Volume 3 - 2022 | https://doi.org/10.3389/froh.2022.1003430
This article is part of the Research TopicOral Complications in Cancer PatientsView all 19 articles
facial prosthetics have successfully rehabilitated individuals with acquired or congenital anatomical deficiencies of the face
This history includes extensive efforts in research and development to explore best practices in materials
extraoral maxillofacial rehabilitation is managed by a multiprofessional team that has evolved with a broadened scope of knowledge
This includes the mandatory integration of different professional specialists to cover the bio-psycho-social needs of the patient
systemic health and pathology surveillance
recent digital workflows allow us to optimize this multidisciplinary integration and reduce the active time of both patients and clinicians
as well as improve the cost-efficiency of the care system
promoting its access to both patients and health systems
This paper discusses factors that affect extraoral maxillofacial rehabilitation's present and future opportunities from teamwork consolidation
this is a specific reality for unique countries that do not necessarily match most parts of the world's public health coverage
worldwide professionals cannot justify professions like anaplastology and ocularists in their own countries if their laws cannot support and protect them
dabbler practices are illegal and a public health risk
This is the case when insufficiently trained or supervised lab technicians are treating patients or self-taught people provide care with a self-claimed professional status
They are both dabblers and illegal practitioners facing a severe risk and possible felony
If the country's law does not recognize anaplastology or ocularistry
they have no legal foundation to provide legal patient healthcare in these regions
multiprofessional management empowers individual skills and
under a coordinated intervention and delimitation of responsibilities
allows patients to have a secure rehabilitation process with professionals who exercise their vocation within their defined scope of service
The lack of formal education and legal framework maintains professionals without formal training
fewer professionals remain insufficient to sustain the necessary professional structure within most healthcare systems
it is a day-to-day reality worldwide among appropriately trained and certified maxillofacial prosthodontists
and ocularists who are working on solving these real-life problems to serve expanding patient populations
High learning curves exist to exact this technical task and to reduce the chances of a mistake or remakes of the prosthesis. To overcome this artisanal and time-consuming process, specialists have looked to digital technologies to assist or replace some steps in the process, like molding and sculpting (26–35)
Integration of medical images with planning of implants
and prosthetic design for extraoral bucco-maxillofacial rehabilitation on implants
The future is technological and in teamwork
The ideal coming landscape for maxillofacial prosthodontists
and ocularists is having worldwide opportunities for formal and accessible education
This will allow future professionals to fulfill the health system and patient needs
working together in an integrated health system with patient coverage of their advanced and accessible treatments
The next generations of 3D image acquisition systems bring an automated and self-calibrated
self-scaled 3D model that can mix more than one technology and dynamics with no high cost in a mobile and portable scenario
The next advances in 3D modeling of facial prostheses will make possible an open-source automated design created by artificial intelligence that can recognize the patient's anatomy and replace the missing part with self-created 3D meshes
The future of the 3D manufacturing process of the facial prosthesis is the final and direct 3D printed prosthesis with the high manual capacity of a gold standard exhibited by the most skilled prosthetists
All authors contributed to the article and approved the submitted version
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Quality of life assessment of patients utilizing orbital implant-supported prostheses
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Seelaus R and Dib LL (2022) Present and future of extraoral maxillofacial prosthodontics: Cancer rehabilitation
Received: 26 July 2022; Accepted: 12 September 2022;Published: 19 October 2022
© 2022 Salazar-Gamarra, Binasco, Seelaus and Dib. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY)
distribution or reproduction in other forums is permitted
provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited
in accordance with accepted academic practice
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*Correspondence: Rodrigo Salazar-Gamarra cm9kcmlnby5zYWxhemFyQHV3aWVuZXIuZWR1LnBl
Specialty Section: This article was submitted to Oral Cancers, a section of the journal Frontiers in Oral Health
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2023Joaquin Phoenix stars as Napoleon Bonaparte in Ridley Scott’s bio-pic.Illustration by Patrick LegerSave this storySave this storySave this storySave this storyThe new movie from Ridley Scott
“Napoleon,” with Joaquin Phoenix in the title role
runs for two hours and thirty-eight minutes
That’s almost as long as Napoleon’s coronation
The ceremony began at midday and lasted at least three hours
and bread: the popcorn of the revolutionary age
Scott is in a hurry to move on to the next event
there is an underlying comedy in the very attempt to squash an unruly mob of incidents into a tight dramatic space
“Would you like to see the bedroom?” Napoleon says to his second wife
brought in swaddling clothes for him to dandle
There may be battle scenes to die for—Toulon
plus a dusty glimpse of combat beside the Pyramids—but entire campaigns
are elided or brushed off in a line of dialogue
which surrendered without conflict,” Napoleon declares
a terrible but efficacious example,” Napoleon wrote
“Terror” is the first word that is clearly enunciated in the movie
