in violin making and the figure of Antonio Stradivari and who saw the light in the Lombard city in 1567 A festival has been dedicated to this protagonist of the history of music for more than forty years with the most important Italian and international performers of early and baroque music converging on Cremona for a series of concerts that are not infrequently held outside the spaces expressly designed and built for musical performances in some of the places that make up the extraordinary artistic and architectural heritage that the city of the “divine Claudio” can boast.Even in the 2024 edition of the Monteverdi Festival concerts in deputed spaces such as the beautiful Auditorium Arvedi of the Violin Museum and Teatro Ponchielli (where a good performance ofOrpheus and Cecilia Bartoli’s scintillating concluding concert took place) were flanked by concerts and performances held in churches and palaces sometimes open to the public for the occasion The splendid music of Monteverdi and his contemporaries is thus given an additional faculty in addition to that of bewitching and exciting listeners: that of opening the doors to a heritage that is often little known to citizens and outsiders alike boasts an underlying consistency with the music that comes to life there whether because of a certain chronological and stylistic congruence between architecture and scores masses and motets resonate in those spaces dedicated to worship for which they were composed The most interesting case in this regard is undoubtedly that of the church of Saints Peter and Marcellinus its current conditions of accessibility and because many festival events have been held there The grand church attached to the Jesuit college constitutes the most important sacred building of the Baroque period in Cremona: the exterior is striking for its majestic façade which has remained unfinished and is punctuated by gigantic fluted Corinthian pilasters in addition to a whole series of significant works in the side chapels which provided a most appropriate backdrop for the various concerts of seventeenth-century music carved in the second half of the 17th century by Giacomo Bertesi features an exuberant decoration of acanthus scrolls painted in the early 17th century by Cremonese painter Gervasio Gatti and depicting The Baptism of Pauline An altarpiece that is not normally visible with a typically Jesuit taste of ’I see and I don’t see’ (think of what happens at the Gesù in Rome with the statue of St by another and later canvas depicting the Crucifixion Marcellinus represents a case of heritage in distress: the church as evidenced by the propped-up main entrance For years there have been questions in the city about the future use of this building: the most recent moment of reflection on this issue was represented by a significant conference held in October 2023 The prevailing idea is to make it an auditorium but without giving up its use as a place of worship The large hall of the church actually lends itself very well as reiterated by the concerts of the last edition of the festival perhaps further facilitated by interventions to improve its acoustics Some of the most exciting events of the festival took place in San Marcellino a splendid performance of the Vespers of the Blessed Virgin was held there featuring Ottavio Dantone and his Accademia Bizantina conducting the ensemble Musica Antiqua Latina offered a most intriguing program on the evening of June 19 which revolved around the Combattimento di Tancredi e Clorinda: the performance of Monteverdi’s masterpiece was accompanied by that of vocal and instrumental music from the Crusades era was to acquaint the audience with the sound environment in which the ’real’ Tancredi and Clorinda moved the one that must have echoed in their ears as they set out for the bloody confrontation Beautiful was the closing with Orazio Vecchi’s madrigal “Clorinda hai vinto,” with its concluding invocation of peace that resonated as fittingly as ever for a land still it should be mentioned that this year marks the 400th anniversary of its first Venetian performance (and yes it’s not just the 200th anniversary of Beethoven’s Ninth...): for this reason the composition was one of the protagonists of this year’s edition of the Monteverdi Festival In addition to the one proposed by Antonelli there was the masterful and touching one by Antonio Greco and Cremona Antiqua (which we saw at the Trame Sonore festival in Mantua and which in Cremona was revived in stage form directed by Roberto Catalano) and the contemporary reinterpretation operated by the Fedra Ensemble double bass and synthesizers (Cortile di Palazzo Guazzoni Zaccaria by that of a ’legend’ of early and Baroque music (French first and foremost who with the splendid singers and instrumentalists of Les Arts Florissants offered a’impeccable reading of some pages from Monteverdi’s Moral and Spiritual Forest (such as the festive Beatus Vir) coupled with instrumental gems such as one of the “sonate concertate in stil moderno” by Dario Castello a Venetian composer close to Monteverdi who revolutionized instrumental music and was torn from this world unfortunately too soon A program in some ways similar was that of the concert by Federico Maria Sardelli and Modo Antiquo on June 22 which juxtaposed the Monteverdi most closely associated with traditional polyphony (the Missa In Illo Tempore) with the composer of the concerted psalms an expression of the innovative “second prattica.” ShareSaveCommentLifestyleSpiritsThe Inside Story Of Winemaking At Rocca Di MontegrossiByTom Hyland Forbes contributors publish independent expert analyses and insights Tom Hyland writes about wine (and sometimes) food from Europe and US 11:21am ESTShareSaveCommentMarco Ricasoli Firidiolfi I recently met with Marco Ricasoli Firidolfi proprietor of the Rocca di Montegrossi estate in Gaiole in Chianti in the southern reaches of Chianti Classico While each estate in Chianti Classico is different thanks to Ricasoli Firidolfi’s determination to make wines not to receive the highest ratings but rather to best reflect the local terroir Ricasoli Firidolfi produces a line of wines that is somewhat unusual for this territory he releases a Chianti Classico annata as well as a Gran Selezione he crafts distinctive Super Tuscan that contains Pugnitello is among the finest I’ve tasted in some time and Ricasoli Firidolfi notes that despite its humble image in the wine industry rosato is actually not an easy wine to make “To try and produce an interesting rosato,” he remarks “there is more work behind this than a red wine in the first two to three months.” After pressing the grapes he gives them skin contact for 40-50 minutes to achieve its attractive bright pink color Then given the low fermentation temperatures he has to add CO2 to each tank every day to avoid oxidation He also keeps the wine on its lees for three months to add structure and flavors and to increase the aromatics and complexity “It’s a wine you can ruin very easily,” he comments So if you want to produce an interesting rosato you need to pay attention to different steps.” The current release of this wine is from the 2021 vintage and it’s a delightful offering with aromas of orange peel Enjoy this over the next 2-3 years with poultry and lighter white meats or soups For his Chianti Classico annata (the current release is from the outstanding 2021 vintage) Ricasoli Firidolfi blends in small percentages of local varietals such as Colorino and Canaiolo; there are no international varietals such as Merlot or Cabernet Sauvignon which he leaves for his IGT Toscana wines) he will continue to blend in Canaiolo in his annata; “It’s a little romantic grape variety It’s very important for the entry level Chianti Classico to rebalance the acidity.” The 2021 Rocca di Montegrossi Chianti Classico is very impressive and should drink well for six to ten years (92) For his Gran Selezione Vigneto San Marcellino Ricasoli Firidolfi explains that he has to age the wine in the cellar for a longer period of time than other Chianti Classico producers due to differences in terroir as well as winemaking style Noting that there are some examples of Gran Selezione from the 2020 vintage currently on the market “My 2020 would be undrinkable now due to the structure As for this 2018 and how it is tasting out now “now after almost three years in the bottle The wine is starting to really show its pureness and quality.” 2018 has unjustly been overlooked in Tuscany as the wines are lighter on the palate than some recent vintages (2015 it more than makes up for it with its beautiful structure and finely tuned acidity Wines from this vintage are more typical of what local producers consider classic The wine has outstanding typicity and complexity a rarely seen Tuscan varietal in his Gran Selezione (10% to go along with 90% Sangiovese) as well as in his IGT wine labeled Ridolfo which is a 50/50 blend of Pugnitello and Cabernet Sauvignon “I am using Pugnitello at the suggestion of my winemaker,” he remarks Meaning “little fist” in Italian - the shape of a cluster of Pugnitello grapes resembles a small fist - the varietal is notorious for its small quantity produced in the vineyard but the quality is really amazing.” The 2017 Ridolfo and big extraction of black fruit; this will be at its best over the next seven to ten years Another excellent red here is Geremia (current release 2018) an IGT red made from 82% Merlot and 18% Cabernet Sauvignon Ricasoli Firidolfi uses international grapes in this wine but only with other international varietals; he does not blend these grapes with local indigenous varietals While quality with wines made from international varietals in the Chianti Classico zone is still uneven among some producers Geremia is a gorgeous wine with