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The Aichi Prefectural Government said Sunday that outbreaks of highly pathogenic avian influenza have been confirmed at three chicken farms and a quail farm in the prefecture
Two of the three chicken farms are in the city of Handa and the other is in the city of Tokoname
The quail farm is located in the town of Agui
The city of Tokoname has already been seeing an outbreak of bird flu cases since the beginning of the year
and roughly 680,000 birds have been culled so far.googletag.cmd.push(function() { googletag.display('div-gpt-ad-1499653692894-0'); });
The prefectural government of Chiba the same day announced bird flu cases at three chicken farms in the cities of Choshi and Asahi
A total of about 1.44 million birds at the seven farms and related facilities will be destroyed
The number of bird flu cases confirmed at chicken and other farms in the country this season rose to 39
the four farms in the prefecture reported the deaths of many chickens and quails to local livestock hygiene centers Saturday morning
and infections were confirmed in subsequent genetic tests
The three farms in Chiba reported the deaths of chickens to local authorities Saturday
Rapid and genetic tests confirmed infections later
the agriculture ministry held a meeting of its bird flu-related task force and decided to set up a response headquarters in the two prefectures
The ministry is poised to support the Aichi and Chiba governments' measures to prevent infections from spreading
agriculture minister Taku Eto called for unified efforts to tackle the outbreaks and protect poultry farming in the two prefectures
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Japanese version
Aichi Prefecture's Tokoname is an ancient pottery town that continues to change with the times
there is a small city facing the gentle blue waves of Ise Bay
staring out at Chubu Centrair International Airport and the distant mountains of Mie Prefecture
It’s a fairytale village buried in gentle hills
Tokoname was a center of Japan’s ceramics industry for nearly 1,000 years
even mass-producing clay pipes and tiles used all around the nation during Japan’s period of modernization
remain in the ruins of a few tall chimneys
battered monuments surrounded by collapsed furnaces and buildings overgrown with grass and flowers
These remnants of the past now clad the town: the narrow alleys and hidden groves that pockmark Tokoname’s historic heart feature enormous ceramic pipes studding steep walls
hidden corner gardens and sleek modern homes all feel like they’re drowning in earthenware: decorated tubes
“There is a culture of craftsmanship in Tokoname,” says Yasuhiro Oguri
an archeologist and curator at the Tou no Mori Museum
“I see the artisans working now as the same as the people who worked here 1,000 years ago
Tokoname is constantly giving rise to the new.”
This is a town that exists in between life and death
Wandering its famous Sanpo no Michi (walking path) today
among crumbling ruins of the past you will find third-generation potters
experimental artists and independently owned cafés
The wind whirling through the narrow streets brings scents of sea breeze
“Tokoname-yaki (Tokoname-style ceramics) has changed over the eras as it has adopted techniques from China
he displays a treasured piece of representative Tokoname clay from each of the Heian
Tokoname became a center of ceramic production in the 12th century
as pottery shifted from Sanage in eastern Nagoya southwards to Tokoname and northeast to Seto another town in Aichi Prefecture famed for its ceramics
The Chita Peninsula is particularly well-suited for pottery because of its high-quality clay
its gentle hills that proved ideal for digging old-fashioned kilns and easy access to water for transportation
Oguri says that no one knows exactly why pottery production moved to Tokoname
a new technique for ceramic production called himo-zukuri was invented in the town
It involves coiling rope-like pieces of clay on top of one another and its rapid spread across Japan influenced the rise of Tokoname into the Edo Period
When new kiln technology from Europe was introduced in the 19th and 20th centuries
Tokoname began using mold-making to mass produce ceramic pipes and tiles
Thus began the stage of Tokoname’s history as a key source of Japan’s industrialization
this industry could not survive the change it brought about
There used to be more than 400 kiln chimneys
Tokoname was covered in pitch-black smoke from all of the coal burning,” says Oguri
“When new environmental regulations emerged in the 1960s and 1970s
almost everyone had to quit the industry in Tokoname.”
city leaders came together to create the Sanpo no Michi
in order to preserve the once-flourishing manufacturing townscape
clay artisans continue to pass on their techniques
making a living off of the tourist industry
The city has had to lean hard into tourism to preserve its history
Tokoname has a thriving scene of independent artisans and entrepreneurs to support it
Hotaruko gallery owner Tadashi Koike sells his own crafts along with those of some 40 plus local potters
preserved ‘climbing kiln’ in the center of the Sanpo no Michi
animal statues and Koike’s personal specialty
These adorable Buddhist deities are a traditional craft recognized as the patron saint of children
“I make them with a very gentle temperament and take pride in giving each one unique features,” says Koike
“They’re for protecting new babies and helping them to grow up strong.”
Many of these artisans come from multi-generational families of potters
Fumii Watanabe is the third generation of Watanabe potters
Located just down the street from Hotaruko
today they sell wabi-sabi style dishware and offer hands-on pottery experiences
“I started running the store with my father when I was 26,” says Watanabe
the Watanabe clan exclusively made and sold bonsai pots
but bonsai lovers decreased throughout the Showa Period
encouraging Watanabe to change the business model in the 1980s
“I’ve expanded my range to make objects of all types and sizes,” he says
“The ceramics experiences and dishware are most popular nowadays.”
Tokoname Tourism Association representative Hiro Tomita says that due to diversification of hobbies in Japan
traditional uses for Tokoname ware like tea ceremony and bonsai cultivation have declined
But rising foreign interest in Japanese culture has stepped in to fill this void:
“Tokoname exports many kyusu teapots and bonsai pots abroad [now],” he says
“The opening of Chubu Airport has been indispensable for the growth of Tokoname and will continue to be moving forward.”
Café Culture and Losing Yourself in the Alleyways and Parks
It’s not just ceramics galleries that carry on the creative impulse of Tokoname
restaurants and off-beat boutiques also thrive
The sophisticated Sugi Cafe located just beyond the bakeries
studios and galleries of Kurafutoya Alleyway
Located on the second floor of a preserved home
Sugi Cafe doubles as a camera and photography gallery
a moody ambiance and an excellent classical record selection
Owner Munehito Sugisawa moved to Tokoname a decade ago and when a vacant property opened up
immediately seized on the chance to create his ideal café
I loved the atmosphere of getting lost in an older Japan,” he says
it’s so much fun to lose yourself in the streets of Tokoname and try to find your own favorite café.”
