Leading by 7 points at the 13th minute, then it was a very long chase, which did not bring the final success. Vigarano falls to Venaria Reale on the field of Turin, despite the 26 points of an unstoppable Reani: 65-57 the final score. Wednesday, game 2 in Vigarano (19 pm), the red and whites will have to win to return to Piedmont next Sunday, otherwise they will be relegated to Serie B. After the long break, Vigarano continues to struggle terribly to find the way to the basket: 45-31 at 22'. Vigarano is practically only Reani. At 30' it's 50-42. Vigarano tries to recover some of the gap suffered at the start of the second half, Reani and Zietara sign the -6 at 35' (55-49), but Giacomelli (17 points at the end) doesn't agree, even though Reani makes no mistakes: 60-54 at 37'. Azzi's triple for 63-54 closes the accounts, because Reani's basket is followed only by errors. Built in the 17th century as a hunting lodge for Duke Charles Emmanuel II the Reggia di Venaria Reale is located about ten kilometres north-east of Turin The palace is one of a set of residences constructed around the city for use as retreats by the Savoy dynasty Originally designed by the architect Amedeo di Castellamonte it kept the best designers and planners of the court busy over the next two centuries on a series of changes: the main façade and the Italian-style gardens of the 17th century – with fountains pavilions and statues – were transformed in the 18th through the addition of endless vistas groves of trees and pools of water in the French manner The glories of the Palace of Venaria Reale were brought to an end in the Napoleonic era when the complex was turned into a barracks and it continued to be used as such until 1943 It was not until the 1990s that the Ministry of the Cultural Heritage and Activities and the Piedmont Region (with the support of the European Union and the Ministry of Economy) commenced its restoration giving the green light for the most extensive work of conservation of a cultural asset ever carried out in Europe enhancing the relationship between buildings underlined by the long canal that runs alongside the main axis of the garden culminating in a spectacular view of the Alps “After years of decay it has not been easy to get the park back into shape,” explains Maurizio Reggi coordinator of the restoration of the park aerial photos and archaeological excavations to reconstruct the layout of the garden We used reports and inventories in the archives for the botanical design as well drawing inspiration from contemporary paintings and other gardens from the period maples and hornbeams are some of the trees we have used.” The renascence has not set out to freeze the historical landscape with the introduction of contemporary sculptures by Giuseppe Penone The palace faces onto large and geometric flowerbeds in the 18th-century manner outlined by hedges of box and yew pruned into pyramidal forms; inside their perimeters offering different combinations of colours in each season The link between architecture and nature is underlined by the paths aligned with the main openings of the palace The 18th-century façades are the scenic backdrop to avenues of yews To the north the 17th-century structure is reflected in the Peschiera surrounded by hornbeams pruned to form a green wall that conceals the urban landscape which reflects the Baroque effect of wonder It is no accident that it has become one of the favourite spots with visitors the Potager Royal – a vegetable garden and orchard of 18th-century inspiration – is laid out with pergolas fountains and geometrical beds of a contemporary taste The magic of the restoration is completed along the canal that echoes the vista of the 18th century in its avenues of field maples; here can also be found traces of the Fountain of Hercules and the Temple of Diana features demolished in the 1700s and evoked today by archaeological remains on the ground Thus the gardens of the palace present the appearance of an evocative time machine and website in this browser for the next time I comment Abitare.it e Style.corriere.it rifiutando tutti i cookie di profilazione ad eccezione di quelli tecnici necessari Naviga il sito di Abitare.it con pubblicità profilata e senza abbonarti By subscribing you will reject all but technical cookies on Iodonna.it By clicking "accept" you will allow to process your personal data by us and third parties and be able to browse Abitare.it website without a subscription The site owner may have set restrictions that prevent you from accessing the site. I got an error when visiting eurovision.tv/gallery/4-eurovision-opening-ceremony-2022-galleria-grande-la-venaria-reale. The exhibition will recount not only the art collections of the palace, now a museum, but also the golden age of Genoa: in particular, the city’s central role during the Baroque age, when it was a republic ruled by doges, a symbol of royalty and magnificence. The event is part of Venaria Reale’s larger project dedicated to exploring the history, art and culture of the courts, continuing to celebrate their grandeur and pomp. Reporting by Trevor Stynes; Editing by Christian Radnedge Our Standards: The Thomson Reuters Trust Principles., opens new tab , opens new tab Browse an unrivalled portfolio of real-time and historical market data and insights from worldwide sources and experts. , opens new tabScreen for heightened risk individual and entities globally to help uncover hidden risks in business relationships and human networks. © 2025 Reuters. All rights reserved the most modern archaeological survey techniques may be seen while admiring three-dimensional recreations and original finds for the first time on public display It is a unique chance to experience comment and discussions with archaeologists and restorers For more information: http://www.lavenaria.it/it/mostre/pompeiana-fragmenta-conoscere-conservare-pompei The site owner may have set restrictions that prevent you from accessing the site I got an error when visiting eurovision.tv/gallery/3-eurovision-opening-ceremony-2022-galleria-grande-la-venaria-reale Presented today therestoration and enhancement of the Hercules Fountain Water Theater at the Venaria Reale Gardens A 17th-century masterpiece byAmedeo di Castellamonte was the site of festivities: a Baroque scenic machine resulting from the dialogue between nature and architecture It originally consisted of staircases and pavilions the protagonist placed in the center of the large pool stood out.A symbol of the late Mannerist garden it had been envisioned by Castellamonte as one of the great wonders of the new palace commissioned by Duke Charles Emmanuel II of Savoy Conceived and realized for loisir and based on a refined play of allegorical references and mythological allusions the water theater gave luster to the Savoy dynasty A change in taste and war events decreed its dismantling as early as the early eighteenth century; the decorative and statuary heritage was dispersed to other royal and noble residences and the site demolished and buried coordinated by the Superintendency and the Piedmont Region The Council for the Enhancement of the Artistic and Cultural Heritage of Turin has therefore accepted the request to intervene on what was one of the spectacular architectures of the hunting residence of the Savoy family in order to complete the work of recovery of the Reggia di Venaria this is thelast piece of the Venaria Reale Recovery Project This very year marks fifteen years of the opening of the Reggia di Venaria and twenty-five years of the Unesco recognition of the Royal Residences of Savoy The revival of the Water Theater celebrates these anniversaries Companies and member institutions of the Turin Council have been joined in the project by prestigious partners Consortium of the Royal Residences of Savoy - Friends of the Royal Palace of Venaria Reale Conceived by architect Gianfranco Gritella the project was the result of careful studies and investigations and activated synergies between leading public and private institutions in the country “The restoration work,” explains the designer and director of works “followed the principle of ’conservation design’ intended as a guarantee of respect for the characteristics