On Thursday 14 November 2024, French climber Seb Bouin completed the first ascent of Wolf Kingdom (9b+) at Pic Saint-Loup in France
The route is a combination of two existing lines Beyond and Les rois du lithium
and the connection bolted by Bouin one and a half years ago
The 31-year-old had been working it on and off since
Bouin stated "What a wave of emotions to complete this project
It’s one of the routes that has inspired me the most in my climbing career
I am proud and happy to add such a route to the global climbing scene and to place Pic Saint-Loup on the worldwide map of climbing
the wind was howling through the cliff at Pic Saint-Loup
but I knew that very low temperatures were necessary to send the final section
you never really know what you're going to encounter
It takes a lot of luck for difficulty to align with beauty and fun in a single route
It's quite rare to have the chance to bring a route like this to life
Wolf Kingdom is undoubtedly one of my best additions
I think it will be one of the most tried 9b+ routes in the future
considering its style of climbing. I’m almost a little sad that I no longer have this beautiful project right next to home
I believe this route marks a major turning point in my climbing journey. Successfully completing such a big project while staying happy and positive the entire time — it’s an incredible feeling. I think this route is my second hardest achievement. It feels a bit easier than DNA, so the 9b+ grade seems appropriate.
Wolf Kingdom can be broken down into a 9a approach section which is the hard part of "Beyond", leading into a 9a+ which is the hard part of "Les rois du lithium" (9b). I’ve done the first 9a section more than 50 times... Thank you all for sharing this process and the energy at Pic Saint-Loup!"
On March 28, Jules Marchaland repeated Beyond 5.15a (9a+) in Pic Saint-Loup, France. Opened by Seb Bouin in 2019, the route is one of Europe’s finest of the grade, featuring incredible tufa climbing. Bouin originally suggested 5.14d for the climb, but after a hold break made the second crux significantly more difficult, he instead suggested 5.15a. Before Marchaland’s ascent, Beyond was repeated by Tangay Merard, Seb Berthe, and Dylan Chaut.
“Regarding the grade, my feeling would be that it’s clearly soft for a [5.15a]. But is it a very soft [5.15a]? A very hard [5.14d]? Or a [5.14d/15a]? Honestly, I don’t care and I’m really happy of what I’ve done! I enjoyed every second in this route (except the wet end, I admit).”
Beyond is Marchaland’s fifth of the grade. He sent three 5.15a routes in 2023 including First Ley in Margalef, Supercrackinette in Saint Leger, and Punt’X in Gorges du Loup. Late last spring he completed Three Degrees of Separation at Céüse.
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Feature photo by Lucien Martinez
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France's Jules Marchaland has just completed what he himself has described as "maybe the best climbing moment of my life" after making a remarkable
second-go ascent of Beyond at Pic Saint Loup in France
Located in the La Baume des Escargots sector
the route was originally bolted by Frederic Ferraro and first climbed in 2019 by Sébastien Bouin and Lucien Martinez as a 9a
with notable repeats being made by by Bouin
23-year-old Marchaland stated: "After checking the beta
I knew it could be possible to do it quickly
And everything went better than I expected." He added " he last 10 meters on tufas (≈7c) was completely wet
It was one of the biggest mental battle of my life
Marchaland said: "my feeling would be that it’s clearly soft for a 9a+
I don’t care and I’m really happy of what I’ve done!"
and Super Crackinette at Saint-Léger du Ventoux
He considers Beyond the easiest of the four
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Andrew Jefford bikes up the road to Pic St Loup
Not my own (we’ve only just moved house); this blog
has never tackled my local vineyard region of Pic St Loup
wrote to invite me to a domain celebration a couple of months ago
Disaster and triumph have marked the Pic’s recent history. The disaster came on August 17th 2016
I remember it well: gathering clouds of such drama during the early afternoon that I rushed outside to photograph them
a torrent of hailstones which looked like flattened golf balls came clattering out of the sky which
trashed around half the total crop of the entire area in less than 30 minutes
“It was a tough moment for us all,” remembers Viau
I lost 50,000 bottles; I never dared work out what it cost
The real danger is not having anything to offer customers
A network of customers takes an enormous amount of work to create
I hope it only happens once in my lifetime.”
it claims to be coolest and the wettest (though Limoux might dispute that); indeed Guilhem Viau suggests that its heat summation and rainfall figures — GDD totals of 1550-1650 and up to 1,000 mm of rain per year — are not far adrift of those of the Northern Rhône
Many of the leading wines in Pic St Loup do indeed showcase Syrah in blends
and the Pic St Loup style of Syrah has a lift and purity to it which contrasts with the citrusy exoticism (teetering
into corpulent torpidity) this variety can exhibit in warmer Languedoc locations like St Chinian or La Clape
The Mediterranean and the placid Golfe du Lyon is only half an hour away
but don’t be fooled: the region in general has more of a continental than a maritime climate
warm summers and swift spring and autumn transitions
The fact that France’s eighth largest city
lies half an hour south of Pic St Loup is both an advantage and a challenge
It helps sustain wine sales and prices – but it means that winegrowers have to fight property developers
since the whole appellation lies within easy commuting distance of what has been France’s fastest-growing metropolis over the last half-century (Montpellier has doubled in size since 1962)
dominated by the tilted limestone block of Pic St Loup itself (658 m) and the long scarp line underneath the Causse of Pompignane
most visibly marked by the cliff of Hortus opposite Pic St Loup
If you’re someone who believes that limestone makes the greatest of all soil media for vines
since almost every vineyard is based on some form or other of pebbley limestone or finer textured limey marl
My guess is that many of these soils (and particularly the beautifully drained
deep ‘gravette’ soils which stretch away in an alluvial fan or bench near the little Gardois village of Corconne
to the north of the appellation) have yet to give their best
The vineyards punctuate airy scrub and forest
and as green in winter as in summer thanks to Aleppo pine
cade and box – a biome I never tire of walking in
Guilhem Viau in Bergerie du Capucin vineyards
whose term as Pic St Loup president came to an end in 2016
recently awarded the Trophy of the Grands Vins de France competition
This goes to the domain winning the most medals in a particular region over the previous five years of the competition – five gold and four silver for the top cuvées in Viau’s case
beating any other contender from the whole of Languedoc and Provence
It’s been a rapid ascent: the domain only came into being in 2008
It now has 15 ha in three different sectors of the appellation
It was singled out for the Trophy via medals for its top red wines
the unoaked Dame Jeanne and the oaked Larmanela; both are indeed very good (see below) and not remotely clodhopping
The single wine from Bergerie du Capucin which most impressed me
was not a red – and it poses an interesting question
Pic St Loup is at present an appellation for red and rosé only: those were what sold best and attracted most attention when the application process began
with Viau’s 2008 white Dame Jeanne: one of the most successful aged Languedoc whites I’ve ever tasted
It’s not illogical to think that one of the coolest
might be well placed to produce outstanding white wines in the years ahead
is a blend of 70 per cent Chardonnay with the balance from Viognier
and other leading whites from the Pic St Loup zone (including the Domaine de l’Hortus Grande Cuvée white) are based on a similar blend
Would Pic St Loup ever be allowed to sanctify such a blend with an appellation of its own
I doubt it; Burgundy is not happy to see ‘new’ French appellations staking a claim to Chardonnay
I’m sure we’ll begin to see Pic St Loup reputations being carved out for fine white wines as well as reds from this zone – but consumers searching them out will have to get used to looking for IGP names such as Val de Montferrand or the more recently instituted St Guilhem le Désert
This is normally an (unoaked) blend of Chardonnay with around 20% Viognier
but the August hail meant that Viau had to source from friends as well as from the domain
and the blend exceptionally contains five per cent Roussanne and Marsanne in this vintage
with plenty of perfumed intricacy to add charm
The white Larmanela is quite literally a ‘tête de cuvée’
in that it is drawn off from the upper part of the tank after settling; it is also the earliest picked portion of Chardonnay
and is fermented in new Radoux barrel specially selected for this purpose
but for me it is both over oaked and rather drivingly acid
but my suspicion is that 12.5% in this location is just too early a pick
but this is the same blend of Chardonnay and Viognier
The Viognier character comes through with ample aromatic sweetness aromatically; on the palate
the poise and finesse of the Pic Chardonnays sing out
lively and soft: a subtle milky richness adds complexity and sensuality to clean
lemony fruit lent intrigue by some bottle age
The fruit quality is worthy of comparison with traditionally styled Margaret River Chardonnays
a warm village Meursault or even a Kumeu River – and a striking success for Viau’s debut Chardonnay vintage
Proof that the Pic has fine white-wine potential
A blend of Syrah with 25 per cent Grenache and 5 per cent Mourvèdre
There’s a wildflower and thyme sweetness to the aromas
a little meaty richness and a twist of orange peel
too – but everything in moderation and just proportion
aged in mainly used 400-litre casks for 16 to 18 months
has mushroom and balsam-lifted fruits; the palate is pungent
this Syrah cuvée also contained 10 per cent Grenache
vivid and harmonious: more evidently generous in conception than Viau’s recent work
with black fruit scents of plum and blackcurrant
a little fig sweetness and some menthol among the herbal notes
this wine now has ample liquorice and root-spice flavours lent contour and definition by finely stitched acidity and soft tannins
Those wishing to discover more about Pic St Loup might like to seek out the admirably comprehensive bilingual book Le Pic St Loup by Florence Jaroniak and Sharon Nagel (published by Terroirs d’Exception).