Another local favorite is the rustic footbath café
Featuring a gorgeous outdoor garden with a sakura tree
nothing beats sitting under the pink blossoms in early April
feet relaxing in a footbath made of Tokoname clay
enjoying the signature piping hot and honey-glazed fried sweet potato
Also to be found within striking distance: chirashi-zushi at Tokoname-ya
colorful statuary at the Daisuke Hayashi Art Gallery and countless other local spots
And all this is simply to explore Tokoname’s independent scene
with its precious clay artifacts and digestible exhibit on the history and production process of Tokoname clay
Not to mention Tokoname’s brand-name attractions in the form of the famous Tokonyan
combining six museums and galleries that display everything from decorative tiles to terracotta architecture
a theme park all for cod roe and impeccable orange sunsets at palm-lined Rinku Beach
The museums all have excellent English descriptions
Tokoname’s true charm lies in the sense of discovery as you stumble across its green and bronze alleyways
uncovering beautiful art and craftsmanship at every turn
The coronavirus pandemic has meant hard times for locals: Koike has both lost business from reduced numbers of tourists and opportunities to offer workshops as a visiting instructor
But artisans and creatives preserve the spirit of Tokoname with the hope of extending 1,000 years of creation just a little longer
“Everyone from children to adults can try out the traditional crafts experience,” says Watanabe
but people who love pottery give it their all
I’ll be happy if I can have just one person take up an interest and decide to make Tokoname-yaki themselves.”
Tokoname played host to the Champions Cup last weekend
with 198 of Japan and Korea's most talented Magic fans gathering in search of fame and fortune
With 18 Pro Tour invites and two seats at Magic World Championship XXIX up for grabs
players fought through two days of fierce Pioneer competition before a winner was crowned: Rei Hirayama
The championship match was a Rakdos mirror
with runner-up Kyosuke Kyogoku also piloting what was
who dispatched Kyogoku 2-0 in the final and claimed the Champions Cup as his own
however - both finalists received an invitation to the next World Championship
The Top 8 was dominated by Rakdos midrange
with six players making it through with the black-red deck
Mono-Green and Azorius Control made brief appearances in the Top 8
but the story of the weekend was definitely the dominance of Rakdos
some huge names from the region stepped up and secured their slots at the next Pro Tour
including two Hall of Famers: both Shuhei Nakamuras and Shota Yasooka proved they've still got it
While Rakdos was immensely popular (and immensely successful) in Tokoname
plenty of other decks were widely represented at the tournament
Azorius Control was the third-most-played deck at the Champions Cup
outstripping even Izzet Phoenix and putting two copies into the top 12
Players gather to do battle across two days of Pioneer
Some of Magic's oldest and most powerful cards being put through their paces
Jumpstart proves a popular pick for players in Tokoname
which nowadays is exported mainly to asian countries
through the display of the ceramic pieces and historical documents
the architects want to encourage visitors to re-discover the uniqueness and beauty of the art
the visitors can experience and appreciate the beauty and the uniqueness of tiles in the tunnel
the original tiles take inspiration from islamic culture
as they were produced in iberia peninsula before being exported to italy
people began producing victorian tiles in england which were later imported to japan where they were known as ‘majolica tiles’
they were exported not only to japan but also to other asian countries that admired the western architecture
arched windows are positioned lower toward the end
the team set three main themes: the history of the majolica tile
and showing the world filled by captivating majolica tiles
in order for visitors to understand the history efficiently
the black architecture with a pitched roof was installed in the center of the room
which could be seen as either a house or a castle
being positioned at an angle of 16 degrees
this divides the space into four sections and provides a circulating walking path for visitors to follow the history of the majolica tiles from chapter one to chapter four
the uniqueness of majolica tiles can be experienced in a more tactile manner in the tunnel
through the classical western arched window
satisfying their curiosity about the content inside of the black piece
where they can see beautiful tunnel covered completely with the printed tiles
there is also a selection of tiles embedded in various places for visitors
the characteristics of the tiles such as their spacial sense
texture and surface can be experienced in a more tactile manner.
the black architectural structure in the center of the room brings a new perspective to the space
the black piece gently divides the space into four chapters
with documents and collection of existing tiles
visitors can learn the birth of majolica tile
the arched windows reveal the interior of the house
the world map at the end of the room shows the majolica tiles being exported worldwide
name: japan-made majolica tiles — trail of inspiration
designer: GENETO studio
designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style
The Tokoname clay is said to “mellow the taste of tea” and teapots made here are still widely loved
Ceramic artist Tetsuya Osawa uses a unique Tokoname glaze called ‘chara’ to produce tableware and other items with a blurred texture
His craftsmanship was only possible in Tokoname
located on the west coast of the Chita Peninsula in Aichi Prefecture
is one of the ‘Six Old Kilns of Japan’ and its pottery production dates back to the end of the Heian period
From plates and tableware to large jars and pots for storage
the city has produced pottery that has been a part of people’s daily lives
When we visited the studio of Tetsuya Osawa
we found countless large jars that had been badly burned lying in the backyard
These jars had been placed here long before Mr Osawa settled in Tokoname
“The jars are not half as big as they used to be
There are traces of the people who made them all over the town
You can clearly feel the power that Tokoname has
known as the main production centre of Mino ware
Osawa has been familiar with ceramics since childhood
When she graduated from junior high school
she chose to become a potter without hesitation
I wanted to do something tangible with pottery
he studied ceramics intensively at high school and university
and came to Tokoname under the guidance of Masamichi Yoshikawa
who later became his teacher.Why didn’t he return to his home town of Tajimi
Mr Osawa says: “Now I understand the greatness and interest of Tajimi
Tokoname has a long history as a pottery production area
the kyusu (teapot) is said to be the most representative of Tokoname ware
It was only in the late Edo period (1603-1868) that teapots began to be made
a phenomenon that occurred only in the last 200 years or so
which contains a lot of iron and is highly baked
the iron oxide reacts with the tannin in tea to mellow its taste
which is why it has been favoured by tea masters
Another reason for the popularity of the kyusu is the high level of skill of the craftsmen who have achieved the hermetic sealing of the lid
which is necessary for steeping the tea leaves and maintaining the temperature of the tea
If you look closely at the kyusu made by Mr Osawa
you will see that the red clay has peeled off in places and black clay is peeping through
This is because the texture is created by applying a coat of brown make-up clay on top of the black base
followed by a coat of red make-up clay on top of that to create three layers
It may be easier to understand if you imagine Negoro-nuri lacquerware
Osawa says: “I wanted to combine the influence of contemporary craft artists and the quality of Tokoname kyusu in my own work
Several layers of different-coloured decorative clay are layered on top of the base
and the glazed and fired vessels are then polished with a file to expose the underlying layers of decorative clay
The most distinctive feature of Osawa’s pieces made in this way is their blurred texture
“I imagine in my mind the texture of something in an old house or a Buddhist statue in a temple”
she also revealed the difficulties she faced in developing this style
“I had a lot of trouble figuring out how to create my own texture and how to make it work with just the simple shape of a vessel
he came across a unique Tokoname glaze called “chara”
which is indispensable for kyusu production
gives off a lacquer-like lustre while retaining the texture of the clay
and has long been familiar to the people of Tokoname
who sought the ‘shine’ that gives kyusu a luxurious feel
The glaze has long been popular with the people of Tokoname
who sought the ‘shine’ that gives kyusu its luxurious feel
