Komunitas praktisi dan industri dalam program belajar data science oleh DQLab (dqlab.id) CEROBONG-cerobong asap yang menjulang hingga menyentuh langit, kini membisu. Mereka adalah saksi tentang geliat usaha pabrik genteng di Jatiwangi Jatiwangi kini sedang berada di masa sulit Kota yang terkenal karena produksi gentengnya yang memenuhi pasar Indonesia ini seolah harus menyerah pada modernitas Pagi hari sebelum matahari tampak sempurna sekumpulan lelaki dewasa mengendarai motor tampak bergerombol di sepanjang jalan Bandung-Cirebon Mereka adalah suami yang mengantarkan istri atau anak perempuannya bekerja di pabrik-pabrik garmen Tak sedikit pula pemuda yang mengantar adik perempuannya ke pabrik-pabrik itu Wajah-wajah perempuan muda berusia 20-30 tahun itu tampak gembira Rutinitas inilah yang akan kita temui setiap hari sejak Majalengka dikukuhkan menjadi kawasan industri Daerah ini telah menjadi surga para pencari kerja genteng Jatiwangi sudah merambah pasar internasional dan Brunei Darussalam menjadi negara-negara tujuan pengiriman genteng Jatiwangi terbuat dari bahan baku tanah berkualitas tinggi beberapa orang di Jatiwangi kaya raya berkat usaha genteng Ada 600-an jebor atau pabrik genteng yang berdiri pada waktu itu sejauh mata kita memandang akan terlihat tumpukan genteng-genteng yang ditawarkan di depan rumah warga Jatiwangi menjelma menjadi kota kecil yang kaya Jangan dibayangkan desa kecil dengan banyak penduduknya bergubuk reyot Sebagian warga yang menjadi pengusaha genteng memiliki rumah-rumah besar dan mobil-mobil mewah di pekarangan rumahnya di Desa Burujul genteng-genteng Jatiwangi yang dipajang sepanjang jalan berselimut debu karena terlalu lama menunggu pembeli Bahkan beberapa bangunan besar dan penting di Jatiwangi para pengusaha pabrik genteng menuju masa tutup usia usaha genteng Jatiwangi bermula dari Haji Umar pada 1905 Ketika itu ia berinisiatif mengganti atap suraunya pemerintah Hindia Belanda menaruh perhatian khusus mulai mengganti atap bangunan pemerintah dan perumahan pegawai pemerintah Kompas Cyber Media (Kompas Gramedia Digital Group) Baca juga: '+json_baca_juga.items[i].title+' Implementing The Technology of Virtual Reality Helped Introduce Hos Tjokroaminoto’s Dormitory Museum as a Historical Place The Hos Tjokroaminoto Museum that is located in the Sub-District of Genteng The museum itself is an important destination in commemorating impactful historical figures there are still a lot of people that don’t know of its existence lecturers from the Laboratory of Interior Science and Technology with the help of students from Interior Design ITS worked together to form a team that was lead by Okta Putra Setio Ardianto to conduct a research in making a virtual reality (VR) on the Hos Tjokroaminoto Museum to further expose it to the public The research was also helped by a team of talented Interior Design students of ITS the team consisted of Muhammad Hrithik Roshan R. Creating a good impression and positive impacts the research has helped the knowledge growth in the world of technology and its use in the learning process of students in ITS The objective of the research is to create a 3D render of Hos Tjokroaminoto’s Dormitory that was once used by the first President of Indonesia the 3D render will be turned into a virtual reality that can be accessed through an Oculus Quest The research was officially titled as “Application of Virtual Reality Heritage on Bung Karno’s Room and Hos Tjokroaminoto’s Room” The VR of Bung Karno’s old dorm could help students understand the historical context and values of the museum while also giving a personal experience of the Interior of Bung Karno’s old room The personal experience could also be translated into a term called “Digital Place Attachment” or a feeling of being present in a place that was constructed virtually The experience of being in the virtual reality of Bung Karno’s old room could help build an awareness that signifies the importance of that historical place itself Bung Karno’s old room in Hos Tjokroaminoto Museum holds a great heritage value there were 3 historical figures that lived in Hos Tjokroaminoto’s House (The Museum) and those 3 figures would eventually shape Indonesia’s history Even Though they share the same room and teacher (Hos Tjokroaminoto) Kartosoewirjo would lead the rebellion of the islamic party and Samoen would be in favour of changing the government into communism but it’s the vocal point in the history of Hos Tjokroaminoto Museum this research could also be a great source of learning in the fields of technology and the whole academic community in Interior Design ITS The process of making a VR itself takes a lot of time and procedures starting from surveying the location with the guidance of lecturers from the Lab of Interior Science and Technology ,scanning the location in 360 degrees converting the scan result to make the 3D model up to creating a research journal on Hos Tjokroaminoto Museum Making a virtual reality also requires the operation of Matterport (a tool for 3D scanning) alongside important software such as; Blender the team of researcher students are also actively involved in the process with the help and exclusive guidance from the Lecturers of Interior Design ITS lecturers and students can be progressive in contributing innovation and expanding knowledge in technology the lecturers and the research team of Interior Design ITS hoped that by creating a VR of Bung Karno’s old room the output could be a way of conserving historical places that might not be standing any longer in the coming years heritage places like Hos Tjokroaminoto Museum could be preserved and appreciated virtually The research could also be a source of references and a place of learning for the upcoming technological innovations and projects of Interior Design ITS Laboratorium: Laboratory of Interior Science MAJALENGKA REGENCY - Acting Governor of West Java Bey Machmudin also played roof tiles as a musical instrument in the West Java Cultural Examination Collaboration of Roof Tiles 2024 at the Ex-Ground Sugar Factory Field in Jatiwangi One of the attractions of the event is the use of roof tiles as musical instruments which usually function as building materials are transformed into instruments that produce distinctive musical harmonies this proves the limitless creativity of the people of West Java and is a special attraction for foreign tourists we are indeed very creative," said Bey This moment is a symbol of respect for nature and pride in the richness of West Java culture "Activities like this not only bring the spirit of local culture but also awaken a sense of love for the traditions we have," said Bey activities like this will be increased not only in Majalengka This activity has proven to be able to attract tourists even from abroad such as Thailand," he added West Java Cultural Review Rampak Genteng Collaboration 2024 is proof that local culture can be a bridge of friendship between nations as well as bring pride to the people of West Java Universitas Airlangga