A project of
Last week, I traveled to the historic city of Perugia in Umbria, Italy. With clear blue skies, wisteria hanging over ancient Roman walls, plenty of gelato and beautiful vistas from the hilltop, the setting was pretty special. More inspiring though, were the people I spoke to during my visit. Perugia is the home of the annual international journalism festival
a meeting of media movers and shakers from all over the globe
this six-month program is proving invaluable
not only for seminars from guest speakers at the top of their game
but for the collaborations that are developing within the network
Canada and way beyond has opened my eyes so much to the diversity of challenges we all face – and the creative possibilities
During my discussions with colleagues from my European media leaders climate solutions fellowship visiting from France
I listened to the lightbulb moments others have had and reflected on my own progress – internally
in terms of what leadership means to me and how I can effect meaningful change
in terms of supporting my own team and encouraging more collaboration within this organization
By sharing joys and worries over a margarita pizza or scoop of nocciola (hazelnut ice cream – my favorite)
I was struck that authenticity is the most important attribute
All else follows and every single one of those real
honest and open in-person connections deepens my appreciation for that
So many early career journalists approached me
keen to chat and wanting to know more about how to immerse themselves in this specialism
When I first started out as a biology graduate
I worked in wildlife TV production and magazine journalism
environment coverage tended to be an outlier
Climate journalists were few and far between; willing mentors were difficult to find
That landscape has shifted so much over the past 20 years and I’m proud that this part of our industry is growing
people want to cover climate stories in so many creative formats and that’s invigorating
(both inadvertent misinterpretation and deliberate miscommunication) online
combined with widespread disengagement from mainstream news sources
social media has a big role to play in how we engage with climate
Climate communication is definitely not just about imparting facts
We chatted about bridging the gap between science and storytelling
how to apply a rigorous journalistic approach to all forms of content and how integrity must be the top priority
That all builds precious trust and creates connection
The next U.N. climate summit (Cop30) is coming and we’re getting ready. One of my favorite sessions was a talk by Daniel Nardin, another solutions journalist member of the Oxford Climate Journalism Network. He lives in Belem, the Brazilian city that will be hosting Cop30 in November
where negotiators will continue to debate how best to tackle and adapt to climate change
Nardin’s publication, Amazonia Vox
platforms the voices of the people living in the Amazon
social and political issues in the Amazon are complex and full of nuance
which is why he makes local voices central to the narrative
But Nardin is proactively cracking on with it
The Conversation is already highly respected
academics and readers told me how much they love what we do and what we stand for
Tackling misinformation in engaging ways is what we do best
with the most accurate and evidence-based knowledge is our purpose
We’re already bridging the gap between research and the real world
And so now is a great time to evolve and meet this new challenge
The Conversation can help shift the way climate stories can be told
The climate crisis has already gone way beyond being an environmental issue
from health and education to business and democracy
Newsrooms no longer have to function like they have done for decades
but because future proofing makes business sense
As the executive director of Covering Climate Now, a media community based in the U.S., Mark Hertsgard said: “Every journalist in the 21st century will need to be a climate journalist.”
my job is to turn Perugia’s inspiration into action
Photo by Mauro Grazzi on Unsplash
Note: Daniel Nardin is an ICFJ Knight fellow
This article was originally published by The Conversation and republished on IJNet with permission
Here’s everything you need to know about traveling to Perugia
Laura Itzkowitz is a writer and editor based in Rome
She has been contributing to Travel + Leisure since 2014
when she started as a fact checker before becoming a contributing digital editor in 2015
She has also held positions as a contributing editor at The Points Guy and the NYC cities editor at DuJour Magazine
her writing has appeared in Architectural Digest
When she's not jetsetting around Italy and beyond
enjoying some cacio e pepe or relaxing at home with her husband and two dogs
Laura moved to New York City in 2011 to pursue a master's degree in creative writing and translation at Columbia University
She also holds a bachelor's degree in French from Smith College
* 10+ years of experience writing and editing * Co-wrote "New York: Hidden Bars & Restaurants," an award-winning guide to New York City's speakeasy scene published by Jonglez Editions in 2015 * Contributed to "Fodor's Brooklyn," published by Penguin Random House in 2015
which won silver in the Lowell Thomas Travel Journalism competition * Contributed an essay to "Epic Hikes of Europe," published by Lonely Planet in 2021 * Updated the 2022 edition of "Fodor's Essential Italy"
Tess Jeffers and Felix Simon at one of the panels on AI and the future of news
Journalists from all over the world gathered again this year at the International Journalism Festival in Perugia to discuss some of the news industry's most crucial issues in a time of upheaval
The Reuters Institute's editorial team curated some of the festival's highlights in this piece
several takeaways and quotes that made us think – but not the name of the person who was in everyone's minds
We'll keep updating the article in the next few days
especially around summarisation tools.
The most critical challenge they all faced was adjusting their outputs to reach the quality expected from these organisations
“Fine-tuning takes a lot of human work,” says Moran
we were trying to teach the machine news-sense.”
All the speakers stressed that fine-tuning these models required the input of working journalists and editors
who were asked to talk through exactly how they make editorial judgements
Fillion shared that this challenge required distilling qualitative editorial judgement into quantitative values the model could use.
One way the New York Times tested this was by putting the LLMs through a line-editing exercise designed for prospective editors
and working with editors for hours to evaluate the output
“What’s new is that the newsroom is in the workflow and responsible for saying if something is a quality output that passes editorial judgement and is good enough to go on the site.”
Panellists affected by these cuts said that they are leaving a gap that will be difficult to fill
as they will be competing for funding with initiatives on health
3. If you are building your own news startup, don’t hesitate to ask for help. Starting a news business can be challenging for journalists. In a talk about journalists as founders
founders shared openly and honestly the challenges they’ve faced
from learning ‘founders’ language’ to appealing to potential funders
and putting together material for grant applications
One thing they all agreed on was the need to ask for help when starting out
whether that’s by hiring someone with experience
looking for free advice from nonprofits or applying for a fellowship
“There are so many things I had in my mind that I had to put on paper that somebody forced me to. I’m so grateful. It keeps me accountable to all the things I wanted to do,” said Maritza Felix from Conecta Arizona
4. Building a local news organisation has never been cheaper – but it takes discipline to focus on what matters to audiences. A panel moderated by Jane Martinson looked at the influence of media ownership on editorial decisions
a topic at the forefront right now after the Washington Post’s billionaire owner Jeff Bezos prevented his newspaper from endorsing Kamala Harris.
Four of these six sites are now profitable
Speakers explained how their work is being discredited by government officials and tech oligarchs that sow mistrust amongst audiences for political or financial gain. “My wish for 2025 was for me to talk less about harassment and censorship, and more about the good journalism that we do,” said Ana Brakus, from Croatia’s Faktograf
the events that have occurred in the US have brought the levels of harassment and narratives of so-called censorship to a whole new level and we have our tech bros to thank for that.”
Brakus also stressed that these threats were not a spontaneous phenomenon but the result of sophisticated information operations: “The attacks we are facing are coordinated and the intention behind them is not just to disrespect our work but to sow mistrust and achieve a political goal.”
6. You can find positive and fun climate stories – if you know where to look for them. In a panel looking at the intersection of climate and conflict, journalists discussed how to identify climate stories that are positive or interesting to readers. Freelancer Nithin Coca suggested that going down to the local level can unearth these kinds of stories
“There are really interesting efforts to do local energy democracy projects where people are building democratically-managed energy systems,” he said.
Coca also shared a project that retrained Japanese farmers to grow fruit without the use of carbon-intensive greenhouses and saved 10% in carbon emissions
“What is the way someone is approaching a problem from a unique perspective that has data and science to back that up
Up to 80% of her own outlet’s funding comes from grants.
