THE CASTELFIORENTINO LILY CIP- GHIZZANI: Anichini, Barnini, Del Carlo, Magherini, Malatesti, Nicosia, Pratelli, Sani, Scardigli, Talluri, Tofanari M., Tofanari S., Zingoni, Picchianti (L). All.: Buoncristiani. VARAZZE CELLS: Arrigo, Bocca, Casazza, Filippini, Gandolfi, Giacopelli, Olivero, Testini, Trumpet, Valdora, Villa, La Porta (L). Coach: Lamballi. Referees: Pianigiani and Bruttini from Siena. On this day in 1945, the 10th Mountain Division (the U.S. Army’s mountain warfare unit during World War II), remembered the lives of their fallen in a memorial service held at the U.S. Military Cemetery in Castelfiorentino, Italy The service included music by the Army Band; prayers by Protestant and Jewish chaplains; a memorial address by Major General George P Hays; the placing of a wreath; and the firing of volleys It concluded with a bugler playing “Taps.” those interred at Castelfiorentino and other temporary cemeteries were relocated to the Florence American Cemetery a 70-acre cemetery situated alongside the Greve River Mead and White along with landscape architects Clarke and Rapuano designed the cemetery and memorial Of the 4,402 servicemen and women interred at the Florence American Cemetery, 355 were part of the 10th Mountain Division. At last year’s Memorial Day service at the cemetery Boy Scouts placed carnations on the graves of the 10th Mountain Division’s fallen To learn more about the 10th Mountain Division and its ties to Colorado, check out DPL’s 10th Mountain Division Resource Center—the official repository for all records and artifacts related to the World War II 10th Mountain Division Submitted by Stan Current (not verified) on Tue we live in the land of the free because of the brave the only way to repay a life is with a life devoted to liberty and justice for all Submitted by Gordon Brainard (not verified) on Thu attended this memorial service and I have a pamphlet like the one above In reply to by Gordon Brainard (not verified) Submitted by Gordon Brainard (not verified) on Sun I donated mine do the Denver Library to keep it safe and to share with everyone Ralph was a 30 cal machine gunner and told some really scary stories about combat He was sunning himself on a German bunker after they had taken Mount Belevedere when he heard Germans talking In reply to by Gordon Brainard (not verified) Submitted by Willie Calvin … (not verified) on Fri was buried at U S Military Cemetery at Castelfiorentino His remains were brought home and buried in Blackwood Springs Baptist Church Cemetery when I was a younh boy In reply to by Willie Calvin … (not verified) Submitted by Willie Calvin … (not verified) on Tue In reply to by Katie Rudolph I remember 2 things very clearly about my Dad's Stateside funeral in Calhoun Georgia First was the tremendous number of fresh flowers at the Funeral and the 21 Gun Salute at the Cemetery There were so many flowers the smell was almost overwhelming Lots of local folk sent flowers for my Dad I would jerk each time one of the shots were fired He wrote Mother telling her he didn't think he would make it back alive and asked her to name me Willie Cakvin Jr My older brother who clearly remembered Dad was always a little angry because I was the Junior instead of me I remember once hearing my Mom tell David that he should not be upset because he had memory of Dad playing games with him but I never would He understood but always resented it a little preserved today in the Museo dell’Opera del Duomo in Siena it is necessary to take a closer look at the Castelfiorentino panel the blue mantle fitted with a veil to cover her head turns a wicked glance at the viewer as she holds the Child Jesus in her arms who is wiggling kicking and tenderly bringing one hand close to his mother’s face to caress her This vivacity of the Child represents an important novelty capable of giving the table a turn in a naturalistic sense for a more truthful rendering of the affections The maphorion is enlivened by the chrysographies (i.e. used to emphasize the folds of the drapery) that harken back to the Byzantine tradition and is decorated with a golden border: the refinement of such details fits well with thehighly lyrical almost poignant atmosphere that the painting manages to evoke “Looking at it closely,” wrote Antonio Paolucci who has given us one of the densest descriptions of the Madonna and Child “you realize that that little painting has a grim He really does not seem to want to be in the painting to be cramped in the albeit spacious niche that the Mother has prepared for him here are the sharp undercuts that are already the drapery system in the assisiated stories of Isaac Here is the stroke of light that