance, a visit to the Château d'Écouen is a must. Whether to admire its collections, stroll through its gardens or simply contemplate its architectural beauty, this château offers a unique experience. So don't hesitate: this Saturday, May 17, 2025, for the Nuit des Musées we're off to the Val d'Oise to discover this monument the work!" - The Farnese cabinet reveals its secretsSaturday 2025 - 18:00 ⤏ 22:30Students from the Lycée Van Gogh in Ermont have unlocked the secrets of one of our masterpieces They'll reveal all the secrets of this mysterious piece of furniture in a video and game booklet discover the museum's treasures in a different light meet our scientific team or the high-school students from "la classe l'œuvre" and learn more about some of our treasures the La Pavane ephemeral restaurant will be open with a unique menu An exceptional evening calls for an unusual service: La Pavane ephemeral restaurant opens its doors especially for Nuit des Musées A unique menu is available on reservation in the château's restaurant Reservations 06 22 69 37 62 before Monday May 12 contact@la-maison.net After taking part in the Festival du Connétable on Saturday extend your immersion in the world of d'Artagnan you'll meet the castle's most emblematic characters The museum's collection traces the evolution of weaponry in the 16th and 17th centuries The armoire aux cavaliers is an exceptional testimony to the spread of the royal image in France in all areas of daily life from the early 17th century onwards: the two upper panels of this armoire are adorned with equestrian portraits of Henri IV and his son Louis XIII It is also richly decorated with hunting scenes falling fruit and fantastic animals on the pediment: sea horses Discover a reinterpretation of these animals on a hanging created by the CP and CE1 students at Paul Serre school in Écouen our fencers will introduce you to this discipline Unravel the mysteries of French ceramics in the first half of the 17th century with one of its most emblematic products: molded-decor ceramics Take the opportunity to rediscover the history of the family of the first Bourbon king Our musketeers will light the fuse on their muskets and re-enact the infantry maneuvers that won the great battles of Henri IV and Louis XIII Discover the hidden stories behind the Diane tapestry commissioned by Diane de Poitiers for her Château d'Anet Deposited by the Musée des Antiquités de Rouen during its closure the tapestry Diane s'adressant à Jupiter joins Jupiter et Latone and La Naissance de Diane et d'Apollon General Curator of Heritage and Museum Director Don't miss this opportunity to discover or rediscover the Château d'Ecouen - Musée national de la Renaissance in a whole new light This page may contain AI-assisted elements, more information here Écouen is easily accessible by train (line H from Gare du Nord) or car Its remarkable historical heritage, including the Château d'Écouen home to the Musée national de la Renaissance makes it an ideal destination for a cultural getaway just outside Paris Organized by the Ville d'Écouen and the Musée national de la Renaissance this free event transports you into a unique historical atmosphere the city's streets and monuments come alive with shows meet emblematic figures from history: d'Artagnan Charlotte Marguerite de Condé and many others Discover Écouen's exceptional heritage through captivating theatrical performances and enriching lectures Families are in the spotlight with a village of fun activities Let yourself be seduced by a craft and horticultural market where passion and know-how meet Enjoy Renaissance-inspired dishes such as hypocras New this year: a self-regulation area to offer a moment of calm to hypersensitive people 15 artistic companies and 10 local associations the Festival du Connétable promises to be unforgettable Don't miss this life-size historical celebration SearchTravel: Discover Renaissance churches during an airport stayLog InSubscribeThe Christian Post To enjoy our website, you'll need to enable JavaScript in your web browser. Please click here to learn how You are using an outdated browser. Please upgrade your browser to improve your experience | Dennis LennoxMaybe you have an all-day layover or want to see the real France after a few days in Paris For me, it was the latter. When planning to see the reopened Notre Dame Cathedral I also decided to spend a couple of nights at Charles de Gaulle Airport as I had heard from a French friend of mine that a few local churches rivaled the art and architecture of notable churches in Paris Despite encompassing parts of the 12.5-acre airport, Roissy-en-France is the epitome of small-town France even if 67 million people pass through the terminals every year I didn't quite grasp the naming conventions as it seemed like multiple layers of local and regional governments had lent their names to the area Beyond the town (what the French call a commune) of Roissy-en-France