“We have a lot of conversations about exhaustion
but I don’t want this to become a trap for me as a manage,” Tuzhanska said
“It is not easy to work in the Ukrainian reality
We try to find a way to continue being productive even in this situation,”
who nearly died when she was hit by Israeli tank fire while reporting in southern Lebanon in October 2023
The attack killed Assi's Reuters colleague Issam Abdallah.
“As journalists we didn’t realise this was going to be a systematic attack against those who document and seek truth,” Assi said. “Regimes in general fear journalists because they are going to expose their impunity.” | Watch
8. Journalists from Israel and Ukraine are grappling with censorship – and self-censorship. Several panellists stressed that many Israeli news organisations have turned a blind eye to some of the worst crimes of the country’s army. Oren Persico, staff writer at the Israeli media watchdog The Seventh Eye
said that Israeli media has failed at covering the war in Gaza: “They have created a dome of ignorance surrounding society,” he said
“It is such a complete failure of the profession.”
But not every news organisation in Israel is behaving in the same way. A panel moderated by Vivian Schiller featured investigative journalists Milan Czerny from Shomrim and Omer Benjakob from Haaretz
who have exposed government corruption and abuses by the country’s armed forces.
Both discussed the challenges posed by operating under military censorship
how army chiefs often broke their own rules by publishing “war porn” on their social media channels
and how they’ve managed to put their stories in the public domain despite official bans
Benjakob explained how the army tried to kill this story about a fake Strava account exposing sensitive information about Israeli military bases
Czerny spoke openly about how he and his colleagues grappled with self-censorship
especially right after Hamas’ terror attacks
“I don’t think we could have published the piece on unruly behaviour from soldiers’ social media videos on the day after October 7,” he said
“It took some time for me and for society to be able to hear these kinds of stories.”
Olga Rudenko from the Kyiv Independent also shared her own experience with censorship and self-censorship during the war
but how they are applied has changed,” she said
“We don’t have a formal body that reviews things
But there are actors that put pressure informally asking to take something down
your instinct is not to trust people in government
You think they are trying to cover up their asses
But maybe it’s not that and I have to take a calculated risk every time this happens.”
Don’t underestimate the power of humour in journalism – especially in dark times
Several panels covered the power of humour to engage audiences - especially in the face of news fatigue and when dealing with complex topics
Youtuber Adam Levy, known as Climate Adam, explains how he frames his videos on this crucial topic: “I try to think: if I was a viewer who didn’t care about climate change and I just stumbled across this video, what would be the things which would keep me watching regardless?” His own answer was often humour.
A news service for news avoiders. Svenska Dagbladet’s Inanna Lallerstedt spoke about a new standalone service from her newspaper that’s specifically designed to offer audience members a ‘moderate level’ of news
has a newsfeed that can be filtered according to user preferences
with an option named ‘tired of the news’ that only offers constructive stories
with Q&As with experts on important topics.
A new life for a storied news brand. Digital Editor Basia Cummings offered quite a few details about the imminent relaunch of the British newspaper the Observer as digital news brand
recently bought by online news startup Tortoise Media
Cummings said she and her colleagues at Tortoise think they see many similarities between both brands and can offer things the Observer didn’t currently have
“We are now the custodians of this title and we will focus on reaching younger readers that would see it into the future,” she said.
has led to people expressing support by providing the organisation with funding or pro bono services.
A key quote: Braimah said the Fourth Estate’s relatively small size made it necessary to focus only on what’s important: “If you have fewer resources, you don’t have to be dictated to by the desires of others who want lots of stories with no context or analysis.” | Watch
An AI tool to generate story ideas. Swedish Radio’s Josef El Mahdi spoke about ‘Angle Buddy,’ a new internal tool that’s being tested across their newsrooms
Journalists can insert it on an existing news story and it will propose new angles for other stories that are in line with the user needs model
‘I want to understand’ or ‘I want a break’.
A collaboration between journalists and influencers. Earth Shorts, a pilot program by Internews’ Earth Journalism Network
connected journalists with influencers in the Philippines
offering social media creators training in journalistic skills
and encouraging them to leverage their audience and engagement to take a climate angle with their storytelling
A joint venture for collaboration. Sharon Moshavi from the International Center for Journalists (ICFJ) spoke about a new nonprofit they are establishing with Code for Africa (CfA) to implement joint initiatives that combine CfA’s technical expertise with ICFJ’s global network.
On news deserts. Tim Franklin from Northwestern University said there are more than 200 local news desert counties in the United States and 279 counties at risk of becoming news deserts. Over 50 million people live in counties with limited local news in the country. | Watch
On lifestyle content. Angela Pacienza from the Globe and Mail explained how they redesigned their home page
adding a new type of lifestyle content focused on questions that matter most to people in their daily lives
Open rates for push notifications are 10% for this type of content
compared to 5% for the rest of the website’s output
Year over year page views are up 305% for this type of content
Unique visitors are also up 74% year on year.
On trust in local news. Trust in news is declining, but not at the same rate for local news, said our Director of Research, Richard Fletcher. "When we look at the list of the most trusted outlets in each country, local is often quite near the top. This is true for the US, the UK, France, and Spain." | Watch
On Bluesky. The United States, the UK, Canada, Brazil and Japan are the top five countries in terms of Bluesky users, said Emily Liu, Head of Special Projects at the platform, which now has more than 36 million people. | Watch
Sarah Jeong, Features Editor at the Verge, on how Twitter supercharges abuse: “Twitter seems to be designed in the worst possible way. This exacerbates the problem of abuse. You don’t have separate discrete pools. Everyone can respond to everyone else. Context collapse is very easy to create on Twitter.” | Watch
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but locals suspected he’d use the money corruptly and mounted an armed resistance
bread in Perugia tends to be baked without salt
a fact that many residents interpret as “a continuation of a fierce act of rebellion” and that chimes “with the Perugian’s fiercely rebellious and anticlerical reputation,” Traverso wrote
in bakeries and beyond; my girlfriend heard a version of it in a nearby tourist office just last week
strode journalists from all over the world
distinguishable from the locals if not by their lanyards and laptops
then by their natty trainers and shirt-jackets
The juxtaposition was slightly uncanny; as one attendee put it to me
this seemed like the sort of place you’d go for an anniversary break
my girlfriend did the tourism; she’d recommend taking a boat on the nearby Lago Trasimeno
but not trusting the online timetable.) By day
we ducked out of a beating April sun and into panel discussions in impossibly beautiful theaters
where we asked questions that were really more of a comment
we ate extravagant dinners then swarmed outside the handsome Hotel Brufani
where we swilled negronis and discussed The Apocalypse
Whiplash changes to advantageous trade arrangements
about the tech oligarchy’s “capture of journalism
and creativity” (not to mention their plans to live forever and fuse humanity into a hive mind)
best known as the Cambridge Analytica whistleblower—admonished journalists for covering tech titans through the lens of the products they create
rather than the “underlying fascism” of their worldview
might seem an odd place to be working as a tech journalist but is actually “fascinating” given the Vatican’s unique perspective on AI
“The Catholic Church has always known how to harness technology and spectacle to inspire faith in a higher power; they were the Silicon Valley of their age
In a recent statement warning that humanity is in danger of worshipping AI as a god
Cockerell saw “the old religion coming out to do battle with the new one.” Anticlerical
even if they are literally—but heartened to hear that big thinkers in the industry aren’t willing to cede that ecosystem and are working out how to build an infrastructure to support the ongoing demand for fact-based journalism within it
a journalist who is massively popular on YouTube and is growing out a team to support his work
had perhaps the quote of the festival for me: “The other day I was talking to somebody…and he’s like
You keep talking about your business and you’re describing a media company
“I like ‘strategy’ and I like ‘planning.’ When there is no strategy
hope is kinda useless.” At the end of the session
a lawyer who works on press freedom issues
rose in the audience and paid tribute to Kurmasheva and others who could easily have gone to ground but instead showed up at the festival to advocate for those still behind bars
It was a comment not a question that everyone could applaud
The salt uprising of 1540 was ultimately crushed by the forces of the papacy. And it’s far from clear that the legacy of resistance to arbitrary authority is the reason that Perugians make bread without salt; some researchers have suggested that it’s an urban legend
As one of those researchers told Atlas Obscura
Has America ever needed a media defender more than now? Help us by joining CJR today
After visiting some of Italy's hot spots
I wanted to check out a lesser-visited city that a friend had recommended: Perugia
The city, which is only about a two-hour drive from Rome
is the capital of Central Italy's Umbria region
Although it's often overlooked in favor of more popular tourist destinations
I learned that Perugia has just as much to offer
Here's what my trip was like and why I think this underrated location should be on everyone's travel bucket list
which is located within the Province of Perugia
and has invested significantly in keeping his region's culture and architecture intact
Stopping here was a highlight of the trip — it truly felt like stepping back in time
I stayed at the Sina Brufani, a 140-year-old property and the only 5-star hotel in the city center
The hotel felt modern but had a distinct old-world charm
I found it was more affordable than comparable properties in other cities
My room offered beautiful views of the city and the surrounding greenery
The property was also within walking distance of many of the city's major sites
I was most excited to stay at Sina Brufani because of the pool in the wellness spa
which has a transparent floor overlooking the ruins of a 3,000-year-old ancient Etruscan settlement
This truly felt like a bucket-list experience, and I spent hours swimming while gawking at the historic details.