brings out the knee beneath the cloth It is the discovery of the real that breaks through the hard It is the Greek that is fading into the Latin of the figurative language of modern Italy according to the celebrated image of Cennino and Vasari.” But while some of these have an expression of sorrowful wandering gentleness and their muscularless Children stand as if suspended in the air our Madonna fixes her gaze deeply into that of the Orante and her Child has a volume a strength that heralds a new science of dynamic modeling and a realistic dramatic power worthy of the great innovator Cimabue." In short: the consistency of the volumetries of the two Castelfiorentino figures was compatible with that of Cimabue’s known figures It was an opinion that had a vast following: for Volpe the panel would reveal a “complete autograph presence of Cimabue,” and scholars of the caliber of Ragghianti and Boskovits also assigned it to the sole hand of the great Florentine artist There is no doubt that the characters are strong and energetic as in Cimabue’s works: think of the Majesty once in San Francesco in Pisa and now in the Louvre where it arrived following the Napoleonic spoliations (Tartuferi chronologically placed the Castelfiorentino Madonna in a period later than the Louvre Majesty the panel has too many affinities with Duccio’s style the elegance of the refined colors and the sweet linearism” (Rosanna Caterina Proto Pisani) come close there were authors who thought they were dealing with a work by Duccio or one of his followers: these include Curt H who in 1930 assigned the Madonna of Castelfiorentino to Duccio himself who in 1933 spoke of a work of the school of Duccio according to whom the author was an unidentified Duccioesque painter who proposed for the work the name of the Master of the Rucellai Madonna (that is who in his opinion would have painted the very famous Rucellai Madonna But what if the work was a collaboration between the two great artists A work that Cimabue and Duccio executed by four hands It was Roberto Longhi who had this intuition in 1948 stating that the work seems to be a sign of a “joint collaboration” by Duccio “in the house of Cimabue,” and other scholars thus moved in the wake traced by the great Piedmontese art historian: among the first was Ferdinando Bologna who in 1960 pointed to the work as having been executed by Duccio from a drawing by Cimabue (and perhaps even with active help from the latter who would have put his hand especially to the figure of the Child so foreign to Duccio’s painting that another name had to be necessarily called in) well known that many art historians (Longhi in the lead) think that Duccio was a pupil of Cimabue (“almost created by Cimabue,” Longhi went so far as to speculate): a position that is difficult to undermine and which would therefore make credible the hypothesis of a collaboration between the two in the realization of the Castelfiorentino panel others later returned to leaning toward the name of Cimabue a Cimabue who nonetheless measures up to Duccio’s painting and thus welcomes Duccioesque elements into his panel: this is the case with Luciano Bellosi who nonetheless hypothesizes another collaboration exceedingly fascinating element to the story of the painting wrote one of the most interesting pages on the Madonna of Castelfiorentino there are elements in the figure of Jesus that would hint at the intervention of an artist foreign as much to the ways of Cimabue as to those of Duccio di Buoninsegna: a new artist an artist able to “transcend” Byzantine language into a new grammar for whom Bellosi proposed a high-sounding name: Giotto (Vespignano In his most famous book(Giotto’s Sheep) Bellosi wrote that "the Castelfiorentino Madonna with its prelude to the painting by voluminous overhangs that will characterize the Stories of Isaac and the sequel to the frescoes in the Upper Basilica of Assisi burning presence alongside the old Cimabue and the young Duccio [...] Giotto was the one who raised the problem of the representation of space to the highest level in the entire fourteenth century no one ever behaved more rigorously and consistently than he did toward this new aspect of painting.