Cervella & Tonon top the women’s podium at Italian snow volleyball tour event in Linguaglossa
Sanalitro & Scheid claim the men’s gold on the slopes of Mount Etna
Women’s gold at the second stop in Lorica goes to D’Arrigo
Di Risio & Geromin win the men’s tournament in Lorica
The first two stops of a total of three on the fourth edition of Italy’s domestic snow volleyball tour
the 2025 Absolute Italian Snow Volleyball Championships
were held in Linguaglossa and in Lorica over the last two weekends
The tour finals will be held in Prato Nevoso on March 29 and 30
Linguaglossa on the slopes of the majestic Mount Etna on the Italian island of Sicily hosted the first event on the 2025 Absolute Italian Snow Volleyball Championships
Cervella & Tonon topped the women’s podium
Cervella & Tonon produced an emphatic 2-0 (15-3
15-5) sweep of their encounter with Clemente
Leggio & Panfili were about as convincing in their 2-0 (15-4
The two losing teams of the semifinal matches shared the third place on the podium
A total of five women’s teams took part in the tournament
In a hard-fought men’s gold medal showdown
Sanalitro & Scheid managed a 2-0 (15-13
Sanalitro & Scheid by a narrow 2-1 (15-17
Germana & Staiti in their tight 2-0 (16-14
A total of eight squads competed in the men’s tournament in Linguaglossa
All results and standings
❄️ 𝐂𝐀𝐌𝐏𝐈𝐎𝐍𝐀𝐓𝐎 𝐈𝐓𝐀𝐋𝐈𝐀𝐍𝐎 𝐀𝐒𝐒𝐎𝐋𝐔𝐓𝐎 𝐒𝐍𝐎𝐖 𝐕𝐎𝐋𝐋𝐄𝐘 𝟐𝟎𝟐𝟓 ❄️
📍Conclusa la prima tappa di Linguaglossa (CT)
🔍: https://t.co/kSBI5TyuTa pic.twitter.com/fsg2b51Yw1
— Federvolley ⭐️⭐️⭐️⭐️⭐️ (@Federvolley) January 26, 2025
The second stop on the 2025 Italian national tour was held at almost two thousand metres above sea level in Lorica in the spectacular setting of the Sila National Park and perfect weather for snow volleyball (pictured in the main photo; credits: FIPAV)
Four teams contested the women’s competition
With a slightly different line-up (Parenzan instead of Cervella)
D’Arrigo and Tonon triumphed again on the women’s side
Parenzan & Tonon achieved an emphatic comeback from a set down to emerge with a 2-1 (12-15
Sarlo & Sarlo managed to turn the course of their encounter with Certoma
Gentile & Sansotta bounced back with a hard-earned 2-0 (15-13
Rocca & Ussia in the bronze medal match
Of the seven men’s teams that competed in Lorica
Di Risio & Geromin reached the final against Barile
Lopetrone & Remo and squeezed out a narrow 2-0 (19-17
Straight-set results marked the two semifinals as well – Camozzi
Di Risio & Geromin achieved a 2-0 (15-8
15-13) sweep of the third-place match against Adornato
Santacroce & Vizzari to snatch the bronze
All results and standings
📍 Conclusa la seconda tappa di Lorica (CS)
🔍 LA NEWS: https://t.co/HmGk5db98u pic.twitter.com/SyFgUyPawy
— Federvolley ⭐️⭐️⭐️⭐️⭐️ (@Federvolley) February 2, 2025
The FIVB is the governing body responsible for all forms of Volleyball on a global level
Working closely with national federations and private enterprises to develop Volleyball as a popular media and entertainment sport
FIVB Fédération Internationale de Volleyball Château Les Tourelles Edouard-Sandoz 2-4 1006 Lausanne Switzerland
Phone: +41 213 453 535
Fax: +41 213 453 545
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Thaddaeus Ropac will open a new permanent space in Milan this fall
The new gallery—which will add to its other branches in Paris
and Seoul—will be spearheaded by Elena Bonanno di Linguaglossa
who most recently served as the senior director at Lévy Gorvy Dayan
The inaugural programming has yet to be announced
a country that profoundly shaped the evolution of art through the ages and where crucial modern art movements were conceived,” said gallery founder Thaddaeus Ropac
“We increasingly felt Italy was missing from our European constellation of galleries since it has always been important to how we have grown internationally and to our artists’ development [...] We have fostered such meaningful relationships with collectors and institutions here over several decades
and with the momentum of Milan as a destination for the arts
coinciding with the artist’s 100th birthday
“Always a place of great collectors and collections and now a burgeoning art scene
Thaddaeus Ropac Milan will make a significant contribution to the city's emergence as a leading international arts destination,” added gallery director Bonanno di Linguaglossa
This news coincides with a growing international interest in Milan—named one of Artsy’s emerging art capitals to watch in 2025
Hetty Lintell visits the utterly unique Palazzo Previtera in the shadow of Sicily's Mount Etna
but with just a handful of white knuckle moments (Sicilians love to jostle
but never jostle back) we wound our way from the tourist trap of Taormina — which was heavenly
just don’t go in peak summer — to the sleepy town of Linguaglossa
thanks to Etna’s feisty activity which forced the closure of Catania airport
but did make for majestic and fiery moments
which we watched safely from the serene new pool at Previtera.