outstanding harmony and persistence along with great complexity and subtle spice Ricasoli Firidolfi produces what many consider to be the archetypical example of Vin Santo del Chianti Classico Vin Santo is Tuscany’s most famous dessert wine - or vino da meditazione if you will - produced from white grapes such as Malvasia and Trebbiano or sometimes with a small percentage of Sangiovese included in the blend The Rocca di Montegrossi version is 100% Malvasia The palate is layered and the wine is lush with the sweetness of the fruit lasting for a long time in the finish This has been my favorite Vin Santo del Chianti Classico for many years and the current 2013 (ten years is when a great Vin Santo starts to display its best qualities) is among the best of the last ten years (along with the 2010 and 2011); given the history of this wine the 2013 should drink well for at least 15-25 years 2022 (GLOBE NEWSWIRE) -- Led for the 21st consecutive year by Nicki Marcellino 2021 was another fantastic year for the La Jolla office of Berkshire Hathaway HomeServices California Properties 1 among all real estate offices located in La Jolla The team also outperformed the closest competitor in La Jolla by 3.4 times the sales volume in the 92037 ZIP code 1 for sales of homes priced over $3 million Nicki gives all the credit the office has had to the agents “The success of this office is a direct result of our tireless agents who are driven to create the most favorable outcome for their clients – the best of the best,” she said they are always willing to help each other and give back to their community “Our agents respect and admire each other’s strengths and the monumental achievements they have created Just another reason why this office has consistently ranked No Last year we added several more agents who came to us from some of the foremost agencies in the region 1 office in La Jolla again in so many categories and continually rank in the Top 10 Berkshire Hathaway HomeServices international network." Nicki has helped support the success of many superstar agents and teams in the La Jolla office during her career and they are proud to laud her for her unwavering inspiration and encouragement “Nicki has been at our side for more than 20 years helping our team facilitate our business day in and day out,” said Maxine Gellens who covers the region with her daughter Marti and their expert team her connections throughout the real estate industry and her market knowledge make it a pleasure to conduct business with clients and agents alike pleasant business style is an added bonus.”  Nicki is a firm believer in regularly reminding consumers and agents alike that Berkshire Hathaway HomeServices California Properties belongs to the global Berkshire Hathaway HomeServices network of more than 50,000 real estate professionals in nearly 1,500 offices throughout the U.S. This affiliation gives agents access to the network’s massive marketing and other resources assuring clients of the seamless transactions the La Jolla agents are known for “Having managed this office for over 21 years and for the best company I could ever ask to work for,” Nicki said About Berkshire Hathaway HomeServices California Properties Berkshire Hathaway HomeServices California Properties proudly supports nearly 3,000 sales associates in 45 offices spanning Santa Barbara to San Diego our expert agents assisted in more than 10,000 client transactions for over $13 billion in sales volume All Italy is dotted with postcard-perfect vest-pocket cities whose place in cultural history is tremendous 70,000) is renowned as the birthplace of Claudio Monteverdi (1567–1643) whose three surviving but long-forgotten full-length operas—revolving around Orpheus and Rome’s criminal imperials Nero and Poppea—resurfaced in the 20th century to form the bedrock of the enduring canon Add to this Cremona’s bragging rights as the hometown of the luthiers Antonio Stradivari (1644–1737) and Bartolomeo Giuseppe Guarneri (1698–1744) against whose fiddles and other instruments of the string family all others are measured features 30-plus events including lectures among them plenty from pens other than Claudio’s Banner concerts (at the historic Chiesa di San Marcellino) and operas (at the Teatro A Monteverdi’s monumental Vespers of the Blessed Virgin with Jordi Savall leading the combined forces of La Capella Reial de Catalunya and Le Concert des Nations (June 7) The Parma 1769 version (who knew?) of Christoph Willibald Gluck’s Orfeo ed Euridice starring Cecilia Bartoli as Orpheus (June 11) Monteverdi’s own Il Ritorno di Ulisse in Patria (Ulysses Comes Home) with the rising star Margherita Sala as Penelope The world premiere of the critical edition of Palestrina’s Requiem with the Tallis Scholars under the direction of Peter Phillips (June 26) arguably Claudio’s most talented student (June 27 (KGTV) - A mom in the South Bay accepted a high