Exploring on foot is my favorite pastime when traveling. I found Perugia to be very walkable and loved that the winding cobblestone streets featured local bars, restaurants, shops, and historic locations.
I also visited the stunning Piazza IV Novembre, home to picturesque steps, Medieval architecture, and a bronze-and-marble fountain that dates back to the 13th century.
The food in Perugia was incredible. I especially enjoyed dinner at Collins' Restaurant, which served traditional Umbrian cuisine.
The seasonal menu, which featured goods from local producers, offered many of the region's token specialties, like truffles, Umbrian olive oil, and wild mushrooms.
Some of my favorite meals when visiting Italy include the readily available grab-and-go sandwiches made with fresh bread, cheeses, and meats.
The one I tried at a local café in Perugia comprised simply of fresh mozzarella and prosciutto. It was by far one of the best I've had.
Full of history and picturesque villages, I can't wait to head back to the underrated Perugia.
Since the city is less tourism-focused, there was a certain calmness that made it a welcome respite from nearby Rome. The local cuisine was fantastic and tapped into many of the area's local bounties.
I also loved having the opportunity to intimately experience history in places like the hotel spa — undoubtedly one of the coolest experiences I've had while traveling.
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Italian city has struggled to shake off image associated with it as a result of murder of Meredith Kercher
The mayor of Perugia, where the British student Meredith Kercher was murdered
has apologised for allowing a controversial TV series co-produced by Amanda Knox to be filmed in the Italian city
Angry residents displayed banners reading “Rispetto per Meredith” (respect for Meredith) around the city as the crew arrived to film scenes of Blue Moon
an eight-part drama chronicling Knox’s battle to clear her name of the murder
that will be aired on the Disney-owned streaming service Hulu
Kercher, 21, was murdered in the house she shared with Knox on 1 November 2007
partly undressed and with several stab wounds
Knox, 37, and her Italian ex-boyfriend Raffaele Sollecito, were twice convicted of the murder before being definitively acquitted in 2015 in a court ruling that described “stunning flaws” in the investigation that led to their convictions
a medieval city appreciated for its cobbled alleyways
has long struggled to shake off the image associated with it as a result of the notorious murder and the years of legal wrangling that followed
“For too long, Perugia was sadly famous in the world as the city of Meredith Kercher’s murder,” Margherita Scoccia, a former councillor, said on Facebook
“Is it right that our community is associated with such a terrible crime again?”
saying that when deciding to authorise filming
she had overlooked “the people and their sorrow
She explained that her administration could have refused permission
but that the scenes “would have been filmed in any other town in our region”
Ferdinandi said hosting the series allowed the authorities to have greater control over protecting the city’s image “because
we are able to view and authorise every scene”
Hulu said Blue Moon was “based on the true story of how Knox was wrongfully convicted for the murder of her roommate
and her 16-year odyssey to set herself free”
The Kercher family said last week that they found it “difficult to understand” how the series served any purpose
which is being co-produced by Monica Lewinsky
who was at the centre of a 1990s media storm after an affair with the then US president
Knox and Sollecito spent four years in prison before their release in 2011. Since then, Knox earned a reported £3.5m for her memoir, took part in a Netflix documentary about the case in 2016
and has been the subject of other books and films
The filming of the drama comes a few months after a Florence court upheld a slander conviction against Knox for wrongly accusing Patrick Lumumba
claimed last week that his client had still not received the compensation money that Knox was ordered to pay over the allegation
Rudy Guede, who was the only person definitively convicted of the murder, was released from prison in November 2021 after completing 13 years of a 16-year-sentence.
but that’s part of what makes it so appealing
Perugia holds its own when it comes to Italian cultural riches
ornate former palaces and cobbled squares populating the beautifully preserved historic centre
a lively and youthful atmosphere is always within arm’s reach – particularly over an aperitivo in the bustling main piazza each evening
Here are the best things to see and do in Perugia
Rashid Khreiss / Unsplash Perugia Tours Learn how to sit back and watch life happen around you in this smart
There’s lots to discover about Perugia’s past if you’re in a learning mood
but more often than not the best option is to just kick back at one of the many restaurants or cafes
Pick a spot with a view of Fontana Maggiore
or keep yourself entertained by watching one of the many street performers that set up here
Just off the main square of Piazza IV Novembre, the gargantuan National Gallery of Umbria covers 4,000sqm (43,056sqft) over two floors and displays a vast selection of mostly medieval and Renaissance works
primarily from Umbrian artists across the ages
Alongside the extensive permanent collection sits a room for temporary exhibitions
and elsewhere around the gallery you’ll see displays covering jewellery
Local flavours and specialities are easy to come by in Perugia
so don’t waste any time getting stuck into the regional cuisine
traditionally made with just flour and water
Popular additions include spoletina (tomatoes
Also made in Umbria is Pecorino di Norcia – a yellow
crumbly sheep’s cheese – and Italy’s beloved Baci chocolate “kisses”
which are made at the Perugina Chocolate House
Robert Harding Video / Shutterstock Italy Wine Tours The countryside surrounding Perugia produces some excellent wines – particularly reds – so it would be a shame not to journey out of the city and sample them
Various tasting tours are available around the region
a family-run winery 20 minutes away from central Perugia by car
which offers a range of tasting experiences
It tastes all the sweeter when you’re looking over lush
carpeted in the vines that grow those juicy grapes
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Marvel at Palazzo dei Priori Architectural Landmark
Marco Rubino / Shutterstock Before you pay a visit to the National Gallery of Umbria
take time to stop and appreciate the building you’re heading into – which is a work of art itself
The gothic Palazzo dei Priori is one of the finest examples in Italy of a public palace and is striking to behold
The story of its construction and subsequent extensions
rebuilding and decoration across the centuries – beginning in the late 13th century – is a fascinating one and deserves an hour or so of your time before you enter the gallery proper
Gabriella Clare Marino / Unsplash Like so many Italian destinations
Perugia is home to a range of beautiful churches that are worth seeking out
stretching out grandly across the top of Piazza IV Novembre and holding various renowned artworks in its gothic confines
such as Federico Barocci’s high-drama La Deposizione Dalla Croce
In contrast to the bold cathedral is the humble Chiesa di San Michele Arcangelo
set in a peaceful location north of the city centre and built in an unusual circular shape with a domed roof
It’s believed to be one of the oldest churches in the region
Size matters when it comes to defence towers
which perhaps explains why this behemoth medieval structure was built to 42m (138ft) high
it rewards those who ascend its 232 steps with fantastic views out across the city and beyond
there’s a colourful and sometimes-bloody history attached to Sciri Tower
But even if you’re there purely for the views you’re in for a treat
particularly if you time your visit for sunset
a medieval aqueduct may not sound like the most exciting of attractions
But this 2.5mi (4km) feat of engineering is guaranteed to impress all but the most-hardened sceptics
It was designed to allow water to flow ingeniously uphill to reach Piazza IV Novembre’s landmark fountain
Via dell’Acquedotto is used mainly as a walkway that stretches through the city
marking out the perfect path for a not-too-long stroll
Daniel Houwing / Unsplash As you may guess from its name
the 128sqkm (49sqmi) Lake Trasimeno is very much the centrepiece of the Parco Regionale del Lago Trasimeno
The drive from Perugia takes anywhere from 20 to 40 minutes
depending on which bit of the lake you want to get to
factor in a boat trip to one of Trasimeno’s two visitable islands
Maggiore and Polvese – carpeted in forest and with serene lake beaches to sunbathe on
Back on the mainland there are activities galore
from hiking and biking trails to wine tours and exploring the numerous lakeside towns
