MOLIX MOLINELLA: Tognon 12, Negroni 4, Leopizzi 7, Bianchi 7, Raggi no, Bozzoli no, Venturi no, Tabellini 2, Seravalli 12, Carella 14, Zaharia no, Farabegoli no. Coach Baiocchi.
EMIL GAS SCANDIANO: Fikri 8, Costoli 4, Astolfi 11, Fontanili, Bertolini 6, Levinskis 7, Riccò 9, Vecchi, Caiti 22, Casini none, Sironi none. Coach Spaggiari.
Referees: Addresses of Modena and Moro of Bologna.
PALMER SCANDIANO CENTER: Vecchi, Stefani, Roca, Barbieri, Herrero; N. Busani, Deinite, Beato, R. Busani, Raveggi. Mariotti All.
BDL MINIMOTOR CORREGGIO: Salines, M. Pedroni, Menendez, Righi, Casari; Cinquini, Caroli, Tudela, Holban, F. Pedroni. Granell All.
Referees: Moresco and Vischio from Vicenza.
Goals: pt 12'15'' Casari, 22'08'' N. Busani; st 6'42'' Menendez, 16'36'' Casari (td), 24'56'' Barbieri.
Note: spectators approximately 300. Roca, Barbieri, Cinquini, Caroli sent off 2'.
Serie B. Three games today, the last day of the regular season: in Modena at 16,30:17,30 pm, Amatori-Minimotor Correggio; Pesaro-Rotellistica Scandianese at 18:XNUMX pm; in Scandiano at XNUMX pm, Roller-Mirandola.
In the 70s you came to play in Reggio, then you started coaching. "I can't say how many games I played as a player and coach, but to say that in my life I passed the Secchia 20.000 times, maybe I'm underestimating".
Let's go back to the derby, which certainly won't go to a coin toss. In fact, there are no extra time or penalties planned. "Correggio has the advantage of being able to go to the final even in the case of two draws or a win-loss with the same goal difference. Scandiano will have to do something more".
Technically, how do you see them? "I'll start by saying that for health reasons I've only followed them on television: they both seem to be in excellent physical condition. Correggio is a compact team, it has two good goalies, it has a good coach who puts them on the field well. I think I taught many of these guys the alphabet of roller hockey, then they added their own".
Any names? "I think Righi, Casari, Caroli and Pedroni could be very important, beyond the foreigners".
And Scandiano? "The coach is the great champion Enrico Mariotti, who I followed in the youth teams of the Azzurri: unfortunately I have never had the fortune of having him in my club team, because those who have had him can consider themselves truly lucky. If he manages to give the team what he knows, it will be difficult to overcome him. Now the ball goes to the center... and I turn on the computer to enjoy the double challenge".
CONTEMPORARY ART MAGAZINE SINCE 1980 More...
an exhibition project conceived for the spaces of the Maramotti Collection by the photographer Silvia Rosi
already makes its dual specificity explicit in its title in a double-track development that involves formal and content aspects
The exhibition is in fact made up of often divided
multiplied images that refer to the state of a work “under construction” returned to the user through a language that mixes photographs (the presence of which is predominant) with digital works and videos
the identity of the author is fragmented: she was born in Scandiano from Togolese parents
grown in Emilia where she currently resides
after a degree in photography from the London College of Communication
The term disintegrated which gives the title to the exhibition (an expression borrowed from a phrase by her mother who used to say to Silvia: «I was integrated now I am disintegrated») at the same time does not only trivially allude to the author’s state
in terms of sharing a common destiny with that of many families distributed across the national territory who some of their members located in various places
an aspect which also animates the creative intention underlying her modus operandi
which starts from autobiographical narratives to address universal issues such as that of the diaspora
this exhibition aims to lay the foundations for creating a more extensive and complex project
aimed at activating an Italian network of Afro-descendant citizens and the construction of a diaspora family archive on the national territory
aimed at exploring new opportunities for the dissemination of visual knowledge through vernacular photos
The exhibition opens with images mounted on monitors often placed side by side
made in black and white or color which immortalize Silvia Rosi and her mother as they cross the landscape and become an integral part of it
Fine Art print on Baryta paper © Silvia Rosi
created with the support of Collezione Maramotti
free from any distinctive and connoting sign which on the one hand refers to a suspended
especially for those who usually frequent it
It is the same landscape so loved and portrayed by Luigi Ghirri
who passed away in ‘92 just when she was born
«that plain landscape in which there is no extraordinary or unusual element to cling to» and which in this case acts as a discreet background to bring out the people who are held there and who occupy it
A plain inhabited by the artist and her mother
lived by both in an experience of mimesis and appropriation that has already occurred
the women filmed in tableaux that at times become animated
summarized in “wearing the same clothes”
in a recording that documents a shared source
Rosi is no stranger to this type of projects: some of her past works come to mind in which the labrum (rolled fabric base for carrying loads on the head) is taken up while it is being constructed in a tradition that is handed down from generation to generation (Mother and grandmother) or on Rosi herself while wearing a school uniform
with reference to her mother’s life as a merchant which began very early; it becomes a cultural symbol of matrilineal transmission
In the second room there are self-portraits of the artist alias Disintegrata placed in different situations: on a bike
dressed as a bride in traditional and modern clothes
These are narratives that Silvia Rosi recreates in the studio inspired by family albums
an operation that takes inspiration from the West African tradition whereby it was usual for ordinary people to go to take a portrait in studios that were real sets
sound stages filled with objects of desire (such as refrigerators
indisputable status symbols with which to be immortalized
Portraits reinterpreted in turn by famous African artists from whom the young photographer draws inspiration by sharing their aesthetics
Rosi plays by reconnecting with this tradition and reinventing it as she pleases
a bit as she had done in the past by impersonating her father and mother
creating self-portraits arising from personal or handed down memories
whose environmental backgrounds bear traces of geometric patterns similar to those found in the shots by Sidibé
Once again the user is faced with separate
created with the same subjects that accommodate multiple visions
such as the artist’s self-portrait next to numerous family photos inserted in frames of various sizes piled up on wooden bedside tables or to the diptych which becomes a starting point for reflecting on the concept of representation
hiding it and replacing it with albums on which the writing AGFA stands out (to strengthen the dual identity of woman and photographer
but also to elect herself as the representative of an enlarged family)