The Italian palazzo is the Mediterranean's equivalent to our stately home
but I’m relieved to report back that there’s nothing glaringly ostentatious about this fascinating home.
The Previtera family originally came from Acireale — a coastal city in the north-east of the island’s Catania region — and journeyed to Linguaglossa at the end of the 1500s
They were administrators of the Princess of Spadafora
part of a noble Sicilian family whose records date back to the 1200s.
Palazzo Previtera is now owned and run by the charmingly calm Alfio Puglisi
a cultural economist and academic who studied at King's College London
The young man has brought a refreshing breath of life to the historic building through clever modern touches and an eye for contemporary style (he collects elegant
mid-century furniture which rubs along fabulously with the 17th century elements)
We jumped at the offer of a tour of the private rooms (available to anyone staying; Alfio is on site and always keen to show people around)
The house was designed in the Baroque style which arrived in Sicily a century after it hit bigger Italian cities
swathes of Sicily were all but wiped out in a massive earthquake and
patrons and residents decided to rebuild in this beautifully ornate style
with all of its requisite curves and flourishes
jaws dropping because everything is (or seems) to be as it was when the rooms were first laid out
Glass cabinets are jammed with precious Murano glass and silver heirlooms
Desks are strewn with documents and important family trees to be poured over.
We stayed in the main house in a room a little like the ones we toured (there were fewer fragile ornaments
if at first we took a while to acclimatise
coming straight from air-conditioned modernity the night before
we soon fell head-over-heels for this magical place.
Alfio’s parents still live in the former summerhouse
and you’ll likely spot them darting around
and making the most of the abundant gardens (the family also have homes in Milan and elsewhere
which in my imagination are also very grand indeed).
The gardens were so totally unexpected I thought
that I’d wandered into Frances Hodgson Burnett book: wrought iron gates reimagined as decorative elements
exotic palm trees and gnarled olive trees older than the house
stone hideaways — perfect for shaded respite from the hot summer’s sun.
Eclectic Sicilian and Moorish-style (Sicily was under Islamic rules from from the late ninth to 11th centuries) tiles and some cracked here and there
It is the antithesis of modern-day hotel and hotel gardens where everything is attributed to a ‘name’
Previtera has grown organically over years and years — something money simply cannot buy.
must be why everything here — including a dozen rows of vines — thrives even in the throes of August
‘Is this the most unique spot on the island?’ I muse whilst enjoying a breakfast of local produce
avocados and hazelnuts all come from their own farms; a cousin makes the pasta
A holiday to Sicily is an exercise in constant digestion
But back to that pool — with its unbeatable views of angry Etna
and flanked by bamboo sun loungers and khaki green
This area is overlooked by the hotel’s newest
furniture sourced from another family member who was about to recycle it
‘I’ll have it for the Palazzo’ — and it works wonderfully.
There are other suites hidden amongst the gardens and some cottages which look charming
we deem our room in the main house to be the most authentic way to experience total immersion in this astonishing hotel.
Hetty LintellSocial Links NavigationHetty Lintell masterminded the launch of the magazine’s Luxury pages back in 2012 and has overseen them ever since
Country Life’s annual men’s lifestyle supplement
and styles and art-directs all of the magazine's fashion and still-life shoots
is compiling top-notch goodie bags for any party the magazine hosts
Hetty can normally be found darting between Bond Street and a photographic studio in East London
renowned for his focus on international contemporary art
will inaugurate a new gallery in central Milan in early autumn 2025
The Milan location will be led by Elena Bonanno di Linguaglossa as Executive Director
She brings nearly 25 years of experience in modern and contemporary art
with a particular focus on Italian and American art
Executive Director of the Milan Gallery (Image: Thaddaeus Ropac)
a celebrated architectural gem near Teatro alla Scala and Via Monte Napoleone
the gallery spans 280 square meters across two elegant rooms on the first floor
The venue extends its reach to the adjacent Piazza Belgioioso
where sculptures will be displayed in the public square
Within Walking Distance of the City’s Iconic Duomo
the gallery is within walking distance of the city’s iconic Duomo di Milano and integrates seamlessly into the surrounding network of renowned museums
This new venture further solidifies Thaddaeus Ropac’s presence as a leading figure in the international art world while adding a significant contemporary art space to Milan’s vibrant cultural landscape
Austrian gallerist Thaddaeus Ropac (Image: provided)
Thaddaeus Ropac also attends this year's ART SG
Highlights of the gallery's presentation include:
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Mario Scuderi, 73, passed away on Sunday at his home with his family by his side. In life, Mario Scuderi embodied the American dream. Born in Linguaglossa, Sicily in 1947, Mario came to America with his mother Egidia and his younger brother... View Obituary & Service Information
https://vimeo.com/500627417
The TimesIt took me a while to find the Palazzo Previtera
Sicily’s new guesthouse of lived-in history lies in a tight knot of narrow streets in Linguaglossa
on the side of Mount Etna — I circled the district twice while I searched for a way in