“ There would be some details that would suggest that Giotto intervened in the figure of the Child in the Valdelsa Madonna: the little one’s robe is reminiscent of the bed sheet (”with sharp taut undercut folds and shaped by a kind of lustrous metallic halo in the area where the swelling of the mattress underneath emerges") on which Isaac is lying in the scene in which Abraham’s son rejects Esau and similarly reminiscent of the Castelfiorentino Madonna are the highlights that the author used to mark the protruding portions of the fabrics (and which also in the Castelfiorentino panel hint that there is a living body And then there are the putti of the doctors’ vault to whom the “Child is almost superimposable” (so Giovanna Ragionieri) Bellosi would return to these arguments several times: in a 2003 essay he reiterated that what made him believe that the Child of the Madonna of Castelfiorentino was the result of an intervention by the “very young” Giotto were "its character of a somewhat metallic luster that indicates the overhang of the leg Francis’ father in the Renunciation of the Assets)." Again in the volume of the Dossier d’Art series that Bellosi wrote together with Giovanna Ragionieri and which was published in 2003 we read of the “possibility that the energetic Child was executed even by the very young Giotto.” Bellosi’s idea was scrutinized by later critics with some caution: Boskovits wrote that the hypothesis of Giotto’s participation “may leave one perplexed,” but he acknowledged that the drapery of the Child was similar to the drapery we find in the oldest Assisian works attributed to Giotto’s hand And even for Boskovits the Castelfiorentino Madonna could suggest “at least close contacts between Cimabue and Giotto.” Not of the same opinion is Angelo Tartuferi author of the most recent papers on the Madonna of Castelfiorentino: in 2004 in the file on the painting included in the catalog of the exhibition L’arte a Firenze nell’età di Dante he argued that the hypothesis of an intervention by the young Giotto is “not sufficiently supported from a stylistic point of view.” A position reiterated in a 2014 essay where Tartuferi states that those of the Child are “draperies of Arnolfo’s taste which are moreover found in many Umbro-Latium paintings on panel and in fresco at the end of the 13th century”: the latter are described as “one of the most common stylistic features of the new pictorial language that was becoming established in central Italy: in a particular way in the decorative worksite of the Upper Basilica of St in Florence and in the other centers of Tuscany.” reiterated the complete Cimabuesque autography of the Castelfiorentino Madonna and his are the most recent contributions on the subject also because there are no predominant opinions: the position perhaps most followed in recent times is that the work is the result of the inspiration of a Cimabue open And this is also the official position of the Museo di Santa Verdiana where it is possible to read Cimabue’s name alone in the caption accompanying the panel regardless of who is the author or who participated in the undertaking all agree on one point: the Madonna and Child of Castelfiorentino is one of the most wonderfully attractive works of that period so important to the history of art as a whole The Virgin’s sweetness veiled in foreboding sadness the Child’s delicate gesture as she laps her mother’s face with her small almost uncertain hand as if to comfort her flesh standing out from the gold background and swelling alive with the sharp curves of the panel that envelop her: elements that led the aforementioned Paolucci to speak of a “hit parade Castelfiorentino” because of the presence of this illustrious guest of his the “leading” image (so always Paolucci) of the Museum of Santa Verdiana which had opened its doors to the public shortly before the scholar wrote about it It is fair to imagine that the Madonna of Castelfiorentino in addition to arousing wonder in those who go to the Museum of Santa Verdiana and find it displayed on the back wall of a narrow corridor on whose sides ancient illuminated manuscripts are exhibited is destined to cause much discussion for a long time to come not least because a firm critical positioning of the painting is still lacking and above all because this work represents a fundamental junction in all medieval art It is a crucial work because it is the place where three worlds meet: the one still Byzantine but with substantial volumes opening to the new the one of the precious Sienese delicacies and the one of the Latin language glimpsed on the horizon speaking Florentine with some Sienese inflection but employing some words of a fledgling jargon PROSECUTORS have launched a manslaughter investigation after a footballer aged 26 died after taking a shot during a match Roma defender Gianluca Mancini led tributes to Castelfiorentino striker Mattia Giani who collapsed clutching his chest in the fifth-tier game Giani was taken to hospital in Florence following the 15th-minute incident but was pronounced dead the following day Reports in Italy say investigators want to clarify issues such