or even to the triptych where Rosi portrays herself wearing a traditional African wedding dress next to a shot in which she wears a contemporary look of a modern bride with a bouquet covering her gaze
To underline the authorship of the point of view there is the self-timer device that appears in the photos and which reveals the awareness of one’s own focus and identity
within a conscious direction in which Silvia is the subject and author
without the possibility of misunderstanding and where indeed the “behind the scenes” is shown through the exhibition of a language that is well mastered
as it is evidenced by the work marked by the red sticker with which Rosi identifies the negatives to be printed or those works with clear signs of printing tests
The third room hosts some images from family albums (many of which are placed in a transparent case)
which tell the daily life of African immigrants before 2000
part of that great work still in progress assisted by Mistura Allison
Theophilus Imani and Ifeoma Nneka Emelurumonye
a video shows the photographer immersed in listening to audio cassette recordings of the voices of distant family members intent on reading letters
where a daily life emerges in which we update ourselves on health
A space of memory returned through a divided projection and recalled this time through the word
thanks to which each spectator imagines the protagonists of these epistolary exchanges by recreating their own personal album
the first Italian institutional exhibition of the young photographer Silvia Rosi
hosted at Collezione Maramotti directed by Sara Piccinini
is part of the vast program of the 19th edition of the European Photography Festival entitled Nature loves to hide
inaugurated in Reggio Emilia on 28 April and scheduled until June 9
she enrolled at the Faculty of Letters and Philosophy in Bologna
graduating in History of Cinema (DAMS) and later in Art History
She obtained a Master in Communication for cultural enterprises
she collaborates with various print and online magazines specialized in the artistic and cultural sector
Zeta-International magazine of poems and research
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ASSOCIAZIONE JULIET – via Battisti 19/a – 34015 Muggia (TS)
Juliet art magazine è pubblicata a cura dell’Associazione Juliet - direttore responsabile Alessio Curto autorizzazione del Tribunale di Trieste
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Thomas spends first day in maglia rosa after Evenepoel's COVID-19 departure
outsprinting his two breakaway companions after they'd beaten the odds to hold off the peloton in Viareggio
Cort made it into the finale alongside Derek Gee (Israel-Premier Tech) and Alessandro De Marchi (Jayco-AlUla) after going over the big mid-stage climb of the Passo delle Radici
With a lead of two minutes with 30km to go
it looked like the peloton - reduced but still with most sprinters on board - had things under control
while the front three kept on turning faultlessly all the way until 1500 metres to go
with Cort first putting the pressure on De Marchi before dropping the Italian to get across to Gee
De Marchi made it back as the front two stalled
and he even tried one last futile attack of his own
before Cort opened the taps and comfortably picked off Gee in the final dash for the line
Cort has won two stages at the Tour de France and six at the Vuelta a España but now completes the Grand Tour triple with his first Giro win
to end up with a win is unbelievable," said Cort
"First of all it was a big fight to get in the breakaway then we wanted to push to the summit of the climb to see if we could break the peloton
but we didn't get enough time to make the sprinters stop chasing
so we had no other choice but to keep pushing
I can't remember ever pushing all day like this."
and another rider who has completed the Grand Tour triple at this Giro
Mads Pedersen (Trek-Segafredo) led the peloton across the line at 51 seconds
sprinting for fourth place ahead of Jonathan Milan (Bahrain Victorious)
Geraint Thomas (Ineos Grenadiers) survived a miserable first day in the pink jersey following the withdrawal of Remco Evenepoel (Soudal-QuickStep) on Sunday and while there was no change in the top five of the general classification
The big development was that Aleksandr Vlasov (Bora-Hansgrohe)
abandoned the race through sickness after dropping in the early kilometres
10th-placed Jay Vine (UAE Team Emirates) suffered yet another crash
and saw his general classification hopes evaporate
eventually crossing the line in a second peloton nearly seven minutes down on the main bunch
The start of the second week did not signal a new dawn
with leaden skies and heavy rain once again greeting the riders at the start of stage 10 in Scandiano
The conditions were so miserable that discussions were held over a possible shortening of the stage
with numerous riders backing the idea of cutting out the Passo delle Radici - at the 1500-metre summit the conditions were said to be worst - and heading around it in team buses before getting back on the bikes for the final 70km
the organisers deemed the conditions not to be 'extreme' enough to warrant altering the stage
the peloton continued to be decimated by illness
Remco Evenepoel (Soudal-QuickStep) had already announced his departure due to COVID-19 but he was technically a non-starter
as was Rigoberto Urán for the same reason
while Stefan Kung (Groupama-FDJ) had retired given the time trials were out of the way
Sven Erik Bystrom (Intermarché-Circus-Wanty) pulled out just ahead of the stage after initially vowing to continue with COVID
Rein Taaramae (Intermarché-Circus-Wanty)
and the Israel-Premier Tech duo of Domenico Pozzovivo and Mdds Wurtz Schmidt all failed to report for the start due to illness
with key GC contender Aleksandr Vlasov (Bora-Hansgrohe) immediately in trouble off the back of the peloton
and later forced to climb off and end his Giro after 70km
making it three down in a single day for Intermarché
The first successful move saw Alessandro De Marchi (Jayco-AlUla) and Derek Gee (Israel-Premier Tech) go clear
and they were later joined after a long chase by another duo: Magnus Cort (EF Education-EasyPost) and mountains classification leader Davide Bais (Eolo-Kometa)
The first intermediate sprint came in Nus after 49km
Jonathan Milan (Bahrain Victorious) got the better of Michael Matthews (Jayco-AlUla) and Mads Pedersen (Trek-Segafredo) in the hunt for the magnolia ciclamino points classification
The road had already been going uphill for 5km but it would continue to do so for another 40km on the long and rolling category-2 ascent of the Passo delle Radici
where Fernando Gaviria's Movistar men took the reins in the peloton
They set a steady tempo through to the final 3km
so cold he needed plenty of help from his team director
Thomas had to grab a bike change but after that the GC teams lifted the pace towards the top of the climb
causing numerous sprinters to lose contact
Bais comfortably collected the maximum mountain points to make his blue jersey even more secure
while an interesting move went off the front of it
Bahrain Victorious boldly went on the offensive
sending GC leader Damiano Caruso away in a move with Jonathan Milan and Andrea Pasqualon
Ineos Grenadiers' Pavel Sivakov jumped to mark the move and followed the risk-taking Bahrain riders as they opened a minute on the peloton