from the mad mouth of Robespierre (Sam Troughton)
who expounds upon the rationale of violence and winds up shooting himself in the face
We see a finger probing the wound; in a similar vein
we see Napoleon plucking a cannonball from the lacerated breast of his dead horse
for the execution of Marie Antoinette (Catherine Walker) that we can spot the scraps of lettuce in her hair; she has been pelted with vegetables by the crowd
during the storming of an enemy fort in Toulon
there’s an extraordinary closeup of his features
striped with blood; he puts his hands over his ears to muffle the boom of the cannons
you feel that he’s prowling the battlements of his own brain
without even looking in her direction—quite a feat
considering that she’s played by Greta Garbo
(Poor Walewska doesn’t even rate a mention in the new film.) But Boyer gave a late-Romantic reading of Napoleon
suggests a man who is naggingly conscious of fulfilling a role and already arranging his place in history
“Do I resemble my portrait?” he asks Marie-Louise
If he notices the pigeon droppings all around
Such a pitch of self-consciousness goes far deeper than vanity
It’s as if Napoleon were forever trying out what manner of person he should and could potentially be
who crown him with plaudits such as “our Caesar.” Nor is he alone in his ambition
“I want you to say I am the most important thing in the world,” he tells her
not a warrior—is somehow his superior in worldliness
could hardly be more Napoleonic: “Do I look like I’m in love?” Kirby feasts on the delicious ennui of her character; even in the throes of their coupling
as if wondering what she’s going to have for lunch
“You are just a brute who is nothing without me,” she says
noting that Marie Antoinette’s hair was shorn before her decapitation
of assuming either that Scott is blind to such discrepancies or that he cares a jot
No film that presents Rupert Everett as the Duke of Wellington
could be accused of a craving for authenticity
Scott’s business is to move his men and women around the board
Few directors can rival the swagger with which he cuts from the grand overview to the telling
tiny detail: from the squares formed by British infantry at Waterloo
to the neat hole made by a musket ball in the corner of Napoleon’s hat
Even the most expert of storytellers is defeated by the essential plotlessness of the form: one damn thing after another
“Napoleon” boasts neither the shape nor the dash of “The Duellists” (1977)—Scott’s début feature
a tale of revenge set in the Napoleonic era—and little of the momentum that drove “Gladiator” (2000)
The imaginative zeal of that film was liberated by its fictional hero
whereas Phoenix’s Napoleon must do double duty
and it’s a treacherous theme for an epic: a man doing battle with himself
How thrilling it was to learn that the latest film from Hirokazu Kore-eda
the director of such tender family dramas as “I Wish” (2011) and “Shoplifters” (2018)
Do we get to see scores of families being tenderly stomped on by Godzilla
Yet there is a rumble of the apocalyptic in “Monster.” It kicks off with a towering inferno
the star of “Shoplifters,” returns here as a young widow
a fifth grader named Minato (Soya Kurokawa)
but what those worries are is far from clear
No fewer than five members of the staff rise and bow to Saori
but notice how the moment is framed: she is hemmed in by the apologizers as if trapped in a crowd
Although Kore-eda has a reputation for aplomb—for exploring rather than ruffling social custom—I sense real subversion in that shot
the difference being that the action now revolves around Mr
We don’t see things exclusively from his viewpoint—this is no “Rashomon” (1950)—but the center of narrative gravity has shifted
The same thing occurs in the third movement of “Monster,” most of which is occupied by the friendship
who is bullied both at home and at school but who
Not that it’s a puzzle that begs to be solved
What Kore-eda doles out are not revelatory surprises so much as gradual enlightenments
and our attitude toward the characters is forbidden to settle or to stick
so she isn’t being frosty or mean; she’s just shell-shocked
invites us to have pity on this woman from whom we initially flinched
but I side with the teacher who kvetches about the parents
A long-ago crime, suddenly remembered
A limousine driver watches her passengers transform
The day Muhammad Ali punched me
What is it like to be keenly intelligent but deeply alienated from simple emotions? Temple Grandin knows
The harsh realm of “gentle parenting.”
Retirement the Margaritaville way
Fiction by F. Scott Fitzgerald: “Thank You for the Light.”
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an Italian company headquartered in Binasco
specialises in process filtration for a broad range of markets including oil and gas
Mott
employee-owned precision filtration company
expanded presence throughout North America
Africa and the Middle East and gives the two companies the ability to manage and deliver mission critical filtration projects and products worldwide
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Middle East and Africa creates proximity to our global customers and expands our products and design capabilities,” said Boris Levin
“We have worked as a close partner with ASCO Filtri for quite some time and have always been impressed by the quality of their people
and strong product offering – all of which are quite complementary to Mott.”
The expanded Mott product range will now include reusable and disposable porous metal
polymer filters and complementary offerings such as spargers
which will operate under the name ASCO Filtri: A Mott Company
Managing director Ennio Michelini and general manager Massimo Mascheroni will join the Mott leadership team and will continue to manage the ASCO Filtri business
“Being part of Mott Corporation extends ASCO Filtri’s global reach and increases the range of solutions we can offer to our customers,” said Michelini
“I’ve known and admired Mott for many years and this formal combination is a natural evolution of our partnership to better service customers.”
