For avid historians of Van Halen's history, the source of an '80s dinosaur-themed photo shoot has gone unsolved for years. But it looks like the Van Halen News Desk can put an end to the debate as new video from the Van Halen Italia Fan Club has surfaced from this shoot
The photos first surfaced in 1995 with the shots of the David Lee Roth-era band playing in front of life-sized sculptures of dinosaurs
The previously unseen photos were then published in the Van Halen-featuring The Inside magazine as part of a one-page piece titled "Sunday Afternoon in Jurassic Park?," a title still very hot at the time coming on the heels of the 1993 Jurassic Park blockbuster
It was narrowed down that the shoot occurred in 1981 on location for a video shoot for the Fair Warning album
but that the footage was never utilized by the band
The photos had been taken by one of the band's roadies
but no further details were known about the shoot and it remained that way for years
video footage has finally arrived online revealing some key essential details
"At the end of 1981 Van Halen filmed some video clips settled in a Jurassic park in Italy
the 'Prehistoric Park' of Rivolta D'Adda (near Milan) The band was engaged in a European tour for promoting Fair Warning. These videos aired on Italian state television
Van Halen Italia Fan Club found those video clips and shares them with fans all over the world."
Have a closer look at the newly unearthed footage from the band's appearance on Italy's Happy Circus below
The source of this shoot had gone unsolved for years.\nRead More
For avid historians of Van Halen's history, the source of an '80s dinosaur-themed photo shoot has gone unsolved for years. But it looks like the Van Halen News Desk can put an end to the debate as new video from the Van Halen Italia Fan Club has surfaced from this shoot
The photos first surfaced in 1995 with the shots of the David Lee Roth-era band playing in front of life-sized sculptures of dinosaurs
Footage of Van Halen performing the track So This Is Love has surfaced
The clip is made all the more interesting by the fact the clip was filmed inside an Italian dinosaur-themed “Prehistoric Park,” (Parco Della Preistoria) and only broadcast on Italy’s state television channel
A Van Halen Fan who runs the YouTube channel Kosmo VanHalenItalia
uploaded the footage with the caption: “At the end of 1981 Van Halen filmed some videoclip settled in a Jurassic park in Italy
the ‘Prehistoric Park’ of Rivolta D’Adda (near Milan).”
“These videos aired on Italian state television
The hosts interviewed a number of guests per episode
and occasionally threw to bespoke clips like the Van Halen one that’s just now hit the web
While they’ve got a killer filming location and are clearly having a great time
it’s safe to say that Van Halen are miming to a track in this clip
Unless there’s some expertly-concealed wireless kits and amplifiers off-camera
that’s something David Lee Roth’s outfit was absolutely not concerned with
Regardless of the amplification situation, it does look like Eddie Van Halen is indeed playing one of the original ‘Frankenstrat’ guitars, complete with paint striping and mangled pickguard.
The world’s leading authority and resource for all things guitar.
A long lost video of Van Halen performing in front of giant dinosaur statues has finally been unearthed after more than 40 years
“At the end of 1981 Van Halen filmed some videoclip settled in a Jurassic park in Italy, the ‘Prehistoric Park’ of Rivolta D'Adda (near Milan),” notes the YouTube uploader, Kosmo VanHalenItalia
“These videos aired on Italian state television
during a TV show called Happy Circus,” the YouTube caption further explains
adding that the “Van Halen Italia Fan Club” were the ones who uncovered the long lost footage (which you can watch below)
Speculation surrounding the mysterious “dinosaur video” has long run rampant among handcore fans. The Van Halen News Desk notes that pictures from the video shoot
were published in 1995 in the magazine The Inside
The accompanying story was short and shone very little light on the video
speculating “the dinosaurs never made it off the cutting room floor.”
“So This Is Love?” was released as a single in 1981
See Rock’s Epic Fails: Van Halen Edition
Watch the band perform their 1981 single \"So This Is Love?\" in a prehistoric park.\nRead More
A long lost video of Van Halen performing in front of giant dinosaur statues has finally been unearthed after more than 40 years
“At the end of 1981 Van Halen filmed some videoclip settled in a Jurassic park in Italy, the ‘Prehistoric Park’ of Rivolta D'Adda (near Milan),” notes the YouTube uploader, Kosmo VanHalenItalia
Speculation surrounding the mysterious “dinosaur video” has long run rampant among handcore fans. The Van Halen News Desk notes that pictures from the video shoot
The song eventually appeared on Van Halen’s 1995 album
It’s been a heck of a week for newly unearthed Van Halen vids – see the unseen-for-40-years clip of the boys performing the Fair Warning track So This is Love? in Italy’s Rivolta D'Adda “Prehistoric Park,” surrounded by fake dinosaurs
Now the Van Halen Brasil YouTube page has given us more VH gold, with footage of Eddie Van Halen playing the electric guitar riffs to the song Amsterdam at 5150 Studios
years before the tune saw release on Van Halen’s final album with Sammy Hagar
And while a message at the beginning of the video places the footage in 1985
Eddie's haircut and "Team Jams National Champs 1986" jersey suggests that it was likely shot in 1986 or early 1987.