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Text description provided by the architects. In the summer of 2007, Localarchitecture and architect Danilo Mondada were awarded the contract to renovate the mother house of the Deaconess Community of St-Loup. The commission involves the complete renovation of a historic building, including the community's main chapel.
It was immediately apparent the mother house would have to be closed for the duration of the building works, in other words for 18 months starting from the summer of 2008. Instead of settling for a standard solution, like renting a tent or containers, the architects suggested building a temporary chapel to accommodate religious worship during the construction period.
© Milo KellerTransparent plastic panels in the gable side facades, covered with fabric, allow natural light to enter the chapel. The frame of columns and diagonals resembles the structure of a stained-glass window.
© Milo KellerThe wooden chapel in St-Loup is the first full-scale structure that incorporates design and structural analysis based on computer method of generating novel geometrical forms
but it is also a bright example of the spatial reinterpretation of a traditional religious space in harmony with its environment
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The line starts on Fred Nicole’s Bain de Sang (9a
5.14d) and then moves into Francios Nicole’s (Fred’s brother) Bimbaluna (9a/9a+
The Italian climber Alessandro Zeni made the first ascent of the new line in January of this year
This makes Cryptography one of the hardest slabs in the world
Watch Zeni’s journey to send the line in the video above
as we begin the third volume of In Search of Lost Time– a book in which there is a lot of socializing- to share this ultra rare film footage of what appears to be Marcel Proust
some four years before he largely withdrew from society and set about writing his masterpiece:
It occurred to me that there is a slight irony about Proust (and a lot of great writers
to be fair) in that he is a wonderfully astute anatomist of social life; yet
if you’re going to become a great writer
having a rich social life is perhaps the worst thing you can do
perhaps more any other artform you can think of
uniquely painful for its most skilled practitioners
Orwell compared writing a novel to having a long debilitating disease
Hemingway said of writing “it rips the guts out of you.” Thomas Mann said a writer is someone for whom writing is more difficult than it is for other people
it’s understandable that a writer would try to lose themselves in socializing
it’s not writing; that’s something you do alone
Proust knew this very well; it’s one of the points he makes repeatedly in his epic
which he famously wrote in fairly extreme isolation over about fourteen years
his narrator never seems to get the point that being out in society
trying to make his way through the constellation of salons in order to reach the brightest star
is a novel about how not to waste your life away populated by characters who do just that and a narrator who nearly does as well
I feel this sense particularly strongly in the third volume, a book I am apparently not alone in finding to be a bit more of a slog to get through than the other numbers
There’s a tension here (and I suspect it’s intentional) between Proust’s always bright and funny prose and his pantheon of society snobs
in which the brightest star in the firmament
our narrator worships Madame de Guermantes from afar
making a general pest of himself by popping up along the route her carriage takes each morning
his family has moved to the dependent Hôtel de Guermantes
so it’s not as if they can avoid the Duke and Duchess
but there’s no indication that she wants anything to do with our young hero either
she’s of the old nobility and he imagines that
would have the strangeness of a medieval tapestry or a Gothic window.” As a child
we recall he saw her in the Combray church
where he was also stunned by the Guermantes figure in the stained-glass windows; one imagines he sees Madame in much the same way: distant
hovering ethereally in the upper regions of the sky
there’s something delusional about our hero’s crush
who is moreover considered the most charming of the highest echelon of the Faubourg Saint-Germain; but
what could he possibly have in common with her
Emma of “Book Around the Corner,” emphasizes Proust’s use of the verb “choisir“
“We usually fall in love and the verb “fall” implies it is an accident
our hero has chosen to fall in love with Oriane de Guermantes because it seems like a good idea; she fits an image of perfection in his mind
We’ve seen his worshipful veneration of his mother
the object of devotion seems something supernatural
his worshipping of flesh and blood women is always a bit extravagant and unreasonable
this volume is a quest narrative; in order to get closer to his divinity
the narrator must first pass through the circles of the theatre
he sees the old nobility floating in their boxes
which Proust describes like aquatic monstrosities in an aquarium
our narrator finally understands why the actress Berma is great; previously
she left him cold because he was too closely analyzing her art; now
He has passed from unreasonable worship to aesthetic appreciation
He travels to a military base where his friend Robert de Saint-Loup is stationed
in order to convince Saint-Loup to introduce him to his aunt
It’s somewhat surprising to recall that Proust himself served in the military for a year
and the scene illuminates the difference between worship and service
There’s something quite admirable about how Saint-Loup goes out of his way to serve his friend and talk him up to his fellow servicemen
and conversely something decent about their respect and admiration for Saint-Loup
Proust seems to be saying that it is natural for us to look to and admire others
even in “democratic” societies we might shun elites
Saint-Loup is busy worshipping his own fantasy
but who our hero recognizes from a brothel he visited earlier with his schoolboy friend Bloch
He calls her “Rachel when from the Lord” after a character in Halévy’s opera La Juive
something becoming another strike against her in this society; but we also sense that Rachel really is a great actress herself
Our hero feels discomfort and embarrassment for his friend
The military episode also allows Proust to bring in the controversy that will soon rip ugly holes in French society: l’affaire Dreyfus
was convicted of treason for passing military secrets to the German embassy and sent to Devil’s Island
The problem was Dreyfus was innocent; it was soon found that an officer Charles Esterhazy was the real spy
high officials in the military suppressed the new evidence
and laid additional charges against Dreyfus based on forged documents
French society divided into Dreyfusards and anti-Dreyfusards
and antisemitism that had seemed to be waning in the Belle Époque roared back to cultural life
As our hero makes his entry into the salon of Madame de Villeparisis
this time between the diplomat Norpois (who earlier insulted his writing) and his schoolboy friend Bloch
When the bore Mme de Villeparisis snubs him
The salon is a bit of a hunting ground; the salonnières are the alphas among these pack animals and it’s survival of the wittiest
Bloch is snubbed; Madame Swann shows up and is snubbed as a one-time courtesan and wife of a Jew- and we recall that her husband was simply a better person than any of these snobs; the Baron de Charlus arrives and charms the women
but our hero is advised not to go home with him
something as subtle as the twitching of Madame’s nostrils indicates assent or condemnation
and so Proust’s prose is as piquant and witty as ever
The one-time social climber recognizes how ridiculous these people are
like members of a vanished tribe who don’t know their own time has nearly reached its end
we’re listening in on snobs for over a hundred pages and one rather wishes our hero would come to his senses more quickly
By Dan Fainaru2009-09-07T18:58:00+01:00
The latest from the French New Wave master
teams a desolate Jane Birkin with a mysterious Sergio Castellito - it starts with him fixing her car and ends with his mending her soul
Reworking once again his favorite theme of life versus art and indulging in his affection for long
elegant sequence shots and witty double-entendres
this will delight his fanbase as much as it will annoy his regular critics
Shot mostly in and around the city of Arras
not far from the location of his La Belle Noiseuse
Around A Small Mountain takes place in a circus as opposed to the theatre
but the space between stage and life is as precisely defined and meaningful as it ever was in his past work
Film festivals will certainly board this and art houses will follow
even though Rivette’s admirers concede that this doesn’t add much to his body of work
The opening sequence shows Birkin standing helplessly next to her stranded car on a country road
Castellito sweeps by in his sports roadster
disappears down the road as if ignoring her
All of this is conveyed in one single shot without a line of dialogue
Similar visual exercises of equal concise precision follow as the audience learns how Kate (Birkin) has come back to a circus she had left 15 years earlier
but she is still uncertain whether she wants to stay with it
Vittorio (Casteilito) is more mysterious; he is evidently fascinated by his new chance acquaintance and is equally interested in circus life
was killed performing a daring act on stage
kicked his daughter out and told her never to return
only because she insisted on mourning him. Since then
she has retreated into a passive existence
goading her back to the stage and forcing her to act - for ultimately
there is no life without art and vice versa
throwing in references to still life paintings and mist-shrouded mountains
often solved through Birkin’s uncomfortable monologues revealing her character’s past and emotional troubles
Other characters also fill up the blanks in equally clumsy circumstances
but thanks to the scions of the Lubtchansky family
Another saving grace for the film is Castellito’s Italian charm and insouciance which make his intrusion into other people’s lives not only acceptable but welcome and sometimes delectable
EXCLUSIVE: The modern love story is the second film by the rising German director
Warner Bros’ A Minecraft Movie dominated the month with Gaumont’s Once Upon My Mother the top local film
Golshifteh Farahani and Mélissa Boros star in Ducournau’s latest feature
Clooney and del Toro are heading to the Lido; Alberto Barbera reveals the ones that got away
Venice sidebar to screen eleven world premieres; first screening of Ermanno Olmi doc
Lav Diaz’s The Woman Who Left from the Philippines won the Golden Lion at the 73rd Venice Film festival on Saturday while Emma Stone claimed the Coppa Volpi best actress prize for La La Land and Oscar Martínez took actor honours for El Ciudadano Ilustre
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This climb encloses the climbing history of an entire generation
it’s a way of interpreting rock climbing that is considerably different from what’s fashionable nowadays
It’s a line that from below seems almost easy because it’s perfectly vertical
but as soon as you lift your feet off the ground you immediately realise how insidious it is
I have to admit that on my first trip to Saint Loup with Riccardo Scarian
in 2015 I didn’t understand very much..