are several other towns or villages in Greater Roissy's countryside also known as the Val-d'Oise or Oise Valley in English the Oise was historically the breadbasket of Paris The rural character is visible around Le Mesnil-Amelot where cars and farmers driving big tractors share the roads Situated directly under Charles de Gaulle's flight approach Le Mesnil-Amelot is more of a village than Roissy-en-France an early 16th century church designed in the style of flamboyant Gothic with Renaissance influences The interior of the Church of St. Acceul in Ecouen, France. | Dennis LennoxThose wanting to maximize their limited time should go straight to Ecouen This sleepy bedroom community 10 miles by car from Roissy-en-France is home to Ecouen Castle Built as a stately home for Anne de Montmorency a powerful noble and statesman under several French kings the Renaissance-era palace houses the National Renaissance Museum today Between the architecture and interior decoration and the contents of the collection — once part of the better-known Cluny Museum — a visit to the museum is a must which is housed in a 16th century Renaissance chateau | Dennis LennoxRight below the old castle is St which dates to the mid-16th century and owes its existence to Montmorency's patronage While the dedication is unique — there is little undisputed hagiography for Acceul — and the 19th century Renaissance revival west facade is eye-catching the interior punches well above the weight of a small parish church it's because the French Wars of Religion between Protestants (Huguenots) and Roman Catholics interrupted construction Highlights include an original 2,866-pound bell named after Montmorency 11 Renaissance stained-glass windows and the altarpiece copy of Raphael's famous "Transfiguration." The ornate Renaissance exterior missing from St. Acceul's can be found 8 miles away in Luzarches at the Church of St The Renaissance west facade of the Church of St | Dennis LennoxThe west facade with its rose window might have been rebuilt in the 16th century to conform to the then-fashionable Renaissance style but a church has stood here for as long as anybody can remember Parts of the bell tower and the interior arch separating the nave and chancel are Romanesque dating back at least 900 years to the 11th century Luzarches also has a more provincial feel than Roissy-en-France and Ecouen the quaint cityscape has numerous photo ops for the Instagram set Landmarks include the old 13th century city gate and covered outdoor market hall While I planned to see as much as possible someone with just a half-day at Charles de Gaulle Airport would have enough time to leave the terminals and visit one or two places covered in the column The market hall in Luzarches, Frances. | Dennis LennoxAll the churches that I visited are regularly open with no admission charge. Meanwhile, the National Renaissance Museum is open daily from 9:30 a.m Admission is €3.50 (about $3.60) per person Taxis or rides through Uber are readily available although a rental car is more sensible for excursions to Luzarches and Ecouen have on-airport locations just outside the arrivals area either book a rental with GPS or plan to use a mapping application on your phone While I experienced no issues driving in France I did feel more comfortable after switching the vehicle settings to miles For additional information, the Grand Roissy Tourist Office has extensive visitor information and resources in English They also have a physical office across the street from the Marriott Dennis Lennox writes a travel column for The Christian Post Dennis Lennox writes about travel, politics and religious affairs. He has been published in the Financial Times, Independent, The Detroit News, Toronto Sun and other publications. Follow @dennislennox on Twitter Help keep The Christian Post free for everyone By making a recurring donation or a one-time donation of any amount you're helping to keep CP's articles free and accessible for everyone Hope you’ll give us another try and check out some other articles. Return to homepage. Standring is Curator Emeritus at the Denver Art Museum Ever wonder what it takes to create a museum exhibition like Whistler to Cassatt: American Painters in France It takes years of research and collaboration with scores of people at the Denver Art Museum and with scholars at other institutions and lending museums Museum Director Christoph Heinrich and I began discussing an exhibition encompassing American art in 2011 After researching exhibitions that had been done at other museums in the United States and in Europe I began to consider an ambitious exhibition narrative about Americans working in France between James Abbot McNeill Whistler’s arrival in Paris in 1855 and the famous Armory Show of 1913 My excitement for this approach gathered momentum as I followed the footsteps of Americans who painted not only in Paris but also in nearby French villages including Écouen and