December 19, 2023JPEG An astronaut aboard the International Space Station took this photograph while orbiting over Puglia, the southeastern region of Italy that includes the “heel of the boot.” Settlements appear as lighter-toned irregularly shaped zones that contrast with the numerous dark-green plots associated with agricultural land The township of Bitonto lies in the center of the image. Toward the north, intensive urban development along the coast of the Adriatic Sea serves the tourist industry centered on Giovinazzo, Santo Spirito, and Palese. Bari which is Puglia’s capital and a major port Road and railroad networks connect the region’s settlements One of the most prominent transportation features in this image is the straight corridor connecting Bitonto to Palese and Bari The corridor appears as a light-toned linear feature in the image that includes highway SP91 and the immediately adjacent railroad A ring-shaped road circles the northern half of Bitonto The southern half of this ring road runs through agricultural areas and is less visible in the image This detailed photo—taken with a long (1,200 millimeter) focal length lens—shows a major highway interchange connecting SP231 to the ring road on the west side of Bitonto just east of the SP91 transportation corridor The Autostrada Adriatica is a regional highway that passes near Bitonto’s ring road Local agriculture primarily comprises permanent crops A waterway winds along the southern margin of Bitonto and is visible as a dark meandering line The associated floodplain runs northeastward to the coast and into the Adriatic Sea The waterway and its banks are part of the Lama Balice Regional Natural Park View this area in EO Explorer The Italian region displays a network of lines—and one nearly perfect circle—that connect inland settlements and agricultural areas with the bustling Adriatic coast The estuarine inlets of Spain’s Galicia coast are some of the most productive places to grow mussels Record rainfall inundated towns and farmland in the country’s Thessaly region One of the region’s strongest storms in recent years delivered damaging winds and flooding A heatwave and an ongoing drought have fueled fires that continue to burn across this agricultural region chairman of the Department for External Church Relations of the Moscow Patriarchate met with the Roman Catholic Archbishop of Bari-Bitonto They were joined in the meeting by Archpriest Vyacheslav Bachin Nicholas the Wonderworker in Bari; Priest Giovanni Distante Nicholas Basilica in Bari; and staff members of the diocesan curia Archbishop Satriano warmly greeted Metropolitan Anthony emphasising the importance of the visit of the Russian Orthodox Church’s hierarch to the city which is home to the relics of one of the most venerated saints in Christendom The participants in the meeting discussed various issues of mutual interest and exchanged memorable gifts Metropolitan Anthony visited the Cathedral of Saint Sabinus DECR Communication Service/Patriarchia.ru This website is using a security service to protect itself from online attacks The action you just performed triggered the security solution There are several actions that could trigger this block including submitting a certain word or phrase You can email the site owner to let them know you were blocked Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page The dates displayed for an article provide information on when various publication milestones were reached at the journal that has published the article activities on preceding journals at which the article was previously under consideration are not shown (for instance submission All content on this site: Copyright © 2025 Elsevier B.V. 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For more information, please see our University Websites Privacy Notice or 'cookies,' with peanuts hidden inside provided valuable information about how mammals make seed dispersal decisions based on certain seed traits Much like the squirrels and chipmunks in deciduous climates there is a cat-sized creature in tropical regions that practices scatter hoarding – burying the seeds they find if they don’t eat them right away A team of University of Connecticut researchers recently dug into the seed decision-making process of a rodent in Costa Rica in order to learn more about their seed dispersal activities these animals contribute substantially to seed survival and new tree growth “Agoutis find seeds and either eat or bury them who led the research with Carlos García‐Robledo both assistant professors of ecology and evolutionary biology It turns out that these cute “guinea pigs on stilts” are making a number of complex decisions when deciding to eat or scatter-hoard seeds Researchers pursued the investigation with a half-baked idea: Make polymer clay artificial seeds or “cookies,” of various sizes Then distribute the “cookies” and track their dispersal by locating the strings after the agoutis have carried them off Some of the cookies also had a coating of bitter-tasting tannins so the researchers could learn if the agoutis have taste preferences The researchers found that agoutis hid the cookies preferentially Since larger seeds require more energy to carry further for hoarding the number of seeds dispersed furthest was fewer than that of