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In an unprecedented collaboration with the Kimbell Art Museum in Fort Worth, Texas, the Musée d’Art Moderne de Paris is, for the first time, exhibiting the important Paysage au Cannet (Landscape at Le Cannet) by Pierre Bonnard alongside the artist's portrait by Édouard Vuillard
These two works owe their connection to the attentive eye of Vuillard
who chose to depict his friend beside the Paysage au Cannet in a remarkable mise en abyme painting
While Bonnard himself is clearly recognisable
the representation of his painting in this portrait acts as a powerful artistic signature
Vuillard paid tribute to his friend by skillfully depicting the Paysage au Cannet in great detail
This exceptional presentation of the two artworks is accompanied by other paintings by Bonnard belonging to the Musée d’Art Moderne de Paris
these paintings evoke the time Bonnard and his wife Marthe – who was the model for Nu dans le bain (Nude in the Bath) and Femme à sa toilette (Woman at Her Toilette) – lived at the villa “Le Bosquet” in Le Cannet
The house and surrounding garden became a limitless source of inspiration for the painter
Bonnard immortalises the view above the villa in Paysage au Cannet
he invites us to contemplate the same landscape from the window of his studio
revealing another perspective of this beloved place
The abundant greenery around the house is also evident in Le Jardin (The Garden)
where the vibrant colours of the different flowers and plants
invite us to follow in the artist's footsteps
Lee Da-yeong poses with a Panionios scarf in a photo shared on the club's website on Wednesday
UCONN GAME STATS
France – The first performance against an outside opponent for UConn men's basketball
In the first game of its three-game Foreign Tour on Saturday night
the Huskies challenged Le Cannet Basket and won in convincing fashion
before some 250 fans at the French team's home court
"The winning streak continues," UConn Coach Dan Hurley said with a smile
referring to last season's six-game winning streak that propelled the Huskies to the NCAA National Championship
it shows that the hard work we do in the summer pays off
We think it puts us a little ahead of everybody else."
Looking to blend the returning core of veterans with their group of new players, the Huskies found it to be an easy mix, getting 81 points from seven returnees and 51 from five newcomers. All 12 players who appeared in the game scored, while freshman Jaylin Stewart was feeling ill and did not play
Junior Samson Johnson had 12 points and led the rebounding with 8
while Spencer (6) and senior Hasson Diarra (5) combined for 11 assists
including four 10-minute quarters instead of two 20-minute halves
Donovan and the others – who really know how to play," Hurley said
"and a group of freshmen who have worked extremely hard to learn
I loved the unselfish passing to try and get good shots and just the overall winning attitude."
who leave early Sunday morning on a flight to Barcelona to complete the Foreign Tour
didn't waste much time putting Le Cannett in their rear-view mirror
hitting 8-of-12 three-pointers in the opening quarter to jump out to a 38-22 lead
but the Huskies hardly missed a beat with the reserves in the game
running the lead to 67-40 at the half and 101-48 at the end of the third quarter
when the UConn defense held Le Cannet to just 8 points
Le Cannet Basket is a team that won France's fifth division championship just last June and will be moving up to the fourth division this coming season
upon their arrival in Spain on Sunday morning
The team will meet a Spanish Select Team on Monday and a second Spanish Select Team on Tuesday before taking a day of sightseeing on Wednesday and leaving for home on Thursday
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I spent a quiet afternoon in the Kimbell Art Museum’s exhibition
I have long been a fan of Pierre Bonnard’s pastel
and his deft manipulation of space and emotion through color
While I anticipated this would be a visually stunning exhibition (and it is)
I underestimated the way these works — and the way they were organized — could make me consider and reconsider the complexities of intimacy
As I wandered through the luminous paintings
I pondered their intersecting manipulations of color
The exhibition opens with a sweeping view of the Kimbell’s 2018 acquisition, Landscape at Le Cannet
The green and orange figures and vegetation are glowing embers against the unearthly lavender light cast by the Renzo Piano Pavillion’s concrete walls