Eddie would later take issue with Hagar’s lyrics to Amsterdam
which was titled in homage to the Van Halen brothers’ birthplace
“I always hated the words to ‘Wham
because they were all about smoking pot – they were just stupid
Lyrics should plant some sort of seed for thought
or at least be a little more metaphorical.”
Richard BienstockRich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion
He is also a recording and performing musician
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But she was able to say three words: "It was Gaetano"
For months she had been threatened by her 55-year-old former lover
But on the day before he arrived on her doorstep
The 36 year-old graphic artist from Riva di Chieri near Turin received a text message: "I'm coming there and I'll kill you."
De Carlo drove 115 miles to Rivolta d'Adda near Milan
De Carlo's killing spree ended the same day
But the murders formed part of a series that was anything but over
In the eight weeks to last Sunday, eight Italian women died in strikingly similar circumstances that indicate a change in the usual motivation for "crimes of passion". Their deaths have prompted anguished discussion about the interaction between the sexes in today's Italy
All the women were killed by men who were unable to accept rejection
"There is no infidelity at the root of these crimes," said Fabio Piacenti
infidelity is even tolerated so long as the relationship continues
What some men find intolerable is the breaking up."
said the killers seemed to have confused "affection with a sense of ownership"
"Possession is a form of assertion of the ego that excludes the other person," she said
"Possession demands domination and control
arrogant and androcentric culture." Androcentrism is the placing of the masculine point of view at the centre of one's view of the world
As Cristina Rolle and her estranged husband sat with a social worker
calmly discussing the custody of their children
he took out a knife and stabbed her to death
A few weeks earlier she had broken off with Fabio Riccato
she found him waiting for her at a crossroads
shot her three times and then turned it on himself
Some of the victims had been involved with their killers for years
After Chiara Brandonisio was hauled from her bicycle and beaten to death in Bari
police said they were looking for a man with whom she had had an entirely virtual relationship consisting of online video-chats
Not the least of the questioning prompted by the killings has concerned the effectiveness of a new law on stalking
the government introduced legislation imposing penalties of up to four years in jail
But the indifference of police and courts to what is still often viewed as a private matter has yet to be eroded
Sonia Balconi's husband had reported her killer seven times
Agostino Arrivabene was born in Rivolta d'Adda
He graduated from the Academy of Fine Arts in Milan but acquired his true training through direct exposure to the paintings of great masters of the past
observing their works firsthand in various museums across Europe and the world
His focus is on seeking a common thread that can revive the poetics of the past and the pursuit of "beauty" in the contradictory reality of his present time
His artistic research is guided by the legacy of ancient masters
the artist rediscovered many traditional painting techniques during his self-taught training years (for example
Arrivabene's works are characterized by a strong visionary quality and a preference for a symbolist language
almost all of which have fallen into disuse and are prepared by hand
Among the various genres explored by Arrivabene
et artificialia," with a particular focus on Renaissance and Baroque catalogs
we also find artifacts from the natural world
Agostino gives free rein to his most astonishing imagination and his love for all rare and unusual manifestations of nature
Reminding us of the transience of human things
in a cycle that becomes a true memento mori
the artist creates his modern and deeply personal Wunderkammer on canvas
pain is not depicted for morbid attraction but is always "functional" to a state of transition
allowing the subject to connect with other realities—sometimes represented materially by plants or flowers
other times only hinted at through strokes of light or dust on the canvas
he also portrays true paradises where blinding lights invade ecstatic figures waiting for answers to cosmic questions
Agostino Arrivabene's art fits into a period in which spirituality regains centrality
The end of the 20th century saw a revival of interest in mystical dimensions
As the artist states: "My work is a constant dialogue between the sacred and the profane
a bridge that connects the divine and the human." His works
creating a synthesis between ancient and modern
bringing these influences into the present to fulfill the contemporary desire for meaning and connection
nature is full of apparitions; it is a pagan cosmos whose phenomena have influenced and nourished his imagination
He invites us to contribute with our personal experiences in an act of open interpretation
the world experienced by the soul in an individual and spiritual way
Contemporary artexhibitions Milano
Primo Marella Gallery is proud to welcome the opening of the extraordinary exhibition "L'Oniromante" The Oniromancer) by artist Agostino Arrivabene to its exhibition spaces in Milan
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