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Japan’s Finance Minister Katsunobu Kato said the country won’t use the sale of its US Treasury holdings in trade talks with Washington
clarifying his previous remarks that suggested they could be used as a negotiating tool
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Finance Minister Katsunobu Kato said the country’s U.S
Treasury holdings could be a card in its trade talks with Washington
when asked if Japan’s stance of not selling holdings could be a negotiation tool
"Whether or not we use that card is a different decision.”googletag.cmd.push(function() { googletag.display('div-gpt-ad-1499653692894-0'); });
While the comments were made in response to a question and don’t appear to suggest Japan is considering selling any of its U.S
they open up the possibility of large market ructions if action took place
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Taito Kato took a best finish of fifth during the opening round of the Formula Regional European Championship at Misano
The opening round of the Formula Regional European Championship (FRECA) was held this weekend at Misano
and Taito Kato got his season underway to a strong start
The Honda Formula Dream Project driver has already completed the Formula Regional Middle East Championship this season
including celebrating a podium finish in Abu Dhabi in January
having graduated as 2024 French F4 Champion
Consistency was the name of the game for Kato as the opening round held at the Misano World Circuit Marco Simoncelli
From the very first session his pace was strong
finishing the first Collective Test of the weekend sixth fastest
The second Collective Test was a similar story
this time just 0.183s adrift and 0.001s shy of his ART Grand Prix teammate Evan Giltaire
Kato then went fourth quickest in Qualifying Group B for Saturday’s opening race
putting him seventh on the grid when results were combined with Qualifying Group A
An incident on the opening lap eliminated two cars ahead of him
meaning Kato inherited a fifth position which he kept until the flag (setting the fourth fastest lap of the race in the process) to earn ten championship points
With the temperature slightly cooler on Sunday
(dropping from 38 degrees Celsius track temperature for race 1 to 29 degrees Celsius for race 2)
Kato couldn’t quite replicate his pace for the final day of the weekend
Qualifying saw Kato set the 7th fastest time in Qualifying Group B
which resulted in a grid position of 14th for Sunday’s 30min +1 lap race two
Kato climbed to 12th by the end of the first lap and then on lap 9 was able to climb one more to 11th
a post-race penalty for a collision with Jin Nakamura added five seconds to his race time
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Japan’s Finance Minister Katsunobu Kato said the country’s US Treasury holdings could be a card in its trade talks with Washington
referring to the largest stockpile of US debt held by a foreign nation
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Japan’s Minister of Finance Katsunobu Kato said he aims to build on close discussions pertaining to currencies when he meets his US counterpart Scott Bessent in Washington this week
Japanese Finance Minister Katsunobu Kato said on Friday
“we'll continue to ask the US to reconsider tariffs,” per the Wall Street Journal (WSJ)
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EUR/USD is paring back gains toward 1.1300 in the European session on Tuesday
Germany's political concerns resurface and weigh on the Euro while the US Dollar stays defensive as traders await the crucial Fed meeting for fresh trading impetus.
GBP/USD regains traction above 1.3300 in the European trading hours on Tuesday
Markets remain on the edge amid Trump's erratic trade policies
The focus stays on trade headlines as the Fed meeting gets underway later in the day.
Gold sprints higher on Tuesday for a second consecutive day as geopolitical tensions around the globe continue to support investors’ demand for safe-haven assets. In the Middle East
Israel is further preparing its ground offensive in the Gaza Strip with the aim of fully controlling the area
trading at $2.11 at the time of writing on Tuesday
Recovery has remained elusive above immediate hurdles
such as key moving averages in the 12-hour time frame and the extended descending trendline from January
but uncertainty hasn’t: Markets may be breathing easier
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the real risk lies in prolonged policy unpredictability
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200km in low early spring sunshine and they were flawless
If you want the ultimate performance cycling glasses
then the Oakley Kato Velo is probably them
but they're expensive and quite annoying to live with in some respects
dispensing with size for a heavily wrapped lens that shrouded the nose
I didn’t massively like the original Kato
just that it didn’t do a great job of shielding my eyes from the wind.
Oakley has released a new version of the Kato
which takes the heavy wrap of the original and pairs it with a huge lens
It looks truly insane when worn with anything other than cycling kit
but they aren’t without their drawbacks.
If you are an Oakley fan (as many of you seem to be), then I've also pulled together a full range overview of all the Oakley cycling glasses
though the concept at the time was a set of glasses that could be run with either a set of solid arms as you see here
it’s not hard to trace the lineage back to Oakley’s ski goggles
but I guess the theory here was to produce something that provided maximal coverage
but still allowed ventilation for the likes of cross-country skiers
but they at least just look like big sunglasses
whereas the Velo Kato is more akin to a visor with arms.
completely shrouded from temple to just before the tip in grippy Oakley Unobtanium rubber
Oakley’s proprietary stuff that gets more tacky in the wet
Like the OG Kato, the lens covers the nose. I’m used to the aesthetic now and actually think that aspect of them looks quite cool, but in this case, the glasses sit further out from the nose, using the same pad as the Oakley Encoders
one of my all-time favourite pairs of cycling glasses
While the Kato lens used to touch the bridge of my nose I had no such issues here
and it means there’s no fiddly system for adjusting the lens angle.
you have the same brow crease on the frameless lens to add stiffness
as is the case with the Kato and the Encoder
It works well in all three cases to maintain a degree of rigidity and help retention.
