It goes without saying that France is a hotspot for tourism. Between the wonderful Alps, the beaches of the French Riviera, and the culture/cuisine of Paris
there is no shortage of things to see and do during your stay
and experience what small-town France is really like
Whether it is sampling cheese and wine in France's vast agricultural regions or hiking in one of its many national parks
there is a laid-back town around every corner of the country for you to stop off at either before or after your day begins
Tucked along the Mediterranean coast near the Spanish border, Collioure is a quiet seaside town that exemplifies life in southern France. Its blend of French and Catalan influences can be seen in the local cuisine and architecture
a blend that is sure to keep both your eyes and your palate happy
The town's historic center is dotted with pastel-colored houses
and cafes that are sure to spice up your walk through town
Pay a visit to the 13th-century Château Royal
or take a stroll to the 17th-century Church of Notre-Dame-des-Anges
Collioure’s location between the Pyrenees and the sea means that both beaches and mountains are nearby
providing a relaxing setting for a quiet day by the water
while the surrounding vineyards in the foothills offer scenic hikes and opportunities for wine-tastings
once a favorite spot for painters like Henri Matisse and André Derain
adds a definite artistic flair and compliments the laid-back vibe of the town as well
Just 40 kilometers from Paris, Senlis makes for a great escape from the big city with its medieval history and small-town French charm. Its cobblestone streets lead visitors to a mix of Roman ruins, Gothic architecture
dates back to the 12th century and stands as a stunning example of early Gothic design that just screams for a photo shoot at all angles
most notably the "Ramparts on Senlis." For those more interested in art history on top of ancient Rome
will teach you more about the town’s layered history
Visitors can enjoy a relaxed afternoon exploring the town’s quiet squares or venturing into the nearby Chantilly Forest
Senlis provides a calm atmosphere for those looking to escape the hustle of Paris
Nestled in the heart of Provence-Alpes-Côte d'Azur
Lourmarin is a quintessential southern French village known for its vineyards and olive groves
along with its many well-preserved historic buildings
The village’s centerpiece is the Renaissance-style Château de Lourmarin
which gives a look back in time to the region's longstanding history
along with having a collection of beautiful gardens on its grounds
Lourmarin also serves as a gateway to exploring the Luberon Regional Park
which is notable for its scenic trails in the verdant countryside
A collection of historic buildings within the park is also open for exploration
as well as some interesting natural rock formations created over eons of wind and water movement throughout the area
Saint-Rémy-de-Provence is another idealistic small town in the mountainous Provence-Alpes-Côte d'Azur
including the impressive remains of the Glanum archaeological site
Saint-Rémy mizes France's ancient past with present-day conveniences
make a fascinating backdrop to the town’s storied past
Art enthusiasts, on the other hand, will appreciate Saint-Rémy’s connection to Vincent van Gogh
This famous artist spent time here and was inspired by the surrounding beauty
One look at the area for yourself and you will quickly understand why
The town’s many parks and gardens are serene spots for relaxation and inspiration
while the nearby Alpilles Mountains are the perfect place to embark on a scenic hike
Perched high on a cliff above the Mediterranean
Èze is a medieval village where many come to relax by the water
With its commanding position over the French Riviera
Èze is often called an "eagle’s nest," and its many panoramic viewpoints make it a standout destination for those traveling through southern France
The village’s Jardin Exotique is one of its highlights
a wonderfully maintained botanical garden filled with exotic plants right on the coastline
such as the 12th-century Chapelle de la Sainte-Croix
an ornate chapel on top of a large cliff overlooking the water
Though close to the bustling cities of Nice and Monaco
The nearby Nietzsche Path provides a scenic hike from the beach to the village
offering you a connection with nature as well as history
Located along the Seine estuary
Honfleur is a coastal town in Normandy known for its beautiful harbor
slate-fronted houses and eateries where you can watch the boats come and go as you enjoy a meal
Timber-framed buildings and other nearby landmarks like the 15th-century Saint Catherine’s Church
complement the downtown area near the ocean
famously captured by painters like Claude Monet and Eugène Boudin
still resonates in the town’s small galleries and art museums
nature lovers can explore the Normandy countryside or take a walk along the beach at Butin
Other idyllic spots for a walk along the waterfront include Honfeluer's iconic public gardens
Once a popular seaside resort for the British aristocracy, Dinard retains its elegant charm with grand 19th-century villas overlooking the Atlantic Ocean
are perfect for a relaxing day by the water
while the town's mild climate and ocean views continue to make it a popular vacation spot for travelers from around the world
A walk along the Promenade du Clair de Lune provides a great way to get acquainted with the area and its various public parks on/near the waterfront. Dinard’s location near other beautiful places like Saint-Malo and Mont Saint-Michel makes it an ideal base for exploring the region in more depth
The town also hosts an annual British Film Festival
bringing filmmakers and filmgoers alike to Dinard in early October
As well as being a functioning town, Provins is also a UNESCO World Heritage Site near Paris
Best known for its extensive collection of still-standing medieval architecture
Provins is perhaps most notable for its fortified walls and ancient watchtowers
The town played a crucial role as a major trading center during the Middle Ages
and its historic significance is still evident today
A walk through Provins reveals iconic landmarks such as the Tour César
a 12th-century keep that offers its visitors some of the best views of the town
including historical reenactments and falconry displays
also provide a fun glimpse into what life was like many centuries ago
Visitors should also make a point of exploring Provins’ underground tunnels
which were once used for storage and potential escape routes in case of an attack
This mysterious attraction also contains a gallery where tours are regularly held
All maps, graphics, flags, photos and original descriptions © 2025 worldatlas.com
As a lieutenant colonel he was in Military Intelligence with the Seventh and later with the Third Armies in World War II
spends his holidays in the forest town of Senlis
was easily the most depressing period of my life
Night after night we sat at the radio listening with sinking hearts to the news of the advance of the German armies from the east
I can still hear the lugubrious little refrain from the Marseillaise which preceded every devastating announcement of the names of fresh cities captured by those Panzer divisions
we received instructions from the Bank of France to move the office of the banking firm of Morgan & Cie.
to the small town of Niort in southwest France
this move to include all our securities — a nightmare in those troubled times
I can still see the faces of my New York partners when I later told them of driving across war-stricken France with all our short-term French government notes in the back of my car
These represented the countervalue of nearly all our franc deposits
My wife had left for New York in 1939 to spend the summer at home and had not been allowed to return to Paris when the war broke out in September
so that it was left to me to decide what to do about our country house in Senlis
My house at Senlis dates back to the reign of Henri IV and was
It lies on the very edge of the town and has four acres of garden
which give us room for a tennis court and the usual French potager
Advanced old age has brought great beauty to our house but also
Around the whole place stands a twenty-foot wall
part of which has a rather unusual decorated top
It has been classified as a monument historique
and repair work can be done only after negotiation with the Institut des BeauxArts
we have always considered our place as a country house
and it is accordingly furnished with comfortable chintz chairs and French rustique furniture
charming old eighteenth-century pieces we have picked up over the past thirty years on our motor trips
Naturally I had done nothing about moving any of our possessions from Senlis to Paris
but also to my fear that such an action would be construed by my neighbors as an admission that I thought France was on the verge of defeat — an inconceivable idea to most of us at that time
It was only when the radio announced the fall of the city of Laon
that I finally pulled myself together and induced an old golfing friend of mine
to drive me out to Senlis in his diminutive Citroen car
When we reached the bridge across the small Nonnette river
the gendarme on duty warned us: “You’d better make it fast
gentlemen; in twenty minutes we’re going to blow up the bridge.”