perhaps the most famous village where American artists congregated Research conducted at Parisian institutions such as the photographic archives at the Musée d’Orsay the library of the Institut national d'histoire de l'art at the Bibliothèque Nationale de France and the École des Beaux-Arts proved to be invaluable conversations with art scholars Richard Ormond in London and John Wilmerding in New York City helped me with the overall narrative of the exhibition and especially with works painted by John Singer Sargent and Winslow Homer Visits with curators at the Musée Franco-Americaine du Chateau de Blérancourt and the Musée d’Amiens helped procure the loans of the first three works by American artists (Frank Myers Boggs and Walter Gay) to be acquired by the French government Calls to colleagues in Glasgow enabled the loan of an important Whistler painting from the Hunterian Art Gallery visits to many institutions along the Eastern Seaboard and throughout Middle America enabled me to fill the exhibition checklist The checklist kept changing by the minute until the absolute deadline Whistler to Cassatt (which Westword calls a "true tour de force") is on view at the Denver Art Museum through March 13 Whistler to Cassatt brings to the fore the richly braided story of American and French creative discourse—and how it shaped the past and present of painting in America The exhibition weaves a combination of themes to underscore the allure of Paris for American artists of the time and the intersections of global influences that continue to reverberate in today’s American culture Reading David McCullough’s The Greater Journey: Americans in Paris was a timely revelation as was the voluminous scholarship on such topics as American artists who trained in private Parisian ateliers and the École des Beaux-Arts (such as Whistler American women artists (such as Elizabeth Jane Gardner and the African American artist Henry Ossawa Tanner The exhibition narrative grew commensurately richer as my research expanded This involved writing a proposal to Yale University Press to co-publish the book communicating closely with authors Emmanuelle Brugerolles the DAM’s Manager of Rights & Reproductions on image rights; and coordinating the production and design respectively with Mary Mayer and Eileen Boxer Then there is perhaps the third and most crucial component of creating the exhibition which is implementing the fruits of this research and scholarship into a compelling narrative and engaging experience Visitors to this exhibition received the benefit of the creative contributions of Interpretative Specialists Melora McDermott and Ann Lambson Exhibition Coordinators Emily Atwool and Emily Willkom Registrars Sarah Cucinella-McDaniel and Caitlin Rumery and the exhibition and graphic design firm Ramble The many staff members who serve in the exhibitions also helped to make Whistler to Cassatt special I hope you enjoy seeing the show as much as I enjoyed working on it Pour avoir accès à ce contenu, vous devez vous abonner à La Tribune de l’Art. Les avantages et les conditions de cet abonnement, qui vous permettra par ailleurs de soutenir La Tribune de l’Art, sont décrits sur la page d’abonnement mot de passe oublié ? Afin de pouvoir débattre des article et lire les contributions des autres abonnés, vous devez vous abonner à La Tribune de l’Art. Les avantages et les conditions de cet abonnement, qui vous permettra par ailleurs de soutenir La Tribune de l’Art, sont décrits sur la page d’abonnement Si vous êtes déjà abonné, connectez-vous It's THE perfect opportunity to discover not only historic sites but also temporary exhibitions full of new discoveries If, like us, your passion is heritage, discover the 4 châteaux that are opening their doors to you for free this Sunday, May 4, 2025 From the best-known châteaux to hidden monuments in small towns across theParis region sites steeped in history are at your fingertips come and (re)discover these witnesses to French history taking you back in time from the Middle Ages to the Renaissance For your pleasure, your culture and that of your children, we're off to enjoy these sublime châteaux in the Île-de-France region. Accessible by public transport for some and by car for others they're the perfect way to get away from it all and enjoy the region's treasures How about a free castle this Sunday monuments and other exhibition venues take turns unveiling a program enriched by night-time guided tours events and unusual workshops to delight young and old alike.So what does the Nuit des Musées 2025 have in store for us in the Val d'Oise Here you'll find all the ideas you need to get out and about stay tuned: this guide is updated as announcements and discoveries are made so to make sure you don't miss out on any good deals Don't forget that a Museum Night is something to be prepared for It's not enough just to find the place or event that appeals most to you: you may also need to reserve your