dissolves into the fields on the right of the canvas
the first of many ghosts to haunt the exhibition
give me the uncanny sense of standing atop a tall hill or building
where neighboring bunny rabbits and anonymous allegorical figures quickly make way for distant trees
The sight lines between the baffle walls further orient me to the exhibition’s overall layout: a somewhat detached start is sure to give way to increasingly personal views beyond
Installation view of “Bonnard’s Worlds” at the Kimbell Art Museum
filled with warm golden greens and figures frozen in lively awkward movement: aiming a croquet bat
I trace Bonnard’s signature orange as it emanates from each painting
connecting their sometimes disparate stylistic choices in a subtle scavenger hunt I continued throughout the exhibition
We as an audience are in a park or garden rather than overlooking a pastoral vista
I get the sense I am visiting a friend from a distance
The next narrow space undulates through the color palette of the works
I join a family luncheon or drop by for a chat
We sit and read quietly with unfinished cups of tea
Frenetic strokes of paint and vibrant patches of abstraction lure us into the haze of memory or reverie
past moments collaged together in the mind’s eye
The following gallery is a bridge between outside and inside: living
breathing interiors with windows to the world beyond
The colorful interiors glow around her lavender gray skin
as if ghostly apparitions set flowers in vases and spill coffee on the tablecloth
happening upon my partner during their morning routine
After a riotous yellow transition in which we look through a window
with another ghostly face on the bottom left
We are then gifted with a touch of everyday domesticity
including signs that people actually live in this place
with works that show papers strewn on surfaces
a woman sharing her breakfast with her dog
I enjoy the figure’s anonymous labor as she stocks the cupboards
I wonder how she prefers to arrange her pantry items
and I jot down a few notes for my own kitchen
I now see myself as the the one writing at the desk or scraping the butter within a quiet still life setting
Then next come the nudes: faceless women emerging from the darkness of the low-light galleries
riotous patterned quilts and wallpaper in the gloom of twilight
were sharing an intimate breakfast with Marthe and her dog
and here the intimacy has escalated to something much more private
And this is where the invitation to tea has ended
luminous reality the most exposed versions of my beloved
While the label texts point toward an overtly “erotic” reading of these paintings — an interpretation that is certainly readily available — I use this body of work to think on the word “intimacy,” employed frequently in the discourse of this show
I am interested in the connection between “intimate” and “vulnerable.” I ask myself
Certainly bedrooms and bathrooms are at the crux of that intersection
Perhaps we often use one term as a euphemism for the other
As these figures lay among their tussled sheets or emerge from their beds to drag their clothing back on
they are at once powerful in their nudity and vulnerable in their awareness
spotlights illuminate painting after painting of a nude Marthe in her bedroom and bathroom
the light through the windows and water creating an incandescent glow from beneath her skin
disappearing and reappearing behind corners in complicated compositions that bend the rules of space
as her body melts into the water or ties back her hair
“Nude in an Interior,” on view in “Bonnard’s Worlds” at the Kimbell Art Museum
The exhibition closes with a selection of Bonnard’s self-portraits
one of which stands in a captivating pairing with his final Nude in Bathtub
A lavender phantom dissolving beneath the water
Marthe is a mere spirit in dichotomy to her corporeal dog
juxtaposed with Bonnard’s harrowing expression nearby
Bonnard has no more intimacy to illustrate
beyond what he sees of himself in the mirror
His gaunt reflection is almost too private for me
“Nude in Bathtub,” on view in “Bonnard’s Worlds” at the Kimbell Art Museum
and brought into context with this exhibition
Bonnard investigates solidity and translucence
As Bonnard’s characters look to the distance or stare into their cups of tea
I leave Bonnard’s Worlds reflecting: When am I myself
Seekers of thoughtful interiors, vibrant color studies, human relationships, and a spectrum of “intimacy” should make it a point to visit Bonnard’s Worlds, on view at the Kimbell Art Museum in Fort Worth through January 28
“glowing tutti frutti” is an apt description.)