Dedicated to the Nobel Prize-winning poet Giosuè Carducci
whose poem Il Canto Dell’Amore was inspired by the setting
these tranquil gardens are perfect if you simply want to relax in a peaceful
Giardini Carducci is also known as the best sunset spot in the area
due to its elevated position and sweeping rooftop and mountain views
On a clear day you can even see the hilltop town of Assisi – birthplace of Saint Francis – in the distance
Luca Micheli / Unsplash Italy Trips and Tours Planning to spend your holidays in Italy
Browse our amazing collection of multi-day tours all over the country to find your dream Italian vacation
whether that’s cycling through Tuscany or eating your way through Emilia Romagna
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the town where British exchange student Meredith Kercher was murdered in 2007
angry at a new TV series being filmed in the Umbrian capital
"I apologise to those who felt betrayed by this choice"
said Vittoria Ferdinandi in an open letter
will chronicle the sixteen-year battle led by Amanda Knox to clear her name
along with Meredith Kercher’s boyfriend Raffaele Sollecito
were both convicted of Kercher's murder twice
The pair spent four years in prison before their release in 2011 and official acquittal in 2015
The filming of the series coincides with the 17-year anniversary of Kercher's death
Her family stated that they found it “difficult to understand” how the series served any purpose
Knox has reportedly earned over €4.2m from her memoir
as well as being the subject of numerous books and films
Since Kercher's murder made global headlines almost 20 years ago
the residents of the historic Italian town of Perugia have been fighting to reclaim its reputation
film crews were met with bans reading "Rispetto per Meredith” ("Respect for Meredith")
Perugia was sadly famous in the world as the city of Meredith Kercher’s murder."
"Is it right that our community is associated with such a terrible crime again?”
Amanda Knox is one of the series' co-producers
who many remember for her affair with former US president Bill Clinton in the 1990s
Vittoria Ferdinandi stated: “We couldn’t block the production
explaining that the scenes “would have been filmed in any other town in our region”
Ferdinandi claimed filming in Perugia would allow the town to retain some oversight no the series: "We felt that having the scenes filmed here would have been a greater element of guarantee and control…”
the pain alive in their flesh while making the decision," added Ferdinandi
In June, an Italian court upheld a slander conviction against Knox, for wrongly accusing Patrick Lumumba, who owned a bar in Perugia, of murdering Kercher. Rudy Guede remains the only person to have been definitively convicted of the murder
He was released from prison in November 2021 after serving 13 years of his 16-year sentence
The university student was found lifeless on January 29th
The Perugia State Police personnel have executed an order for the application of the precautionary measure of house arrest issued by the investigating judge of the Perugia Court against an 18-year-old Italian citizen resident in Rome
held responsible for the crime of instigation or aiding in the suicide of a university student
found lifeless – last January 29 – in an apartment on Via del Prospetto in Perugia
The disappearance of the 19-year-old had been reported on January 24 by his sister
who was also enrolled at the University of Perugia
a first-year Computer Science student living away from home
had disappeared shortly after leaving a hostel where he was staying
which occurred around 10:19 in the morning of the same day
It was then the manager of the apartment where the 29-year-old's body was found who
unable to contact the tenant to discuss the payment of the rent and having learned from social networks the news of a missing boy in Perugia
decided to contact the State Police on the afternoon of January 46
fearing it was the same person and thus allowing the officers to find the lifeless body of the young man
during the inspection by the police and the operators of the Provincial Office of Scientific Police
five cell phones and XNUMX SIM cards were found
The room was in order and there were no signs of wounds on the boy's body
from the first examination carried out by the coroner
led to the presumption that death could be attributed to a voluntary act
the fact that the rent of the studio flat was unknown to the sister and family members and the inexplicable presence of multiple cell phones and phone cards were facts that made it necessary to start an investigation to have confirmation not only of the causes of death but also of the context in which the event had occurred
The witness statements taken from family members and acquaintances
did not allow for a plausible explanation as to why a young man apparently calm and without particular problems could have concealed such circumstances regarding his private life
With the constant coordination of this Office
the Flying Squad and the COSC Umbria Postal and Communications Police have therefore concentrated their investigative activity on the analysis of the telephone and computer equipment used by the 19-year-old
the records of conversations and communications that the latter had had in some chats or channels of which he was an active user
also because most of the IT tools were equipped with passwords and no document contained elements to reveal the access data
Thanks to the particular expertise of the delegated judicial police
it was possible to access the IT tools and obtain from them fundamental information to reconstruct the relationships that the young man had with other people and above all to understand how the death occurred
had relationships with various interlocutors online and above all had established a more confidential one with an interlocutor to whom she had confided her problems
her anxieties and intolerance regarding university life and the thought of taking her own life
The particularly in-depth examination of the contacts with this individual
allowed us to ascertain that the 19-year-old had asked his virtual friend for advice regarding the choice of the most suitable
most painless means to carry out that extreme gesture
being incited and encouraged several times by the suspect to do so
The chats extracted from the meticulous work of the police
have provided seriously circumstantial elements on the fact that it could have been his virtual interlocutor who supported the 19-year-old's choice to carry out the act by ingesting drugs
encouraging him and also reassuring him on the fact that by using opiates he would not feel any pain but pleasure
after having informed herself with some "Telegram" contacts on the purchase and shipping methods
had managed to purchase the drug from another user of the chat
having everything sent to an inpost locker (collection and storage point for parcels)
the 24-year-old went to the apartment he had rented
in the virtual room and through a conversation on a computer platform right before taking the drugs
he told his friend that he didn't have the courage to do it
inducing him to take the drugs and take his own life
there is another dramatic and crude detail; the student's interlocutor
having received news from the latter that the drugs had been taken
was only concerned about the possible risks of being identified
The identification of the subject in the current suspect was particularly laborious and complex; thanks to the investigations of the Flying Squad and the COSC Umbria on the devices used by the victim
it was possible to trace the IP address of the suspect - usually using multiple nicknames in chats
with no criminal record and belonging to an absolutely normal family context
The overall elements collected allowed us to hypothesize the crime of incitement or aiding suicide against the indicated subject and it was decided to request a precautionary measure against him
not only considering the risk of repetition of crimes of the same nature
given that the subject is very present online and participates in many groups and social channels that often include very young people
but also a serious and concrete risk of tampering with evidence
The investigating judge at the Court of Perugia shared the accusatory statement both in terms of the serious evidence and the precautionary needs and issued the precautionary measure requested
house arrest with a ban on communicating with people other than those of his own family
The measure was carried out this morning and the young man was subjected to a search
at the end of which three cell phones he was using were seized
represents only the first step in the investigation
as the office deems it essential to continue the investigations to understand how the young man obtained the drugs that could not be sold freely and above all the reasons for the possession of cell phones and cards
not justifiable with his life as a student and his economic conditions