and the texture calmed down unbelievably.Mr Osawa now uses three different types of challah to express black
He has come across chara only because he has continued to make ceramics in Tokoname
The exquisite sheen and lacquer-like texture are the originality of Osawa’s work
mugs and other objects are arranged in rows
a bear objet d’art has an unusual presence
The bear objet d’art was heavily influenced by Mr Osawa’s wife
Ms Masuda creates free and soft-feeling ceramic works with motifs of bears and other animals
and is such a popular artist that she held a solo exhibition at the Roppongi Hills A/D Gallery in Tokyo.Having always had a complex about “making things while controlling the form”
Osawa began to admire the way Masuda creates freeform shapes
he sought something that he could create more freely
rather than restraining the clay to the rotation of the potter’s wheel
and this bear object is what he came up with
you can see that each one has a slightly different shape
Perhaps they embody the ideal of freedom that Osawa sought
I want to make something that can be enjoyed even when it comes in different sizes,” says Osawa
‘I think the history of tools is great
Tools become even better through the relationship between the people who make them and the people who use them,” says Osawa
this coffee dripper was made by Mr Osawa for an acquaintance who runs a coffee shop in Aichi Prefecture
Mr Osawa held a series of interviews to find out “what kind of coffee utensils he wanted to use”
and made detailed adjustments to the number and depth of the grooves.Mr Osawa says: “As with the kyusu
we are most happy to receive feedback from people who actually use it
It is interesting to brush up based on feedback”
The coffee drippers are also in the hands of café owners in Tokyo
and improvements are made based on their feedback
A relationship between the maker and the user
The tools that Mr Osawa makes continue to evolve in relation to the people who use them
Mr Osawa trained under ceramic artist Masamichi Furukawa while still a university student
she is now looking to expand into overseas markets
I would like to come back to my own place and dream of new dreams
who says she has always been “not good at sales and marketing”
has been able to connect with galleries and expand her sales channels by exhibiting at craft markets and pottery fairs
She is currently using Instagram to contact galleries in Japan and abroad
and plans to hold a solo exhibition with Masuda in Australia in November 2023
but I would like to have more opportunities to go abroad with my work,’ she said of her dream
Osawa’s handiwork is always with the user in mind
‘The work I make gives me new opportunities
I enjoy making things that are different from what I make now
and imagining what kind of encounters and stimulation there will be between the work I make and the people who use it”
which are the result of the combination of a sensibility honed through Tokoname’s long history of tool production and a charisma that she was only able to encounter because of Tokoname
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Inax branded toilet bowls at the company's plant in Tokoname
a maker of toilets sold under brand names including Grohe and American Standard
wants to tackle a different kind of waste: The millions of tons of plastic dumped into landfills or oceans
The Japanese company has developed a new material that’s made from recycled plastic and wood chips and can be used as a substitute for concrete or wood in anything from sidewalks to furniture
it will be introduced at an event in Tokyo on Tuesday
Chubu international airport in central Japan will start building a second runway and undertake extensive maintenance of the existing one once the new runway is completed in about five years
The airport's capacity for plane departures and arrivals will increase by 20 percent from the current level when the two runways start operating together
The existing 3,500-meter runway was built in 2005 when the airport in Tokoname south of Nagoya in Aichi Prefecture opened as a major hub between Tokyo and Osaka but needs repairs due to aging
The new 3,290-meter runway will be created by renovating a taxiway located about 210 meters east of the existing runway
The new runway will be used for departures
while the existing one will receive arrivals
The construction of the new runway is expected to cost about 14 billion yen ($123.3 million) and shouldered by the airport's operating company
"The central and the prefectural governments will provide financial support indirectly."
Local governments and businesses had initially hoped to construct the second runway on land that will be reclaimed near the airport
But the policy was shifted after it was estimated that the reclamation work would take about 15 years
While Omura said he would like to wait for air transportation demand to improve following the coronavirus pandemic
he indicated that the airport might build another 3,500-meter runway once the landfill project is complete
the third runway will replace the existing 3,500-meter lane
including one dedicated to low-cost carriers that opened in September 2019
Japan's Narita, Haneda airports start facial recognition in full scale
Japan airport trials device to disinfect luggage carts amid pandemic
Chubu airport to resume int'l flights from Tuesday after 2-month halt
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National Report
Aichi Prefecture--Small and simple cards proved more effective than a high-tech surveillance system in reducing shoplifting at a supermarket here
each featuring messages “Security cam focus adjustment” and “Shoplifting prevention: Experiment II,” were placed all around the store
Since it started using the cards in Shikakeology
the study of “triggers” that prompt people to change their behavior
the Tokoname outlet of the Beisia Food Center supermarket chain has slashed its losses from shoplifters
The idea was pushed by a police officer who learned about Shikakeology through a TV show
He increased the number of surveillance cameras and stepped up patrols by security guards
but “it is difficult to keep an eye on every corner of the spacious store,” he said
chief of the community safety division at the Tokoname Police Station
had wondered why shoplifters were ignoring security cameras
He thought that the “Security Cameras in Operation” signs posted at many stores had become too familiar for shoplifters and were no longer a deterrence
police officers were visiting stores less often because of the novel coronavirus pandemic
Hanamura in October last year placed more than 1,000 enigmatic cards with “Shoplifting prevention: Experiment II” written in white letters on a black background on store shelves and other parts of the sales floor
Each card is about the size of a price tag
Shoppers had no idea what “experiment” the store was conducting
but they could sense some sort of anti-theft measures were in place
white cards with the message “Security cam focus adjustment” were attached on the floor in front of cashiers
Some customers were seen looking up at the ceiling
“(The messages are) aimed at making shoplifters notice the security cameras and other countermeasures and discouraging them,” Nakagawa said
and the total damage from shoplifting during the six months from September 2020 was reduced by 30.7 percent from the same period the previous year
Other Beisia Food Center outlets are planning to use Shikakeology to thwart thieves
while Tokyo’s Metropolitan Police Department
Osaka prefectural police and other authorities are making inquiries
“I hope each store comes up with their own gimmicks,” he added
Nakagawa had contacted Osaka University professor Naohiro Matsumura
Some known examples of Shikakeology include a trash can equipped with a basketball hoop to get people to properly dispose of their litter
and a target sticker on a men’s urinal to prevent spillage and reduce cleanup costs
Shikakeology makes use of the sense of being watched
prompting people to avoid embarrassing behavior even if they are not actually being watched
but it is interesting to see an example of Shikakeology applied in society,” he said
Nearly 20% of Lexus LX SUVs stolen in Aichi Prefecture
Police scramble for ways to protect victims at empty ‘koban’
Stolen ‘Demon Slayer’ manga returned by repentant thief
Bird-dropping sticker touted as way to ward off bike thieves
Information on the latest cherry blossom conditions
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Here is a collection of first-hand accounts by “hibakusha” atomic bomb survivors
chefs and others involved in the field of food introduce their special recipes intertwined with their paths in life
A series about Japanese-Americans and their memories of World War II
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Jerusalem, 30, dropped Shigeoka twice on the way to a split-decision victory to win the title in March 2024. The Filipino followed up doing so with a dominant performance to earn a unanimous decision over the unbeaten Mexican Luis Castillo in September.