small seeds eaten closer to the source They also found that cookies coated in bitter-tasting tannins didn’t deter the hungry rodents “We weren’t sure if the agoutis would be interested in these artificial seeds,” says Kuprewicz and we were able to track what they did with them in exceptional detail.” The findings, published in the journal Ecosphere, made waves in social media because of the clever use of creations dubbed “science cookies.” Kuprewicz says the experiment provided valuable information about how mammals make seed dispersal decisions based on certain seed traits “These choices can scale up dramatically to affect the species compositions of tropical forests and the animal and plant communities that live there,” she says The study was done in southern Costa Rica between August 2014 and 2015, on the grounds of the Wilson Botanical Garden. Funding for this work was provided by the Organization for Tropical Studies I’m going to hide this one so no one finds it!” (Erin Kuprewicz/UConn Video) Along Bitonto’s ancient Via delli Mercanti which connected the town’s main gate in what could be called the Renaissance heart of the town a noble building that owes its name to Giovanni Alfonso Sylos a Spaniard from Burgos who restored a medieval-era building in the second half of the 16th century adding another floor on the spectacular loggia overlooking the most important square in the ancient town which offers anyone who admires the palace an accomplished example of Bitonto’s Renaissance civil architecture in 1902 the Ministry of Education had it included in theList of Italy’s Monumental Buildings an architectural treasure of the city that has become further significant for Bitonto’s history since 2009 when the palace was chosen to house the National Gallery of Apulia the region’s first national gallery dedicated to modern and contemporary art the palace presents itself in its Renaissance appearance with a loggia on columns and pillars and a small inner courtyard an outlet to the outside of many rooms on the ground floor; a two-flight staircase also leads to the piano nobile where the rooms are united and often communicating thanks to a terrace-cum-lobby placed above the loggia features rusticated ashlars and pilasters and two decorative medallions depicting imperial portraits in profile The history of the National Gallery of Apulia also known as the “Girolamo and Rosaria Devanna” Gallery following an act of great generosity on the part of the owners of a rich and extensive collection of paintings The two siblings owned an exceptional collection of works of art that included hundreds of paintings and drawings (229 paintings and 108 drawings were donated to the state) capable of covering four centuries of history A strong passion accompanied by so much generosity and a great gesture of sharing the Rosaria and Girolamo decided to donate their complete collection to the State with the intention of making it public and therefore visible to all obviously wishing that the works would not be dispersed but that they would be allowed to be admired in their city and territory at the conclusion of all the necessary steps from cataloging and documentation to the choice of the museum location from restoration to the realization of everything related to the musealization of the works including the didactic apparatus and a short guide to the museum the Gallery opened its doors to the public five years later Girolamo and Rosaria Devanna (the latter passed away in February 2019 by profession respectively a professor of American literature at the University of Urbino and a middle school literature teacher both lacked academic training in art history but deeply passionate about the subject and fine connoisseurs in constant contact with art historians driven by a great love of art and the desire to establish themselves precisely through the collection with its pieces collected following two substantial logics: the first the desire to create a collection that would tell the story of art from the 16th century onward The works were gathered mainly through purchases and exchanges with other collectors published in 2005 shortly after the donation Claudio Strinati traced the underlying motivations that led to the establishment of the impressive collection: “the Devanna collection was formed over long years of passionate and highly personal research,” the art historian wrote “developed according to criteria of a taste and attention to Antiquity that have been rewarded by valuable discoveries and many significant results.” Strinati then went on to talk about the personality of Girolamo Devanna of the two brothers he was the first to have begun collecting works of art: “Devanna falls into that category of collectors for whom the first and basic point lies in the challenge with other experts in the inexhaustible search for the work of art to be acquired certainly does not disdain the consultation and advice of art historians and critics and other collectors his scrupulousness in documenting and comparing different ideas has always been admirable but at the same time he also conceives of the collection as an affirmation of his own talent and ability to discover and identify.” the doors of the Devanna house were always open to scholars and experts who always appreciated the vastness