This left me with the problem of deciding in twenty minutes just what small part of our possessions my wife would want me to crowd into the back of that tiny car
The silver and our precious photograph albums were an obvious choice
It was with a heavy heart that I rode back to Paris through the Senlis forest that evening
The sound of the explosion at the Nonnette bridge made me wonder when I would ever see my house again
my friend and bank associate Julian Allen and I bicycled out to Senlis
and those three hours along the almost deserted road nearly killed me
I have motored along that course hundreds of times and had always believed the road a flat one
but I learned better that day — we always seemed to be toiling uphill
Finally we reached the linden-lined driveway leading to my high monumental gate
which looked shockingly unfamiliar with a great Swastika flag flying over it and flanked by two rigid German sentries
I walked up to one of them and announced in very halting German: “Dieses Haus ist mein.” He looked startled and rather unbelieving
disappeared through the grilled gate into the courtyard
and returned with the corporal of the guard
We were beckoned through the gate and put in the charge of a rather weedy lieutenant who addressed us proudly in cockney English
I said I wanted to see the commanding officer
I was relieved to notice that my old Henri IV house looked almost intact and that two shell holes in the high tile roof had been neatly repaired
paved old court where we had so often sat under sun umbrellas drinking cocktails was now a hive of Teutonic activity
Heavybooted soldiers were tramping busily across my lawn glaring at us civilian intruders
I was able to get a glimpse into our oak-wainscoted salon and was horrified to see that bunks for sixteen soldiers had been built along the walls
I must confess that that boiserie has survived practically intact — no carved initials
We were finally ushered into the library and were greeted by a rather fine-looking oldish lieutenant colonel
The colonel told me that my house was now the Kommandantur for this part of the Oise Department
and that the German Army had no right to requisition it
He replied that it was a question of “military necessity.” I asked
“What necessity?” He explained that my house was the only one in Senlis with sufficient bathrooms to accommodate the forty-seven members of his staff
He offered to allow me to occupy my bedroom and to eat at the officers’ mess
And as the United States Embassy had by then moved from Paris to Vichy
When we asked the colonel how he happened to speak such good English
a prisoner of war in England during World War I
The colonel expressed great admiration for my house and assured me that I need have no fear about its contents
he asked us whether we thought the United States would enter this war too
and when we told him we considered it most likely
that would mean the end of Western civilization.”
who had been with us for over twenty years — François
and Louise Maury — two brothers married to two sisters
obviously greatly distressed at seeing Monsieur talking to the hated Boches
In fact my old butler François could not help calling out
ils vont vous photographier.” The German colonel told me that these servants would not be permitted to live in my house “for security reasons,”but fortunately they had their own houses in Senlis
was allowed to remain in his quarters on the property and was employed by the Germans to keep up the garden
Julian decided to ride his bicycle back to Paris
As I had plenty of time before my train left
I bicycled over to call on our old friends
who lived two miles away in the Château de la Victoire
These poor people had been able to return only that day to their lovely old place and had just learned of the death of their only son
The château was a shambles — every room full of filth and broken furniture
The vandals seemed to have taken a special pleasure in wrecking young Coulombiers’s bedroom
A truly heartbreaking homecoming for the dear old couple
I am glad to say that the Victoire is now restored to its former graciousness and that the old count (his wife died last year) still lives there
the gallant mainstay of the local stag-hunting equipage
Most of the chateaux in the region suffered the same fate as Victoire
for in many cases the French have been unable to repair or refurnish these old homes
Even the Rothschilds no longer live in their huge Chateau of Laversine overlooking the Oise River
which they have unsuccessfully offered to the French government for a school
By that time I was on the staff of General Patton and had followed him across the Atlantic to Morocco
campaigns described so vividly by my friend Charley Codman in his book
In our lightning dash across France we had reached a forest near Sens
who knew about my Senlis house and guessed my anxiety
very thoughtfully dispatched Codman and me on a “mission” to visit First U.S
which were then established at the Château de la Victoire
which the Germans had left only two days before
and Germain (Francois had died during the war) were there to greet us
who had been lovingly tended during those four long years
was proudly produced and welcomed me with all the fondness of which he was still capable
To my immense relief the old house was structurally intact
in view of the German colonel’s promise in July
I was glad that my wife was not there to see the desolation
The wine cellar gave me one short moment of illusion
I saw every rack filled with bottles — but every last one empty
I still own a typically neat and German “cellar register,” methodically kept by the mess officer
In it is recorded the cellar’s contents as the Germans found it
with daily withdrawals duly initialed and each column eventually ending in “0.” I have this register before me now
I note that Lieutenant Zappe certifies that on October 7
the ahgang of Blue Label Martell brandy amounted to thirty-seven bottles
much of it having been shifted by German officers to other houses in town or in the neighborhood where they were billeted
Much of this we were able to recover — a rather unpleasant task in which the local gendarmery were most helpful and also our Senlis upholsterer
who was familiar with every stick of our furniture and had no hesitation in reporting to us when he had seen some of our pieces in other houses
I remember one painful incident when we visited the house of a wealthy notaire
My wife immediately spotted one of our Moroccan rugs and told our gendarme friend that she knew it was ours
The nolaire indignantly said that he had bought it many years before at the Bon Marche
The gendarme asked my wife where we had bought it
She replied “Aux Trois Quartiers.” The gendarme flipped the carpet over
and there sure enough was the “Trois Quartiers” label
The gendarme rolled up the carpet and tossed it toward us saying
We are now back thankfully living in our refurnished house
which shows little sign of enemy occupancy
except for marks of metal-studded boots on our stone stairs
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There is a line in Don McLean’s Vincent
this world was never meant for one as beautiful as you.” The bittersweet lyrics are a tribute to the great Post-Impressionist Vincent Van Gogh of course
but when I became familiar with the story and work of Séraphine Louis for the first time
I could only thing of those words: this world was never meant for one as beautiful as you
The work she has left behind is extraordinary; visionary and beautiful
alone and was buried in a common grave in either 1934
a housekeeper and did various other arduous jobs to make a living
but painted in secret by candlelight until her talent was discovered by her employer
a German art collector and critic living in Senlis
War was looming with Germany and despite being a pacifist