He is no stranger to recording an upset on Japanese soil, having previously defeated Masataka Taniguchi via second-round stoppage in March 2023 to win the WBO version of the minimumweight title. He later lost the WBO belt in his first defense, to the WBA and WBO champion Oscar Collazo.
Japan’s Shigeoka, 27, won the WBC title in just his eighth professional fight, when earning a clear decision over Panya Pradabsri in October 2023. Pradabsri, of Thailand, has since won the WBC light-flyweight title.
A victory for either could set up a unification bout with either Pedro Taduran or Collazo.
Incidentally, the WBC have ordered a rematch between Pradabsri and Carlos Canizales, after the Venezuelan lost a highly-contentious decision to him in Bangkok in December.
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TM & © 2025 BoxingScene.All Rights Reserved.
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TM & © 2025 BoxingScene.All Rights Reserved
GKN has announced plans to build an all-new driveline production facility in Tokoname
Developed as demand for AWD and eDrive systems continues to increase
which will replace the current Nagoya site
will feature advanced technologies in preparation for growing vehicle electrification in Asia
next-generation AWD systems and RDMs featuring technologies such as electronic disconnect capability and torque vectoring
the Tokoname site represents a significant technological upgrade
which will begin in September and is penciled for completion in June 2018
will enable the company to prepare for an expected increase in business over the next four years
With the company already producing the Multi-Mode eTransmission for the Mitsubishi Outlander PHEV
the growing demand for eDrive systems has resulted in GKN investing in the development
“This new state-of-the-art facility will allow us to meet increasing demand for advanced AWD and eDrive systems
while retaining all the benefits of an automotive manufacturing site in the Nagoya area.” By remaining in the Nagoya area
the GKN facility will remain in close proximity to potential new OEMs and provide prospects for future growth
Japanese version
Chubu airport in central Japan will resume some international flights from next Tuesday after operations were suspended for more than two months due to the spread of the novel coronavirus
Philippine Airlines plans to fly three round-trip flights between the airport and Manila in June and continue the service into July
although the schedule has yet to be decided
The airline has not flown to or from Chubu airport in Tokoname
Finland's Finnair is also scheduled to restart flights to and from the airport in July
All international flights have been suspended at the airport since April 1 due to the virus outbreak
The airport logged 486 weekly international flights in January
but the number began declining in February with services to China canceled or reduced
"We will take sufficient measures against infections to ensure safety at our airport," a spokesperson said
JAL to ease domestic flight cuts in June on expected travel recovery
Budget airlines face business model challenge in post-pandemic world
Japan's coronavirus entry ban disrupting lives of foreign residents
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By Jin Kiyokawa / Yomiuri Shimbun Staff Writer
creates each part of kyusu teapots one by one in a fluid motion that wastes no energy
The accumulation of his skills over the past 60 years shows from the way he throws clay on his pottery wheel and how he forms the parts — the body
devoting himself to making kyusu that are comfortable to use
“I can thinly shape kyusu parts using sticky clay
which makes it light and easy to hold,” he said
“I also try to make sure you can finish pouring from the teapot without a single drop dribbling down.”
Shimizu makes a kyusu lid to replace one that had broken for customers who want to continue using the kyusu they already have
The tea utensils have become a part of their everyday life
“I am happy to find that they use kyusu I made many years ago and are glad to have new lids for them
because usually you can never know who is using my kyusu,” Shimizu said
Tokoname is a city of history and innovation
It is known as one of so-called “six ancient kilns,” referring to six major centers that have been producing ceramics for many centuries — Seto
Taking advantage of its clay suitable for pottery and location facing Ise Bay
the city flourished as a major production center of kame jugs in ancient times
in response to changes in the industrial structure
The production of kyusu is a 200-year-old tradition dating back to the end of the Edo period (1603-1867)
and it became particularly prosperous after World War II
Shimizu’s grandfather used to make kame during the agricultural off-season
his father made suribachi mortars but later turned to creating kyusu
Shimizu himself began making kyusu after studying ceramics during high school
An important point in his career came when he was around 30
He met a senior craftsperson who taught him about trying a variety of clays without sticking to the one that makes red-brown shudei kyusu
The craftsperson also taught him some pottery techniques
Shimizu also worked on making various items
keeping in mind that 10% of his creations should be something other than kyusu
The enterprising nature of Tokoname has kept it vibrant with new innovations
The diversification of Tokoname ware has been promoted thanks to artists who produce kyusu for coffee or a well-designed tea burner that allows people to enjoy the aroma of tea
The city where black smoke always used to hang in the air has become a tourist destination in recent years with the development of many promenades
The city does not treat its history as a relic of the past
a slope lined with walls made from earthen pipes and shochu bottles
or an old traditional Japanese-style house converted into a cafe
Tokoname is changing while retaining the memories of the area
“I think I was born in a good place,” Shimizu said earnestly
showing me an old pottery piece he found in the mountains when he was in high school
materials for learning left behind by ancestors are found everywhere
Our weekly ePaper presents the most noteworthy recent topics in an exciting
© 2025 The Japan News - by The Yomiuri Shimbun
The first lineup for “WIRED MUSIC FESTIVAL’24”
which will be held on October 13 (Sun.) at the AICHI SKY EXPO outdoor venue in Tokoname
“WIRED MUSIC FESTIVAL” is a music festival that started in 2015 under the concept of “from Japan to the world
the festival will feature the Japanese car culture brand “LIBERTY WALK,” which has been popular both in Japan and abroad
a street fashion symbol originating from Japan since its establishment in 1993
which has become a symbol of Japanese street fashion since its establishment in 1993
The announced performers include NLE Choppa from Memphis
Additional artists will be announced in the future
Tickets will be on sale from June 14 (Fri.) at 6:00 p.m
which allows entry to the front of the stage
Ticket sales will end as soon as the scheduled number of tickets is reached
Inc.Special Support: TAMAKOSHI Co.Supported by:Yagami Jewelry
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society
the NiEW editorial team proudly curates outstanding music that transcends size
Aichi Governor Hideaki Omura said he has lodged a complaint with the Unification Church after a congratulatory message from his office was doctored so that it praised the group’s leader
The message was sent via telegram--a form of communication still used in Japan to mark ceremonial occasions
The message was read out loud at an event involving the religious organization held in October 2019 in Tokoname
an official at the Unification Church admitted to rewriting his message
“We created (the text) as we saw fit and read it out (at the event),” the official reportedly told him
but at a news conference called to disclose what had occurred
Omura bristled over the contents of the message being tampered with
“It is very disagreeable and regrettable that they made up text as they saw fit and read it out loud,” Omura said at the July 25 news conference
“I believe that because many things are being said about this organization
Omura explained that he frequently gets requests for telegrams from various organizations
he paid for the telegram with his own money and his office sent a straightforward message for the event that read: “I want to extend my congratulations for holding this event and I pray for everyone’s health and happiness.”