proper to the surviving architecture Starting from the study and knowledge of the artifacts the aim was to mend the relationship between intervention and pre-existence The entire project is based on the concept of ’light intervention’ recalled to give strength to the idea of a sustainable restoration through the use of two historical materials (wood and iron) both used with assembly systems that allow complete reversibility.” president of the Consortium of the Residences of Savoy “The impressive restoration and enhancement of the monumental complex of the Fountain of Hercules in the Gardens of the Reggia represents the last fundamental act of the overall completion of the Venaria Reale restoration project which began in 2007 and has been defined as Europe’s largest construction site for a cultural asset It is a very important milestone that marks the new rebirth of the Reggia on the very 15th anniversary of its inauguration now enriched by yet another extraordinary attraction and congratulate also on behalf of the entire Board of Directors and Director General Guido Curto patrons and especially the Turin Council for making possible perseverance and remarkable efforts this incredible achievement.” I got an error when visiting eurovision.tv/gallery/1-eurovision-opening-ceremony-2022-galleria-grande-la-venaria-reale I got an error when visiting eurovision.tv/gallery/2-eurovision-opening-ceremony-2022-galleria-grande-la-venaria-reale But are you ready for the Turquoise Carpet You better be on Sunday the 8th of May 2022 That’s when the stars of Eurovision 2022 and their delegations will stomp down the carpet in the gardens of Reggia di Venaria Reale — the former royal residence of the House of Savoy Turquoise — which shouts out to the official Eurovision sponsor Moroccanoil — will be the colour of the night as people make their way inside the palace where they will sip on that sweet stuff and indulge in the finest canapés inside the Galleria Grande The gallery showcases exquisite Baroque interiors by Filippo Juvarra It’s instantly recognisable from its black and white tiled floor Guido Curto, the director of the Consorzio Residenze Reali Sabaude, revealed details of the location to TG back in February Speaking during a visit to the Royal Palace of Venaria Reale he said “and then on May 8th we will also have Eurovision The palace was designed in 1675 and was used by Charles Emmanuel II as a base for hunting expeditions But by the start of the 18th century it had fallen into disuse From then until the late 1970s it was used almost exclusively by the military Thankfully it soon underwent one of the largest restoration projects in the history of Europe and re-opened to the public at the end of 2007 We bumped into some officials working with the production team during Eurovision in Concert in Amsterdam and they shared some extra tea we can reveal that the Turquoise Carpet and Opening Ceremony will involve four hosts split across two separate stages The main hosts on Stage A will be Gabriele Corsi and Carolina Di Domenico who you’ll remember from the semi-final allocation draw back in January has hosted Ninja Warrior Italia and Il contadino cerca moglie (The Farmer Seeks a Wife) on Discovery+ He was originally meant to co-host the semi-final allocation draw in January but had to pull out Carolina started her career presenting the Italian version of Disney Club She’s gone on to present shows including MTV’s TRL and Dancefloor chart There will also be two co-hosts on Stage B TV host and former backing vocalist of Le Vibrazioni the TV presenter who replaced Gabriele at the semi-final allocation draw William Lee Adams is the founder and editor-in-chief of wiwibloggs. His memoir “Wild Dances: My Queer and Curious Journey to Eurovision” is available now. You can follow him on Instagram @williamleeadams and Twitter @willyleeadams they always feel the same no matter what country the contest is in It never feels like an actual welcome from the host more just people being forced to do what the EBU tells them to That’s not really how red carpets should work they are usually just the entrance to an occasion Overview Meet the team Press Write for us Input your search keywords and press Enter 1949) arrive at Venaria Reale: for the British artist where three very tall bronze sculptures with the unusual shapes of sinuously twisting columns with elliptical spirals rising toward the sky in a balance that seems precarious right in front of the entrance to the Olympic Stadium so renamed during the 2006 Turin Winter Olympics had been created on commission by the De Fornaris Foundation to symbolize the Olympic event by Tony Cragg one of the world’s most successful contemporary British artists born in Liverpool in 1949 and living in Germany since 1977 in Wuppertal where he has created a large sculpture park in which exhibitions and works by many famous contemporary artists can be seen.Now Tony Cragg is returning invited by Guido Curto director general of the Consortium of the Royal Residences of Savoy to create an exhibition at the Reggia di Venaria from June 9 2023 that will present a selection of ten sculptures created between 1997 and 2021 setting them within the permanent exhibition itinerary of the Reggia continuing in the High Park of the Gardens of the Reggia and ending in the atrium of the Scuderie Juvarriane shaped using a variety of materials (from bronze to wood all connoted by the typical wavy and sinuous lines which seem to be modeled on a giant potter’s wheel reconnect with the genius loci of the Reggia in a kind of postmodern redefinition of the Baroque and Rococo styles Tony Cragg’s work analyzes the multiple relationships that exist between human beings and the environment Making use of a wide selection of materials and sculptural techniques the artist thematizes the complex connection between figure which for Cragg includes geological and microbiological systems as well as urban and industrial contexts The focus of Tony Cragg’s artistic work is also centered on a relentless process of exploring the possibilities of material and reshaping the world around us “there are many more things that do not exist than there are,” referring to a source of situations that are still beyond our perception sculpture is a method of opening this enormous potential to new forms and meanings to dreams and the languages associated with them where since 2008 he has started the Skulpturenpark Waldfrieden Recent solo exhibitions include: HEART-Herning Museum of Contemporary Art Germany (2017); Wroclaw Contemporary Art Museum Greece (2015); Gothenburg International Sculpture Exhibition In 1988 he represented Britain at the 43rd Venice Biennale and in the same year was awarded the Turner Prize by the Tate Gallery Elected Royal Academician by the Royal Academy of Arts in 1994 he received the Praemium Imperiale for Sculpture from the Japan Art Association in 2007 He was appointed CBE in 2002 and Knight’s Bachelor in 2016 For the first time in Italy it will be possible to see a major exhibition dedicated to John Constable (East Bergholt, 1776 - London, 1837), together with William Turner maximum exponent of English Romantic painting: from October 25 the Reggia di Venaria Reale will in fact host the exhibition John Constable After the major exhibition An Infinite Beauty Landscape in Italy from Romantic Painting to Contemporary Art (concluded in February 2022) the Reggia di Venaria thus continues the investigation begun in 2021 on the theme of landscape by widening its gaze in the European sphere and proposes for the first time in Italy an exhibition on Constable The exhibition recounts and chronologically traces the entire artistic career of the famous painter through the works of the Tate in London and is organized in collaboration with this institution as part of the framework agreement signed last year with Fondazione Torino Musei and specifically with GAM Galleria d’Arte Moderna di Torino.The exhibition consists of more than fifty works ranging from sketches and small paintings made en plein air to the most important and vast romantic landscapes depicting places in the immediate vicinity of his native village sentimentally important to this great arist who - unlike his equally