school diploma for her 17-year-old son when she accepted his high school diploma Thursday night from the Urban Discovery Academy in downtown San Diego The sadness began unfolding since a day last summer had been in and out of treatment programs for several years she believes her son took his own life by taking fentanyl I believe Marcelino was hurting and wanted to stop hurting,” said Trujillo Soon after her son's passing, she was on the phone with Imperial Beach’s city manager with a request. Within weeks, it became a reality: A sign posting the number for the San Diego Access & Crisis Line went up at the Imperial Beach Skatepark she organized a wellness resource fair at the skatepark exposing youth to nonprofits and other resources aimed at preventing teen suicide RELATED: San Diego County may receive $4.1M for youth suicide prevention efforts It’s a fight for awareness she has carried on On Wednesday, the county officials accepted more than $4 million in state funding to tackle the issue of teen suicide Trujillo is hoping to apply for some funding to put the same signs in every local skate park while pushing for more outreach inside schools I don’t want other youth to suffer the way my son suffered,” said Trujillo Trujillo says she's already seen outreach increase at schools She's hoping to hold the resource fair every year in September A Gofundme campaignhas been set up to help raise money with the annual event If you or someone you know may be thinking about suicide call the San Diego County Access and Crisis Line at 888-724-7240 or the Suicide and Crisis Lifeline at 988 For a change this month I thought I would share with you my fondest and most memorable art-related impression of 2016 namely my encounter with Claudio Parmiggiani’s installation Naufragio con Spettatore (Shipwreck with Spectators) in Parma Meandering in the bedazzling brilliance of Emilia Romagna’s sunshine I arrived at the Chiesa di San Marcellino with a sense of some anticipation partly because of the slight buzz of accustomed edginess I always associate through encounters with Parmiggiani’s work and partly because of the seeming impossibility of the image portrayed through the more prosaic suspicion regarding the Parma 360° festival marketing materials the unprepossessing entrance and the dark chill of la Chiesa I waited for my eyes to adjust and witnessed seeming to approach me as if driven on a tide of books My sense of incredulity at this magic was only overshadowed by a feeling of melancholic immersion; my consciousness flooded and overwhelmed by the image the presence and sense of sadness engendered by this indescribable ‘thing’ Upon regaining my sensory equilibrium I saw that the apparition was in fact a real Egyptian Felucca (apparently acquired in Genoa) afloat on some 60,000 hardback tomes on various subjects (I was looking for the titular symbolic of course) impossibly large to clear the doorway or any other possible means of entry into the space aground or adrift on an ocean of literature - the potential for poetry and metaphor abound I think that for the first time I truly grasped the effects of the metaphysical in practice rather than in theory The title of this work by Parmiggiani is entirely related to the approach of the philosopher Hans Blumenberg (1920 – 1996) who attempted to alert us to the dangers of ‘truth’ as a revealed quality or commodity valorized by science In his ‘Shipwreck with Spectator: Paradigm of a Metaphor for Existence’ and other works such as ‘Light as a Metaphor for Truth.. we see proof positive that Parmiggiani’s grasp of the metaphorical and mythological dimensions of art that go way beyond theory I would go further by arguing that the beauty divined of confusion by Blumenberg and in principle is made real and live by Parmiggiani in a way that defies much of the known glossary for art history or of phenomenological positioning I am acutely aware that these are my words and not those of Claudio (who may in fact strongly disagree!) Claudio is known to value silence over wasted words and whilst I am personally regretful of the artist’s too-low profile in the English-speaking world for him I would conjecture that the word-vacuum created by the absence of the artist’s voice is part of the insuperable reality that is the life/the work rather than a failure to communicate It is 23 years since I was first moved to write to Claudio subsequent to seeing his Iconostasi [3] exhibition in Prague an act of viewing entirely driven indoors by an intemperate February hail storm 2018 7:00 AMHow San Quentin Inmates Built a Search Engine for PrisonAfter learning to code from nonprofit The Last Mile a search engine to help further their studies.Cait OppermannSave this storySaveSave this storySaveMarcellino Ornelas had been in and out of juvenile hall seven times by the time he finally went to prison at the age of 19 for assault with a firearm He'd