Cari English Ganesha Between Dogma and Artistic Expression TEKS › English›Ganesha Between Dogma and.. Iklan Ganesha Between Dogma and Artistic Expression Findings of Ganesha statues or shadow puppets in Java and Bali have a variety of forms Audio Berita This article has been translated using AI. See Original Please note that this article was automatically translated using Microsoft Azure AI, Open AI, and Google Translation AI. We cannot ensure that the entire content is translated accurately. If you spot any errors or inconsistencies, contact us at hotline@kompas.id and we'll make every effort to address them TEKS The following article was translated using both Microsoft Azure Open AI and Google Translation AI. The original article can be found in Ganesa di Antara Dogma dan Ekspresi Seni A statue of Ganesha standing upright perfectly in the village of Karangkates This rare standing statue of Ganesha is estimated to have been made during the Singasari Kingdom (1222-1292) as a symbol of the power to ward off disasters in the area where the Brantas and Lahor Rivers meet that's how Ganesha is portrayed as the main pantheon in Hindu religious rituals The discovery of Ganesha statues or puppets in Java and Bali It shows that Ganesha is still being revered in the whirlwind of religious dogma while providing opportunities for liberating artistic expression Ganesa ultimately provides a comprehensive view of life that does not entangle although it may provide doctrines that are potentially rigid and dogmatic artistic expression breaks free from this stiffness and liberates Ganesa became one of the important topics discussed in the 12th Borobudur Writers and Cultural Festival (BWCF) in Malang This is the first time the BWCF agenda has been taken outside the Borobudur Temple compound in Magelang On the courtyard of the Lecture Building of Universitas Negeri Malang where the main agenda of BWCF will take place from 23rd to 27th November 2023 Yudit Perdananto (46) displayed a special collection of ancient puppet figures with the character of Ganesha there are many others who exhibit their other products Read: Monument to Human Failure a civil servant at the Tax Office of the East Java Provincial Government is known as one of the collectors of unique Javanese-style leather puppets she has been buying leather puppets from various regions in East Java especially the ancient ones that are rarely used anymore A set of wayang kulit typically contains hundreds of characters arranged in a wooden box there is usually one character of Ganesha or a human-like puppet with an elephant head Yudit displays 10 antique Ganesha shadow puppets that are hundreds of years old "Different forms of Ganesha like these are possible when the production of puppets becomes more widespread There are puppets that may have been initially made for the palace environment then developed outside the palace to the village level resulting in changes in the shape of puppets such as Ganesha's character," said Yudit on Sunday (26/11/2023) The shadow puppet story of Ganesa is apparently very different from the Hindu temple pantheon which originated from India Yudit explains by quoting the Smaradhana kakawin by Mpu Darmadja it is told that Ganesa was born earlier than his mother Dewi Parwati when she was old and experienced contractions upon seeing the elephant ridden by Batara Indra who is known as the god Shiva in the Hindu realm of India The Wayang Kulit (shadow puppet show) with Ganesh as one of its characters from the private collection of Yudit Perdananto was also exhibited during the 12th Borobudur Writers and Cultural Festival (BWCF) at the State University of Malang Ganesh is one of the main topics of discussion in the BWCF which was held outside the area of Borobudur Temple in Magelang The baby born to Dewi Parwati has finally become a chubby child with an elephant head the destruction of the Surati Kingdom led by Prabu Ajisaka had occurred The Kingdom was devastated by an attack from Prabu Nilarudraka Sanghyang Padawenang predicted that the offspring of Dewi Parwati would defeat Prabu Nilarudraka It was Dewi Parwati's son in the form of a human with an elephant head "This is where the Javanese shadow puppet world portrays Ganesha as Batara Ganapati symbolizing wisdom and serving as a problem solver," said Yudit Ganesha in the form of Batara Ganapati has its own story This is where the Javanese wayang kulit tradition as an art form successfully breaks the dogmatic narrative of Ganesha Ganesha is one of the main pantheons alongside Durga (Goddess Parvati) and Agastya Ganesha can also be found as a separate individual statue in a temple the form and name of Ganesha can be found in a variety of forms who is scattered in many places and has many names also known as Vighnesvara as the controller of obstacles Gajanana as the character