ticket in advance to take advantage of this special evening Which venue are you most looking forward to for this unique evening This Renaissance château, located 20 km north of Paris, was built in the 16th century for Anne de Montmorency. For his residence, the Constable thought big and hired the best craftsmen of his time: Jean Bullant, Bernard Palissy, Masséot Abaquesne, Jean Goujon, perhaps Nicolo dell'Abbate, would succeed one another at the Château d'Écouen incorporating the finest innovations of their era: paving Today, the Château d'Ecouen is home to a Renaissance Museum whose works come mainly from the Musée de Cluny (Paris) These include the splendid David and Bathsheba tapestry with its imposing dimensions of 75 m long by 4.50 m high and one of the very first copies of Leonardo da Vinci's famous Last Supper commissioned from Marco d'Oggiono in Milan in 1506 The Musée National de la Renaissance invites you and the museum's curators to rediscover the château and its collections through an exceptional program of tours You can also discover the works of art in a different way with the screening of Aplanos le programme est mis à jour en fonction des annonces officielles The Musée national de la Renaissance - Château d'Écouen invites you to a unique experience through the exhibition Antoine Caron (1521-1599): The Theater of History highlights this major French artist of the Renaissance as well as the queen mother Catherine de Médicis The exhibition brings together more than 90 works byAntoine Caron and his circle some presented to the public for the first time Among the highlights are the eight tapestries of La Tenture des Valois commissioned by Catherine de Medici brought together for the first time in France since the 16th century The exhibition's original itinerary highlights the deep ties between Caron and the Italian artists Primaticcio and Niccolò dell'Abate The works come from prestigious French and international institutions such as the Bibliothèque nationale de France the Gallerie degli Uffizi in Florence and the J a Renaissance artist in the service of five successive kings of France and Catherine de Medici worked on the construction sites of the Château de Fontainebleau where he trained with Italian painters such as Rosso Fiorentino The exhibition highlights Caron's success and popularity with his contemporaries is an example of Caron's work and his influential style Commissioned by Catherine de Medici and presented to her granddaughter the tapestries have not been exhibited together since their arrival in Florence in 1589 The compositions are associated with several drawings by Caron and present a gallery of portraits of the royal family and the court The hanging responds to a dynastic and diplomatic program aimed at unifying the image of the royal family in the context of the Wars of Religion The exhibition also examines the work of an anonymous painter from Niccolò dell'Abate's entourage and Caron's influence on subsequent generations marked the great French history painting of the following century During the exhibition, the Musée national de la Renaissance - Château d'Écouen offers a specific cultural program combining music, poetry and dance, including guided tours, family dance workshops, shows and concerts. Among the events not to be missed, the Night of the Museums on May 13, 2023 and the Invitation to Dance on July 1 The exhibition Antoine Caron: The Theater of History is a unique opportunity to rediscover this forgotten artist and to dive into the atmosphere of the Renaissance. Do not miss this exceptional cultural event at the Château d'Écouen Musée national de la Renaissance - Château d'Écouen - 95440 Écouen Tel: 01 34 38 38 50 Open daily except Tuesdays and May 1 From 9:30 am to 12:45 pm - From 2:00 pm to 5:15 pm (5:45 pm from April 16 to September 30). www.musee-renaissance.fr Rates (co-produced by RMN-GP): Full rate: €7 - Reduced rate: €5.50 Do not hesitate to consult the detailed program of events to fully enjoy this unique cultural experience at the Château d'Écouen Faut-il aujourd’hui remettre les hommes politiques en selle le cheval fut aussi à la Renaissance un symbole lié au pouvoir Le roi de France était chevalier : à partir du règne de Charles VI en 1380 l’adoubement fit partie de la cérémonie du sacre et l’on ajouta aux regalia une paire d’éperons d’or Puisque le roi savait guider son peuple comme il savait diriger sa monture il eût été de mauvais goût de le représenter sur un cheval cabré Car un animal qui se cabre est un animal qui se rebiffe et qui n’est donc pas maîtrisé par son cavalier Les artistes soucieux de créer malgré tout des portraits dynamiques privilégièrent deux allures : le « passage » c’est-à-dire un cheval dressé sur ses deux jambes arrière (ce qui n’a rien à voir avec un cheval cabré) Si vous êtes déjà abonné, connectez-vous It turns out that Renaissance diners in Italy enjoyed a little music with their feasts And they kept their musical