Both works collection of Audrey and David Mirbish “Glory of the World: Color Field Painting (1950s to 1983),” is the title of the current exhibition at the NSU Art Museum Fort Lauderdale (through August 25 is a remarkable and historic display that explores American color field painting from the early 1950s to 1983 Curated and organized by the museum’s distinguished executive director Bonnie Clearwater former director (appropriately) of the Rothko Foundation this collection of mostly large-scale works chronicles and celebrates the creativity and innate aesthetic and influential principles of historic color field non-narrative compositions Legendary figures of this movement on view include such renowned artists as Helen Frankenthaler instant impression of this ambitious survey was discovering in separate cavern-like exhibition rooms a multitude of delightful painted flashes of huge This collection of images initially was slightly reminiscent of the rural landscapes of southern Minnesota where I grew up prior to attending the Rhode Island School of Design “Yonder II” (1972) immediately connected with these childhood memories As a young artist I was fascinated by the aesthetic properties surrounding acres of agricultural sections observed from the top of a hillside abstract quilted blanket of expansive square shapes divided by meandering dirt roads A subsequent mile-high experience looking down from a crop duster biplane made a permanent impression on me as I could finally see for miles a veritable checkerboard of appealing textures and ordinary colorful open fields which formed an earthen canvas that seemed to go on forever Flowing amber waves of grain took on a new perception Farmers annually rotate their fields with a wide variety of plants for better production and pollination The results provide unexpected colorful geometric designs that accentuate square fields sown in an organic palette of green peas orange pumpkins and yellow bales of hay patterned into one gigantic quilted landscape that offers a seemingly endless vanishing point background Two handsome works in the show are also coincidently reminiscent of my early years of environmental discovery as in Jules Olitski’s massive horizontal painting that might be considered a bright yellow sunset and Helen Frankenthaler’s adjacent horizontal composition that could be interpreted as storm clouds above mountains below any visual pictorial connections are just happenstance as there are no narrative elements whatsoever as examples in this memorable show that nature is always there to encourage and inspire innovation in works of art Early picture-making since the Stone Age used techniques that endure to this day Paints were usually laid down on a small tablet or a slice of wood artists generally would make their own pigments using a handmade concoction of oils and ground minerals such as azurite and malachite which were ground into powders and mixed with egg yolks to bind the solution The expansion and explosion of large-scale color field painting coincided with early technological advances in waterborne acrylics in the 1950s and ‘60s and the synthetic pigment manufacturing trials of paint companies Bocour and Golden acrylics which could be mixed and diluted with tap water made large-scale paintings practical and possible as large quantities of colorful liquid medium could finally be poured directly onto the surface of the canvas generous saturated splashes and deliberate drips were sometimes used that promoted revolutionary trials with historic results The new oil-based paints were particularly suitable for applying directly to the canvas and gave artists the freedom to investigate and paint quickly and with intense hues and sharp edges without having to wait out the long drying times of oils “Pinched Orange,” 1964 (left); “January Reds,” 1966 (right) For centuries there always was the notion of landing on the moon but it was something impossible to fathom until engineering and jet fuel were invented During the transition in the art world from impressionism to abstraction the idea of diluting traditional oil-based paint was impossible to consider for creating canvases As acrylic water-based paint was developed it became the creative flexible ammunition necessary for soaking a canvas in a non-flammable medium that finally allowed an artist like Helen Frankenthaler to make the very first groundbreaking poured experiments in contemporary art which led a group of other artists to follow Some species of our ancestors began to develop four classes of opsin genes which play an important role in vision and pigment regulation giving them the ability to see and eventually enjoy the full-color spectrum of visible light Human eyes are fit for a purpose and as such are relatively straightforward We don’t have the field of vision of a prey animal Gorillas and chimpanzees have human color vision and believe it or not With evolution finally handing down 20/20 vision along with an ability to think and to conceptualize theory and document imagination it was a natural extension for trailblazing artists to utilize their talents in creativity First attempts were obviously primitive gestures the human spirit grew into a dynamic force that eventually brought us to depictions of landscapes and portraiture one original invention multiplied into a clever maze of picture-making that eventually motivated artists to seek new adventuresome avenues