already been kicked out of high school and was working as the "local drug dealer," with a side gig at a Ross department store This is who my friends are," Ornelas says "That always brought me back to the same situation." But while the classes were fulfilling for students like Ornelas, they were also painstaking. Nearly every state across the country strictly prohibits internet usage. That means that Ornelas and his fellow students had no way to access the site that's like oxygen for coders around the world: Google. Dan WheelerSo last year, armed with their newfound skills, Ornelas and three of his classmates decided to build their own search engine for the inside. They called it JOLT, an acronym for the first letter of each of their last names. Now, The Last Mile has deployed JOLT in six prisons, where it's helping enhance a program that Ornelas insists has already changed the course of his life. In order to get The Last Mile's coding courses up and running to begin with, staffers essentially had to recreate the internet inside the prison's high barbed-wire walls. They set up their own servers, and loaded them up with digitized textbooks, video lectures, and relevant offline Wikipedia entries. This library wasn't comprehensive—only coursework was allowed—but it was just enough to teach students the basics. "We were building a small pond to mimic a big ocean," says Dan Wheeler, the program's lead instructor and a former Dropbox engineer. "You can still learn the basics of swimming." In 2017, Wheeler launched a new course for advanced students, based on a class he took as a computer science student at Massachusetts Institute of Technology. For half of the duration of the class, students would team up to work on an open-ended project. The idea for JOLT arose out of the students' own needs, says John Levin, one of the members of the team. "We were wasting a lot of our time just trying to find the right resource so we could learn what we wanted to learn," says Levin, a former IT professional who has been serving a life sentence since 2013. Levin was the only member of the four-person team with prior tech experience. Jason Jones, who entered prison 13 years ago, has never owned a gadget more modern than an early-aughts Sprint flip phone with custom ringtones. "I felt like a foreigner," he says of those early coding classes. "I was getting things to work, and I didn't know why it was working." 'We were building a small pond to mimic a big ocean.' "They learned the magic of open source" he says. "You can stand on the shoulders of giants." JOLT now contains questions and answers from Stack Overflow. It can search the contents of textbooks, just like Google Books. It can pull relevant videos and images and organize them all in a Google-esque interface. And it automatically updates as Wheeler puts new content in the system. "If I add a new textbook to our servers, within 15 minutes it’ll be indexed," he says. Once it was up and running, the team got a chance to demo JOLT for some Google employees who have connections to The Last Mile. "It’s cool to get the thumbs up from Google," says Chris Redlitz, a venture capitalist and co-founder of The Last Mile. "This program means so much to myself, and I'm sure it means a lot to all the men who are in it," says Levin. "Jolt was a way to give back." For Ornelas, the experience of working on JOLT helped him visualize an entirely new path for himself. "I felt like it wasn't just work," he says. "I was creating things people would actually use." It is the essential source of information and ideas that make sense of a world in constant transformation The WIRED conversation illuminates how technology is changing every aspect of our lives—from culture to business The breakthroughs and innovations that we uncover lead to new ways of thinking Chianti Classico’s Gran Selezione classification is inevitably fraught with high expectations my impressions echo those of their Riserva counterparts Among the small sampling of 2018 Gran Selezione the wines demonstrated more overt structure than the annata but with the gracious tannins and fruit of the vintage Bibbiano’s Vigna del Capannino allows a sense of place to shine through and in Il Molino di Grace’s predominantly new barrique-aged Il Margone These first releases suggest 10 to 12 years of cellaring potential there were many successes among the 2017 Gran Selezione Fèlsina’s Colonia harnesses the extremes of the vintage with confidence and admirable poise like Le Miccine practically defy it with freshness and elegance Alongside the 2018s and 2017s were a handful of 2016s from producers who choose to hold back their Gran Selezione for longer before release These examples underscored the accomplishment of the 2016 vintage with Castello di Monsanto and Rocca di Montegrossi’s Vigneto San Marcellino standing shoulder to shoulder with previously released top scorers I was disheartened by