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Marco Daturi
plays Cerba-20 vs COVID-19 video game he designed
Siti Hajerah and Brenda KochevarApril 29
Early in March, due to the COVID-19 outbreaks, the Italian government closed schools and placed a national lockdown effectively changing the lives of millions of school children
Children uncertain of when they could return to school
things have been different for Lupo Daturi
a commune south of Milan and located in the Italian region of Lombardy
is one of the hardest hit COVID-19 areas in Italy
Daturi turned his attention to programming
He studied online game tutorials to learn game development and used a Scratch platform he had used to design other games
According to MSN, during the lockdown, Daturi created an online video game titled Cerba-20
Players find themselves in the captain’s chair of the Cerba-20 spaceship
The object of the game is for the player to destroy the COVID-19 enemy with laser beams
Daturi found inspiration for the game name from the company his father works for which studies prevention solutions for COVID-19
Daturi plays his new game with his friends and intends to teach them how to program too
His teachers have asked him to create programs for school
Some parents with kids who obsess on video games during lockdown may be concerned about Daturi’s new interest
Zambonin is delighted her son designed a game that has gone viral because it will lead him to create more programs
“I am happy because he is passionate about something that can help him,” Zambonin said
Torpedo-bats get noticed after Yankees hit 9 home runs vs. Brewers—other teams will be signing on
‘We’re not going to take it’: Indigenous activists keep up fight over San Francisco Peaks
St. George’s Day celebration at George & Dragon—“We have 80,000 Brits that live in the Valley, and we were the only English pub for quite some time,” says owner
The Arizona Rattlers dominate the Northern Arizona Wranglers 49-20
Rising loses opening game of USL Jägermeister Cup to San Antonio
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Is there anything more recognizably Italian than an espresso
Last month, I boarded a plane with one mission in mind: to learn more about the history of the espresso machine and how that affects coffee today. And so, I traveled to Binasco, a city 15 kilometers southwest of Milan, and the home of the Coffee Machine Museum (MUMAC)
Through my visit to the museum (which also has an SCA-certified training academy and extensive coffee library)
I was able to travel back in time to see how the espresso machine has evolved
Lee este artículo en español Museo MUMAC: Descubriendo la Historia de la Máquina Espresso
The iconic MUMAC in Binasco, Italy. Credit: Gisselle Guerra
MUMAC is heaven for espresso geeks. Simona Colombo, Group Marketing & Communications Director, explains that it was founded by Gruppo Cimbali
an Italian manufacturer of espresso machines
It opened its doors in 2012 to mark the company’s centenary
“The idea was to create the most comprehensive selection of the best pieces all over the world to interpret the coffee culture since the beginning of the century,” she tells me
The museum is home to over 250 artifacts and also has a large historical coffee library with over 1,000 coffee-related books and more than 15,000 archives
All the machines on display are from the Cimbali Collection and the Enrico Maltoni Collection
which Francesca Gaffuri of Gruppo Cimbali tells me is the world’s largest collection of commercial coffee machines
says that the aim was to tell the story of espresso machines in Italy through the development of different Italian brands
you can experience a whole century of Italian coffee history across six different rooms
You might also like How Does Pressure Affect Espresso Quality?
Early espresso machines, all dating from the 1900s, including the La Pavoni Ideale. Credit: MUMAC
The story of the espresso machine begins with Angelo Moriondo
an entrepreneur who owned two cafés in the center of Turin and developed several machines
espresso machine production didn’t begin on a large scale until the early years of the 20th century
It was in 1901 that Milanese engineer Luigi Bezzera filed a patent for a new espresso machine
This patent was then acquired by Desiderio Pavoni
who officially launched the serial production of espresso machines in 1905 with the La Pavoni Ideale
A 1905 La Pavoni Ideale. Credit: MUMAC
I was able to view several of these early machines in the museum
and the first thing I noticed is that they were vertical
they’re a great example of the popular Art Nouveau movement of the time (known as Liberty in Italy)
Espresso machines from this period often featured curved lines
the heat of which could create up to 1.5 bars of pressure
The water was then pumped through the coffee bed at this pressure
and a cup of coffee could be ready in approximately a minute – a long time
but fast enough to be remarkable at the time
Because of the long brewing time, the coffee would taste burnt and leave a bitter aftertaste. Plus, due to the lack of pressure, the espresso had no crema at all
Another interesting fact is that it took 14 grams of ground coffee per cup
thanks to the relatively low production rates and the difficulty of working with the materials
they were only found in the most renowned cafés in major European cities
this meant that only those who could afford to consumed espresso
The first horizontal machines weren’t introduced until after WWI. Credit: MUMAC
Society struggled with social tensions and a delicate economy
The vision of Italian “self-sufficiency,” which was imposed by the Fascist economic model
The 1929 collapse of the New York Stock Exchange in the United States
The crisis brought espresso machine production almost to a standstill
the world of espresso became even more niche
Only those who could afford to pay a higher price could enjoy their express dose of caffeine
Yet while national consumption fell dramatically
small concentrations in large urban areas saw continuing coffee sales
This was thanks to the wealthy elite who refused to stop drinking this little luxury
A reconstruction of a typical 1950s coffee bar, on display in MUMAC. Credit: MUMAC
the first horizontal models were developed
Machines were developed with the brewing groups on the same side
which allowed operators to prepare and serve multiple coffees quickly and efficiently
the focus was on the machine’s functionality
And while the designs were clean and almost clinical
they also boasted a new accessory: the cup warmer
Small details like this represent an increasing attention to quality
MUMAC’s Curator, Cinzia Cona, explains that carbon was used to heat the water in the espresso machine, due to the lack of energy sources at that time. Credit: Gisselle Guerra
Italy was economically wounded – but this also meant the country had a fresh start
a major evolution took place in the history of espresso machines
a Milan barista named Achille Gaggia designed a machine with a new technological feature: the lever
The barista would need to pull down the lever
forcing the water through the portafilter (where the ground coffee sits)
This made these new machines extremely efficient
They raised the pressure of the water from the 1.5 bars of the previous machines to a full 9 bars – in line with modern standards
allowing the water to reach 90ºC (194ºF) without creating any steam
Water temperature could also be controlled
An espresso could be made in just 30 seconds and
Espresso finally had its signature foamy finish
who eventually placed the technology in the coffee machine market
The 1950s were also the decade in which coffee ceased to be a privilege only for a few
it started to become a daily ritual in the lives of many
it was now the social lubricant it is today
with cafés just as popular as the ones on your local high street
“I prefer the fifties,” Cinzia Cona tells me
“because [coffee takes] a big step from the upper classes to everyone.”
