Camille Pissarro, Autumn, Poplars, Éragny (Automne, Peupliers, Éragny), 1894. Oil paint on canvas; 31⅝ × 23 ¼ in. Denver Art Museum: Funds from Helen Dill bequest, 1935.16 The first career survey of Camille Pissarro in Paris since 1981 opens this month at the Musée Marmottan Monet. It presents 75 of his greatest paintings, beginning with a seascape from his youth in the Danish West Indies, Two Women Talking by the Sea, St Thomas (1856), borrowed from the National Gallery of Art, Washington, DC. As Claire Durand-Ruel Snollaerts, the exhibition co-curator, emphasises, Pissarro “never ceased to reinvent himself”. During the 1880s, he temporarily became a Neo-Impressionist, painting with dots of colour. The Marmottan show concludes with a Le Havre harbour scene from 1903, the year of his death at the age of 73. There will also be another Pissarro show in Paris across town at the Musée du Luxembourg. It focuses on the artist’s period in the village of Éragny-sur-Epte, 70km north of Paris, where he had settled in 1884. And for an unusual perspective on Pissarro, there is an exhibition at the Ordrupgaard museum outside Copenhagen. Titled Pissarro: a Meeting on St Thomas, it focuses on his early life in the West Indies and his close links with the Danish painter Fritz Melbye. • Camille Pissarro: the First of the Impressionists, Musée Marmottan Monet, Paris, until 2 July • Pissarro in Éragny: Nature Regained, Musée du Luxembourg, Paris, 16 March-9 July • Pissarro: a Meeting on St Thomas, Ordrupgaard, Charlottenlund, Denmark, 10 March-2 July Originally appeared in The Art Newspaper as 'The original Impressionist makes a return to Paris' preview4 March 2024New dawn: the birth of Impressionism revisited 150 years later for Paris exhibitionMusée d’Orsay brings together works by Monet Degas and others first seen in a landmark 1874 exhibition A visitor views an 1894 painting by Camille Pissarro More than half a dozen studies of Pissarro — including one by Joachim Pissarro the painter’s great-grandson — have been published in just the past 20 years But what Muhlstein declares drew her into this biographical scrum is the artist’s “sense of being apart Although Paul Cezanne dubbed him “the father of impressionism,” and impressionism would become the most popular artistic movement of modern times Pissarro always felt himself an interloper That complicated his longtime residence in France especially when the Franco-Prussian War — in which more than a thousand of his paintings were destroyed — erupted in 1870 Though buried in Paris in 1903 in the legendary cemetery Père Lachaise and disdain toward Jews was commonplace in Paris Pissarro never ceased to consider himself Jewish although Muhlstein notes that he behaved “like all dejudaized Jews for whom the cult of republican values had replaced any religious practice.” He scandalized his parents by marrying Julie Vellay a Catholic who worked as his mother’s kitchen maid and the couple had seven children together Pissarro’s mother never accepted the marriage when a Jewish French army captain was condemned to Devil’s Island on spurious charges of espionage Pissarro eventually joined others in opposing the blatant injustice and Pissarro feared that all Jews might be deported from France he observed the tenets of classical anarchism more faithfully than those of halakha Muhlstein claims Pissarro held “agnostic views,” but then No doubt recognizing that Pissarro’s outsider Jewishness is too frail a thread with which to weave an entire book whose French text is translated by Adrianna Hunter that “painting and bringing up his children constituted the twin poles of his existence.” She offers vivid accounts of Pissarro at work — en plein air often alongside fellow artists who became close friends and Berthe Morisot and later drew Paul Gauguin who defined an impressionist as “a painter who never produces the same picture twice,” has a less distinctive brand than Monet or Cézanne because of his willingness to evolve Yet the chameleon Camille was the only artist to show at all eight of the impressionist exhibitions (though Muhlstein states that “he alone with Degas participated in every impressionist exhibition,” Degas was an organizer but did not Drawing on a rich body of Pissarro’s letters to his oldest son Cassatt observed that “Pissarro is such a good teacher that he could teach the stones to paint properly,” and the proof is not only in his influence on her work but also in the fact that three of his sons became reputable painters It was only in the final years of his life that Pissarro’s paintings began to sell Muhlstein examines the intricacies of the 19th-century art market and the role played by the wily dealer Paul Durand-Ruel in promoting impressionism With only five reproductions and cursory descriptions of the paintings Muhlstein is less interested in providing analysis of Pissarro’s art than presenting a portrait of the artist as an innovative and beneficent bundle of energy With his long white beard and irrepressibly youthful interest in everything he was a beloved figure to his contemporaries It is hard to 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residential use in Puerto Rico and across the rest of the United States in 1978 many homes built before then still have some lead-based paint in them Most people don�t recognize that they come in proximity