Official Website UNAIR NEWS – To increase public awareness about lupus, students from the Faculty of Medicine Universitas Airlangga (UNAIR) launched a community service project focused on the disease titled SALLY (Shining A Light on Awareness and Lifelong Living with Lupus) received a positive response from numerous volunteers a medical student from Admission Class of 2023 aimed to introduce lupus and its dangers to the public Permatadewi explained that the initiative had two key phases: an online campaign via social media and an in-person event held on Sunday (October 13 Permatadewi’s inspiration for this project came from her selection as a top-12 finalist in the Ambassador of Public Health competition by AMSA-Indonesia an organization for medical students across the Asia-Pacific region finalists were required to raise awareness about a specific disease She explained that the lack of public knowledge about lupus drove her to take action Lupus is an autoimmune disease that affects multiple organs but because of the limited information available starting with an online campaign via social media This included Instagram live sessions with medical professionals to explain lupus and its symptoms We also featured a live session with a young doctor living with lupus The highlight of the program was an offline event on October 13,” she said The in-person event featured a lupus exercise session It also included a talk show with an internal medicine specialist who provided deeper insights into lupus along with free health screenings for attendees Permatadewi shared that the proposal for the community service initiative was completed in just three days they had two weeks to carry out their activities as outlined in the proposal the project faced challenges such as limited funding and difficulty recruiting volunteers the program attracted a strong response from volunteers the program will provide support to those living with the disease and educate the public on ways to manage its symptoms Although the exact cause of lupus is still unknown increasing awareness of its symptoms could help prevent the disease from worsening it’s time we deepen our understanding of lupus we should offer our support and encourage them to stay motivated and continue to contribute to society,” she concluded Copyright 2021 Universitas Airlangga. All Rights Reserved. CENTER FOR COMMUNICATIONS AND PUBLIC INFORMATION (PKIP) This website is using a security service to protect itself from online attacks The action you just performed triggered the security solution There are several actions that could trigger this block including submitting a certain word or phrase You can email the site owner to let them know you were blocked Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page Cari English Two-Day Tour on Pulau Harapan TEKS › English›Two-Day Tour on Pulau Harapan Iklan Two-Day Tour on Pulau Harapan A number of small islands offer beautiful beaches and natural attractions For those who don’t like swimming or snorkeling Galuh Bimantara · 7 minutes read TEKS KOMPAS/JOHANES GALUH BIMANTARA Holidaymakers enjoy snorkeling at Pulau Genteng Besar are the peak time for tourism on Pulau Harapan Tourists can enjoy the beaches and the natural beauty of the island stretching about 45 kilometers north of Jakarta tourists only use Pulau Harapan as a place to stay overnight snorkeling and natural sights on the neighboring islands hundreds of tourists disembarked from wooden boats in a small port on Pulau Harapan to enjoy the beauty of the islands hundreds of other travelers embarked on their Jakarta-bound boats Those who just arrived tried to find tour guides or entered residential areas to find places to stay overnight A Kompas reporter was part of the group of the exciting travelers Unlike other travelers who took wooden boats from the Kali Adem port Muara Angke, the Kompas reporter took a speedboat from the Marine Ancol port from where it takes only about 1.5 hours to reach the island It costs Rp 180,000 (US$12.80) per person to take a speedboat to the island during the Idul Fitri holidays from June 13 to 18 This is far higher than the entrance fee of Ancol Taman Impian (Ancol Dreamland) Taking a wooden boat is less costly as the fee is only about Rp 60,000 per person The trip is not only longer but also dangerous Pulau Harapan does not have many tourist attractions As one of the islands in the Kupulauan Harapan subdistrict in the northern part of the North Kepulauan Seribu district the island is a residential area with about 2,000 people The access road on the island is only 1.5 meters wide Motorbike horns unrelentingly blare along the small road The main part of the tour has not yet begun explained that Pulau Harapan is used only to stay overnight, with lodging scattered across the island we can go to other smaller islands around Kepulauan Harpan The condition of Pulau Harapan is different from Pulau Pari and Pulau Tidung in the South Seribu Islands subdistrict which not only provides places to stay but also offers beautiful panoramic views is famous thanks to the beauty of its Pantai Pasir Perawan (Virgin Sand Beach) Around the island there are also snorkeling locations the beautiful islands around Pulau Harapan are not too far and can be reached by boat tourists can reach three islands to enjoy snorkeling and see the beauty of the fish and coral reefs. In fact the allure of Pulau Harapan is its neighboring islands where tourists can enjoy snorkeling all year round A traditional ship carrying passengers arrives at Pulau Kelapa Port in Kepulauan Seribu on Tuesday (19/6/2018) The ship was also carrying tourists from Kali Adem Port in Muara Angke who could not catch the vessels designated for holidaymakers snorkeling is safer in the waters of Pulau Mancan it is time to enjoy the beauty of the waters of Pulau Putri Barat before exploring the islands and snorkeling The menu consisted of grilled fish, and fried chicken with chili tourists are invited to have lunch together we embarked on a boat owned by Jupli’s family He also mentioned the names of the owners of about 20 private islands The blue ocean panorama blended with the green waters This was a refreshing view for eyes accustomed to the concrete jungle of Jakarta it was time to jump into the waters of Pulau Genteng Besar Large waves make it difficult to snorkel at the location the view of beautiful fish swimming among coral reefs is a refreshing view hiring a tour guide who is familiar with the locations is a must They can also help to take photos under the sea," said Jupli tourists can also enjoy the beautiful beaches in the islands Tourists can enjoy the white sandy beaches by playing in the sand or sitting on mats to comfortably enjoy the beautiful sea Other islands are usually used as stopovers Jupli arranged Pulau Bula as the last destination of the tourists in the tour package because it is closer to Pulau Harapan The islands the tourists visit or pass by are part of two administrative areas: Pulau Harapan (such as Pulau Perak Pulau