He was one of the first collectors of the Cubist paintings and purchased his first Picasso in 1905
only to have his most significant possessions later confiscated by the French government
Séraphine was his cleaning his apartment in Senlis for some time before he saw one of her paintings on the wall of his neighbour’s house at a dinner party
When he discovered that his own housekeeper was the artist
He was immediately struck by the intensity and originality of her paintings
vibrant colors and her impressionistic approach to painting
Her paintings were largely representational
often depicting nature and everyday scenes
Séraphine began to refine her technique and some say that Uhde was the only person she ever allowed to see her paintings in progress
and that he was the only person she ever trusted with her work
He began to purchase and promote her work and would become one of her most important patrons
playing a pivotal role in bringing Séraphine’s paintings to the attention of the art world
Séraphine’s paintings are characterized by a strong use of blues
and she often used a limited palette of complementary colors to create a sense of harmony and movement in her compositions
which is a technique of building up the paint on the canvas to create a sense of depth and texture in her paintings
Her thick impasto gave her paintings a distinctive
sculptural quality and added to the sense of movement in her compositions
Her technique was also unusual in that she would use both oil and watercolors in her paintings
This combination created a beautiful and lively effects in her paintings
and helped to give them a sense of movement and spontaneity
she drew inspiration from the nature of the Oise region
where she lived and would often paint en plein air (outdoors)
which allowed her to capture the changing light and moods of the landscape
The effects of the light and natural scenery in her work is very prominent
Uhde introduced Séraphine to other important figures in the art world
such as André Gide and Guillaume Apollinaire
He not only purchased her works but also subsidized her living expenses
which were very limited due to her living on a very modest salary and suffering poverty
Despite Wilhelm’s friendship and support
she returned to Senlis where she continued to paint
but her mental and physical health deteriorated
It is not clear what her specific diagnosis was
but some art historians have speculated that she might have been diagnosed with schizophrenia
Wilhelm was forced to flee France in 1914 in the middle of the night during the war between France and Germany and they lost contact
he had returned to France and saw her work at an exhibition
although just barely surviving after the devastation of WWI
he resumed his patronage of her work and in 1928
“Painters of the Sacred Heart,” that featured Louis’s art
This drew the attention of critics and other artists and paintings were now being exhibited alongside those of well-known Impressionists such as Matisse and Derain
her work flourished; her paintings became larger and more colourful
Praised for her unique style and intense use of color
she entered a brief period of financial success
she was overwhelmed by it all and retreated into isolation once more
When the Great Depression loomed over Europe
Uhde had no choice but to stop buying her paintings and their relationship came to an end
Louis was admitted to an asylum for chronic psychosis
Uhde reported that she had died in 1934 but other accounts say that she lived until 1947
she was arrested by the Gestapo on suspicion of being a spy
when she was subsequently institutionalized again at a hospital annex at Villers-sous-Erquery
where she died friendless and alone and was buried in a common grave
we know she died in obscurity in a mental asylum
her work largely forgotten by the art world
Her paintings were scattered among various private collections; some were sold by family members for a very low price
collectors and art historians who continued to be interested in her work
interest in Séraphine’s work slowly began to grow and her paintings started to be featured in exhibitions
Her work was rediscovered by art historian and curator Michel Hoog
who held the first retrospective of her work in 1970 at the Musée d’Art Moderne de la Ville de Paris
which helped bring her work to the attention of a wider audience
Her paintings are now considered to be some of the most important works of French Impressionism and her paintings can be found in major museums around the world
including the Musée d’Orsay in Paris and the Metropolitan Museum of Art in New York
There is also a Musée Séraphine Louis in Senlis
which holds a significant number of her works and her archives
which provide a deeper insight into her life and work
exploring the relationship between Louis and Wilhelm Uhde from their first encounter in 1912 until her days in the Clermont Asylum
this world was never meant for someone as beautiful as you
Last Updated on January 11, 2023 by MessyNessy
Jamie Creel—purveyor behind the beloved Manhattan curiosity shop Creel and Gow—possesses such a unicorn dwelling
The 10,000-square-foot house has the rare distinction of being landmarked on both the exterior and much of the interior
it still possessed many of its 17th- and 18th-century floors
Yet it had also undergone patchy renovations over time
“We wanted to bring it right back to the way it had been,” notes Burch
A 17th-century gated wall surrounds the garden, which was designed by Tania Compton
Scarani had spent three years tending to the interiors of Nihi
and beyond that has conjured up his own sublime homes
“I never would have bought the house unless I knew he was there,” Burch admits
who doesn’t consider himself an interior designer
describes his role as that of “creative director—I source and put the concept together.” To that end
he immediately reached out to French architect and decorator Michel Pinet
something of a national treasure for his masterly work restoring several of the country’s most prized monuments historiques
He is also a specialist in the field of antique wallpapers and fabrics
many of which he and Scarani used to outfit Burch’s Senlis abode
The most historically significant papier peint
had been secured before Pinet came onto the scene: a complete set of Joseph Dufour’s 1805 scenic panoramic depicting the voyages of Captain Cook
which Scarani spotted in a Christie’s catalogue
“bought them for nothing.” Stunned by the acquisition
Pinet redesigned the original moldings and columns in the formal dining room to perfectly frame the panels
1 / 16ChevronChevronIn the original orangerie
the breakfast room boasts huge windows.Maintaining the feeling of a historic home while instilling it with all the functionality of a new one was the duo’s modus operandi
Four exquisite hand-carved doors dating back to the 1600s that had been randomly dispersed throughout the house have been reunited in a guest bedroom
which had undergone “horrible” renovations in the 1950s and ’70s
were reimagined as they might have existed 300 years ago
Scarani and Pinet reproduced antique tiles and sourced ancient stone
The fabric cushioning the rustic chairs is an antique Braquenié check dating to the 1700s; Pinet had just enough in his archive to cover the eight seats
To say that everything has been executed with scrupulous accuracy would be an understatement
“It’s definitely not precious,” Burch says
“That’s one thing I don’t like at all.” Scarani was of the same mind-set
“Usually French is formal and uncomfortable,” he observes
‘You want a home that looks like it’s been there forever
like you’ve lived in it.’ ” Burch leans toward the cozy English country look
which is expressed in furnishings you can sink into
“There are no flowers,” Scarani emphasizes
That’s why in his bedroom we used the Tree of Life
Reading"Margaux Senlis photographs..."