you also started to see some striking espresso machine design
A 1956 La Concorso by La Pavoni. Credit: MUMAC
Cinzia tells me that this next stage was the “golden era” of espresso machine production
leading to increasingly successful coffee bars – and the result was visible in the espresso machine development
It was at this time that espresso machines became an essential feature for most coffee shops
And as manufacturers set out to meet increasing demand for quality machines
we saw the release of several celebrated models
La Cimbali’s Pitagora is one example of this: it was awarded the Compasso d’Oro
in 1962 in recognition of its stainless-steel design
one of the most popular machines of the era
The Faema E61, designed by Ernesto Valente in 1961. Credit: Gisselle Guerra
Plastic and steel also became more commonplace – but it’s not just the aesthetics that were changing
It was during this period that the volumetric pump first entered the picture
instead of baristas using their own strength to create pressure through a lever
a motorized pump instead provided the 9 bars of pressure that set espresso apart from other coffees
La Cimbali’s Pitagora, awarded with the Compasso d’Oro in 1962. Credit: Gisselle Guerra
The last major change from this period was the movement of the espresso machine from the front counter to the back – in Europe
The United States and Australia kept their machines at the front
meaning that both sides of the machine had to be aesthetically appealing
shaped both the design of espresso machines and the customer service experience for years to come
Rodolfo Bonetto’s design for the La Cimbali M20. Credit:MUMAC
The first home computers appeared in the late ‘70s, while Time Magazine crowned “The Computer” as their Person of the Year for 1982
And it’s in the ‘80s and ‘90s that electronics began affecting espresso machine design
I saw espresso machines with buttons and programmable dosing for the first time
Their integrated grinders enabled baristas to deliver quality beverages with less effort
they also became more popular around the globe – including towards the East
La Cimbali’s M39 featured buttons, allowing baristas to brew coffee with ease. Credit: Gisselle Guerra
it’s clear that we’re not just experiencing the history of the espresso machine: we’re also seeing the evolution of modern societies
Simona tells me that the museum is like “a tour within the cultural and the social changes of how people conceived going out and having a cup of coffee and getting together.” And personally
As you go through the different rooms, it’s evident that the espresso machine evolved to meet the needs of increasingly quality-focused consumers and baristas. And this is something that we still see today, with the specialty coffee industry
the late Erna Knutsen introduced the world to the term “specialty coffee.” Writing in the Tea & Coffee Trade Journal
she used it to describe coffees with delicious flavours that were produced in microclimates
grind size and grinder quality – these are all points regularly discussed today in the name of “quality coffee.”
And espresso is no exception to this trend
Find out more! Read What Is Third Wave Coffee & How Is It Different to Specialty?
espresso preparation was reinterpreted through the lens of other countries’ coffee cultures
quality-orientated way of preparing espresso quickly spread across English-speaking nations
this interpretation of espresso is the culture that nowadays keeps spreading in the world,” Filippo adds
and more about specialty espresso culture – even in MUMAC
A training room at MUMAC Academy. Credit: MUMAC
and cupping courses which are open to anyone that wants to participate
different machines…” Filippo tells me
“How can you match technology and coffee
if you don’t understand the coffee that is there?”
Gabriele Limosani, a MUMAC Academy Trainer, uses the Faema E71E for a training session. Credit: Gisselle Guerra
Enjoyed this? Check out A Brief History of Coffee Consumption
All quotes from Filippo Mazzoni translated from Spanish by the author. Feature photo: exploded La Cimbali M100 espresso machine. Feature photo credit: MUMAC
Please note: This article has been sponsored by Gruppo Cimbali
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Farmers across Italy have taken to the streets with their tractors in a large-scale protest against the government’s agricultural policies on Tuesday
which span cities from the north to the south of the country
aim to highlight the growing financial strain on farmers and demand action from the government
farmers have formed convoys and set up camps at various locations
voicing frustration over rising production and supply chain costs
They argue that despite promises made last year
the government has failed to take necessary measures to support the agricultural sector
20 kilometers (over 12 miles) south of Milan
around 20 tractors adorned with Italian flags rolled through the streets
blaring horns and sirens before farmers established a protest camp
demonstrators held up a banner declaring: "A country without farmers
and fishermen is not free and has no future."
farmer Marco Facchini highlighted the economic struggles facing those in the agricultural sector
saying: "We are here because the situation in the agricultural sector does not reflect the picture that everything is fine
farmers are the most disadvantaged group."