It took another two years before I gained the necessary experience to climb a route like this one
Then in January 2017 I immediately noticed that something had changed
and that I was finally capable of holding crimps I’d originally considered to be nothing more than footholds
Redpointing Bain de Sang proved to be an important stepping stone for all my future climbs
In late 2017 you returned to Saint Loup to try its monumental neighbour
Bimbaluna put up by François NicoleYes
Sky and I returned to Saint Loup in December
He’d already sent Bain de Sang in 2006 and now we wanted to test ourselves on Bimbaluna
Having seen Sky’s attempts during the previous years I knew that Bimbaluna is completely different than Bain de Sang
with difficulties concentrated in a 6-move boulder problem which warrants FB 8B/+
On my first attempts I immediately felt good on its extremely small and sharp edges and with the Sky’s precious advice I actually managed to repeat it very quickly indeed
It was then that you realised you hadn’t reached your limit
and that you started dreaming about something “crazy,” right?This is why life is so beautiful
You set yourself a goal and when you finally achieve it
We all know we won’t be able to improve indefinitely
but the great thing is trying to test your limits always
regardless of age or the actual technical difficulty
in forty years time I’ll probably be just as happy if I manage to repeat a route I now do as a warm-up
what is certain is that I’ll always give my absolute best as long as I’m strong enough to do so
It’s precisely this quest for something new that prompted me to try this connection that I initially thought was well beyond my reach
So how crazy was this idea of linking the two routes?I started trying it right after redpointing Bimbaluna and immediately realised that it was’t the individual moves that made this climb so difficult
but the fact that you need really strong fingers for the Bimbaluna crux after the first section of Bain de Sang
After that first attempt I realised that I’d need to be strong enough to do the boulder crux easily if I wanted to send the entire route
It took almost two years to build that necessary strength
Basically it’s the crux of Bain linked to the crux of Bimba
The difficulty of Cryptography lies in the fact that as you traverse from left to right
you avoid the huge rest in the middle of Bain de Sang
The moves across aren’t that easy either
with a long reach right to a monodoigt that leads straight into the Bimbaluna crux
The first part of Bain de Sang was graded 8b/c by Fred Nicole
the bouldery traverse gets about FB 7B I’d say
and this is followed by the Bimbaluna’s bouldery finish
All without a real rest in the middle of the climb
On both Bain de Sang and Bimba Luna there are rests that allow you to recover before dealing with the crux
but these rests are avoided on Cryptography
I think that’s what makes it so difficult
And then of course there’s the fact that it’s almost impossible to chalk up except on some moves
to which you need to add that the holds are so small and sharp that you can never give it more than just a few attempts per day
How did you prepare for this climb?I did a lot of fingerboard training
which essential to increase specific finger strength
and I combined this with system training and campus boarding
What was fundamental was transforming this strength and trying really hard routes outside
and my main testing ground was the crag Bilico
How important is pure power on a slab like this?Although it’s a slab
it would be wrong to think that physical strength isn’t necessary and that it all boils down to good footwork
The first section of Bain de Sang in particular
is extremely physical despite being a slab
There are many key factors: finger strength
being able to dose your energy by finding the right balance and
and it’s almost impossible to compensate for poor conditions with physical strength and training
How many attempts and journeys did you need prior tu success?On each trip we spent about 5 days in Saint Loup
I don’t know exactly how many trips we did but since 2017 I reckon about 12 in total
The thing that was really amazing is that our motivation never flagged
especially on routes like this when sometimes you fall just a hair’s breath away from success
you gave the climb its name before you freed it
I gave it a name even before I was strong enough to do it
because I thought that this might motivate others to give it a go if I failed (in the beginning I didn't really believe I’d stand much of a chance)
I thought this line was really worth completing
How did things go?I knew I was ready but I didn't expect it to go down so quickly
I’d just recovered from a finger injury
and for this I really have to thank my girlfriend Ilenia who
managed to fix me in record breaking time with a nice series of Tecar therapy sessions
I got an indication about my form in early January when I visited Cornalba for the first time and sent C'era una volta in America
I narrowly missed the redpoint on my second attempt due to a silly mistake
while the redpoint almost felt like a walk in the park
I realised that this was going to be a good year for my Switzerland project
and I was on great form physically and mentally
when a route doesn’t seem difficult at all and you even question why it was so hard
But then when you think about how much you had to put into it to join all the pieces of the jigsaw puzzle
then you convince yourself that it can’t be that easy after all
In many ways that’s the beauty of slab climbing
You spend a lot of time and energy to decipher a single move that
But then on the day of the send everything flows fluidly and quickly
so simply that you’re tempted to believe it’s almost too easy
That’s why on my return from Switzerland I immediately went to try a climb I’d attempted many years ago
which I managed to repeat that day on my third attempt
This gave me further confirmation that I was on amazing form
You mentioned earlier that you were searching for your limit
How close did you get that day?On the redpoint I didn't really feel as if I was at my limit
because I had assimilated the moves so well that they were almost completely automatic.