and Milan crashed towards the bottom but got back on
One particular left-hander proved troublesome
with Jay Vine (UAE Team Emirates) going into a wall with Will Barta (Movistar) and starting to bleed time that ended his general classification bid
The bottom of the descent was met by a short kicker at Monteperpoli - 2.4km at 95 - and that's where Ineos thwarted the Bahrain move
The British team notably ramped up the pace to wipe out the one-minute gap in the blink of an eye
and the pace was evident by the size of the peloton over the top - just 40 riders
The various sprinters who were dropped - some still chasing from the Radici - did manage to work their way back to that peloton
except for Karen Groves (Alpecin-Deceuninck)
And the crashes continued to pile up on the flat
as Michel Ries (Arkea-Samsic) crashed with a Lukas Postlberger (Jayco-AlUla) rider with 55km to go
the consequent tailback of cars also causing Warren Barguil (Arkea-Samsic) to crash
along with a fuming Alberto Bettiol (EF) who was taken out by a race official stepping out to tend to the stricken Postlberger
With Cort taking the second intermediate sprint with 40km to go
with the remaining three breakaway riders leading the main peloton by two minutes
while Vine's UAE men frantically led a second bunch at 4:30
The stage came down to a battle between break and bunch
with the three escapees taking 90 seconds in the final 25km and remarkably holding on to take 45 seconds into the final 10km
and Bahrain Victorious were chasing with increasing panic
and that became clear with a few kilometres to go as Ineos found themselves on the front
Astana and Trek sent a final rider forward but it was too little too late and the breakaway had it
with Cort safely negotiating the final attacks to make his finishing speed count
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Patrick FletcherSocial Links NavigationPatrick is a freelance sports writer and editor
He’s an NCTJ-accredited journalist with a bachelor’s degree in modern languages (French and Spanish)
Patrick worked full-time at Cyclingnews for eight years between 2015 and 2023
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An energy community in northern Italy will integrate a PV installation with a storage system to power 48 households of a social housing project and a fleet of rented electric vehicles
It is a collective effort that could be replicable as soon as 2023
The energy community is being built on the roof of this condo located in Scandiano
A 48-apartment building in the Reggio Emilia province in northern Italy will help assess an energy community business model specifically targeting social housing
will show if and how the model being implemented in the Scandiano municipality will be replicable
“The project foresees a 60 kW PV system on the roof
it will be installed by the end of 2021,” project leader Sauro Saraceni told pv magazine
“Next year an EV fleet will be introduced
That’s to understand eventual complexities arising on the ground,”
an Emilia-Romagna consortium aiming to promote and coordinate sustainable growth of the region
said Scandiano would be an example of PV installations and mobility solutions not just in the region but in the entire country
social housing is the one suffering the most from energy poverty,” Saraceni stressed
adding that the region aims to extend this model and promote it to other social housing projects in the coming years
the PV and storage system will lead to a 60% reduction in electricity consumption
the social housing company managing the apartment building
is speaking with potential partners to install a PV and storage system by the end of 2021
Enel X will also supply non-intrusive load monitoring (NILM) devices
The idea is to offer a fleet of cars shared among the building's residents
“We are analyzing this option with a private partner
which will be charged with the energy produced by the PV installation
will be offered under a long-term rental contract,” said Saraceni
Mobility and the residential sector will be two key pillars in Emilia-Romagna’s strategy to achieve carbon neutrality by 2050
ENEA is contributing through scenario analysis
“We are supporting with studies on how car sharing is reinforcing the renewable energy community,” Piero De Sabbata
responsible of the CROSS-TEC laboratory at ENEA
The broader refurbishing will benefit from the so-called SuperBonus (110% fiscal break) and other pre-existing schemes
“One-third of the PV installation will be financed through the SuperBonus
while the rest through the usual 50% tax break
The storage will be completely financed through the SuperBonus”
adding that the idea for the project was sketched in 2018 and launched in 2019
The owners of the 48 apartments will be in charge of the remaining costs
Twenty apartments are privately owned; the municipality of Scandiano owns the other 28
The entire financing operation will be managed by the local social housing company
The rules about renewable energy communities (RECs), which entered into force in Italy last year
simplified this complex collective self-consumption project
“We started with a focus on the energy sharing business model
together with the department of electrical
electronic and information engineering of the University of Bologna
analyzing what were the optimal conditions for self-consumption,” said De Sabbata
We can practically implement this model.”
the main question now is to understand the residents' consumption profiles and whether awareness campaigns can help them understand their role in the feasibility of similar projects
“This mobility model would be more successful if the majority of residents would mostly work from home or would not work at all
This is part of a modeling exercise that can be completed before starting the building refactoring
aimed at meeting the consumption profiles with the production capacity of the installation
as much as with the load profile of the charging stations,” said De Sabbata
Apart from the focus on mobility and data collection, ENEA is also providing support by analyzing consumption patterns and future use of technologically advanced solutions. “Heat pumps are an example of solutions that can improve the load curve during the day,” De Sabbata concluded
More articles from Sergio Matalucci
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ALUART SCANDIANO: Fedolfi, Soncini 8, Bini 2, Marino 8, Meglioli A. 13, Capelli 11, Pellacani, Brevini 6, Todisco 7, Bonacini ne, Castagnetti 2, Meglioli E. 6. Coach: Cavalcabue.
LIBERTAIS CHILI PEPPER: Cisterna M., Cavicchioli 5, Secchiaroli 7, Rorato 4, Ramponi, Bernardini 13, Mandini 4, Mannucci 9, Venturi 4, Ferrari 8, Cisterna A., Grandini 4. Coach: Annunziata.
THEAluart Scandiano (28) wins the last race at PalaRegnani of regular season overcoming the Bolognese team at the end of a swinging match Chilli (12): after suffering in the first half, even slipping to -8, the locals managed to take control of the match at the decisive moment, reaching +10 in the final with free throws by Capelli and Marino.
In the meantime, the Fip has announced the date of the recovery of the match initially scheduled for yesterday between Chemco Puianello (44) and Fidenza (30), fundamental for the passage of the Castellesi to the national stages: it will be played on Wednesday at 20.30 pm in Parma.