Facchini called on the right-wing coalition government to implement five key measures
including a moratorium for struggling businesses and the recognition of fair pricing for producers
the Institute of Services for the Agricultural and Food Market
stating that farmers would present official documents to the government to demand reforms
the protests have extended to cities such as Cuneo
with farmers expected to continue their demonstrations in the coming days
This latest wave of protests follows similar weeks-long demonstrations in early 2024
when farmers rallied against the EU agricultural policies
In a gracefully curved and strikingly red building in Binasco
sits a collection of contraptions that no coffee lover— especially those of the espresso variety—should miss
This is the MUMAC (short for Museo della Macchina per Caffe
home to one of the most comprehensive collections of coffee machines in the world
The museum was created in 2012 to celebrate the 100th anniversary of Gruppo Cimbali
an Italian company whose two main brands of professional espresso and cappuccino equipment
are considered by some as the Ferraris of the café world
Inside the museum are hundreds of vintage espresso machines
ranging from unique prototypes to industrial successes that were game-changers for baristas across the globe
And it’s not only Cimbali products; you’ll also see machines by companies such as La Marzocco
Rather than being a space full of randomly-placed espresso machines
MUMAC divides its six exhibition spaces chronologically
taking visitors on both a social and technological journey
It begins with a columnar device built in 1901
and progresses through to the invention of lever machines after World War II
then the designer models that became all the rage from the 1960s to 1980s
and on to the globally-recognized products of the last few decades
The museum isn’t only focused on coffee machines: It can also help you get the best from your beans
MUMAC houses an academy in a cutting-edge facility
coffee professionals and enthusiasts come together to experiment with all things related to coffee and coffee machines
So if you’re keen to know what’s actually going on in your cup of coffee
the academy’s tasting and roasting rooms will help you understand the process and develop your palate
If you’re not already too buzzed after touring the museum
where the in-house baristas will brew you up something special
The museum is open Tuesday to Friday from 10:00 a.m
Entrance is free and audio-guides are available in 10 different languages
Guided tours for groups are available for a fee
This petite cutlery factory sits on the foundations of a defunct gasworks
This entire museum is dedicated to a single smelly delicacy
Try an original egg cream at this museum located inside one of the last surviving old-fashioned seltzer factories in America
this museum is dedicated to the history of computing and video games
Explore the history of printing in this unique museum owned by a longtime printer
Eat green onion ice cream and other allium-centric treats at this unusual museum
Visit a museum dedicated to the “the king of cheeses.”
A small museum dedicated to the small—but mighty—Nürnberger Rostbratwurst
2018 at 2:51 pm ET.css-79elbk{position:relative;}MAMARONECK
NY — Rye Neck Union Free School District welcomed new staff and faculty members during a two-day orientation
discussed organizational items and received a tour of the community
which was led by Superintendent of Schools Dr
Barbara Ferraro and physical education and health teacher Brian Iacovelli
“We welcomed new staff across all of the schools
as well as at the district office,” Ferraro said
combined with the experience and proven success of those who have been part of our family in the past
will undoubtedly contribute to our reputation for strong learning outcomes.”
The following are new staff members at Rye Neck:
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Photo caption: Rye Neck Union Free School District welcomed new staff and faculty members during a two-day orientation
Photo credit: Rye Neck Union Free School District
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Medievalists.net
the Art Institute of Chicago will present a collection of manuscript illuminations spanning four hundred years of the Middle Ages and early Renaissance from countries across Western Europe
present a fascinating microcosm of medieval Europe
offering visitors a direct look into daily life and art from the period
Long-time Chicagoan Sandra Hindman, a noted medieval manuscript scholar and the founder of Les Enluminures
assembled this remarkable and broad-ranging collection throughout her career and has generously given approximately one third of the exhibited miniatures to the Art Institute
This special exhibition celebrates Hindman’s recent gift while also documenting her own journey in the field of medieval books
Following on the heels of the Art Institute’s newly renovated and reimagined Deering Family Galleries of Medieval and Renaissance Art
this gift exemplifies a renewed commitment to the ongoing study and presentation of Medieval and Renaissance art in the museum
Exhibition co-curator Victoria Sancho Lobis
Prince Trust Curator of Prints & Drawings
notes the significance of these additions to the Art Institute’s permanent collection: “Sandra Hindman’s gifts of manuscript illuminations make a dramatic impact on our holdings in this field
and we are especially delighted that all of the works from Sandra’s collection will remain on long-term loan for consultation in the study room of the Department of Prints and Drawings.”
