the last three parades of the event organised by the association chaired by Redo Bezzo: 19 allegorical floats and masked groups in the main town 16 in the traditional Cima Carnival now in its 30th year Appointment also in Cornuda where the Pro Loco organises the final day of the 117th Carneval dei Crostoi Treviso is preparing for the return of the allegorical floats to the city And Conegliano and Cornuda are also ready to welcome the parade of papier-mâché giants the magic of Carnival will experience its most eagerly awaited day: the countdown begins for a Mardi Gras that has been missing for some time and promises contents to be remembered the return to the track with a great Carnival parade involving a total of 19 floats and masked groups The parade will start from Piazzale Burchiellati at 2.30 pm The Walls will form the long natural grandstand that will accompany the floats as far as the entrance to Borgo Cavour the procession will head towards Via Canova ending in Piazza Duomo after a journey of a couple of kilometres that promises to be a blaze of music and masks where the voice of the speaker will be that of Paolo Mutton will instead host the final awards ceremony The best float will be awarded with a crystal trophy engraved by the master of art Marco Varisco president of a quality jury that will be composed of directors It will be up to them to judge the choreography the harmony of the group and the float in its workmanship Among the protagonists of Carnival 2023 are also the guests of the Israa facilities: in fact thanks to the willingness of President Mauro Michelon and the operators more than one hundred elderly people from the rest homes will be able to enjoy the Carnival spectacle from a stage positioned in Piazzale Burchiellati First to move is the Gruppo Folkloristico Trevigiano with the Carnival King Then it will be the turn of the Onda Azzurra Majorettes from Jesolo They will be followed by the Pro Loco Sant’Angelo – Circolo NOI San Trovaso float (“Re Leone”) the Gruppo Scuola Ballo EM Energia in Movimento Nervesa (“Ne balliamo di tutti i colori”) the “Carta Canta” group from Conscio di Casale sul Sile (“Carta Canta”) the “Viva el paron dei peri” group from Casella d’Asolo (“Le geishe”) the San Giuseppe youth float (“I paciocconi del Far West”) the Amici di Merlengo float (“Dal passato al presente: a journey into the overwhelming past”) the Contrada Santa Lucia Castagnole float (“Candy Landia”) the L’allegra compagnia Porcellengo float (“Medusa”) the La gang di Ponte Crepaldo float (“La banda delle bende”) the “Pochi ma boni” Trevignano float (“I venessiani in gondoea”) the Noi di Sala float (“Nel blu dipinto di blu”) the float I ragazzi del Basso Piave (‘Ca’ Fornera fa i 90′) the Gruppo dell’Allegria di Maserada sul Piave (‘Ricominciamo dalle favole’) the float I Ragazzi degli anni ’80 (‘Bestia che bella’) the group Simpatia Musestre (‘L’America di Trump’) the group Amici di Quarto d’Altino (‘L’unione fa la forza’) and the float Amici del Carnevale Roncade (‘Nettuno dio del mare’) The parade of floats will be broadcast live on Antenna Tre CONEGLIANO – After the success of the weekend’s shows the 30th edition of the Conegliano Carnival concludes tomorrow with the traditional parade of floats that accompanied by the voices of Roberto Biz and Federico Campodall’orto will run through the streets and squares of the city centre with the accompaniment of jugglers and acrobats and the distribution of masks and balloons The procession will be opened by the Conegliano Artistic Gymnastics Association (‘Hawaiian Dance’) They will be followed by the Bocca di Strada and Santa Maria parish float (“Julius Caesar and the Romans”) the Carro Alpini-Scuola Materna Sernaglia group (“Acqua”) the Levada Carnival Group of Pederobba (“La mia Africa”) Le Sisters (“La Bella e la bestia”) the Cavolano Youth Group (“Il Turboacquario”) the Pro Loco Fiume in festa (“Una gabbia di matti”) the Frenesy dance school (“I meravigliosi anni ’80”) the Teste Matte di Pravisdomini (“Il vascello fantasma”) the Gruppo Parrocchia CER Soligo (“The Looney Tunes”) the Comitato Festeggiamenti San Rocco (“Sonic”) the Oratorio San Giovanni Bosco di Annone Veneto (“Un viaggio a Malta”) the group Amici di Susegana (“Far West”) the Parrocchiale di Nervesa della Battaglia float (“Il ritorno di Re Carnevale”) the Carnevale Insieme Falzè-Signoressa group (“Madre Natura”) and the Fon Fierun Corbanese group (“In viaggio con la regina”) CORNUDA – A parade of allegorical floats where the Pro Loco has organised the 117th Carneval dei Crostoi four days of festivities that began on Saturday and will culminate tomorrow with the procession of the papier-mâché giants (departure at 2.30pm) and All updates on the progress of the Carnevali di Marca parades are available at www.carnevalidimarca.it and on the association’s social channels The 28th edition of the Corsa Internazionale Oderzo Marcadoc – The hills of Venice deals with tourist cultural and food and wine information of the Marca Trevigiana and the Veneto Students enrolled in Art 3205 Special Topics in Graphic Design and Art 3009 Graphic Design Theory and Practice gained design experience and made valuable new connections in the field leads students in designing and setting the cover of a portfolio at Tipoteca in Cornuda The three-week trip took students to eight cities in Germany “The original idea came 15 years ago when I was teaching in Chicago,” said Dan Elliott I was able to make connections to make the trip possible.” Elliott made an initial trip in 2022 where he met with host institutions and scouted out potential lodging and