After a sparkling day by the sea in Siracusa
The top of the volcano was wreathed in cloud
and with rain in the air the lava-built town looked dark and forbidding
All I could envisage were the scratches they would surely leave on the side of my hire car
I parked by the railway station and walked to the palace to ask for help
I was a lot closer to Etna’s spring snowline and the evening was cooling fast
He’s not what you’d expect from the owner of a 17th-century Sicilian palazzo
flamboyant and much too well mannered to laugh at my scaredy-cat motoring
he showed me the easy way in (down Via Dante Alighieri) and en route chattered in flawless English about his great aunt
It was her death in 2010 that prompted a family discussion about what to do with the property
I’ve never seen such a kaleidoscope of colour in a single sweep of rooms
We were on the piano nobile — the floor on which his forebears would have lived
It’s the main focus of the painstaking restoration that followed those family meetings
and I’d never have believed its authenticity unless Alfio was standing there next to me
It looks like something from a Brooklyn fashionista’s boudoir and electrifies the room in which I later eat breakfast
“We found it by stripping away every layer of wallpaper and paintwork until we got down to the 18th century,” Alfio explained
He introduced me to them in another room: sitting for their portraits
furnished with a set of stiff-backed chairs and sofas upholstered in dazzling purple and gold
When I got close enough I saw that in one or two places the fabric was slightly worn
Alfio explained that it dated back to the time of another ancestor
who I could see hanging on the wall behind me — wearing a prelate’s robes
He was bishop of Patti in the late 19th century
How on earth had they kept their intensity of colour
“They were kept under covers for half a century,” he told me
He unfolded the letter from the Vatican confirming the bishop’s appointment — hand-written on thick
You know how it is when you check into some modern hotels and a member of staff dutifully accompanies you to the room and shows you how to work the lights and lock the safe
check the news back home and think: “I could be anywhere.” This was the opposite of that
How could it be otherwise when I was on nodding terms with 300 years of Alfio’s forebears
I was even going to be sleeping in his granny and grandpa’s bed
A team of fresco restorers from Bergamo and Catania were involved in the projectRILEY CLEMENTSThis is not
as grand a mansion as the ones that grace the streets of Palermo
Alfio’s family are not your standard Sicilian aristocrats either
Every generation seems to have lived by their wits
and education has clearly been their watchword
has a PhD in political economy from King’s College London
his father is the structural engineer who earthquake-proofed the palazzo’s walls
and his architect mother was heavily involved in the restoration of the interiors
which involved a team of fresco restorers from Bergamo and Catania
she and Alfio have added two elegant modern bedrooms and a chic library
The most magnificent book in the family’s collection
An edition of Thomas Aquinas’s Summa Theologica
But there’s more to this project than an invitation to bed down in an open museum of upper-crust Sicilian life and stroke the surface of objects usually kept behind glass
That became clear over dinner at the buzzing Osteria Vinetna restaurant
on the far side of Linguaglossa’s main square
Over a glass of fruity Barbazzale rosso wine Alfio outlined his family’s plan
“We want to turn our corner of Linguaglossa into a cultural hub,” he says
they’ve established the Sicily Artist Residency Programme (SARP)
which offers artists accommodation and studio space in and around the palazzo — as well as holding exhibitions of their work in a gallery beneath the piano nobile
Among the lucky few international artists who have been to stay are the modernist Dane Matthias Malling Mortensen and the Liverpudlian painter Luke George
You’ll see their striking works hanging among the family portraits
plunging you into a world of flickering colours and deft
It’s like losing your way in a blizzard of rose petals
“We want to turn our corner of Linguaglossa into a cultural hub”RILEY CLEMENTSIf you’re wondering how on earth artists’ studios and a posh B&B will work together
Among Alfio’s upcoming guests are a group of holidaying Harvard academics
Once they’re settled in they’ll do more than explore his one-acre garden and sip coffee in his magnificent turquoise breakfast room
They’ll be visiting SARP’s new artist-in-residence
They’ll also sit down to dinner with him in one of the local restaurants
Experiences such as this are sure to add zest to a tour of Mount Etna
where for many wine tasting is now the big draw
Using local grape varieties — nerello mascalese for the reds and carricante for the whites — a new generation of winemakers have worked out how to coax delicious
mineral-tinged vintages from the volcanic soils
Wineries such as Planeta Sciaranuova have won an international following
and the morning after my stay at Alfio’s my plan was to visit some of them
there wasn’t too much to see from the vines themselves
Most were still crouched low and knotty over Etna’s dark earth
pruned right back against the rigours of winter
April’s resurgent warmth was beginning to have an effect
and the first leafy shoots were bringing colour back to the fields
Rather like the effect the Palazzo Previtera is having on the lava-built streets of Linguaglossa
Sean Newsom stayed in Linguaglossa as a guest of the Palazzo Previtera
Double rooms in the Palazzo start from £140 a night (palazzoprevitera.com)