My body knew exactly how to move in order to save precious energy
my feet knew how much they could push on those tiny footholds and my fingers how much they could pull those holds
to avoid wasting energy and trashing my skin before reaching the crux
Why d’you reckon it’s 9b and how does it you compare to other routes of this style you’ve climbed before?Giving a grade to Cryptography was a difficult process
It’s always difficult to stick your neck out
especially when the grade is at the limit of this style of climbing which has few comparisons simply because there are few other reference routes
But I reckon it’s a mistake not to give a route a grade out of fear of exposing oneself
The only thing you can do is be as honest as possible with yourself and with others
having searched for comparisons which are as similar to the climb in question as possible
I actually struggled to convince myself that Cryptography could be this difficult
but ultimately I couldn’t help but base my decision on the grades given to the other two routes
Bain de sang which is given 9a and Bimba luna
Both have been repeated and the grades confirmed by climbers who I believe have a lot of experience on this type of climbing
Even if Bain de Sang were to be rated 8c+
Cryptography remains a grade and a half harder That’s why I graded Cryptography 9b
then both Bain de Sang and Bimba Luna would need regrading
But as usual this is only a preliminary suggestion
while waiting for those who wish to repeat this beautiful route
it represents the history of two great slab climbers
Over the years you’ve specialised at slab climbing
What do slabs give you that overhangs don’t?My evolution towards slabs was fairly natural
initially tied to the fact that here in the Primiero region of the Dolomites are crags are mainly vertical and extremely technical
As time wore on I realised that this terrain really did give me both the freedom and the excitement I’ve always been looking for
The challenge of searching for the smallest hold
I’ve also been really lucky to have been able to share a rope with many really good climbers
the person who most of all has made me appreciate this beautiful dimension of the upper extreme on slabs
I perform far better on slabs than on overhangs
partly because I’ve never really spent much time upside down
and also because of my physical limits that have led me to redpoint overhanging climbs up to 8c+
The beauty of climbing lies in its freedom of expression and although I really admire those who manage to send really difficult overhanging routes
I’m happy with my physical and technical capabilities I’ve acquired through years of training
and personally I wouldn’t really want to swap it for anything else
If you want to: how come you waited so long to share the news about your first ascent?Well it was dictated mainly by the fact that in January I had the great fortune of starting a new sponsorship with the company that has always worked closely with my home mountains: Karpos
At the time the decision to publish this news would somehow have overshadowed the other
So we decided for the Karpos sponsorship news first so as to to take photos and make a video about Cryptography in order to give it the visibility it deserves
Then with the problems related to Covid-19 things took a little longer…
So it’s been several months since the first ascent
you’ve already got some new projects in mind.Right now I am trying to establish a new multi-pitch climb together with my friend Sky
Without wishing to diminish sport climbing at the crag in the slightest
for me personally my ultimate goal is taking these difficulties into the mountains
and using bolts sparsely in favour of long run-outs
Everything feels more adventurous and complex up in the mountains
the views are breathtaking and the hundreds of meters of void exalt me and really make me feel alive
The days spent forging a line a true tests of self-control and risk analysis
On 11 January 2020 Alessandro Zeni managed to free his difficult project at the historic crag Saint Loup in Switzerland that links two of the world’s most famous slab climbs
Bain de Sang was established way back in 1993 by Fred Nicole and graded 9a
while immediately to the right his brother François Nicole managed to add Bimbaluna in 2004
It was while repeating the latter in 2017 that Zeni had "..
namely to link the two most difficult sections of both of these routes into one
In order to succeed the 28-year-old invested numerous attempts and +600km journeys from his home in the Dolomites to Swiss crag. Zeni suggests his Cryptography link-up warrants 9b. Should the grade be confirmed, then this checks in as one of the most difficult slabs in the world, on a par with Disbelief at Acephale in Canada freed by Adam Ondra in 2018
For years Zeni has specialised in slab climbing and, after numerous high-end repeats, towards the end of 2018 he established the 9a+ Cosmic Energy at the Bilico crag in the Dolomites
>> Read Ale Zeni's reportAlessandro thanks C.S. Esercito and his sponsors: Karpos, La Sportiva
Belgian climber Sébastien Berthe wrapped up his 2023 with a repeat of Beyond
the 9a+ in the La Baume des Escargots sector of Pic Saint Loup in France
Bolted by Fedric Ferraro and climbed in 2019 by both Sébastien Bouin and Lucien Martinez at 9a
after a hold broke the second crux got significantly harder - from 7B boulder to 7C+ - which nudged the overall grade up to 9a+
Berthe invested about 13 sessions in order to make the third ascent of this version following Bouin and Tanguy Merard
and after his redpoint he explained "Beyond is probably one of the best of this grade in France and even in Europe: Huge overhang
"Maybe a future project?!" concluded the 30-year-old
BEYOND by Seb BertheFor the winter and spring of 2023-2024
A friend of mine and a very strong French climber
Loup as a potential location where I could find the route of my dreams
La Baume des Escargot on the north face of Pic Saint-Loup
indeed harbors numerous particularly beautiful and challenging routes
Another essential advantage of this cliff: it faces north and is particularly exposed to the wind
but perfect for my soft and sweaty skin (I sweat a lot from my fingertips and am what they call "soft-skinned")
I've noticed recently that I had a lot of skin issues when choosing south-facing projects
last November I decide to spend two weeks there and set my sights on Beyond and its first pitch
a perfect intermediate goal in the 9b process
I quickly fall in love with the beauty of the route and decide to fully invest in it before committing to its 9b long version
Despite its initially very physical appearance
I realise it's primarily a fantastic technical challenge
It requires perfect mastery of knee jams and dropknee techniques
and the numerous possibilities for footholds demand a lot of beta refinement
a lot of finger strength in a full-crimp position is also needed
What a joy to be back in this working process
feeling motivated during the approach hike
I feel I've made significant progress: I can tackle long sections of the route
And on the last day of these two weeks working on the route (about 7 sessions)
I manage to get through the first crux from the ground
that I finally have the chance to get my revenge
I only have a few days before Christmas to celebrate and fulfill my social and family duties
I'll have to be strong and efficient to complete it in such a short time
my first attempt on the route is very promising: I feel much stronger than during my last visit
I breeze through the cruxes with disconcerting ease
It's so pleasant to feel progress in a route
The sensation of progress is almost as exhilarating as completing a project
It's one of the things I love about climbing; you don't know why or how
but suddenly you can execute movements with a certain ease when you could barely hold the positions at the beginning of the process
falling on the last move of the crux in an astonishing effort
I've got this route; all I have to do is keep trying and stay focused
I continue to fall in this formidable section
but each time a small mistake leaves me hanging
but the previous sessions have worn me out
the back of my thighs are irritated from the kneepads
I feel my muscles sore from the preceding days
I give my first attempt and fail again in this tough section
I think I might have to come back next January
But I might as well give it a full try one last time
A quick glance confirms what I feared: I have a nice cut on the skin
I try to dry the blood with chalk as best as I can; it doesn't work entirely
I resume climbing from this precarious resting position on a kneebar with the firm intention to settle it
Now I'm in this second crux: I eagerly crimp that little undercling
I finally manage to grab that slippery tufa marking the end of the challenging part of the route
it's much easier; there's about the equivalent of 7c climbing to the anchor
a rodeo-style climb straddling a large tufa
But with the stress and fatigue of the session
I feel the pump building up in my forearms
I can enjoy the final moves and clip the anchor
About 13 sessions were needed to finish this route
for the exit through ACL and its 9b… Let’s come back in January
Un post condiviso da Seb Bouin (@sebbouin) in data: 23 Ott 2020 alle ore 6:09 PDT
BAIN DE SANG - VERTICAL LOVE by Jonas Schild I started trying the route seriously last autumn
Because of the old and rusty bolts (old hand-placed bolts from the 90s) I only tried the climb on a toprope
after just a few days I managed to climb the entire route on toprope
so the plan was clear: rebolt the route and then lead it
But bad weather set in and the stayed wet for a long time
In mid-November I was finally able to try it and lead it with new bolts
My first attempt went really well and I fell on the last difficult move
On my second try though my ring finger suddenly made a loud popping sound
Not particularly surprising when you consider that I was trying to lock a mono as a full crimp
The injury forced me to take a longer break from climbing
and after a winter with practically no sport climbing at all
I decided to try the route again this spring
the sensations were really good right from the start
Because of my lack of fitness I fell from the last crux numerous times
and at one point I thought I’d run out of time and that it would become too warm for serious attempts
But at the beginning of May luck was on my side
On the day of my send a strong wind made conditions were just perfect and I finally managed to clip the chains of Bain de Sang
A supposedly short matter turned into a somewhat longer story
French climber Sébastien Bouin made the first ascent of Les Rois du Lithium (9b/5.15b) at Pic Saint Loup
He bolted this project in spring 2023 after the first ascent of ACL (9b)
The route goes straight up the middle of the crag
Here’s the full story from Seb: "This part of the wall was attracting me since a long time
"Les Rois du Lithium" looked like the perfect line
Straight in the wall with a 20m hardcore ending
I couldn’t imagine there will be so much perfect holds
I was amazed by the moves and the line."Les Rois du Litthium" is basically split in two parts
There is an easy approach around 8b / 5.13d tiering you for the main part
there is this beautiful power endurance part counting 22 hard moves in a row
"Les Rois du Lithium" is possibly my favorite 5.15b climbed
And there is something more: it’s fun
The fun fact is quite important on a hard project
when riding the rock is inspiring yourself
I tried this route during the fall season 2023
I was so psyched to finish the job this spring
I needed time to learn properly the 22 hard moves
you have to reach left hand a sloppy crimp and take a swing with it
I fell few times up there. There is another hard and inspiring project in Pic Saint Loup : The "Wolf kingdom" project
It will be harder than "Les Rois du Lithium"
located circa 1 hour north of Montpellier in the South of France
and got to work on this line that had previously only been climbed by Gérome Pouvreau and by her life and climbing partner Cédric Lachat
The French superstar snags first ascent of ‘Wolf Kingdom,’ suggesting it’s on the harder end of 5.15c/9b+
And he’s ticked a nauseating number of classic “low-end” 5.15s around the world
Now he’s achieved the first ascent of Wolf Kingdom, in his home crag of Pic St. Loup, in southern France. He says it’s his second hardest climb after DNA
Wolf Kingdom is a linkup between two of his other hard routes: It climbs the 5.14d/9a bottom half of Beyond Integral
Then it links into the 5.15a/9a+ top of Les Rois du Lithium
a 5.15b/9b he bolted 18 months ago and sent last spring after a season of effort
you enter the long resistance crux of Les Rois du Lithium: 20 or so consecutive V6 moves
where there’s no good place to pause and chalk
with a V10 heartbreaker guarding the chains
“Since I knew the 9b [from the spring],” he said
“it was a faster process [this fall] than it would have been on a separate 9b+.”