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I got my first camera at ten years old and haven’t stopped making images since.”
Following these early years of inspiration
Margaux made photography her full-time pursuit
a school of arts and visual communication in Paris
and then moving to the The National School of Photography (ENSP) in Arles
where she is currently studying a master’s degree
This commitment to her practice proved worthwhile
After a trip to Cambodia in 2015 where she visited many minefields
she began researching the presence of this wartime phenomena
Realising that these deadly weapons were still injuring and killing locals today – 40 years after the Vietnam War –Margaux began planning a project to document and expose this issue
Cambodia and Vietnam to bear witness to the dangers that persist with UXO
Guided by the host of the house where she was staying in Phonsavan
Margaux began making contact with various NGOs
land mine museums and mine removing organisations
who advised on the best areas to shoot the project
These locations also included the rooftop of her host’s house
where she shot old munitions with a white sheet he had provided
“We created a photo studio on his rooftop in Phonsavan
and was the most heavily bombed area in Laos during the second Indochina war,” she tells It’s Nice That
Margaux encountered problems with transport and the weather: “I decided to travel during the rainy season
in order to capture the vivid green nature; but to get off the tourist trail and get to different villages I would have to ride scooters/motorbikes on small muddy roads
making it quite difficult with my equipment,” she says
“The water also rises in this area during the rainy season
causing a lot of land mines and bombs to be unearthed and displaced
This is why I have often photographed water
Other photos in the series display prosthetic limbs and munition juxtaposed with plants and fruit
which Margaux says is typical of her compositional style: “I didn’t want to photograph the victims of UXOs
so I instead used still life to represent farmers
who are the most common victims of mines,” she explains
I could represent amputees without showing their faces or scars and explore the issue as a commonplace truth
and not something that just affects some individuals.”
Speaking on the experience and her interactions with the locals
Margaux says “what struck me the most with the people I met was their kindness and tenderness.” These reactions inspired her to think about humanity’s ability to adapt and encouraged an evocative portrayal of the people she encountered
away from the shock-factor images that may have been a more obvious choice
“I didn’t want to explicitly show the dangers that are hidden beneath the ground
but rather hint at them through symbols and atmosphere.”
Further Infowww.margauxsenlis.com
Daniel Milroy Maher
Daniel joined It’s Nice That as an editorial assistant in February 2019 and continues to work with us on a freelance basis
He graduated from Kingston University with a degree in Journalism in 2015
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www.margauxsenlis.com
“I used to love looking at old family pictures trying to imagine all the stories behind them,” says Paris-born photographer Margaux Senlis
sweat and solidarity of musical subculture
Owen Harvey’s portraits offer a charming antidote to the negative press garnered by young men
Resistance is an exhibition conceived by acclaimed artist and filmmaker Steve McQueen and curated in collaboration with the Turner’s director Clarrie Wallis
We spoke to Clarrie about how photography has shaped protest
The photographer Ana Flores joined us at April’s Nicer Tuesdays to talk the crowd through her career to date
from going with her gut and leaving a background in law to study fashion photography
rediscovering her Peruvian roots along the way
Ana took us through the process behind some of the projects that have led her to document the indigenous women of her birthplace with a focus on adornment
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Senlis Criminal Court convicted the author of a misleading video claiming that the Institut Pasteur invented COVID-19
of public defamation towards the Institut Pasteur
which were untrue and unfounded and were based on a misinterpretation of a patent submitted in 2004
led to a wave of strong reactions against the Institut Pasteur
Some members of staff and even some of their families were the victims of hateful messages
the Institut Pasteur had no other choice but to lodge a complaint for defamation
without prejudice to the right to freedom of expression
which the Institut Pasteur recognizes and defends
We look back at the story of a case of fake news
the Institut Pasteur became aware that a video which included defamatory passages about the Institut Pasteur and its staff had been posted online the previous day
Based on a misinterpretation of a patent filed in 2004
the video claimed that the Institut Pasteur had invented COVID-19 for commercial gain
groundless claims unfortunately provoked a widespread reaction
its staff and even some of their families were the victims of hateful messages
The video was widely circulated on social media and several conventional media outlets also took an interest
forcing the Institut Pasteur to refute the claims
See Coronavirus: Institut Pasteur warns against false information circulating on social media
Given the viral nature of the initial erroneous information
a large-scale fact-checking campaign was launched and extensively shared via a wide variety of platforms (threads
etc.) and by several institutions and official outlets
Given the impact of the video and the threats and violence it caused
the Institut Pasteur had no other choice but to lodge a complaint for defamation (for the first time since its inception in 1887)
The Institut Pasteur immediately lodged a complaint
given the serious breach of public order caused by the video
the Senlis Public Prosecutor decided to initiate legal proceedings for defamation against the author of the video
an unusual step given the policy of this Prosecutor
A hearing was subsequently held on October 7
2020 at Senlis Criminal Court so that the author of the video could answer to the charge of defamation
after explaining the consequences of the video
especially the fact that several Institut Pasteur employees had been victims of harassment
the representative of the Institut Pasteur asked:
The Institut Pasteur was represented by criminal defamation lawyer Antoine Comte
Senlis Criminal Court found the author of the video to be guilty of defamation against the Institut Pasteur and also liable for all the damages sought by the civil party
the court partly upheld the Institut Pasteur's requests and those of the Prosecutor
Learn more
conspiracy theories and hateful claims spread in misleading videos of this nature
which unfortunately are still being shared and disseminated
the Institut Pasteur reserves the right to lodge an official complaint whenever it deems it to be necessary
In addition to strongly refuting false allegations and clarifying the facts of the situation and the scientific basis
taking action in this way is a means of denouncing insults and threats to the Institut Pasteur's employees and scientists and preventing such incidents from happening again
Séraphine focuses on the artist’s relationship with avant-garde art dealer Wilhelm Uhde (played by Ulrich Tukur)
who one day discovered that his cleaning lady in the town of Senlis was a masterful painter
Séraphine has been met with raves on this side of the Atlantic as well
The LA Weekly’s Scott Foundas called it “the best movie made about a painter since Maurice Pialat’s exquisite Van Gogh in 1991 — and one of the only ones that truly grasps how close artistic genius dwells to the realm of madness,” while in New York Magazine David Edelstein enthused that Séraphine is “sublime … one of the most evocative films about an artist I’ve ever seen.”