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Etna is Europe’s highest volcanoALAMYWhat to do in EtnaYou can’t ignore Etna
Europe’s highest volcano upends every notion you’ve had about Mediterranean islands and gives the east coast an eccentric
You can (almost) circumnavigate it on the 68-mile Circumetnea railway (£6pp; circumetnea.it)
taste your way around its many wineries and
ride its cable car and 4x4 buses up to the craters and lava fields (from £60pp; funiviaetna.com)
For this reason it makes sense to book with a guiding company such as Etna Experience (etnaexperience.com) that can make the best of the conditions
let the volcano’s vast bulk blind you to eastern Sicily’s other delights
The fin-de-siècle resort of Taormina is the most obvious
not least because hit TV series The White Lotus set up shop there last winter for its second season
Get set for high-season crowds and make a beeline for its Greek theatre — it frames one of the island’s best Etna views
TaorminaALAMYThen go south for a feast of baroque architecture at Noto
It’s the most accessible of the towns rebuilt in flamboyant style after the earthquake of 1693
it’s ten miles from the beach at Marchesa di Cassibile
just a strip of sand fringing a nature reserve and a pricey car park
● Best things to do in Sicily● Best hotels in Palermo
Perhaps the biggest treat of all is the urban island of Ortigia
You won’t be expecting it as you speed past the grim industrial sprawl around Priolo Gargallo
hanging like a pearl earring from the southern end of Syracuse
an island community thousands of years in the making
Its golden age came to an abrupt end when the Romans sacked Syracuse in 212BC
a Greek temple and a busy market brimming with fish and fruit
quite matches the simple pleasure of wandering in and out of the sunlight along its ancient alleyways
Artisan linguine with a restricted of clams
raw red prawn and coral sauce ShalaiWhere to eatWith so many vineyards on the doorstep
it’s no wonder the wine list at Shalai in Linguaglossa is so strong on local vintages
its Michelin-starred kitchen makes merry with a range of ingredients that stretches down from Etna and into the Ionian Sea
local beef — they all feature (two-course menu £60; shalai.it)
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Giuseppina "Josephine" (Grasso) Lomonaco, 80, of Syracuse, passed away Saturday in St. Joseph's Hospital surrounded by her loving family and special friends. She was born in Linguaglossa, Sicily and moved to Syracuse in 1956. She had been... View Obituary & Service Information
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Niki Blasina
selects her favourite stories in this weekly newsletter
“They’re the best cannoli in all of Sicily,” says Alfio Puglisi
as we huddle outside a pasticceria in the town of Taormina hoovering up a plate of pastries
filled with sweetened ricotta and candied orange peel — the acme of one of the island’s most famous treats
a recipe that has been perfected over more than a thousand years
home to one of the oldest and most diverse cuisines in Europe
the island is home to regional ingredients and recipes that reflect the many cultures that have occupied it over centuries
Sicily is sometimes referred to as “God’s kitchen” — and the area around Mount Etna
We’re exploring this hallowed land as part of “Etna Wild Food”
a three-day immersion in the region’s gustatory delights put together by Palazzo Previtera
a historic bed and breakfast in the town of Linguaglossa
I am particularly pleased that we’ll be sampling plenty
in addition to food tastings and meals with Sicilian chefs and culinary experts
author of the cookbook Sicilia: A Love Letter to the Food of Sicily
is here to divulge some cookery secrets too
My husband and I arrive at Catania airport on a Friday afternoon
we hop into Alfio’s Jeep and drive about an hour to Linguaglossa
where some 5,000 people live at the foot of Etna’s northern slopes
the palazzo has been home to Alfio’s ancestors
an aristocratic family that have been silk merchants
and whose portraits keep watch from brightly painted walls
from carefully repairing frescoes to sensitively installing the mod cons required by paying guests
a historic bed and breakfast in the town of Linguaglossa © Riley ClementsInside the Palazzo Previtera — a technicolour labyrinth of ornate fabrics
© Riley ClementsBruschetta with sun-dried tomato paste
enjoyed at the palazzo © Fabio FlorioPalazzo Previtera is essentially a museum with rooms — a technicolour labyrinth of ornate fabrics
geometric tiles and antiques that illustrate the evolution of interior design in Sicily
There are four guest bedrooms (and two cottages in the gardens)
plus an exhibition space on the lower floor
rare English roses and a sweet family of tabby cats
The weekend was high-intensity interval training in caloric intake
but it was also a glimpse at Sicily’s future
a small local restaurant with an enormous selection of Etna wine
we munch on pane fritto and artichokes wrapped in lardo
with falling-apart pieces of Nero Siciliano pork
has notes of juniper berry — a local twist on a classic dish with an ingredient that can be traced back to the island’s Norman conquerors
sciauni — fried ravioli stuffed with sweetened ricotta — and are grateful for the short walk home
The next morning, en route to Guardiola, a prized parcel of vineyards (contrada) to the north of Etna, it’s clear why FT wine writer Jancis Robinson has called this “some of the strangest wine country in the world”
The roads traverse metres-high peaks of black
cratered rock — lava flows from large eruptions that happened as recently as 1990 — with awkwardly shaped
steep and terraced vineyards nestled in between
Mount Etna seen from Tenuta Rustica © Fabio FlorioAlberto Cusumano