A post shared by Seb Bouin (@sebbouin)
Still, after conversations with Adam Ondra
who’s been working on Les Rois du Lithium but has not yet sent
Bouin recently realized that 5.15d is not out of the question
“Maybe I make a mistake [proposing 5.15c],” he says
Pic Saint-Loup is Bouin’s home crag, and over the past decade, he’s almost single-handedly put it on the hard climbing map. In addition to Wolf Kingdom, Les Rois du Lithium, and Beyond Intégrale, he’s also established testpieces like Ariégeois Cœur Loyal (5.15b/9b)
“It’s one of my best contributions to the climbing community,” he says
And thanks to its beauty and relatively friendly style—consistent
without any strange or savage cruxes—he predicts that one day
it may become one of the world’s more popular 5.15c’s
"The Nutcracker" explores the mental challenges of solo climbing and the tactics Cornell used to help him send the route
Medium take: Seb Bouin is the world’s best sport climber not named Adam Ondra. Hot take: Bouin has been the world’s best sport climber
The Frenchman just tagged yet another ninth-grade climb
tossing Les Rois du Lithium (9b/5.15b) onto his growing pile
The route on the sparse limestone of Pic Saint Loup
explodes out of an 8b start into 20 meters of the business — a razor-straight line with holds that clearly inspired Bouin
I couldn’t imagine there will be so much perfect holds
I was amazed by the moves and the line,” Bouin said in a Black Diamond Instagram post
A post shared by Black Diamond Equipment (@blackdiamond)
Bouin called it “probably” his favorite route at the grade ever
Lately, the 31-year-old has been aiming higher. Not content with Jumbo in 2022, he completed a savage extension to author Supreme Jumbo Love — America’s first 9b+. That came after he created DNA
the world’s second 9c route (still unrepeated)
Characteristically unwilling to rest on his laurels
Bouin said he’s not done in Pic Saint Loup yet
“There is another hard and inspiring project in Pic Saint Loup: The Wolf Kingdom project. It will be harder than Les Rois du Lithium,” he said. “Let’s continue the fight!”
Sam Anderson spent his 20s as an adventure rock climber, scampering throughout the western U.S., Mexico, and Thailand to scope out prime stone and great stories. Life on the road gradually transformed into a seat behind the keyboard, where he acted as a founding writer of the AllGear Digital Newsroom and earned 1,500+ bylines in four years on topics from pro rock climbing to slingshots and scientific breakthroughs.
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Yesterday, French climber Jules Marchaland made the first ascent of Le bruit de l’acid 5.15b (9b) in Claret, France. The route is his first of the grade. Le bruit de l’acid is an endurance test. After an 5.13a intro, a poor rest follows before launching into two stacked boulder problems. The first clocks in at around V13, the second around V10, with no rest in between. “You basically can’t chalk for 25 moves,” said Marchaland about the climb.
“Finally done,” wrote Marchaland on Instagram after his send. “When [Lucien Martinez] told me about this project, I immediately wanted to check it out. And, unsurprisingly, I loved it straight away. The crux is a mega cross dyno into a good pinch, exactly what I love. I’d never tried a hard route that suited me as well.”
On March 28, Marchaland sent Beyond 5.15a in Pic Saint-Loup on his second go. The Seb Bouin route was his fifth of the grade. He sent three 5.15a routes in 2023 including First Ley in Margalef, Supercrackinette in Saint Leger, and Punt’X in Gorges du Loup. Late last spring he completed Three Degrees of Separation at Céüse. A few days after sending Beyond, Marchaland repeated Guère de bruit 5.14d in Claret.
A post shared by Jules (@jules_marchaland)
On April 1, French climber Jules Marchaland repeated Guère de Bruit 5.14d in Claret, France. Opened by Seb Bouin in 2022, the route links Guerre d’usure 5.14b and Super Samson 5.14b with a crimpy boulder problem. After a solid flash go, Marchaland sent the route on his third attempt.
“Some days ago I sent this really cool line which is a connection from [Seb Bouin] of [two classic 5.14b’s] with a very good boulder problem,” Said Marchaland on Instagram after his send. “This route was the first step of the real project that promise to be savage. Can’t wait to fight hard and crush it, game is on.”
A few days before completing Guère de Bruit, Marchaland sent Beyond 5.15a in Pic Saint-Loup on his second go. The Seb Bouin route was his fifth of the grade. He sent three 5.15a routes in 2023 including First Ley in Margalef, Supercrackinette in Saint Leger, and Punt’X in Gorges du Loup. Late last spring he completed Three Degrees of Separation at Céüse.
A post shared by Jules (@jules_marchaland)
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2013 Sainsbury's Taste The Difference Pic Saint Loup, Languedoc
This is a blend of syrah and grenache with blackberry, spice and chocolate flavours. £8, or buy 6, save 25 per cent, until tomorrow, Sainsbury's
This delicate New Zealand riesling is imbued with citrus fruits and offers an appetisingly off-dry flavour. £11, down from £13, until 3 August, Marks & Spencer
The black pepper, olive and spice scent of this syrah from the Ogier family is alluring and precedes a delicious, blackberry-infused richness. £50, Waitrose
Join thought-provoking conversations, follow other Independent readers and see their replies
(Photo: Jacques Bonnaffé and André Marcon. Courtesy The Film Society of Lincoln Center/Les Films du Losange.)
Lisse Garnett analyses 15 new wines from Domaine Uma and Les Vignobles Foncalieu – many of which she describes the value of as “insane.”Tasting Foncalieu wines with Nathalie Estribeau
one of the most successful co-ops in France
At Domaine Uma
originally from Australia; her astonishing resumé surpasses many a famed publicised great; Brown Brothers
Prieuré St Jean de Bébian and Turner Pageot
shunning socials and focusing only on wine (though I did spot her in French Elle)
Chapoutier put Turner in charge of one of his wineries before she could even parlez Français
she had a successful career as a medical scientist before studying oenology in Adelaide
New winery Domaine Uma with owner Emmanuel Clausel and Karen Turner
an exciting newly-minted venture in Pic Saint Loup owned by former property developer Emmanuel Clausel
the merged former estates of Château Cambon and Domain de Valcyre and an added block of agricultural land
The new winery has just been completed and is insane
but mild-mannered Clausel seemed unwilling to gift me the keys
some wineries didn’t even unlock their doors,” Nathalie Estribeau
and her grandfathers had vineyards in Entre-Deux-Mers
She had little interest in wine in her youth
She’s worked all over the Northern and Southern Hemispheres
Her seminal moment came when she met a natural winemaker in France who hooked her up with Pipers Brook in Tasmania; from there
She became a consultant for Penfolds in the 90s
flying to Australia yearly before coming to rest in Carcassonne
She said Australians at that time were looking for fruit-driven wines
“French wine was harder to approach than it is today because you didn’t get the fruit first; you got the tannins
the complexity; you wouldn’t get fruity wines
It was also more secretive; Australia was far more open
some wineries didn’t even unlock their doors
they flung them open and explained absolutely everything; there were simply no secrets.”