Bira Besar and Pulau Bula) and Pulau Kelapa subdistrict (including Pulau Genteng Besar and Kecil Visitors who are reluctant to make their own travel schedules can buy tour packages including Jupli with Instagram and Facebook there is a two-day and one-night tour package The first day includes snorkeling on a number of small islands The second day entails visiting the planting of mangroves and turtle breeding in Pulau Kelapa Dua The packages include return trips from Kali Adem to Pulau Harapan three buffet meals and a barbecue with grilled fish and squid as its main dishes which starts from Rp 300,000 per person for a group of 41 to 100 people and up to Rp 900,000 per person for a group of two people Pulau Dolphin and Pulau Cina are popular destinations each visitor pays Rp 25,000 per night to the island manager Bring your own tent because they don’t rent out the tents with his 12 friends was among those who camped at Pulau Dolphin They had also brought fishing rods with them Pulau Dolphin can be accessed by boat from Pulau Harapan and 12 friends from Depok also tried the camping experiences They arrived on Pulau Cina on Sunday and went home on Wednesday two days after Idul Fitri, we go to the island," he said and Pulau Melinjo. Camping has become their annual ritual Climatology and Geophysics Agency issued a tsunami warning on Friday evening after a 7.4-magnitude earthquake rattled southern parts of Java Island. known as the BMKG, said the epicenter of the quake was detected 147 kilometers southwest of Sumur in the province of Banten at a depth of 10 kilometers Strong tremors from the earthquake were felt in the capital Jakarta more than 200 kilometers northeast of Sumur. There were reports some buildings in Jakarta had cracked because of shocks from the quake. "An early tsunami warning was issued for Banten West Java and Lampung due to a 7.4-magnitude earthquake on Aug. 2 at 7.02 p.m Western Indonesia Time," the BMKG said in a statement on Friday evening can reach heights of half a meter to three meters. The agency provided a list of areas that might be hit by a tsunami resulting from the earthquake Lebak and western parts of Serang in Banten, western and southern coasts of Lampung Sebuku Island in Lampung, Ujung Genteng near Sukabumi in West Java, Enggano Island No casualty or damage has been reported There was no report of a tsunami in the areas listed above as of 8 p.m The 42nd album from the veteran Indonesian singer-songwriter Veteran Indonesian singer-songwriter Iwan Fals has released ‘Pun Aku’ his first album since 2013’s ‘Hati’ and his 42nd release overall ‘Pun Aku’ was issued last Friday (September 3) via longtime label partner Musica Studios on streaming platforms The tracklist notably features many younger Indonesian artists as guests, including singers Danilla Riyadi (‘Penghibur Hati’), Nadin Amizah (‘Untukmu’) Fals premiered a music video for the track ‘Selamat’ The montage clip shows Fals interacting with fans onstage and in public The singer-songwriter is also seen revisiting old photos and performing the song with an acoustic guitar His family later appears to share in the occasion with Fals ‘Pun Aku’ is notable for the involvement of Anissa Rambu Cikal and Raya Rambu Rabbani, two of Fals’ children. According to HAI while Cikal co-produced the album with Lafa Pratomo Fals noted that writing ‘Selamat’ presented a change of pace The singer-songwriter has been renowned over the decades for his empathetic ‘When will I sing for myself?'” explained Fals “I’ve made a song about Bung Hatta [his 1981 song ‘Bung Hatta’ about Indonesia’s first vice president Mohammad Hatta] Maybe it’s time for me to talk about myself.” Fals began to make music in the 1970s with the group Amburadul before embarking upon a solo career The world’s defining voice in music and pop culture: breaking what’s new and what’s next since 1952 SUKABUMI CITY - The West Java Provincial Government has distributed rice assistance from the West Java Provincial Government Food Reserves (CPPD) to eight villages in Ciracap District 122.49 tons of rice were handed over by the Regional Secretary of West Java to the Regional Secretary of Sukabumi Regency Herman said that the CPPD assistance he distributed was intended for residents affected by crop failure or drought which occurred in eight villages in Ciracap District "We symbolically handed over 122.49 tons of rice as food reserves for the regional government This is stimulus assistance from the West Java Provincial Government for residents in Ciracap District Sukabumi Regency," said Herman Suryatman He said that of the total 122.49 tons distributed this year it will be distributed to 4,861 heads of families (KK) and 13,611 people in the eight villages "We symbolically handed it over to the Regional Secretary of Sukabumi Regency and this assistance is a concrete empathy from the West Java Province the West Java DPRD with the drought and crop failure disaster in Cilacap District," said Herman "Hopefully it can ease and help the community We from the province are concerned that Sukabumi Regency has been tested by Allah subhanahu wa taala it turns out there is also a drought disaster," he added In addition to CPPD assistance for eight villages experiencing drought or crop failure Herman also distributed other food assistance to the Sukabumi Regency Regional Disaster Management Agency (BPBD) for disaster management in the Sukabumi Regency area Acting Head of the West Java Food Security and Livestock Service (DKPP) Siti Rohani said that the distribution of CPPD is one of the efforts to realize food security in West Java One of the ways government assistance is distributed is to communities experiencing food insecurity due to natural disasters or emergencies "The distribution of food reserve assistance from West Java Province will be carried out upon the request of the Head of the Sukabumi Regency Food Security Service for communities affected by crop failure or drought in Ciracap District," said Siti Rohani He also reported that food reserves in West Java Province are currently 2,652 tons and if 122.49 tons are distributed to 13,611 people in Sukabumi Regency then the stock in West Java is now around 2,529 tons "Hopefully this assistance can ease the burden on the community so that no one lacks food," he hoped Siti asked both sub-districts and villages to contribute and cooperate so that the distribution of aid to the community can take place in an orderly manner in accordance with the prospective recipients who have been registered and be equipped with accountability in the form of reports and minutes Sukabumi Regency Regional Secretary Ade Suryaman welcomed the distribution of CPPD from the West Java Provincial Government today there is assistance from West Java Province to overcome the impact of drought Ade revealed that Ciracap District experienced drought during the second planting season "We would like to thank the Regional Secretary of West Java Province and his staff for helping Sukabumi Regency," said Ade UNAIR NEWS – Business