famous colleague Turner who was a great traveler - never left his beloved England and depicted Nature in a “picturesque” key to use the famous terminology of philosopher Immanuel Kant’s Aesthetics Thus distinguishing himself from Turner-a painter of the “Sublime,” that is of a Nature that fascinates but also instills fear and even terror in Man or a blizzard-Constable depicts instead a welcoming While Turner traveled incessantly from Britain to continental Europe Constable focused his painting on places closely associated with his life and family as well as the beautiful towns of Salisbury and Brighton that he frequented in the company of his family and friends Places emblematic of the history of his “affections,” as his principal biographer C Also in the exhibition are works by artists coeval with Constable whose work intertwines and compares with Constable’s The Tate has the world’s most important collection of Constable’s work The exhibition spans the entire chronological span of his output and includes landscapes the works will return to the United Kingdom at the Tate and will not be seen outside England for a long time Tickets: Full: 12 euros; Reduced: 10 euros (Groups of min 25 people); Reduced children: 6 euros (children aged 6 to 20 and university students under 26); Schools: 3 euros (Minimum class of 12 free admission for 1 accompanying person for every 12 students); Free: Under 6 years old free admission and reductions: lavenaria.it Salisbury Cathedral seen from the Meadows (1831; oil on canvas Please enable JS and disable any ad blocker The World Heritage Centre is at the forefront of the international community’s efforts to protect and preserve World Heritage partnerships for conservation Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world where sites are vulnerable to the effects of uncontrolled urban development Our Partners Donate Take advantage of the search to browse through the World Heritage Centre information he began a vast series of building projects (continued by his successors) to demonstrate the power of the ruling house designed and embellished by the leading architects and artists of the time radiates out into the surrounding countryside from the Royal Palace in the 'Command Area' of Turin to include many country residences and hunting lodges choisit de déplacer la capitale du duché à Turin en 1562 il entreprit un vaste programme de construction symbole du pouvoir de la maison royale des Savoie qui allait être mené à bien par ses successeurs Cet ensemble de bâtiments de haute qualité conçu et décoré par les plus grands architectes et artistes du temps à partir du palais royal situé dans la « zone de commandement » de Turin pour atteindre de nombreuses résidences de campagne et des pavillons de chasse عندما اختار دوق السافوا إمانويل فيليبير أن ينقل عاصمة الدوقية إلى تورينو في العام 1562 نفذ برنامج بناء واسعًا رمز إلى سلطة البيت الملكي للسافوا الذي كان ليديره أسلافه جيدًا فهذه المجموعة من الأبنية العالية الجودة المصممة والمزيّنة على يد كبار مهدنسي العصر وفنّانيه تتلألأ على البراري المحيطة والممتدة من القصر الملكي الواقع في "منطقة قيادة" تورينو إلى مساكن ريفية متعددة ومساحات للصيد 当萨沃公爵埃马努埃尔·菲利博特(Emmanuel-Philibert) 在1562年把他的首都移往都灵时，他便开始实行了一系列的建筑规划（并由他的继位人不断付诸实施），以此来显示这个统治家族的权力。这一由当时水平最高的建筑师和艺术家设计和装饰的高质量综合建筑群，从统治中心都灵的皇宫向其周边的农村地区拓展，囊括了许多村庄住宅和打猎用的小屋。 Когда герцог Савойский Эммануэль-Филибер в 1562 г он заложил целую серию строительных проектов (продолженных его преемниками) чтобы продемонстрировать мощь правящего дома созданных и украшенных ведущими архитекторами и художниками того времени выходит за пределы города и продолжается в окружающей сельской местности Он включает не только Королевский дворец в «Правительственном районе» Турина но и множество загородных резиденций и охотничьих домиков Cuando el duque Emmanuel Filiberto de Saboya trasladó su capital a Turín en 1562 quiso mostrar el poderío de su familia acometiendo la ejecución de una vasta serie de proyectos de construcción Este conjunto de edificios de alta calidad diseñados y decorados por los mejores artistas y arquitectos de la época tiene su centro en el palacio real situado en la “zona de gobierno” de Turín y se extiende por la campiña circundante abarcando numerosas casas de campo y cotos de caza The Residences of the Royal House of Savoy comprise a large serial inscription of estates including 22 palaces and villas developed for administrative and recreational purposes in and around Turin by the dukes of Savoy from 1562 Eleven of the components of the property are in the centre of Turin and the remaining 11 located around the city according to a radial plan The plan was initially conceived by the Duke of Savoy when he transferred the capital of his Duchy to Turin and his wife developed and implemented the plan to completely reorganise the area during the 17th and 18th centuries giving the city and surrounding area a Baroque character The plan celebrates the absolute power of the Royal House of Savoy The capital was organized and developed along the axes defined by the ‘Command Area’ as the central node including the Palazzo Reale Palazzo Chiablese and Palazzo della Prefettura and managing political administrative and cultural aspects of life which was surrounded by a system of maisons de plaisance Castello di Moncalieri and Castello di Venaria created a Corona di Delizie or ‘Crown of Delights’ around the capital and with the outlying residences of Racconigi Agliè and Pollenzo gave form to the countryside The construction plan foresaw a change in function for existing residences the definition of hunting routes and the creation of a network of roads connecting outlying residences to the state capital The ensemble of Residences was unified both by the road network and the uniform style and choice of materials by the court architects and artists who worked throughout the many different residences Outstanding architects included Ascanio Vitozzi In the 1800s the government of the realm was taken over by the Carignano branch of the House of Savoy and during this period its sovereigns shifted their interest to more outlying buildings used as retreats (Agliè Govone and Pollenzo) and ultimately the abandonment of the Baroque ‘Crown of Delights’ plan The Residences of the Royal House of Savoy is an outstanding example of European monumental architecture and town-planning in the 17th and 18th centuries that uses style dimensions and space to illustrate in an exceptional way the prevailing doctrine of absolute monarchy in material terms Criterion (i): The Residences of the Royal House of Savoy provides outstanding testimony to the exuberant genius of Baroque and Late Baroque art and architecture constructed over many decades by outstanding architects Criterion (ii): The monumental architecture and town-planning of the Residences of the Royal House of Savoy reflect the interchange of human values across Europe during the ‘Baroque episode’ of the 17th and 18th centuries which led to an immense work of creation and homogenization Criterion (iv): The Residences of the Royal House of Savoy is an outstanding example of the strategies and styles of the Baroque a monumental architectural ensemble illustrating the prevailing doctrine of absolute monarchy in material terms Criterion (v): The Residences of the Royal House of Savoy constitute a dynastic heritage that is both complex and unitary being a true symbiosis between culture and nature through its mastery of urban space and its planning of vast tracts of countryside to create a concentric authoritarian organization with Turin at its centre The Residences of the Royal House of Savoy include the most representative buildings constructed and renovated by the Savoy dynasty from the 17th to the 19th century The buildings reflect the original radial plan from the central node of the ‘Command Centre’ in Turin to the surrounding residences or ‘Crown of Delights’ illustrative of the prevailing doctrine of absolute monarchy Boundaries and buffer zones have been approved for all components of the property In 2010 some missing buffer zones were created (Valentino Castle The perimeter areas of the buffer zones include parks elements that still add to the original value of these Residences today The integrity of the property