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HAA Cultural Events Calendar
The Kimbell Art Museum imports Mediterranean beauty to Fort Worth with its newest addition: a mural-sized painting by Pierre Bonnard
one of the most admired artists of the 20th century
the first work by Bonnard to enter the museum’s collection
was painted in 1928 and depicts the vibrant
sun-drenched landscape surrounding the artist’s villa near Cannes
The Kimbell announced the acquisition on August 30, and it goes on display in the museum's Kahn building on August 31. The museum did not disclose the purchase price, although a recent Wall Street Journal article reports that a 1923 Bonnard landscape The Terrace at Vernon sold at a 2011 Christie’s auction in London for $11.6 million
"well over its pre-sale estimate of $4.8 million-$6.4 million and Bonnard’s record at auction."
Those who have spent time on the French Riviera will recognize the brilliant colors of the Cote d’Azur in the painting — especially since the larger-than-life canvas stands about 9 feet wide
Bonnard portrays the landscape around his villa as an earthly paradise
with human beings in harmony with nature,” says museum director Eric M
with its intense Mediterranean light and color
will look spectacular in the Texas light of the Kimbell.”
The painting is first recorded hanging on the wall in Bonnard’s Paris apartment in 1930
His friend Édouard Vuillard painted a portrait there of Bonnard’s city studio
showing the artist looking intently at Landscape at Le Cannet
Bonnard was born in a suburb of Paris suburb in 1867; he began his career studying law but soon left to pursue art at the Académie Julian in Paris
He was inspired early on by artist Paul Gauguin
and Bonnard's late works inspired Mark Rothko
Bonnard often painted scenes of daily life
centering on his own family — especially his wife
His landscapes often depict joy his garden at Vernon in Normandy and his house at Le Cannet
The Kimbell describes Landscape at Le Cannet with this detail:
"(It) is the most ambitious depiction of the world that was the central setting in Bonnard’s art for the final decades of his life
Taking a position on the hill above his home
which he had christened 'Le Bosquet' for the grove of trees that surrounded it
near the tree at center of the composition
gives a sense of Bonnard’s personal scale in the context of the panorama; the two hillocks in the foreground fall towards the pathway that borders the rear of Bonnard’s property
where a girl and her dog can be seen passing by
Bonnard places himself in the right foreground
beside a pair of goats; a cow stands among spiky plants at the other side of the canvas
The whole composition is suffused with warm light and with a rainbow-like array of colors
from reds and oranges through the dominant yellow hue to shades of green
The Kimbell Art Foundation purchased the painting in honor of Kay Fortson
Admission to the museum's permanent galleries
A lot of iconic characters can be found in this month's line-up
from Michael Jackson and The Temptations to Hello Kitty
here are 12 local shows to watch this month:
Ain't Too Proud - The Life and Times of the TemptationsBroadway at the Center
through May 4This Broadway musical follows The Temptations’ extraordinary journey from the streets of Detroit to the Rock & Roll Hall of Fame
Set to the beat of the group’s treasured hits
and betrayal during a decade of civil unrest in America
A Dallas HeddaBishop Arts Theatre Center
through May 10BATC's playwright-in-residence Franky D
Gonzalez has reimagined Ibsen's Hedda Gabler
which explored the psyche of a woman whose labyrinthine soul and longing for freedom from a world that sought always to control her
Gonzalez's concept picks up the conversation that Ibsen began and continues to explore freedom through the lens of the conversations that we in the United States (and indeed throughout the world) have been having around the intersections of race
H*llo K*tty SyndromeUndermain Theatre
They just quit their job as a police officer
and made a vendetta with their brother-in-law
HK finds themselves caught in the throes of a family drama
nobody will stop commenting on the fact that they are wearing a Hello Kitty™ mascot costume — though it’s slightly off because of copyright laws
Festival of the KidStage West
May 3-4The 18th annual edition of this festival features 29 never-produced pieces
written and performed by local students aged 7 to 18
with works written by and starring students ages 7-13
which unfolds in two acts and includes all pieces written by and starring students 13-18 years of age
and monologues are all winning selections from Stage West's Neighborhood Play Contest
Forbidden Broadway: Merrily We Stole a SongAT&T Performing Arts Center