transportation options for a possible study abroad class He said the knowledge gained from this trip helped him create a proposal to offer the study abroad opportunity Along with expanding their knowledge of graphic design students learned to navigate all eight cities by public transit and had time to explore each place Student projects were often based on locations that the group visited A project at Tipoteca Italiana was based on T.S “Time present and time past are both perhaps present in time future.” As part of the project students designed and letterpress printed broadsides one connected to the past and another the present before a group print based on the future brought the prints together Additional projects included printing a calendar based on research of Berlin typography and designing a poster in Basel based on different types of handwriting students were able to learn from Erik Spiekermann a typeface designer from Germany who has created numerous fonts and designed multiple commercial typefaces “The ability to learn from people like Erik Spiekermann and see how one of the most famous and successful graphic designers in history is approachable and not outside of their grasp changes their perspective and goals as designers,” said Elliott Elliott hopes that students take away the importance of networking as a result of their experience abroad “I had students last year and this year ask how I was able to set the program up with so many successful designers and how they know me by my first name and give hugs when we enter the studio,” he said when you network to give back to the design community good things eventually come about.” Based on the unknown legend called "La Cornuda de Tlacotalpan" The project departs from a reinvention of this local history through the imagination of their community "Times have changed and the story of 'La Cornuda de Tlacotalpan' has been disappearing People say that when you don't believe in something Many people said that La Cornuda is a mysterious being who lives in the depths of the Papaloapan River in Veracruz Mexico In its attempt to survive the forgetfulness of modern times and entering into Tlacotalpan´s town dimension While La Cornuda walks around invisible to the eyes of the community magically photography reveals its new life The central idea of the project on the legend of 'La Cornuda de Tlacotalpan' was to re-imagine the story in the face of its possible disappearance: involving the community of Tlacotalpan in Mexico and its memory to re-invent the story through a collective * 'La Cornuda de Tlacotalpan' is part of 'La memoria es un pantano' (Memory is a swamp) a collection of visual works and research on myths and re-interpreting these narratives in a changing contemporary world trying to open a space for experimental visions The project "Memory is a swamp" is a visual experimental researches based on locals stories The construction of the mask was made with organic elements coming from the margin of the river I did a research based on drawings and video interviews in the village community In this serie I try to generate a new narrative between these universes of imagination The legend of the Cornuda was born from the heart of the Papaloapan river Frog Eat FrogJaime CulebrasBehaviour: Amphibians and Reptiles Revealing active behaviour that adds to our understanding of the nature of a species. Jaime Culebras (Spain) spots a hungry Spix’s horned treefrog feasting on a common big-headed frog. Discover the incredible stories of life on our planet through powerful photography and expert insight. photowildlifetours.comJaime has a bachelor’s in biology an MSc in environmental education and an MSc in biodiversity and conservation of tropical areas He’s been living in Ecuador for more than nine years where he works as a reptile and amphibian researcher and nature photographer Jaime has won numerous photography and conservation awards spread awareness of important issues and nurture a global love for nature The final project of the first part for the construction of a school complex in the municipality of Cornuda is the subject of a call for tender of the Province of Treviso aimed at the executive design and subsequent construction of the school building and the adjoining gym At present the area is almost totally free from the pre-existing buildings but there are deposited heaps of rubble suitable for reuse in the future works of construction of the complex.The new school complex of Cornuda will also host a Coni approved gymnasium up to the regional volleyball series and an auditorium for 200 people These facilities will be open to community use in order to transform the complex into a true civic center.Aim of the project was the deepening of the following aspects: The project of the first part of the intervention comes from a reflection on the functioning of the entire compartment following the insertion of both school complexes.The plant is articulated with an L shape with the sides formed by jagged profiles; starting from the level of the parking lot which will be raised during the enlargement phase also thanks to the reuse of material on site it develops to reach the level of the ground floor by overcoming the difference in level with a series of ramps the longest of which form the profile of the gym towards the court.A high porch welcomes users at the entrance from the parking lot and leads them to the various entrances of the complex that are in sequence: entrance to the public gym must have an independent operation but at the same time must ensure the necessary interrelationships: gymnasium and auditorium