Eleanor Wood Prince Curator of European Painting and Sculpture Before 1750
“The wonderful miniatures in this collection offer visitors an exciting range of materials through which they can explore art and life from the austere and elegant spirituality of the Romanesque period to a new engagement with the natural world in the early Renaissance.”
Exhibited in and among the Art Institute’s permanent collection to contextualize with paintings and sculptures of the period
the illuminations on display demonstrate a diverse range of subject matter and use
offering a variety of ways for visitors to experience and appreciate these exceptional medieval works
Please visit the Art Institute of Chicago website to learn more
We've created a Patreon for Medievalists.net as we want to transition to a more community-funded model
We aim to be the leading content provider about all things medieval
podcast and Youtube page offers news and resources about the Middle Ages
We hope that are our audience wants to support us so that we can further develop our podcast
and remove the advertising on our platforms
This will also allow our fans to get more involved in what content we do produce
You've reached this page because you've clicked on a link that does not exist
but instead of showing you the basic '404 Error' page that is confusing and doesn't really explain anything
we've created this page to explain what went wrong
You can either (a) click on the 'back' button in your browser and try to navigate through our site in a different direction
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«This difficult period that the entire world is going through - Maurizio Cimbali concludes – is a sign that makes us realize the importance of reflecting on what each one of us can do
to guarantee a better future for generations to come
and we’ll continue to put all of our skill
creativity and passion into our products to meet the needs of our clients»
MILAN – Coffee lovers will want to tune in on Wednesday
TIM’s tv with over 2 million registered users: Gruppo Cimbali
a leader in the manufacture of professional machines for espresso and coffee-based drinks
will be the star of the fifth installment of “Brave
the new original production dedicated to our country’s outstanding business enterprises
which has been running every Wednesday since December 2 on TIM’s platform
In live conversations shot at the Group’s striking headquarters in Binasco just outside Milan
TIMVISION’s cameras will be focused on the story of the most important phases and successes of a worldwide ambassador of espresso culture
The 30-square-meter copper works shop opened in 1912; the launch of coffee-machine production in 1930; the first sales abroad around the end of the 1940s
the beginnings of industrialization with the Cimbali Pitagora designed by Achille and Pier Giacomo Castiglioni
the first and only coffee machine ever to have won the prestigious Compasso d’Oro (Golden Compass) in 1962
And of course we can’t forget the 2012 founding of the MUMAC – Museo della macchina per caffè (Museum of the Coffee Machine) by Gruppo Cimbali
the world’s first and largest permanent exposition of professional espresso coffee machines
with more than 100 machines on display at the Group’s headquarters in Binasco
This unique location has a multimedia exhibition that narrates the 100 years of history of an entire “made in Italy” sector
offering a complete overview of the evolution not only of the design and technology of traditional espresso machines
but also of consumer habits and customs from the sector’s origin to the present day
«The coffee machine has always been a part of my life – it’s indissolubly tied to my earliest memories» says Maurizio Cimbali
«In 2012 – Maurizio Cimbali continues – when we were celebrating the centennial of the founding of La Cimbali
we were thinking about what sort of event could mark this important anniversary
and we decided there couldn’t be anything better than to create something that not only marked it
the most important collector in the sector
and a place that has over time become a real museum dedicated to coffee
a library and an exhibition area called Hangar 100
A center for training and the dissemination of coffee culture
and for meetings with clients; it offers a complete educational/training program dedicated to the world of coffee
and hosts sessions and masterclasses with top national and international experts in the sector
as well as world champions in the most important and popular disciplines
There’s also space for technological innovations
which have always been a fundamental element of the Group’s production philosophy and are today absolute protagonists in terms of solutions for the internet of things
offering our clients ever-more efficacious tools for monitoring and understanding consumer preferences
increasing the reliability of the machines and proposing new forms of technical support
So that users could access all the benefits of the internet of things
Thanks to the system the two companies developed together
transmit information on their functioning in real-time and be remotely accessed
The journey into the Gruppo Cimbali world will also make a stop at the Group’s main manufacturing site
to focus on the differences in the manufacturing processes of a traditional machine and a super-automatic one
a business philosophy based on the idea of constant continuous improvement throughout the company structure
which the Group has adopted in recent years
«This difficult period that the entire world is going through – Maurizio Cimbali concludes – is a sign that makes us realize the importance of reflecting on what each one of us can do
Don’t miss this opportunity to get a close-up look at a group that’s a symbol of excellence “made in Italy”
and that has contributed to upholding our country’s name and status in international markets for over 100 years
All images are copyrighted by their respective copyright holders and/or producers/distributors
Add articles to your saved list and come back to them any time
Milan: The Italian government is under pressure to suspend free movement between neighbouring countries as authorities battle a deadly coronavirus cluster that threatens to spread across central Europe
Tourists take a selfie in front of the Duomo gothic cathedral