one half of the sibling team behind Alta Mora winery Giovanna Musumeci (left)
in the village of Randazzo © Fabio Florio“A landscape like this is 10 times more expensive to work than flat vineyards”
one half of the sibling team behind Alta Mora winery
as he shows us how the vines are inaccessible to machinery and must be tended to by hand
With Etna’s 3,357m of elevation and proximity to the Ionian Sea
That other minor detail — the constant threat of volcanic eruption — is shrugged off; Etna’s activity is appreciated by its resilient
native grape varieties (Nerello Mascalese for red wine
that soak up the ash that settles in the soil
Alta Mora’s silky reds — delicate and precise with light tannins — are archetypal of the region; its whites
which Alberto says are more difficult to perfect
is telling us about the origins of one of the island’s culinary obsessions
when Sicilians would take snow collected from Etna (stored in underground caves called neviere)
nuts and other ingredients mixed with sugar
a speciality of the pasticerria © Fabio FlorioToday
popular flavours include mulberry and almond
but Giovanna also experiments with savoury tastes: pizza fritte with aubergine
ricotta and tomato granita — a thrilling play of hot and cold; focaccia with pancetta and mayonnaise ice cream that is unexpectedly delicious
“It’s challenging,” chef Ben says diplomatically
Giovanna laughs and says it’s her most divisive dish
We refresh our palates with mandarin granita
Through peach groves and towering wildflowers, along potholed roads in desperate need of repair, we find Tenuta Rustica
a beautiful olive oil-producing estate that has belonged to the Fisauli family since the 16th century
Lorenzo shows us a nearly 3,000-year-old mill
that was used for making oil and wine — fascinating evidence of Italian viticulture’s start in Sicily
from around 800BC when it was introduced by the Greeks
Niki Blasina and other guests drink a glass of rosé produced by Tenuta Rustica © Fabio FlorioAn olive oil-producing estate
Tenuta Rustica has belonged to the Fisauli family since the 16th century Glasses of the rosé being handed around © Fabio FlorioWe’re treated to Margherita’s homemade bread and pecorino from the neighbouring sheep farmer
drizzled with the estate’s extra virgin olive oil
the duo’s latest project: a low intervention rosé
Back in Linguaglossa, it’s Sunday morning at Dai Pennisi
the local butcher — a carnivore dreamscape of sausages
“The flavours that we have at the palazzo will all go nicely with it; the broad beans
We stop at an alimentari for citron the size of rugby balls and a bounty of spring vegetables: romana courgettes
scarola (a leafy green) and courgette flowers
Some of the offerings at Alberto Angiolucci’s ‘macelleria di mare’ © Fabio FlorioBen Tish goes shopping for ingredients
including a medley of spring vegetables © Fabio FlorioNow chef-director of the Cubitt House group of London pubs and restaurants
Ben started his career in Italian cuisine and eventually broadened his focus to the Mediterranean region
Moorish — and Moors had a huge influence in Sicily — I fell in love with the place and the food,” he says
Following a tasting at the Franchetti family’s Passopisciaro winery (where bottles command prices of up to €140)
chop and slice vegetables in the palazzo’s kitchen
(In the presence of a chef — even one as friendly and relaxed as Ben — I feel rather inept
and mine look like they’ve been handled by a chimp.) The room smells divine
Ben Tish prepares the wild fennel that grows on Palazzo Previtera’s grounds Sunday lunch at the Palazzo © Fabio FlorioSurrounded by antiquities in the palazzo’s dining room
we tuck into our lunch of lamb and the abundance of spring vegetables
braised in garlic and olive oil and sprinkled with jus and fresh herbs
and a green salad with grated pecorino and orange segments
Everything is drizzled with Sicilian vino cotto (a reduction of non-fermented grape must) and Tenuta Rustica’s wonderful olive oil
Later, after our stop in Taormina for Sicily’s best cannoli at Bar Pasticceria Etna
it’s time for Sunday’s most important tradition: service at the local pizzeria
enjoys a pizza and beer at the table next to us
Our Sicilian hosts are lamenting the island’s downsides: it’s slow to change
there’s a lack of government support for business
and the brain drain that has plagued Italy’s south
the weekend was high-intensity interval training in caloric intake
but it was also a glimpse at Sicily’s future through the young people who have left and come back
the founder of the tour operator Emotional Sicily
“I was pessimistic about Sicily,” she says
“But when I started meeting these like-minded people around the island
Niki Blasina was a guest of Palazzo Previtera (palazzoprevitera.com) and tour operator Emotional Sicily (emotionalsicily.com)
Double rooms at the Palazzo cost from about €140 per night
The next Etna Wild Food tour with chef Ben Tish runs from October 22 to 26 and costs €3,500 per person
Find out about our latest stories first — follow @ftweekend on Twitter
The TimesA legal battle has broken out between an Italian prince and his younger Belarusian girlfriend
while he alleges she milked him for gifts worth hundreds of thousands of euros
in 2019 before they embarked on a globe-trotting romance in which he whisked her to holiday destinations including Monte Carlo
It is understood that he also gave her a Mercedes worth €83,000
a €58,000 share in a Rome bed and breakfast
expensive jewellery and €18,000 to help her to rent a flat in the centre of Rome
filed a legal complaint against the prince last March for stalking
Bill Knott
There is a butcher’s shop in the small Sicilian town of Linguaglossa
the shop stocks local wines and spirits (including Volcano
