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Admire the streets of Hyères
West of St-Tropez, Hyères is a Côte d'Azur city with a rich history and a sparkling beach scene
The medieval castle above the old town is a must-see for the best panoramic views
contemporary galleries and museums are waiting to be wandered through
And absolutely don’t miss the Île de Porquerolles
the car-free island just a ferry ride away
with sparkling beaches and a family-friendly vibe
Here's how to spend the perfect weekend in Hyères
When to arrive: Arrive in Hyères on Thursday evening for a full three-day weekend and an early start on Friday morning
certain restaurants and activities are not open during the weekends
How to get from the airport: The closest airport is Toulon
which has arrivals notably from Paris and London
Bus number 63 runs every hour through winter from 7am to 7pm and more frequently in summer
The stop closest to the old town is Jean Jaures
getting around by foot is easiest — the old town is foot traffic only
But to visit the Île de Porquerolles or the peninsula Presqu’île de Giens
you’ll want wheels — bicycles might be easier than cars
Bus 67 also goes to the Presqu’île de Giens
Where to stay: Near the center, don’t miss the creativity of the beautiful Lilou Hotel, from €99/night, or the renovated historic Hotel des Palmiers
If you want easy beach access and come during the summer season
then book one of the glamping bungalows at Camping les Moulières
The best-kept camping secret of the Côte d’Azur is still Camping à la Ferme le Pradeau
a tiny and rustic campsite right on the water on the Presqu’île de Giens — and the price is right at around €35/night (tent not included!)
bring beachy clothes but with enough layers to cover up if the weather is gloomy
Morning: If the weather is nice, visit the small island of Porquerolles before the weekend visitors arrive. Book your ferry in advance with the company TLV (€24 roundtrip)
but there are a half-dozen bike rental services at the port
How to spend the day: Families will enjoy the nearby Plage de la Courtade
grab a bike and pedal over the Plage d’Argent — named the most beautiful beach in France
It’s a 30-minute walk or a 15-minute bike ride
There are a few hidden coves around the island
with access to sparkling Mediterranean waters
but not really large enough for a beach day
grab a pair of flippers and a snorkeling mask to visit the Calanque du Brégançonnet
or an underwater hike; beneath the waves are weighted buoys with information about the local species
Either bring a picnic with you to the island or reserve a table at La Plage d’Argent (open April to September)
The menu is coastal with Mediterranean touches
with dishes like octopus or tuna for mains
Dinner: If you fancy a cocktail before the ferry back, stop in at L’Orangerie, right on the port. The cod acras (little fried balls of dough, spices, and fish) go perfectly with an Aperol spritz. Alternatively, make reservations at Le Cadet 83 in the old port of Hyères for generously plated local dishes in a clean
After dark: Looking for a nightcap or to wander a little bit before the evening wraps up? Vinoterre Happy is open late and has a wonderful selection of wines
Morning: Wake up slowly in Hyères and embrace the French art of flâneur
Café Vola opens at 9am and here you’ll get a perfect espresso in a neighborhood bistro atmosphere
the place Saint-Paul or the place Massillon are the spots to people-watch from a café on weekend mornings
How to spend the day: Once you’ve pulled yourself from the café terrace
wander through the morning market — it takes over the old town and the Avenue Gambetta every Saturday
Pick up seasonal produce to prepare a picnic lunch
you’ll find the accompaniment: spring radishes
A few crottins de chevre — pieces of goat cheese
Work up an appetite for that picnic by walking up to the Castel Sainte-Claire
a superb neo-Romanesque style mansion built on the foundations of an old convent on your way down from the Château
The adjoining park of the same name is classified as a remarkable garden with 6500 sq m of flowers and tropical vegetation
You can spend hours wandering around the park and admiring the stunning views of the sea
located on the heights of the Castéou hill
This stunning fortress was once one of the most important in Provence
The original structure dates to the 10th century
but in return you’ll get amazing views of the city and the coast
Spread out your market haul and enjoy lunch with a view
an excellent spot for seafood dishes tucked in a small pedestrian passage
A special word for the razor clams and the selection of local beers
The restaurant is small — reservations are recommended.
After dark: Catch dinner and a show or try your hand at the games of chance at the Pasino de Hyères
In the renovated and luxurious Hotel des Palmiers
there is a full agenda of concerts or plays
In-house restaurant and lounge Le Vic has live music every Saturday night
Morning: Snag a coveted spot at Lilou's beloved brunch service
inside the chic restaurant in winter or on the terrace in summer
this must-try brunch showcases the best of local and seasonal fare
you'll be treated to an impressive spread of home-made French pastries
and refreshing citrus salads featuring local citrus
This popular brunch changes with the seasons
As you’re leaving town, stop near one of the squares to watch a game of boules or pétanque, the emblematic ball-throwing game that is unmissable across the south of France.