ecosystem and product innovation are some of the concerns of Universitas Airlangga. One activity to strengthen them was carried out by BPBRIN UNAIR by holding the Airlangga Startup Summit Innovation Expo or ASSIE The Startup Business Development and Incubation Agency or BPBRIN Universitas Airlangga held the expo by inviting 68 startups and various centers and institutions throughout UNAIR Several important guests attended the opening of ASSIE Head of the Administration Subdivision of the Secretariat of the Directorate General of Higher Education Research and Technology as well as Commitment Management Officer for the Matching Fund Program Digitalization and Information (IDI) Prof Muhammad Miftahussurur dr M.Kes Sp.PD-KGEH Ph.D Student and Alumni Affairs Prof Dr Bambang Sektiari Lukiswanto DEA Drh and the Dean of Faculty of Advanced Technology and Multidiscipline Prof Dr Dwi Setyawan S.Si M.Si Apt The event was opened with a prayer and a Remo Dance performance He said that he wanted to build the ecosystem so that academics could have products and when they retired they would also have royalties “So that academics can have products that are useful for society,” he said “We from Dikti always support similar programs,” he stressed UNAIR had received matching funds of 72 billion rupiah Matching fund is the funding for universities and their industry partners in developing innovation The final speech was from Prof Muhammad Miftahussurur dr MKes Sp.PD-KGEH PhD FINASIM Miftah congratulated the inventors of Universitas Airlangga “Hopefully the results of your inventions can become good deeds and also provide extraordinary benefits for the Indonesian people,” he hoped events like this can make Universitas Airlangga products known better and recognized by the public “The output can be collaborated with other parties,” said the professor of Internal Medicine 5 innovative products were launched: Bangga Electric Vehicle Charging Station Smart Phototherapy System Airlangga Bilirubin Nesting (AirBiliNest) Excelzyme Environmentally Friendly Products There was also the launch of the new logo for the Universitas Airlangga Business and Technology Incubator or IBT-UNAIR 21 July 2019 Professors and participants from King Mongkut’s University of Technology Thornburi (KMUTT) Thailand and Universiti Teknologi Malaysia (UTM) arriving at Surabaya Professors had dinner with ITS IO Management while participants had surround exploring dinner 22 July 2019 is the first day of Joint Workshop Global Engineer in Asia 2019 there is a welcoming ceremony held in front of ITS Rectorate Building and continued by an opening speech by ITS Vice Rector After the welcoming ceremony there is an intruduction session about JWGEA 2019 Started by brief introduction of university involved in JWGEA 2019 Fauzan Khairi Che Harun explain about UTM Malaysia Diew Koolpiruck explain about KMUTT Thailand M.E as a delegate from Institut Teknologi Sepuluh Nopember Surabaya gave a session about the overview of JWGEA program and followed by the group interaction Maria encourage the participants to learn as much as possible from the program Shizuyo Asai from Ritsumeikan University Japan and Prof Lee Chew Tin from Universiti Teknologi Malaysia gave a Panel Presentation session about Becoming a Competitive and Happy Person Fauzan Khairi Che Harun from UTM gave a session about “Self-Assessment” Poj Tangamchit from KMUTT gave a session about “A 100-Life Year: A Gift or A Curse” M.E from ITS gave a session about “Composing a Life Plan” The Second personal development course is a discuss session Every group got a case studies and they are given a time to discuss about it Later every group presentate what they had discuss The session then closed by a concluding remark student participants got a chance too play Indonesian Traditional Games such as Pass the Rubber Everyone having such a great yime playing the traditional games 23 July 2019 thr day started with Parallel Research Presentation & Feedback session Continued by a Lecture on Solid Waste Management: Opportunities & Challenges towards Zero-Waste Lee Chew Tin from UTM and IDAA Warmadewanthi Ph.D from ITS were the speaker in this session On the afternoon there is a site visit session There are 2 destinantion destination headed the first destiantion is City Council for Cleanliness & Green Open Space (Fecal Waste Management Keputih & Recycling Center Jambangan) they were explained about the waste management system and green open space management runs in Surabaya Surabaya is currently developing and implementing an integrated online system so that everything can be monitored easily and efficient Next destination is Genteng Village: Green & Clean Kampung Genteng Village or commonly known as Kampung genteng is one of a smart village in Surabaya This village earned many award from the government In this village the participants were explained about this village unique system to filter the water waste into a cleaner water After many remarkable course the day before The third day started with Briefing about Project based Learning (PbL) & Community Observation by Dr The next session is Preparation for Presentation session This session discuss about how to do Problem Identification After the session there is a Case Study Presentation The day ended with presentation of 2020 JWGEA and a closing ceremony 25 July 2019 The sun shines brightly as the participants smile happy because they are heading to Three Colours Beach this day This is one of famous tourist destination in East Java everyone packed their belongings and headed home or to the airport After a few days in Surabaya eventually they should return to their country Children attend an event to commemorate the 100th birthday of Nelson Mandela at Iboe Inggit Garnasih People's School in Lio Genteng The school decided to pay tribute to the South African anti-apartheid revolutionary who was born on July 18 Universitas Airlangga Official Website UNAIR NEWS – Plastic waste is one of the significant environmental problems single-use plastic bags have also been utilized at an alarming level Various ways have been done to reduce single-use plastic waste one of which is the Plastic-Free Surabaya People’s Market program under the auspices of the Surabaya Environment Service an environmental expert from Universitas Airlangga (UNAIR) was appointed as a leading researcher in the study program Nita said that single-use plastic is the dominant plastic waste in Surabaya this program aims to reduce the utilization of single-use plastic bags in Surabaya starting from the People’s Markets in Surabaya,” she explained The initial implementation of this program was to examine the readiness of the people’s markets in carrying out the program After exploring 67 markets under the management of the Regional Company (PD) Pasar Surya which consisted of 25 students from the Environmental Engineering Study Program (PTL) found three markets qualified for the pilot project Nita and her team conducted research followed by education and dissemination