as the timing of the emergency treatment he received Dad Sandro has also filed a complaint to "understand how our son died" He has questioned what medical services were on hand at the Lanciotto Campi in Tuscany for Sunday's match It's understood his heart stopped beating for several minutes and a club masseur reportedly tried to resuscitate him on the pitch. Giani was then taken to Florence's Careggi Hospital but died there on Monday. Italy star Mancini, whose sister is dating Giani's brother Elia, joined the outpouring of shock over his death. Mancini told Sky Sports Italia: "My sister and Mattia’s family are suffering I wanted to dedicate this goal to him." Mancini also wore a T-shirt with a message in Italian translating as: "Farewell Mattia Giani's girlfriend Sofia Caruso has told of the couple's "beautiful" last morning together and of his tender last message by phone They had been living together for just two days I left you the accreditation for the match in the name of Giani "He always told me that he loved me like crazy and I loved him like crazy too "We were thinking about getting married "Mattia made me understand what love was and he took care of me Castelfiorentino coach Nico Scaridigli said: "Mattia was a wonderful guy "He had a wonderful girlfriend who loved him more than anything "His career didn’t go as well as he deserved just because of muscle problems." Our journalists strive for accuracy but on occasion we make mistakes. For further details of our complaints policy and to make a complaint please click this link: thesun.co.uk/editorial-complaints/ Always present a food area. In addition, a collaboration has been activated with the 24 ore futsal of Montaione, which provides a ten percent discount on the registration of both tournaments to the teams that will participate in both. The first violin of the Maggio Domenico Pierini and the Orchestra of the Maggio Musicale Fiorentino engaged in a series of four concerts in four art venues in the Metropolitan City of Florence.  The program includes the Symphony “Al Santo Sepolcro” and “The Four Seasons” by Antonio Vivaldi.  Free entrance until all available places are taken May 10th 2024 – The events as part of the 86th Maggio Musicale Fiorentino Festival continue All four concerts are scheduled at 9pm and feature a program entirely dedicated to the compositions of Antonio Vivaldi: opening with the Symphony in B minor for strings and continuous bass Al Santo Sepolcro Speaking about these four interesting symphony concerts Domenico Pierini said he was happy to be able to contribute to a real 'dissemination' of the Maggio Musicale Fiorentino: "I am really enthusiastic about taking part in this beautiful initiative and thus bringing great music also throughout the metropolitan area of Florence The places chosen are four historic churches of great beauty which will therefore host the music of Antonio Vivaldi; with the Four Seasons which this year blow out the beauty of 299 candles and which are undoubtedly one of the reference compositions of the concert repertoire and the Sinfonia for strings Al Santo Sepolcro a very evocative Vivaldi piece which goes to perfectly and further frame the finale of the concert of The Four Seasons” Castelfiorentino | Friday 10 May 2024 at 9pm Barberino Tavarnelle | Thursday 16 May 2024 at 9pm Borgo San Lorenzo | Friday 17 May 2024 at 9pm An official website of the United States government Watch Live at 11:30 a.m. ET: Results of Nationwide Law Enforcement Effort Press Conference View the latest ICE guidance on COVID-19 Get information about how to check in with your local ICE Office here Reportándose con ICE: Obtenga información sobre cómo reportarse a su oficina local de ICE aquí View in other languages Call 1-866-DHS-2-ICE to report suspicious activityReport Crime Learn More About ICE ICE's ERO officers uphold United States immigration laws by focusing on individuals who present the greatest risk to national security View the annual report Media Inquiries the archive contains content from a previous administration or is otherwise outdated This information is archived and not reflective of current practice CLEVELAND – A 14th-century manuscript leaf from an Antiphonary was transferred Friday to U.S Immigration and Customs Enforcement’s (ICE) Homeland Security Investigations (HSI) custody The transfer follows a two-year probe by HSI “Cultural artifacts and antiquities have a monetary value in the markets where they are bought and sold the value cannot be measured monetarily,” said Steve Francis acting special agent in charge for HSI Detroit “We’re pleased to announce with our partners at the U.S Attorney’s Office and with the Museum