and variety of the collection although it did not follow a precise logical thread: the two brothers used to follow market proposals rather than go in search of particular pieces (an eventuality that nonetheless sometimes occurred): the collection was not built with the purpose of proving a specific thesis “such as the reconstruction of an environment a school or individual personalities.” There was no shortage of preferences underlying the interests of the two collectors was a curiosity for the “spectacular representations of counter-reformed pietism that referred to the altarpieces and the scenographic decorations of domes and false ceilings of Bitonto’s churches,” so much so that local art of the seventeenth century plays an important role in the Devanna collection a matter of collecting motivated by academic interest: the choices of the Devanna brothers were dictated “certainly by the contingencies of the market and the financial situation of the moment but always inspired by a taste for beauty and an innate curiosity for different artistic forms and cultures.” Choices that led to “fortuitous purchases,” and also to “intuitions and discoveries pursued along bumpy paths the outcome of patient ’lurking’ or of often long and arduous bargaining or finally of exchanges as necessary as they were painful but which led the main collector to procure now works by great masters for which the original intuition was later comforted by the recognition of artistic historiography now finally paintings that are still the subject of contradictory attributional hypotheses but which nevertheless are of certain interest due to their very high quality not only to insiders.” And if Girolamo has always been the public face of the collection and the first “signer” of the choices Rosaria (who constantly participated in her brother’s decisions) is mainly credited with a role related to their preservation: she is said to have been the one who pushed her brother to donate the first portion of the collection to the state and she was always in charge of the care of the works that had instead remained in his residence in Bitonto the collection they brought together through a common cultural interest and a shared passion for history and artistic traditions was to represent a comprehensive collection capable of crossing their region and beyond by great Italian and European artists (French and as far as contemporary artists from overseas are concerned exemplify a general discovery of the unseen and of the various forms of figurative art A desire already witnessed by siblings Girolamo and Rosaria and continued in the musealization phase of the Gallery is to arouse in visitors a certain curiosity for aspects related to the works on display which is followed by a desire to learn more and to know and even to return to the museum premises several times walking through the various rooms of the museum one can perceive this attention in presenting the body of works as the result of a careful private collection and in enticing the public not to exhaust with a simple visit the knowledge of the Gallery but to continue the discovery by following the most diverse aspects of approndissement Particularly relevant is the presence of numerous sketches replicas or ancient copies typical of a collection that mostly comes from the antiquarian market; and as far as drawings are concerned one notices the variety of techniques used and of the artists who made them between the 16th and 20th centuries in spite of the studies carried out and published and the files on the works that highlight the rich complexity of this heritage iconographies and chronologies still remain that is still open to new reflections on unresolved questions and new contributions from scholars and critics accompanied by many of the greatest masters: the exhibition itinerary is divided into five sections distributed on the two levels of the ancient palace; on the upper floor there are rooms dedicated to the 16th while on the lower floor there is only the section dedicated to the 20th century The extensive collection now boasts more than 350 paintings that visitors can admire and discover by following a clear chronological thread with a 16th-century work: welcoming visitors is a 14th-century Head of a Saint reportedly attributed orally by Federico Zeri to Giovanni da Rimini one of the leading Giottesque painters of northern Italy and has not yet been thoroughly studied: for the time being it is preferred to refer it to a more generic Adriatic area The small portion of the table is but one of Devanna’s many discoveries is a Nativity referred to Pietro Negroni known as lo Zingarello (Cosenza an enigmatic artist close to Polidoro da Caravaggio where both painters were in the fourth decade of the 16th century but who also shows some knowledge of other painters from the northern area (such as Giulio Romano and Pellegrino Tibaldi) The peculiarity of this painting lies in the fact that the usual iconography is reversed: usually it is the Virgin who uncovers the Child Jesus The work dates to about 1560 (the dating was suggested by scholar Sylvie Béguin who related the panel to the altarpiece depicting the Madonna and Child with Saints Andrew and James signed and dated 1555 by Negroni: it was probably executed for the Church of the Cross