the number of heavy bottles – both at the Gran Selezione and Riserva levels Chianti Classico is a leader in sustainability and biodiversity with 40% of production now certified organic The region’s top wines should reflect these values those in unnecessarily heavy bottles are incongruous As for the bigger picture – does Gran Selezione represent the best of the region There is no doubt that some of the denomination’s top wines sit at this level while others – although adhering to the letter of the law – don’t seem to add anything to the idea of being the highest quality classification In a denomination with over 500 estates of various shapes and sizes it is challenging for a newly created topmost designation to achieve one-size-fits-all According to Tim Schefenacker at Castagnoli the classification allows larger wineries to showcase their best company wine ‘It goes without saying that there are some great wines made but I think the criteria and definition of Gran Selezione is quite contrary to our philosophy and style,’ he says Which means that some of the region’s greatest wines still sit outside the denomination Seething underneath all of this is ‘a smell of change,’ describes Le Cinciole’s Luca Orsini The growers’ consortium is presently working to tighten Gran Selezione regulations The proposed requirements would see an increased minimum of Sangiovese from its current 80% and the possible elimination of international grape varieties Officially called Unità Geografiche Aggiuntive or UGA it would essentially be based on existing communes at the moment this is only being tabled for Gran Selezione which represents just 6% of Chianti Classico’s production it remains to be seen if they will be enough to lure eligible IGT wines into Chianti Classico’s Gran Selezione fold it has encouraged Orsini to upgrade Le Cinciole’s Aluigi bottling from Riserva to Gran Selezione with the just released His decision precedes any official change but is rooted in the hope that ‘in the future this classification will put greater emphasis on territory and typicity,’ states Orsini My Brilliant Friend is the story of the long friendship between Elena “Lenù” Greco and Raffaella “Lila” Cerullo which begins as children in the working-class Rione Luzzatti area of Naples and continues as they grow up and take separate paths the link between them never breaking completely reflects the great changes taking place in Italy and in the status of women in society An international coproduction from RAI and HBO the story and screenplay are by Elena Ferrante while this season is directed by Laura Bispuri who follows Saverio Costanzo (Seasons 1 & 2) International distribution by Fremantle in association with RAI Com The series has been exported to 170 countries thus far As they grow, the two women take different paths: Lila stays attached to her place of origin, while Elena goes on to study at the Università Normale in Pisa and begins to write, moving from Milan to Turin and later to Florence, a city that plays an important role in Season 3. (summary and locations of Those who leave and those who stay) takes place in a time frame that extends from the 1980s to the 2010s and recurring locations in the historical centre such as piazza del Plebiscito in the heart of the Decumani where the University Federico II is located The production also shot in Caserta (in a stretch of corso Trieste including piazza Dante and around the Reggia) (Article by: Italyformovies.com supported by the Regione Toscana’s Bando Cinema (2023) has been selected in the Un Certain Regard section is mainly set in Emilia Romagna and in particular in Imola the set also involved the Mugello circuit in Tuscany in the city of Scarperia and San Piero near Florence International Television Production Netherlands were filmed in Florence and its province in 2024 Toscana Film Commission will be attending at the Italian Pavilion (Martin Gropius Bau) to promote Tuscany as filming set and to present our services and benefits or sign up for a new account and purchase a subscription to continue reading or sign up for a new account to continue reading Your digital subscription allows you to view any content comment on any issue and submit your own news to our newsroom Digital subscriptions do not include home delivery of the Tracy Press. To receive the paper at home, sign up for Premium Membership no promotional deals were found matching that code A Tracy Police Department officer marks the location of one of seven shell casings found on Davenport Lane on Jan A 19-year-old Tracy man agreed to a seven-year prison term in connection with a January shooting on Centre Court Drive STOCKTON — A 19-year-old Tracy man agreed to a seven-year prison term for assault with a firearm and a gang enhancement during his court hearing Monday in San Joaquin County Superior Court entered a plea of no contest — which means he did not dispute the charges