major names in fashion have taken part in the fashion competition jury
which has revealed talents now recognized on the international scene
They thus succeed a prestigious list of names who have marked the history of fashion: Paco Rabanne
to name a few.The jury of the 40th edition of the Hyères Festival will be composed of:
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On Sunday, the Hyères International Festival of Fashion, Accessories, and Photography wrapped its third decade in a transitional mood as menswear carried the day
Israeli designer Dolev Elron took home the Grand Prix of the Jury Première Vision for a collection in denim called “Casual Turbulence”
said he wanted to “take an archetype of hyper-masculinity that we all have in our closet
which is so familiar and comfortable that it opens up a space for disruption”
in the controlled arc of a zipper on a khaki bomber
and checks swirled into optical motifs with an assist not from AI but from “old-fashioned Photoshop”
His collaboration with the Lesage embroidery atelier — cut-offs that magnified and distorted a twill weave into jacquard — and a helixed iteration of a vintage Chanel weekender
its leather strap an interlaced scribble designed to be worn crossbody
Elron takes home a €20,000 cash prize plus a €20,000 grant from Chanel
to be put toward a collaboration with one or several maisons d’art at le19M in northern Paris
He will also be invited to create a capsule collection for Icicle and receive a fabric allotment from the Alliance for European Flax
A discarded mattress dress by Romain Bichot
Paris-based Belgian designer Romain Bichot
who joined the atelier at Balenciaga just last month
the 19M Métiers d’Arts for his collaboration with Lemarié and the L’Atelier des Matières Prize for “Call Me if You Get Lost”
a unisex collection inspired by roadworks and street detritus
A traffic cone morphed into a jacket shoulder
and discarded mattresses were revisited in weathered satin with camellias by Lemarié
its undertones of murder mystery wrapped into a dress
was draped and folded into a bustier gown anchored by large
initialled safety pins and paired with vinyl gloves and a necklace piled with vintage keyrings from the fleas
Logan Monroe Goff picked up the Mercedes-Benz Sustainability Prize with “Asphalt Cowboy,” a men’s collection melding tailoring and motorcycle racing
Paris-based designer Logan Monroe Goff won the Mercedes-Benz Sustainability Prize with “Asphalt Cowboy”
a men’s collection melding tailoring and motorcycle racing
a biker jacket made of canvas placements and pieces from his father’s banged-up racing suit
symbolising his move into adulthood as an aspiring designer
The Israeli finalist Tal Maslavi scored a special mention for “Sugar Rush”
a men’s collection based on instant gratification
improbable associations (a leather jacket whirring with massage chair mechanisms
such as a temporary tattoo tee and even edibles
Whatever goes on in Hyères at night tends to (mostly) stay in Hyères
this edition brought a sense that the wild child is growing up and ready to move on
wholly unfiltered fashion-palooza is now — not unlike many Parisian houses and the industry at large — facing a time of transition
Having rehabilitated the century-old Villa Noailles and revealed as-yet unknowns (Viktor & Rolf
the Festival has reshaped its hometown and the surrounding region
It now finds itself in a position to anchor its influence within the framework of France 2030
€54 billion project for innovation and reindustrialisation
the Villa Noailles could be the epicentre of a nascent Centre National de la Mode
a national fashion hub underpinned by more formal structure and sponsorship
That development is the culmination of decades of tireless fundraising
and impresario of the Hyères fashion festival and its complementary event
so a fashion centre seemed legitimate for our 40th,” he said
adding that such an entity would encompass information
and hard-to-access corners of the ecosystem
“Part of the future of Hyères and the region is in play here,” said Jean-Pierre Giran
the mayor of Hyères and president of the greater region that includes the port city of Toulon
Though he declined to share opinions about Friday’s runway show
We’re ready to take initiatives for what should be done tomorrow
That includes prioritising shops specialising in fashion and design, he said. One example opened in central Hyères just this week: Banane d’Or, named for a lesser-known moniker for the French Riviera, is run by Kai Kuhne
Its wares include a highly curated selection of vintage furniture
a small crowd gathered for brunch at the brand-new Hotel Lilou to wish Blanc a happy 60th birthday
feelings about his legacy and fashion’s future remained upbeat
“The new generation has a way of looking at life differently
They live in the visual immediacy of a colour or a sensation,” offered Hubert Barrère
which this year fetes its 100th anniversary
One example among many: that beer sweatshirt produced for Igor Dieryck
“That’s what makes working with this generation so exciting: you take this association of opposites
and you wind up creating an entirely new aesthetic
“There are no rules anymore,” offered Di Felice
“I’m interested in what fashion is becoming
There are so many roads to get to where you want to go
They all deserve congratulations because they all worked hard
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The action all came in a flurry at the end of one of those days on the Med that are good for sunbathing but bad for racing
The Nacra 17s finished their third race just before the sun went down
FX and Nacra 17 fleets began to look a little clearer
but the forecast Mistral over the next two days may have something to say about that
south-west and then west from around 16:00 in the afternoon to sundown
Sailors have always dealt with the doldrums in their own different ways
although in the modern Olympic boat park it is easier to sleep under under a Nacra than an Ilca
World Earth Day 2025: SOF and FFVoile show commitment
April 22 saw celebrations for the the Earth around the world