could be further strengthened by extensions to the buffer zones to recognise the historical connections between the Residences and the ‘Command Centre’ in Turin The buildings comprising the Residences of the Royal House of Savoy have undergone many restoration procedures The conservation and restoration work undertaken is based on patient stratigraphic research scientific analysis and the analysis of structures The work is also designed in some cases to bring to light elements that had been hidden by previous refurbishment and to correct some previous building works Repair and restoration work on the House of Savoy residences conducted with the aim of opening them to the public With the programme to restore Rivoli Castle and its conversion into the Museum of Contemporary Art (inaugurated in 1984) a process of restoration and the return to public utility of these historic architectural and artistic assets led to the reopening of many residences Each of the component parts the Residences of the Royal House of Savoy is protected by national According to national regulations of the Codice dei Beni culturali e del Paesaggio (or the cultural and landscape heritage code) these monuments are subject to specific conservation measures that affect single buildings and La Mandria and Agliè regional and EU landscape regulations protect the wider area where they are located Under the national regulations all restoration work is subject to prior approval by the competent Office of the Ministry of Cultural Heritage and Activities and Tourism the Regional Territorial Plan (2009) covering the protection and enhancement of the Residences of the Royal House of Savoy and other urban planning rules identify further conservation regulations for palaces and villas located within their perimeter the regional legislation on the conservation of natural areas and biodiversity includes a few of the areas located within the perimeter of the World Heritage property among those subject to special protection due to their natural features The property is managed through a Memorandum of Understanding signed by all stakeholders for the drafting of a management plan and the coordination of any work done on the complex itself Responsibility for management of each component part of the property is mainly entrusted to the owner The majority of the residences are owned by the State or local government authorities A territorial Office of the Ministry of Cultural Heritage and Activities and Tourism is responsible for managing residences belonging to the State The owners of the other residences are responsible for managing them through their respective administrations or organisations including the Consorzio di Valorizzazione Culturale La Venaria Reale the Associazione culturale Castello di Rivoli the Ordine Mauriziano per la Palazzina di Stupinigi the Agenzia di Pollenzo S.p.A and the private owners of the castle of Pollenzo Max Schachmann takes second and Slovenian champion third in three-man showdown in Turin Giro d'Italia 2024: Jhonatan Narvaez (Ineos Grenadiers) holds off Tadej Pogaćar (UAE Team Emirates) at finish in Turin for stage 1 win Maximilian Schachmann of Bora-Hansgrohe (right) in second(Image credit: Luca Bettini / AFP / Getty Images)On the final sprint (L-R): Tadej Pogačar of UAE Team Emirates finishes third Tadej Pogača tucked in behind the Ineos squad(Image credit: Dario Belingheri/Getty Images)The peloton on the rolling hills of stage 1 chasing the breakaway(Image credit: Getty Images)Amanuel Ghebreigzabhier of Lidl-Trek looks to make his move with under 65km to go and move away from his breakaway companions(Image credit: Dario Belingheri/Getty Images)Louis Barre of Arkéa-BB Hotels and Nicolas Debeaumarche of Cofidis Jhonatan Narváez (Ineos Grenadiers) managed to stay with Pogačar and then beat him and Maximilian Schachmann (Bora-Hansgrohe) in a close sprint to the line A chase group that included Geraint Thomas (Ineos Grenadiers) Pogačar took four bonus seconds for his third place and so has already gained 14 seconds on his main rivals Nairo Quintana (Movistar) and Romain Bardet (dsm-firmenich PostNL) shipped 57 seconds while Thymen Arensman (Ineos Grenadiers) lost 2:17 after all three suffered on the earlier Colle Maddalena climb Florian Lipowitz (Bora-Hansgrohe) lost 2:25 Canada’s Riley Pickrell (Israel-Premier Tech) and David Dekker (Arkéa-B&B Hotels) where the last to finish after a hard and intense first day of racing at the 2024 Giro d’Italia Narváez won a stage in 2020 but took the biggest win of his career and also took the first maglia rosa of the 2024 Giro d’Italia We knew it was going to be a stage for me and I worked a lot on it,”  Narváez said still in pain after going deep to stay on Pogačar’s wheel “Following the best guy in the world on the climb was really hard Narváez took advantage of Pogačar’s desire to win in the sprint “I think he went too long in the sprint 200 metres after a really hard stage and I did a short sprint and in the end I took the victory,” he said as he realised he would pull on the maglia rosa “For me it’s amazing.There aren’t many opportunities in a Grand Tour to get the maglia rosa on the first day because you have a bunch sprint A 140km opening stage perhaps seemed like a gentle way to start the Giro d’Italia but as riders discovered during final training rides after arriving in Italy the stage has a nasty finale that would surely inspire attacks Indeed it was the first stage for 29 years to include classified climbs 9.8% San Vito climb ending just three kilometres from the finish Most of the sprinters knew they had no chance of victory but that only boosted the chances of the puncheur and GC riders The riders appeared relaxed and happy to start racing as they signed on in Venaria Reale The sun was out and the 107th Giro d’Italia was about to begin but everyone knew it would not be an easy day of racing The 176-rider peloton rolled out of the former royal palace There were  few early attacks but the break of the day soon formed on the flat roads north of Turin Lilian Calmejane (Intermarché-Wanty) Louis Barré (Arkéa B&B Hotels) Filippo Fiorelli (VF Group-Bardiani CSF-Faizanè) Andrea Pietrobon (Polti Kometa) and Amanuel Ghebreigzabhier (Lidl-Trek) got away and the peloton soon slowed with UAE Team Emirates and everyone else happy for a controlled race When the breakaway’s lead touched two minutes with Vegard Stake Laengen doing the hard work on the front The first climb to Berzano di San Pietro came after 50km and Fiorelli won the sprint for the KOM points The first of two daily intermediate sprints came in Moriondo Torinese after 60km and he used his speed to win again and score the first points for the cyclamen-coloured points jersey Next up was the Superga climb with 60km to go The Giro d’Italia remembered the Grande Torino football team by visiting the climb exactly 75 years after the legendary Torino soccer team died in a plane crash on the hilltop that overlooks the city Calmejane was the first to break the harmony in the break but was soon caught and passed by Ghebreigzabhier who was the first to the summit of the Superga UAE Team Emirates suddenly appeared on the front and in formation The peloton soon began to sweep up the remains of the breakaway with Calmejane and Ghebreigzabhier the last to stay out front and Pietrobon and Fiorelli chasing them The fast descent took the riders down to central Turin and a ride through the finish area after the intergiro sprint in Moncalieri Calmejane led Ghebreigzabhier over the line with Pietrobon and Fiorelli chasing at a minute.  