with an elephant face Lambkarna as the character with wide ears like an elephant Lambodara as the person with a large belly or Ekadanta as the human with a single ivory tusk Ganesha is understood as the god of knowledge and also as the god of warriors who can solve problems and overcome any obstacles or hindrances It is not impossible for everyone to desire Ganesha with his various abilities so it is very likely that the presence of Ganesha statues in his time was widespread in many places especially in central and eastern Java and Bali once noted that the ratio of the number of discoveries of statues of Ganesha This means that every 22 discoveries of Ganesha statues were accompanied by five discoveries of Durga statues and two discoveries of Agastya statues The discoveries of Ganesha statues are far more abundant compared to other statues that are also part of the main pantheon of Hindu temples The Ganesha statue is located at the Archaeology Park of the National Museum in Central Jakarta emphasizes the important value of Ganesha as a manifestation of diversity in harmony while showcasing local creativity expressed freely this article also discusses the issue of Shiva-Buddha understanding the identity of Indonesia can be achieved by understanding Ganesha and Shiva-Buddha "This year's BWCF is intentionally held in Malang as an effort to approach the understanding of Ganesha and Siwa-Buddha as well as to pay tribute to the passing of Ganesha thinker from Malang Edi Sedyawati is known as a former Director General of Culture at the Ministry of Education and Culture (1993-1998) Edi has a dissertation entitled "The Art Historical Review of Ganesa's Role during the Kadiri and Singhasari Periods" He studied 169 Ganesha statues and described the details of those statues One of his conclusions is that Ganesha statues from the Singasari period have solid characteristics with four arms Also read: Sharpening the Eyes of the Soul Then Ganesa's plump legs stepped on a skull His wide ears were adorned with skull earrings These skull accessories stood out as Ganesa's signature during the Singasari period The number of Ganesa statues from Kediri is much smaller compared to those from Singasari The Ganesha statue is not always associated with the Singasari period discovered a Ganesha statue made of a fairly large stone and has an unusual iconography "Ganesa is a topic of discussion that is still alive and continuing to evolve Including the issue of its repatriation from Europe or America along with other historically valuable artifacts is currently of utmost importance," said Seno Joko Seno Joko has placed an unusual image of the Lord Ganesha statue as the icon for this year's BWCF The statue was taken from the original statue still located in the region of Karangkates Village The statue was discovered during the construction of the Sutami Dam in Karangkates which is approximately 30 kilometers from the city of Malang Kompas took the time to visit the Ganesha statue in Karangkates The trip to Karangkates from Malang City takes the direction of Kepanjen it is not difficult to find the location of the Ganesha statue The presence of the Ganesha statue is well-known among the locals They can easily point out the location of the statue Several residents reveal myths about the statue which is made from andesite stone and stands at a height of 202 centimeters with a width of 154 centimeters and a thickness of 80 centimeters there was an attempt to bring the Ganesha statue to the Singasari temple complex in Malang The statue was transported by a carriage pulled by 44 cows and arrived in Singasari during the day Locals revealed that there is a myth that the statue can "return" to Karangkates during the night Please note that the forbidden words were not present in this article Visiting the statue of Ganesa in Karangkates feels special The statue of Ganesha stands tall and perfect in Karangkates Many skull accessories adorn the Ganesha statue with a chubby child body and elephant-headed that is no longer cute suggests that it is possible that Ganesa was made during the Singasari period Placed in Karangkates as a warrior deity who was tasked with preventing floods and landslides in the Karangkates valley during that time Ricky Mohammad Nugraha Mahinda Arkyasa Jakarta - The death toll from the Kanjuruhan football stadium incident on October 1 has increased to 134 people Afriansyah died at the Syaiful Anwar Hospital ICU earlier this morning at 06:45 Indonesia Western Time (WIB) following his injuries His body has been transported to his hometown of Sumberpucung The death of the teenager was confirmed by a member of the independent fact-finding team for the Kanjuruhan Disaster Akmal Marhali another victim by the name Andi Setiawan (33) also died of massive 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