Thanks to the examination of the chats it has already been possible to identify the alleged seller of the drugs used to commit the extreme act
a subject who is also very young and living in another Region
recipient for this reason of a search warrant issued by this office and also executed this morning at the end of which over 10 thousand euros in cash and two cell phones were seized
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You name an avant-garde brand of note – Saint Laurent
Jacquemus – and chances are they’ve been overtly influenced by a shoe designer extraordinaire
André Perugia probably had a finger in the pie designing them
He was an obsessive admirer of the foot and pushed the boundaries of all the out-of-the-box variations one could possibly get away with to cover/ steady/ decorate/ expose the foot
taking the sensible foot covering to dizzying new heights
In his book ‘From Eve to Rita Hayworth’ Perugia famously claimed that the way to unveil a woman’s personality was to study her feet
he was known for chatting to his creations – not unlike Geppetto to Pinocchio
tongue-in-cheek designs have immeasurably influenced the world of fancy footwear since the man’s humble beginnings in in a backstreet workshop in 1909
André Perugia (1893 – 1977) wasn’t born in the boot-shaped country of Italy as one may have assumed from his surname; instead he was born in Nice
France – but was in fact of Italian descent
Growing up in his Italian father’s workshop he learnt the tricks of the trade and at 16
opened his own ‘shop’ inside the window of a hotel
He soon clocked that Rue Faubourg St Honoré was the centre of the Parisian designer universe and promptly catapulted squarely into the centre of all this frenetic creative activity
he worked as a maker in an aircraft factory – this schooling in science
technology and precision stood him in good stead for his own craft
Perugia knew that “a pair of shoes must be perfect as an equation and adjusted down to the last millimeter
A career breakthrough came when fashion maestro Paul Poiret commissioned Perugia after WWI and this firmly sealed his reputation as a formidable and highly sought-after shoe couturier
His footwear was pure sculpture and throughout his career he worked with top names in the industry
Callot Soeurs and Hubert de Givenchy were legendary
He had a lifelong contract with stalwart shoe manufacturer I
Miller and his clients in the twenties included the glamorous stars of the silver screen and cabaret
Mistinguette and Pola Negri whose legendary legs and dainty feet no doubt went to great lengths to inspire Perugia
Being an avid collector and appreciator of art
his friends and collaborators included heavyweights Andy Warhol
He experimented with fabrics and colours and embraced new technologies with gusto
His fish pumps made with overlaid kid suede
complete with decorative ‘scales’ and staring eye were a tribute to French cubist artist George Braque and even Picasso was honoured with a floating sandal design in 1950 that later inspired a remake by Saint Laurent
A year later André Perugia introduced the world to his ‘needle heel’
a four inch tall and ‘mind-bending’ thin heel with a ‘subtle swooping‘ shape
The fifties – and decades to come – would produce variations on Perugia’s needle heel
At the time publicity and admiration for Perugia’s creations were plentiful
The Herald Statesman reports in 1955, “The shoe which has had the greatest influence is Perugia/Givenchy’s ‘disappearing pump’ introduced in Paris and shown in this column early this year
and this Fall finds versions of its straight-across throat line in all top shoe collections
because the throat line vanishes into deeply cleft sides which make even the rest of the shoe invisible when seen head on.”
It seems André Perugia designed his shoes for both pleasure and pain
Ultimately what counted was the thrill of pushing the limits of the humble chaussure
transforming it into an outrageously titillating piece of wearable art to adorn the foot
what an indulgence and privilege to walk in them
André Perugia has a lot to answer for our universal obsession with the shoe as the ultimate object/accessory of beauty and desire; the perfect piece of fashion that fits all body sizes
understood that basic principle only too well and throughout his illustrious career single-handedly provided us with the quirky
the unthinkable … feeding our fantasies and stimulating our appetites for footwear
perhaps the most extraordinary feature of Perugia’s work is how refreshingly modern and timeless it is: the shoes he created in the twenties
forties or fifties would look as modern and contemporary on the shelves of the world’s top department stores today as they did back then
which is a tell-tale sign of a modern classic
of design that passed the test of time with flying colours
His final collaboration was with Charles Jourdan
who was consultant to the company in the sixties and to whom he left his personal archive after he died in 1977 at the age of 84
Today André Perugia’s body of work is guarded in museum collections across the globe
with die-hard shoe enthusiasts flocking to catch a glimpse of the products created by the genius godfather of the avant-garde shoe – at the Met in New York
the Kyoto Costume Institute and the many other high temples of the fashion of the foot
Last Updated on July 5, 2024 by MessyNessy
journalists worldwide will gather again for the International Journalism Festival in Perugia
Many voices from the Reuters Institute will speak at the festival
including panels on AI and the media industry
reporting from conflict zones and how journalists can tackle considerable shifts in the international news ecosystem
All the panels will be live-streamed on the festival's IJF YouTube channel
Skip to: 10 April | 11 April | 12 April
Reuters Institute speakers feature on several panels
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Japan men's volleyball captain Yuki Ishikawa
who will play for Italian powerhouse Perugia in the season beginning Sunday
is only thinking about winning titles with his new team
so I've been inspired" the 28-year-old outside hitter said in an online press conference Wednesday
and European Champions League titles are the only things I'm looking for."
Japan lost to 2022 world champion Italy in a grueling quarterfinal despite taking the first two sets
"It's important for me to prepare to get the result I want at the next Olympics
I want to grow both in terms of play and mentally," Ishikawa said
Olympics: Japan suffers heartbreaking men's volleyball q'final loss
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23 Apr 2025 16:00:00 GMT?.css-1txiau5-AnswerContainer{color:var(--GlobalColorScheme-Text-secondaryText2);}Campobasso won 2–1 over Perugia on Wed
Predicted lineups are available for the match a few days in advance while the actual lineup will be available about an hour ahead of the match
The current head to head record for the teams are Campobasso 0 win(s)
Have scored 7 goals in their last 5 matches
Who won between Campobasso and Perugia on Wed
23 Apr 2025 16:00:00 GMT?Campobasso won 2–1 over Perugia on Wed
23 Apr 2025 16:00:00 GMT.InsightsHave scored 5 goals in their last 5 matches
Campobasso is playing home against Perugia on Wed
The Sunday TimesOn the day the cast and crew of Amanda Knox’s biopic started filming beneath his window in Perugia
Walter Cardinali flew into a rage and decided to let the actors know how he felt
Writing “Rispetto per Meredith” (Respect for Meredith) in large letters on a bed sheet
he draped it from his balcony in full view of the actors
It is 17 years since the British student Meredith Kercher was found stabbed 47 times in Perugia
a crime that earned her American flatmate Knox four years in jail after prosecutors claimed she had taken part in a “sex game gone wrong” before she was cleared by Italy’s supreme court of murder
who has built a career podcasting about miscarriages of justice back
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El Confidencial and Libération said that human stories that represent broader themes address audience fatigue in the ongoing conflict
The Ukraine war has dominated the news agenda for the last three years
ever since Russia launched its full-scale invasion into Ukraine in 2022
audiences' interest or bandwidth can begin to wane after a certain amount of time
At the International Journalism Festival in Perugia yesterday
media professionals discussed how to maintain audience interest in the ongoing conflict in Ukraine
"People are divided into basically two categories," says Daryna Shevchenko, CEO of The Kyiv Independent, an English-speaking Ukrainian news publication that launched at the start of the war
"One [part] thinks that there are still flights from Kyiv to anywhere
And the other thinks that when you live in Kyiv
you just like navigate the shelling and the gunfire all the time," she says
it's the constant navigation between trying to live a life but also living in the war."