It is not just a mere tribute to its greatest photographer that the city of Modena wanted to dedicate to Luigi Ghirri (Scandiano
1992) with the photography exhibition Luigi Ghirri and Modena
set up at the FMAV Fondazione Modena Arti Visive at its headquarters in Palazzo Santa Margherita until Nov
on the occasion of the 30th anniversary of his death
studied and heartfelt journey through images through what for Ghirri was his career but also his great passion: photography
Always in close connection with Modena: although originally from Scandiano
Ghirri moved to Modena with his family at the end of the 1950s; he then spent most of his life here
from his adolescence until shortly before his untimely death
And it was in Modena that he began photographing in 1970 in search of his personal language
at the same time collaborating with conceptual artists
Some of his most important works were born in Modena
and it was in the Galleria Civica that an experimental as well as innovative for those times program of photography exhibitions got underway
of which he was among the main promoters and curators
as he was considered one of the leading figures in local artistic culture.During his life he gave much to the city and the city also reciprocated him in a relationship of great esteem
The Civic Gallery Collection of the City of Modena and the Photography Collection of the Modena Foundation
both held by the Modena Visual Arts Foundation
contain a large number of Luigi Ghirri’s photographs (although the Archive of his work is located in Reggio Emilia
and it is from these collections that today’s exhibition was born
The intent of the exhibition is in fact to retrace Ghirri’s activity through more than sixty photographs from both collections
thanks to the heritage of works from Modena
“to restore in its context the exceptional nature of the work of Luigi Ghirri
capable of changing the course of photography in Italy not only with the originality of his vision and thought
but also his passion for the medium of photography and the human qualities
thanks to which he was able to create a wide network of friendships and collaborations far beyond the field of photography.” With this in mind
curator Daniele De Luigi has chosen to take the visitor on a backward journey
through the photographer’s activity: from the best-known Ghirri of the second half of the 1980s
when he produced his most famous and most important series for the history of Italian landscape photography (which
inaugurated not coincidentally in 2009 the Fondazione Modena’s Collection of Contemporary Photography)
to some vintage print from the early 1970s
where he already glimpsed his desire to give new meaning to photography
pointing the lens of his camera at the everyday but trying to reveal within the latter an aspect that would generate wonder: to bring out something to which one had never paid attention that nevertheless stood daily before one’s eyes because it was part of the everyday
Following the exhibition itinerary that unfolds in three rooms
the visitor has the opportunity to understand how this line of research led Ghirri throughout his entire activity
As one lingers to admire the different small groups of shots well distinguished from each other
one takes a step backwards along the chronological line
but the common thread that binds them is always the desire for a new and other look at everyday life
anticipating the times in the field of contemporary Italian photography
the relationship with the city of Modena is constant
It starts with photographs from the series Il profilo delle nuvole (The Profile of Clouds ) made starting in 1980 and which were acquired in 2009 on the occasion of the exhibition that inaugurated the contemporary photography collection of Fondazione Modena
and five photographs from the series made at the Palace of Versailles on commission from the French Ministry of Culture in 1985: the photographer since the early 1980s was perceived as an innovator of landscape photography and therefore began to obtain important commissions to photograph specific places
with the intention of giving them new prominence
monumental and seemingly distant place like the Palace of Versailles with its large park was seen by Ghirri with a more intimate and human eye
he had been commissioned to take shots for the Italian Touring Club showing the palaces
monuments and streets of Modena for inclusion in two volumes devoted to Emilia Romagna
The images displayed on an entire wall in the exhibition are part of this very series
which then entered the Modena Civic Gallery Collection ten years later
on the occasion of the exhibition Gli occhi sulla città held in 1994
along with other photographs of the city that Ghirri took in the 1970s
such as the one of Palazzo Carandini featured here
including the metope depicting the Antipodes
which can be seen on the Touring Club volume and in a large-format print version: the latter had been so printed on the occasion of an exhibition dedicated to the Cathedral
one wishes to see the original metope this one is preserved together with the other seven in the Museo Lapidario del Duomo
The first room also displays Vista con camera
the volume published for a Ghirri exhibition at the GAM in Bologna that won the first edition of the Oscar Goldoni Prize for the best photographic book published in Italy established by the City of Modena in 1993
the same year in which one of the most important international reviews kicked off: Modena for Photography
The city had in fact become one of the main centers of photography in Italy in the 1970s
thanks to Luigi Ghirri and his friend and colleague Oscar Goldoni
The exhibition established a year after the death of both was thus a kind of tribute to the two great photographers and intended to pass on their legacy by giving continuity to the central role of photography for Modena; in addition
Franco Fontana had donated his photographic collection to the Galleria Civica
which also included original prints by Ghirri from the 1970s and 1980s (not shown
in the current exhibition for conservation reasons)
but first our gaze is inevitably caught by the blond girl from behind dressed in yellow facing the Faraglioni of Capri
The second exhibition environment combines architecture and photography as Ghirri’s photographs of the architecture of Aldo Rossi and Paolo Portoghesi are presented here
including the New San Cataldo Cemetery in Modena (with some previously unseen works) that inspired the photographer for “the miraculous balance between what we already we know and expect from an architectural work and the sense of disorientation one feels when faced with the new” (so said Ghirri himself)
and classrooms of the Broni (Pavia) Middle School of the former and ENPAS headquarters in Pistoia and Lucca as well as “geometric” buildings of the latter
holds documents that refer to the Punto & Virgola publishing house
founded by Ghirri in 1977 together with Giovanni Chiaramonte and Paola Bergonzoni
which counts the 1978 publication of Kodachrome by the photographer himself
books and monographs devoted to the history of Italian and French photography and to established and emerging photographers
and Franco Vaccari’s essay Photography and the Technological Unconscious
Another display case located in the small corridor that connects the second to the third hall deserves special attention: here one can dwell on some unpublished archival documents
related to the experience that today is considered customary but at the time was exceptional and unprecedented: the constant use of the new hall in Piazza Grande
for exhibitions and projects dedicated solely to photography
The photographic space curated by Ghirri in collaboration with Oscar Goldoni and the direction of Carlo Federico Teodoro turned out to be an extraordinary adventure: a close-knit working group was created that gave life to a programming that combined past masters
and other photographers who later entered the history of photography followed in this context
but inaugurating the exhibition space in 1975 was the show Breakfast on the Grass
some shots of which are displayed along the opposite wall
constitutes one of Luigi Ghirri’s first complete projects
and focuses on theuse of greenery in urban suburbs: shots in which symmetries
geometries and rhythms in everyday contexts
The third and last room leads to the beginning of Ghirri’s career
These are images united by the idea of reality as photomontage; photography as a language capable of unhinging and regenerating thought for a deeper reading of reality
“Many have seen or mistaken these photographs for photomontages; these that I would instead call photomontages
also want to testify to a colossal photomontage that exists and that is that of the physical world,” Ghirri asserted (an example is Lucerne)
Fundamental to the latter’s first approach to photography
who as a surveyor decided to devote himself completely to this activity
was his meeting in 1969 with Franco Guerzoni
who lived near his home and introduced him to the photographic universe by introducing him to other Modenese artist friends
With Guerzoni he formed a relationship of esteem and was a sort of guide for him
while with the others he initiated collaborations that constituted the first propaedeutic steps to the profession of photographer
His career officially began in December 1972 when his first exhibition was opened at the Canalgrande Hotel in Modena accompanied by a small catalog with a contribution by Vaccari
This closes the exhibition at Palazzo Santa Margherita
taking the visitor back to the origins of the activity of one of the greatest photographers of the second half of the 20th century
A well-divided exhibition that offers the exceptionality of seeing unpublished shots and interesting archival documents
a moment in life or in a slight change in light the possibility of a new perception.” An invitation to look at things with different eyes: a lesson to keep in mind even today in our simpler everyday life
Last away match of the regular season for the Chilli. This evening at 20,45pm the girls of Maximum Annunziata, already certain of having achieved safety well in advance, are awaiting the challenge at the home of scandiano.