Séraphine is playing at the Lincoln Plaza Cinema and the Angelika Film Center
Why did you choose to make a movie about the life of Séraphine de Senlis
What intrigued me the most when I became interested in Séraphine Louis was the fact that a mere housekeeper
at a time when social classes were kept so far apart
dared to disregard everything that was forbidden in order to do what she knew she was made to do: to paint
which may seem to many as a mere fateful encounter
though to me it seems more like a consequence of her own actions
If Séraphine had not upset the social codes of the time
I dare to believe that the principles of fate are tied to the determination we have within ourselves to escape from our destiny
be it emotionally or socially inauspicious
Even if the end of her life was more than difficult
she remains a revolutionary – a woman at a time when it wasn’t good to be a woman; one who succeeded as an artist
I had the feeling that if I were to make her live again on film
need to adapt Séraphine to Yolande Moreau – or vice versa
Before beginning the writing process with Marc
I had already thought of Yolande for the part
both of us live in the country – in the same countryside where we shot the film
She comes from a stage background and so do I
What was it like working with Yolande Moreau
What was needed to make her really get into the skin of a historical character
I believe I did my best to guide her toward her own best
to something she already had within herself
It’s not easy to incarnate someone who was once alive
It’s necessary to have decency and respect
I believe we shared the same vision for Séraphine
to paint; it was all a learning experience
the most important thing when directing an actor is to make the actor feel confident
The first time I met with him was in Brussels
I saw in him the character I was looking for
[Ulrich] belongs to the same family as Yolande
I “directed” him much more than I did Yolande
It was necessary to find the right level and tone for the character
How was your collaboration with Marc Abdelnour
Did you decide on a specific thematic approach before writing the screenplay
or did the cinematic life of Séraphine de Senlis develop throughout the writing process
I create cards featuring the sequences I have in mind and then I write it all down
doing my best to visualize the actual film
He’s very good with everything that is structural
There have been other movies about great but troubled artists
Did any of these films serve as inspiration for your project
The two films that I showed the whole crew were Maurice Pialat’s Van Gogh
and also a film that I consider a masterpiece of the genre: [the 1974 Swedish-Norwegian made-for-TV biopic] Edvard Munch
I wanted the film to be like the image of Séraphine: simple
I tried to avoid the flamboyant and a little too precious historical reconstruction that we see a lot today
with a camera that moves in every direction while avoiding to make true choices
Do you believe that one needs to suffer – or at least to be some sort of social outcast – in order to create great works of art
I don’t believe that we “need” to suffer in order to be a creator; one that gives justice to that title
I believe that suffering is part of the way
anyhow; it’s part of every human life – just like happiness – and to attempt to avoid it is to deny who we really are
I believe in the happiness that comes from painting
because it is necessary to be somewhat of an outsider to be able to depict society and for the work of art to be appreciated as such
Séraphine presents a mystery: a poor woman
in something within us that would be the supreme substance which allows all of us
to be attuned to what’s best within ourselves – be it to paint
But there are times in the life of a latent talent when a grandfather
or some other relative will influence a future choice by giving a taste of this or that artistic endeavor
What's not to like about a land famed for whipped cream
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Given how easy it is to get to from London
Picardy is way less well travelled by Londoners than it should be
This is the region that’s probably best known for the battlefields of the Great War - so many villages have names with battles attached
But it’s extraordinarily rich in other ways: there are umpteen Roman remains
extraordinary cathedrals – Amiens is the most spectacular – and hearteningly robust cooking
you can’t honestly do better than position yourself to visit the area I went to
where Picardy almost meets Greater Paris – the towns of Chantilly and Senlis
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Chantilly is best known for the whipped cream of the same name (more of that later) plus the fabulous racecourse; Senlis as a film-set tiny city with the smallest cathedral in France
Both are wonderful in different ways – Chantilly for the extraordinary Musee Conde
which has the second best collection of paintings after the Louvre; Senlis as an enchanting cobbled town with Gallo Roman and medieval remains
they are about a ten minute drive from each other
intimate and cobbled: it’s not a choice – you can visit both in one day
though it’s even better if you can stretch to two
And surrounding both is the Forest of Chantilly
once a royal hunting ground and now a national park
The Tiara Chateau Hotel
Mont Royal in La Chapelle en Serval hosted me; it is at the junction of a road with one branch going to Senlis
with fine views on the surrounding forest of Chantilly
My daughter who is 11 and fond of Agatha Christie
happily identified it as the sort of place which is cut off from the nearest village and where you might find a body in the library
it was designed by Guillaume Tronchet for the composer
The current design is sensitive to the original character of the place as a hunting chateau – the first thing you see in reception are two huge black horses
and there are equestrian prints throughout
restaurant; his former smoking room and library – wood lined and warm - is another
The great thing about this area is that it combines the refinement of Parisian cuisine (Chantilly is at the end of the RER train line from the capital) with the robust cooking of Picardy
The dairy products here are excellent; the veal and beef is very good too
For Chantilly cream, known world-wide as sweetened whipped cream: apparently the best, indeed the only authentic place to eat it is in the picturesque hamlet attached to the Domaine de Chantilly
where Marie Antoinette got the idea of dressing up as a shepherdess (that didn’t serve her well
Apparently the strawberry tart there with Chantilly cream is one of those taste sensations of a lifetime and I can’t corroborate this because it’s only open in the summer from April/May to autumn
my guide at the museum rolled his eyes when he talked about it – I’m coming back
I feel very bitter I didn’t get to eat there
you can get Chantilly cream locally piled on a very good hot chocolate
In Senlis, one of the best known restaurants is in the twelfth century cellars of what is irresistibly described as the Barbarian Grill, or Le Gril des Barbares
there’s a market in Senlis on Tuesdays and Fridays
where you can buy fabulous cheeses and meats but there are excellent shops selling them too
Another central, and excellent restaurant is Scaramouche near the cathedral; Michelin starred
At the chateau where we stayed the grand restaurant is in the former music room
where the cooking is both elegant and pricey – think garlicky snails draped in pasta sheets
foie gras in a little jellied sphere of sweet wine and a rum baba flamed in
rum; there is a more informal menu in the library
is lovely – and indeed so is the subsidiary one
at the really excellent horsey museum which is part of the complex
But Senlis and Chantilly are full of small
Chantilly is a formerly royal town (it feels a bit like Bath); Senlis
is more medieval and intimate – take your pick
Senlis has a lovely small cathedral – begun in the 12th century
embellished in the 16th – with a fabulous tympanum and a lovely panel on the west door showing the Assumption of the Virgin
with an angel shoving her from behind to help her up
an archaeological museum and charming cobbled streets
The MUST MUST SEE in Chantilly is the Domaine de Chantilly
with its wonderful extensive grounds – a formal English garden and a Romantic nineteenth century one; take your pick – and the Musee Conde
which was established by Henri d’Orleans who assembled his remarkable collection of pictures while in exile in – yes – Twickenham in the later nineteenth century
It has three captivating Raphaels and a couple of Botticellis and several Poussins
plus Ingres and Delacroix; this is the second richest collection in France outside the Louvre
The chateau itself is largely nineteenth century but part dates back to the sixteenth
The museum includes an entirely different section
devoted entirely to horses and riding – fascinating even to the uninitiated
The chateau was of course used for hunting and the historic stables are still used for shows by the resident horses in the historic amphitheatre
And right next to the chateau are the famous Chantilly races which over the next three years will host the French equivalent of the Grand National (it’s mostly flatracing) with its own
This is the horse breeding and horse racing capital of France
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In the December 19, 1914, issue: French refugees return to their village and learn what happened to their homes during the German occupation.