The peloton was at nearly three minutes but still in control Jonathan Milan (Lidl-Trek) won the sprint for fifth and four points for the points competition beating Danny Van Poppel (Bora-Hansgrohe) and Kaden Groves (Alpecin-Deceuninck) They appeared to be the sprinter contenders for the 2024 cyclamen jersey Before passing through the finish along the Po river the race turned right into the foothills for the San Vito climb This first time it made little difference but would end just three kilometres from the finish in Turin after a 30km circuit UAE Team Emirates led the peloton through the finish the bell ringing out 1:50 after Calmejane and Ghebreigzabhier passed the same spot There were already several chasing groups much further behind 6.8% climb starting soon after the finish area Mikkel Zberg set a high pace in the peloton and riders were soon dropped including Biniam Girmay (Intermarché-Wanty) Luke Plapp (Jayco AlUla) and surprisingly Thymen Arensman (Ineos Grenadiers) Romain Bardet (dsm-firmenich PostNL) also suffered and had to fight to get back on The peloton was shaken to just 40 or so riders as UAE Team Emirates imposed their authority Alaphilippe was glued to Pogačar’s wheel Calmejane dropped Ghebreigzabhier on the Colle Maddalena and was first to the top to take 18 precious KOM points but the peloton was just behind him Bardet was 30 or seconds behind in a chase group UAE Team Emirates had chased the break and so Pogačar only had Rafał Majka with him That left UAE Team Emirates exposed and unable to control the race Calmejane was still clear but a group of chasers jumped across to him hoping to steal a march before the final assault of the San Vito climb Pogačar could only let them go and wait for the final climb Mikkel Honoré (EF Education-EasyPost) Giulio Pellizzari (VF Group-Bardiani CSF-Faizanè) Alex Baudin (Decathlon AG2R) and Alessandro De Marchi (Jayco AlUla) They had a lead of 15 seconds with 10km to go and then 30 seconds with six kilometres to go as only Majka worked behind for the Pogačar group Conci took off alone on the flat road and started the San Vito climb with a lead of 30 seconds but suffered on the steepest gradients Pogačar started his pursuit of the stage victory and soon blew the group apart and only Narváez was able to stay with him as Pogačar closed the gap on the attackers Only Schachmann was able to stay with Pogačar and Narváez as the summit neared Conci was still away near the summit but Pogačar had the speed and power to close him down as the chasers tried but struggled to keep him in sight Narváez cleverly forced Pogačar to lead down the descent and into the flat final kilometre and onto the rising finish Pogačar was desperate to win after UAE Team Emirates’ hard work and his three searing attacks on the last climb but it proved to be his downfall Narváez came off his wheel to beat him to the line and take a huge win for the Ecuadorian rider and for Ineos Grenadiers Pogačar was disappointed but could take consolation in the seconds he had gained on his GC rivals especially with Pogačar keen to make up for his stage 1 defeat Results powered by FirstCycling Stephen FarrandSocial Links NavigationHead of NewsStephen is one of the most experienced member of the Cyclingnews team having reported on professional cycling since 1994 He has been Head of News at Cyclingnews since 2022 before which he held the position of European editor since 2012 and previously worked for Reuters the GNAM Galleria Nazionale dArte Moderna e Contemporanea in Rome and the Galleria dArte Moderna in Palermo.The itinerary follows a chronological-geographical thread that interweaves space and time with particular attention to the Piedmontese context and in general to the entire North of our Peninsula without neglecting the important regional schools of Central and Southern Italy The twelve sections of the exhibition thus present the different forms that the representation of Landscape in Italy has taken over more than two centuries of painting Next to him is the group of the Rivara cenacle: from Carlo Pittara to Federigo Pastoris drew in the countryside and on the coasts between Rome and Naples in search of the dazzling Mediterranean light On display are works by artists such as Alphonse Mucha Alfredo Muller and many others.Regarded as an international current it is based on a break with nineteenth-century eclecticism and historicism and represents a modern response to an increasingly industrialized society Modern Style became Tiffany in the United States the home of the movement’s leading theorists and came under the name Art Nouveau in France It was precisely in Turin that it was presented in 1902 with theInternational Exhibition of Modern Decorative Art and kicked off Art Nouveau in Italy starting with the city produced and organized by the Consorzio delle Residenze Reali Sabaude with Arthemisia it is curated by Katy Sp urrell with catalog texts by Victor Arwas (1937 - 2010) For all information you can visit the official website of the Reggia the Venaria Royal Palace ’s programming for 2021 is entirely dedicated to nature and the passing of the seasons Venaria Reale’s 2021 will be green and will offer events and initiatives starting with an online video that was filmed inside the Savoy residence to the notes of Vivaldi’s Primavera.A rich program of events between art with a focus on the relationship between man and the environment and on sustainability The Venaria Reale complex since its origins and still today shows an intimate connection between gardens village and surrounding agricultural areas creating a territorial system that goes beyond the palace that is its main focus The Reggia di Venaria ranks high in Italy’s ranking of cultural properties for sensitivity to environmental issues and among the most energy-efficient: a reduction in greenhouse gas emissions that meets the international parameters defined in the 2015 Paris COP21 climate change conference A major exhibition dedicated to the landscape is planned for the summer and guided tours will also be offered focusing on knowledge and raising awareness of the relationship between society and the ecosystem On the website www.lavenaria.it and on the Reggia’s social channels a video filmed for the occasion among the gardens and rooms of the residence will be released on Sunday March 21: a clip set to music and acted out to the notes of Vivaldi’s Primavera and the reading of the sonnet of the same name that accompanies the concert entrusted to the voice of actress Lucilla Giagnoni the Citroniera Juvarriana will host the exhibition Una infinita bellezza - Landscape and Environment in Italy from Romantic Painting to Contemporary Art organized with GAM - Galleria civica d’arte moderna e contemporanea di Torino the restoration of the Fountain of Hercules will be inaugurated nature and sustainability are much addressed these have been chosen as the key to all the events and initiatives of the calendar which will be divided into four chronological chapters musically titled Largo alla Primavera Adagio d’Autunno and Allegro in Inverno the public will be provided with a wide range of activities (in this first phase and until the resumption of visits they will be online) that are in turn divided into four sections DreamGreen: a section dedicated to performances which will have its main moment in the summer with a series of events in the Carriage Courtyard and in various places in the gardens during the usual evening openings in a fortunate combination of arts and nature; and conferences to learn about the sustainable Reggia but also to investigate the human-nature relationship how it has changed over time and how this has affected art and beyond; CreareGreen: workshops to build and understand to propose and spread sustainable lifestyles to popularize the goals of the UN Agenda 2030 "In devising a cultural project that for the first time connotes the calendar of the Reggia with a leading theme we have built a varied offer of artistic events based on multiple moments of entertainment and focusing on a single major exhibition consistent with the GREEN theme chosen for 2021 organized with GAM - Civic Gallery of Modern and Contemporary Art of Turin Thus was born the exhibition An Infinite Beauty Landscape and Environment in Italy from Romantic Painting to Contemporary Art of which I have the honor of being curator with Virginia Bertone and Riccardo Passoni the first day of summer: more than 200 works will be exhibited in the imposing spaces of the Juvarra Citroniera bearing witness to how sensitivity to nature and interest in the unspoiled landscape are central themes in the production of numerous artists of the past from the pre-Romantic painters of the late 18th century to contemporary masters We are convinced that it can be a valuable opportunity for the public to admire the work of great artists while reflecting on the conditions