to products and materials that may contain mercury on a regular basis and that it only takes a small amount to pose a serious health risk Commercial banks in Africa and Latin America trail Asian counterparts in addressing critical environmental and social risks � particularly climate change and nature loss � but can lead green growth and transition according to new WWF Sustainable Banking Assessment (SUSBA) reports Nature as an Economic Choice | Full session Championing Nature as an Economic Choice On April 24 Head of Sustainable Sourcing and Nature Initiatives at Kering took the stage to explore the theme "Nature as an Economic Choice." The panel addressed the urgent need to transform ecosystems from intangible treasures into measurable assets � Alstom�s Iconis Traffic Management System dramatically improves the way KiwiRail operates its network � With this deployment KiwiRail�s Wellington Control Centre will operate a state-of-the-art rail network control system enhanced controls for capacity and real time monitoring improving train scheduling and passenger experience�� � The … a global leader in satellite communications today announced the introduction of the Move Out/Jump Off (MOJO) Mini Next the latest in Viasat�s family of expeditionary tactical gateways combined with the urgent need to finance the green and digital transitions in Europe makes it increasingly necessary to unlock the full potential of the EU�s currently fragmented capital markets To address rising costs caused by recent global trade developments affecting raw material tariffs,� Sun Chemical �will implement a tariff surcharge on impacted color materials products both imported and produced in the United States Acclaimed Film Enters Top Box Office Charts Around The World Tickets On Sale� Here A week after the acclaimed cinematic return of� Pink Floyd at Pompeii � MCMLXXII the newly restored version of the groundbreaking 1972 film directed by Adrian Maben and distributed by Sony Music Vision the accompanying live album has been released As Europe gears up for the� Eurovision Song Contest 2025 Spotify is celebrating the spirit of unity and musical legacy with a new series of Spotify Singles This website is using a security service to protect itself from online attacks The action you just performed triggered the security solution There are several actions that could trigger this block including submitting a certain word or phrase You can email the site owner to let them know you were blocked Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page .st1{fill-rule:evenodd;clip-rule:evenodd;fill:#2a2a2a}By Guest VoicesPissarro.jpg Le Village d'Eragny (The Village of Eragny) Camille Pissarro Robert Schindler (courtesy of Birmingham Museum of Art) Birmingham Museum of Art curator of European Art One of the most popular paintings at the Birmingham Museum of Art is by Camille Pissarro one of the pioneers of the Impressionist movement and others--set out to introduce a very new way of painting the world At first their method was not well received and critics dubbed them "the impressionists," because to them these artists only painted an impression of what was before them atmospheric effects of light and color; they sought to capture the immediacy of the moment in their works; and they claimed that they were in fact painting the world around them and perhaps better than anyone before them they realized that light changes the appearance of a color mid-day sunlight it looks vastly different than during a sunset And that is exactly what the impressionists set out to capture in their landscape paintings Pissarro moved his family from Paris to the small village of Eragny-sur-Epte in Northern France where the artist found countless scenes to paint in the light-filled views of the rural countryside Pissarro depicted a chilly view of the village To capture the many effects of light on the landscape he laid short brushstrokes of different colors one upon another when you come to the museum and look at the painting up close Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement, (updated 8/1/2024) and acknowledgement of our Privacy Policy, and Your Privacy Choices and Rights (updated 1/1/2025) © 2025 Advance Local Media LLC. All rights reserved (About Us) The material on this site may not be reproduced except with the prior written permission of Advance Local Community Rules apply to all content you upload or otherwise submit to this site YouTube's privacy policy is available here and YouTube's terms of service is available here Ad Choices You don't have permission to access the page you requested What is this page?The website you are visiting is protected.For security reasons this page cannot be displayed An orphanage visited by the Rebbe after World War II was recently discovered. One of the boys is now a Head Shliach. Full Story, Photos An orphanage for Jewish boys that was visited by the Rebbe following the Second World War was discovered in the northwestern suburbs of Paris The Yeshiva of Eragny was founded by Rabbi Zalman Schneerson who led a relentless effort to provide shelter for Jewish children whose parents had been interned or deported (an acronym translated to Association of Orthodox Jewry in France) today the Regional Director of Chabad Lubavitch of Texas and member of Agudas Chassidei Chabad International During the