of Lucca in Naples and is now at the Musée des Beaux-Arts in Orléans) a time when in the South (and elsewhere) the cult of St Joseph experienced a certain popularity: it is therefore conceivable that the commissioner of the work a devotee of Christ’s putative father wanted for that reason to confer this unusual role on St Still to remain in the sphere of 16th-century art one of the most discussed paintings in the collection is the Portrait of a Monk (or Portrait of a Friar with White Habit) an unusual portrait of a Dominican friar that in 1999 was first referred by the scholar Maurizio Marini to El Greco (Domínikos Theotokópoulos; Candia 1614): an attribution also supported by another leading art historian (as well as among the greatest El Greco specialists) and around which the debate has recently reopened One of the symbolic works of the National Gallery of Apulia is a painting by Giovanni Lanfranco (Parma which emerged on the Roman antiquarian market in 1970 is not known: we can only speculate that it is a work whose commission matured in Franciscan circles among which the unusual apocryphal iconography of the moment when Christ takes leave of his mother before leaving for Jerusalem on the eve of Passion Week was widespread where the main group (the one with Christ kneeling almost literally traces the work of homologous subject that Correggio (Antonio Allegri; Correggio painted around 1517 and which is now in the National Gallery in London arranged along the two diagonals of the painting in an almost symmetrical manner: modes (the tones found in other paintings made at the turn of the 1710s and 1920s have led scholars to date the work to around 1620 Another much-debated work is a splendid Christ Mocked dating from the mid-17th century: variously attributed to the Genoese Luciano Borzone (Genoa it has more recently been traced to the hand of the Sienese Bernardino Mei (Siena Then there is also room for a great local artist 1884): in the Devanna collection is one of his Views of Trafalgar Square executed when the artist stayed for some time in London painting several views of the English capital is supposed to be part of a series of London views that the “Italian Impressionist” painted that year for the English banker Kaye Knowles and that are now divided among various collections: the Bitonto one stands out for its unusual vertical cut as if the artist painted traveling through the city in a carriage and looking out the window the Devanna’s interest in twentieth-century art is mainly exemplified by the American paintings which fully reflect Girolamo Devanna’s interests: these include drawings by Beatrice Wood (San Francisco a pencil and watercolor work from 1925 that offers some of the typical elements of the American painter and ceramist’s graphic work and for nineteenth-century Italian painting in addition to the aforementioned De Nittis the National Gallery of Apulia is a museum that attracts about 20,000 visitors each year: 2018 since the museum represents one of the richest collections in Apulia seemed to him and his sister “the most reassuring structure for the preservation of the collection and for its development within the framework of a model not merely tied to localist schemes which could represent a broadening of the cultural boundaries of our region.” A precious heritage that has thus become the heritage of all Italian citizens who will always be grateful to the munificence of the Devanna brothers To understand the work of Luigi Ghirri, you must reread the book Luigi Ghirri, l’amico infinito by his friend, publisher and photographer Claude Nori who looks back on the Italian photographer’s career and their friendship and professional relationship I wasn’t feeling well; I was homesick So I took the train and arrived at Modena station in the morning The future was ours; a field of enormous possibilities lay ahead of us We were bound to build everything with the new photography that we loved and made us happy.” Both men belong to a generation of photographers who questioned the art and its use towards a more sensitive “The works of Luigi Ghirri,” writes Claude Nori “were built on a territory whose farthest points were less than thirty kilometers away infinite horizons that always seemed like a vast world for him to discover sealed in his heart mainly filled with childhood memories.” In the new book Puglia Luigi Ghirri pushed his field of vision a little further than thirty kilometers and went all the way to southern Italy starting out with an exhibition of his work in the Spazio Immagine gallery that she managed in Bari The “Still Life” exhibition about his series on objects found in the Modena flea market was a real success an event itself: “There were many people there at the opening night: journalists Bari’s intelligentsia.” The next day over a coffee and seeing Luigi Ghirri’s satisfaction with the exhibition’s success Gianni Leone suggests that he photographs the surrounding area: “It would be good if you would take photos in Bari Why not give your own visual testimony of our region to spare it from false representations that conceal and insult it?” Luigi Ghirri does not react on the spot but eventually embarks on a relationship that will last many years between the region and the photographer windows and arches conquer the