It is a day with a strong message and an opportunity to take stock of the French Sailing Federation’s environmental commitments in each of their events on the sporting calendar
the FFV is acting within the framework of the charter of 15 eco-responsible commitments
the use of 18 geostationary buoys to limit sea travel
the installation of consumption meters on the coaches’ boats
and collaboration with the Porquerolles and Port-Cros national parks to limit the impact of regattas on ecosystems
The SOF organisation is also encouraging responsible water consumption in the parking lots by recommending that boats be rinsed only at the end of the week
The Sailing Grand Slam calendar has also been designed to limit air travel
A responsible regatta is possible…and it’s already happening
Nacra 17 (mixed double-handed catamaran) (29 entries) Three races today
The Nacra 17s were last back in the boat park just before 20:00
Italy’s duo of Gianluigi Ugolini & Maria Giubilei underlined their class by winning the first and third races of the day and finishing second in the second to consolidate their overnight lead
Austria’s Laura Farese & Matthäus Zöchling continued their battle in the first race of the day
It was enough to hold onto second place overall ahead of the Dutch duo of Willemijn Offerman & Scipio Houtman
winners in Palma and one of the favourites
On a day of very varied results through the fleet
Belgium’s Isaura Maenhaut & Anouk Geerts won two of the three races to extend their overall lead
After finishing the second race in 22nd place
but the second victory gives them a nine-point advantage and all their rivals have similarly large discards
Spain’s Patricia Suarez Gonzalez & Melania Henke Riera are second overall
USA’s Paris Henken & Helena Scutt were second in the second race
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will be without presidents in its 2025 edition
Festival founder Jean-Pierre Blanc announced on Wednesday
that the festival will mark its 40th edition with juries made up only of designers and photographers
“It was difficult to choose one personality to illustrate 40 years of the festival
The alternative that came to me was picking plenty of well-known people
as a gift from the festival to attendees and young designers,” said Blanc
started in 1985 by a group of youthful idealists
is recognized as a significant launch pad for designers
Blanc expressed hopes for the festival’s continued contribution to creativity and emerging creation beyond its 40 years
This sentiment was supported by this year’s fashion jury members Viktor Horsting
Rabanne’s creative director Julien Dossena
had been recipients of the festival’s awards
These jury members will be on a quest for their 2025 successors
Lacoste’s creative director Pelagia Kolotouros
Blanc emphasized retaining the festival’s carte blanche principle for selections despite the unprecedented arrangement
He suggested discussions might take longer but was confident about the resulting extraordinary prizes
Fashion contestants for the prizes hail from Switzerland
Fashion accessories will be judged by prominent creators such as Christian Louboutin
Hermès’ creative director for fine jewelry
The photography finalists will present their work to top-tier image-makers such as Paolo Roversi
the winner at the festival’s 32nd edition
Competing for the photography prize are entrants from Taiwan
the 2024 winners will not be part of the jury determining their successors
their work will be displayed through exhibitions at the Villa Noailles during the October festival
A novel addition this year is the creation of a Supima Prize
each of whom will create an entry using the American-grown Supima cotton fiber
will earn fabric support for their next collection
in addition to a sponsored trip to the forthcoming Supima Design Lab in New York City this November
Emilie Hammen of the Paris 1 Panthéon-Sorbonne University and the Institut Français de la Mode will curate a retrospective exhibition showcasing the festival’s four decades
This will replace the usual spotlight on the jury presidents
who referred to the 2025 milestone as his finale while committing to at least one more year
vowed a treasure trove of contemporary fashion history at Hyères
The festive period begins in April with an exhibition at a prominent Paris-based fashion museum and wraps up with an event featuring Karl Lagerfeld’s iconic images of Villa Noailles in November
Photography and Accessories Festival – Hyères has been celebrating promising young talents of the creative scene
The Fashion Competition of the 39th edition will take place at the Villa Noailles from 10 to 13 October 2024
and will reward one of the 10 finalists revealed in late January
Here’s everything you need to know about the finalists and the five-star jury
The 10 finalists of the 2024 edition Fashion Competition Over the years
the Hyères Festival has become an unmissable event on the fashion scene
acting as a stepping stone for young designers—winners have included Viktor & Rolf
Felipe Oliveira Baptista and Anthony Vaccarello
winning no fewer than three prizes for his YESSIR collection
Here are the 10 finalists selected by the fashion jury:
Director / artist – co founder of (LA)HORDE collective
Co-director of the Ballet national de Marseille
Grand Prix of the Jury Première Vision 2023
The Grand Prix of the Jury Première Vision will be announced on 13 October 2024. Meet Igor Dieryck, winner of the 2023 edition
Mercedes-Benz presents a preview of the CLA Class coupe during the 39th Festival d’Hyères in France ahead of its commercial release in 2025
the car manufacturer brings in the real-life model in lush red
and its front headlights glimmer through the 274 star-shaped lights
They blink day and night at a rhythmic pace
informing passersby that there’s a CLA Class coming
During the preview that designboom attended
the CLA Class has a negative grille for the model
which means that the front opening is inverted or indented
She adds that it’s uncommon for the car manufacturer to produce something ‘negative’ for the surfaces
they’ve taken a risk that pays off as it makes the vehicle appear piercing
The Mercedes-Benz coupe is also electric-first