a terrific gin made with aromatic herbs from Etna’s slopes)
and some splendid capocollo (cured pork neck) but rather regretted that the house speciality of polpette – freshly minced pork
seasoned and pressed onto lemon leaves for grilling – were probably not going to travel happily in my hand luggage
My bag of Sicilian goodies and I went for lunch at Boccaperta
a hugely hospitable little wine bar and restaurant on the same street
where an exuberant mural of Etna dominates the terrace
wonderfully flavoursome grilled vegetables from Etna’s fertile soils
simple but very fine platters of local sausages
Lemon leaves add a sublime fragrance to fennel-spiked pork
And I was delighted to discover the polpette from Carmelo Cannavò
which were every bit as good as they had looked in the shop
the lightly charred leaves adding a sublime fragrance to the coarsely ground
Washed down with a couple of glasses of Passopisciaro’s thoroughly delicious
my craving for the beguiling flavours of the Sicilian kitchen led me to Norma
chef and restaurateur Ben Tish’s handsome new restaurant on Charlotte Street
Named after pasta alla Norma – sauced with tomatoes
the dish in turn named after Catania native Vincenzo Bellini’s operatic heroine – Norma offers its diners a culinary tour of Sicily in decidedly elegant surroundings
saffron-yellow and stuffed with wild mushrooms
Moorish-influenced vegetable stew on whose recipe no two Sicilians agree: Tish’s version is more dolce than agro
dotted with olives and strewn with toasted pine nuts
perky red prawns are dressed with orange and rosemary; inspired by the famous northern Italian dish of vitello tonnato
rosy slices of veal are bathed in a smoked eel mayonnaise and topped with pickled carrots; little violet artichokes are sauced with a pine nut purée
Tish is a chef with a penchant for strong flavours
and his menu allies a profound grasp of Sicilian cucina with great technique and a painterly eye for a pretty plate
Now if only his new restaurant served polpette grilled on lemon leaves…
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One of Europe’s leading art galleries will open a branch in the heart of Milan
We’re talking about Thaddaeus Ropac: the Austrian gallery with branches in Salzburg
Seoul and Sankt Moritz is expanding and opening a new location in Palazzo Belgioioso
one of the treasures of the Lombard capital
just a few meters from Teatro alla Scala and Via Montenapoleone
will be directed by Elena Bonanno of Linguaglossa
who will bring nearly twenty-five years of experience to the gallery
having worked in the fields of modern and contemporary art
with particular expertise in Italian and American art
she was previously senior director at Lévy Gorvy Dayan Gallery and before that worked at Fondazione Pastificio Cerere
and curated exhibitions at Villa Bardini (Florence)
A law graduate of Luiss University in Rome
Elena Bonanno of Linguaglossa has also lectured on the art market and contemporary art at the European Institute of Design in Rome
Thaddaeus Ropac’s Milan office will span two large rooms over 280 square meters on the second floor of the historic building
The exhibition spaces will extend beyond the building to Piazza Belgioioso
where the gallery has already made it known that it plans to display sculptures.Built for Prince Alberico XII di Belgioioso d’Este
the Palazzo Belgioioso is among the finest examples of neoclassical architecture in Lombardy
The lavish residence was completed in 1781 by Giuseppe Piermarini and extensively restored to its former glory in 1991
The palace’s rooms feature period decorations
including remarkable frescoes by Martin Knoller and stucco work by Giocondo Albertolli
will provide a public space where the gallery will display sculptures and installations by its artists
The exhibition program at Thaddaeus Ropac Milan will be announced in the coming months: an exhibition at the Milan Museum of the Twentieth Century
has been pera anticipated to commemorate Robert Rauschenberg’s (1925-2008) 100th birthday from spring 2025
Juxtaposing his work with 20th-century masterpieces in the museum’s collection
the exhibition will create a dynamic dialogue between Rauschenberg’s innovative vision and the rich mosaic of modern Italian art
Italy the beating heart of the continent: a country that has profoundly shaped the evolution of art over the centuries and where crucial modern art movements were born,” comments Thaddaeus Ropac
“We have always felt the absence of Italy in our constellation of European galleries
considering it important for our international growth and the development of our artists
Many of them have held major institutional exhibitions in Italy with new projects
we will be able to hold the first exhibitions in Italy of more of our artists
Over these decades we have established significant relationships with collectors and institutions
and the particular momentum that Milan has been showing in recent years as an art destination makes it a natural choice for us
Having the right team and the ideal venue is essential
so we are very happy to have Elena at the helm of our Milan gallery.”
“I have always admired the exceptional selection of artists the gallery represents and the visionary approach with which Thaddaeus works with them
as well as the way the program has evolved in such a compelling way thanks to the new artists who have been added in recent years,” says Elena Bonanno of Linguaglossa
“I am very happy to be joining the team and firmly believe that Milan
which has always been a place of great collectors and collections and now with a thriving art scene
is the right choice for the gallery and its artists
Thaddaeus Ropac Milan will make a significant contribution to the city’s emergence as a leading international art destination.”