photographer’s heart always the sea and its unbeatable blue that the photographer captured it is an exquisite land that perfectly suits his minimalist photography He will come back to photograph the region almost every year deepening his understanding of the territory a bit more on each visit the book is seen as a movie and reminds us “En Vespa” of the film Caro Diario (Dear Diary) by Nanni Moretti where the Italian director walks around in an almost deserted Rome was produced under the delicate and attentive gaze of Luigi Ghirri’s daughter She tried to best respect her father’s philosophy Luigi Ghirri is there without being there; his presence is felt in every image and this impression is confirmed when we read the transcript in a conference at the Sorbonne in 1984 in Luigi Ghirri where he said: “In Borges’s words they would put together all their paintings and drawings and realize that they represented a huge mosaic of their visage The initial idea of ​​my photographic project/oeuvre could resemble that story (…) A subtle thread that links autobiography and the outside world Puglia. Tra albe e tramonti by Luigi Ghirri Luigi Ghirri, l’amico infinito by Claude Nori Luigi Ghirri’s archives Read More: Luigi Ghirri: A cartographer of the invisible Don’t miss the latest photographic news, subscribe to Blind’s newsletter. You’re getting blind.Don’t miss the best of visual arts Subscribe for $7 per month or $84 $70 per year Following the successful conclusion of the Plenary Session held in Alexandria in 2023 the Coordinating Committee of the Joint International Commission for Theological Dialogue between the Roman Catholic and Orthodox Churches convened from June 3 to 7 at the Oasi Santa Maria Cultural Center of the Roman Catholic Archdiocese of Bari-Bitonto The meeting was co-chaired by Cardinal Kurt Koch President of the Pontifical Council for Promoting Christian Unity and Metropolitan Job of Pisidia (Ecumenical Patriarchate) The Committee was graciously hosted by Archbishop Giuseppe Satriano of Bari-Bitonto the Coordinating Committee of the Joint International Commission for Theological Dialogue between the Roman Catholic Church and the Orthodox Church under the co-presidency of Cardinal Kurt Koch Prefect of the Dicastery for Promoting Christian Unity met from 3–7 June 2024 at the Oasi Santa Maria Spiritual Center of the Archdiocese of Bari-Bitonto The Committee was fraternally hosted by H.E Archbishop Giuseppe Satriano of Bari-Bitonto the Roman Catholic members celebrated the Eucharist at Bari Cathedral in the presence of the Orthodox members and the Christian faithful the Orthodox members celebrated the Divine Liturgy over the relics of St Nicholas in the crypt of the Basilica of San Nicola in Bari in the presence of the Roman Catholic members and the Christian faithful the Committee was welcomed to breakfast by the Dominican Fathers The Committee felt inspired to be convening in the same historic location at which the Dialogue’s Bari Document (1987) was agreed The Coordinating Committee considered a draft text entitled “Towards Unity in Faith: Theological and Canonical Issues,” which summarized the achievements of the Dialogue thus far and identified several issues remaining to be resolved between Roman Catholics and Orthodox The Committee began to discuss in particular the historical and theological issues related to the Filioque and Infallibility and each was tasked with producing a draft text on one of these themes It was decided that once these draft documents have been completed hopefully next year at a time and place to be determined The members look forward to the forthcoming commemoration in 2025 of the 1,700th anniversary of the First Ecumenical Council held at Nicaea in 325 and pray that this event will be an inspiration on the path towards the re-establishment of full communion The Holy Synod of the Ecumenical Patriarchate approved on October 4th the canonization of Eldress Sophia Ecumenical Patriarch Bartholomew traveled by air to Antalya the Patriarchate of Jerusalem solemnly celebrated the Sunday of the Myrrh-Bearing Women... Archbishop Elpidophoros of America celebrated the Divine Liturgy at the Monastery of the Theotokos.. it was announced that two Roman Catholic institutions in Bavaria have decided to jointly.. (function() { window.mc4wp = window.mc4wp || { listeners: [] cb) { window.mc4wp.listeners.push( { event : evt callback: cb } ); } } }})(); © 2023 OrthodoxTimes.com - All rights reserved Necessary cookies are absolutely essential for the website to function properly This category only includes cookies that ensures basic functionalities and security features of the website These cookies do not store any personal information Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics other embedded contents are termed as non-necessary cookies It is mandatory to procure user consent prior to running these cookies on your website Food Research InternationalCitation Excerpt :Ethyl cinnamate (monomer 4.28%) were also abundant in the fresh sample but their contents were very low in YZ sample butyl acetate (dimer) and cis-anethol were not detected in fresh finger citron but they were detected in YZ sample at high contents (Table 3) which might be secondary metabolites produced by alcohols while the fermentation occurred in the salting step (Bitonto 2-butanone (2.06%) and 2-pentanone (1.80%) Bioresource TechnologyCitation Excerpt :After esterification of VFA mixture in methanol the yields of all produced methyl esters were in the range of 90 and 98% at 360 °C within 10 s (Lee et al. It was also reported that solid acid catalyst (aluminum chloride hexahydrate) is efficient for esterification of acetic and butyric acids in the presence of ethanol (di Bitonto et al. The conversion efficiency of VFAs into ethyl esters reached to 85% after 15 min of esterification at 70 °C with 5 mol% of the solid acid catalyst Conservation and Recycling AdvancesCitation Excerpt :The Folch (Folch et al. 1953) and the Bligh and Dyer (Bligh and Dyer 1959) extraction processes use mixtures of chloroform and methanol as solvents has been successfully applied to sewage sludge with extraction of 12 wt% lipids (Boocock et al. poly-unsaturated fatty acids in sludge can undergo thermal degradation under these conditions and chemical solvents may be potentially highly toxic therefore green alternatives for lipid extraction are currently investigated (D'Ambrosio et al. Bio-oil should subsequently be purified for use as a diesel-standard compatible fuel FuelCitation Excerpt :Hexane is a non-polar solvent widely used to extract non-polar SL because of its affordability and excellent lipid solubilizing ability [30] Researchers have also tested emerging renewable or green solvents for lipid extraction such as the need for an additional demulsification step [31,32,38–40] accounting for about 50 % of the biodiesel production cost [43] This website has been translated using an AI program You won't get there quickly, but if you go on holiday to the Italian East Coast, take a D-tour to the town of Bitono - small and with Italian grandfathers on a bench on the market square; exactly what you expect from an Italian village. This restaurant recently opened there where you can mingle with local gourmets. Sale in Zucca Domestic Violence and Its Devastating Consequences: The Case of Lucia Chiapperini The news of the murder of Lucia Chiapperini has deeply shaken the community of Bitonto The elderly woman was killed by her husband in an episode of domestic violence that left everyone speechless The images and audio recorded by the security cameras of their home tell a story of conflict and desperation culminating in an unacceptable act of violence the arguments between the spouses had become increasingly frequent and violent especially after the death of Lucia's father Witnesses say that the couple often argued about money and that the situation had degenerated to the point that Lucia had decided to temporarily move in with one of her sons who had brandished a knife during an argument Lucia returned home and had a heated confrontation with her husband The cameras recorded the moment when Vincenzo Despite Lucia's attempts to defend herself and ask for help uttering terrible phrases such as "Die" and "you don't even deserve compassion" they found Lucia's lifeless body in the bathroom while Vincenzo had taken refuge in the bedroom with his hands and clothes stained with blood This tragic episode is not an isolated case Domestic violence is a phenomenon that afflicts many families in Italy and around the world often silent and invisible until it explodes in acts of fatal violence Lucia Chiapperini's story is a sad reminder of the need to seriously address the problem of violence against women promoting a culture of respect and prevention It is essential that institutions and civil society unite to fight this scourge offering support to victims and severely punishing perpetrators Notizie.it is a newspaper registered with the Court of Milan n.68 on 01/03/2018 Impara come descrivere lo scopo dell'immagine (si apre in una nuova scheda) Lascia vuoto se l'immagine è puramente decorativa A murder that brings attention to the phenomenon of femicide in Italy A tragic episode has shaken the community of Mariotto A man of about 75 years old stabbed his wife to death in an act that left everyone speechless bringing with it a wave of disbelief and grief among residents who wonder how such a tragedy could have happened within a family the murder took place inside the couple's home I killed my wife." This act of admission highlighted not only the seriousness of the situation but also a possible attempt to face the consequences of his actions where he allegedly attempted to take his own life This tragic event brings the issue of femicide back to the fore a phenomenon that continues to affect Italy and raises concerns among institutions and civil society According to data provided by associations that deal with gender violence the number of women killed by partners or ex-partners is unacceptably high hundreds of women lose their lives due to domestic violence The need for more incisive intervention by the authorities and greater awareness among the population has become increasingly urgent The reactions to the news of the murder were immediate Many citizens of Mariotto expressed their shock calling for justice for the victim and a deep reflection on how to prevent similar tragedies in the future Local institutions promised to step up efforts to combat gender violence emphasizing the importance of awareness-raising and support programs for victims This