The death toll from the sudden outbreak in northern Italy climbed to seven by Tuesday morning and the number of confirmed cases grew from 152 to 229 amid fears efforts to contain the virus are faltering and a global pandemic is likely
Only China and South Korea have more confirmed cases than Italy
European health authorities now fear a failure to halt its spread will trigger dangerous outbreaks in adjoining countries like France
Shares in European airlines plummeted on Monday in a sign investors believe the continent could soon be hit by a major travel crackdown
Budget British carrier easyJet dropped by 16 per cent
Irish airline Ryanair fell nearly 14 per cent and Air France was down about 9 per cent
More than 50,000 people are locked down in about a dozen Italian villages where the most deaths and infections have been recorded
shops and offices are closed and armed police are threatening to arrest and detain anyone who attempts to leave the quarantine zone
A man buys supplies of bottled water in Milan
Panic is taking hold in the nearby city of Milan
home to 1.3 million people and the nation’s world-renowned fashion industry
Worried residents have emptied shelves in a number of supermarkets
although supplies were still available in most stores in the city’s historic centre
I want to be ready because this situation could get very bad,” said Angela Borghese
a cleaner from Milan who purchased 30 litres of water from a convenience store
cinemas and some banks were also closed in Milan
while police in the nearby village of Binasco warned that con-artists were pretending to be paramedics and visiting houses to carry out free swabs only to rob people once inside
The spike in the death toll in northern Italy triggered investor nerves around the world. Italy’s FTSE MIB was down nearly 6 per cent on Monday and there were substantial falls on the Dow Jones
Commuters ride a deserted tram carriage in Milan.Credit: Bloomberg
Austria is particularly nervous about the outbreak spreading across the border
Vienna temporarily suspended train services to and from Italy on Sunday night over fears a train travelling from Venice to Munich could have contained infected passengers
The tests were negative but the Austrian government has not ruled out imposing border controls over the coming days
Italy and Austria are signatories to the so-called Schengen Agreement
which eliminates the need for border checks between European nations
but governments are permitted to introduce controls provided there is a serious threat to public policy or internal security
Italian Prime Minister Giuseppe Conte held an extraordinary cabinet meeting in Rome on Monday where ministers discussed the idea of suspending the agreement
“The discussion showed that although there is legal viability
there is no practical sustainability for such a suspension,” said a spokesperson for the Department of Civil Protection after the meeting
The government has asked for an urgent meeting with ministers from neighbouring countries to co-ordinate the response to the outbreak
Ireland has told its citizens to avoid travelling to the affected Italian towns of Codogno
Australia’s Department of Foreign Affairs and Trade updated its travel advice for Italy overnight but has not warned against travelling to the country
Passengers arriving at and leaving from Milan’s two main airports are being subjected to temperature screening
Italian media also reported on Monday afternoon that the government had capacity for 3000 beds for new patients at military installations across the country
World Health Organisation director general Tedros Adhanom Ghebreyesus said the coronavirus had likely peaked in China but described the spike in cases in Italy
South Korea and Iran as “deeply concerning”
“There’s a lot of speculation about whether these increases mean that this epidemic has now become a pandemic,” he said
“We understand why people ask that question
“Our decision about whether to use the word ‘pandemic’ to describe an epidemic is based on an ongoing assessment of the geographical spread of the virus
the severity of disease it causes and the impact it has on the whole of society
we are not witnessing the uncontained global spread of this virus and we are not witnessing large-scale severe disease or death
home to 1.3 million people and the nation\\u2019s world-renowned fashion industry
although supplies were still available in most stores in the city\\u2019s historic centre
I want to be ready because this situation could get very bad,\\u201D said Angela Borghese
The spike in the death toll in northern Italy triggered investor nerves around the world
Italy\\u2019s FTSE MIB was down nearly 6 per cent on Monday and there were
the UK\\u2019s FTSE and France\\u2019s CAC
\\u201CThe discussion showed that although there is legal viability
there is no practical sustainability for such a suspension,\\u201D said a spokesperson for the Department of Civil Protection after the meeting
Australia\\u2019s Department of Foreign Affairs and Trade updated its travel advice for Italy overnight but has not warned against travelling to the country
Passengers arriving at and leaving from Milan\\u2019s two main airports are being subjected to temperature screening
South Korea and Iran as \\u201Cdeeply concerning\\u201D
\\u201CThere\\u2019s a lot of speculation about whether these increases mean that this epidemic has now become a pandemic,\\u201D he said
\\u201CWe understand why people ask that question
\\u201COur decision about whether to use the word \\u2018pandemic\\u2019 to describe an epidemic is based on an ongoing assessment of the geographical spread of the virus
\\u201CDoes this virus have pandemic potential
Gruppo Cimbali’s iconic Faema E71E espresso coffee machine has been awarded the Red Dot Award 2019 for “Product Design”
The international jury has selected the prizewinning project of Faema E71E for its “oustanding design”
MONCALIERI/BINASCO (Milan),Italy – Faema E71E
developed in collaboration with Italdesign’s Industrial Design Division
is among the winners of the Red Dot Awards 2019
one of the world’s largest design competitions
The international jury has awarded the innovative espresso coffee machine produced by the historic brand of Gruppo Cimbali’ for its “outstanding design” within the category “Product Design”
Getting its inspiration from the automotive world
Faema E71E perfectly embodies Faema’s stylistic language and Italdesign’s design philosophy combining ergonomics