and the exterior designer shares that drivers have the option to switch the engine when needed
illuminated from the side so it glows at night
and the cabin resembles a living room with the fuzzy material used in the flooring
A super slim screen in the cabin includes vents for airflow
and the design team places speakers in the door panels too for surround sound
all images by Thibaut Grevet
Inside the CLA Class coupe, the Mercedes-Benz team weaves bamboo fiber into floor mats and adds artificial and vegan silk-like fabric for the door pockets
The seats are upholstered in tanned leather made of coffee beans
and the designers recycle discarded paper into components to produce the wooden parts found within the car’s design
Mercedes-Benz marks the coupe with its iconic star emblem
During the festival talk designboom frequented
the design team says that they want the star to signal the brand and have it (twice) as a natural design feature in its next models
The manufacturer says that the term Erlkönig was introduced by a German automotive magazine for the Mercedes-Benz 180 in 1950
and the upcoming CLA picks up where it left off
rear view of the Mercedes-Benz CLA Class coupe which is set for a 2025 release
The camouflaged Erlkönig look has a swirling pattern in charcoal black and silver gray
repeating all over the vehicle like an animal print
viewers can also see the graffiti-like HYERES lettering in red on the sides and the tire rims of the custom look as it signals the Mercedes-Benz Sustainability Mentorship program
fashion leaders Orsola de Castro and Tamsin Blanchard of Estethica hosted digital group sessions and one-on-one mentoring for ten young fashion designers and participants on how they can build their own brands
their collections are presented at The Shortlisted Showroom
It was Logan Monroe Goff who was selected from among the mentorship’s ten finalists to receive the Mercedes-Benz Sustainability Prize
following the decision of the Festival d’Hyères Fashion Jury
All ten finalist collections are featured in the brand campaign with the new CLA as well as the custom
Mercedes-Benz is set to release the CLA Class coupe starting in 2025
at the 39th Festival d’Hyères
Mercedes-Benz shows the camouflaged Erlkönig look in a campaign video
the camouflaged Erlkönig is a concept design tailored to the festival
view of the Mercedes-Benz CLA Class coupe set for 2025 release | image © designboom
interior view of the coupe | image © designboom
Mercedes-Benz at the 39th Festival d’Hyeres
the recipient of the Mercedes-Benz Sustainability Prize
custom camouflaged Erlkönig look of the CLA Class coupe
manufacturer: Mercedes-Benz | @mercedesbenz
event: Festival d’Hyères | @villanoailles photographer: Thibaut Grevet | @thibautgrevet
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style
Congratulations to Logan Monroe Goff for winning the Prix de la Collection Eco-Responsable sponsored by Mercedes-Benz at the 39th annual Festival International de Mode
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with his collection entitled Asphalt Cowboy
The event is held annually at the historic Villa Noailles on the French south coast
Logan graduated from the BFA Fashion Design in 2023 and is currently enrolled in the MFA Fashion Design & The Arts at Parsons Paris
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and Lisi Herrebrugh and Rushemy Botter all among the past winners of the prestigious top prize
It’s no wonder, then, that the festival still manages to pull in heavyweight industry insiders to the south of France each October, even after a busy fashion month. On this year’s jury? Chair Nicolas Di Felice
while the Grand Prix of the Jury Première Vision went to Dolev Elron
meet all the designers at this year’s Festival d’Hyères
Courtesy of Mercedes-BenzWhat are the key inspirations behind your collection?The collection is a celebration of French streetwear and football culture
My moodboard was filled with iconic streetwear garments like jerseys
I realised that football culture is under-explored in fashion
both as a moral duty and to connect with younger generations who prioritise it
During the Mercedes-Benz [mentorship programme]
I focused on sustainable production methods
making necessary compromises that often led to creative breakthroughs
Grace Wales Bonner and Martine Rose inspire me because they seamlessly blend cultural influences with fashion
I strive to merge streetwear with high fashion
using diverse narratives to challenge traditional norms
CatwalkpicturesWhat was the starting point for your collection?My collection is titled Casual Turbulence
It’s about distorting archetypes of hyper-masculinity
a piece of clothing that has evolved from being a symbol of rebellion to becoming an everyday generic staple
five-pocket jeans are the most recognisable garment in the world
Their familiarity is a core element of my collection – it makes us comfortable
Sustainability means recognising our responsibility to minimise waste and make conscious choices in the design and development process
I focused on sustainable practices by using only production-waste denim fabrics supported by Berto
My first major fashion purchase was a pair of Levi’s engineered jeans
they were a big source of inspiration for me
CatwalkpicturesWhat’s the mood for this collection?It was inspired by a man we regularly saw in our neighbourhood
whose rear window was covered with newspaper clippings
a soft felt hat faded by the sun and a shirt wrinkled as out of a suitcase
We are working with various antique materials with their singularities
Our creation is limited in quantities by the vintage resources or deadstock available
Each garment is a unique piece or part of a series in which each product is slightly different from each other
Create yourself a team; fashion is collective work
CatwalkpicturesWhat’s the mood for this collection?The title is Asphalt Cowboy
I was really into this idea of youth transitioning into the first stage of adulthood
I think it’s a crucial moment where you get to decide your path for your future
but also where you have to maintain those youthful qualities that make you who you are