Outsiders often misunderstand life in Ukraine today
But this is precisely why glimpses into daily Ukrainian reality have excelled
The most in-demand stories on The Kyiv Independent are those showing the Ukrainian perspective on global events
features simple "morning routines" that incorporate air raid alerts regularly goes viral
offering audiences what Shevchenko describes as "a window you look into but still stay safe to see how Ukrainians are doing there."
editor-in-chief of the international desk at El Confidencial in Spain
emphasised the importance of finding unique narratives beyond military developments
"It's sometimes very difficult to tell the people stories," she says
noting that audiences often feel war coverage is repetitive or emotionally taxing to engage with
small details can illustrate larger issues: "When I went to Vorodianka
what struck me the most was a teddy bear without the eyes
you then choose this human story to try to explain what happened."
rather than focusing solely on military aspects
she connected the destruction of a coal factory to Russia's strategy of crippling Ukraine economically
about how Russia wants Ukraine crippled and poor and desperate to use them," she explained
chief foreign editor at Libération in France
having journalists on the ground in Ukraine remains essential
The title has maintained a strong commitment to Ukraine coverage
producing 134 front pages on Ukraine or related subjects in the past year
"What is even sadder is the fact that war becomes boring for readers after a while
Human interest stories provide a more rounded and digestable view into Ukraine, including one about an 18-year-old from Russian-occupied Luhansk who escaped to Kyiv and was hearing Ukrainian language for the first time.
Coverage on Ukraine has also brought about broader discussions about European defence
that the war has implications beyond Ukraine: "We should just be reminding people how close [Europe is] to a full-scale war
the biggest land war in Europe since World War II."
This comes with practical challenges - ranging from travel difficulties
and budget constraints for fixers - as well as the emotional burden felt by local journalists
to help structure this article before it was edited by a human
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A FIRST POINT FOR COACH ODDO A goalless draw in Solbiate Arno against PerugiaOn Serie C matchday 30
Milan Futuro gained a point against Perugia at home
Coach Oddo got the first point of his tenure
which helped put an end to a streak of four negative results: the Rossoneri got their first clean sheet since 26 January - which also turned out to be a goalless draw on that occasion against Rimini
The performance showed signs of improvement in terms of chances created
but the side still lack sharpness in front of goal
just metres away from taking the lead.
it was Perugia looked to get on the front foot
with three chances in the space of 20 minutes
First it was the substitute Yabre who came close
while in the 70th and 74th minutes Kanoute twice had a go: in the first chance Camporese levelled the score for goal-line clearances
while in the second it was Raveyre who came up trumps
beating the Perugia number 7’s attempt away for a corner
The Rossoneri came flooding forward in the final quarter of the game: in the 75th minute
Branca's free kick found Coubis at the back post
it was Magrassi who squandered a late chance to make it 1-0
meeting Bozzolan's cross well but missing the target
The AC Milan PUMA Kits for 2024/25 are available: buy them now
Milan Futuro conquista un pareggio contro il Perugia sul campo di casa di Solbiate Arno
che interrompe la striscia di 4 risultati negativi; i rossoneri ritrovano inoltre il clean sheet
che mancava dal 26 gennaio - anche in quel caso un pari casalingo a reti inviolate contro il Rimini
Prestazione che lascia intravedere dei miglioramenti in termini di occasioni create
ma ancora sfuggevole nella lucidità sotto porta
sprecando qualche occasione di troppo a pochi metri dal vantaggio
La classifica racconta ancora una situazione difficile per Milan Futuro
che resta appaiato al Legnago a quota 23 punti - stesso risultato per i Veneti in contemporanea sul campo della Torres
Poco riposo aspetta ora i ragazzi di Mister Oddo
che martedì 11 marzo affronteranno la trasferta in Abruzzo contro il Pineto
prima di tornare tra le mura domestiche nel prossimo weekend contro il Pontedera
il campionato di Serie C mette davanti a Milan Futuro le ultime 8 partite per tentare lo sprint finale
con l'obiettivo di emergere vittorioso fuori dalla zona retrocessione
GUARDA: LA GALLERY DI MILAN FUTURO-PERUGIA
LA CRONACA\nBuon primo tempo sul campo di Solbiate Arno
con un Milan più propositivo ma non abbastanza incisivo
Al 6' il primo squillo del match viene proprio dalle fila rossonere: azione in superiorità numerica 4 contro 2
la conclusione di Quirini viene messa in calcio d’angolo da Gemello
Al 17' l'occasione più nitida della prima frazione di gara: Camarda serve Sia in area di rigore
che appoggia in porta quasi a botta sicura; provvidenziale per il Perugia l'intervento di capitan Dell'Orco
che arpiona il pallone proprio sulla linea
La prima occasione per gli ospiti arriva invece al 35': Mezzoni incorna su calcio d’angolo
ma la conclusione è ben fuori dallo specchio della porta
Nel secondo tempo è il Perugia a prendere coraggio
Prima è il neo entrato Yabre a scaldare l'atmosfera
mentre al 70' e 74' ci prova Kanoute: nella prima chance Camporese pareggia il conto dei salvataggi sulla linea
nella seconda occasione è invece Raveyre a rispondere presente
mettendo in calcio d'angolo l'esterno destro del numero 7 biancorosso
Il Milan ci prova nell'ultimo quarto di gara: al 75' la punizione di Branca trova Coubis sul secondo palo
All'86' è Magrassi che spreca l'occasione del tardivo 1-0
incrociando bene il cross di Bozzolan dalla sinistra ma senza inquadrare la porta
Arbitro: Iacobellis di Pisa\nAmmoniti: 34' Oddo (M)
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The standings still make difficult reading for Milan Futuro
who are level on points with Legnago on 23 points - who achieved the same result away to Torres
There is not much rest for Coach Oddo's side
who will face an away trip against Pineto on Tuesday 11 March
before returning home next weekend to face Pontedera
Milan Futuro have their final eight matches ahead of them
with the objective of emerging victorious in order to escape the drop zone
\n\nCHECK OUT THE PHOTO GALLERY FROM MILAN FUTURO v PERUGIA
MATCH REPORT\nIt was a good first half in Solbiate Arno
with AC Milan more progressive but not incisive enough
On six minutes came the first action of the match
Quirini's effort was put behind for a corner kick by Gemello
the clearest chance of the first half: Camarda fed Sia in the penalty area
who came close to heading home - Perugia's captain Dell'Orco made a brilliant goal-line intervention
The first chance for the visitors came in the 35th minute: Mezzoni met a corner kick
Referee: Iacobellis from Pisa.\nBooked: 34' Oddo (M)
The AC Milan PUMA Kits for 2024/25 are available: buy them now
Do not duplicate or redistribute in any form.\nVAT number: 01073200154\nLicenza SIAE 5330/I/5051
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Palazzo della Penna - Center for Contemporary Arts in Perugia will host the Dorothea Lange exhibition
dedicated to one of the most significant figures in 20th century documentary photography
organized by the Municipality of Perugia in collaboration with CAMERA - Centro Italiano per la Fotografia di Torino and Le Macchine Celibi soc
represents a first step in the process of transforming Palazzo della Penna from a civic museum to a “Center for Contemporary Arts,” in line with the cultural policy of the new Giunta
Strongly desired by Mayor Vittoria Ferdinandi and Culture Councillor Marco Pierini
the exhibition is part of a revitalization strategy that aims to qualify Palazzo della Penna as a space dedicated to contemporary arts
capable of stimulating a dialogue between different disciplines
and new technologies.Curated by Walter Guadagnini and Monica Poggi
the exhibition on Dorothea Lange presents more than 130 shots that chronicle a crucial decade in the photographer’s career
Lange abandoned portrait photography to document the economic crisis that resulted from the Wall Street crash
She set out in 1935 on a long journey with economist Paul S
to chronicle the dramatic living conditions of agricultural workers in the central areas of the country
which had been hit by a severe drought from about 1931 to 1939
Commissioned by the government’s Farm Security Administration documentation program
she chronicled the tragedy of poverty and the conditions of farm workers and migrant families affected by the drought and Dust Bowl sandstorms
Among his most famous images are those devoted to cotton plantations in the Southern states and pea plantations in California
where dramatic working conditions were intertwined with exploitative racial segregation
He collected stories and tales that are recorded in the detailed captions that accompany the images
It was in this context that he made Migrant Mother
a portrait of a desperate young mother living with her seven children in an encampment of tents and disused cars
The second major cycle of images in the exhibition is devoted to the American population of Japanese descent in World War II
which for the United States began in 1941 with the Japanese bombing of Pearl Harbor: after the declaration of war
government decided to intern the native Japanese community in the United States in prison camps
hiring various photographers to document what happened
Lange documented at the behest of the government
despite the fact that she and her husband had publicly given their dissent
the forced internment of American citizens of Japanese descent
Her shots document the absurdity of a racially discriminatory law and how it disrupted the lives of thousands
racial discrimination-the issues Dorothea Lange addressed in the 1930s and 1940s are absolutely topical
In addition to celebrating one of the milestones in the history of twentieth-century photography
the exhibition invites the public to reflect on the present
“It is with great emotion that we open today what represents the first exhibition promoted by our administration,” said Mayor Vittoria Ferdinandi
“I thank Alderman Pierini for giving us the extraordinary work of Dorothea Lange
an icon of photography who was able to capture and tell the reality of a difficult era through the lens of her camera
The images on display are not simply snapshots of everyday life
but true human narratives that speak of hope
Lange’s work transcends mere reportage; he manages to capture the humanity of his subjects
His photographs become a powerful vehicle of communication
able to make us reflect on the challenges and hopes of those living in vulnerable situations
The nobility that shines through the faces of adults and the depth of the children’s gazes speak to us of an authentic humanity
a desire for redemption that is universal and timeless
At a time when we face global and local challenges
today’s exhibition reminds us of the importance of listening to the stories of others
understanding the experiences of those around us and never forgetting the value of solidarity and inclusion.”