that today’s transfer brings us one step closer to reuniting this treasure with its rightful owner created an illuminated manuscript known as Codex D sometime between 1335 and 1345 is parchment with leather binding and contained seven illuminated pages The illuminated page with the initial L depicts Saint Lucy (Santa Lucia) A portion of the page was removed from the Antiphonary and is known as a leaf The Antiphonary was formerly in the Church of Saints Ippolito and Biagio of Castelfiorentino and is now preserved in the Museum of Santa Verdiana at which time it was attributed to a different artist It has not been on display for more than 10 years The Museum was contacted by HSI after a second leaf appeared on the Swiss market That leaf was recently turned over to the Italian government Working collaboratively with HSI to research the history of the leaf and after evaluating the information provided by the Italian government the Museum agreed the leaf should be transferred to Italy to be reunited with the Antiphonary “Once we were able to substantiate the information provided we decided that the best place for the leaf was back with the Antiphonary We feel the leaf has greater significance if it is reunited with the other illuminations in the manuscript the Antiphonary will now be complete” said William Griswold “We appreciate Homeland Security Investigations bringing this to our attention and working with us to effectuate the right result for the work.” Rendon noted that the cooperation between her office HSI and the Museum has resulted in the transfer “This story of a beautiful illuminated page missing from the Antiphonary for many years will have a happy ending thanks to the work of the Italian government Attorney for the Northern District of Ohio Carole Rendon said The Antiphonary is a partially illuminated liturgical manuscript intended for use by a choir A delivery date to the Italian government is being finalized HSI plays a leading role in criminal investigations that involve the illicit importation and distribution of cultural property as well as the illegal trafficking of artwork specializing in recovering works that have been reported lost or stolen through its 62 attaché offices in 46 countries works closely with foreign governments to conduct joint investigations HSI's specially trained investigators assigned to both domestic and international offices agencies and experts to protect cultural antiquities They also train investigators from other nations and agencies to investigate crimes involving stolen property and art and how to best enforce the law to recover these items when they emerge in the marketplace Those involved in the illicit trafficking of cultural property art and antiquities can face prison terms of up to 20 years fines and possible restitution to purchasers of the items more than 8,000 artifacts have been returned to 30 countries Poland and Austria; 15th to 18th century manuscripts from Italy and Peru; as well as cultural artifacts from China Learn more about HSI cultural property, art and antiquities investigations Members of the public who have information about suspected stolen cultural property are urged to call the toll-free HSI tip line at 1-866-DHS-2-ICE or to complete its online tip form For media inquiries about ICE activities, operations, or policies, contact the ICE Office of Public Affairs at ICEMedia@ice.dhs.gov OneFootball's home page Search Settings Sign In Sign InJoinItalian footballer dies following on-pitch heart attack | OneFootballFootball Italia a 26-year-old footballer for Castelfiorentino in Eccellenza has died in Florence after suffering a heart attack on the pitch on Sunday on the anniversary of Piermario Morosini’s passing Castelfiorentino Mayor Alessio Falorni sadly confirmed on Monday morning that 26-year-old footballer Mattia Giani had died at the Careggi hospital in Florence the day after suffering a heart attack during a competitive Eccellenza match (Italy’s 5th division) between his club Castelfiorentino and Lanciotto Campi The incident happened at the Stadio Comunale Lanciotto Ballerini in Campi Bisenzio Giani reportedly collapsed after taking a shot on target in a game where his parents were watching from the stands Sky TG 24 reports the 26-year-old Italian footballer had a cardiac arrest followed by a seizure Doctors immediately rushed to the pitch to give Giani a cardiac massage and the player was intubated and taken to Careggi hospital A few hours later, Roma defender Evan Ndicka also collapsed in a Serie A match between Udinese and Roma, but it was excluded the Giallorossi defender had suffered a cardiac arrest despite initial fears. Giani collapsed on the