For the Giallorosse, who will close on May 3rd at home against Faenza, it is the opportunity to gain another two points and confirm the crescendo of this final part of the year.
The match between Ferrara and Bsl San Lazzaro still needs to be rescheduled.
Even though it no longer has any ranking reasons, the match between Vis Rosa and Bsl initially scheduled for tomorrow has been postponed due to the stoppage of all sports for the funeral of Pope Francis.
Next Saturday at 21 pm, at the same time as all the other matches, coach Paolo Dalé's green and whites will host Magik Rosa Parma at Rodriguez, so it is likely that, given the May 1st holiday, the federation will decide to have the match played on those days and then have all the matches of the last round played together. In the next few days, things will be clarified.
The other matches: Faenza-Rimini, Fidenza-Puianello, Forlì-Valtarese, Basket Sisters Piumazzo-Magika Castel San Pietro Terme, Magik Rosa Parma-Cavezzo, Valdarda-Cesena.
The ranking: Cavezzo 56; Puianello and Valdarda 44; Sisters Piumazzo 40; Rimini and Magika Castel San Pietro 38; Fidenza 30; Cesena and Valtarese 28; Scandiano 26; Bsl San Lazzaro and Faenza 24; Peperoncino 12; Magik Rosa Parma 10; Vis Rosa Ferrara 6, Forlì 0.
Playouts. The playouts will also start in the evening with the Clevertech Montecchio on the field at 20pm in Sant'Ilario against Vignola, in a best of 3 series: the end of the season was bitter, because with another step direct salvation would have been within reach, but Germani and his teammates must immediately start off on the right foot against an opponent within reach.
At 21pm it's the turn of Novellara Basketball, expected in Bologna by SG Fortitudo: the treatment by Tellini, who replaced Bertani during the season, has borne fruit, but now is the time to reap them, starting to snatch the advantage of home field advantage from the opponents.
MODENA AMATEURS: Moncalieri, Malagoli P., De Pietri, Ehimi, Cunegatti, Pochettino, Barbieri E., Vaccari M.; all.: Crudeli.
ROLLER SCANDIANO: Vecchi, Busani N., Stefani, Deinite, Rocha, Beato, Barbieri L. Busani R., Herrero, Raveggi; all.: Mariotti E.
Goalscorers: 1st half Busani N. at 11'30", Stefani at 16'59"; 2nd half Barbieri L. at 14'34" and 15'19", Ehimi 16'12", Busani N. at 17'39", Beato at 18'33"
Now it gets really tough, and relegation is once again a fear for Amatori. Modena loses a truly incredible match at home, which seemed lost, but which had reopened, when the yellow and blues finally managed to become incisive in the final phase, to move from 0-2 to 3-2.
Once again, however, defensive errors ended up condemning Crudeli's team, who now really must hope for a miracle to avoid an absurd and also unfair relegation.
Mistakes, therefore, as has already happened this season, once again decisive for the Amatori.
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Former Italian Prime Minister Romano Prodi in his home.
Romano Prodi was born on Aug. 9, 1939, in the northern Italian town of Scandiano. A trained economist, Prodi was Italian prime minister twice, from 1996 to 1998 and from 2006 to 2008. From 1999 to 2004, he was president of the European Commission. During his tenure, he presided over the accession negotiations and acceptance of 10 new EU member states.
Romano Prodi receives his guests from DER SPIEGEL in his split-level apartment in the heart of Bologna. The shelves display photos of him with some of his contemporaries, including German Chancellor Helmut Kohl, U.S. President Bill Clinton and British Prime Minister Tony Blair. At one point, the Anthem of Europe rings out, Prodi's ring tone on his mobile phone.
DER SPIEGEL: Mr. Prodi, did Giorgia Meloni’s election victory come as a surprise to you?
Prodi: No. The surveys made it rather clear. And Meloni isn’t a completely new phenomenon. She is one of these "rising stars.” We’ve had plenty of them in Italian politics: Renzi, Salvini, Conte and the Five Star Movement.
DER SPIEGEL: their fall was just as quick as their rise. Will it be the same for Meloni?
Prodi: That is difficult to say. She has a solid majority in parliament. We have a fundamental problem in Italian politics: In contrast to Germany, parties here aren’t rooted in society. There are no stable local structures and party conferences are rare, if they are held at all. And Italians vote with their hearts, not with their heads. Which is why they keep falling for supposed up-and-comers.
The article you are reading originally appeared in German in issue 40/2022 (October 1st, 2022) of DER SPIEGEL.
DER SPIEGEL: Meloni has been labeled as a right-wing extremist, as a populist and as a post-fascist. She refers to herself as conservative. Which description do you feel is most accurate?
Prodi: Certainly not conservative. During the campaign, she managed to conceal where she comes from and who her followers are. She ran the campaign on her own, as though she was alone. But her party allies from the Brothers of Italy party are now in parliament. She presents herself as a wife and a mother. If you only look at her speeches, then Matteo Salvini is further to the right than she is. But when you look at the political tradition from which she comes, it causes me great concern.
DER SPIEGEL: Is Meloni a danger to Italian democracy?