“Palazzo della Penna strongly reaffirms its vocation as a center of contemporary art by opening its doors to the production of an absolutely prominent figure in the history of photography worldwide,” said deputy mayor with responsibility for culture Marco Pierini
“She who is considered the mother of American social photography
takes us into the heart of the socio-economic implications of the Great Depression
in contact with human dramas and miseries always treated with empathy and sincerity through images that have become symbols of an era
The series made in the mid-1930s on the emigration of California agricultural workers
represents an extraordinary body of work capable of effectively documenting facts and conditions while at the same time fixing motions of the soul that still speak to our consciousness today
We believe that this initiative can contribute to better position the Umbrian capital in the Italian panorama of major exhibitions.”
“We are honored to contribute to the restart of a space with enormous potential like Palazzo della Penna through collaboration with the Perugia administration,” commented Camera’s secretary general
“Our Foundation was born ten years ago with a precise mission: the dissemination and promotion of photographic art
also in the particular sense of image education
An activity that we are happy to propose also in this territory
a program of meetings aimed at deepening the topical content that the exhibition brings will soon be publicized.”
"The challenge was to get out of the more classic track by also going beyond iconic images such as Migrant Mother," concluded curator Monica Poggi
“We focused on ten particularly intense years in which Lange worked for the U.S
government for the purpose of documenting the conditions of migrants of the great economic and environmental crisis
but testifies to how photography can trigger concrete social changes
PIACENZA: Maar 20, Romanò 18, Simon 11, Bovolenta 4, Brizard 4, Mandiraci, Scanferla (L1), Galassi 7, Andringa 4, Gueye 2, Salsi. NE – Ricci, Kovacevic, Loreti (L2). Coaches Ljubomir Travica and Matteo Bologna.
PERUGIA: Ben Tara 17, Semeniuk 15, Solé 10, Loser 7, Giannelli 7, Plotnytskyi 5, Colaci (L1), Ishikawa 18, Herrera, Zoppellari. NE – Candellaro, Usowicz, Cianciotta, Piccinelli (L2). Coaches Angelo Lorenzetti and Massimiliano Giaccardi.
Referees: Andrea Puecher (PD) and Massimiliano Giardini (VR).
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Inter faced Perugia away at Stadio Renato Curi
It was a weird season for Inter as they fought for fourth place with Parma and Lazio
which would lead to preliminary qualification for the Champions League: the clash was played in between the quarter-final in the UEFA Cup against Marseille
Inter took to the field with the yellow jersey: with the scoring being opened by a brilliant strike from Adriano in the 24th minute
The home side managed to bounce back with goals from Eusebio Di Francesco and Dario Hubner
but Inter managed to secure a very important win
with Adriano's second goal and a goal from Oba Oba Martins
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ParkingFAQTickets
ParkingFAQInter Store
INTER STORE SAN SIROINTER STORE CASTELLOInter Store
where filming recently began—seventeen years after the murder of Knox’s British roommate
who have displayed banners around the city with messages such as “Rispetto per Meredith” (“Respect for Meredith”)
explaining in an open letter published in Italian newspapers that while the city could have denied filming permits
it allowed the project to proceed with the condition of carefully overseeing the content filmed on location
starring Grace Van Patten as Knox and Giuseppe De Domenico as Raffaele Sollecito
recounts Knox’s wrongful conviction and ultimate acquittal by Italy’s highest court in 2015
The show has been produced across multiple locations
Steinberg and a production team that includes Monica Lewinsky’s Alt Ending Productions and The Littlefield Company
The controversy surrounding “Blue Moon” underscores the lingering tensions in Italy over Knox’s involvement in the Kercher case
Many locals and Kercher’s family still hold doubts about Knox’s role
The production’s choice to film in Perugia
particularly at locations significant to the original events
the production team is reportedly working closely with local authorities to ensure that filming respects the memory of Meredith Kercher and the city’s sentiments
the Villa del Colle del Cardinale in the hamlet of Colle Umberto in Perugia will reopen to the public
financed by the PNNR Parks and Gardens Fund to the tune of 2 million euros
Built in 1575 at the behest of Cardinal Fulvio della Corgna
and probably designed by Perugian architect Galeazzo Alessi
the Villa is once again accessible to visitors in a new guise.The work focused on redefining the still-recognizable topographies of the green areas outside the Villa
as they have sedimented over the centuries
The Cardinal’s Bath was also consolidated and the interior paintings were restored
as well as the removal of architectural barriers
interventions that will be completed during 2026
The main interventions involved the arrangement of the entrance and access paths
through the restoration of the rainwater collection and regimentation system
and the reconstitution of the boundaries of the side hedge of laurel (Laurus nobilis)
We then moved on to work on the first hemicycle facing terrace
distinguished by the presence of the Heron fountain
on the parterre in front of and to the side of the villa
with the reactivation of the existing fountain
will evoke the garden design of formal eighteenth-century inspiration
preserving the plano-altimetric base modeled in the early twentieth century
After the restoration of the perimeter wall
the camellia theater and the new vegetable garden area will become accessible again
with the arrangement of the repotting Greenhouse and the existing iron arbors
the planting of a pomarium of ancient Umbrian varieties
as well as the securing of the space of the ruins of collapsed ancient greenhouses
The executive design is signed by architect Maria Cristina Tullio
with the collaboration of architects Elisa Monteduro
and Sandro Polci; for the structural aspects
Structures BCD projects and engineer Giuseppe Carluccio provided support; for the facilities
The agronomic aspect was handled by Isabella Dalla Ragione
Safety coordination was performed by Tecnostudio; the contractor was Sensi Leonello SRL; the subcontractor Ecolservice SRL
The lighting system was carried out by Pegam SRL
Enhancement and communication activities were entrusted to the Centro di Ateneo per i Musei Scientifici of the University of Perugia
Supervision of the restorations was carried out by Consorzio Aureo
Among the treasures preserved by the Villa del Colle del Cardinale
the Cardinal ’ s Bath is a complex building that
according to recent studies conducted by a team from the Department for Innovation in Biological
Agri-food and Forestry Systems (DIBAF) of the University of Tuscia
consisting of the superimposition of new and pre-existing constructions
in direct connection with the forest and the hanging garden
The Cardinal’s Bath has undergone extraordinary maintenance works for the safety and structural consolidation of the entire area
These have been complemented by conservation work on the frescoes by Marcello Leopardi that decorate the rooms of the Library
first by surveying the different pictorial phases
then retracing the executive process of the paintings
recognizing previous restorations and various tampering
The public will also be offered the opportunity to take a virtual tour of the Bathrooms
as they must have once presented themselves
The different stages are being carried out by an interdisciplinary research team composed
of art historians Paola Pogliani and Michele Benucci
supplemented by co-financing from the University of Tuscia
enabled the activation of two annual research grants awarded to Michele Benucci and Valeria Valentini
the first tranche of the work has been completed; construction sites for the second tranche
were delivered in March 2025; the contractor is Tecnoappalti of engineer Michele Coviello
Completion of the work and restoration of the decorations is scheduled for 2026
“The months of closure of the Villa allowed not only to carry out the redevelopment of the garden and to start important construction sites
such as that of the recovery of the Cardinal’s Bath
but also to rethink the monumental complex in its most varied declinations
We have embraced Brandi’s lesson that in order to conserve
it is first necessary to know,” said Ilaria Batassa
scientific director of the Villa del Colle del Cardinale
“Research has been our Ariadne’s thread: it has helped us not only to plan
What we are presenting today is a place still ’in the making,’ in the making
with deep respect for its nature and with a view to a chorality and participation that are authentic and capable of strengthening the bond with communities.”