to change single-use plastic bags with cloth bags the UNAIR Faculty of Science and Technology (FST) lecturer also found that continuous dissemination is needed to increase community participation in this program “The public needs to be given real evidence regarding the impact of plastic on the environment the flooding in Pasar Kapasan resulted from single-use plastic bags accumulating in the gutter the flood and the smell of garbage were real evidence,” she said Nita hoped that there would be an acceleration in establishing regulations on the utilization of single-use plastic bags in Surabaya the sense of love for the environment should be grown by the community Their love can be shown by reducing the utilization of single-use plastic bags carrying cloth bags or baskets when shopping at the market Copyright 2024 © Universitas Airlangga. All Rights Reserved. PUSAT KOMUNIKASI DAN INFORMASI PUBLIK (PKIP) Kebakaran terjadi pada Sabtu (8/5) petang Pemilik rumah sedang buka bersama (bukber) di tempat lain Kapolsek Candi Kompol Yulie Krisna mengatakan rumah yang terbakar berada di Perum Citra Santoso Mandiri (CSM) "Dari keterangan saksi-saksi warga sekitar peristiwa kebakaran pertama kali diketahui oleh warga Yang melihat ada asap yang bersumber dari rumah tersebut Warga sekitar kemudian melihat AFS (15) berada di dalam rumah," kata Yulie saat dihubungi detikcom Yulie menjelaskan, untuk memadamkan kebakaran tersebut dua mobil pemadam kebakaran diterjunkan ke lokasi AFS merupakan seorang remaja pria yang diduga menjadi penyebab rumah tersebut terbakar Rumah tersebut mengalami kerusakan berat akibat kebakaran tersebut "Beruntung tidak ada korban jiwa dalam kejadian ini Kemudian kami mengamankan AFS ke Mapolsek Candi," jelas Julie Waktu itu puluhan warga Perum CSM mendatangi Mapolsek Candi Agar tidak terjadi hal yang tidak dinginkan AFS belum mengaku sebagai pembakar rumah tetangganya itu saat diminta keterangan oleh petugas dari Unit PPA Polresta Sidoarjo "Informasi yang kami peroleh dari Unit PPA bahwa pelaku itu sering dimarahi oleh ibunya lantaran sering main game online Namun kami tidak mengetahui persis game online seperti apa," terang Yulie Saat kebakaran, ternyata AFS diketahui ada di dalam rumah yang terbakar. Rumah itu ludes terbakar diduga karena AFS membakar kasur di rumah itu. Ia membakar rumah tetangga diduga sebagai pelampiasan karena sering dimarahi orang tua karena main game online terus "Kemarin saat kejadian warga mengetahui bahwa anak tersebut di dalam rumah Padahal rumah tersebut terkunci karena pemiliknya sedang keluar Dia masuk dari mana warga juga tidak mengetahui," terang Yulie Lihat juga Video: Diduga Kecanduan Game Online [Gambas:Video 20detik] Bupati Kebumen Arif Sugiyanto turut menyayangkan adanya pembiaran itu Logo Kabupaten Kebumen yang beredar di internet memiliki banyak versi Padahal hanya ada satu versi yang benar sesuai dengan peraturan daerah atau Perda No "Jadi logo Pemkab kalau kita cermati ini ternyata banyak yang salah jangan sembarangan ganti-ganti tanpa aturan," ujar Bupati di Pendopo logo Pemkab Kebumen yang resmi haruslah memenuhi sejumlah aturan Juga harus memuat Kapas berjumlah 5 (Pancasila) dan Warna tanah coklat (Ada di atas gua) bukan Bumi Tirta Pramukti serta terakhir (12) Yang tidak sesuai dengan poin 12 poin itu berarti yang salah Nah di hari jadi Kebumen pada bulan Agustus ini saya minta seluruh logo yang salah agar dicabut dan diganti yang asli," tegas Bupati Arif 30b/DPRD-GR/70 tanggal 14 Oktober 1970 ini sangat gamblang dijelaskan tentang Penggunaan dan Pemakaian Lambang Daerah Kabupaten Kebumen. warna lukisan Lambang Daerah Kabupaten Kebumen adalah semangat dan kesiapsiagaan rakyat untuk mempertahankan Negara Kesatuan Republik Indonesia yang diproklamasikan pada tanggal 17 Agustus 1945 dengan dasar Pancasila dan Undang-undang Dasar 1945 Menggambarkan kepercayaan yang teguh dan luhur terhadap Tuhan Yang Maha Esa Pegunungan yang melambangkan keteguhan hati Menggambarkan juga sebagian daerah Kabupaten Kebumen terdiri dari tanah pegunungan Mencerminkan sifat-sifat ketenangan dan kesederhanaan dari rakyat daerah Kabupaten Kebumen dalam usahanya untuk mencapai cita-citanya yaitu masyarakat yang adil dan makmur Gua juga merupakan tempat dimana dihasilkan sarang burung Laut yang menggambarkan jiwa perjuangan yang selalu bergelora sepanjang masa; namun penuh dengan kedamaian yang abadi Menggambarkan juga bahwa sebagian daerah Kabupaten Kebumen berbatasan dengan Samudra Indonesia Burung Lawet; Menggambarkan suatu sumber penghasilan daerah dan merupakan pencerminan dari ketekunan dan kegesitan yang penuh dinamika dari rakyat daerah Kabupaten Kebumen dalam usahanya untuk membangun daerahnya Kapas padi;Menggambarkan cita-cita rakyat daerah Kabupaten Kebumen yaitu terwujudnya suatu masyarakat adil makmur berdasarkan Pancasila Mata rantai yang sambung menyambung; Menggambarkan jiwa dan semangat persatuan yang hidup di kalangan rakyat Merupakan pencerminan dari sifat kepahlawanan rakyat dalam perang kemerdekaan mempertahankan Negara Kesatuan Republik Indonesia yang diproklamasikan pada tanggal 17 Agustus 1945 dengan dasar Pancasila dan Undang-undang Dasar 1945 Menggambarkan bahwa industri batu bata dan genteng di Daerah Kabupaten Kebumen merupakan sumber penghi-dupan rakyat; secara simbolis menggambarkan bahwa kecuali sektor pertanian; sektor perin-dustrian juga merupakan sumber penghasilan Rakyat Daerah Kabupaten Kebumen Arti kata-katanya; tanah dan air untuk kesejahteraan Bangsa dan Negara Maksud dan jiwanya; bangsa Indonesia pada umumnya dan Warga Daerah Kabupaten Kebumen pada khususnya sangat bersyukur kehadapan Tuhan Yang Maha Esa yang telah menganugerahi tanah yang subur dan air yang berlimpah-limpah. Anugerah yang tidak ternilai harganya itu merupakan nikmat dari Tuhan yang wajib kita manfaatkan sebaik-baiknya bagi kesejahteraan rakyat: Daerah Kabupaten Kebumen dibagian Utara terdiri dari tanah pegunungan dengan aneka warna bahan-bahan tambang yang terpendam dan dengan hutan-hutannya yang menjadi sumber mengalirnya sungai-sungai menuju ke daerah persawahan dan tegalan yang subur di sebelah selatannya yang menjadi sumber penghidupan dari sebagian besar rakyatnya. Demikian pula karena anugerah Tuhan Yang Maha Esa maka sebagian besar tanahnya merupakan bahan yang sangat baik untuk membuat batu-bata dan genteng sehingga menempatkan Daerah Kabupaten Kebumen sebagai penghasil batu-bata dan genteng yang sejak lama sudah terkenal. Di sebelah selatan daerah Kabupaten Kebumen berbatasan dengan Samudera Indonesia dengan pantainya yang penuh dengan pohon kelapa; dengan gua-guanya yang terkenal sebagai penghasil burung-burung yang berkualitas tinggi serta lautnya yang mengandung potensi yang tak terhingga. Kesemuanya itu menimbulkan suatu kewajiban yang luhur pada kita sekalian warga daerah Kabupaten Kebumen; untuk dengan cipta rasa; karsa dan karya kita masing-masing selalu tekun dan penuh ketawakalan memanfaatkan modal anugerah Tuhan Yang Maha Esa tersebut untuk meningkatkan kesejahteraan rakyat Merupakan penegas bahwa