But the organization added in words of praise for its leader when it was read out at the gathering
so that it also said: “I pay my sincere respects to President Hak Ja Han
who coordinates our global environment to achieve world peace
A source related to the event’s organizing committee said they “met with representatives of Governor Omura and apologized.”
The source said the committee and the Unification Church are “friendly organizations.”
But when it comes to why they requested a telegram from Omura in the first place
the source only said that “the details are unknown,” and added they could not answer why it was rewritten
People born into Unification Church speak out about hardships
Suspect willing to die to ‘liberate’ members of religious group
Abe murder suspect planned bomb attack on religious leader
Relative: Mother of Abe murder suspect donated 100 million yen
Problems over money continue at Unification Church: lawyers
Unification Church: Murder suspect’s mother still a member
No reproduction or republication without written permission
Japanese version
Nagoya Tetsudou Hen first launched for Switch on December 15
Boasting a professional railway driving experience and powered up by enhanced realistic behavior and visuals
the new Real Pro series comes to PlayStation 4
Experience the exhilaration of driving the high speed Express and Limited Express trains through the suburbs
high-definition video and realistic railway driving behavior
you will feel exactly like a professional train operator
Follow professional railway driving rules and depart to your final destination
Challenge Yourself with the Professional Driving Experience through Super-Impressive Visuals
Following official operating procedures performed by professional train operators
which recreates smooth and realistic driving
You can enjoy to the full extent the feature that is unique to this series: Clear
and real-life visuals captured directly from the driver’s seat
it is now possible to experience the full beauty through high-definition 4K
Experience train driving through the ultimate recreation of the Meitetsu
Experience the Exhilaration of High-Speed Driving
over 70 kilometers of railroad have been recorded
This range includes the Meitetsu Nagoya Line (Meitetsu Gifu Station to Jingu-mae Station)
the Tokoname Line (Jingu-mae Station to Tokoname Station)
and the Airport Line (Tokoname Station to Central Japan International Airport Station)
The cars that you will be able to operate are the Express
You will be able to enjoy not just the impressive visuals and realistic driving behaviors
but also the life-like sounds of the train
Valuable Data that Bridges the Past to the Present
The Meitetsu Shiryoukan (Meitetsu Resource Center) unfortunately closed in December 2020
with various valuable materials that can no longer be seen in person
There is also a quiz corner for the train enthusiasts
browsable information that can be unlocked by getting achievements throughout the game
Featuring records from the past and a view of the present
you can enjoy valuable materials that transcends time
Reproduction in whole or in part in any form or medium without acknowledgment of Gematsu is prohibited
Use of this site is governed by all applicable laws
Website by 44 Bytes
The first toilet seat with a built-in warm water shower-spray was released 50 years ago by Ina Seito in Tokoname
Sales were sluggish at first but the electronic toilet has grown in popularity and is now synonymous with the Japanese people's love for cleanliness.googletag.cmd.push(function() { googletag.display('div-gpt-ad-1499653692894-0'); });
we have made efforts to improve the product
thinking about the users," said Ikuya Idota
who has been engaged in the development of the product ever since he joined Ina Seito in 1976
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a music festival held with mostly maskless crowds in an outdoor public venue in Aichi Prefecture has long-lasting reverberations
13 said 26 festival attendees had contracted the virus so far
Adding the number of people who traveled to the festival from Tokyo and elsewhere and tested positive for the novel coronavirus afterward
a total of 44 people have contracted COVID-19
billed as Japan’s largest hip-hop and R&B outdoor festival
29 at the Aichi Sky Expo’s general-purpose area in Tokoname
the central government’s state of emergency over COVID-19 took effect in the prefecture
setting the maximum number of event attendees at 5,000
Prefectural officials said they had requested a Nagoya-based company that has held the festival since 2005 to suspend ticket sales and ban alcohol sales in the venue
But the organizer did not comply and up to 8,000 tickets were sold and distributed
A visibly irritated Aichi Governor Hideaki Omura on Aug
30 deemed the anti-virus measures for the festival as insufficient
“This is extremely problematic,” Omura said
suggesting the organizer will not be granted use of any Aichi public facility for the festival in the future
the prefectural government along with the Nagoya city government have offered a free polymerase chain reaction (PCR) test for anyone who attended the festival
A total of 1,154 people have taken the test
“I feel sorry for health care workers,” a 25-year-old Tokyo resident said
He is one of the 8,000 or so people who attended the festival
Although he has tested negative for the novel coronavirus
feels he “should not have gone to a festival that flouted (COVID-19 rules).”