Thaddaeus Ropac Gallery has a longstanding commitment to Italy and its art scene
it has represented Fondazione Emilio Vedova internationally since 2014: among its most significant exhibitions is the retrospective at Palazzo Reale in 2019-2020 curated by Germano Celant (1940-2020)
on the centenary of the artist’s birth
reviewing the history of Thaddaeus Ropac’s exhibitions
an exhibition on Medardo Rosso was presented in the inaugural year of Thaddaeus Ropac’s London gallery (2017)
Guillaume Apollinaire described Rosso as the “greatest living sculptor,” and Auguste Rodin wrote of his “wild admiration” for the artist
Medardo Rosso: Sight Unseen was the first exhibition to focus on Rosso’s relationship with London: it featured rarely exhibited works and
presented the artist’s personal photographs of his sculptures and drawings
Thaddaeus Ropac oversaw the 2004 opening of the Pirelli HangarBicocca in Milan and the creation of Kiefer’s Seven Heavenly Palaces as a permanent installation within the Milan exhibition venue
five large-scale paintings were then added to complete the original work
in the history of Thaddaeus Ropac’s presence in Italy
the solo exhibition Turn Me On (2022-23) by Sylvie Fleury at the Pinacoteca Agnelli in Turin
the largest exhibition in Italy to date devoted to Sylvie Fleury’s work
Many other artists represented by the gallery have had exhibitions at institutions throughout Milan
These include Oliver Beer’s Hypertimes
FuturDome (2019); Valie Export’s The Desire of Freedom
Palazzo Reale (2013); Sylvie Fleury’s A Noir
Triennale Milano (1998); Strade / Ways Talking to Gabriele - Carpet - Lullaby to my Father by Amos Gitai
Palazzo Reale (2014-15); Sturtevant’s The Great Mother
Fondazione Nicola Trussardi (2015); Hans Josephsohn at Fondazione ICA Milan (2019); Tom Sachs’ solo exhibition at Fondazione Prada (2006); and Andreas Slominski’s solo exhibition at Fondazione Prada (2003)
the most recent being K at the Fondazione Prada (2020)
who had his first solo exhibition in Italy at the Milan Triennale (2023)
Mount Etna photographed during the duo’s field investigations earlier this year
Formafantasma has spent three years studying the geology of Mount Etna
exploring the effects of time on volcanic rock
Now its labours have come to fruition in a collection of lava-based objects
On the morning of 20 November 2013, a 12m plume of black smoke emerged from the south-eastern crater of Mount Etna: a signal for its seventeenth eruption that year
The most active volcano in Europe then rumbled into its well-rehearsed motion
violently spitting red lava from its underground chamber and showering the surrounding villages with thick ash and debris
For Sicilians, the event was fairly small news, passing with little damage despite the disruption. But for designers Andrea Trimarchi and Simone Farresin of Formafantasma
it was a timely sign for their years of research on Etna’s lava-based materials to come to fruition
“The forces of nature here are absolutely visible,” Farresin says
you really can see the changes in the landscape
So we couldn’t help but think of production when we saw it …
For us the mountain is like a mine without miners.” The pair are no strangers to unconventional subject matter
with past projects having seen them manipulate fish skins
biological plastics and bread flour in pursuit of materials so far undiscovered or under-appreciated.
Linguaglossa is a box made from lava rock
But De Natura Fossilium, their collection of more than 30 pieces for Gallery Libby Sellers, is the first to use material to capture a genius loci: an attempt to interpret Etna’s volcanic landscape through a set of unusual designs.
“It’s quite important for us that this work has been generated by looking to a place,” Farresin says. “A remote place in the south
of Italy that has nothing to do with where design usually comes from.” He and Sicilian-born Trimarchi describe a desire for the project to present Etna as more than just a tourist destination, where local basalt (volcanic rock) is still used by craftsmen but only to make souvenirs.
“It’s almost a symbolic gesture. Everything in the landscape is there for the tourist, so we looked for a different perspective.” The furniture part of the vast collection – a set of stools and tables – is made of juxtaposed basalt slabs taken from different eras of the volcano’s history, or “geological moments”, Farresin says.
The darker, denser rock is older and the more recently produced grey rock shows where air has been trapped as the lava flow cools and hardens. Tying the two together are prominent brass connections contributed by the Viennese workshop of Carl Auböck, which the pair encountered while they were exhibiting The Stranger Within at the MAK Museum last year.
Lipari bowl is an assembly of process material
Also rooting the collection in time and place is the Monti Silvestri clock. Three plates of lava sand – for hour, minute and second – each have a slim and elegant brass arm that gently shifts the material as it turns. The volcanic landscape around Etna is an agglomeration of soil, sand and rock produced in its previous eruptions and layered up over time.
While basalt and sand are the obvious materials that a volcano can produce, Formafantasma sets itself the much harder task of finding new ones. In an alchemical move, they started re-melting lava to see what the process might create. “When we saw the results, the material was looking much closer to glass than to a liquid stone … more like obsidian,” Farresin says.
Carl Auböck’s workshop contributed the brass element of 1614 stool
Obsidian, a glossy, semi-precious stone that forms when molten lava comes into contact with water, appears in the collection as a hanging mirror counterbalanced by a lump of volcanic rock. “By looking into obsidian’s formation, we saw why our material was more like glass than stone. At a certain moment, the material fails to crystallise, which gives it these properties.”
“The whole collection ranges from organic to much more brutalist and geometrical,” Farresin says. “It is really about the control of nature more than nature itself.”
Small Pillar and Big Pillar coffee tables combine basalt from different geological eras
The forms of the vases also reflect man’s influence on the local environment. The settlements at the foot of Etna, in perpetual danger of being destroyed by a major eruption, are home to many illegal dwellings that Farresin describes as “pretty ugly … or at least very geometric and unfinished”.
These characteristics find form in boxy black constructs that, like Formafantasma vessels from previous projects, support various embellishments that are artistically placed or tied on with string. The objects are named for the settlements – Zafferana, Nicolosi, Valle del Bove and Linguaglossa – where illegal dwellings can typically be found.
De Natura Fossilium (named after the 1546 book by George Bauer that first categorised natural minerals, rocks and sediments) has a sense of timelessness about it. Two great tapestries woven in basalt fibre and cotton depict the ancient and the modern: on each, the head of a god (Vulcan and Athena) is mounted on magnified views of rock fragments made with microscopic scans from the volcanology centre.