Forbidden Broadway is a satirical roast of over 30 Broadway hits featuring outrageous costumes
silly spoofs of the songs you know by heart
a talented quintet of comic chameleons throw out pointed parodies at a dizzying pace
Moving CreaturesOchre House Theater
May 7-24This is a politically charged satire about an evil and intolerable oligarch
bloated old goat who lords over a once rich and beautiful region that is now a wasteland due to the Baron’s greediness
successful women that fell victim to the Baron’s insatiable desire to kill
which takes place during the Gilded Age at the turn of the 20th century
is a mysterious world that has a moving mansion
MJ the MusicalBroadway at the Bass
the unparalleled artistry of the greatest entertainer of all time is featured in MJ
the Tony Award-winning new musical centered around the making of the 1992 Dangerous World Tour
The production goes beyond the singular moves and signature sound of the star
offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status
El OtroTeatro Dallas
May 16-31A simple ride to retrieve a birthday gift sends a young teenage girl named Romy and her two fathers on a phantasmagoric ride through a harrowing night
the fresh-faced Fort Bliss soldier who recently married her mother
The Mad Dog BluesHip Pocket Theatre
May 16-June 8Take an adventure trip through America's mythology
traversing through Sam Shepard's work like never seen before
Patti Lupone: A Life in NotesAT&T Performing Arts Center
May 24Three-time Tony Award winner Patti LuPone describes her new concert as a “personal musical memoir,” and what a memoir she has
Lupone takes to the stage with her longtime musical director Joseph Thalken to celebrate
STOMPAT&T Performing Arts Center
The international percussion sensation features an eight-member troupe that uses everything but conventional percussion instruments — like matchboxes
hubcaps — to fill the stage with magnificent rhythms
CatsCasa Mañana
May 31-June 8Known for its spectacular music
Andrew Lloyd Webber’s Tony Award-winning Cats is one of the longest-running Broadway musicals of all time
As a tribe of cats called the Jellicles gather for the annual Jellicle Ball
find out who will be chosen to be reborn into a new Jellicle life
The mandatory bout for the World Boxing Association (WBA) Super Cruiserweight Championship between the champion Arsen Goulamirian and his challenger Aleksei Egorov has been confirmed for November 19 at La Palestre Arena
Goulamirian will return to the ring to defend his 200 lbs
French citizen will have the opportunity to be at home and in front of his fans for this great fight
The 35 year old puncher had not been able to step into the ring due to various postponments of the fights
but now he is ready to show his strength once again.
Egorov earned the right by being the Gold champion of the division and the best available contender to face the champion
The undefeated fighter had been waiting years for such an occasion and now has the opportunity to go to the monarch’s house and take the black and gold crown from him
Both Goulamirian and Egorov are undefeated in their professional careers
while the latter has knocked out 7 of the 11 opponents he has beaten
In a night of mixed emotions at the ANB Arena..
Usage of Content Confidentiality Clause
The rise of anti-Semitism in France has been driving many Jews from the country
Others are fleeing the bigger cities and heading south to the French Riviera
a small suburb on the northern border of Cannes is home to two hundred fifty Jewish families
Chabad of Cannes opened Le Cannet’s first synagogue
“Many of the younger families who move here are finding Le Cannet to be a more affordable place to live,” says Rabbi Mendel Matusof
who directs Chabad of Cannes with his father
“For years our congregants have been asking when we will do something for Le Cannet.”
In 2014 the Matusofs appointed Rabbi Levi Gourevitch and his wife Mouchka to begin running activities for Le Cannet’s growing Jewish community
a forty minute walk into Cannes the need for a local synagogue and community center was highlighted
With the help of the City the new Chabad house and synagogue
located in the center of town was inaugurated April 22
Officials of the local municipality participated at the event and joined a tour of the center following the ribbon cutting
MP Michelle Tabarot and Vice President of the Regional Council
both whom are long standing friends of the Jewish community
“We are happy to have in Le Cannet a center that teaches the love of another,”said Philippe Tabarot
“Among the older members of our community
there is the feeling of wanting to keep a low profile
The enthusiastic participation of city officials was a boost to their Jewish pride.”
