Zagarolo is a tiny DOC of the Lazio wine region in central western Italy It applies only to white wine produced under two designations The relatively complex nature of these specifications reflects the ongoing work in correctly identifying grape varieties using DNA profiling Many appellations across Italy have recently had to clarify their regulations in this regard This particular uvaggio is identical to that of Montecompatri Colonna a village from which Zagarolo is separated by just 6 kilometers (4 miles) The two appellations were created on the same day in May 1973 A superiore wine must attain at least 12.5 percent abv one percentage point more than the minimum for the basic wine In practice this higher level seems to be usually achieved The communes which make Zagarolo wine are the eponymous Zagarolo the adjacent hamlet that has effectively been absorbed into its neighbor These two villages lie in the ridged, pastoral landscape that radiates out from the sprawling suburbs of eastern Rome. Here in the hills just visible from the Italian capital, the climate is noticeably cooler than down on the coastal plains, which slope gently to the Tyrrhenian Sea, meaning the wines retain a fresh, crisp acidity The cooler mesoclimate leads wine producers in this area to specialize in white wines. Lazio's most famous wine, Frascati As of 2017 there were around 20 hectares (49 acres) of vineyards associated with the Zagarolo DOC. Output in the same year was 3900 cases. Wineries in the area are likely to produce other wines, including reds, using designations such as Lazio IGT. This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. You can email the site owner to let them know you were blocked. 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Please enable JS and disable any ad blocker a new exhibition-event which takes place this weekend in Zagarolo has been curated with this sentiment of steady pleasures in mind.  Nick OberthalerUntitled, 2015Martin van Zomeren It's coming and it's going, 2015Anat EbgiAdvertisementJust a few weeks after the openings of the EXPO in Milan and the Venice Biennale GRANPALAZZO reminds the art and design worlds that Italy’s capital should not be forgotten the program is strung over the course of two days with all the conviviality and sociability of a languid Italian meal (and indeed is on an impressive selection of contemporary art this first edition is created by a trio of Rome-based female directors: Paola Capata of MONITOR “We’d like to lay the foundations for a yearly appointment of ‘slow art’ that determines new modes of experience and which reestablishes value in the ideas of research and perception,” Schiavo told Artsy ahead of the event “All this should happen in a small yet dynamic dimension.” and independent project space Lulu from Mexico City un cavallo libero uno con ostacolo e un ostacolo 2015P420“Each of these galleries’ practices evokes the distinct character of their town and territory as well as reaching firmly out towards the international art world Our aim was to reflect on a still existing true Italian tradition with a rich provincial presence while at the same time selecting some of the most interesting protagonists of contemporary art scenes,” Schiavo continued This juxtaposition between the florid painting of the historical setting and the exhibition’s often abstract forward-looking works reflects paradigms of the Italian art world.  Damir OčkoStudy on Shivering no.3-3,, 2013Tiziana Di Caro Study on Shivering no.3-5 “Many of the Italian artists have certainly been influenced by the country’s relationship with history translating through their works gaps and shifts within the official narrative of the past But today we can also notice a re-reading of the traditions of painting and sculpture The curators also invited local cutting-edge art publications Cura. and Nero to produce elements of the event: Cura. has involved Roman, New York-based artist Paolo Canevari who will mount a spatial arrangement of monochrome canvases; Nero’s contribution is an “exhibition on paper,” a self-portrait of the recent artistic history of the capital Installation view of Paolo Canevari, “Monuments of the Memory Vanessa BillyClear as mud, 2013BolteLang Paolo CanevariMonuments Of The Memory, 2011Cura. Untitled 2014Workplace GalleryIlaria Gianni also wishes to “challenge the strong heritage and identity of the spaces of the Palazzo” in her selection of site-specific performances the performances will let loose the hidden potentials and stories of the building giving rise to new narratives,” Gianni revealed.  Engaging the wider context of public space of the town of Zagarolo, GRANPALAZZO seeks to produce a village-like feel harking back to the vital spirit of the Renaissance when the Rospigliosi family would stroll through the market and the town This festive atmosphere of performance will provide “the conditions for a real dialogue between the audience and art world professionals bridging the professional and human gap that often exists in contemporary art events.” 2015Galleria ZeroGRANPALAZZO promises to open up the time and space for deep conversations between art practitioners to throw an imaginative wrench in the fast-paced workings of the art world Explore GRANPALAZZO 2015 on Artsy. Italian climber Elias Iagnemma recently climbed Ephyra V16 (8C+) in Chironico the problem has since been repeated by Niky Ceria Ephyra features a wildly difficult lateral move onto the left shoulder You can watch all previous ascensionists send the problem in the embedded videos below Several of Ephyra’s ascensionists believe the problem to be at the lower end of V16 with Bosi even suggesting V15/16 for the bloc “I briefly tried [Ephyra in 2021] and felt like I was too spanned to do the crux move,” said Bosi after his ascent “Coming back with stronger shoulders I was able to stick the move quite fast and eventually go through it from the ground.” A post shared by Elias Iagnemma (@elias_iagnemma) Get the digital edition of Gripped for your chosen platform: 1 and charged with burglary in the second degree 1 and charged with arson in the third degree involving intentional damage 1 and charged with driving while intoxicated as a first offense 1 and charged with criminal mischief in the third degree involving property worth over $250 1 and charged with criminal possession of controlled substance in the seventh degree For questions about this blotter, email michael@patch.com. The Suffolk County Police Public Information number is 631-852-6308. All arrests have been previously published on the SCPD's website here Get more local news delivered straight to your inbox. Sign up for free Patch newsletters and alerts. Keeping with its annual celebration in memory of Mro Joseph Vella’s life Il-Ħaġar museum in Victoria has put up a documentary exhibition focusing on 12 opuses from the Vella Music Archive Handouts and media coverage are also included 1997 by the Borealis String Quartet at the Old University’s Aula Magna in Valletta 1970 at Malta TV with Freddie Mizzi on the clarinet and Vella himself on pianoforte 56 was premiered by clarinetist Noel Beck at Hotel Ta’ Ċenċ on May 14 76 had its premiere by Silvio Zammit with the Central Bank Orchestra conducted by the composer at the Mediterranean Conference Centre 92 was premiered by Franco Sugoni (bassoon) and the Goffredo Petrassi Orchestra at St Peter’s Cathedral in the Roman town of Zagarolo on December 19 100 was premiered by the Malta Philharmonic Orchestra ensemble at the Manoel Theatre on May 18 104 was premiered by the Vallette Clarinet Quartet at St George’s basilica 107 for Woodwind and Pianoforte was premiered at Pistoia’s Museo Marino Marini on April 2007 by Mario Falaschi (alto saxophone) and Mario Podestà (pianoforte) at La Spezia’s Conservatorio di Musica G 121 was first performed by clarinettist Godfrey Mifsud with the Malta Philharmonic Orchestra conducted by Mro Vella at the Manoel Theatre in May 2011 123 was premiered by flautist Patrick Gallois and harpist Pierre Fabrice at the Chateau de Joinville in France on April 23 135 was performed by Siglo d’Oro from London conducted by Patrick Allies at St George’s basilica in July 2014 Prior to the inauguration of the memorial exhibition James Corby delivered the sixth Joseph Vella memorial lecture Lombard Bank donated 10 drawings by Giovanni Battista Conti to enrich Il-Ħaġar’s collection Joseph Vella’s exhibition remains open until March 24 daily between 9am and 5pm please register for free or log in to your account.