Rebbe’s visit to Paris following the war he was invited to visit the institution which was located a 30-minute train ride away in a commune named Eragny-sur-Oise “The Rebbe didn’t answer because he was busy with acquiring documents for his mother,” recalled Rabbi Aharon Mordechai Zilberstrom who served as the director of the Yeshiva of Eragny The needed permits were soon granted to Rebbetzin Chana Schneerson with help from Rabbi Zalman Schneerson and the Rebbe was able to make the trip to “College Tmimim” at 20 route de Neuville in July 1947 the Rebbe spoke to the children about the Midrashic teaching that the Jewish people promised to Hashem that “Baneinu areivim ba’adeinu” (our children are our guarantors) that the Torah will be kept for eternity The book “HaRebbe B’Paris,” by Rabbi Shmuel Butman says the Rebbe was shown around the building that had 2-3 floors of bedrooms and that the Rebbe spent some 20 minutes alone in the shul that was located on the ground floor In a letter to the institution’s administration dated 15 Av 5707 the Rebbe wrote about his immense enjoyment of the visit and the package of books he is sending for the 6 outstanding students he tested in learning One of them was R’ Yaakov Tzvi Holtzman Holtzman has recently guided Paris Shliach Rabbi Levi Azimov to find the location of the institution for the new history book about the connection between Chabad Rebbes and French Jewry an agglomeration community in the Val-d’Oise and Yvelines departments Rabbi Azimov and his son discovered the address of the institution to be 75 Chemin de Halage an important commercial waterway within the Paris region Rabbi Azimov found the structure that served as a kiosk the covered well and a renovated room that was where the students greeted the Rebbe during those troubled times A full account of the visit will be published in the new book Admurei Chabad V’yahadut Tzarfas Sign up for the COLlive Daily News Roundup and never miss a story Aerial view of the location by Google Earth Δdocument.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()) Δdocument.getElementById("ak_js_2").setAttribute("value",(new Date()).getTime()) its the friediker rebbe you need to look close up Please explain how you know that it is not the friediker rebbe The rebbes rashab didn’t look exactly like the freierdikeh rebbe and besides he passed away very young and wouldn’t have reached the age that the previous rebbe was in that picture The picture looks a lot like the Frierdiker Rebbe – because it is The picture we have of the Rebbe Rashab is from his passport There is NO WAY he would have posed for a picture like that The picture you see on the wall is a famous picture of the FR The picture on the wall is not even close to resemble the RR is it very difficult to make sure is the Rebe Rashab… and they where very similar the friediker rebbe and his holy father the Rebbe Rashab as chumro or hidur or maybe something else but when he had the Havo amino to go to Eretz Isroel they made the pic If you notice there is a picture hanging by the baruch haba sign… It’s a picture of the rebbe rashab (looks a lot like the friediker rebbe) there is not to many pictures as the rebbe rashab wasn’t the healthiest… a middle-school history and civics teacher was on his way home from work Friday afternoon in a quiet suburban town north-west of Paris when an attacker cornered him on the street later identified as an 18-year-old of Chechen origin who came to France as a refugee shouted “Allahu Akhbar.” “I have executed one of the dogs from hell who dared to put Muhammad down,” he wrote in a message briefly posted on Twitter with a photo showing Paty’s severed head the police tracked down the killer and shot him dead The gruesome murder—in retribution for Paty showing his students cartoons of the Prophet Mohammed —has cracked open a deep schism, that is rarely far from the surface in France. At issue is how the country’s 5.7 million Muslims—the largest Muslim population in the European Union—assimilate in a country whose constitution is based on an unyielding principle of secularism and which has seen multiple terrorist attacks by jihadists since 2015 Muslim leaders fear it will precipitate a crackdown that will deepen the divide between moderate and radical worshippers “I fear that this attack will be the last drop that makes the water spill,” Hassen Chalghoumi France’s best-known moderate Muslim cleric It also presents a steep challenge to President Emmanuel Macron just 18 months before he faces re-election that threatens to shift the national conversation to the turf of the country’s resurgent far-right “This is the beginning of the grand maneuvre around the next elections,” says Emmanuel Rivière CEO of the public division of the Kantar polling agency in France The French leader is not well-suited to the current battle he says; Macron faces a tough reelection contest in April 2022 “Macron is identified with the economy with his international reputation,” he says “He is not identified with crime and terrorism.” Read more: ‘I’m in This Death Valley.’ A Conversation with Emmanuel Macron The government has yet to address questions surrounding the police response to threats against the teacher showed his eighth-grade students cartoons of the Prophet the satirical magazine notorious for lampooning religion that gunmen attacked in January 2015 Paty’s students say he was giving a class on freedom of speech The killing has been greeted with horror by many within France’s Muslim community who presides over the mosque in the largely Muslim Paris banlieue or suburb of Drancy and has long promoted interfaith dialogue where a makeshift shrine of candles and flowers has grown over the past few days he delivered a tearful speech about the “generation of hate” among French Muslims many teachers now avoid discussing the Holocaust despite it being part of the government curriculum “The moment you talk about the Holocaust they say ‘it is for the Zionists,’” he says “And it is impossible to talk about Charlie Hebdo in the banlieues.” After that attack in January 2015 “many kids did not observe the minute’s silence in school.” He doubts that students will observe a minute’s silence for Paty either; the government has called for schools to mark his killing on Nov when students return from a two-week break Such frankness puts Chalghoumi under continual threat of attack As we sit speaking in a café in central Paris I would have been dead long ago,” he says Read more: France’s President Emmanuel Macron Is Ready to Reset His Troubled Presidency The 2022 presidential election now seems likely to be fought over questions not just of law and order but also defense of the secularist principles that underpin society in France. Recent polls show far-right leader Marine Le Pen and Macron neck-and-neck in a hypothetical run-off in the 2022 presidential elections the National Rally (former National Front) won more seats than Macron’s En Marche in France’s elections to the European Union parliament last year who had gathered for what they had billed as an homage to Paty engaged in a heated debate over the killing “The government systematically refused our proposals about radical Islamists,” said Damien Abad leader of the conservative opposition the Republicans listing several measures that Macron’s government had rejected including shutting radical mosques and deporting some foreign Muslim clerics French Prime Minister Jean Castex said the government had successfully averted 32 terrorist attacks since Macron’s election in 2017 He accused Macron’s political foes of using the killing “to feed this polemic It is not dignified under these circumstances,” he said On Tuesday Interior Minister Gérald Darmanin ordered shut a mosque in the heavily Muslim town of Seine-Saint-Denis which had disseminated the messages targeting Paty Later Tuesday Macron and Darmanin visited another largely Muslim suburb to discuss with local leaders how to combat extremism Paty’s death came just two weeks after Macron delivered a major speech against Islamic separatism calling for an “Islam of Enlightenment,” and he now plans to accelerate a proposed new anti-extremism law and crack down on organizations that spread extremist or separatist ideas It would also increase public funds for Islamic studies low-income housing in the banlieues around Paris which for years has been a hotbed of violence Such measures might help stave off political threats from Macron’s right-wing opponents “How can there be integration?” he says “There has to be mixing in the banlieues and in schools first.” He alsosays he is sure it would also please many Muslims even while it risks evoking strong hostility from others “We do not want flowers and candles.” Contact us at letters@time.com I would like to be emailed about offers, events and updates from The Independent. Read our Privacy notice Lucien Pissarro was the eldest son of the Impressionist painter, Camille Pissarro. This pleasingly informative exhibition, on display in a single large gallery at the Ashmolean, tells the story of how Lucien, packed off to England to rid him of the perennial itch to be an artist did not quite do what his mother so fervently desired. Once in England, Lucien fell in with a group of artists who were adherents of William Morris and the Arts and Crafts Movement. In the 1890s, Morris had founded the Kelmscott Press to produce exquisite, hand-made books. Lucien and his friends wanted to do something similar, and so for the next 20 years he laboured over the spasmodic production of 32 hand-crafted books with his wife, Esther. This exhibition is extremely well documented and well presented. Most of the books are here, open for us to scrutinise how he set about solving the problem of how to marry illustration with text to pleasing effect, and there is much additional material too – photographs of the family, preparatory drawings and Lucien's sets of engraving tools. Camille was worried about what Lucien would turn into once he was settled over here. Would he remain true to Nature as the Impressionists had captured it naively, on the wing? A bit of yes and a bit of no. The fact is that it would have been extremely difficult to capture fleeting impressions of the effect of wind or light on a woodblock print. Lucien's books ranged widely in theme and time. He produced a selection of the fairy tales of Charles Perrault and even an edition of Milton's "Areopagitica". Some of these books are enormously intricate, exhausting labours of love. After the press closed, he went back to painting, somewhat in the Impressionist manner. Not too badly infected by John Bull after all then. Join thought-provoking conversations, follow other Independent readers and see their replies You don't have permission to access the page you requested. What is this page?The website you are visiting is protected.For security reasons this page cannot be displayed. His light-dappled plein air paintings feature emotive palettes and expressive A teacher who had shown his class highly controversial cartoons of the Prophet Muhammad was decapitated in a Parisian suburb on Friday afternoon in what President Emmanuel Macron has called an "Islamist terrorist attack."  