in modern art who was called “the father of modern art” because he showed how free art could really be shape and space without needing to make sense in a traditional There is a courageous trail of heritage painters like Vincent van Gogh Georges Seurat and Henri de Toulouse-Lautrec and later colorful painters like Georgia O’Keeffe These artists paved the way for abstract expressionists such as Willem de Kooning Franz Kline and Jackson Pollock as well as pioneers of the New York School of modern art and whose works were characterized by large areas of flat solid color designed to have an emotional impact on the viewer (left) Private collection; “Big Purple,” 1972 (right) Collection of Audrey and David Mirbish In the pecking order of artists’ evolutional journey during the late 1950s a second generation of distinguished American expressionists including Helen Frankenthaler (credited with inventing stained canvas) devoid of all emotional and spiritual elements The essence of this remarkable exhibition follows a logical conclusion that color field painting continues to be an important component in the history of modern art images and their placement in this significant show demonstrate a thoughtful cohesiveness of image and idea Suffice it to say all the outstanding artists’ works in this memorable exhibition are full of character Each painter has a recognizable idiosyncratic style that came from laborious experiments in a new frontier of non-narrative picture-making packed with multiple layers of color The works here are often characterized by fields of flat solid medium that can envelop the spectator when seen at close quarters while deliberately avoiding suggestive or identifiable shapes The paintings illustrated here are seen as a “field” rather than a window that allows the viewer to acquire a more impersonal formalist perspective and appreciation of color As a reinterpretation and extension of abstract expressionism’s DNA which became devoid of all emotional and spiritual elements the images represented deserve their sanctified place in art history Bruce Helander is an artist who writes on art His bestselling book on Hunt Slonem is titled “Bunnies” (Glitterati Press) and Helander exhibited Slonem’s paintings in his Palm Beach galleries from 1994 to 2009 Helander is a former White House Fellow of the National Endowment for the Arts and is a member of the Florida Artists Hall of Fame He is the former Provost and Vice-President of Academic Affairs at Rhode Island School of Design Two new temple presidents and their wives have been called by the First Presidency They will begin their service later this year called as president of the Veracruz Mexico Temple María de Lourdes Castillo David de Morales He serves as the second counselor in the Veracruz Mexico Temple presidency and as a patriarch counselor in a mission presidency and bishop to Bernardino Morales Grajales and Sara Lagunes Grajales de Morales Sister Morales serves as an assistant to the matron of the Veracruz Mexico Temple She has served as a stake Primary president ward Relief Society president and ward Young Women president to Feliciano Castillo Machuca and María Antonia David de Fernández called as president of the Cebu City Philippines Temple He serves as a mission president's counselor He has served as the president of the Philippines Davao Mission A coordinator for the Church Educational System in Cabanatuan to Domingo Dela Cruz and Felicidad Sagadraca Abraham Pagaduan Sister Pagaduan serves as a ward Relief Society president She served with her husband as he presided over the Philippines Davao Mission She has also served in a stake Relief Society presidency and as ward Young Women and Primary presidents to Manual Fernandez and Dominga De Jesus Calara Virola Although Pico de Orizaba is a dormant volcano, it is not extinct and may erupt in the future. At 5,636 meters above sea level, Citlaltepetl is North America’s highest volcano and third-highest mountain, the world’s 4th highest Volcanic Seven Summit This Star Mountain is also the world’s second-most prominent volcanic peak and the third highest peak in North America after Denali and Mount Logan The inactive volcano is the world’s 16th most isolated peak located approximately 110 kilometers to the west of the port city of Veracruz making Mexico the world’s 20th highest country The Star Mountain is the easternmost stratovolcano of the Trans-Mexican Volcanic Belt The extinct Sierra Negra volcano is located approximately six kilometers southwest of Pico de Orizaba The cooling ridges (lava flow levees) are also visible on the sides of the volcano with the prominent ones located on the cone’s southwest flank Pico de Orizaba is the source of several rivers with the annual average temperature falling below -2 degrees Celsius The lava steadily flowed out of the volcano Although Pico de Orizaba is a dormant stratovolcano It erupted every century from the 12th to the 19th century The volcano’s most violent eruption may have occurred in 6710 BC recording a Volcanic Explosive Index (VEI) of five The summit crater is 300 meters deep and has a surface area of 154,830 square kilometers Citlaltepetl is one of Mexico’s three volcanoes covered by an ice cap and consists of the country’s largest glacier known as Gran Glacier Norte The southern and southeastern snow melts much faster than the snow on other parts of the volcano due to the solar radiation The glacier