sustainability comes down to building a sense of community: once a community is pinpointed or created
then there’s the opportunity to put a system in place for that specific group of people
it’s a matter of having a collective of efforts in our own areas of expertise
In the look I created for the Mercedes-Benz Prize
I took a wrecked motorcycle suit and upcycled it into a new garment
Because of a combination of superstition and safety reasons
a wrecked motorcycle suit can’t be worn again
so there’s the opportunity to create a system where the materials can be reused
The slow pace here is a welcome break from life in Paris
If I had one recommendation for someone travelling to Hyères
it’d be to go get a drink at Vola Café at the top of the hill
CatwalkpicturesWhat can you tell us about your collection?Call Me If You Get Lost is a night-city stroll
The collection takes as its starting point common objects that we come across every day on the streets
It explores the boundary between object and garment
questioning their categorisation and gender
Sustainability isn’t a choice anymore – it’s mandatory
I personally only use deadstock fabrics to create my looks
All my clothes are also conceived to last in time – that’s another way to approach sustainability
CatwalkpicturesWhat was the starting point for collection?This collection explores the modern obsession with instant gratification
likening it to the fleeting “sugar rush” after indulging in something sweet
reflecting the excitement of the unknown and the tension between short-lived thrills and meaningful self-discovery
I used surplus fabric from Rick Owens’s previous season
I extended my approach by upcycling a vintage bag I found in a charity shop
renewing it while preserving its original charm
This experience has fuelled my desire to explore upcycling further in my future work
Courtesy of Mercedes-BenzCan you describe your collection?My collection
especially in relation to globalisation and how we assign value to seemingly worthless objects
One of the key inspirations was the journey of something as simple as a banana box
which travels thousands of kilometres and ends up being repurposed into something new
means being mindful of how we consume and create
this translates to minimising waste by focusing on intelligent cutting techniques that make the most of each fabric
and by reusing leftover materials to create new elements like pockets
Raf Simons shoes from when he was at Calvin Klein
Courtesy of Mercedes-BenzWhat was the starting point for your collection?My intention with this collection was to find a contemporary form for the type of saccharine femininity that I was always drawn to
I was trying to use the lingerie and corsetry techniques in a fresh and unexpected way
I realised I was making “big girl dresses”
the type of dress you are excited but also nervous to try on
It’s the type of dress your mother disapproves of
and they should be made to last – we shouldn’t dispose of our clothing so quickly
I think time and wear imbues clothing with a special quality that cannot be replicated artificially
I think about Meadham Kirchhoff’s A Cautionary Tale at least once a week
Courtesy of Mercedes-BenzWhat inspired this collection?My collection
is based on the double meaning of the word “nature”
which refers both to our inner selves and to the plant world
To express the need for each of us to assert ourselves
For the Mercedes-Benz Prize look in particular
I upcycled two of grandmother’s shirts to make a dress
I love the upcycling process because I find it very interesting to use garments that already lived
A black Dior bar jacket by John Galliano that I found in an outlet in Paris
Courtesy of Mercedes-BenzWhat was on your moodboard for this collection?My landscape photography
which comes from my own practice of aimlessly strolling around or outside of the city
telling the mood and attitude of the collection
it could be aesthetic for me as I chose linen material to apply natural dye to embody my photography
it also could be considering how the product eventually ends up
I made my collection with almost fully cellulose-based material
I would recommend trying pastis with mint syrup – a cocktail they call Perroquet
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who launched her eponymous label the same year
when she too won the grant offered by the Parisian department store group
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France — Dolev Elron won top honours at the 39th International Festival of Fashion
An Israeli fashion designer based in Stockholm, Elron currently works as a menswear junior designer for Swedish brand Acne Studios. His menswear collection presented at Hyères entitled ‘Casual Turbulence’ featured wave-inspired shapes with a focus on denim
Elron said winning “would be beyond all my expectations.” The designer impressed the fashion jury presided by Courrèges creative director Nicolas di Felice with his craftsmanship and clear point of view
Elron uses digital software to deconstruct and twist iconic everyday garments like 5-pocket jeans or perfecto jackets while maintaining their functionality
The Hyères’ festival came as the fashion industry seeks to chart a way forward amid slowing sales in key regions
Major trends like streetwear and luxury logomania have waned
heritage-focused aesthetic at many high-end brands
Others have doubled down on attention-grabbing viral designs
finding the balance between uniqueness and commercial viability is key
Elron managed to do so by updating denim—a timeless favourite
he said his clothes “should be for everyone
Igor Dieryck, last year’s Hyères winner has also been working to back up creative concepts with top-end execution and wearable product
He closed out the festival’s runway show with a collection produced using his prize winnings as well as support from Chanel’s Métiers d’Art craftsmanship division
Dieryck works in the menswear studio at Hermès
and recently launched a capsule knitwear collection with Galeries Lafayettes
Dieryck said it was a “valuable exercise” designing at a lower price point and larger scale for his collaboration with the French department store
I hope people will wear them and feel something in them,” Dieryck said