Journalists in France begged, bargained, and demanded permission to travel toward the war. Some even obtained passes from high-ranking military officers in Paris. But they could travel only a few miles toward the fighting before they were detained at a military checkpoint.
But Post correspondent Corra Harris found a way to bypass the roadblocks. She had heard trains were leaving Paris every day, carrying villagers back to their homes. Early one morning, before sunrise, she joined a large crowd of women at the Gare du Nord train station and climbed aboard a local train for the town of Senlis. No one stopped her, or even asked to see her papers.
The train moved slowly out of the city and ambled across the countryside, never reaching a speed faster than a trotting horse. After two and a half hours it had traveled only 30 miles. But it reached its destination, at last.
“That silent crowd of 50 women filed through the ruins of the railway station. The walls of it alone remained. The roof and all the partitions lay a mass of molten metal, stones, and powdered mortar within. On the other side of the station, there were three cabs waiting, but these people were too poor to ride. The cabs went away empty, drawn by horses that looked as if they were merely some of the bones of the general desolation.
“The principal street of the town … was a street no longer, only a long, narrow pile of ruins between the fallen walls of houses as far as sight could reach. The women looked about them. They were confused. They did not know even where they had lived. You cannot recognize your home by blackened walls in the midst of a hundred other walls like them any more than you can recognize a man by his skeleton.
Not all the villagers had left Senlis. One woman who had remained behind told Harris of how she and her family miraculously escaped being burned to death.
“In the café where I had lunch the little apple-faced waitress was very communicative: ‘When the Germans came we ran down into the cellar. They soaked the house in oil and then set fire to it. And we were in the cellar.’
“‘So many,’ she exclaimed, counting on her fingers. ‘Twenty-eight of them children. We were very still. We could not get out. Suddenly we saw a Prussian’s head thrust through the airhole. He was listening, but we made not a sound. No, the children did not cry. They were so frightened that they went to sleep.’
“‘With the house burning over your heads?’ I exclaimed.
“‘But no; the Blessed Virgin would not let it burn. That oil, it was changed to water.’
“‘From 2 o’clock in the afternoon until 5 the next morning. It was very hot, and we had no water, no food, but the children did not cry. The next day the Germans came back and set fire to the house again; but we had escaped, so it burned,’ she added simply.
“This girl’s father was a farmer. They lost everything they had. Yet she was not sad. She was sustained by a miracle. The Blessed Virgin had remembered them, the least of these, in the terrible conflagration. So they were safe. No evil could befall them.”
France (Reuters) - A long-lost painting by 13th century Italian master Cimabue that was found in the kitchen of an elderly French woman was sold for 24 million euros ($26.6 million)
more than four times the pre-auction estimate
auction Acteon house said on Sunday.The "Christ Mocked" painting by early Renaissance artist Cimabue discovered earlier this year had been valued at 4 million to 6 million euros."When a unique work of a painter as rare as Cimabue comes to market
This is the only Cimabue that has ever come on the market," said Dominique Le Coent
north of Paris.Acteon did not reveal the identity of the bidder but said a foreign museum had been among the bidders.Costs excluded
the painting sold for 19.5 million euros.The tiny painting
is believed to be part of a diptych consisting of eight small panels.Born in Florence
was a pioneering Italian primitive painter
of whom only about 10 known works have survived
He was one of the first to use perspective and paint in a more natural style that broke with mediaeval and Byzantine traditions.Reporting by Clotaire Achi and Geert De Clercq; editing by David Evans
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Students and teachers from Lycee Hugues Capet in Senlis
visited Oklahoma City in April as part of an ongoing annual exchange program with Harding Charter Preparatory High School and Casady School
The program matches students with their foreign peers and live as they do for two weeks
social events and experiencing family life
Each year it focuses on a theme that allows students to learn about each other
Among areas they've examined include each other's justice system
the relationship between France and the U.S
The Oklahoman asked two students and two teachers to give their impressions of Oklahoma and tell us five things they learned during their visit
We've learned about the history of this country and this state with the Native American tribes' history and “The Trail of Tears,” and how so many tribes still live here
We've learned from our visit to the Chisholm Trail Museum in Kingfisher that Ma Dalton and the Dalton Gang really existed
She is no longer for us just a comic book character that we read in the comic book “Lucky Luke.”