against him — to the one criminal charge with an enhancement According to Tracy police, Ornelas fired a gun at another man near the intersection of Centre Court Drive and Davenport Lane on the afternoon of Jan. 26. He left in a car and led police on a short pursuit that was ended after officers reported that the driver was becoming reckless. (Previous story.) said Tuesday that Ornelas admitted guilt to the assault charge and will receive two years in state prison as well as five years in prison for admitting the crime was done for the benefit of a street gang Vaughn said Ornelas will also get a criminal strike on his record and must register as a gang member upon his release from prison Ornelas was identified as the shooter after police spoke to the victim while he was being treated for a gunshot wound at Sutter Tracy Community Hospital 20 minutes after the shooting which included burglary and being a minor in possession of live ammunition were dismissed in light of his no-contest plea Ornelas is being held in San Joaquin County Jail until his formal sentencing at 8:30 a.m Contact Denise Ellen Rizzo at drizzo@tracypress.com or 830-4225. Tracy Police Department investigators arrested Marcellino Ornelas Jr., 18, in connection with a series of incidents Monday. Sorry, there are no recent results for popular images. 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animation-plwpox{from{opacity:0;}to{opacity:1;}}@keyframes animation-plwpox{from{opacity:0;}to{opacity:1;}}trip .css-x137ya{opacity:1;border:0;border-color:var(--chakra-colors-light-white_100);border-style:solid;border-bottom-width:20px;width:100%;-webkit-transform:scale3d(0 1);transform-origin:left;-webkit-animation:animation-f981je 440ms 1.4s forwards step-end;animation:animation-f981je 440ms 1.4s forwards step-end;margin-top:var(--chakra-space-space-24);display:none;}@media screen and (min-width: 48em){.css-x137ya{margin-top:var(--chakra-space-space-32);display:block;}}@-webkit-keyframes animation-f981je{0%{-webkit-transform:scale3d(0 1);transform-origin:top left;}}.css-1ngxwzg{opacity:1;border:0;border-color:var(--chakra-colors-light-white_100);border-style:solid;border-bottom-width:12px;width:100%;-webkit-transform:scale3d(0 1);transform-origin:left;-webkit-animation:animation-f981je 440ms 1.4s forwards step-end;animation:animation-f981je 440ms 1.4s forwards step-end;margin-top:var(--chakra-space-space-24);display:block;}@media screen and (min-width: 48em){.css-1ngxwzg{margin-top:var(--chakra-space-space-32);display:none;}}@-webkit-keyframes animation-f981je{0%{-webkit-transform:scale3d(0 where the team met up with Pirelli Romania CEO Davide Meda and other managers at the offices of the production plant to get a progress update on the project The team hosted training sessions and handed out shirts to the children involved in the project before playing a series of friendly matches where a joint project with Parada continues It centres around the San Marcellino children’s home It was set up by Marist brothers and is run by social educators As well as children associated with the local authorities the project involves another 15 from schools in the same neighbourhood The three Inter Campus centres in Ramnicu Valcea run regular activities on their respective football pitches Inima Pentru Inima representative Lidia Dobre local coordinator Alin Matei and second coach Andrey ensure that this takes place wet Sunday did not stop us from having a wonderful day in the gym Ukrainian children who were being hosted at a centre in the small commune of Calinesti took part in the recreational tournament with the Inter Campus teams which were made up of children currently being cared for by our local partners new episode: Virna Toppi is Regina Baresi's guest Inter on the pitch with the special jersey dedicated to Valentino Rossi ParkingFAQTickets ParkingFAQInter Store INTER STORE SAN SIROINTER STORE CASTELLOInter Store Trenitalia announces another good news related to connections from Central Naples and this time it's about new races towards Formia and Gaeta These are tourist destinations very popular with Neapolitans in the summer and this year there will be two new races which will be active on holidays These routes will connect the Central Station of Naples with the Formia-Gaeta Station on the Rome-Naples line via Formia enhancing the offer between the two places and between the Campania and Lazio regions The upgrade was activated in agreement with the Campania Region We remind you that Trenitalia has already decided to activate the new one connection between Napoli Centrale and Rome Fiumicino Airport will be a double floor and with an ability to welcome many travelers Tickets can be purchased on the site Trenitalia where you can also find more information we earn a commission from qualifying purchases through ticketing links This commission does not entail any additional price for the user.