This year’s fashion jury focused on “the make
clarity and sincerity,” of the designers’ collections
“You can definitely feel how social media has changed the face of fashion,” said Di Felice
Attention-grabbing designs can boost brands’ visibility online
a viral collection that won the jury’s honourable mention was that of Tal Maslavi
an Israeli designer whose layer-cake derby shoes have won him social-media buzz and were an audience favourite
Aligning with his collection’s theme “Sugar Rush,” the models walked his show to the sound of wrapper and chewing noises
a La Cambre graduate who works in the studio at Balenciaga
won the Prix 19M des Métiers d’Arts and the Prix L’Atelier des Matières
Texas-raised Logan Monroe Goff won the Mercedes Benz sustainability prize with his “Asphalt Cowboy” collection
London-based designer Chiyang Duan won the grand prize for accessories for his collection that included twisted ski masks
who deconstructs and reassembles eyeglasses into sculptural forms
won the Hermès accessories prize with a windswept-looking scarf confected from leather belts in collaboration with leatherworkers from the French house
Executives from Spanish footwear brand Camper
whose creative director Achilles Ion Gabriel presided the accessories jury
issued a special prize to Camille Combremont for a unique
solutions-oriented point-of-view inspired by camping gear
The photography jury was presided over by Spanish photographer and artist Coco Capitán
Arhant Shrestha from Nepal won the Photography Grand Jury Prize
Basile Pelletier from France won the American Vintage Photography Prize with the UK’s Thomas Duffield receiving special mention
Disclosure: Simone Stern Carbone’s housing during the festival was provided by Villa Noailles
the architectural landmark and cultural centre that hosts the event
Simone Stern Carbone is Luxury Correspondent at the Business of Fashion
She is based in Zurich and Paris and covers fashion and beauty
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Tel Aviv-born Elron has designed an impeccable
He reinterpreted denim looks in original fashion
and was appreciated for his innovative garment construction and his entirely novel yet highly wearable shapes
The collection as a whole was so unusual that it could have been spawned exclusively by AI
though Elron emphasised he only used “good old Photoshop,” drawing his inspiration from the widely used photo editing software.The collar in a classic T-shirt was set off-centre
a bomber jacket’s zip bent in a semi-circle
the hems in a denim jacket and matching jeans curved in wave-like shapes
a shirt's vertical stripes became distorted at the back
a handbag’s strap snaked around the wearer's chest
a tank-top’s straps turned in on themselves
a skirt and a pair of trousers blended smoothly into one another
and a leather belt widened to an elliptical shape on the side
Even a metal chain worn around the neck was misshapen
He won over the jury with his chic-lady looks
brimming with humour and graphic patterns and pushing the envelope of sustainability
Like the airy bustier dress with train that he fashioned out of a metal-grey car cover
which pledged to take it back and market it again after the festival
A jury special mention went to Israeli designer Tal Maslavi
who caught the eye with his vibrant creativity
His collection was entirely based on feelings of wellbeing and joy
and featured a mix of assorted items like shoes in the shape of a cake
a silicon mini dress similar to a smartphone’s protective shell
and a T-shirt glued to the skin like a decal.French designer Gaëlle Lang Halloo
meanwhile won the prize awarded by the festival's public and the city of Hyères for her cute
a reinterpretation of sportswear inspired especially by football
British photographer Thomas Duffield was given a jury special mention
and French photographer Clément Boudet won the public’s prize
Now in its 39th edition, the annual Hyères International Festival of Fashion, Photography and Accessories opens today at villa Noailles in Hyères, France. Following a global open call, ten finalists have been selected by the photography jury, this year chaired by artist Coco Capitán along with fellow jury members including Simon Baker
director of Maison Européenne de la Photographie in Paris
AnOther spoke with four of the finalists – who are each exhibiting work in the spectacular 1920s modernist house – to learn more about their work
Originally from Switzerland, Kayla Connors has been based in London for several years, having graduated from Central Saint Martins’ MA Fashion Image course in 2022. Arguably the most fashion-focused of the finalists, Connors’ assured tableaux style has seen her shoot commissions for Dazed, Self Service and Alexander McQueen
The collaborative aspect of fashion image making is important to Connors
who recognises that “it takes a village – my hair
makeup and stylists are all so key in making these images happen
I would not be able to do what I love without them.”
Connors also acknowledges the vital role that Hyères plays in image culture
“Exhibiting my work alongside the other finalists is important
our images build the voice of fashion and image today
we are moving in the right direction but so much still needs to be challenged – new voices need to be nurtured.”
Arhant Shresta’s work is rooted in memories of his childhood in Kathmandu
an overwhelming desire to experience the night-time culture of his native city
a space that he was denied access to while young
I explore the fantasy night-time world that I would dream about as a child and would imagine experiencing vicariously through the older women in my family.”
Shrestha describes his imagined idea of Kathmandu when he was young as “misty and abstract” compared to the adult reality of directly experiencing a “chaotic
pulsating with the densely-packed energy of the bodies that inhabit it
dreamy images that represent my childhood perception.”
as it is the first time he has exhibited his work outside of Nepal
“I am usually quite conservative about sharing my work
but I felt like it was the right time for me to send these images out into the world.”