forms mainly on the north and northwest faces because of low temperature The Gran Glacier Norte forms on the volcano’s northern side and contains nine glaciers The nine named glaciers extend 3.5 kilometers from an elevation of 5,650 to 5,000 meters and cover about 9.08 square kilometers The Jamapa Glacier is distinct and has influenced the mountain region’s geomorphologic evolution It extends northwest for 2 kilometers from an elevation of 4,950 meters the glacier divides into two tongues that terminate at 4,640 and 4,650 meters several people have reached Pico de Orizaba’s summit including Alejandro Doignon and Martin Tritschler photos and original descriptions © 2025 worldatlas.com Maritza Broce looks at Oscar Subia’s artwork on his phone in her clothing store which sells both vintage clothing and more modern clothes and shoes The store also hosts art openings for South Tucson artists Profits from Preloved Chica clothing go to Fortín de las Flores a social-service organization that helps women in South Tucson sells both vintage clothing and more modern clothes and shoes The store also houses Fortin de las Flores English classes and a massage clinic once a month Preloved Chica Clothing opened in 2011 to provide gently used business attire to women re-entering the workforce It now also hosts art openings and health and wellness efforts Maritza Broce checks the price tags on a jumble of clothes resting on a glass countertop A twisting line of butterfly decorations climbs a wall behind her as she jots down prices on a green receipt pad her hands illuminated by a rose-tinged chandelier lamp The woman on the other side of the counter smiles says a warm goodbye and walks out of the store empty-handed That is until she sees a $2 pair of leaf-colored shoes on the sales rack outside Preloved Chica Clothing and marches back through the door to add to her layaway items Such interactions are not rare occurrences at this South Tucson store Preloved Chica Clothing has a two-way relationship with its customers and all profits go into Fortín de las Flores a social-service organization that helps women in South Tucson by providing access to affordable clothes workshops on healthy living and free English classes The idea for the store was conceived after the 2008 financial market crash when Broce realized she needed out of the nonprofit world “I think all of us just shared a frustration at just the grant model the nonprofit grant model because if you lose that grant or that grant decides they want to shift the focus So Broce decided to forgo nonprofits status — at least for now — and worked with others to develop a product-based sales model that allows the store and organization to be financially self-reliant and able to change its focus based on the needs of the community The store opened in 2011 with the goal of providing gently used business attire to women re-entering the workforce the mission expanded as Broce received feedback from the community Leatanya Koppa and Rosalva Fuentes co-founded the store Broce and Antonio have known each other since college and Antonio offers natural medicine and health workshops out of the store’s community space the store overflows with color — mirrors and windows bounce light off the purple and yellow walls and onto lacy vests children’s toys and knickknacks are situated from floor to ceiling a maze of dresses and blouses leads you the counter where Broice stands in cherry-red platform heels While clothing is the main source of income for the store and organization the founders decided more than two years ago to also focus on healthy living “You see all these stores with organic stuff but they’re never in the south-side area,” Antonio says The closest natural food grocer is more than three miles away and it’s not easily accessible for a community that relies on public transportation Broce believes in a holistic approach to health Jessica Citlalcoatl opened Tierra Sagrada Massage Therapy in a cozy room in the back of the store Citlalcoatl is a member of Muxeres Sin Fronteras (Women without Borders) a collective that holds a low-cost massage clinic on the first Saturday of each month The community room is transformed with curtain dividers massage tables and chairs and an area for acupuncture and reiki treatments but no one is turned away due to lack of funds Services like massage therapy are often too expensive and far away for the majority of residents in South Tucson “You’re not going to the north side or the east side,” says Luissa Castro “I felt so privileged because I never had a massage Castro first came to the store to buy a new work outfit and now considers Broce a friend She volunteered for the first time in her life at the store’s International Women’s Day block party Women who contribute to the community are recognized and community organizations have tables at the event Activities like the party promote community involvement Grace Beltran received an award for her contributions as a teacher and for planning a neighborhood watch were to have a show featuring their artwork in the store’s new gallery space “She is just like this rare jewel who is really going to change lives I think and brings out the best in people,” Antonio says about Broce “She became the go-to girl because she listened to what the community needed.” Amanda Martinez is a University of Arizona journalism student who is an apprentice at the Star. Contact her at