anniversary of Piermario Morosini’s death The ex-Livorno midfielder suffered a heart attack on the pitch on April 14 during a Serie B match between Pescara and the Amaranto He died at the Pescara hospital a few hours later Morosini was aged 25 and Livorno retired his No.25 shirt following his death. A product of Atalanta‘s Academy La Dea named one of their Curvas after the former Italian midfielder Related NewsVIDEO: 4 Pemain Berlabel Timnas Indonesia yang Kurang Ganas di BRI Liga 1 2024/2025 3 Kehebohan Persib di BRI Liga 1 2024/2025: Meledak pada Pekan ke-31 3 Sinyal Semen Padang Bisa Lepas dari Jeratan Degradasi BRI Liga 1 2024 / 2025: Mentalitas Meningkat PSSI Konfirmasi Timnas Indonesia Dapat Tawaran Uji Coba dari Rusia pada September 2025: Agak Berat untuk Menerimanya 4 Faktor Kunci Persib Bandung Sukses Menjadi Juara BRI Liga 1 2024/2025 Versi Pengamat Crystal Palace 1-1 Nottingham Forest: Eberechi Eze scores as Eagles get ready to peak in FA Cup final Glasner will be content with his side’s performance against a team chasing Champions League qualificationCrystal Palace had their chances and could have nicked it late on, but a 1-1 draw... Football transfer rumours: Rashford in Man Utd exit talks; Real Madrid suffer Alexander-Arnold setback Real Madrid 'agree terms' with Carlo Ancelotti over his departure Carlo Ancelotti's future appears to be sealed after the iconic Italian manager has reached terms over his pending departure from Real Madrid.According to fresh reports from The Athletic, an agreement... Ius Volleyball Arezzo: Coach: GobbiniThe Lily: Anichini, Barnini, Del Carlo, Magherini, Malatesti, Nicosia, Pratelli, Sani, Scardigli, Talluri, Tofanari M., Tofanari S., Zingoni, Picchianti (L). Buoncristiani and Furiesi All.Referees: Leopard and GarroniPartial: 18-25, 16-25, 17-25. .st1{fill-rule:evenodd;clip-rule:evenodd;fill:#2a2a2a}By Steven Litt, cleveland.comItalian manuscript leaf returned CLEVELAND, Ohio - The Cleveland Museum of Art is returning to Italy a medieval illuminated manuscript page after the country showed the work was illegally cut from the book that once contained it The removal of the leaf occurred sometime between 1933 and 1952, when the museum bought the work in good faith, museum director William Griswold said Thursday He said Italian authorities presented the museum with convincing evidence that the Cleveland leaf came from the Italian book "We know this from photographic documentation of which we were [previously] unaware," Griswold said "That [documentation] strongly suggests that the manuscript was intact as recently as 1933." Griswold said the work was neither of major importance nor expensive to acquire in 1952 "It's a fine thing and a beautiful object and it will give enjoyment to audiences in Italy as well." The return of the illuminated leaf is unrelated to the museum's decision in 2009 to return to Italy 14 artworks said by the Italian government to have been tainted by illegal activity 13 were antiquities reportedly looted from sites in southern Italy; the 14th was a late Gothic processional cross stolen from a church in a village near Siena The illuminated page now being returned depicts St It measures 17.5 inches high and nearly 14 inches wide and is attributed to the Master of Dominican Effigies whom the museum described as an important illuminator and was made sometime between 1335 and 1345 in parchment with seven illuminated pages and leather binding The antiphonary formerly belonged to the Church of Sts. Ippolito and Biagio of Castelfiorentino, in Tuscany near Florence, and is now preserved in the Museum of Santa Verdiana in Castelfiorentino The Cleveland museum was contacted by the U.S Immigration and Customs Enforcement's Homeland Security Investigations unit about the leaf after a second leaf from the same antiphonary appeared on the market triggering interest in the Cleveland object The museum said the illuminated leaf would be transferred to the federal agency which would in turn transport the work to Italy where it will be reunited with the antiphonary in Castelfiorentino "It wasn't a hard decision to make," Griswold said it was a perfectly straightforward decision." Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement, (updated 8/1/2024) and acknowledgement of our Privacy Policy, and Your Privacy Choices and Rights (updated 1/1/2025) © 2025 Advance Local Media LLC. All rights reserved (About Us) The material on this site may not be reproduced except with the prior written permission of Advance Local Community Rules apply to all content you upload or otherwise submit to this site YouTube's privacy policy is available here and YouTube's terms of service is available here Ad Choices Sign InJoinRoma support after 26-year-old footballer dies on same day as Ndicka scare | OneFootballFootball Italia Roma expressed their condolences for Mattia Giani a 26-year-old footballer who died after suffering a heart attack on the same day as Evan Ndicka’s health scare The Castelfiorentino player tragically passed away on Sunday after suffering from a cardiac arrest followed by a seizure during a competitive Eccellenza match (Italy’s 5th division) against Lanciotto Campi A few hours later, Ndicka collapsed on the pitch during the second half of Roma’s Serie A clash with Udinese He was rushed to hospital and is currently in a stable condition The Giallorossi shared their condolences for Giani in a post on their Twitter page, writing: “AS Roma offer our condolences on the tragic death of Mattia Giani following an on-field medical emergency friends and everyone at Castelfiorentino United.” the 26-year-old Castelfiorentino player passed away on the anniversary of Piermario Morosini’s death The former Liverono midfielder suffered a heart attack during a Serie B match against Pescara on April 14 Related NewsFrom Germany: Leipzig in pole for Fabregas Luciano Spalletti: “We’re best friends with Totti.” Roma choosing not to play Paredes to avoid paying PSG extra fee Only Napoli better than Roma in Serie A since Ranieri’s appointment Roma interested in Gladbach striker Tim Kleindienst VARESE CAMPUS: Carità 22, Bosio, Bottelli 11, Tapparo 17, Scola Tiago 7, Kouassi 6, Turconi 3, Prato 14, Reghenziani 2, Scola Thomas 7. Coaches: Roncari. ABC MANETTI SOLE FACTORY: Ciano 6, Rosi 2, Lazzeri 3, Ticciati 6, Corbinelli 11, Carzoli ne, Azzano 9, Nnabuife 12, Cantini 5, Gutierrez 23. All.: Manetti. Referees: Brambilla from Vimercate and Cantarini from Annicco.Partial: 25-22; 47-46; 55-62. THE LILY OF CASTELFIORENTINO: Anichini, Barnini Viola, Del Carlo, Magherini, Malatesti, Nicosia, Pratelli, Sani, Scardigli, Talluri, Tofanari M. Tofanari S., Zingoni Rachele; Picchianti (L). Coach: Buoncristiani and Furiesi. SAILOR'S BAY CECINA: Nenciati, Giacomello, Colombini, Massari, Turini, Calafati, Biagioli, Bertoli, Orsini, Frongillo, Ricci, Castellano, Coluccini(L). Coach: Menicucci. Articolo disponibile anche in: Inglese Qualcuno lo ricorderà come una delle più belle esperienze vissute in prima persona qualcun altro avrà il bel ricordo di una giornata di folklore lungo il fiume ricorderanno qualche strana imbarcazione che solcava le acque dell’Elsa Tutto questo si chiamava e si chiama River Trophy che dopo dieci anni torna con una ventata di aria fresca e che punta alla riscoperta del fiume nel rispetto del fiume stesso e della vegetazione che lo accompagna nel suo lento scorrere Gli equipaggi si “sfideranno” su un percoso che andrà da Barberino Val d’Elsa (località “La Zambra”) a Castelfiorentino cercando di non essere sopraffatti dalle insidie che nasconde il fiume nei sui 15 km circa di tragitto M è arrivato davvero il momento di pensare all’imbarcazione Le iscrizioni sono aperte dal 5 maggio, ogni venerdì presso la sede del “Circolo Tennis” di Castelfiorentino in via Duca d’Aosta, dalle 21.30, oppure presso i nuovi “River Trophy Point” (li trovate su www.rivertrophy.it) il webmagazine del territorio del Chianti Classico WeChianti è un webmagazine quotidiano edito dalla società editrice chiantigiana ComuniChianti S.r.l., che edita anche i quotidiani on line Il Gazzettino del Chianti e delle colline Fiorentine e SportChianti storie dai comuni del territorio storico del Gallo Nero raccontate da giornalisti che vivono e lavorano nel Chianti (Registro Operatori della Comunicazione) n° 22870 – Registrazione Tribunale di Firenze n° 6058 del 6 luglio 2017 – Copyright 2012 © ComuniChianti s.r.l capitale sociale Euro 4.000 interamente versato – Codice fiscale/P.Iva 06295380486 iscrizione al Registro Imprese di Firenze n° 06295380486 Tutti i diritti sono riservati CHIANTI VOLLEYBALL: Mazzinghi, Brogi, Vanni, Bigliazzi, Santagostino, Francini, Ermini, Verano, Bilancino. Coach Marco Lapi. THE CASTELFIORENTINO LILY: Tofanari, Barnini, Scardigli, Sani, Zingoni, Tofanari, Malatesti. Talluri, Del Carlo, Pratelli, Nicosia, Magherini, Picchianti, Anichini. Coach: Pietro Giacomo Buoncristiani. The world of the web and social media is so wide that we can find numerous personalities, but some remain very impressed and above all they manage to enter our hearts. An example is Grandma Silvi, a nice grandmother who thanks to her recipe videos he has an amazing Tik Tok profile. We know it as Grandma Silvi and it's the most famous granny on the web and social media. His real name is Silvana Bini and is 82 years old. At the moment we know that