Mr Jacques Merker reads a prayer at the inauguration of Le Cannet’s first synagogue
as Rabbis Mendel Matusof and Youdi Lewin look on
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Home News Babcock awarded new contract to support the French Government’s fleet of Airbus H145-C2 helicopters
Babcock and Airbus Helicopters have been awarded a new contract to support the EC145 fleet of the Direction Générale de la Sécurité Civile and the French Gendarmerie Nationale
awarded by the French Ministry of Armed Forces Directorate of Aeronautical Maintenance (DMAé)
covers the aircraft in service support of a fleet of 48 Airbus EC145 helicopters across France mainland and overseas
The fleet is made up of 33 Sécurité Civile helicopters and 15 Gendarmerie Nationale helicopters
currently in service for rescue operations
The package of work will see Babcock providing aircraft support and maintenance at its facilities in le Cannet-des-Maures
We will also be responsible for central technical assistance
mission equipment and associated ground support resources and manage the spare parts inventory at our facility in Nîmes Garons
The contract will create around 20 jobs in the Nîmes and Le Cannet-des-Maures regions to meet the customer’s needs
Babcock and Airbus Helicopters will also be assisting with the retirement of the EC145 fleet of the Sécurité Civile and Gendarmerie Nationale
which will be gradually withdrawn and replaced by Airbus H145 helicopters
we have been supporting the Airbus H135 fleet of the Gendarmerie Nationale and French Customs and over the last year
we have been providing support for the four new H145 delivered to the Sécurité Civile
© 2025 Babcock International Group PLC
‘Dining Room in the Country’ (1913)
More by this contributorAt Pallant House: Gwen JohnAlice Spawls21 September 2023
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A 33-year-old Russian man who runs no known profitable businesses secretly owns European real estate and other assets worth at least 50 million euros
The findings of this story are based on corporate records that are current as of 2019 in the case of Toni’s Luxembourg companies
and 2018 in the case of his investment fund
which he holds through seven companies registered in the tiny European country
include a 19th-century neo-Gothic palace near Paris; an apartment between the Louvre and the Arc de Triomphe; two villas on the French Riviera; three houses
and land on Spain’s Mediterranean coast; a depot in Germany; and even
An investment fund registered in Luxembourg — of which Toni is registered as a director — holds an additional 40 million euros of commercial real estate that almost all once belonged to his family
as well as 60 million euros in other assets
as is any other role the Toni family may play in its investments
Because Luxembourg records show only a company’s current owner
it is unknown when Toni became associated with these companies and their assets
He was just 15 years old when the first of the properties were purchased
who does not have a visible internet presence
did not respond to questions about how he came to possess such wealth
But his great fortune may have something to do with the fact that his father
is a deputy managing director of Russian Railways
one of the largest transport companies in the world
with over 700,000 workers and net profits of $829 million
But this pillar of Russian state capitalism is famously corrupt
In 2014, for example, Reuters reported that Russian Railways granted contracts worth hundreds of millions of dollars to shell companies allegedly controlled by an old friend and “unpaid adviser” of its longtime head
Yakunin and the elder Toni appear to have had a warm relationship
The Russian Railways boss contributed an introduction to a book Toni wrote about “the fate of modern Russia.” Yakunin also wrote a laudatory blog post (since deleted) in which he praised his subordinate for his work on the 2014 Winter Olympics
Novaya Gazeta and OCCRP found that Yakunin’s friend’s son earned millions as an intermediary between Russian Railways and Bombardier
He also received millions of uncertain origin through a money laundering scheme known as the Russian Laundromat
“Toni was the key leader who organized the construction of all of Russian Railways’ Olympic facilities in Sochi,” Yakunin wrote
“Building what we built in just five years from nothing — few could shoulder it.”