lukisan lambang daerah tersebut adalah lambang daerah Kabupaten Kebumen Keterangan tentang arti warna yang dipergunakan dalam lukisan Masing-masing warna memiliki makna masing-masing Seperti Biru Laut yang melambangkan kedamaian Sementara Hijau (pengharapan atau kesuburan) Putih (kesucian) dan Merah (keberanian) dan coklat (potensi kekayaan alam yang terpendam Dewi Elvia Muthiariny Petir Garda Bhwana Jakarta - The capital of East Java Province It is renowned as the city of heroes in honor of its fighters against the Dutch and Japanese forces for Indonesia’s independence Here are four tourist destinations in the city offering free entrance tickets: As quoted from the city’s page bangga.surabaya.go.id Tourists may experience architecture tours in this area which had been revamped in 2018 in order to preserve cultural heritage sites Visitors can take pictures in many places with the view of vintage and classic architecture including Jembatan Merah or the red bridge the parking fee is charged Rp2,000 for a motorcycle and Rp5,000 for a car One of the must-visit historical tours in the city is the Heroes Monument which is situated on Jalan Pahlawan This site is popular and becomes an icon of the city No entrance fee for all visitors except on November 10 This museum used to be the residence of nationalist heroes The name was taken from the name of the nation's teacher Many great figures studied and discussed with him and even lived in that house Soetomo Museum was established to commemorate the fighter and founder of the first independence movement organization in Indonesia Located in the Indonesian National Building (GNI) Pendopo Complex the museum exhibits 328 collections of ancient medical devices and photos Click here to get the latest news updates from Tempo in Google News List of Baeksang Arts Awards 2025 Winners KOSTCON 2025, the First Largest K-Drama OST Concert in Jakarta, to Take Place on August 2nd 10 Best Cities to Visit in Japan Besides Tokyo to Add to Your Bucket List 10 Recommended Budget-Friendly Tourist Destinations in the United States What Are the Cheapest Businesses to Start from Home? 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Prabowo Intends to Scrap Prabowo: Bill Gates to Support Free Nutritious Meal Program in Indonesia Elly Kent Features06 July 2022ArtReview Asia Indonesian artists are developing new and diverse responses to politics centred around the conjunction of artistic autonomy and a socially-engaged commitment to responsibility Ruangrupa’s artistic direction of Documenta 15 the five-yearly art exhibition which opened in Kassel introduces a global audience to the conscious collectivity that has been a feature of modern Indonesian art since the early twentieth century ruangrupa has developed an artistic direction that fragments and delegates creative input drawing on the resources of a community of art collectives from Indonesia and around the world In Indonesia’s creative and intellectual circles collectivity’s roots are to be found in the archipelago’s rich and diverse agrarian-subsistence cultures with links also to past Hindu-Buddhist civilisations Embedded concepts like gotong-royong (mutual cooperation) and sanggar (creative communities) were elevated by the communitarian values that underpinned the anti-colonial independence movement during the first half of the twentieth century and in Indonesia’s subsequent nation-state which has also recently been appropriated by the government to describe a controversial ‘food estate’ programme for increasing agricultural production these embedded concepts that dominated the emergence of modern and contemporary art in Indonesia have remained sites of contested interpretation They encompass an intriguing conjunction of the artistic autonomy championed by modernism in Euro-American ‘centres’ and a socially engaged realism with concomitant responsibilities to society In 1969 eminent Indonesian art critic Sanento Yuliman pointed out that even if a singular framework for the ‘Indonesian-ness’ of Indonesian painting could be determined ‘there would still be artists who would deliberately deviate from it’ ‘Is it not possible that Indonesia contains rich and unknown facets and concerns… including those that are mutually oppositional?’ In his 1970 analysis of the emergence of abstraction ‘Seni Lukis Di Indonesia: Persoalan-Persoalannya Dulu Dan Sekarang’ (Painting in Indonesia: Issues Past and Present) Yuliman went on to conceptualise a complex artistic continuity that alerts us to the ways in which modernism in Indonesia diverged from the rupturing and universalist tendencies it showed elsewhere He identified its earliest precursors in the attitudes of one of the nation’s earliest modern art collectives as Indonesia’s nationalist movement was gaining momentum known as the father of Indonesian modernism Yuliman quotes PERSAGI painter Basuki Resobowo who in 1949 argued that the difference between ‘the teapot’ and ‘the painting of the teapot’ lies in their functions: ‘The teapot on the canvas has other obligations… the line and colour that we intend to arrange harmoniously (a unity of emotion) functions to fill the field of the canvas.’ This shows that ‘the development of painting in Indonesia has prepared the ideas and sensibilities – let’s say it prepared the climate – for the development of a number of abstract paintings’ Yuliman later identified this continuity as an ongoing ‘artistic ideology’ that respects the artist as an individual; and holds the belief perpetuated through the teachings of the sanggar and institutions that ‘visual elements and their arrangement this was an ideology that extended beyond the canvas PERSAGI and the conception of sanggar both prepared the climate for the abiding importance of dual attention to collectivity and the individual in Indonesian art Sudjojono’s own charismatic personality and strong nationalist sentiment coupled with the progressive teacher-training he gained at the Taman Siswa school in Yogyakarta (inspired in part by the educational philosophiesof Rabindranath Tagore) made him a natural leader in a numberof sanggar clearly linked aesthetic beauty to social truths In the late 1930s he decried the beautified landscape-painting genre known as mooi Indië (beautiful Indies): ‘… our painters only imitate the works of these foreign painters and serve the needs of tourists… They are people who live outside our real life But fortunately a new generation is coming up… a generation with new and fresh ideas… that will dare to say “This is how we are”.’ The focus on social responsibility combined with artists’ autonomy meant that artists from the early nationalist period (the 1930s through to the 50s) were seen as interpreters of society’s needs these tendencies were institutionalised as leftist organisations gained political power following the declaration of independence in 1945 through interviews and in-depth investigation of the conditions and aspirations of the people’ Known colloquially as turba (an acronym derived from turun ke bawah – ‘go down below’) this practice inspired creative workers across all fields but it also became a millstone for those who sought less prescriptive expression Those who did not adopt the turba approach found funding and exhibition opportunities hard to come by With the rising influence of the Communist Party and the dominance of leftist organisations attracting censure at home and abroad a series of conspiratorial manoeuvres conducted between politicians and the military led to an anticommunist purge in late 1965 conducted with unspeakable and indiscriminate violence across the archipelago with its socialist aspirations but fundamentally classist approach was able to continue in the new authoritarian regime’s developmentalist politics it was co-opted into the linguistic framework of the New Order used to describe politicians’ visits to underprivileged communities for photo opportunities moved to less overt tactics; collectivity survived In 1974 a collective of art-school students boldly sent a letter mourning the death of Indonesian painting to the organisers of Indonesia’s largest selective painting exhibition (and were expelled as a result) By 1975 they were members of the GSRB (Gerakan Seni Rupa Baru whose manifesto stated that they were ‘striving for a more alive art a living reality throughout the whole spectrum of society’ PIPA was a shortlived collective of 13 artists including several members of GSRB whose confrontational exhibition 1977 in Yogyakarta was banned just two days after it opened as were many exhibitions overtly critical of the New Order regime and its cronies These three groups had in common an enthusiasm for interdisciplinarity and a focus on concept over form: installation and found objects became the language of their art In his catalogue essay for GSRB’s 1987 exhibition Pasar Raya Dunia Fantasi (Fantasy Supermarket) artist and critic Jim Supangkat reflected that what had carried over from the group’s earlier work was ‘a manifestation of exploration opposition to elitism and revitalising pluralism in fine art through practices of art in everyday life’ collectives and individuals began using social-research methodologies collaborating with other researchers and NGOs to address pressing issues The artist Moelyono’s work with rural villagers was reinterpreted through the lens of progressive Brazilian pedagogist Paulo Freire and became ‘conscientisation art’ Performance artists in Bandung conceived of events that came to be known as jeprut a radically subversive act in an atmosphere of authoritarian vigilance and flourishing student movement coalesced to bring political criticism onto the streets Indonesian president Suharto’s New Order fell One of the abiding debates that surround these kinds of practices – exemplified in critiques by art historians Claire Bishop and Grant Kester – is that of amelioration versus antagonism Should artists bandage the wounds that capitalism and neoliberalism visit on society One example is Jatiwangi Art Factory (JAF) a collective of art-workers in rural West Java and one of the organisations ruangrupa has invited to contribute to Documenta 15 JAF’s perspective is defiantly village-oriented albeit with a sophisticated and organised framework with national and international reach From 2008 they worked closely with the village-level government; one founding member was even elected village head I witnessed an attempt by local bureaucrats (invited but arriving tardy) to turn a community art event in which residents were busily sharing creative drawings envisioning the village’s future inviting officials to stay as observers only; such visits were not unusual was an interdisciplinary collective of artists activists and other civil-society representatives who gathered with the specific goal of protecting an urban forest in Bandung city from the fulfilment of an infrastructure development permit Under the guidance of their appointed chair the collective organised a creative festival and a ‘long march’ to the town hall carrying graffitied panels purloined from the developers’ zinc fence candidates in the upcoming mayoral election signed their commitment to revoke the permit – a pledge honoured by the newly elected mayor These oscillating relations with authority are strategically antagonistic and ameliorative again undermining binary interpretations of collective and individual practice in the social and political sphere the Indonesian art scene also fosters a range of collectives that give succour peer support and often shelter to artists and their work Ace House Collective – whose membership includes painter Uji ‘Hahan’ Handoko – is one example Klinik Seni Taxu (Taxu Art Clinic) collective was formed out of disillusionment with preceding collectives of Balinese artists who were seen as too self-exoticising bring artists together at specific stages of their careers and lives – in that case textile artists caring for young children – and disband or recede as needs change claiming a place for distinctive practices that is increasingly recognised at the forefront of global contemporary art practice The work taking shape in Indonesia represents an exemplar for understanding collective and socially engaged art practice a lens through which to consider the significance of movements of collectivity and their implications locally and globally: where they have come from Documenta 15 is on view in Kassel, Germany, through 25 September Yuwen Jiang Features J.J. 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By continuing to use our site, you accept our use of cookies, revised Privacy sets out a new direction for the arts and a challenge to most of the sector Building on the initiatives like Creative People and Places it implies a radical shift in perceptions and a blurring of the lines between artist as we start to imagine a post-pandemic cultural sector there’s a chorus of voices urging us to ‘build back better’ calling for institutions to genuinely value artists and freelancers and respond to their needs and for the cultural sector to reflect the communities it claims to serve this is question of power: the arts sector still comprises a small number of very powerful people and a large number of very powerless people and its top-down structures perpetuate that the theatre in Manchester devoted to young people: “Can we take collective approaches out of the rehearsal room & apply them to running institutions (buildings & funding models) It’s time for systemic change”. And I thought to myself: that already happens in Indonesia Can we take these collective approaches out of the rehearsal room & apply them to running institutions (buildings & funding models)? It’s time for systemic change.. https://t.co/RFLvDNWrHQ — Matt Fenton (@MattContactmcr) May 14, 2020 From 2015-19 I lived and worked in Indonesia trying to help UK artists and organisations collaborate with their Indonesian equivalents When discussing UK partners we’d talk about ‘companies’ and ‘institutions’; when discussing Indonesian partners mostly we’d