Prodi: That is certainly possible, yes. At least on the medium term. She remained intentionally vague when it comes to replacing the parliamentary democracy with a presidential system. I could imagine her attempting to amend the constitution, but to do so, she either needs a two-thirds majority in parliament, which she doesn’t have, or she must hold a referendum, which she would likely lose at the moment.
DER SPIEGEL: Meloni says that governing Italy is like raising a child. What will change for minorities in the country, for LGBTQ people and for migrants?
Prodi: Meloni is a woman with many different faces. During the campaign, she continually insisted that minorities had nothing to fear and that women’s rights would not be restricted. But her slogan, "God, Family, Fatherland”? That is one-to-one Mussolini. Meloni won’t be able to do whatever she wants. Italy is still a stable democracy. We are much closer to France and Germany than we are to Hungary.
DER SPIEGEL: And yet, the majority of Italian voters opted for a political party with roots in fascism.
Prodi: If there were large and sudden violations of fundamental rights, the protests would be enormous, I am convinced of that. What scares me are gradual shifts, that Meloni will shift the parameters step-by-step. Just as happened in Hungary. (Prime Minister Viktor) Orbán went after the central bank, the judiciary and the media.
DER SPIEGEL: The campaign was marked by aggression and campaigns of hate. Why is Italy so divided?
Prodi: The division didn’t start with this election. The party system doesn’t work the way it is supposed to. That makes Italy vulnerable to cults of personality and instability. I can still remember making my inaugural visit to Bonn after being elected prime minister in 1996 and being asked by then-Chancellor Helmut Kohl when the next one would follow.
DER SPIEGEL: Italy has had 30 heads of government since the end of World War II.
Prodi: As such, I find everything taking place in Italy right now to be disconcerting, but it is also familiar.
DER SPIEGEL: As head of the Social Democrats, you had plenty of interactions with Silvio Berlusconi, whom people say paved the way for populism in European politics.
Prodi: Berlusconi is an unbelievably deft salesman. You sit with him for five minutes and he’ll propose a deal.
DER SPIEGEL: Berlusconi turned 86 last week. He has been through innumerable scandals, accusations of corruption and "bunga bunga” parties. Yet he and his party, Forza Italia, will likely again be in the government under Meloni. How is that possible?
Prodi: Berlusconi controls a fantastic media machine. Half of Italian television belongs to him. He has a sense of his rivals’ weaknesses that is second to none. And yet his power is only a fraction of what it once was. Forza Italia has declined to just 8 percent.
DER SPIEGEL: You have defeated Berlusconi in elections. What can be learned from that when it comes to dealing with right-wing populists today?
Prodi: You have to assemble a coalition if you want to defeat the right. You must agree on a small number of fundamentals and then stick together. I spent an entire year traveling through the country back then and talked with thousands of people.
DER SPIEGEL: In this most recent election, your successor as head of the Social Democrats, Enrico Letta, didn’t manage to emulate your success.
Prodi: I have high esteem for Letta. He was my student. And Carlo Calenda (eds. note: the head of the left-wing liberal party Azione) is a friend of mine. And yet I still don’t understand what went wrong. Letta and Calenda had actually agreed to form an alliance, but it only survived for just a few hours. The leftist camp received more votes in the election than the right, and yet Meloni can now govern with an absolute majority because the left-wing parties are so at odds with each other.
DER SPIEGEL: Did the leftists underestimate Meloni?
Prodi: I told my people that if we don’t stand together, we will lose. But that’s how it is in politics sometimes: You clash more intensely with your friends than with your adversaries.
DER SPIEGEL: Italy experienced several successful months under the leadership of Mario Draghi. The economy grew …
Prodi: … yes! Even stronger than in Germany…
DER SPIEGEL: Why did the Italians nevertheless opt for an outsider like Meloni?
Prodi: I don’t have a rational explanation, except for the fact that Draghi took the parties by surprise with his resignation. I would have bet a million euros that he would remain in office until May.
Prodi: I was a professor at Harvard in the 1970s. He was a student at the Massachusetts Institute of Technology. Our families were close. I think that he had simply had enough. His resignation created an absurd situation: The citizens of Italy applauded Draghi, but the winner of his tenure was Meloni. Because of the short campaign, it was difficult for Letta to form alliances and set his own agenda.
DER SPIEGEL: What does the power shift in Italy mean for Europe?
Prodi: On the short term, I don’t think it means much. Italy needs the 200 million euros from the EU fund. That means Meloni’s hands are tied at the European level.
DER SPIEGEL: During the campaign, she said: "The fun is over” for Europe.
Prodi: There is a difference between what you say in a campaign versus what you do once you have the responsibility of governing. The same held true for the Five Star Movement. It would be suicide for Meloni to start a fight with Brussels at this moment, in the middle of a war and in an economic crisis. My bigger worry is that Italy could turn away from Germany and France in the not-too-distant future and toward countries like Hungary.
DER SPIEGEL: You fear and axis of anti-Europeans?
Prodi: That is certainly a danger. Meloni has a good relationship with Orbán in Hungary and with the governing PiS party in Poland. A new form of nationalism could begin spreading in Europe – at a time when European cooperation is more important than ever. France and Germany are the motor of Europe. But Italy has always been an important actor as well.
DER SPIEGEL: Is the EU at risk of political gridlock?
Prodi: In some respects, yes. Further European integration has receded into the distance for now. And that doesn’t just mean the accession of additional countries, such as those in the Balkans. The creation of a joint security and defense policy, of the kind that is absolutely necessary if Europe hopes to stand up to Russia and China, will become more difficult with Meloni.
DER SPIEGEL: What effect will Meloni’s election have on Europe’s policy toward Russia?
Prodi: That remains to be seen. Thus far in the Ukraine war, Meloni has clearly positioned herself in line with NATO and the West. Her potential coalition partners Salvini and Berlusconi, by contrast, are close to Putin. It isn’t yet clear who will win out.
DER SPIEGEL: Among your many former positions, you were once head of the European Commission. What advice would you give to your successor Ursula von der Leyen, when it comes to dealing with Meloni?
Prodi: During my tenure, Jörg Haider’s (right-wing populist) FPÖ party rose to power in Austria. Immediately following that election, European heads of state urged me to take action. But I said: Let’s wait until the government takes concrete action. I would advise Ursula von der Leyen to do the same.
DER SPIEGEL: Europe has been growing closer together since the fall of the Berlin Wall. Is that trend now reversing?