The very peripheries of the lens have a series of vents - four lozenge shaped slits
followed by a corresponding set of fins where the arms attach
I suspect these are as much an aesthetic touch as they are anything aero.
the arms are rubberised their entire length
(Image credit: Will Jones)The nose pad is the same as on the Encoder
(Image credit: Will Jones)PerformanceHaving used somewhere north of 50 pairs of cycling glasses at this point
I can confidently say that from a pure performance standpoint
the Oakley Velo Kato stands above the rest as the best on the market
In much the same way as aero bikes are becoming so race-specific
these really are a performance-oriented pair of cycling glasses
meaning you get peerless peripheral vision
You really have to strain your eyes to even get a glimpse of the frame
such as it exists at the attachment point of the lens
and combined with the height both above and below the nose means it’s as close as you can get to never really seeing the edge of the lens.
The height above the nose is about the same as the Encoders
unlike most mega lens glasses the Velo Kato actually doesn’t foul on the brow of my helmets
They are deeper below the nose than the encoders
so somehow even better for more upright riding too
The original Kato for me really struggled in the wind
but here the extra size means you are utterly shrouded
The only thing that will maybe perturb your vision is the nose pad
and moreover while the Kato suffered a little with lens distortion around the continuous nose
the larger nose pad here effectively shields the heavily curved portions of the lens
meaning there’s zero distortion anywhere.
Comfort and retention are also up there with the best
I wore them for a full 200km day and never once had to take them off or readjust
which is about as good as you can ask for.
which is handy as you can’t swap the lens at all.
Not being able to fold the arms away is a real annoyance
I travelled with them to Belgium for the Classics
and they just sort of had to go in my bag loose
Be prepared to just leave them in your helmet full time for storage
but the lack of hinges means getting them into a helmet is also a little trickier
they’re a pair that are best kept on your face.
Even with a helmet on they look quite radical
(Image credit: Will Jones)The huge wrap means your peripheral vision is totally unimpeded
(Image credit: Will Jones)The arms never played badly with my helmets either
(Image credit: Will Jones)ValueWith an RRP of £271/€304/$328
the Oakley Velo Kato is a premium set of cycling glasses
and are more expensive than even other top-end Oakley glasses
You are getting better performance for the additional price
but whether that’s worth it or not I’m not sure
but they look quite daft for the generalist and are quite frustrating to live with.
and for events like longer triathlons in hot climates where you don’t want to use a helmet visor I can also see the benefit
I’m not convinced the juice is worth the squeeze given how good the likes of the Oakley Encoder and Oakley Sutro already are.
The Oakley Velo Kato really is a set of cycling glasses for the performance focussed only (racers
While they’re truly exemplary in terms of performance
they’re quite annoying to live with for day-to-day use
and they look too outlandish to be used as general sunglasses in the same way something like an Encoder or a Sutro can.
Combined with a high RRP they exist for those that need the best of the best on race day
I’d probably say you’d be better off buying a more established model from the Oakley lineup if you must have something from The Big O
He’s tried his hand at most cycling disciplines
to the more unusual like bike polo and tracklocross
covered tech news from the biggest races on the planet
and published countless premium galleries thanks to his excellent photographic eye
given he doesn’t ever ride indoors he’s become a real expert on foul-weather riding gear
His collection of bikes is a real smorgasbord
with everything from vintage-style steel tourers through to superlight flat bar hill climb machines
you will then be prompted to enter your display name
The List GalleryLang Performing Arts Center500 College Ave.Swarthmore
The List Gallery is pleased to present an exhibition of recent mixed-media sculptures
and a new site specific installation by Mami Kato
The exhibition will take place January 23—February 23
Kato will give a gallery talk together with Director of the Swarthmore College Art Collection and List Gallery Curator Andrea Packard
The opening reception will follow from 5:00–7:00 PM
Gallery hours are: Tuesdays through Sundays
The exhibition has been funded in part through the generous support of Joan Gordon
Japan and grew up observing the work practices and growth cycles taking place in the rice fields near her home
Observing organic forms and learning about broader scientific principles remains essential to her aesthetic
She frequently uses materials that are connected to her heritage and daily life
she creates composite forms that reflect malleability and dynamism in nature
Kato's List Gallery exhibition features several of her large-scale sculptures
which is five feet in diameter. To create these works and a smaller wall-mounted piece, Uro #2 [Foxtail] (2020), Kato creates structures using wood
and linen and then covers them with bundles of Japanese rice straw
and warm-brown textures animate her forms and emphasize their dynamism
A site-specific installation in the rear room of the List Gallery explores some of the other aesthetic and expressive possibilities of jute fiber
Rather than untwining and bundling the jute string into stalks or covering an underlying armature
Kato explores the tensile properties of the fibers: stretching them into semi-transparent structures
reconfiguring them in response to the surrounding architecture
and allowing friction and gravity to guide her creative process
Such investigations reflect her ongoing engagement with the principles of physics and Buddhist practices
including observant mindfulness and the acceptance of change
In contrast to the open-ended structure of her installation, Quarantine Houses (2024) conveys a personal and social narrative
shortly after Philadelphia imposed a mandatory quarantine in response to the COVID-19 pandemic
while commuting by bicycle to her studio in Northern Liberties
she was impressed by the continuing vitality of spring plants blooming in small city plots; at the same time
she also noticed how people isolating in their homes were less connected to nature and their lives seemed more fragile and obscured
Kato began a sculptural form of journaling: She searched for and picked a small plant sprig during her daily commute
then folded rice paper into the shape of a four-inch-long house that could preserve the plant. Quarantine Houses features more than 40 such houses placed side-by side on a ten-foot-wide
she calls attention to their shadowy contents and poignancy.