He went to the festival with a friend who lives in Nagasaki Prefecture
The two had planned to “be careful” by hanging out toward the back of the venue and keeping their distance from other attendees as much as possible
But it did not take long for them to realize that they had little willpower
“It was impossible to avoid heavy congestion unless you are considerably strong-willed,” he said
people were allowed to move freely except through VIP sections set up on both sides of the stage
Food venders were lined up in the back of the venue and alcoholic beverages were available
He stayed away from the populous front row section near the stage
trying to keep a distance of 1 to 2 meters from the people around him
and in particular after their favorite musician’s session ended
many people streamed over to a rest area set up inside a hall and elsewhere at the same time
There was only one entryway at the venue to the rest area located outside the main stage area
where people would jostle each other to pass through
but he saw many in the crowd taking theirs off due to the heat
An emcee on the stage repeatedly urged the crowd to “put on a mask” and “scream in your mind,” the man recalled
But some performers encouraged the crowd to sing along and "raise the roof."
Videos capturing such scenes started popping up on social media by the end of the day
The man became concerned and took a PCR test in Tokyo a week later
the man still defends his decision to travel the long distance to attend Namimonogatari2021 in the midst of a state of emergency
“There is nothing wrong with the decision itself,” he said
“There was no way for me to know what the situation at the venue was like until I (arrived there).”
What shocked him the most is the fact that the musicians who performed at the festival have come under fire
“The organizer should have taken responsibility and implemented rules to prevent this kind of thing from happening.”
he said he learned a valuable lesson: the next time he plans to go to a music festival
he will carefully gather information beforehand
(This article was written by Kei Kobayashi and Shino Matsuyama.)
Subsidy may be yanked from music festival for flouting rules
Dwindling number of school kids set to attend Paralympics
Nagoya allows show to continue despite protest against racism
Rare footage of Pink Floyd in 1st outdoor rock festival in Japan
Many Tokyoites ignore Koike’s plea not to travel outside capital
Japan’s bonsai culture has spread around the world
the dedicated pots in which bonsai are planted
No article or any part there of may be reproduced without the express permission of the Cabinet Office. Copyright inquiries should be made through this form
nendo has realized ‘colorful shadows’ a gallery within the japan pavilion at EXPO milan
speaking to the world event’s theme of food
the cool space features a long dining table
displaying 16 new tableware products that nendo has designed specifically for this occasion
the designs have all been made in collaboration with different traditional japanese craftsmen within the country’s local industry
installation view of ‘colorful shadows’(above) image by daici ano(main) image by daici ano
‘tokoname-yaki’ for koyophoto by hiroshi iwasaki
‘tokoname-yaki’ is a type of ceramic ware chiefly produced in tokoname
‘tokoname-yaki’ are typically reddish-brown
these particular pieces have been blackened through the process of smoking using a rice chaff and made into coasters
making full use of the material’s high absorbency
the resulting texture resembles that of a japanese hard sugar confectionery known as rakugan
has a place to rest the spoon as well as the cup
‘yamanaka-shikki’ for japan crafts oshima photo by hiroshi iwasaki
‘yamanaka-shikk’i is a type of lacquer ware which originated in the late 16th century in the yamanaka onsen (hot spring) region in kaga
ishikawa prefecture — a locality renowned for its woodturning
this bowl has been designed with the aim of bringing out the distinctive gloss and sheen of this traditional technique
which contrasts the sharply stretched out silhouette of the mouth of the vessel
its complex curved surface reflects the light in a unique way
making it possible to accentuate the glossy finish even further
‘satsuma-yaki’ for tsukino-mushiphoto by hiroshi iwasaki
‘satsuma-yaki’ is a type of ceramic ware from kagoshima prefecture that originated in the times of lord toyotomi hideyoshi (1536-1598 A.D.)
it is generally divided into two types: the white shirosatsuma
with its luxurious hand-paintings; and the black kurosatsuma
designed more for daily use with its simplicity and solidity
this particular four-piece set is in the style of shirosatsuma
an enamel glaze has been applied to a white background to resemble the colour and shape of an egg
the entire piece demonstrates the effect of kannyu; a method whereby cracks are intentionally formed due to a difference in the rate of contraction between the ceramic and the enamel
pigmented ink is then poured onto the cracks from inside of the container
and pushed through with different concentrations of colour
creating gradated hints of black oozing through the basic white surface
these four bowls can be piled up inside one another in a neat
an enamel glaze has been applied to a white background to resemble the color and shape of an eggimage by hiroshi iwasaki
‘wakasa-nuri’ for hashikura matsukanimage by hiroshi iwasaki
recognised in particularly for the hardest and most beautiful of japanese lacquer chopsticks
they’re separated into two for eating
then rejoined into one form when not in use
‘nishijin-ori’ for hosoophoto by hiroshi iwasaki
‘nishijin-ori’ originated in 5th to 6th century and developed as a luxurious textile at the end of 8th century in kyoto prefecture
the traditional brocade uses thinly cut strips of paper treated with lacquer or gold leaf as the weft of the textile
and is often woven to make obi belts for kimonos
we have focused on this distinctive method of ‘paper weaving’
and have used strips from naval maps published by the maritime safety agency in its fabric
and older editions must be discarded as they are unusable for safety reasons
they are made from water-resistant paper that is difficult to recycle
and their material is therefore treated as industrial waste
turning it into luncheon mats not only makes optimal use of its water-resistant properties
but the seabed features inscribed on it also serve as an intriguing fabric pattern
the warp of the textile is black in order to accentuate the unique texture of the fabric
detail of the paper weavingphoto by hiroshi iwasaki
‘takaoka-doki’ for takatafactoryphoto by hiroshi iwasaki
takaoka in toyama prefecture is renowned for its craftwork with a history over 400 years
and takaoka-doki is one of the main crafts of the city
it employs a variety of techniques and treatments to create a whole range of cast-metal products
this particular cutlery is made from aluminium treated with a urethane baking finish
to accentuate the unique texture resulting from this process
the individual pieces have been designed with abstract circular
with matching section-shapes for each of their handles. the design-feature of the handles also makes it easy to differentiate between spoon
and knife when they are in an upright position
‘ozu-washi’ for ikazaki shachuphoto by hiroshi iwasaki
‘ozu-washi’ has been renowned for its high-quality traditional japanese paper made in aichi prefecture since heian period (794-1185 A.D.)
which is generally made from the mitsumata plant or oriental paper bush
a black ink used in traditional calligraphy which is compatible with washi
has been mixed in to soften the paper material
and then compressed to form the shape of a small plate
the jagged edges and the bumps surrounding the main portion of the plate have been intentionally left untreated
so as to accentuate the qualities of the original paper
or as ornamental trays for various small objects
a bowl with a beautifully transparent glaze finish
incorporating the distinctive black used in satsuma earthenware
which is a coloration that comes from the iron in the clay and glaze
resembling the shape of an orange or a grapefruit
while the outside has a natural matted finish
which resembles the texture of the section profile of a citrus fruit when cut in half
allows for the expression of the glaze to change depending on one’s perspective
look at the internal section of the bowl that reveals a citrus fruit motivephoto by hiroshi iwasaki
‘wakasa-nuri’ for hashikura matsukanphoto by hiroshi iwasaki
but overly square-cornered ones aren’t as comfortable to hold
we explored ways of increasing the surface area of chopsticks in the hand
and discovered the natural form of the pleated cross-section
so a bunch of chopsticks kept together into a cup turns into a ‘bouquet’.