Having reconnected with his father after years of estrangement
Poppy Promises by British photographer Thomas Duffield follows the eight-year process of rebuilding a relationship that was once strained by his father’s addiction
Explaining the role that photography has played in this process
“It isn’t the photographs themselves that have helped the most in rebuilding our relationship
but rather the activity that surrounded the photographic act
In the slow and iterative way that the series was made
the camera acted as a catalyst for conversations that may not otherwise have taken place
The process of making teases things to the surface so that they can be gently probed
this creative outlet offered a means to reconcile with our vulnerabilities and to take authorship over a story that was previously stifled by the stigma
and secrecy that often surrounds opioid addiction and the effect it has on families.”
as artists but also as humans living in our society
everything is being consumed so fast – art included – the first step we can do to fight that and question the way we approach time,” says French photographer Basile Pelletier
This approach is inherent in the work that Pelletier is exhibiting at Hyères
mainly photographs of his friends taken over several years
Water is a permanent feature of Pelletier’s work
using it to “disrupt reference points between inside and outside
contributing to blurring the reading of reality.” Pelletier invites the audience to imagine their own narrative when looking at the images
intending to prompt questions rather than to provide answers
The photography prize at Hyères often encourages a dialogue between different approaches to image making
“I was always torn between fashion and photography
always trying to link both of these passions in my work,” he says
I could not be happier with my photographs being shown here
The 39th edition of the Hyères International Festival of Fashion, Photography and Accessories is on show in Hyères from 10 – 13 October 2024
If you're heading to the South of France this summer
don't miss Design Parade Hyeres & Toulon 2024
the annual creative extravaganza spotlighting emerging talent in historical locations
In the south of France
Design Parade 2024 opening weekend unfolded with positive energy
friendship and idea exchange across its two hubs of Hyères and Toulon
The competition between 20 emerging young creatives across the categories of design and interior architecture took centre stage with projects exploring themes of material innovation
returning previous winners and guests of honour such as Fabien Cappello
Marion Mailaender and Nathalie du Pasquier amongst others presented site specific and immersive installations across the storied rooms of the Modernist Villa Noailles and the 18th century Ancient Évêché
French designers Sacha Parent and Valentine Tiraboschi won the Grand Prix for their moulded sand ornaments that explore how the decorative qualities of nature can become structural
in a search for a sustainable and authentic evolution of design history
Other original approaches to material innovation amongst the Design nominees include Simon Stanislawski’s colourful seats and sculptures made of used mattresses destined for landfill or burning
Juliette Rougier’s elegant furniture pieces clad with discarded reeds for woodwind instruments from a Marseille manufacturer made of the bamboo-like native plant Canne de Provence
On the rooftop of Villa Noailles, vividly resourceful objects from plant-pot hammock benches, to rolled galvanised steel watering cans, and mosaic top tables formed a larger than life exhibition by Paris-born and Guadalajara-based Fabien Cappello
who participated in the first Design Parade in 2006 and is President of the Jury for Design and guest of honour
His ‘non-aspirational aesthetic’ inspired by vernacular culture relates to a ‘new order of values’ where durability and cultural significance are prioritised
woodworkers and researchers led a construction workshop using natural materials sourced from the Porquerolles island in Hyeres
and a pavilion they made with the same ethos overlooks the scene from a balcony above
embodying their intention to connect architecture to the soil
In Toulon at the Ancient Évêché
romance and escapism abounded across the Interior Architecture displays
yet often in reaction to a darker truth lurking beneath the surface
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Sébastien Gafari and Sara Guedes created a dream-like abandoned palazzo as a meeting place for displaced people with nowhere to anchor; while Juliette Simeone and Amelie Dandoy’s decadent ‘solar banquet’ melted into an inferno under increasing summer heat
Winner of the Grand Prix for this category
Willie Morlon built a painted palace out of plasterboard and polystyrene insulation
striking tension between the endurance of precious spaces and the flimsiness of weak materials abundant in contemporary architecture
president of the jury judging the 10 all-French Interior Architecture nominees
recognised ‘strong attraction to historical references’ layered with ‘a quest for meaning’ across the projects
she identifies many of the participants as ‘architect-artists’ who interrogate structure and depth both materiality and philosophically
a term that she herself also identifies with
The Marseille native often playfully combines contemporary design with artefacts
artwork and antique furniture in response to historical and local context
as seen within her installation for the Design Parade Toulon
The surrealist domestic scenography of Residence Vue Mer is nostalgic for elegant and enduring Mediterranean coastal residential apartment building interiors of the 70s
she performs a series of illusions of materials and space; from a bathroom made of soap
all mixed with artworks by Moffat Takadiwa
or an architects’ desk borrowed from French national furniture collection Mobilier National
This approach of ‘remixing’ connecting history with themes of the present day is the subject of an exhibition in Toulon at Hôtel des Arts running in parallel with the Design Parade (titled ‘Remix’) where unused or damaged furniture pieces from the 17th century onwards that have been ‘alienated’ from the collection of the Mobilier National have been reimagined by contemporary designers such as Rodolphe Parent