bombing and how through the bombing memorial Oklahomans have never forgotten this tragedy and have built a very moving place of commemoration and resilience
We've learned about cultural differences with
how the driving distances are calculated: in kilometers for Europeans whereas in minutes or hours for Americans
We've learned about the real meaning of many “ships” — that is
partnerships between three schools: French Lycee Hugues Capet in Senlis and Americans in Oklahoma City's Casady School and Harding Charter Prep
successful and enriching relationships between two cultures
Some people were happily surprised to buy souvenirs cheaper here than in France
French students bought a lot of clothes at brands like Hollister and Abercrombie
But sometimes they forgot that they have to add the tax to the price
you don't seem to have a specific time to do things
One of the first things that impressed me was the size of everything here
But when we went to the top of the Devon Tower
we saw that a lot of blocks were still empty
During our trip in Oklahoma we visited the Chisholm Trail Museum
We learned many things about the Land Run of the 1890s during which people raced to find a new place to settle
It's a weird paradox that Oklahomans ran to get their territories when today nobody walks to get where they need to go
We were happy to see that everyone here is proud of the Thunder team
There are so many Thunder flags and clothes all around the city
We got tickets to go to the game against the Sacramento Kings
What an amazing atmosphere inside the arena
people are really friendly; they don't have a lot of prejudices
I have seen that rich people can be friends with poor ones
it's not difficult for me to speak with people who do not know me
They are adapted to the size of the country: Huge
I've learned that it is usual to have a V-6 or a V-8 engine in your car
whereas it is reserved in France for luxury and foreign cars
I love American cars because they are cheaper and more cool than in France
Oklahoma has an unusual climate: The weather changes are the fastest that I've ever seen
I've learned that a lot of people don't have sensibility to the environment: Oklahomans use fossil energy every day in huge quantities and act like they don't know that the actual problem of pollution is a direct consequence of their way of life
I've learned an important thing: Oklahomans love France
A lot of people have little Eiffel towers in their houses; other people say that we have great wine and everybody says that France is a charming country
I think it's pretty cool to be French here because everyone likes talking to me
I didn’t pick up the brush much this week so little progress has been made on my actual painting
I have thought much about creativity and the consequences of pursuing my goal of becoming a master painter
I watched two movies this week about artists. If you recall, I set off on this endeavor after being inspired by the documentary Amargosa
it seems quite fitting that two other movies would have me contemplating the possible negative repercussions of my artistic pursuits
A beautifully shot film directed by Martin Provost based on the life of naïve style French painter Séraphine de Senlis (1864–1942)
Yolande Moreau plays Séraphine a humble housekeeper who performs demanding errands for several households during the day and spends evenings painting by candlelight in isolation
The movie highlights Séraphine’s talent not only for being a self-taught painter
but also her ability to create her own colors and pigments
She never reveals how she created her paints
but they have stood the test of time in vividness and richness
none of this would really make a fascinating film (especially one in French with English subtitles) without the fatal flaw
Séraphine is depicted to slowly loose her grip on reality and in 1932 is admitted to the psychiatric ward of a geriatric hospital at Clermont for “chronic psychosis”
She eventually dies in 1942 friendless and alone
The second movie is Fur: An Imaginary Portrait of Diane Arbus (2006)
Séraphine and Fur differ by only 1.3 stars
these movies could not be on farther ends of the train track
One person called Fur a “furry mess” and I would agree
It is Beauty and the Beast and Alice in Wonderland gone wrong
Fur is suppose to capture a portrait of the inner mind of Diane Arbus (Nicole Kidman) an American photographer and writer who became well-known for black-and-white photographs of “deviant and marginal people”
I felt this film lacked sensitivity and thoughtful reflection of the subject matter
Instead Fur is wrought with cliches and simplified emotions that plague Hollywood-type movies
the creative artist becomes a victim of their own mental state and fall to tragedy
Who knew my endeavor could lead me down such a precarious path
So were these two profiles simply the exception or is there a link between creativity and insanity
In trying to open the floodgates of my own creativity (okay
maybe for me it will only be a mere trickle) am I balancing on a delicate tightrope and coming dangerously close to creativity’s alter ego
CULTURE
LIFESTYLE
FILMMAKING/TECH
ATELIER STARK FILMS
France's Prince Jean d'Orleans and his Spanish wife Philomena of Tornos and Steinhart walked down the aisle together on Saturday for a second time in a religious ceremony held to celebrate their recent union
Attended to by seven little flower girls clad in pastel blue dresses with matching ribbons adorning their hair
Philomena walked down the aisle on the arm of her father Alfonso to meet her husband in a beautiful Christian Lacroix white gown tied with a blue belt and accentuated by a heavily embroidered shrug
To hold her 200-year-old lace ancestral veil in place
the bride wore a delicate gold family tiara embellished with turquoise stones and she carried a trailing bouquet of white flowers for the ceremony
which took place at 11 o'clock in the 12th Century cathedral of Notre Dame de Senlis
pretender to the throne Jean - who arrived for the union with his mother
the Duchess of Montpensier - and his new wife toasted their marriage with champagne with their guests in the gardens of Chateau d'Hugues Capet
The wedding party then moved on to a reception in the Chateau de Chantilly – the historic former home of King Luis Felipe of Orleans
There the happy newlyweds were greeted with a wedding cake adorned with sparklers
Among the distinguished guests helping the couple to celebrate were Prince Philippe and Princess Mathilde of Belgium
who opted for a vibrant ensemble to wear for the occasion
and former French Justice Minister Rachida Dati
She presided over the couple's civil wedding in Paris on March 19
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Straight Issues
Edward McCormick was meeting with an associate in Kandahar when a suicide bomber blew himself up just blocks away
The explosion was deafening and sent a strong wave of heat over the surrounding area
As the crowded Afghan street was engulfed in panic
McCormick said his initial reaction was not fear but grief
"I was not concerned and wasn't thinking about myself," he told the Georgia Straight
"It was a feeling of sadness and emptiness at that sudden loss of life."
McCormick once worked as a paramedic in Vancouver
He now spends much of his time abroad as the Afghanistan country director for the Senlis Council
an international think tank that focuses on drug policy
McCormick's brush with terrorism came in the summer of 2007
According to an August 2007 United Nations report
opium cultivation for heroin is funding the insurgency in Afghanistan and has "soared to frightening record levels" this year
The report stated that the total opium harvest for Afghanistan has grown by a third since 2006 and that overall cultivation levels are at an all-time high for the second year in a row
An August 2007 Senlis Council report argued that a "poppy for medicine" program should be established in Afghanistan on a trial basis
The report claimed that a poll conducted across Canada indicated that 80 percent of the country would support such an initiative
A poppy-for-medicine program would pay village collectives for morphine tablets made from cultivated opium poppies
The Afghan government would license villages
where factories could then be built to produce morphine of an international pharmaceutical grade
"Eighty-two percent of the world's countries who can't afford morphine could start to buy it," he added
State Department's recently revised "Counternarcotics Strategy for Afghanistan" characterized the legal purchase of Afghan opium crops as an "impossibility"
It argued that a buyout strategy would encourage more Afghans to grow opium poppies while failing to provide the infrastructure required to manufacture and distribute legal opium products
academic director for UBC's Liu Institute for Global Issues
argued that the first challenge a poppy-for-medicine program would encounter would be the "hard-line eradication approach" favoured by the U.S.
government would be very opposed to any NATO country participating in what would essentially be the legalized production of poppies in Afghanistan," Byers told the Straight
president for the Canadian Institute for Strategic Studies
questioned the feasibility of a poppy-for-medicine program
He argued that security would be the biggest challenge for those who chose to sever ties with Afghan's warlords
"Do you know what is going to happen to the farmer the next day?" he asked
because the warlords will not accept being frozen out."
security would have to come before any incentive for farmers to leave the drug trade
"It's not as easy as poppies for medicine," he said
"As long as you've got the organized-crime syndicates or loose organizations of warlords controlling the drug trade
McCormick was confident that the political will could be mustered and the security challenges could be met
"There is another planting season going to happen in October," he said
very clear message to the people of Afghanistan: that the international community is here to help."