Formafantasma collected three sand types for Monti Silvestri clock
When shown in Milan this April, the faded grandeur of the Palazzo Clerici lent the collection a museum-like sense of importance. There was a reverential hush as visitors pondered the pieces like an archaeologist’s haul of treasure, or the results of a pioneering scientific expedition. And of course, there’s a sense of the contemporary designer at work too.
The design week showed a clear revival of interest in the postmodern forms of Ettore Sottsass and Memphis Group, and this was also a point of reference for De Natura Fossilium’s confident aesthetic direction.
“Sottsass was fond of the Aeolian islands too: he had a house there and did a graphic series on the islands’ sedimentation. When we started working with more geometric forms, we found a technique of slicing glass that he had done before … There were all these coincidences. I don’t think he was the main inspiration, but when we were designing the pieces we could not avoid thinking about him.”
For all its influences, Formafantasma clearly has a preoccupation with – and a remarkable talent for – simply making exquisite things. Even bowls that were meant to function as documents of process are so beautiful they have found their way into the main collection. There’s a smattering of fiddly components made purely for visual pleasure, but others have more than an aesthetic purpose.
Efesto depicts the god of the forge in a basalt fibre and cotton tapestry
Playing on a theme of raw versus refined, the seductive touches of orange glass and the almost-classical Auböck brass trace a line between the primitive state of materials and man’s mastery of them. You can’t fault Formafantasma’s compendium of volcanic material for thoroughness – from slick obsidian to jagged rock clusters, every aspect of Etna’s fiery output has been interrogated.
Farresin says the ambitious scale of the project – a three-year journey of field visits supported by research from their Eindhoven studio, collaborations with glass masters, textile specialists, metal workers and volcanologists – has taught them as much about themselves as their subject.
De Natura Fossilium was at Gallery Libby Sellers in London until 12 June
We couldn’t help but think of production when we saw Etna … for us the mountain is like a mine without miners
1/7Mrs Charles Methven and Elena Bonanno Di LinguaglossaMrs Charles Methven and Elena Bonanno Di Linguaglossa
7/7Alison Poole and Lady Alexandra Spencer-ChurchillAlison Poole and Lady Alexandra Spencer-Churchill
A Canadair firefighting plane crashed into Sicily’s Mount Etna on Thursday
The plane crashed while it was helping to fight a large forest fire at Linguaglossa – a town in the vicinity the volcano
the cause of the plane crash is yet unknown
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A moderate magnitude 3.7 earthquake hit 12.2 km (8 mi) away from Giarre, Sicily, Italy
2025 at 3.19 pm local time (Europe/Rome GMT +2)
The quake had a very shallow depth of 2.5 km (1.6 mi) and was reported felt by some people near the epicenter
A light magnitude 1.7 earthquake hit 14.4 km (9 mi) away from Giarre, Sicily, Italy
The quake had a very shallow depth of 0.9 km (0.6 mi) and was too small to be felt by people
Bonanno di Linguaglossa will steward Lévy Gorvy’s deep relationships with the region’s artists
and institutions while extending its network there
The gallery has a longstanding commitment to Italian art and artists
representing the estates of Enrico Castellani and Carol Rama
and exhibiting to critical acclaim the work of Alberto Burri and Lucio Fontana
as well as renowned contemporary artist Francesco Clemente. In celebration of the fiftieth anniversary of Arte Povera in 2017
Lévy Gorvy staged an exhibition highlighting Ileana Sonnabend’s central role in introducing the movement to the American art world
the gallery will host its first New York City exhibition of recent and historic works by Michelangelo Pistoletto
working in close collaboration with the artist and Galleria Continua
Bonanno di Linguaglossa brings to her new role at Lévy Gorvy more than twenty years of experience and an exceptional passion for modern and contemporary art
with specifical expertise in the field of 20th-century Italian and American art
She has contributed curatorially to major exhibitions at ARTER
Rome; Museo d’Arte Moderna di Bologna; and the Villa e Collezione Panza di Biumo
With a law degree from LUISS Guido Carli, Bonanno di Linguaglossa has applied her legal skills and acumen to the complexities the international art business
helping to guide clients and co-ordinate projects with institutions
As guest professor at the Istituto Europeo di Design in Rome
she taught courses on the art market and contemporary art. Based between Italy and the United Kingdom over the past two decades
she has contributed her leadership skills in management and sales in positions at Fondazione Pastifico Cerere
Dedicated to the development of connoisseurship as well as markets
Bonanno di Linguaglossa will play an essential role on the Lévy Gorvy team
Brett Gorvy says: “Dominique and I are excited to welcome Elena as a new member of our international team
Having worked with her during my time at Christie’s
I’ve been impressed for quite some time by her extensive knowledge of and personal passion for 20th-century art
and her dedication to the deep relationships she has built with private collectors and museums
Lévy Gorvy is proud to be a home for Italian artists and artists’ estates
and Elena’s experience will be a tremendous asset to our work in Italy.”
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Already basins and valleys in Atlas elevated below 1000 MASL
reported in the last days frosts or the first snowing
-0,7°C was measured in Morocco and +0,2°C in Algeria (link above) in lower situated areas
only around 800 MASL (Youtube video below)
A collection of videos from Morocco and Algeria with a current snowfall we have placed into materials below
Tunisia are very favorable and according to tropicaltidbits forecast tool
Snow should appear in the next 16 days even in southern
Saharan districts of countries – in the case of anomalous snowfall in the region or snowing in Sahara we will bring fresh news already until the end of this month