of the present," commented Guido Curto director of the Consortium of Royal Residences of Savoy Piuarch presents the project for the new Culture Hub of Venaria Reale a coordinated initiative of urban regeneration and social innovation In the centre of the city of Venaria Reale (Turin) near one of the largest and most beautiful Savoy estates the new project of urban regeneration by Piuarch is slated for construction calling for the creation of a cultural centre in an urban area currently in a state of abandon is part of the overall initiative “Tra Urbano e Periurbano” funded by the PNRR with the aim of urban and social regeneration of a peri-urban sector of the city of Turin The funds earmarked for the Culture Hub in the context of the PNRR amount 7 million euros A unique opportunity to interact with the remarkable historical roots of this urban context which developed around the Reggia starting at the end of the 17th century through the conversion of an area previously occupied by a barracks to create a Culture Hub open to the community An important intervention that will make it possible to reactivate the social fabric of this neglected site thanks to the creation of new meanings and uses The project has the objective of asserting its iconic character while preserving the historical-social and cultural identity of the original context The development of the area springs in fact from in-depth study of the surrounding environment coming to terms with existing features that set its tone part of the complex of the Palace of Venaria an extraordinary landscape of European importance that extends for 6,570 hectares to the north of the city These are the premises that have led to the idea of reactivating this portion of the urban fabric which will become a space connecting various parts of the city defined by new buildings with different functions in which interaction with nature is part of a biophilic design approach “The natural elements found in the Park and the more rational ones of the Italian gardens of the Palace converge in the definition of the concept of the masterplan and become crucial support for what we call ‘green rooms’” channels flows and determines new ‘interiors’ in which residents can gather and interact The project shifts the focus from the buildings to the open spaces it generates assigning priority to human relations and personal wellbeing” The masterplan calls for a system of courtyards whose architectural volumes reference the archetype of the large barracks interpreted in a contemporary way The spaces for gatherings and culture are organized in an informal with a pitched roof that becomes the connection for the various volumes The heart of the Culture Hub is the area to the north of the site which will contain two new buildings next to the existing Tancredi Milone library The first will host a museum of the history of the city of Venaria Reale a historical archive and spaces for associations and coworking facilities on two levels and containing the new auditorium with 260 seats and independent multifunctional halls will be placed centrally between the Piazza of Culture and a second open green space covered by a subsequent process of design and financing The versatile approach of the project takes account of different but complementary needs from respect for the environmental and landscape context to a focus on the liveability of spaces and social inclusion as well as the importance assigned to the issue of sustainability in the architectural design of the new buildings a material offering extremely high performance and a small ecological footprint has been selected as the main element for both the structural parts and the enclosure while inside it has been left on view as much as possible to bring out the beauty of its architectural presence The design has been implemented with a highly digital approach that permits definition and standardization of the individual construction components for greater efficiency and ease in the final assembly The solutions developed guarantee excellent energy performance: examples include the large skylights and windows that flood the interiors with natural light the system of screening of the façades with wooden brise soleils to protect against summer heat and to optimize solar warming in the winter and the use of photovoltaic panels on the roof offering a source of renewable energy quality and sustainability are central factors in this new project by Piuarch once again setting the objective of intervention in the urban context to improve the city the life of its inhabitants and the conditions of living together respecting the diversity of all individuals You must be logged in to post a comment You are using an outdated browser. Please upgrade your browser to improve your experience exchange of experiences and joint educational activities are the main assumptions of the ‘I inspire’ project under which the Royal Łazienki Museum has been cooperating with La Venaria Reale in Turin in 2023-2024 employees of the Royal Łazienki Museum shared their expertise with the museum employees of the Italian La Venaria Reale - a representative royal palace from the 17th century inscribed on the UNESCO World Heritage List Our experts presented, among others: pioneering solutions in the field of creative areas and museum educational activities. Examples included creative areas in the Old Guardhouse, such as ‘Painting’ or ‘Frida and Fridita’ These creative areas prove many years of experience and contribute to the development of permanent and temporary museum exhibitions new forms of use of cultural institutions’ offers are emerging Guests of the Museum can use their time creatively and experience art through fun and relaxation Creative areas are also venues for artistic and cultural activities La Venaria Reale employees saw the ‘Frida and Fridita’ creative area during a study visit to Warsaw They also learned the principles of creating a creative area for museum exhibitions collections and activities of the Royal Łazienki employees of the Royal Łazienki Museum shared their conclusions about current models of museum education They also participated in workshops and guided tours and consulted educational materials for cultural institutions Good practices in creating creative areas for cultural institutions were collected in an e-book in Polish E-BOOK ‘I INSPIRE! CREATIVE AREAS AT THE MUSEUM’ an Italian version of the book ‘Museum of Marvels’ was created The project was implemented thanks to the funds of the Minister of Culture and National Heritage within the framework of the ‘Kultura inspirująca’ program; with the support of the Polish Institute in Rome Feel invited to the 66th season of Chopin Concerts in the Royal Łazienki which will start on 11 May 2025.Recitals at the foot of the Monument to Chopin will be held every Sunday at 12.00 and 16.00 including outstanding musicians of the younger generation The weather is favourable for outdoor activities We take this opportunity to explain why bicycles scooters or roller skates are not allowed in the Royal Łazienki Animals which you take for a walk with you are not allowed here either The impacts of recent climate change have become particularly acute for the historic gardens of the Royal Łazienki Museum the protection of the historic vegetation cover has become increasingly challenging  ‘Sfera con sfera’ – the monumental sculpture of the fiberglass by Arnaldo Pomodoro one of the most important contemporary artists is on display at the Royal Łazienki Museum It can be seen in the Modernist Garden at the New Orangery create individually and in a team in the new creative space ‘What are playing here?’ which draws on the theatre world of Stanisław Wyspiański The Royal Łazienki Museum is a symbol of Warsaw which most strongly anchored in the consciousness of Varsovians and residents of surrounding areas according to a survey by Difference firm carried out as part of the “2023 Development of Creative Sectors” programme Nuda w deszczową pogodę? Nie u nas! 4 maja w Łazienki Królewskie / Royal Lazienki. Strona sfinansowana ze środków Programu Operacyjnego Infrastruktura i Środowisko 2007‑2013 Venaria Reale pays tribute to the unforgettable Lady Diana with a major exhibition 