refer to ‘collectives’ and ‘communities’. But the collectives were also a response to decades of corrupt authoritarian government in the latter part of the 20th century and the years of unpredictable As Farid Rakun of Jakarta-based collective Ruangrupa told me there’s no mainstream: so it gives us an opportunity to say this is how we believe stuff should be”. Indonesia’s collectives argue they recognise everyone’s value and respect whatever resources they can bring to the table: knowledge By pooling resources and offering an equality of status they mostly feel that they’re better equipped to handle a crisis: more sustainable and better able to respond to fast-changing circumstances global pandemics or simply the whims of governments they’ve taken resource-sharing to another level The Commons Credit Cooperarativa sees six different arts collectives exchanging skills and expertise via a credits system: a collective of collectives For Jatiwangi Art Factory (JAF) the approach of Let’s Create would sound familiar Jatiwangi is a small town known mostly for its ceramic industry For decades it produced the roof tiles that were used across Indonesia and JAF’s work engages with the changing industrial and social landscape of the town JAF is “not working for the community The vibe is that of an extended family: everyone lives together UK artist George Clark has been to Indonesia twice in the last three years and has forged an ongoing relationship with JAF He was fascinated by what he saw as a horizontal structure rather than the hierarchical structure present in the UK This structure isn’t just about decision-making – although Ismal tells me that when decisions are needed they are usually made collectively – it’s about a fluid way of working: “artists need to be community organisers carpenters… and those skills are not held hierarchically” Or as Yuki Aditya of Jakarta-based collective Forum Lenteng told me “everyone’s job description is something fluid where everyone can fill any position depending on the needs of the program or of other people”. and a contrast to the dominant competitive ethic in the UK. “Art schools (in the UK) emphasise individual expression that’s the way you are set against your peers The proliferation of competitions and awards works against ideas of working together”. JAF see art as one part of a wider relationship with their community: they’re as likely to be found planting chilis as making videos and that helps build a relationship of trust One of JAF’s projects is a triennial event called Rampak Genteng which involves the community playing musical instruments made out of clay All the Indonesian collectives I spoke to for this article mentioned nongkrong as an important factor in their process the culture of nongkrong is central to the creative process and to the creation of organisations plans and strategies as much as works of art For most arts collectives it’s a default approach to making but it doesn’t feel like work”. but it is about valuing creative process more than any particular ‘outcome’ And it does tend to mean that the notion of ‘authorship’ is less important than the opportunity to be creative: when ideas emerge from a large group of people no one gets to be possessive about them. Andreas Siagian from Yogyakarta-based collective Lifepatch described the process as ngoprek one of Surabaya’s WAFT Lab collective says: “I joined because of their nongkrong approach that is our vision; we are not focused on results Indonesian arts collectives mostly achieve consensus via nongkrong “everyone from the most experienced artist to the janitor can join the majelis and propose subjects And decisions made there need to be respected by everyone.” Regardless of the term used to describe the process Ruangrupa is not a small arts group: it is responsible for some of Jakarta’s biggest events and it will be the first collective to curate Documenta the iconic five-yearly exhibition in Kassel I talked to Matt Fenton about the Indonesian context and how it relates to his aspirations for systemic change Contact is one of the few large arts organisations in the UK that builds participatory decision-making into all its processes It is aiming for 50% of the Board to be aged 18-30 and young people are involved in all programming and staffing decisions Matt says that involvement behind the scenes translates to audience enthusiasm: “Data from Creative People and Places really backs up the data from Contact – the people who are involved in decision making and governance then become the audience They’re no longer ‘hard to reach’.” But Contact’s approach is a rare one and it’s only a “halfway house” between a traditional theatre and a collective The theatre is just down the road from where the Rochdale Pioneers created the modern co-operative movement in the 1840s Can we imagine a viable major UK arts organisation being totally owned and run by its community? “A lot of turkeys would have to vote for Christmas” “But our funding models are also quite risk averse And the press shore up this hierarchical model: the programme gets hung on me as ‘my vision’ I chair a conversation where lots of voices bring things to the mix and I’m a small part of that mix Even if you try and avoid the hierarchical The cultural sector’s been fetishising leadership for years: but the great challenges of our time are not about individual leaders They’re about developing a culture that springs from communities rather than being imposed on them; that allows the time to play to tinker; and that decentralises power so that artists communities and workers feel they have a genuine say Indonesia’s cultural sector is a long way from perfect its government support is haphazard at best and in many ways it is looking to learn from best practice in the UK But at a time when hierarchies are finally being challenged when the creativity of communities is finally being prioritised there’s plenty to learn from a place where arts organisations are built around a culture of gotong royong: helping each other. Adam Pushkin was Director Arts for British Council Indonesia 2015-19 You must be logged in to post a comment More than 135,000 images were submitted to the contest from 166 countries It was the highest number of entries the awards have seen in their seven year history. photographers must be 19 years old or younger While a few of the young photographers have crossed the line to professional The awards are divided into three categories — environment The winners will be revealed in April at the 2014 Sony World Photography Awards Gala. A strong magnitude 4.8 earthquake occurred in the Indian Ocean 97 km (60 mi) from Indonesia in the morning of Saturday The depth of the quake could not be determined but is assumed to be shallow.The quake was reported felt by some people near the epicenter A strong magnitude 4.8 earthquake occurred in the Indian Ocean 107 km (66 mi) from Indonesia in the morning of Friday but is assumed to be shallow.The quake was reported felt by some people near the epicenter.