French police shot dead an 18-year-old man who allegedly beheaded the teacher — who has since been named as Samuel Paty — with a large kitchen knife near a school in a residential suburb of Conflans-Sainte-Honorine According to a police source, witnesses had heard the knifeman shout "Allahu Akbar" ("God is Greatest ") as he attacked the teacher, Reuters reported. He is also said to have shared photos of the attack on social media.  The 47-year-old history and geography teacher had shown his pupils caricatures of the Prophet Muhammad from the satirical newspaper Charlie Hebdo that many Muslims found highly offensive  The lesson was part of an obligatory "moral and civil education" course that all primary and secondary French schools have in their curriculum "This was a cowardly attack on our compatriot. They won't win ...We will act," the French president added, the BBC reported. After police ordered him to give himself up the knifeman is said to have threatened them who had a petty criminal record and was not known to the country's intelligence service including the suspect's grandfather and 17-year-old brother have been questioned by police on Saturday The history teacher's lesson had sparked complaints from several parents.  One family lodged a legal complaint while another parent posted a YouTube video after the lesson complaining about the teacher another parent wrote a comment below the video on Friday Can we continue to teach without being afraid of being killed?" the parent added two journalists from a production company were stabbed and seriously injured outside the satirical magazine's former offices Charlie Hebdo responded to Friday's attack on its Twitter account, writing: "Intolerance has crossed a new threshold and does not seem to give ground to anything in imposing its terror on our country." Note: This article has been updated to include the victim's name. Happily for visitors, the Ashmolean Museum owns Lucien Pissarro's Eragny Church, painted in 1886 when the artist was flirting with pointillism. That gives you the bare bones of the work – a spire, dots – although no indication of its charm. The rules of pointillism could be deadening, provoking bouts of stiffness in even the great Seurat. Lucien's churchscape has none of that, though. Eragny Church dances on the canvas, all rustle and flicker. Needless to say, it is outnumbered 20 to one on the Ashmolean's walls by works of Lucien's father, Camille. Charles Darwent sees Morandi to Guttuso at the Estorick ShareGet SBS News daily and direct to your InboxSign up now for the latest news from Australia and around the world direct to your inbox.Your email address *Morning (Mon–Fri) shared a stay at the "Don Bosco" School of Life in Trie Château came from the "Jugendhilfezentrum Don Bosco" in Sannerz The French children of various ethnic backgrounds come from the "Notre Dame de Montmélian" children's social welfare home in Eragny sur Oise on the outskirts of Paris Vicar of the Salesian Province of Germany (GER) Vicar of the Salesian Province of France-Southern Belgium (FRB) participated in the supervision and animation of the stay as well as sports and water activities at the "Aquavexin" center The course meant that the young participants and singing with enthusiasm on the stage of the theater of the reception center adroitly tackled by young people who used their smartphones for translations genuine exchanges of fraternity and friendship took place in a Salesian atmosphere that marked their spirits The event was organized by "Don Bosco Action Sociale" (DBAS) coordinates a hundred or so services offered in France and Morocco: of prevention; social mediation; daycare in the internees of children and adolescents entrusted to social services and by juvenile judges or handicapped; and reception and accompaniment of young migrants ANS - “Agenzia iNfo Salesiana” is a on-line almost daily publication the communication agency of the Salesian Congregation enrolled in the Press Register of the Tibunal of Rome as n 153/2007 This site also uses third-party cookies to improve user experience and for statistical purposes By scrolling through this page or by clicking on any of its elements Home   Lifestyle   Article Pissarro: Father of Impressionism has opened at Oxford's Ashmolean museum and runs until June This new Ashmolean exhibition paints a portrait of the Father of Impressionism – despite being one of the founding members of the most famous artistic movement of all time Pissarro remains less well-known than his associates Cézanne The Ashmolean’s spring exhibition is the first show in Britain in 20 years devoted to the ‘father of Impressionism’ Camille Pissarro (1830–1903) 80 by Pissarro and 40 by his friends and contemporaries with eight paintings on display for the first time in this country The exhibition draws on the Ashmolean’s