In the year of the one hundred and fortieth anniversary of the birth of Gerardo Dottori
a leading exponent of the Futurist movement
the National Museums of Perugia - Regional Directorate National Museums Umbria is proposing
at the National Gallery ofUmbria in Perugia
a tribute to the artist to illustrate his artistic path
through selected works little known to the general public
curated by the Dottori Archives in the persons of Massimo Duranti
Francesca Duranti and with the collaboration of Beatrice Falcione.In room thirty-nine
in which the permanent itinerary of the Galleria Nazionale dell’Umbria currently concludes with an opening on the historicized twentieth century
on the occasion of the 20th Day of the Contemporary promoted by AMACI - Associazione Musei d’Arte Contemporanea Italiana
the GNU wants to initiate a series of in-depth studies dedicated to the movements and artists that marked the “short century.” The first protagonist of this new initiative is Gerardo Dottori
one of the personalities who dominated the art scene in Umbria in the first half of the century
the Perugia exhibition traces all the languages tackled by the artist during his expressive itinerary: from pointillism-pointillisme
to the dynamism of the mechanical medium of the early 1910s
from the visual-auditory sensations of the mid-1910s to the aeropictorial developments of the early 1920s
a few years before the historical end of the Marinetti movement with the death in 1944 of its founder
the only one signed with the monogram of the artist’s initials
Made during Dottori’s stay in the Lombard capital
it reveals the influence of Divisionist painting by artists such as Giovanni Segantini and Gaetano Previati
particularly evident in the filamentous brushstroke technique
Tied to the artist’s Futurist beginnings is Motociclista (Motorcyclist)
which depicts the theme of the dynamism of motor vehicles
influenced by a fascination with speed: the result is an effect in which the motorcyclist seems to be enveloped by the landscape
The work was exhibited at the Casa d’Arte Bragaglia and donated with a dedication to Marinetti
where the view from above of Lake Trasimeno
ideally positions the viewer at the center of the scene
extending the perception of space and giving the painting a lyrical quality
Similar painting was present at the 1924 Venice Biennale to which Dottori
The exhibition aims to offer the public an in-depth understanding of the artist
enhanced also by the suggestion of a “Dottorian” itinerary in the Umbrian territory
which winds through the places that preserve the artist’s works
from the Civic Museum of Palazzo della Penna in Perugia to Tuoro sul Trasimeno
The exhibition will be enriched by a didactic apparatus
which will illustrate the scientific motivations behind the exhibition project
guided tours) aimed at further deepening the knowledge of Gerardo Dottori and to reveal unpublished or little-known aspects of him
For all information, you can visit the official website of the National Gallery of Umbria
è possibile filtrare per regione e provincia così da scoprire i punti fisici della zona più vicini
MILAN FUTURO-PERUGIA\nSABATO 8 MARZO ore 15.00\nSTADIO FELICE CHINETTI - SOLBIATE ARNO (VA) \nACQUISTA IL BIGLIETTO
it's possible to filter the region and province to find the closest physical selling points
MILAN FUTURO v PERUGIA\nSATURDAY 8 MARCH at 15:00 CET\nSTADIO FELICE CHINETTI - SOLBIATE ARNO (VA)\nBUY TICKETS HERE
11 Mar 2025 17:30:00 GMT?.css-1txiau5-AnswerContainer{color:var(--GlobalColorScheme-Text-secondaryText2);}Perugia won 1–0 over Torres on Tue
The current head to head record for the teams are Perugia 0 win(s)
Have scored 3 goals in their last 5 matches
11 Mar 2025 17:30:00 GMT?Perugia won 1–0 over Torres on Tue
11 Mar 2025 17:30:00 GMT.InsightsHave scored 3 goals in their last 5 matches
Perugia is playing home against Torres on Tue
10 Jan 2025 19:30:00 GMT?.css-1txiau5-AnswerContainer{color:var(--GlobalColorScheme-Text-secondaryText2);}Perugia won 1–0 over Carpi on Fri
The current head to head record for the teams are Perugia 7 win(s)
Haven't kept a clean sheet in 5 matches
Haven't scored in their last 2 matches
10 Jan 2025 19:30:00 GMT?Perugia won 1–0 over Carpi on Fri
10 Jan 2025 19:30:00 GMT.InsightsHave scored 7 goals in their last 5 matches
Perugia is playing home against Carpi on Fri
Meet Dr Francesca Perugia – housing researcher on a mission to turn data into action
ensuring communities and policymakers are ready for the challenges of a changing world
Whether she’s diving into disaster-responsive housing or into the ocean as a marathon swimmer
she’s all about pushing boundaries and making real impact
Tell me briefly about your field of research?My research looks at how risks brought on by climate change impact housing
including how communities understand risk and how this impacts their decisions
But it’s not just about identifying the risks
it’s about making sure that policymakers get the insights they need to create policies that reflect what people really need
rather than just one-size-fits-all solutions
I enjoyed working closely with policymakers on our Australian Housing and Urban Research Institute (AHURI) funded national enquiry on disaster risk and housing to get a deeper understanding of how they make decisions
We always see the final outcomes of policies
but we don’t often get the chance to unpack the “why” behind those decisions
One of the most fulfilling aspects of this project was hearing from people who told us how our research has directly influenced their work
It’s such a rewarding feeling knowing our work didn’t just sit on a shelf somewhere but makes a real difference to the sector
If you could sit-in with any Faculty for a day
There’s always conversation in my field about costs
I’d love to sit down with economists and find some kind of middle ground where we’re not just thinking about financial profits but also considering the broader social and environmental values that matter
What are your passions/hobbies outside of work
I swam solo in the Rottnest Channel Swim three years ago
Swimming is my way of getting out of my own head
We go for long swims which is followed by an even longer coffee session
What’s a fun fact about you that your colleagues would probably not know
I’ve actually worked at Curtin for 14 years but most people think I’ve only been here for about four or five
I started off developing online learning materials through OUA
It wasn’t until 2021 that I became full-time staff
What’s the most valuable thing you’ve learnt in your career so far
Some of the most interesting and unexpected opportunities have come from conversations I never thought much of at the time
What’s a piece of advice you would give your fellow colleagues
There are so many brilliant people in research
but what really sets people apart isn’t just being smart
even when things don’t work out the first time
The thing about academia is you don’t always get the answers you want right away
Connect with Francesca!
This piece was featured in Impact Focus – a quarterly newsletter bringing you the latest in Curtin research. Sign up here to get it delivered straight to your inbox
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