“Today in the South of France and with younger generations, we share more things and are open to new ideas. Foncalieu has always been proactive in experimental vineyards and PIWI trials
(PIWIS are crosses between European vines and fungus/frost resistant American species
they allow for a huge reduction in pesticide use)
We have 5000 hectares to play with and are always experimenting
We were once the bad kids on the block; today
But we must always fight for market share and innovate
Thirty per cent of what we make is own brand
we start in the vineyards; we seek the blocks that will allow for better balance and dedicate each according to suitability for red
IGP Pays d’Oc is leading the charge toward a more maverick
The region spans 120,000 hectares from the Camargue to the Pyrenees
with 58 permitted varieties and a temperate Mediterranean climate
It is the market leader in organic and biodynamic winemaking in France; no other region makes as much (25% of total production)
Higher-priced exceptional icon wines are also gaining ground
rules were changed to allow varietal labelling to compete with New World offerings
Vin de Pays d’Oc was promoted to IGP Pays d’Oc in 2009
IGP Pays d’Oc owns a fat slice of the notoriously hard-to-please UK market
Mas de Daumas Gassac and Domaine Gauby are not obscenely priced
All IGP Pay D’Oc must pass a blind tasting test
as much as 10% of the proposed wine is rejected
Karen Turner and the need for rule-breaking
Karen Turner succinctly summarised the local vibe
We put anything we feel like making that’s a little bit different in Vin de France.”
Turner began her career with Hugel in Alsace
they did the exact opposite of everything she had learned in Adelaide
shocking the yeast at the end of fermentation
it was always packaged yeast; it was more controlled
not because he loved to experiment but because he knew how to make the best wine.”
“You’ve got to accept there is going to be vintage variation; we are not making Coca-Cola
I went from being in a winery where I knew what was going on to this ‘factory’
so vintage variation is ironed out with house tricks to make it consistent
It was brilliant what they did – they created a house style
Here we are doing something different; sometimes your tannins are a bit green
but you have to accept it; that’s vintage variation.”
and she replied with characteristic modesty
I once made a 96 Parker point wine for Chapoutier
When I first tasted Italian wines that are tannic and acidic with my Australian palate
I thought ‘Oh My God’ and then you start eating and you go ‘Oh
which serves them well in the vineyard as their limestone and clay-based soils retain water well
The three main varieties in Pic St Loup are Syrah
it must be a minimum 50% Syrah and then 10% made up from
Domaine Uma only has Syrah and Grenache in Pic St Loup
My absolute favourite wine was the dark Uma Rosé Rouge 2021
forbidden and sensual about a cherry red rosé
which was magnificent in its moreish simplicity
though they have inherited a single foudre
The wines show fruit elegance and are tinged with salinity
Turner bills Uma Rosé Rouge as an alternative to red on a hot day “like a rosé but with more aromas
structure and some tannin so it’s better adapted for food
it’s what I want to drink when it’s hot.” There is no residual sugar in any of these wines
Domaine Uma has yet to reveal its wines to the world and is looking for UK representation
The wine is redolent with wild strawberries
the wine is made moreish by a tender touch of salinity
It’s absolutely perfect for a summer wedding or greasing up hardened wine hacks
fresh and beautifully complex and far more textural than your average Provence rosé with which it shares its hue
Layers of fruit and that gorgeous salinity
It’s so much more interesting than many a rosé at two or three times the price
Ferments a little warmer with a different yeast for more grapefruit and citrus flavours
It is more classically elegant and austere
Still with a savoury edge and a tip of salinity
violet and black olive – shows an elegant mineral-laced freshness and a delicate softness courtesy of the Grenache
the nose is very pretty – aged in concrete for texture and fruit
vinified and aged in cement tank – elegantly rounded – Turner says its rounder than she would like
These wines graduate in finesse rather than concentration
dreamboat; silkily laced with fragrant savoury herbs
Made from three Rolle blocks all vinified differently
the second hot and the third was wild yeast and “took ages.” Sublimely fresh and salty
All of these wines offer astonishing value for wines of this calibre and with sustainability at their heart
The first wine I have included is made from PIWIs
It demonstrates Foncalieu’s commitment to organic farming
both offer insane value and zero compromise
An exciting wine made from French PIWI varieties
Vidoc and Artaban – PIWIS are crosses between European vines and fungus/frost-resistant American species
they allow for a huge reduction in pesticide use (Nuvote is organic)
Vidoc and Artaban are ideal for warmer climates
retaining acidity even as temperatures rise
The palate is super dry yet supple and silky – weightier and rounder than expected with a bone-dry
Circa £11.Grown in a cool Mediterranean setting to preserve freshness
The finish is long and pithy with salted melon and grapefruit
French oak for the Rolle and partial oak for the Marsanne
sweet jasmine and zingy lime sherbet – superbly textural
round yet fresh and salty with minerals and a white pepper-laced finish
To find a white St Chinian this for this money is a massive result
there is generosity from the Grenache and floral notes of honeysuckle and lemon verbena with candied lemon
20% is vinified for a year in second-use French oak barrels
What a lot for so little – super vibrant nose redolent with dark fruits
Tannins are pronounced and the finish brings on the sensation of mouth-moistened
with a moreish sweetness tempered by tannins
It’s tarry and super ripe but tempered by delicious
salty tapenade notes and velvety tobacco-tinged tannins that give a fresh sensation
A touch of wet woodsmoke and fragrant garrigue bring a delicate menthol note
This premium small batch wine sees 12 months in new oak barrels
Billed as less rustic and more terroir expressive
spicy and dark on the nose; wild black fruit finds equilibrium in olive tapenade
The Buyer TVClick below to watch The Buyer's library of online debates, videos and webinars.
accomplished 5.15 climber Seb Bouin made the first ascent of one of his longest standing projects at Pic Saint Loup
naming it Ariégeois Cœur Loyal (ACL for short)
A new video featuring the climb was just released
“I am happy to send this mega line in my home crag Pic Saint Loup,” Bouin said
“After falling once in this last hard move
I could finally control it in the send last Friday
but somehow it was hard to stick the left hand in the send
I bolted this route five years ago when my grandpa passed away
His wood worker name was Ariégeois Cœur Loyal (Loyal ariégeois heart).”
“I was close to send it last Autumn, falling on the penultimate move, just before my Jumbo Love trip,” Bouin said about ACL. “This spring was a great opportunity to finish the job. This route is a huge effort, combining two hard 20-metre sections. About the grade, 9b (5.15b) should be appropriate.”
A post shared by Seb Bouin (@sebbouin)
Seb Bouin just announced that he made the first ascent of El Gran Cabrón in the Shegeng cave of China’s Guang Xi province. Clocking in at 5.15b (9b), the route is China’s hardest sport climb. The route was originally bolted by David Gambús.
El Gran Cabrón starts with a section of 5.13a/b followed by a V8 boulder problem to a decent kneebar rest. The crux immediately follows – a V11/12 boulder problem with vertical holds and pinches. From there, a devious V8/9 boulder problem is encountered. Bouin fell five times in this spot due to small mistakes. The route ends with with a V7 boulder. Bouin heartbreakingly fell there once as he grabbed for the final jug.
“It’s an incredible experience to find such a project and challenge myself in a setting like this,” said Bouin after his ascent. “China leaves no one indifferent—I feel like this trip is opening my mind in so many ways. The distance, the unfamiliar culture, and this new way of life disorient me as much as they fascinate me. There are plenty of additional doubts that come with adapting, making the adventure all the more exciting.
“I went straight to check out El Gran Cabrón, bolted by David Gambús. I couldn’t make sense of all the moves at first. The climbing here is incredibly complex, with so many methods to figure out. I was surprised by the quality of the rock and the movement style of the route. It’s absolutely beautiful and super fun to climb! The crux sequences involve pinches and really physical moves—I love it!”
With El Gran Cabrón, Bouin kicks off 2025 strong. He had a solid 2024, making the first ascent of Les Rois du Lithium 5.15b in Pic Saint-Loup in April and the FA of Wolf Kingdom 5.15c in November, again in Pic Saint-Loup.