Pissarro archive the world’s largest collection devoted to an Impressionist artist revealing intimate and fascinating details about Pissarro It aims to show him as the galvanising force that propelled modern art forward and without whom there would have been no Impressionism Despite being one of the founding members of the most famous artistic movement of all time Camille Pissarro remains less well-known than his associates He was the oldest of the Impressionists and the only one to exhibit at all eight of their exhibitions which he helped organise from 1874-86 His central role is all the more remarkable considering his outsider origins He was born to French-Jewish parents in the Danish West Indies and was 25 before he settled finally in France He arrived in Paris just in time for the end of the 1855 Exposition Universelle where paintings by Jean-Baptiste-Camille Corot and Gustave Courbet’s one-man show were a revelation to him The anti-establishment French Realists and their treatment of working people struck a chord with Pissarro who had rejected his own bourgeois background he never painted the leisured middle classes or romantic landmarks he was unable to escape his Jewish roots however Amid virulent anti- Semitism in 19th-century France the notorious Dreyfus affair of 1894 split opinion among artists as it did the whole country Degas emerged as a rabid anti-Semite who made poisonous comments about his one-time collaborator refusing to have anything to do with Pissarro after 1894 Camille reflected on his lack of commercial success and acceptance as an artist: ‘…a matter of race Pissarro made close friends with other painters who respected his individuality and recognised his influence he defined the early phase of the Impressionist landscape painting en plein air to capture effects of weather and experimenting with lighter palettes and radical composition When Pissarro returned to France from London after the Franco-Prussian War (1870-1) he was instrumental in organising the first Impressionist exhibition in 1874 Between 1872 and 1885 his closest relationship was with Cézanne Cézanne wrote that he learned to work regularly during his first year with Pissarro who was ‘a father to me A man to consult and a little like the good Lord.’ Pissarro was clearly a natural teacher and valued champion of others famously persuading Gauguin to give up being a stockbroker and devote himself to art All five of Pissarro’s sons became painters But he was also a willing pupil and happy to learn from others In 1885 Pissarro met his son Lucien’s friends He was immediately interested in their experiments inspired by contemporary ideas on ‘colour theory’ The artists built their pictures by applying paint in small dots of complementary colours Together with Lucien and the younger painters Pissarro showed his ‘pointillist’ works in a separate room in the final Impressionist exhibition in 1886 A sympathetic critic called the new technique ‘Neo-Impressionism’ – a natural development from Impressionist spontaneity towards a more considered and permanent art the new technique was extremely time consuming and Pissarro’s output plummeted while his dealers found it difficult to sell these pictures making freely painted landscapes in saturated washes not as preparatory studies but as works in themselves Having definitively abandoned the dot technique in 1890 Pissarro began to enjoy commercial success notably townscapes in Paris and harbour scenes in Rouen A recurring eye infection forced him to paint indoors looking through the windows of rented apartments and hotel rooms The exhibition features major works from across Pissarro’s career punctuated by paintings and drawings by the artists closest to him demonstrating his influence on the Impressionists and dynamic relationships with younger artists On show for the first time in the UK will be Pissarro’s The Countryside near Louveciennes private collection); and Cézanne’s La Vallée de l’Oise (c an example of Pissarro’s impact on even Cézanne’s singular vision Other highlights are works by Gauguin where he has taken on board Pissarro’s advice to adopt a lighter palette and luminous composition It also includes Pissarro’s moving 1874 portrait of his daughter Jeanne-Rachel (Minette) who died just before her ninth birthday She is shown in the last stages of her illness with her hair cropped short to relieve her symptoms says: ‘Camille Pissarro is unique among the Impressionists His work rewards close and careful attention that reveals a hugely sympathetic and humane artist he never compromised for the market; he was willing to learn and experiment; but was always devoted to painting the ‘sensation’ Consequently he is the most sincere and authentic of all the Impressionists and his influence on his own and succeeding generations of artists is impossible to quantify.’ Pissarro: Father of Impressionism runs to June 12 at The John Sainsbury Exhibition Galleries The show is the subject of a new feature-length film by critically-acclaimed production company Exhibition on Screen directed by award-winning film-maker David Bickerstaff with exclusive access to the exhibition and the Ashmolean’s Pissarro archive the film includes interviews with leading experts and curators exploring in detail Camille Pissarro’s fascinating life and career Available in cinemas worldwide from May 24