family tragedy represents not only a personal loss He kills his wife with a knife and calls the police: tragedy this morning in Mariotto The list of women killed by those who claimed to love them is growing Femicide remains a deep wound in our society which continues to manifest itself with shocking brutality where a man has killed la wife inside their home It hit the wife with a knife then he took the phone and called the police: “Come I killed my wife.” It happened this morning in Mariotto a quiet hamlet in the municipality of Bitonto The protagonist of the tragedy is a man of about 75 years old a retired worker who stabbed his wife to death a one-story building located in the center of the village after the crime the man he allegedly tried to take his own life found him locked in the bathroom and managed to get in to stop him The military of the SIS (Scientific Investigations Section) the coroner and the public prosecutor Angela Morea intervened on site to carry out surveys and start the investigations They still remain to be clarified the causes that led to the extreme gesture. The femicide Lucia Chiapparino's death joins a long and painful list of women killed within the family commented on the tragedy on his Facebook page: "A life was shattered and with it the breath of the entire community when the suffering of Our Lady of Sorrows speaks to us of a silent this fact resonates with an even darker echo There is only the silence of those who observe injustice and are hurt by it Bitonto • Eating Out Sale in Zucca is the kind of place the phrase “unearthing a hidden gem” was coined for this bar has all the hallmarks of an archaeological excavation enjoying an exclusive and secretive catacomb vibe despite being on the city square filled with beautifully preserved relics of another time Far from stuffy, however, Sale in Zucca is like a party in a graveyard. Angelica Picoco – a self-confessed xenophile – has assembled a varied collection of artefacts inspired by her travels re-purposed and customised to create a harmonious but lively interior under the magnificent vaulted ceilings of the building This is not a place where furniture goes to die but where it is reborn – a natural resting place for the stylishly vintage Aside from the fantastic stone arches overhead and the rocking chair (we’re getting old) our favourite feature is the ornately tiled bar which is a very cool place to escape the southern summer heat , , , , , Sale in Zucca is the kind of place the phrase “unearthing a hidden gem” was coined for Zorra Zapopan is the second outpost of Cervecería Zorra a stunning project brought to fruition by esteemed studios Taller Dinamita and Taller Binario that combines a.. Barcelona’s Grand Hotel Central has emerged as a triumph of contemporary luxury; a homage to its own weighty history and grandeur yet breathing the fresh air of modern Catalunya... Opening just last month on Barcelona's Via Laietana the road that separates the city's El Born and El Gòtic neighbourhoods restaurant Can Bo completes the reimagined Grand Hotel Central; the street-level gastronomic concept focussing on tapas and.. From first stepping into the kitchen aged 10 to creating supper club 'Eureka' in the family home Flynn McGarry went on to open his first permanent fine dining restaurant in New York City's Lower East Side at 19 years old © 2025 About Us Advertising Privacy Policy Write for We Heart Get in Touch We Heart is an online magazine founded in 2007 the platform evolved over time to feature inspiring places and spaces Over the years we have been committed to producing content that inspires and informs our readers; having broadened our content policy to mature into a more general lifestyle magazine that has kept itself rooted in our beginnings whilst covering a multitude of subjects that reflect our growth and fashion designer Michele Morrone is well-known in Italy and primarily appears in films shot in that country and Poland He gained notoriety for his outstanding performances in the movies Medici (2016) His portrayal of Massimo Torricelli in the sexual romance movie 365 Days from 2020 also helped him acquire notoriety abroad which includes numerous songs that are included in the official 365 DNI soundtrack as well as one of his most well-known songs “Feel It,” was released when he was a successful singer the album was made available on February 14 and his mother all relocated to Melegnano when their father passed away in order to improve their lives and find work while he also spent some time as a child in Apulia he went to the neighborhood private school Michele had a passion for performing and aspired to be a successful performer The Netflix series “365 days” is the thing that intrigues us the most Fans who were missing sensual dramas like Fifty Shades of Grey were satiated by the film But aside from the compelling plot and memorable dialogue Are you moved by Massimo’s alluring appearance which is actually Michele Morrone charming us with his sensual appearance and unending charm Take a look at the actor’s social media account to see the abundance of images that are sure to impress you He is a whole package because he can sing and act well You will love his sense of style when it comes to attire Pretesh is a passionate content writer and is crazy about automobiles