Evenepoel withdrawal 'not the way you want Giro lead'
Giro d'Italia tighten COVID-19 restrictions after Evenepoel positive
Massimo Colonna, a photographer based out of Scandiano, Italy, published another brilliant mini series of photos, this time named Interferences. As always Colonna explores interesting themes, and in this series the themes of nature and articifial spaces is dived into. Colonna utilises naturistic rendered spaces with mysterious-like atmospheres to create an uneasy type feel in this series, which makes you ask what is real and what is not in the world of consistent digital growth?
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Police investigating after five-month-old boy suffers cardiac arrest
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A baby has died after his parents attempted to circumcise him at their home in Italy
The five-month-old child suffered a cardiac arrest on Friday afternoon following the procedure in the town of Scandiano
He was flown to Sant’Orsola Hospital in Bologna by helicopter but died that night
The prosecutor’s office in the northern province of Reggio Emilia has opened a manslaughter investigation
A post-mortem examination is expected to be carried out to determine the infant’s cause of death
The baby, who has not been named, was born to parents of Ghanaian origin
his twin brother also nearly died but survived following intensive care treatment
said he hoped those responsible for the five-month-old’s death would pay “severely” under the law
He told The Telegraph: “It is worrying that there are still individuals who practice these rituals of such a very ancient character to risk the lives of such small children.”
It is believed about 35 per cent of circumcisions in Italy take place in people’s homes
Circumcision is not practised among Italy’s Roman Catholic majority.
However some in Italy practice circumcision for cultural and religious reasons, but sometimes have trouble accessing the practice in hospitals.
For some parents the hospital costs are too high, but doctors in some Italian hospitals also refuse to perform circumcisions until the boys have reached the age of four or even older.
Foad Aodi, the founder of the association of foreign doctors in Italy (AMSI), has appealed to health authorities to allow circumcisions at affordable prices and to lower the age of access to help avoid people turning to other methods such as home circumcisions.
He has previously said having the procedure done privately can cost between €2,000 (£1,798) and €4,000 (£3,596).
According to ANSA, Yassine Lafram, the head of Bologna’s Islamic community, condemned the practice of subjecting children to illegal circumcisions on Monday.
He said the five-month-old boy’s death could have been avoided and “pains us deeply”.
Join thought-provoking conversations, follow other Independent readers and see their replies
The gravel space has quickly grown and continues to evolve on what feels like an annual basis
Bikes are getting more capable and can traverse terrain once reserved exclusively for mountain bikes
Developed to combine the best attributes of both the mountain bike and road bike
the name of the game has always been versatility – and the new Silex delivers this on many levels
We were invited to Scandiano in Italy’s Reggio Emilia province to test the bike for ourselves and establish if the changes to its geometry have positively influenced its capabilities on all terrain types
the Silex 10k rolls on Reynolds Black Lable G700 Pro wheels shod with Maxxis Rambler 45c rubber
The handlebar is a 40cm Easton EC70 AX unit which is held in place by an alloy Merida Team CC III stem
Other bits include a gravel-specific Prologo Scratch M5 AGX saddle and RockShox Reverb XPLR AXS dropper post
The product engineers were eager to push the news of Matej Mohoric’s victory aboard the new Merida Silex, citing its ‘all-rounder’ character as the secret to its success at the UCI Gravel World Championships 2023 and
Many contemporary gravel bikes are either too racy or too capable – both of which come with several trade-offs but the Silex does a bloody good job of blending these two extremes and it was clearly evident on the trails we negotiated
While it's perfectly adept on paved surfaces
the bike was chiefly designed to venture off-road – soaking up imperfections
choppy corrugated grasslands and rocky terrain with relative ease
The slackened head angle means control is maximised during tight switchbacks - both up and down - and the shorter stack
longer fork and 45mm tyre footprint equip it with all it needs to dismiss technical single track and descents with confidence
In terms of what the new Merida Silex offers; not only does it have the attributes to compete against the segment’s incumbents – winning the UCI Gravel World Championships 2023 is a case in point – it’s also geared to take a more recreational/adventurous approach thanks to its number of mounting points
huge brake rotors and slackened head tube angle
Those who want to get rowdier can always just fit a suspension fork or ditch the dropper post for a lighter and more responsive machine – there are myriad ways to set it up
While the latter three have more brand punch than Merida and the YT Szepter is naturally more gravity-focused
the Silex presents an intriguing case based on the fact it can hold its own against all four and more
This and its subsequent pricing to suit all budgets should place it at the top of any gravel rider’s new bike shopping list
Born and raised in South Africa he completed his BA honours at the University of Cape Town before embarking on a career in journalism
As the former tech editor of Cyclingnews and Bike Perfect
digital editor of Bicycling magazine and associate editor of TopCar
he's travelled the world writing about bikes and anything with wheels for 19 years
raced nearly every mountain bike stage race in South Africa and completed the Haute Route Alps
He's also a national-level time triallist and eSports racer
too – having captained South Africa at the 2022
2023 and 2024 UCI Cycling eSports World Championships
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Karen Wright meets the Italian artist in her studio in Bosco di Scandiano
Driving to the Italian base of Alessandra Ariatti you head out of the small city of Reggio Emilia to the hamlet of Bosco di Scandiano
Ariatti's studio is next to her parents' home
upstairs in a late-19th-century building previously used for storing agricultural tools for the family business
The brick steps to the door are worn by the passage of many feet
I am here following the opening of Ariatti's show Legami at the Collezione Maramotti in Reggio Emilia
with some of the sitters posing for photos next to their portraits
they appear to be simple photo-realism portraits
but upon close inspection they reveal aspects of the sitters: what Ariatti calls their "moral virtues"
magnifying glass and painting table drawn close to the window to capture the light
The works start with Ariatti photographing the subjects many times
They are often people she has known for some time
She then chooses out of the many photographs the ones that illustrate something about "their inner beings"
crediting an aunt who gave her a colouring book when she was six
but I always knew I wanted to draw from models
Bosco di Scandiano is a long way from the 50th Venice Biennale of 2003 where Ariatti was included in a selection of painters by Massimiliano Gioni
and she received a call from Gioni to ask whether she would be interested in participating
of course!' And he paid me a studio visit."