20 years after her death.On August 31 but twenty years later the memory of the beloved princess has not yet faded becoming an icon of femininity and strength The Sale dei Paggi at the Reggia di Venaria hosts more than 100 images of Diana newspaper articles and testimonies celebrating the"people’s princess"and recounting her in her various facets A Free Spirit" is on view until January 28 2018 and is produced and organized by Kornice with scientific curatorship by Giulia Zandonadi and Fabrizio Modina reduced 10 euros (for groups of minimum 12 people and over 65) reduced 6 euros (for children from 6 to 20 years old and university students up to 26 years old Special “Summer evenings with all current exhibitions” admission: €18 (including the €10 entrance fee for Sere d’Estate alla Reggia); free for Under 6s For more information: www.lavenaria.it Image The opening stage takes the riders from Venaria Reale to Turin Welcome to Cycling Weekly's live coverage from stage 1 of the 2024 Giro d'Italia Stage 1 should favour the puncheurs with three categorised climbs and 1,850 metres of climbing over 140km of racing from Venaria Reale to Turin Tadej Pogačar starts the race as the overwhelming favourite for the overall victory but could he take the Maglia Rosa today with a victory on the opening stage And they are underway with the neutralised start in Venaria Reale There will be a 2km neutral section before the flag is dropped and the race properly gets going 130km to go: The official start has been given and six riders are up the road Riders in group 1: Louis Barré (Arkéa - B&B Hotels) Andrea Pietrobon (Polti-Kometa) and Filippo Fiorelli (VF Group-Bardiani CSF-Faizanè) 125km to go: All of the favourites' teams seem content with the group up the road UAE Team Emirates and Ineos Grenadiers are setting the pace at the front of the peloton to control the gap to the breakaway which will probably become a familiar sight in the days and weeks to come Tadej Pogačar speaking to Eurosport at the start: We cannot anticipate that there is just one favourite I think today there are a few names that can win the stage so I think that it is going to be an interesting battle on the final steep climb." 100km to go: The situation is still largely the same as Vegard Stake Laengen (UAE Team Emirates) is pulling on the front of the peloton with the gap to the breakaway currently sitting at around 1:20 93.5km to go: The riders are now on the Berzano di San Pietro which marks the first categorised climb of the race At 2.9km in length at an average gradient of 5% it is rated as a cat-4 climb and will hardly be a challenge for the riders 90.7km to go: Filippo Fiorelli follows an attack from Andrea Pietrobon and sprints past his Italian compatriot to take maximum points on the Berzano di San Pietro climb Barré and Ghebreigzabhier follow the move whilst Calmejane and Debeaumarché gradually pace themselves back on 85km to go: After their attacks on the Berzano di San Pietro climb the breakaway have a gap of around 2:15 over the peloton 82km to go: Fiorelli takes maximum points at the intermediate sprint in Moriondo Torinese ahead of Calmejane The rest of the breakaway choose not to contest the sprint 81km to go: Alpecin-Deceuninck come to the front of the peloton to leadout Kaden Groves to take the remaining points for the Maglia Ciclamino at the intermediate sprint He is clearly interested in taking that jersey and will be hoping to wear it on the podium in Rome 69km to go: The breakaway is now on the cat-3 Superga climb which used to be a prominent feature in the Milano-Torino one-day race The climb is 8km in length with an average gradient of 4.4% 65.5km to go: Lilian Calmejane attempts to whittle down the group with an attack Ghebreigzabhier bridges across to them and passes them instantly to go solo at the front 64km to go: Ghebreigzabhier continues to extend his advantage over Calmejane and Pietrobon 61.5km to go: Ghebreigzabhier takes the maximum points at the summit of the Superga climb Fiorelli wins the sprint behind ahead Calmejane and Pietrobon for the remaining points 60km to go: Ghebreigzabhier has now been caught by Calmejane They have around 10 seconds of an advantage over Fiorelli and Pietrobon 51km to go: Debeaumarché and Barré have now been caught by the peloton with Ghebreigzabhier and Calmejane around 30 seconds ahead of Fiorelli and Pietrobon 40km to go: Calmejane comes around Ghebreigzabhier to take the Intergiro sprint without contest from the Eritrean 34km to go: Ghebreigzabhier has pushed on at the front with Calmejane distanced on a short uncategorised climb 30km to go: Calmejane has rejoined Ghebreigzabhier at the front as they pass through the finish line and take the bell with one lap of the finishing circuit left Fiorelli and Pietrobon have been caught by the peloton as they get into position for the final categorised climb of the Colle Maddalena 28km to go: Ghebreigzabhier and Calmejane are now onto the slopes of the Colle Maddalena which is a cat-2 climb at 7km in length with an average gradient of 6.8% 28km to go: Crash in the peloton with Robert Gesink (Visma-Lease a Bike) and Domenico Pozzovivo (VF Group-Bardiani CSF-Faizanè) involved 25km to go: Thymen Arensman (Ineos Grenadiers) has been dropped from the peloton under the pace of Mikkel Bjerg (UAE Team Emirates) Calmejane pushes on at the head of the race and drops Ghebreigzabhier as their gap goes under 30 seconds 24km to go: Ghebreigzabhier has been caught by the peloton as Rafał Majka (UAE Team Emirates) comes to the front of the group with his teammate Tadej Pogačar in his wheel Romain Bardet (dsm-firmenich PostNL) has been dropped from the peloton along with Luke Plapp (Jayco AlUla) 22km to go: Over the top of the Colle Maddalena Calmejane held on to take maximum points and secure the Maglia Azzurra with the peloton in sight of the Frenchman 16km to go: Maximilian Schachmann (Bora-Hansgrohe) launches an attack off the front of the peloton with 30 seconds to Calmejane at the head of the race Nicola Conci (Alpecin-Deceuninck) and Mikkel Honoré (EF Education-EasyPost) are quick to jump onto the German's wheel Conci and Honoré have been joined by Alessandro De Marchi (Jayco AlUla) Giulio Pellizzari (VF Group-Bardiani CSF-Faizanè) and Damiano Caruso (Bahrain Victorious) catching Calmejane to form an eight man group at the head of the race 5km to go: Conci has a small gap on the rest of the breakaway 4km to go: Tadej Pogačar has moved to the front of the peloton as they catch the chasing group 2km to go: Pogačar has now caught and dropped Conci with Jhonatan Narváez and Maximilian Schachmann in his wheel with gap to the rest of the favourites in the peloton 1km to go: Pogačar is forced to leadout the sprint Narváez is staying in the wheel of Pogačar for as long as possible Jhonatan Narváez outsprints Tadej Pogačar and Maximilian Schachmann to win stage 1 of the Giro d'Italia and take the first Maglia Rosa of the race Thank you for reading 20 articles this month* Join now for unlimited access Enjoy your first month for just £1 / $1 / €1 *Read 5 free articles per month without a subscription Try first month for just £1 / $1 / €1 the National Museum of Cinema and the Cinémathèque française Info: www.lemacchinedellameraviglia.it An unforgettable pictorial tale of magic lanterns and their ties with cinema and avant-garde art films by film-makers who paid tribute to the ancestor of the film camera are presented as well as the works and installations of leading contemporary artists such as Anthony McCall artists who have been inspired by the form or who evoke the images it created The exhibition offers us the chance to admire the most beautiful collections of magic lantern glass slides in the world donated by the National Museum of Cinema in Turin the Cinémathèque Française in Paris and other important collections and institutions every possible subject was illuminated by magic lanterns the marvellous optical instruments first invented in 1659 by the Dutch astronomer Christiaan Huygens who made it possible – for the first time in the history of Man – to project still and moving images onto a screen but at the same time were also powerful tools for educating and promoting Their illuminated projections