In 2010, it was reported two of Toni’s former business partners at a private construction firm received massive contracts from Russian Railways to build Olympics facilities
Russian Railways said no laws had been violated
Toni did not respond to OCCRP’s questions about this possible conflict of interest
No specific evidence has emerged linking the Toni family’s real estate to any illicit activity at Russian Railways
But the opaque corporate structures used to acquire the properties
and the mysterious origins of much of the financing raise questions about what may be happening behind the scenes
Oleg Toni did not respond to requests for comment
the Tonis acquired about 7 million euros’ worth of property in 2003 and 2004
the year Oleg Toni joined Russian Railways
Among their earliest possessions is their most extravagant: the Chateau de Montapot near Paris
has a total area of 990 square meters and 19 bedrooms
Тhe property was bought in 2003 by a company registered in the British Virgin Islands whose owners cannot be identified
the BVI company gave this property to one of the seven Luxembourg companies that now belong to the young Sergey Toni
an independent appraiser estimated the palace’s value at 2.5 million euros
The Toni family’s two villas in Le Cannet
The same scheme was used to acquire three other French properties: A Paris apartment on the glamorous Rue du Faubourg just a quick walk from the Elysee Palace; a small house in the fashionable village of Mougins; and a 3-million-euro villa in the French Riviera town of Le Cannet
the value of this last purchase had risen to 4.6 million euros
suggesting that the family had invested further funds to improve it
the Tonis also bought a second villa in Le Cannet
served on the lawn of their French chateau
It is unknown whether the family uses the other properties personally
They do not appear on popular rental sites such as Airbnb or booking.com
and Google Maps images show no indication that they are being rented out
suggesting that the properties do not bring in any income
establishing a separate Luxembourg company
and land in the province of Alicante worth a total of 7.4 million euros
It also registered the right to use a spot in the city’s port
The Toni family used a third Luxembourg-registered company
this firm acquired three properties worth 24 million euros: the Hotel Courtyard Seestern by Mariott in Dusseldorf
and a shopping center called Porte di Moncalieri near Turin
Over the next years, however, the young Sergey Toni sold these assets to an investment fund that was registered in Luxembourg in 2014. The fund is managed by United Financial Group
a wealth management company working in the Russian market since 2005
its Luxembourg affiliate had collected assets around Europe worth 100 million euros
of which about 40 million represent real estate formerly owned by or connected to the Toni family
The names of the fund’s investors are unknown
Neither he nor his father responded when asked about the nature of their involvement
The fund paid out 58 million euros in dividends in 2018 and 2019
These properties represent just a portion of a business empire that now belongs to the 33-year-old Sergey
another of his Luxembourg companies acquired a 4.9 million-euro property in Germany described in documents only as a “depot.” Still another owns almost 17 million euros in Swiss assets
though the records don’t reveal what they are
A sixth Luxembourg company recently sold an office building in France it had held since 2008
Luxembourg is not the only place where the Toni family has secretive assets
Reporters found a Toni company registered in the British Virgin Islands that owns an apartment in the upscale London district of Knightsbridge
The family also owns a large house in Prague through a Czech company
It’s unclear how the family managed to acquire such wealth
even considering the senior Toni’s generous official income
Oleg Toni was a businessman and held shares in a large private construction firm
He sold these shares between 2003 and 2006
it’s difficult to estimate how much his share could have been worth or how much he could have earned there
Judging by the only information available — the net value of BSK’s assets — Toni’s share might be estimated as roughly 3 million dollars at the time
This figure is just a fraction of what his family spent on French real estate alone
Though Oleg Toni’s position at Russian Railways does not require him to disclose his salary or assets
the company publishes consolidated information about how much its executives are compensated
If Toni receives a proportionate share of the total
his annual salary could be about 1 million euros
this is an extraordinarily generous income
but it's still insufficient to explain his family's acquisition of tens of millions of dollars in non-income-generating properties
many of the Toni family’s purchases were financed through loans
his companies’ debts surpass the value of their properties
And most of these funds were loaned not by banks
is the daughter of Azerbaijan’s former ambassador to London
she is familiar with unprofitable companies: she’s the director of a London-based real estate firm into which the couple have invested nearly two million pounds and owns a consignment handbag store she opened with her mother
But neither they nor her husband’s lossmaking real estate empire have prevented the family from leading a life of luxury
they split their time between London and Monaco
Her posts also show that she received an Aston Martin for her birthday in 2015 and poses in clothing made by Fendi
Hanushka Toni's hobbies, according to a bio on a website of a former employer
eating her way around London and organising her closet by colour and season.”