Martino Gamper and Vincent Beurin into new hybridised objects
CIRVA (Centre international de recherche sur le verre et les arts plastiques)
Mobilier national and the Fondation Carmignac
conjured an atmosphere of exchange through symposia
awards and social activities such as a generous
bond-building coastal lunch at L’Escale – all summarised in two words by Mailaender
her two favourite parts of Design Parade: ‘Fiesta et Amour’
Design Parade Hyères is on view until 1 September 2024Design Parade Toulon is on view until 3 November 2024
villanoailles.com
journalist and editor covering architecture
with particular interest in sustainability
After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London
she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine
She is author of The Sustainable City (2022
a book about sustainable architecture in London
a map of 20th-century architecture in Cambridge
The opening of Hôtel Lilou is set to revive the tourism scene of the historic French seaside town of Hyères
led by Florent Dufourcq and Kim Haddoubegan
began by restoring the 19th-century building’s original facade to its 1930s colours
‘We thought returning to the original colours was a sign in the city of something coming back to life,’ says Dufourcq
cream and off-white show off Hyères golden light and link together the 37 rooms
which the pair divided into four themes inspired by the town and its connection to travel
We wanted to tell Hyères’ hospitality story but translate it into something contemporary
We want to make it a great destination again,’ adds Haddou
Haddou and Dufourcq reimagined typically ornate ceiling mouldings as geometric lines – a design detail mirrored in the winter garden rooms
which sees a textured trellis pattern on the walls
but we’ve added a contemporary spin with the geometrical lines
It’s a balance between something a century old and something modern and graphic’
Rattan furnishings continue the conservatory feel and nod back to the 1930s
when the material was an innovation for its malleable properties
Arched doorways referencing the city’s early 19th-century Moorish architecture grace some of the rooms – a result of wealthy residents returning from their travels with new design inspirations
to further enhance the city’s golden light and pay homage to the golden age of travel
Studio Haddou-Dufourcq accented all guest spaces with a bespoke collection of glossy poplar burl wood furnishings inspired by the high-shine art deco woodwork of the Orient Express
The rest of the hotel facilities are a natural extension of the rooms
with archways linking a burl wood bar to the trellis-lined restaurant
allowing guests to wander between the two at leisure
The library sees straw-covered walls and floor-to-ceiling windows that maximise Hyères’ summer sun and comprises shelves with tomes on local subjects such as architecture
Hôtel Lilou is located at 7 boulevard Pasteur in Hyères, lilouhotel.fr
Nicola Leigh Stewart lived in London and Madrid before moving to Paris
where she writes about travel and food for the likes of Conde Nast Traveler
She has also co-authored Lonely Planet guidebooks on Paris and France and teaches travel writing at the American University of Paris
There are 11 finalists in the fashion competition
they are coming from six different countries
among them four from France and two from Israel
French designers are also the most represented in the accessories category
which has been sponsoring the Hyères Festival’s most important prize since 2013
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chose Goff for his skill in incorporating responsible practices from the mentorship into his final collection
The designer will be awarded a monetary grant from Mercedes-Benz
All ten finalist collections will be featured in the brand campaign with the new Mercedes Benz CLA automobile
Echoing the brand’s approach to responsible design production across all stages of the automotive value chain, the Mercedes-Benz Sustainability Mentorship was led for the fourth time by partners and sustainable fashion leaders, Orsola de Castro and Tamsin Blanchard of Estethica
they welcomed participants for two digital group sessions and one-on-one mentoring
The goal of the initiative: To equip the next generation of design leaders with the tools
and resources to build their own fashion brands with a considerate
“The group of designers this year was particularly exciting
This initiative becomes stronger each season
and we couldn’t be prouder of the cohort and the alumni we have mentored over the years,” say Orsola de Castro & Tamsin Blanchard
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The Hyères Festival has unveiled the winners of this year’s awards
This article was originally published on FashionUnited.FR
Translated with the help of an AI-tool and edited by Veerle Versteeg
The 39th International Festival of Fashion
and Accessories took place from October 10th to October 13th
offering a platform for young designers in fashion
This year’s event was presided over by Pascale Mussard
with the exhibitions remaining open to the public until January 2025
the festival has provided recognition and support to international fashion designers
expanding over the years to include competitions for photographers in 1997 and accessory designers in 2016
Known as the oldest fashion competition for young professionals
the festival awarded several prizes in various categories
the festival provides two years of ongoing support for participants
awarded the Grand Prix of the Jury Première Vision to Dolev Elron
with additional prizes going to Romain Bichot (19M Métiers d’Art Prize)
Logan Monroe Goff (Mercedes-Benz Sustainability Prize)
Gaëlle Lang Halloo received the Public Prize from the City of Hyères
under the guidance of jury president Coco Capitán
the 7L Photography Grand Jury Prize went to Arhant Shrestha
Other photography awards included the American Vintage Prize for Basile Pelletier
a Special Jury Mention for Thomas Duffield
awarded Chiyang Duan the Grand Prix of Accessories
while Clara Besnard won the Hermès Fashion Accessories Prize
Camille Combremont received a Special Jury Mention
and Maria Nava was awarded the Public Prize
Victor Marqué crafted the winners’ trophies for the festival
continuing a longstanding tradition of celebrating artisanal craftsmanship