in which the wood surface is carved away with a metal brush
then lacquered the chopsticks and polished them again to bring out the wood grain as pattern
eggshells and gold leaf are applied with the lacquer then polished away to reveal a pattern is known as ‘togidashi’ (literally ‘to polish and show’)
this combination of processes allows patterns from nature to appear organically
‘oodate-magewappa’ for oodate kougeisyaphoto by hiroshi iwasaki
the ‘oodate-magewappa’ is a wooden box
usually circular or oval in shape and made from bending cedar or cypress
it is an exquisite traditional craft developed as a side job for samurai in the 17th century
and is particularly prominent in north eastern japan
‘magewappa’ tend to look so perfectly made that the highly sophisticated hand craftsmanship that goes into them often goes unnoticed
the container has deliberately not been made into a complete cylinder as it would ordinarily be
it has been left in a disjointed spiral shape
in order to accentuate the edges of the material
as well as the fact that this tableware is indeed made from bending flat planks of natural wood
a magewappa that does not have some form of enclosed cylindrical shape is unprecedented
and this idea gave rise to a new technique of wrapping wood around various moulds
‘magewappa’ can be used as a chopstick holder
or a chopstick restimage by hiroshi iwasaki
‘edo-kiriko’ for kimoto glasswareimage by hiroshi iwasaki
traditional edokiriko typically cover the surfaces of red or blue glass with several cuts
but this particular design has focused on the aesthetic quality of a single cut
it has taken a simple two-layered cylinder of transparent and black glass
from single horizontal or vertical cuts to diagonal helix or parabola-shaped cuts
peering through the etching in the black part
one will notice the reflections of light let in by the transparent part
creating a variety of beautifully nuanced patterns inside the glass
this particular ‘edo-kiriko’ glass focuses on a single cutimage by hiroshi iwasaki
‘edo-sashimono’ for kahei yamadaimage by hiroshi iwasaki
widely used for centuries as a cup from which to drink sake
and as a measuring device for various grains
this particular masu has been produced in collaboration with an edo-style woodwork craftsman who inherits sophisticated technique that dates back to the early edo period
and its top and bottom have been tapered with diagonal carvings for easier stacking
although these kinds of elaborately designed meshing joints are usually hidden from view
they have been purposely accentuated in this particular design by makin g parts of the box out of smoke-coloured acrylic
the wood has been coloured with traditional japanese ink
and the cut ends have a darker shade as they soak in more of the colour
providing a gradated accent to the overall finish
this container can be used for storing a variety herbs
‘mino-yaki’ for miyamaphoto by hiroshi iwasaki
mino-yaki is a type of pottery and porcelain from the tono region in gifu prefecture
by combining the traditional technique of kintsugi
which is the art of repairing broken ceramic ware with a glue lacquer
with the modern ingenuity and skill that sustained the rapid economic growth of post-war japan
three identically shaped but different-coloured plates have been cut and refitted to form these unique designs
the sintered plates are meticulously cut with a water jet
and the pieces are finally glued together again with lacquer
whereas traditional kintsugi usually winds gold leaf on top of the lacquer
these pieces have just a black lacquer finish
this has created a whole new appearance from the conventional method of applying a separate glaze to the finished product
‘yamagata-imono’ for gasenphoto by hiroshi iwasaki
the name given to cast-metal crafts from yamagata prefecture
has its roots stretching back to the mid heian period (794-1185 A.D.)
and has been popular in japan since the edo period (1603-1868 a.d.) for its exquisite handicrafts
has been made out of this traditional metal ware
metals are generally very good thermal conductors
the handles stretch out from inside the containers
resembling the way in which their material emits warmth from the liquid they contain to the hands of the owner
one would use a material such as wood to try and prevent heat from being conducted to the hands
but this particular design has turned this idea on its head
viewing the unique properties of this material in a positive light
profile view of the cast metal vesselsphoto by hiroshi iwasaki
‘imari arita-yaki’ for gen-emon gamaphoto by hiroshi iwasaki
is said to be the first place in japan where white porcelain was manufactured
and well-known for its intricate and vivid hand-painting craftsmanship
the main idea behind these ochoko cups is to let the owner experience the precise and skillful designs by sense of touch rather than sight
the base material has a matted glaze finish
while a newly developed glaze with a cubic effect and glossier texture has been used to hand-draw various patterns on top
and have been specifically designed to be easily distinguishable by touch alone
The drop in passenger numbers on shinkansen trains and aircraft amid the COVID-19 pandemic is putting commercial facilities at stations and airports in a difficult situation
forcing many of them to close temporarily or for good
but some are offering new services appropriate for a post-pandemic era in order to survive
an underground shopping center near the shinkansen ticket gates at Nagoya Station
had their shutters closed even during lunchtime
Some were displaying signs saying they were temporarily closed.googletag.cmd.push(function() { googletag.display('div-gpt-ad-1499653692894-0'); });
“Our customers used to be business travelers to Nagoya
but they aren’t coming any more,” said Takatoshi Hara
sales manager of the firm that operates Esca
"People are refraining from having lunch or dinner meetings
Office workers are teleworking and they don’t commute
Japanese version
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68 restaurants in the Tokai region have received Michelin stars while 102 establishments have been recognised with a Bib Gourmand
Two restaurants in the Aichi prefecture have received three Michelin stars: Sushi Ueda (右江田) in Nakagawa-ku, Nagoya and Japanese restaurant Hijikata (土方)
One restaurant in the Mie prefecture received three Michelin stars: sushi restaurant Komada (こま田)
Outside of Japanese cuisine, French restaurants La Vagabonde and Reminiscence in the central district of Nagoya as well as Chinese restaurant Shosaichuka Hiro (小菜中華hiro) in Gifu city have also received two Michelin stars
The guide also sees 51 restaurants with one Michelin star and 102 Bib Gourmand establishments
a recognition of a good meal with good value for under 5000 Yen
The Bib Gourmand selection includes eateries serving Nagoya’s famed fried cutlets and hitsumabushi unagi
View the full selection here
Download our app to carry The MICHELIN Guide in your pocket and book the world’s best restaurants and hotels on the go
The MICHELIN Guide has arrived in the Philippines
setting its sights on Manila and Environs & Cebu for its highly anticipated 2026 debut
With our expert Inspectors already exploring the country’s vibrant dining scene