are primarily service spaces to the school and therefore must be guaranteed in direct connection with the school spaces The gymnasium is immediately accessible from the parking lot and outdoor areas; there is a clear separation between the flow of the public and the athletes The playing area has dimensional characteristics such as to accommodate a regulation volleyball court; the coverage is formed by twin wooden beams that leave a useful height under beam of 7.20 m The flooring of the playing area of the gym sports wooden parquet is occupied by retractable telescopic grandstands in order to have the maximum flexibility of use of this space as well and can accommodate 150 spectators.The locker rooms of the gym are sized for the purposes of Coni approval for regional series and have independent access; they consist of two locker rooms for athletes that provide for the use of two volleyball teams and two locker rooms for instructors / referees with 2 users each and an infirmary with private bathroom.The gym public also has facilities and a reserved first aid area Access between the school and the gym is through the locker rooms Privacy policy This website is using a security service to protect itself from online attacks The action you just performed triggered the security solution There are several actions that could trigger this block including submitting a certain word or phrase You can email the site owner to let them know you were blocked Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page Ron "Rontrose" Heathman, a guitarist and former member of Southwestern cowpunk outfit Supersuckers A short statement from the band on Tuesday (Aug Heathman helped form the Supersuckers alongside fellow guitarist Dan "Thunder" Bolton drummer Dan "Dancing Eagle" Siegal and frontman Eddie Spaghetti (Edward Daly) in Tucson An early-'90s record deal with Sub Pop exposed the punk-minded group to grunge audiences Heathman performed on two albums (1992's The Smoke of Hell and 1994's La Mano Cornuda) before taking a brief leave of absence in 1995 He returned a year later to contribute to four more studio efforts from the band Heathman left the Supersuckers for good in 2009 This week, the Supersuckers shared news of Heathman's death on Facebook "Rest in peace brother Ron," the group said in a post containing photos of the late guitarist "We'll post more once we process this." Guitarist Rick Jones (Michael Monroe, the Black Halos) was among the first to offer condolences: "Sad to hear about the passing of Ron Heathman," the musician expressed "We played a lot of shows with Supersuckers back in the day and Ron was always a really sweet guy and a hell of a player." Photographer Harmony Gerber added He had so much passion for playing music." A cause of death for Heathman has yet to be revealed He performed with the group until 2009.\nRead More Ron "Rontrose" Heathman, a guitarist and former member of Southwestern cowpunk outfit Supersuckers This week, the Supersuckers shared news of Heathman's death on Facebook Guitarist Rick Jones (Michael Monroe, the Black Halos) was among the first to offer condolences: "Sad to hear about the passing of Ron Heathman," the musician expressed Photographer Harmony Gerber added, "Ron was a quiet man, but when we did get a chance to chat, he was a clever, quick-witted, guy. He had so much passion for playing music." A cause of death for Heathman has yet to be revealed. View this post on Instagram A post shared by Harmony Gerber (@photo_grafitti) When the Supersuckers emerged in 1992 after releasing its first album through Seattle independent label Sub Pop some music pundits filed the act under grunge since the group was based in the cappuccino capital But it never fit in with the then-burgeoning sonic movement The band burst onto the scene wearing cowboy hats and playing a hard-driving hybrid of alternative rock and garage punk It won over alt-rock fans with its incendiary live shows which featured revved-up versions of its rollicking tunes “I think we came out doing things differently,” says vocalist-bassist Eddie Spaghetti who will perform Wednesday at the North Star Bar It was evident the band was a potent force and soon landed theater gigs Visceral tunes such as “Creepy Jackalope Eye” and “Seventeen Poles” excited punks and alterna-rockers “It was a great time for us,” Spaghetti says The band kept up the raucous punk with 1995’s “The Sacrilicious Sounds of the Supersuckers.” Even with all of the momentum the group was riding it took a chance and went the other way with 1997’s surprising and satisfying “Must’ve Been High.” The band went country and even featured the iconic Willie Nelson The album remains the most daring and ambitious project the Supersuckers has crafted to date “Why make the same album over and over again?” Spaghetti says it’s not about the style of music — it’s the music You can forget about genres — it’s about great songs.” And then there was the opportunity to work with Nelson “That was something I’ll never forget,” the bassist says The Supersuckers also has collaborated with Seattle pal Eddie Vedder “We enjoy it when we have the chance to work with somebody who will come in,” Spaghetti says “We welcome things that can add to our sound.” “Metal” Marty Chandler and drummer Christopher “Chango” Von Streicher still packs a mighty punch 20 years after it recorded its initial album “We still have a lot of fun with it,” says Spaghetti That’s one thing with us that hasn’t changed a bit since the early days.” The Supersuckers appears Wednesday at the North Star Bar Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page.