starapprentice@tucson.com Subscribe to stay connected to Tucson. A subscription helps you access more of the local stories that keep you connected to the community. Revenue for the city's 75th anniversary fell short of expectations. Maritza Broce looks at Oscar Subia’s artwork on his phone in her clothing store, Preloved Chica Clothing in South Tucson, which sells both vintage clothing and more modern clothes and shoes. The store also hosts art openings for South Tucson artists. Profits from Preloved Chica clothing go to Fortín de las Flores, a social-service organization that helps women in South Tucson. Preloved Chica Clothing, located at 102 E. 31st St., sells both vintage clothing and more modern clothes and shoes. The store also houses Fortin de las Flores, a space where there are support groups, child birth classes, English classes and a massage clinic once a month. The store also hosts art openings for South Tucson artists. Friday October 02, 2015 Mamta Popat / Arizona Daily Star Preloved Chica Clothing opened in 2011 to provide gently used business attire to women re-entering the workforce. It now also hosts art openings and health and wellness efforts. Get up-to-the-minute news sent straight to your device. Included will be penciled color sequences for the larger concentric square paintings (1973), flat foam-core cut-outs leading to the emergence of a more generous “working space” and 3D printed models from the 1990’s through the present outlining the use of digital technology. Clearwater further states “We can see the influence of van der Weyden in the large number of diptych-like paintings divided into two equal parts. A typical double concentric painting, Paradoxe sur le comediene, (1974), and a mitered maze work such as Fortin de las Flores support this view. These paintings might also encourage us to speculate how Stella’s attraction to the use of shallow pictorial space and bright fluorescent pigments helped him to approach his goal, the absolute beauty of the Netherlandish masterpiece.” One of the exhibition’s highlights is Deauville (1970) a 45-foot long canvas shaped like a thoroughbred racetrack. As an aficionado of racing of all kinds, he often imagines himself running across the canvas. “While his contemporaries Donald Judd and Dan Flavin created work that was machine-made, I see Stella as a modern day John Henry, racing against the machine, brushing paint from one end of the canvas to the other and back again, setting an admirable and competitive pace.” “Stella believes that art offers at least the illusion of ultimate freedom. In the context of the art world, he appears fearless and indifferent to risk. Even works that initially looked like misfits to him (and others) now appear revelatory in light of his most recent pursuits,” explains Clearwater. Tap to enable a layout that focuses on the article Print From the top of his rolling freight car among farmers and their donkeys piled with sugar cane They reach toward Enrique and his fellow wayfarers on top of their rolling freight cars 2002: Enrique’s Journey -- Chapter 4 of the six-part series described Teotihuacan in Mexico as an Aztec metropolis The Aztecs adopted the site as a ceremonial ground and gave it its modern name but it originated and peaked as a metropolis during the pre-Aztec period and they have made it nearly a third of the way up the length of Mexico He is one of an estimated 48,000 Central American and Mexican children who go to the United States alone every year who have left for El Norte to find work and never come back Many credit religious faith for their progress They ask him to keep them alive until they reach El Norte They ask him to protect them against bandits they scrawl the names and addresses of the people who help them The police often check the bindings for money to steal though I walk through the valley of the shadow of death I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.” Or the 91st Psalm: “There shall no evil befall thee neither shall any plague come nigh thy dwelling For he shall give his angels charge over thee “La Oracion a las Tres Divinas Personas”--a prayer to the Holy Trinity It has seven sentences--short enough to recite in a moment of danger he thinks he has no right to ask God for anything Riding trains through the state of Chiapas which immigrants call “the beast,” has taught him that any upraised hand might hurl a stone But here in the states of Oaxaca and Veracruz “It’s just the way we are,” says Jorge Zarif Zetuna Curioca but there is a widespread generosity of spirit Many residents say it is rooted in the Zapotec and Mixtec indigenous cultures giving is a good way to protest Mexico’s policies against illegal immigration and as the train passes through a tiny town are rushing out of their houses along the tracks Enrique sees a woman and a boy run up alongside his hopper but holds tightly to the hopper with the other The roll of crackers flies several feet away bounces off the car and thumps to the ground Now women and children on both sides of the tracks are throwing bundles to the immigrants on the tops of the cars This time the bundle lands squarely in his arms In many places where the train slows in Veracruz Sometimes 20 or 30 people stream out of their homes along the rails and toward the train Cuichapa and Presidio are particularly known for their kindness These are unlikely places for people to be giving food to strangers A World Bank study