> Potential opium production in Afghanistan in 2001: 185 metric tonnes
> Potential opium production in Afghanistan in 2003: 3,600 metric tonnes
> Potential opium production in Afghanistan in 2006: 6,100 metric tonnes
> Expected potential opium production for 2007: 8,200 metric tonnes
> Percentage of Afghan population involved in opium-poppy cultivation: 14.3
> Percentage of world's opium produced in Afghanistan in 2007: 93
> Percentage drop in average price of fresh opium in U.S
Source: United Nations Office on Drugs and Crime
Travis Lupick has been associated with the newspaper since he was 15 years old
Having joined the Straight's editorial department in 2006
Travis quickly gained a reputation as the office's resident workaholic and hopeless caffeine junkie
I really hope this project will come to life
it must be terrible to face disastrous situations like bomb assaults
I also hope that people will understand the real purpose of opium meds and there won't be confusions about it
My brother was addicted to opium and I know how much he suffered because of it
I don't want other people to pass through this
Your hair was short-cropped and dyed orange
Last Updated on 26th June 2024 by Sophie Nadeau
otherwise known in French as ‘Jeanne d’Arc’ is a historical French heroine and a woman who changed the face of France
Often nicknamed the ‘Maid of Orleans’
d’Arc was a woman who led uprisings in a time when men ruled for the most part and l’Hexagon was at war with the English
here’s a quick guide to following in the footsteps on the trail of Joan of Arc in France…
Prior to her involvement in the Hundred Year War
Jeanne d’Arc was a regular girl from the French countryside whose parents made their living from the land
she regularly worshipped in her local church and attended services on a weekly basis
Born sometime in 1412 (she was unsure as to her exact birthday
but may have been born on the 6th January)
she died at aged just 19 years old on May 30th
Jeanne d’Arc said that she received visions from God
and felt that she was being compelled to lead a French army against the English during the Hundred Year War
Two of the Saints Joan of Arc said she communicated with were Catherine of Alexandria and St
both of whom were women who refused to obey the orders of men
A small patch of countryside just a few kilometres from her hometown of Domremy is where she would go to contemplate
an ornate basilica constructed in her honour now sits on site
Joan of Arc was incredibly gifted in the art of persuasion and so in March of 1429
Once among the grand châteaux which still populate the countryside of the Loire Valley to this day
she somehow managed to swing an audience with King of the time
she ended up leading an army to victory against the English in Orleans
she would lead army after army to military victory…
yet tightly knit community to the South of Paris which has since been renamed Domrémy-la-Pucelle (Dómremy of the Maiden) in honour of d’Arc
Located in the Vosges department of the Grand-Est region of France
today you can still visit the very house where Jeanne d’Arc was born
as well as the church where she regularly attended church services
A mass is still held in the Catholic place of worship on a weekly basis
there’s a museum chronicling the life of Jeanne d’Arc as well as her many military achievements
Other things to see and do in Domremy include countryside walks and taking trips to other quaint towns in the Vosges
The pretty former medieval city of Provins is now a large town in the Île de France region and is an easy day trip from Paris
As the city was incredibly important during medieval times
Joan of Arc travelled through the French settlement at least once
she attended mass in the basilica during her travels and a small plaque to the exterior of the entrance commemorates this occasion
Read more: An easy day trip to medieval Provins from Paris.
and dedications to the now canonised Joan of Arc
she crisscrossed l’Hexagon while partaking in various military campaigns and leading the armies she led to countless victories
you’ll find a plaque dedicated to the memory of Joan of Arc
is the site of a field where Joan of Arc led an army to victory against the Duke of Bedford
Read more: A brief guide to the pretty town of Senlis.
In a small town not far from the medieval city of Senlis
Joan of Arc was captured by rebellious Burgundian armies
who at that time were collaborating with the English while she was helping to defend the town from the aforementioned armies
The reward for her capture was 10,000 Livre tournois (a currency used during the Middle Ages)
Read more: 10 French Towns near Paris worth visiting.
Just one simple small plaque on the side of Auxerre cathedral announces that ‘yes,’ Joan of Arc once passed through the city
As the capital of the Yonne department and one of the largest cities in Burgundy
it should come as no surprise that there are plenty of things to do and even more attractions to see when it comes to Auxerre
But what you may not know is that Jeanne d’Arc actually passed through the Burgundian city twice
The first was en route between Vaucouleurs to go to Chinon when she stopped at the Etienne Cathedral to attend mass
while her second visit to the city was markedly more difficult
Joan of Arc was walking the route with King Charles VII when the residents of Auxerre refused to let them into the walled city
Now the capital of the Normandy region of France
Rouen is an ancient city characterised by its countless timber-framed houses
The city is worthy of a visit on any trip through Northern France and if you’re looking to follow the trail of Joan of Arc in France
where d’Arc’s trial took place
she was accused of many things by the English and corroborating Burgundian armies
The trial was overseen by the Duke of Bedford and the Earl of Warwick
two prominent political figures of the time
it’s alleged that Joan of Arc was executed
though plenty of later reports suggest (and we can only hope) that she managed to get away to safety
many eyewitness accounts say that d’Arc was burned at the stake following a largely unfair trial before her body was burned multiple times (to prevent relics being created) and her ashes thrown in the Seine
Just twenty years following her untimely death and execution
Joan of Arc was canonised and has since become a symbol of freedom in France
tens of thousands of works have been written about her and she is remembered as having had an unwavering faith and a belief in France…
Read more: A quick guide to the best things to do in Rouen.
the pretty town of Sens has little by way of attractions and instead is more popular among French tourists
Home to a cathedral where Thomas a Becket once sought refuge
you can easily see the best of the town over the course of a day or two
During Joan of Arc’s travels through France
a small plaque remembers this in the heart of the city
So important is Reims in the life and story of Joan of Arc
that Reims has a large statue dedicated to the French heroine right outside of its grand Gothic cathedral
Jeanne d’Arc’s liberation of Reims Cathedral, following the journey of her march to Reims, was the reason which Charles VII was able to be crowned King of France. For more inspiration, be sure to check out our guide to the best things to do in Reims.
Sophie Nadeau is a full time travel writer and photographer focused on cultural experiences in Europe and beyond
When she's not chasing after the sunset (or cute dogs she sees on her travels) she can be found reading
and website in this browser for the next time I comment
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I started this site back in 2015 with one mission in mind: I wanted to create useful travel guides with a historical and cultural focus
Today it has blossomed into my full time job
and together with a small team of writers (including my husband and sister)
we craft articles to help you travel better throughout Europe
© 2015- 2025 Sophie Nadeau. Nadeau Pasquier LTD. All Rights Reserved. solosophie participates in various affiliate marketing programs. solosophie is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. As an Amazon Associate I earn from qualifying purchases. Privacy Policy