influenced the first film-makers in the history of cinema (the Lumière brothers and captivated classic authors (such as François Truffaut Ingmar Bergman and Federico Fellini) and are born again in the painted frames of experimental film from the past and present (Len Lye The exhibition is divided into ten themed sections The first section is devoted to the Bracci Testasecca tradition of magic lanterns: this spectacle has continued unchanged from the second half of the nineteenth century up until today and has survived the advent of cinema television and electronic animation intact the exhibition has come to the prestigious location of the Reggia di Venaria expanded and modified for the Italian general public and supported by several associated events and activities including a festival of magic lantern performances made by the most famous “lanternists” a cycle of screenings and workshops organised by the National Museum of Cinema and the University of Turin’s DAMS college for the performing arts on avant-garde and experimental cinema a tribute to contemporary Italian animation with particular emphasis on the technique of painting directly onto film Showing the ticket for the exhibition Devices of wonder:Reduced admission to The National Cinema Museum of Turin and the combined ticket Museum + Panoramic Lift;Showing the ticket for The National Cinema Museum of Turin:Reduced admission to the exhibition Devices of wonder 2010 Exhibit Gesù + Exhibit Devices of wonder + Reggia + Gardens € 18,00 (full price) and € 13,00 (reduced price) GUIDED TOURSGroupsGuided tours (about 1h French and German: € 60,00 per groupScheduled guided tours (about 1h 12 peopleReservations with advanced payment within 7 after the date of the reservationDuration of the tour approximately 1h and 30’Reservations school groupstel.: +39 011 4992355 – www.lavenariareale.ite-mail: prenotazioneservizieducativi@lavenariareale.itmax 25 curated by Laurent Mannoni and Donata Pesenti Campagnoni Le meravigliose immagini della lanterna magica HOW TO GET HEREVenaria is located around 10 Km from the centre of Turin and it can be reached::Shuttle bus GTT “Venaria Express”Bus GTT: lines 72 and 11Train GTT: railway line Torino Dora-Ceres (Venaria stop, viale Roma)Green line GTT: +39 800 019152 - www.comune.torino.it/gttCar: Turin Northern Ring Road (Tangenziale Nord) exit: Venaria (La Venaria Reale - Reggia e Giardini) or Savonera/Venaria (La Venaria Reale - Scuderie Juvarriane)Plane: “Sandro Pertini” International Airport at Caselle Torinese From the airport take the Expressway to Turin or the train (Turin - Ceres railway line) (Flight Information: tel +39 011 5676361 – www.aeroportoditorino.it)The main parking areas near the Venaria Reale complex are:- Parking area in viale Carlo Emanuele II - CARLO EMANUELE II PARKING LOT (this is a private road leading to the Reggia recommended for coaches)- Parking area in via Don Sapino - JUVARRA PARKING LOT (Turin Northern Ring Road / Tangenziale Nord exit Savonera/Venaria (La Venaria Reale - Scuderie Juvarriane) Reggia di VenariaMagic lanterns & phantasmagoria: show by the Cinémathèque françaiseLaurent Mannoni presents still and animated glass slides from the collections of the Cinémathèque française These glass slides will enable the audience to travel the world over experience the adventures of Robinson Crusoe and watch a phantasmagoria show For more details: www.lavenariareale.it - Tel: +39 011 4992333September 15 Screen 3Magic lanterns: the great art of light and shadowLaura Minici Zotti the director of Padova’s Museo del Precinema presents the most beautiful glass slides from the Minici Zotti Collection the audience will be transported back in time to an evening 200 years ago: images of the Grand Tour “living projections” and the mythological subjects that amazed the first audiences and continue to move us today.Free admissionFor more details: +39 011 8138516September 20 Cavallerizza Reale-ManeggioThe discovery of the slow A painted film directed by Marco PontiThe glass slides of a magic lantern and a soundtrack specially written and performed live by an internationally renowned quartet of musicians take on new life in a show where antique light projections charm even the most worldly viewer of today.For more details: tel +39 011 4424787settembre.musica@comune.torino.itOctober 13 Screen 3Tales from the magic lanternA magic lantern show created in partnership with the Fondazione Carlo Molo – Laboratorio Afasia The performance is the result of an art therapy approach that has made the most of the magic lantern’s illustrative powers.For more details: +39 011 8138536didattica@museocinema.it WORKSHOPS AND FILMSPlanned to coincide with the great exhibition at Venaria Reale the National Museum of Cinema and the University of Turin’s DAMS college for the performing arts offer a series of reflections in-depth studies and visions on the avantgarde and experimental cinema of yesterday and today DAMS will be hosting a series of workshops with respected scholars and specialists in the sector who will discuss three themes: the historic period of avantgarde production American underground productions and finally the contribution of Italian artists to this genre The afternoon and evening will feature screenings meetings and performances at Cinema Massimo that are connected to the three themes discussed in the workshops Cinema MassimoWaiting the meetings in October the Cinema Massimo (Sala 3) hosts an evening on contemporary Italian animated film with particular emphasis on the technique of painting on film Blu and Donato Sansone are screened in the presence of the authors Andrea Martignoni and Saul Saguatti present the première of the documentary Pellicole da camera Giaime Alonge and Alessandro Amaducci from the University of Turin chair the events 16.30 Presentation of the most renowned work of the historic avant-garde 20.30 The artist Paolo Gioli meets the public and talks with Sergio Toffetti and Anna Maria Licciardello the editors of the book and DVD Un cinema dell’impronta Cinema Massimo“American underground production” 16.30 Presentation of many examples of Stan Brakhage and Kenneth Anger’s work.h 20.30 Presentation by Bruno Di Marino of the DVD box set Bill Viola Works The Fondazione Cineteca Italiana offers a programme on Luigi Veronesi and Cioni Carpi 17.30 Presentation of Luigi Veronesi’s work.h A live show that combines videocameras and hand painting with background music by Andrea Martignoni INTO CINEMA All the images used on the website and social media channels are for the exclusive use of cultural dissemination and exclude commercial purposes Credits technical manager of the national middle-distance sector introduced the works and moderated the speeches.Claudio Pannozzo associate to the national middle-distance technical sector for the seniors and youth activity spoke on the theme "The preparation of the cross: organic and neuromuscular aspects" discussed the theme "The role of cross in the preparation of fast middle-distance" Paolo Cavallo (sports doctor) and Federico Bristot (J Medical physiotherapist) explored the topic of "Injuries and functional tests for preventive purposes in endurance" collaborator of the national technical middle-distance sector for the absolute and youth activity spoke on "The role of the cross in the preparation of the long distances".The conference was organized by the Piemonte 2022 La Mandria Park Organizing Committee in collaboration with the La Mandria Training Center Athletics Venaria Reale and the Durbano Gas Energy Rivarolo 77 Team and with the Ente Parchi Reali The weekend at La Mandria Park will culminate with the J Medical Cross on Sunday a test that will give indications for the composition of the italian team that will take part in the European Championships Athletes will have the opportunity to test most of the route of the continental event including Eyob Faniel returning to competitions Questo sito o gli strumenti terzi da questo utilizzati si avvalgono di cookie necessari al funzionamento ed utili alle finalità illustrate nella cookie policy Se vuoi saperne di più o negare il consenso a tutti o ad alcuni cookie scorrendo questa pagina o cliccando qualunque suo elemento acconsenti all’uso dei cookie.