in 2000 found that 42.5% of Mexico’s 100 million people live on $2 or less a day 30% of children 5 and younger eat so little that their growth is stunted and the people who live in humble houses along the rails are often the poorest bread and plastic bottles filled with lemonade A seamstress throws bags filled with sandwiches day-old pastries and half-liter bottles of water who was reduced to eating the bark of her plantain tree during the Mexican Revolution forces her knotted hands to fill bags with tortillas can run down a rocky slope and heave them onto a train I give half away,” one of the food throwers says Another: “I don’t like to feel that I have eaten and they haven’t.” “It feels good to give something that they need so badly.” “What if someday something bad happens to us but he fears that the half-dozen rolls from the food throwers might be all there is to his good fortune It is valuable and more easily damaged--Volkswagens catch every rider they can and hand them over to authorities an official of the Transportacion Ferroviaria Mexicana railroad if a migrant falls and is injured or killed because it is hard to run fast holding bottles They tie sweaters or extra shirts around their waists he smells a familiar cue: a coffee-roasting factory next to the red brick station He sits on a sidewalk one block north of the station He swallows his fright and tries to look unconcerned where seven other officers are holding 20 migrants They line up the immigrants against a wall will keep him from being deported back to Central America that he earned lifting rocks and sweeping near the tracks in Tierra Blanca One officer pats him down and says to empty his pockets Each is standing behind a little pile of belongings unless you want to have your trip stop here.” The chief of state police in nearby Fortin de las Flores will not comment on the incident He trots alongside a freight car and clambers aboard It rolls through putrid white smoke from a Kimberly-Clark factory that turns sugar cane pulp into Kleenex and toilet paper Enrique asks a man standing near the tracks “Can you give me one peso to buy some food?” The man inquires about his scars They are from a beating little more than a week ago on top of a train Enrique runs to buy soda and cheese to go with his bread He looks north and sees snow-covered Pico de Orizaba looking into the hollows at the ends of the hoppers where riders occasionally discard clothing Enrique thanks the food throwers again for the bread He relishes the camaraderie: how riders take care of one another “I could get to the north faster alone,” he figures Enrique invites the two boys to share his blanket The three jam themselves between a grate and an opening on top of a hopper Enrique stuffs rags under his head for a pillow the first of 32 in the Cumbres de Acultzingo Inside is darkness so black that riders cannot see their hands Black diesel smoke hugs the tops of the cars They pull their shirts over their mouths to warm themselves with their breath some of the older immigrants drink whiskey Others gather old clothing and trash and build fires on the ledges over the wheels of the hoppers Some stand in the warm plumes of diesel smoke The train slows for the station at Lecheria One woman wrinkles her nose when she talks about migrants She is hesitant to slide the deadbolt on the metal door of her tall stucco fence “We don’t have anything,” they say at house after house another gift: A woman offers him tortillas a gritty industrial neighborhood on the northwestern outskirts of Mexico City He crawls into a 3-foot-wide concrete culvert and trains run so fast that few immigrants ride on top Enrique and his two friends pick an open boxcar but they count on the scarcity of migra checkpoints in northern Mexico The boys load cardboard to lie on and stay clean Enrique notices a blanket on a nearby hopper He climbs a ladder to get it and hears a loud buzz from overhead Live wires carry electricity above the trains for 143 miles north Once used for locomotives that no longer operate the wires still carry 25,000 volts to prevent vandalism Signs warn: “Danger--High Voltage.” But many of the migrants cannot read They do not even need to touch the lines to be killed Only 36 inches separate the wires from the tallest freight cars computers plot train routes with blue and green lines and at least once every six months the screens flicker been hit by electricity and short-circuited the system he snatches a corner of the blanket and yanks it down Then he scrambles back to his boxcar and settles into a bed that he and his friends have fashioned out of straw they found inside The boys share a bottle of water and one of juice He does not sense when police stop their train in the middle of the central Mexican desert Officers dressed in black find the boys curled under their blanket in the straw who is cooking a pot of stew over a campfire he gives all three tortillas and water--and toothpaste to clean up The jefe lets them re-board the boxcar and tells them to get off the train before San Luis Potosi where 64 railroad security officers guard the station The boys jump off the train half a mile south of town But here the countryside is too desolate to live off the land He needs to work if he is going to survive he does not want to reach the border penniless He trudges up a hill to the small home of a brick maker The brick maker offers yet another kindness: If Enrique will