Faema E71E offers the highest setting customization and accessories choice
It also simplifies and exalt a barista experience and skills
for a perfect coffee extraction able to enhance the organolectic profile of every single coffee blend and origin
The new independent groups are Faema E71E’s deep core
the combining point where a barista’s creativity meets the mechanics of a machine that allows an ideal coffee extraction management
from the temperature to the infusion time of every coffee blend
“We are very happy about this award – Nicola Guelfo
said – it’s the culmination of a collaboration with Faema dating back to the early 90s with the E91 project
and it’s a confirmation of the international appreciation of design and industry Made in Italy”
“We’re so proud of this award assigned to the Faema E71E – L Luigi Morello
Traditional Coffee Machines Business Unit Director Gruppo Cimbali
added – that is the result of a long-term and fruitful collaboration with Italdesign
The coffee machine is not only an essential element for the final quality of the espresso
but it also has become a décor and art element
following and sometimes creating new trends for cafés and coffee shops”
Being one of the most important models displayed inside Faema Art & Caffeine (Milano
that during the Fuorisalone will host several events dedicated to the Italian coffee culture
Faema E71E will be displayed at the Italdesign showroom in in Tortona 31/Opificio during the Milano Design Week in a special edition
namely painted the same color of Italdesign DaVinci
the concept design that was world premierd at the Geneva International Motor Show in March and that will be presented alongside
Italdesign has been operating in the automotive industry as a service company specialized in Design
Engineering and Prototyping serving OEMs worldwide
Italdesign never changed its mission of being a major player in the mobility world
Established in 1981 the Industrial Design Division
engineering and research into any industrial project
With a long history and a great tradition that has often led the way in the design
manufacture and distribution of professional espresso coffee machines
FAEMA is the best interpreter of master coffee
highlighting the barista’s skill and passion and ensuring the perfect extraction of the best coffees
a world leader in the design and manufacture of professional machines for coffee and drinks using fresh milk
along with equipment dedicated to the cafeteria
Hotelier Middle East
Home » Supplier Profile » Supplier profile: Gruppo Cimbali
Tell us about your company?Gruppo Cimbali is a leader in the design and production of professional machines for coffee and milk-based beverages
and of equipment specifically designed for coffee shops (grinders
Hemerson and Slayer brands (LaCimbali and Faema were founded repectively in 1912 and in 1945)
Its operations are conducted at three production facilities in Italy
one in Ghisalba (in the province of Bergamo) and another in Cappella Cantone (in the province of Cremona) has seven operational branches and two representative offices one in Singapore and the other one in Dubai
the opening of Dubai strengthens Gruppo Cimbali’s position in the Middle Eastern market
which is growing in all segments of the Ho.Re.Ca
and particularly with regard to café chains
the hotel industry and speciality coffee shops
which are increasingly numerous.Gruppo Cimbali is fully represented nationwide and internationally by 700 distributors whose task is to ensure pre- and post-sales technical assistance
This is a core element of the Group’s philosophy as a manufacturer
The group is currently engaged in an in-depth process of renewal
The Group takes special pride in the MUMAC – Museo della Macchina per Caffè Espresso
inaugurated in 2012 to celebrate the contribution of this company to the sector
Why should a hotel or restaurant pick you to be their supplier?This corporate group from Milan
established over a period of four generations
is now the world leader in the sector of production of traditional coffee machines (market share: 25%)
Gruppo Cimbali provides the market with the widest range of solutions for the HORECA (hotels and catering) sector
including traditional and superautomatic coffee machines
designer appeal and top-quality coffee in the cup.Furthermore
the focus on innovation has always been a key element of the philosophy of Gruppo Cimbali
with its yearly investments in Research and Development for innovative and increasingly high-performing technological solutions
What are your latest products?Our latest product we have just launched in June 2019 during the World of Coffee in Berlin is the new LaCimbali M100 Attiva. M100 Attiva
the machine that enhances the barista’s creativity
The model on the market is available with three different thermal solutions
Maximum flexibility for fully exploiting the characteristics of every individual and single-origin blend
High performance and constant quality in the cup
outstanding ease of use and maximum customization options
M100 Attiva is the only model on the market to offer
enhancing the aromas and flavours of the prepared drinks through management of water pressure and temperature values
in addition to traditional espresso and all the so-called “EBBs” (Espresso-Based Beverages) such as cappuccino or latte
Café Crème and double and triple shot coffee
chocolate and many other ingredients can be added to coffee
Have you noticed any latest coffee trends?There is a world (often unknown) behind a simple cup of coffee
especially in the last years: new technologies
all the alternative methods of extraction begin to be more and more famous and to be spread all over the world: cold brew
The Asian market is very open to innovation and to experimentation: a great chance to take
What are the main challenges facing the coffee industry?The coffee industry has to face a lot of challenges in this various and complex context
One of the main task is to reach a new type of consumer
more curious and self-confident about coffee
professional coffee machines must be the more flexible as possible to satisfy new consumer’s needs
But it’s not enough: it’s necessary to make culture to let people discover and understand the entire world of coffee from the bean through the coffee machines to the cup
How do we contact you?Claudio Torresan – Export Area Manager – Middle East & SARCTel: +971 45 847 452Email: me@gruppocimbali.comWebsite: www.gruppocimbali.com