scores recorded in an unexpected location—their knives This means that aside from carving up meat this cutlery helped provide the evening's entertainment These 16th-century knives are now scattered in museum collections around the world, including examples at the Victoria & Albert Museum in London and the Musée national de la Renaissance at Château d'Ecouen in France notes that we can't be entirely certain how they were used That collection's example has a sharp edge yet its width suggests that it may have been used to present slices of meat to diners Photo: Musée national de la Renaissance – Château d'Ecouen h/t: [Open Culture] 16th Century Gothic Boxwood Miniatures With Extremely Detailed Carvings 19th-Century Tool Box is Meticulously Designed to Hold 300 Tools Vintage Smart Lock Proves Home Security Existed Over 300 Years Ago 19th Century Valentines Are Surprising and Romantic Works of Art Want to advertise with us? Visit My Modern Met Media Celebrating creativity and promoting a positive culture by spotlighting the best sides of humanity—from the lighthearted and fun to the thought-provoking and enlightening This article appeared in the Culture section of the print edition under the headline “When we and they were friends” Discover stories from this section and more in the list of contents Her wit and style, brought to life by these directors, make for a most enjoyable evening in Ryan Coogler’s hit film is a riff on the uses and abuses of genre Two books trace the extraordinary rise and rapid fall of Yevgeny Prigozhin Robert Macfarlane and James Scott seek to understand the ways of water The greatest civilisations of the past 3,000 years were the opposite of MAGA Flora Gendrault © Shutterstock - Petr Kovalenkov - Château de FontainebleauChaque premier dimanche du mois vous pouvez visiter une ribambelle de musées et monuments gratuitement à Paris Pour les plus aventurier·e·s d’entre vous celles et ceux en quête d’escapade il est aussi possible de sortir de la capitale pour (re)découvrir un des sublimes châteaux qui sillonnent la région : en voici 4 gratuits qui n'attendent que vous dimanche prochain Niché à mi-chemin entre le célèbre château impérial et la vaste forêt préservée de 22 000 hectares le Domaine de Fontainebleau accueille tous les Parisien·ne·s en mal de verdure. De l’extérieur déjà le féérique château de Fontainebleau en met plein les mirettes l’extase visuelle continue de plus belle Il faut dire que François Ier a engagé les meilleurs artistes et artisans français et italiens pour décorer ces milliers de mètres carrés  pas moins de 36 souverains y ont élu domicile en 300 ans : autant de styles différents qui ont laissé leur marque Une publication partagée par C é l i a 🌙🕊 (@celiajade) Château de Fontainebleau Gratuit tous les 1er dimanche du mois, sauf les mois de juillet et d’août Plus d’infos Pour quelques heures dans un havre de paix royal Au bout du RER A se cache un château pas comme les autres surplombé de jardins aux plantes exotiques pensés par Joséphine Si les murs du château avaient des oreilles ils nous raconteraient sans doute comment le Consulat a pris les grandes décisions de l’Histoire : Code civil Légion d’Honneur… Aujourd’hui le domaine des deux châteaux Bois-Préau et Malmaison forme le Musée national des châteaux de Malmaison et Bois-Préau où visiter les appartements de l’Empereur et de sa famille admirer les œuvres d’art de l’époque et même la célèbre chambre ovale où mourut l’Impératrice le 29 mai 1814 Une publication partagée par Château de Malmaison (@chateaumalmaison) Château MalmaisonAvenue du Château de Malmaison – Rueil-MalmaisonPlus d’infos situé à 20 kilomètres au nord de Paris surplombe la plaine du pays de France et la forêt de Chantilly Abritant aujourd'hui les collections exceptionnelles du musée national de la Renaissance il constitue l’ancienne propriété d'Anne de Montmorency grand seigneur de la Renaissance : le château porte les traces de cet homme puissant mécène et esthète passionné d’art témoin d'une époque fastueuse et riche en histoire où chefs-d’œuvre de la Renaissance se mêlent à l’univers d’un homme passionné d'art et de culture Une publication partagée par Château d'Écouen (@musee_renaissance) ce lieu est une ancienne résidence des rois de France où ont été signés de nombreux traités de paix et édits royaux Il est aujourd’hui consacré au Musée d’archéologie nationale le balcon au fond à droite de la salle "La Gaule des origines" qui vous permettra de faire une pause temporelle avec vue sur la cour du château exposée plein soleil au milieu de l’après-midi… Alléchant Bonne nouvelle : vous y serez en 30 minutes via le RER A Une publication partagée par Musée d'Archéologie nationale (@archeonationale) Château de Saint-Germain-en-Laye1, place Charles de Gaulle – Saint-Germain-en-LayePlus d’infos le combo artistique gagnant pour les 16-28 ans à La Seine Musicale Cette rando au bord de la Seine vous entraîne dans les pas des Impressionnistes