work he will get both food and a place to sleep Some migrants say Mexicans exploit illegals for a fraction of the going wage But the brick maker does better than that: 80 pesos one of 300 that straddle the tracks on the northern edge of San Luis Potosi water and dried cow manure into large pits They roll up their pants and stomp on the sloppy concoction Then they empty the molds on flat ground and let the bricks dry The bricks are stacked into pyramids inside ovens as big as rooms sending clouds of black smoke into the sky he sleeps in a shed on a dirt floor he shares with one of his friends from the train “I have to get to the border,” Enrique tells him Freight cars have brought him 990 miles from Tapachula near Guatemala His employer says he should ride a Volkswagen van called a combi through a checkpoint about 40 minutes north of town and he might be able to get a ride on a truck all the way to Nuevo Laredo on the Rio Grande He pays 83 pesos to board a bus to Matehuala “I don’t have any money,” he tells every driver he sees “Can you give me a ride however far north you are going?” Drivers say it is enough to worry about officers planting drugs on their trucks and demanding bribes some of the truckers fear that immigrants might assault them Enrique pulls himself up into the cab of an 18-wheeler hauling beer “Where are you going?” The driver has seen boys like Enrique before “Do you have a mom or dad in the United States?” “Checkpoint in 100 Meters.” The truck idles in line Judicial police officers ask the driver what he is carrying soldiers stop each vehicle to search for drugs and guns Two fresh-faced recruits wave them through Oblivious to chatter on the trucker’s two-way radio He buys Enrique a plate of eggs and refried beans and a soda “Bienvenidos a Nuevo Laredo.” Welcome to Nuevo Laredo Enrique sees a man from Honduras whom he has met on a train The man takes him to an encampment along the Rio Grande Enrique stares across the Rio Grande and gazes at the United States He was so young when she left that he can barely remember what she looks like: curly hair; eyes like chocolate Enrique has spent 47 days bent on nothing but surviving Next: Chapter Five: A Milky Green River Between Him and His Dream World & Nation Hollywood Inc. Subscribe for unlimited accessSite Map Mexican authorities say they intercepted over 500 migrants in two days in the eastern state of Veracruz as authorities crack down on the transportation of migrants toward the United States in unsafe conditions Authorities found 206 migrants abandoned in a tractor-trailer on Saturday in the town of Puente Nacional a source at the National Migration Institute (INM) said The town’s mayor Roberto Montiel wrote on Facebook that “over 180” migrants were found with some of the migrants presenting signs of dehydration the INM reported in a statement that authorities had intercepted 303 migrants in two operations on Friday morning in Veracruz authorities found 107 migrants without regular migration status in a tractor trailer after it was pulled over on the highway Six people were arrested for alleged roles in transporting the migrants Also Read: Mexico To Launch An Asylum Processing App Next Week packed into an improperly parked tractor-trailer detected on a road close to the city of Fortin de las Flores Five of the migrants were adults from Guatemala and another five adults from India without providing further details on the other migrants’ nationalities The precarious smuggling of migrants en route to the United States has ended in notable tragedies in recent years Fifty-five people were killed in December 2021 after a truck carrying an estimated 166 migrants crashed in Mexico’s southern Chiapas state fifty-three migrants died in a sweltering tractor trailer in Texas in the deadliest migrant-trafficking incident on record in the United States and website in this browser for the next time I comment Δdocument.getElementById( "ak_js_1" ).setAttribute( "value" La aeronave particular cayó en la zona de Fortín La caída del helicóptero alertó a habitantes de Monte Blanco Durante la noche de este domingo 30 de marzo habitantes de Monte Blanco reportaron al número de emergencias 911 la caída de un helicóptero que se desplomó en la zona del municipio de Fortín de las Flores En esta aeronave viajaba el empresario José Abella arribaron grupos de voluntarios como rescatistas primeros respondientes y elementos de la Secretaría de Seguridad Pública (SSP)  Estatales El reporte a los cuerpos de emergencia se hizo aproximadamente a las 19:00 horas cerca del panteón de la comunidad de Monte Blanco acordonaron para evitar el paso de cualquier habitante Solo se permitió el acceso a las instancias y grupos de rescate el helicóptero que se desplomó en Monte Blanco en la zona del municipio de Fortín de las Flores es propiedad del empresario cordobés José Abella García quien solo habría resultado con un golpe ligero en la cabeza; sin embargo reportaron que no se trata de nada de gravedad quien solo sufrió leves lesiones y se repora en buen estado de salud La Secretaría de Seguridad Pública confirmó que ambos tripulantes se encuentran ilesos confirmó a la SSP que lograron salir con bien de este incidente las autoridades no han revelado cuáles fueron las causas del desplome por lo que una vez rescatado el helicóptero de la barranca Con información de Carlos Da Silva | N+LLZH Derechos reservados © Tritón Comunicaciones S.A de C.V.