Filipino cuisine is poised to take centre stage on the global culinary map
The first provincial selection of the MICHELIN Guide in mainland China
and 2 professionals honored with Special Awards
The MICHELIN Guide Shanghai 2025 is released
and honoring three exceptional professionals with Special Awards
a dim sum restaurant is awarded One MICHELIN Star in city
Whether it’s your first time in a fine dining restaurant or your fiftieth
these tips from our seasoned MICHELIN Guide Inspectors will help you get it right — your way
Why choose between a luxurious stay and a world-class meal when you can have both
These MICHELIN Key hotels in Japan and Thailand are home to MICHELIN-Starred restaurants
offering the perfect blend of impeccable hospitality and cuisine
What kind of story unfolds when eating becomes work
An anonymous MICHELIN Guide Inspector in Asia takes us behind the curtain to find out more about the day-to-day tasks of this coveted job
we invite our MICHELIN Inspectors to share their thoughts on food
With just enough time to plan a trip before cherry blossom season this spring
we're taking a closer look at one of the best hotels in Kyoto
Discover unique ways to experience Tokyo’s winter charm—from glittering lights to gourmet delights—according to a local
From nourishing bone broths to hearty double-boiled soups
here are 9 MICHELIN-recognised addresses to head to when you need to quell the chill of a rain-soaked afternoon in Singapore
a dessert-focused restaurant earned a MICHELIN Star
Chef Koichi Katsumata redefines fine dining through an eight-course dessert experience
proving that sweets can be just as sophisticated as savory cuisine
Actor and idol Yuta Tamamori shares his favorite Tokyo addresses with MICHELIN
from third-wave coffee spots to serene hotel restaurants
A luxurious bath with a breathtaking view turns relaxation into a truly memorable experience — an investment in self-care that offers rewards beyond just relaxation
Here are seven MICHELIN Guide hotels in Asia that offer just that
MICHELIN Guide inspectors sample an endless procession of dishes
a dish lands on their tables that is simply unforgettable
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Save lists of your favorite restaurants & hotels
Two restaurants in the Aichi prefecture have received three Michelin stars: Sushi Ueda (\u53f3\u6c5f\u7530) in Nakagawa-ku, Nagoya and Japanese restaurant Hijikata (\u571f\u65b9)
One restaurant in the Mie prefecture received three Michelin stars: sushi restaurant Komada (\u3053\u307e\u7530)
Outside of Japanese cuisine, French restaurants La Vagabonde and Reminiscence in the central district of Nagoya as well as Chinese restaurant Shosaichuka Hiro (\u5c0f\u83dc\u4e2d\u83efhiro) in Gifu city have also received two Michelin stars
The Bib Gourmand selection includes eateries serving Nagoya\u2019s famed fried cutlets and hitsumabushi unagi
View the full selection here
Japanese version
Japanese version
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Details about a 29-year-old woman’s personal life began to emerge after she was accused of–and later sentenced for– burying her newborn infant in her parents’ garden
Minagawa Kotomi | Tokyo Reporter Minagawa Kotomi
a former university employee and nursery school teacher
was sentenced by Japan’s Nagoya District Court to 18 months in prison
after she was found guilty of disposing of her daughter’s body at her parents’ home in Tokoname in April of 2023
while weeding the garden at around 10:15 a.m
Neither Minagawa’s mother nor her father knew about her pregnancy
Unrelated photo for illustrative purposes | Unsplash Prior to Minagawa’s sentencing
local news outlets published details about her circumstances
Minagawa reportedly began doing sex work at nightlife establishments
I heard that the infant was fathered by a man she met [at one of the businesses]
but it seems that nobody really knows the identity of the father
Minagawa became a steadfast fan of a popular male “chika aidoru” (an underground idol who is independently managed and performs at small venues) back in 2017
One insider described this idol as a pioneer who experienced limited success
Unrelated photo for illustrative purposes | Unsplash He originally very popular
[the group’s] CDs did not sell as well as they had hoped
and fans who had supported them for a long time took desperate measures to support them
Minagawa was allegedly one of the fans who worked tirelessly to support the idol’s career after his popularity began to wane
She has been hooked [on him] and attending all of the events of his group all over Japan
and she couldn’t even pay her mobile telephone or utility bills
There were many times when the electricity in her apartment was turned off
In exchange for making mass CD purchases to support the idol–which totalled around 1 million yen (about $7,011 USD) per month–Minagawa
Unrelated photo for illustrative purposes | Unsplash In the underground idol world
it is standard to hold a photo session after a CD purchase at a price of several thousand yen
leaning [toward the fans] and do some body touching
An acquaintance of the idol said that the idol became aware of Minagawa’s case after seeing news reports
and that the idol was interviewed by the police during the investigation
[The idol] seems to have somehow guessed that the suspect was working in the sex trade
he could only follow the [group’s management office] policy of ‘support’ [i.e
he said that he was disgusted with such an approach
I also heard that he and his office were interviewed by the police in connection with this incident
[companies] put a burden on the members and force them to engage in ‘love business,’ and then they make the fans outlay large sums of money,” the club insider said
commenting on the “dark side” of idols’ relationship with fans
“I pray that there will be no more incidents due to this darkness.”
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It’s the perfect shopping mall for tourists
It’s definitely one of the much-awaited activities for travelers especially in Japan
where everyone’s wants and needs are found
Brimming with a wide selection of shopping stores
AEON Mall is a great shopping place in Aichi Prefecture
It has shops for every need: beauty products
It is conveniently located 15 minutes away from Centrair Airport
which makes it an ideal place for your last-minute shopping needs
AEON Mall also houses numerous restaurants which offer your much-loved Japanese dishes
You’ll find yourself wanting to try each of these as they all offer sumptuous dishes for everyone
AEON Mall also houses a Hello Kitty Japan and Pokemon store
chances are they’ll love to visit this magical store where they can find souvenir items for themselves
Staple Japanese brands which are popular among tourists such as Uniqlo
Foreign currency exchange services are also found here
One of the highlights of AEON Mall Tokoname
one of the largest Maneki-nekos (beckoning cats) in the world
These cats are popular as they are popular Japanese cat figurines which are believed to bring out good luck
The statue is located near the mall entrance
where lots of souvenir Maneki-neko items can be bought
Non-Japanese visitors are given a Chita Cat Coupon
where several shops in AEON Mall give special discounts and freebies