A post shared by Black Diamond Equipment (@blackdiamond)
Feature photo by Riff Solo
Sébastien Bouin has made the first ascent of Baise Moi 5.14c at Saint Auban in Verdon Gorges
who’s climbed several 5.15 sport climbs
His previous hardest flash came eight years ago with Les rois du pétrole 5.14a in Pic Saint Loup
Bouin was fresh off a trip to Norway when he decided to check out Saint Auban
a relatively new crag at the historic Verdon
Most of the projects were bolted by locals François Chollet and Adrien Boulon
Bouin warmed up with an onsight of Le vent l’emportera 5.13b
I understood the route was possible [to flash]
it was 100 per cent my climbing style,” said Bouin of the overhanging 45-metre climb
I didn’t make any mistakes and I took the risks at the right moments
It’s rare to have this kind of opportunity.” Bouin said he’s not used to trying to onsight such hard lines
“I am not so good at taking risks in my climbing
so I am quite happy about the result of this climb,” he said
“It’s quite hard to combine everything for an onsight or a flash: the good beta
Bouin started climbing at a young age and sent his first 5.14d at 17. In 2022, he made the first ascent of DNA, proposing the grade of 5.15d, and made the first ascent of Suprême Jumbo Love, America’s first 5.15c. For more on Bouin’s climbing visit here.
A post shared by Black Diamond Equipment (@blackdiamond)
Terry Kirby selects the best bottles to buy
Languedoc-Roussillon is not only the biggest wine-producing area of France, it is also one of the best for great-value, food-friendly reds such as these three bottles.
Bergerie de l'Hortus Rouge Pic Saint Loup 2009
This mainly Syrah blend, from vines harvested on the cooler slopes of Pic Saint Loup, north of Montpellier, is more elegant than some others, delivering rich, dark fruits with a complex, slightly minty finish. Garlicky lamb with a tian of Mediterranean vegetables would do nicely. £12.95, bbr.com
Ancient Grenache grapes, from sun-baked vines up to 100 years old, grown close to the Spanish border, are used to make this rustic, robust red that cries out to be drunk on a shady terrace, with the sea in the distance and the mountains behind. If you can't manage the location, at least try it with a chorizo-and-prawn paella, in honour of the Catalan culture which dominates both sides of the Pyrénées in this region. £7.79, Tesco
Domaine des Trois Pierres, Costières de Nimes 2010
From the other extremity of the Languedoc-Roussillon, a Grenache-Syrah-Mourvèdre blend which is somewhat closer to a Rhône wine in style and has a juicy freshness about it, while still delivering some interesting blackberry and chocolate flavours and a lengthy finish. Anything involving pasta with a meaty or spicy tomato sauce is in order here. £5.59 (until 20 March; normally £6.99), Waitrose
Costières de Nimes 2010","description":"Terry Kirby selects the best bottles to buy
Three standout moments that helped shape the course of rock climbing
ie long before the internet as we know it nowadays
In part this was due to the fact that these were the early years when rock climbing was developing into a sport; during this period of experimentation and evolution the crags
began to take on an important role and the technical difficulties increased dramatically
This was the so-called golden age of sport climbing and in just three years the upper boundaries were pushed forward on three separate occasions: the world’s first 8a+ was established in 1983 by Jerry Moffat when he climbed The Face in Germany’s Frankenjura
the world’s first first 8b was redpointed in 1984 by Wolfgang Güllich on nearby Kanal im Rücken
and the world’s first 8b+ fell in 1985
once again at the hands of Güllich who freed Punks in the gym at Mount Arapiles in Australia
8a barely existed at the few crags that had been developed back then
and represented an unfathomable difficulty for almost all climbers
It is in this context that the first free ascent of the 8a Comeback by Luisa Iovane in 1986 must be framed; an unheralded ascent that was clearly well ahead of its time
The climb is located in Val San Nicolò
that secret garden of the Dolomites carefully looked after with Bruno Pederiva and Iovane’s climbing partner and partner in life
While bolting the line Mariacher was surprised by a sudden snowstorm and the results
forced him to stay away from the route for a month
On his return Mariacher realised that one of his moves didn’t suit his style
a tiny crimp from which he’d have to do the splits to reach another foothold
which Iovane with her fingers of steel and immense flexibility managed to be far more efficiently
At the time Iovane had already repeated Tom & Jerry and Nisida
two 7c's at Spiaggia delle Lucertole and Swing Area close two Arco
and a few 7c’s in France; caliber climbs that have easily withstood the test of time
but the 8a grade represented a quantum leap in difficulties
Iovane had the tackle the considerable psychological question marks associated with an unclimbed route
the then 26-year-old didn't even need to many attempts to send the magical grade of 8a
also because back then she never sieged moves or routes
In all likelihood this was the hardest female ascent of that time
certainly in Italy; Catherine Destivelle and Isabelle Patissier had both climbed Fleur de Rocaille at Mouriès the previous year
but over time the route had been downgraded slightly
the name Luisa Iovane is associated with the line "first female 8a"
the first female 8a+ goes to Destivelle
thanks to her 1988 repeat of the famous Chouca at Buoux
just a few months before Patissier's first female 8b on Sortilèges at Cimaï
All three of these superb athletes were obviously main players in the early climbing competitions
He was so impressed that on her return return to the Dolomites she stopped off at Lecco and signed her first contract for Cassin and started her career as a competition climb
which in 1989 resulted in her becoming the first Italian to win a stage of the World Cup
Wayne Merry and George Whitmore in 1958 after 47 days on the wall
was deemed simply too difficult to be climbed free
that’s what the word was at the time.Someone who has never heeded the word impossible is Lynn Hill
the tenacious American climber born in 1961
winner of many of the first climbing competitions
including a historic five Arco Rock Masters
In 1993 she teamed up with British climber Simon Nadin, the overall winner of the first-ever World Cup in 1989
the pair managed to free one of the two crux pitches
as the name implies the enormous overhang that bars the way to the upper reaches of the cliff
the pair was forced to bow to the enormous difficulties posed by the pitch just above them
this time Hill abseiled in from the summit and after three days of attempts managed to decipher the moves of the infamous corner
using a bizarre sequence which she would later call the Houdini Move
"Climbing it free would involve an ingenuity and technical finesse that I rarely
encountered on any other route." explained the 32-year-old at the time
It was just like a highly complex boulder problem
but this time almost 1000 meters above the slow Merced River
she would have succeeded without falling and
the pair immediately returned to the valley floor
over a period of four days later that September Hill
the following year and the 33-year-old one-upped her first free ascent of The Nose with a stroke of utter genius: starting into the night of 19 September 1994 together with Steve Sutton
Hill climbed The Nose all free in a 23-hour push
This undisputed milestone in climbing history was summed up perfectly by German climber Alexander Huber a few years later: "Lynn Hill’s ascent of The Nose was a true exploit
an event that rocked the entire climbing world
In her provocative but nonetheless charming manner she demonstrated that she had shifted the balance in a traditionally male-dominated sport."