she lives in her beloved Castelfiorentino and hers success he owes it not only to his sympathy, but also to the amazing recipes that he offers every day. He recipes that are evidently appreciated by many users. Its Story begins exactly in 2006 when one of his sons, Marco, decides to open a bakery of his own. He will call it Forno Martini and it will soon become a point of reference for the villagers. We don't know much about Grandma Silvi, but some -promote their right to information, education and organisation to safeguard their interests' (TFEU, Article XNUMX). he reveals it to us every now and then in his videos. In one of these he admitted that she never liked standing still or with folded hands and that is why also to help their own family, has had countless jobs. Despite her 82 years, she appears to be a lady of a certain age, but she has a grit that makes twenty-year-olds envious. But let's go back to his story. When his son Marco opens his first bakery, Silvana decides to give him a hand and like the women of the past, she really knows how to use flour, oil and dough. She starts with what she does best, such as apple pies and rice cakes. Over time though, experiences new recipes and manages to achieve a resounding success. Nonna Silvi conquers millions of palates. See this content on Instagram A post shared by Silvana bini (@nonnasilviofficial) Not content with already being the star of the country, Grandma Silvi he doesn't want to just do what he already knows how to do, but he wants more. Indeed, he attends numerous refresher and specialization courses until she becomes a skilled "oven woman". As we said above, the first point of sale becomes a real point of sale reference for citizens and beyond. In fact, there are many people who come from outside to buy its delicacies on purpose. Considering the great success and the satisfactions that repay everything, in 2014 the family opened a second store and this time in Montelupo. And it is precisely at this precise moment that it occurs to Silvana's children, but above all to the grandchildren, to dedicate time and space also to social. Being a little younger they know in fact that the modern world revolves around this and that's why decide to open an Instagram and Tik Tok profile in which the real protagonist is Nonna Silvi. See this content on Instagram A post shared by Silvana bini (@nonnasilviofficial) It all started a bit for game as his nephew Gabriele was already a user of the Tik Tok platform. So he decides to publish some videos where grandma kneads and prepare some delicacies and between sympathy and laughter, Gabriele notices that the followers increase dramatically. Here comes the idea of ​​opening a Profile all his own called “lanonnasilvi” within a single month since it was opened got 20 million views and 75 thousand followers. In the published content, Nonna Silvi appears casual and amused and is filmed while kneading dough for hers preparations sweet and savory. During the various executions she always has some advice to dispense to her followers and this has also meant an increase in the work in the two kilns. Do you think that stores, to date, receive orders from all over the world thanks to ecommerce. See this content on Instagram A post shared by Silvana bini (@nonnasilviofficial) Social networks are social networks, but real life continues to be such and to go on. His fame and success in fact they are not only due to Tik Tok, but also to the two royal ovens. The Martini family has in fact also received a prize for Italian Excellence 2023 awarded by the Ministry for Development and the Economy. But not only. In fact, Nonna Silvi was also invited to the fair held every year in Rimini bakery and pastry shop named SIGEP. Here, she managed to attract the attention of big and important names such as Iginio Massari and Luca Montersino. The puzzling fact is that this fair was also proof of how popular Nonna Silvi is since she had to please hundreds of fans who asked her to do a Selfie. Fans of all ages, to be emphasized. See this content on Instagram A post shared by Silvana bini (@nonnasilviofficial) What we have just told you is what we discovered about the fantastic 82-year-old Tik Toker Now let's see some Curiosity on his account Grandma Silvi she was a woman like many others A lady who has dedicated her life to her family and grandchildren self-confident and engaging and we are talking about Nonna Silvi The woman is especially famous on social media and below we report the link directed to his personal profiles we earn a commission from qualifying purchases through ticketing links This commission does not entail any additional price for the user.