Kato's exhibition explores the expressive possibilities of materials collected through other daily practices
she created the undulating stem of Egg Flower (2017) by joining the convex portions of eggshells saved from her own kitchen
The stem curves downward from the wall before bending up toward the viewer and forming a bloom created with concave shell fragments
the edges form tessellations reminiscent of honeycombs. Other egg-formed pieces
incorporate lace-like structures that evoke both biological forms and mathematical principles
Some of Kato's most intimate works on exhibit
She begins these nuanced works by sketching her subject
she places transparent rice paper on top of her sketch
she wets the rice paper and uses needles to gently loosen and rearrange the fibers until they echo the design of her underlying sketch
She completes the works by brushing on delicate layers of gouache paint
Whether working on an intimate scale using tiny needles or creating a towering sculpture
not commercial production or self-promotion
In his introduction to the catalog for Hurwitz/Kato
Martin Puryear observed that Kato works in a near-meditative state of quiet solitude and she focuses on the act of making
"Kato's name is not nearly as well-known as it deserves to be." Nearly five years later
we hope to highlight the importance of her remarkable and wide-ranging practice
She studied painting for three years at Musashino Arts University Tokyo before studying sculpture at Tokyo School of Art (1982-1985)
She also studied sculpture at the Philadelphia College of Art
where she received a BFA in sculpture in 1987
after working and exhibiting for several years in Tokyo
Kato has presented her work at numerous venues abroad
including solo exhibitions at Ai Gallery and Shibuya Tokyu
She has also exhibited internationally at Sarah Myerscough Gallery
London and the Wutong Art Museum in Shanghai
Her participation in major art fairs includes Design Miami (2022 and 2021) and Expo Chicago (2020)
her recent exhibitions include Kato/Hurwitz
Michael Hurwitz (2019). Her work was featured in PAD London
200 Years of Japanese Art, at Kalamazoo Institute of Arts in Kalamazoo
MI (2023); and Panta Rhei: Everything Flows, at Ippodo Gallery
NY (2023). Kato received a fellowship from the Center for Emerging Visual Artist (2011-2012)
she is represented by Wexler Gallery in Philadelphia
Japan and the United States agreed to maintain close communications on foreign exchange issues but did not discuss a target for the value of the yen
Finance Minister Katsunobu Kato said after meeting with U.S
Treasury Secretary Scott Bessent in Washington on Thursday
The possibility of the two countries committing to a specific number in terms of the yen-dollar exchange rate has helped drive up the value of the Japanese currency in recent days and added to uncertainty for investors.googletag.cmd.push(function() { googletag.display('div-gpt-ad-1499653692894-0'); });
“There was absolutely no discussion from the United States regarding things like target levels for exchange rates or any kind of framework to manage them,” Kato told reporters at a news conference on Thursday
“We are not considering special economic measures or a supplementary budget at this time,” Finance Minister Katsunobu Kato told reporters on Tuesday, echoing Prime Minister Shigeru Ishiba’s remarks from the previous day. “We will first steadily implement the extra budget for the previous fiscal year and the initial budget for the current year,” he said.
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2025 at 12:58 AM EDTBookmarkSaveTakeaways NEWJapan’s Finance Minister said that he wants to base upcoming talks with US Treasury Secretary Scott Bessent on existing agreements on currencies
after Bessent said that the US won’t be seeking any specific currency targets with Japan
“Currencies should be determined by the market
and excessive or disorderly moves can have negative impacts on economies and financial stability,” Katsunobu Kato told reporters in Washington late Wednesday
“This is a basic principle that’s shared among the Group of Seven including the US
and I want to hold talks based on this basic understanding.”
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2025 at 6:52 PM EDTBookmarkSaveTakeaways NEWJapanese Finance Minister Katsunobu Kato said that specific foreign-exchange targets didn’t at all come up in his talks Thursday with Treasury Secretary Scott Bessent
while he did strongly urge that the US rethink its steps on tariffs
“There was no talk from the US at all about target levels for exchange rates
or a framework to manage currencies,” Kato told reporters on Thursday after meeting his US counterpart
Kato added the pair confirmed that they will continue to closely discuss currency issues in relation to ongoing bilateral trade negotiations