with its delicate yet powerful moves "Bain" was considered the quintessential slab
and with her repeat Bereziartu engraved her name in sport climbing history by becoming the first woman in the world to climb the legendary grade 9a
To reach this goal she had invested seven days of attempts spread out over three weeks and two separate trips
but above all she banked on past experience which made her the climber who more than any of her peers had explored the limits of female sport climbing
First female 8c. First female 8c+. It is in the wake of these successes that Bereziartu then decided to focus on 9a, with power gruelling workouts - "the basis for climbing" - as the once explained. In 2001 repeated 8c+ by climbing Noia at Andonno
freed only a year earlier by the other Nicole brother
9a/9a+ was the climb’s unprecedented grade
in a period in which 9a+ were few and far between
This is another shining example of a climb that was way ahead of its time; the 34-year-old she was not "only" at the apex of women's sport climbing
since 9b had yet to be explored or confirmed
Cyme has announced a new version of its macOS universal photo organizer, Peakto
adds annotation features to the artificial intelligence (AI) photo meta-cataloguer
Peakto is compatible with Lightroom, Luminar, Capture, Apple Photos, and, most recently, Instagram
The new update allows photographers to annotate their images across compatible apps through a unified interface
The borderless annotation feature can be applied to hundreds of photo catalogs simultaneously
complementing Peakto’s existing AI annotation feature that automatically assigns keywords and categories to images
“Our photos are scattered in different folders
We created Peakto to put photographers back in control and allow them to find
and create albums from all their images,” says Matthieu Kopp
“This new borderless photo annotation feature is a must-have for good organization and consolidates Peakto’s status as a centerpiece from which to explore
Peakto brings all a photographer’s images together in one place
photographers can view all their pictures organized across different apps and catalogs and assign stars
Peakto recovers annotations made in the original catalog while allowing users to create new ones within Peakto itself
Users have two options to find specific images or make image selections within Peakto
The app can automatically assign keywords using AI
or the photographer can make personal notes
“Peakto simplifies the sharing of the best images from a shoot
or the selection of visuals for a book or portfolio,” says Cyme
Peakto’s AI tools classify all images based on their content
AI also selects a photographer’s best shots and assigns scores to images
Even if photos are scattered across multiple apps
users can batch export images in full resolution
Peakto alerts photographers if an image isn’t available in high enough resolution for a specific outport task
including the new cross-app annotation information
As photographers edit images in the photo editing app of their choice
Peakto remains current and offers live previews of images
When users click on an image within Peakto
it opens the photo up in the software used to edit it
If photographers edit the same image across multiple apps
each version is grouped together within Peakto
which makes it easier to manage older photos that have been passed through different apps over time
Cyme has announced some of its plans for Peakto
including updates later this year that will improve the navigation of all stored photos
and make it easier for users to share their best images
Peakto is only available for Mac via a subscription or a lifetime license
Subscriptions start at $9.99 per month or $99 per year
Peakto is optimized for Apple silicon and requires macOS 11 (Big Sur) or later
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Italian climber Alessandro Zeni made the first ascent of Cryptography at Saint Loup in Switzerland
The route links Bain de Sang (9a) and Bimbaluna (9a/9a+)
avoiding the rests on both routes and essentially linking the cruxes together
Zeni has graded the route 9b and if confirmed
would make it one of the hardest slabs in the world
Bain de Sang was first climbed by Fred Nicole back in 1993 and Bimbaluna was climbed by François Nicole in 2004
these routes aren't the first desperate slab climbs he has done
he made the first ascent of Energia Cosmica
interesting to see something of that standard that isn't over-hanging or even vert
However the music did make me wonder if he was gonna have an epic fight scene with his belayer at the end
I'm pretty disappointed he didn't slay a dragon when he got to the belay
and every Italian guidebook I've read will call a wall a slab :-(
Olympic gold medalist Janja Garnbret has onsighted the famous 50-metre-tall Fish Eye 5.14b in Oliana
which is likely the first-ever female onsight of the grade
Fish Eye was first climbed by Chris Sharma in 2009
and it has dozens of repeats that confirm it as 5.14b
Charlotte Durif onsighted Le roi du pétrole at Pic Saint Loup
but it’s since been downgraded to 5.14a
At least 10 women have onsighted a confirmed 5.14a, including Katie Brown on Omaha Beach, Josune Bereziartu on Hidrofobia’, Charlotte Durif on Les rois du pétrole, Maja Vidmar on Humildes pa casa, Sacha DiGiulian on Omaha Beach, Kajsa Rosén on T1 full-equip, Laura Rogora on L-mens, Anak Verhoeven on Gorillas en la niebla, Martina Demmel on Humildes pa casa, and Vita Lukan Geminis.
A post shared by JANJA GARNBRET (@janja_garnbret)
the assault of the Allied forces on the coast of Normandy
was the start of one of the most formidable military operations in history
depended the outcome of the war against Hitler and the Third Reich
But the fighting that followed in the countryside of Normandy and the towns of the region brought devastation
Many cities in Normandy were more than 50% destroyed and thousands of civilians lost their lives
Surprising as it may seem given its geographical location—it’s only a few miles from the D-Day beaches—Bayeux is one of the few cities to have been spared
This "miracle" is due to a Benedictine priest
He had been a monk at the Abbey of Solesmes (world famous for its Gregorian chant) and at the time of the D-Day landings was the chaplain of the community of the Sisters of Charity in Saint-Vigor-le-Grand
The likely outcome was that the Allies would bomb the town
as if the Germans were leaving their position
Aubourg hurried to alert the Allies of this development
Having been assigned to ministry on the Isle of Wight for several years (after leaving the Abbey of Solesmes)
Therefore he was quick to announce to the British officers that the Germans had left the city
they checked the priest's information to confirm it
the decision was made: Bayeux would not be bombed
In a letter dated June 20, 1959, brought to light by Fr. Soltner, archivist of the monastery of Saint-Pierre de Solesme, and on which the French website Ouest-France reported on a few years ago
but I am unable to say whether I saved Bayeux," he told the reverend priest of Solesmes
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the first female 9a now goes to Josune Bereciartu
The news of her ascent sped through our “small” vertical world in an instant
and given its importance we decided to halt the “unstoppable” to find out exactly how and why
Here’s Josune with the first ever female 9a
"I started to think about climbing a 9a two years ago
I could do the crux quite well but the big dyno just to reach it was awful for my climbing style
so when Rikar freed it I didn’t try it any more
I always wanted to do a route that was a consolidated 9a
and it is because of this that I chose Bain de Sang
I also liked the Nicole brother’s climbing style a lot
so at the beginning of summer I started to think seriously about going to Switzerland
really believed in my project to climb 9a and had given me two years to complete it
At the beginning of October I felt in good shape, climbing "Ocho anos de sexo", "Specialistes" and "Specialistes direct" pretty quickly
so I decided to travel to Switzerland to work the moves and return next year
But to my surprise I felt really comfortable on the route
except for the last move which is the crux
worked a bit and then returned to Switzerland
hoping to find perfect climbing conditions
But when I returned the weather was bad and I had to wait for four or five day to try the route again
On the first day I fell three times from the crux
but one attempt was really good and I felt I would be able to do it
The weather was bad on the next day and then after that things turned out to be disastrous
I felt nervous and tense and fell in places that I had never fallen
and I really thought that I would never climb the route again
and while I was warming up I felt those feelings deep inside you that make you realise that something is special
I redpointed Bain de Sang first try that day - I climbed very concentrated and without making any mistakes
I didn’t realize what was going on and then it was all over
I was super happy and it was one of the happiest days in my climbing career
famous for being the first woman to have climbed 8c
On the steep south face of Poncione d’Alnasca, high above Val Verzasca in Switzerland, Italian climbers Matteo Della Bordella and Alessandro Zeni have made the first free ascent of Leap of Faith
The 500m route takes a line on the lefthand side of the granite pyramid and was established ground-up by Della Bordella with Davide Bacci and Luca Auguadri between 2015 and 2016
the 16-pitch outing breaches difficulties up to 8a+/b max and 7b+ obligatory
Ascending with a portaledge and in true big wall style the two worked the pitches at the end of September
then returned in October to close the circle with the route’s first free ascent
A lightning trip to Dvigrad in Croatia netted Alessandro Zeni a fast repeat of Malvazija, the legendary slab at Dvigrad bolted by Maurizio Zanolla in 1987 and freed the magician a year later
it was considered one of the hardest routes in the world at the time
Over the years its reputation increased significantly
also because it was considered impossible by some after holds had allegedly broken off
In 2010 US climber Cody Roth managed to redpoint the line, suggesting for what he had just climbed the grade of 8c+. Zeni, who in 2020 established the 9b slab Cryptography at Saint Loup in Switzerland
required four days of attempts for his repeat and has now confirmed the grade put forward by Roth
Zeni’s is a beautiful and rare ascent of this intense slab that evidently continues to inspire
TOPO: Dvigrad, Croatia
Alessandro Zeni thanks his sponsors La Sportiva, Karpos and Grivel
Savoury and satisfying are among the descriptors most commonly used by our judges at the Decanter World Wine Awards when describing the best red wines of the Languedoc in southern France
Archetypal blended styles with appellation requirements that call for a minimum of two varieties
revealing a host of enticing aromas and flavours to delve into
particularly from the region’s top appellations and named sub-zones such as Minervois
Languedoc’s increasing attention to small-production and high-quality wines has meant that exports of the region’s AP wines continue to grow, as do the tallies of top medals won at international wine competitions such as the Decanter World Wine Awards. The 2022 competition results saw five wines awarded Platinum medals (97 points) from various Languedoc appellations
and the choices made by the winemaker mean that these wines can range from refined and elegant reds to deep and rich
Below, explore the styles which the DWWA experts scored highest from 10 of Languedoc’s regional appellations – and there are many more to discover at awards.decanter.com
Italian climber Alessandro Zeni completed his project on BimbaLuna
really mythical not only for its difficult but above all for its history
it was resolved also by Josune Bereziartu in 2005 becoming in this way the first pitch of this grade climbed by a woman
In addition to taking part in national and international competitions
Alessando is a specialist of slab climbing on vertical wall
where a strong fingers power and feet technique are indispensable
In February he resolved also Bein de Sang and this summer the five stars multipitch Silbergeier in Ratikon
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