Support from readers like you helps OCCRP expose organized crime and corruption around the world
you’ll be directly supporting investigative journalism as a public good
You’ll also gain access to exclusive insights and benefits
Data in Luxembourg’s UBO registry shows the tiny Grand Duchy is a favored destination for oligarchs
Central Bank Governor Riad Salame has touted investment in Lebanon while sending his own money to Europe
Thousands of emails sent and received by Kirill Shamalov — Vladimir Putin’s former son-in-law — showcase the fantastic..
and Lee Jae-yeong during a Heungkuk Life Insurance Pink Spiders V League game in October 2020 [YONHAP]
with her twin sister Lee Jae-yeong when they both played for the Heungkuk Life Insurance Pink Spiders in 2021
The first exhibition to focus entirely on the radiant late interiors and still life paintings of Pierre Bonnard (1867‱947) will open January 27 at the Metropolitan Museum of Art
“Pierre Bonnard: The Late Interiors,” running to April 19 in the museum’s Robert Lehman Wing
drawings and watercolors that date from 1923 to 1947
when Bonnard centered his painting activity in Le Cannet
Working in his modest house overlooking the Mediterranean
Bonnard’s paintings transformed the rooms and objects that surrounded him into dazzling images infused with intense light.
It is these luminous late interiors that define Bonnard’s modernism and prompt a reappraisal of his reputation in the history of Twentieth Century art
16 watercolors and gouaches and 19 drawings and sketches in the exhibition are numerous rarely seen works from private collections
as well as loans from prominent museums in Europe and the United States
The exhibition will also reunite several pictures that once hung side-by-side on Bonnard’s studio wall in Le Cannet.
More modern than is commonly recognized
the late work of Bonnard is remarkable for the artist’s individualistic approach to color
perspective and composition †particularly as seen in his interiors and still lifes
Although less well known than his paintings of bathers
Bonnard’s late interiors and still life paintings are equally extraordinary
Over the course of 24 years of painting the simply furnished
much as Paul Cézanne had discovered in the landscape of Mont Sainte-Victoire
The exhibition will feature the artist’s finest interiors
including “Corner of the Dining Room at Le Cannet,” “The White Interior” and “The French Window,” all from 1932.
Bonnard’s late interiors and still lifes explore a multitude of nuanced color relationships among glowing yellows
as in “Basket of Fruit: Oranges and Persimmons,” circa 1940
and “Bouquet of Mimosas,” circa 1945
in such paintings as “Breakfast,” circa 1930
transcend domestic narratives to speak of the artist’s process of creating pictures through a masterful orchestration of color and light.
Although Bonnard’s subjects were close at hand
relying instead on pencil drawings sketched rapidly in little diaries
Four of the artist’s diaries from his years at Le Cannet will be loaned by the Bibliothèque national de France
The diary notations lay out idiosyncratic marks as reminders of color
These shorthand sketches were critical to the genesis of large-scale paintings
through a process of continual editing and revision
He often worked on several paintings at once
tacking the unstretched canvases to his studio wall in order to allow for alteration of the periphery of the painting and its overall proportions.
the artist deferred to the memory of perception
His interest lay in exploring how diverse objects interrelate within a pictorial field
rather than dwelling on the literalness of any object or figure
in the paintings “Still Life with Ham,” 1940
and “Young Women in the Garden (Renée Monchaty and Marthe Bonnard) ,” circa 1921′3
equal attention is paid to every component of a painting
Negative spaces are as important as positive forms
thus achieving a kind of “overallness” in the composition.
Bonnard created a body of work that became less obviously descriptive and more metaphoric over time
The artist played with conventions of perspective and proportion and intensified the relationships among objects and figures to a disquieting effect
Bonnard’s paintings often convey a feeling of forbidden sights
as if one is trespassing among private or intimate settings
In later paintings figures become peripheral
Some figures begin to disappear off the picture plane
as in “Dining Room Overlooking the Garden [The Breakfast Room],” 1930″1
and “Table in Front of the Window,” 1934″5
pulsating colors and a fluid interaction between foreground and background
the forms and spaces of Bonnard’s still lifes and interiors are not still at all
The Metropolitan Museum of Art is at 1000 Fifth Avenue. For information, 212-535-7710 or