Luigi Maramotti of the Collezione Maramotti then commissioned her to paint the three large portraits in the current show
I ask if she ever invites the subjects to come and sit in the flesh
people no longer have the time to sit," she says
"I need photos in order to communicate what I want
Her portrait of a mother and her two young children particularly catches my imagination
The mother has the solidity of Rembrandt's Juno
something of the sitters that they do not know themselves
On the easel today is an unfinished portrait of her local priest who died recently
She tells me she often paints commissioned portraits of dead family members: one woman asked her to make one of her daughter who had died in an accident
"She tells me that she often speaks to the portrait."
Ritratto di Donne: Chantal Joffe and Alessandra Ariatti continues at Collezione Maramotti, Reggio Emilia (collezionemaramotti.org) to 12 April
painter: 'People no longer have the time to sit for portraits'","description":"Karen Wright meets the Italian artist in her studio in Bosco di Scandiano
Viareggio (Italy) (AFP) - Magnus Cort Nielsen of the Education First team won a rain-sodden 10th stage of the Giro d'Italia on Tuesday after his escape group beat home the peloton on an eventful 196km run from Scandiano to Viareggio
As the race resumed after Monday's rest day
Welshman Geraint Thomas of Ineos Grenadiers retained the pink jersey with no further changes in the top five since Remco Evenepoel quit the race Sunday night with Covid
also has wins on the Tour de France and the Vuelta a Espana
A high-quality escape group featuring Alessandro De Marchi of Jayco-AlUla and Derek Gee of Israel Premier Tech got away and stubbornly refused to relent
The peloton closed to within 40 seconds of the trio but dangerously slippery road surfaces causing constant spills forced a prudent approach to the Viareggio finish line
The affable Dane who lit up the Tour of France in 2022 romping through Denmark in the king of the mountains jersey
left his sprint until last in a three-way cat and mouse at the line
won the sprint from the pink jersey group 51 seconds down while the rest of the bedraggled peloton came in 11 minutes adrift with Australian Jay Vine definitively out of the running after starting the day in the top 10
The race conditions were brutal on the 151 riders
gusts of blustery wind and temperatures as unseasonably low as three degrees Celsius (37 degrees Fahrenheit) on the stage's high point of 1527m on the Passo de Radicci
The Giro's scheduling in May frequently makes it especially vulnerable to changeable weather
Cort Nielsen's win makes up some way for his teammate Alberto Bettiol being knocked down when someone from a team car ran out into the road towards an accident scene
What is still astonishing about the work of Luigi Ghirri
a photographer from Emilia-Romagna who passed away prematurely in 1992
Long before the European Convention extended the concept of landscape to include all of reality
Ghirri thought of the photography project as a pervasive narrative
made up of zigzag journeys that came together to form the horizon of possibility
Last September a cache of 31 pictures taken between 1985 and 1990
many of which belonged to the artist’s book Il profilo delle nuvole (in English: The shape of clouds) created with Gianni Celati
were given as a permanent loan to the Querini Stampalia Foundation of Venice by the collector Roberto Lombardi
the collection will not only be kept in the famous Queriniana library in order to make it available to students
but it will also serve as the inspiration for a series of undertakings that seek to research and draw attention to these works
Luigi Ghirri e Yona Friedman/Jean-Baptiste Decavèle on display through 21 February 2016 puts the photographs side by side with the docu-video Livio Felluga 100 by Luigi Vitale
The exhibition project by Chiara Bertola and Giuliano Sergio manages to create a picturesque dialogue between the suspended landscape of the Po Valley between the regions of Veneto
Emilia-Romagna and Lombardy as captured by Ghirri
a permanent installation created by Friedman/Decavèle in 2014 to celebrate the 100 years since the founding of the famous Friulian winery
The Livio Felluga company has over 160 hectares of land in the Colli Orientali del Friuli area
The hill chosen for the Vigne Museum offers a breathtaking view that stretches all the way to Slovenia and the Adriatic Sea
The result is a transparent architecture made of thin metal hoops and conceived as an open museum that encompasses all the phases of the winemaking process
offering an unusual perspective on a unique work of art: the landscape itself
The exhibition was preceded by a roundtable discussion on 20 November that was held in collaboration with RAM radioartemobile
which is available for streaming on RAM LIVE
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Starting from Under 10 Chicks all the top-ranked teams received their trophies, with Corticella from Bologna winning the pink tournament ahead of their peers from Terre Matildiche. Pisa Ovest then won the purple tournament, beating Bassa Parmense in the final group.
As for the category Under 13, once again climbing onto the top step of the podium is Corticella, who beat ACD Jesolo in the final with a resounding 4-0.
In the tournaments dedicated to the Youth Sector there is also joy for Sporting Scandiano, which dominates the event reserved for theUnder 14: the two teams representing the Reggio Emilia club end up playing for first place and wisely decide to both return home with the cup. In the category Under 15, on the other hand, Città di Clusone smiles, beating Cellatica in the final.
Il Mirabilandia Festival Tournament it then ends with the finals of the tournaments reserved for the students Under 16 e Under 17, events in which the first place cups were lifted by Savio Calcio (photo) and Cellatica, who beat Cavenago and Castelgomberto in their respective finals.
SERIE B. Toscanagarden Arno-Ama San Martino 1-3 (22-25 21-25 25-20 18-25) confirms Ama in fifth place: 21 points for Ghelfi, 19 for Cassandra. Vigili del Fuoco-Fiorano 0-3 (21-25 20-25 20-25), with the Vigili already relegated.
SERIE B1. Tirabassi & Vezzali-Volley Modena 0-3 (13-25 22-25 9-25), Canniccia-Giusto Spirito Rubierese 0-3 (4-25 23-25 20-25). The two Reggio Emilia teams are seventh and eighth respectively, firmly in the mid-table.
SERIE B2. Porto Potenza Picena-Fos CVR 0-3 (17-25 21-25 23-25), Team 80 Pesaro-Arbor Interclays 2-3 (25-9 25-22 24-26 17-25 8-15), Mega Volley-Ama San Martino 3-0 (25-14, 25-23, 25-22). Fos will play the play-offs, Arbor in good position, San Martino relegated.
Among the girls, a recovery match was played in group B, with Renusi Moglia Campagnola (already promoted to C together with Arena Montecchio) defeating Ama San Martino 3-0 (25-14 27-25 25-15), excluding them from the playoffs.
Next weekend all the championships will be concluded, including the recoveries, after which the play-offs will start, with several teams from Reggio Emilia involved: the top division team is Fos Cvr, which is trying to climb to Serie B1.