Claire Keegan’s acclaimed Magdalene laundries novella reaches the big screen in director Tim Mielant’s atmospheric adaptation
who conjures an 80s small-town Ireland that’s as hazardous as a haunted house
The tale’s message of hardship and self-sacrifice won’t sit well with those who like their festive movies full of abundant good cheer
Small Things Like These casts a powerful spell
Fresh from his best actor Oscar win for Oppenheimer
Cillian Murphy produces and stars as melancholic Bill Furlong
but now has a home and a family and a job hauling truckloads of coal around town
or at least an improvement on what went before
Then one winter morning he discovers a young woman in the shed outside the local Magdalene laundry
The past is not dead; it is still whispering in his ear
Mielants and Walsh pace their Samaritan tale to perfection
which is to say that Small Things Like These plays out as a halting study in human decency
taking the high road in hesitant steps as it pits Murphy’s timid coal merchant against Emily Watson’s unblinking mother superior
Bill’s not an obvious hero; he carries the faint air of defeat
Yet he can’t look away and knows that the cost will be steep
If his small act of kindness veers close to martyrdom
it is all the more noble and precious for that
Watch a trailer for Small Things Like These.This is the archive of The Observer up until 21/04/2025
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Rooney Mara stars as Mary Magdalene in the Biblical drama
JERUSALEM — On the shores of the Sea of Galilee in Israel
a renewed interest in Mary Magdalene is changing her home town’s landscape
by the serene lake– arid Israel’s major freshwater reservoir – the Legionnaires of Christ
is developing a $100-million pilgrimage retreat with an emphasis on women and feminism
Since, 2009, Fr. Juan María Solana of Mexico and Fr. Eanon Kelly of Ireland have been meticulously developing Magdala — The Crossroads of Jewish and Christian History
the church and spiritual getaway includes archaeological remains of the town destroyed by the Romans where Mary Magdalene lived
‘Mary Magdalene’ biopic film releases in U.S
the first woman in the Bible to see Jesus after his resurrection and not to be confused with Jesus’ mother
Mary Magdalene shows the perspective of one of Jesus’s female followers in a sea of 12 male apostles in Jesus’s inner circle
It also attempts to stamp out the popular fallacy that Mary was a prostitute prior to becoming a disciple of Jesus during the three years he travelled near Capernaum
The biopic, starring Rooney Mara as Mary, Joaquin Phoenix as Jesus and directed by Lion’s Garth Davis
lost its distributor in North America last year when sexual assault allegations and the ensuing Me Too movement bankrupted The Harvey Weinstein Company
It was scheduled to premiere in the US in 2017 but then premiered in London instead in 2018
The film was released in much of Europe and Australia last year
A pop culture fascination with Mary Magdalene can be tied most recently to the 2003 best-selling mystery thriller The Da Vinci Code by Dan Brown
which centered around a supposed secret family of Jesus and provoked a tsunami of speculation about the story of Miriam from Migdal
better known as Mary Magdalene – a Jewish girl from a fisherman’s village on the Sea of Galilee who lived during the tumultuous Roman occupation of Judea 2,000 years ago
Mary likely traveled with Jesus on some of his journeys across the Galilee and Golan and accompanied him during his Passover pilgrimage to Jerusalem in c
34 CE that ended with her beloved teacher’s crucifixion – and according to Christians – resurrection
So far the reviews have not been kind, though the movie probably goes beyond most reviewers’ Biblical literacy. Some Catholic reviews more substantially piece apart the film’s interpretation
Magdala is Father Solana and Father Kelly’s second major project in the Holy Land
In 2004, Pope John Paul II entrusted Jerusalem’s ruined Notre Dame de France to the Congregation of the Legionaries of Christ for renovations and fundraising
They aim to turn the Notre Dame center into a venue for interfaith dialogue
At the northwest shore of Lake Kinneret (the local name for the Sea of Galilee) in 2009
Solana and Kelly set out to build a more modern version of Notre Dame
They spent $16 million to assemble four privately owned plots near the town of Migdal and the destroyed Palestinian village of al-Majdal – both named for the ancient town of Magdala wiped out by Rome in 66 CE at the onset of the First Jewish-Roman War
Solana’s intention was to demolish the 1960s-era holiday cabins of the old Hawaii Beach resort and erect in their stead a hotel for 300 guests
a restaurant and a lakeside spiritual center
the final step before construction could begin was to carry out a salvage dig on the site
Neither the Vatican nor the archaeologists dispatched by the Israel Antiquities Authority expected to find anything significant
But archaeologists from the IAA and two Mexican universities were stunned to find the vestiges of first-century Magdala
where Jesus may have preached and Mary Magdalene once walked
The extensive remains of the lost city included a synagogue
A fisherman’s workshop for producing the salty cured fish for which Magdala was famous was also found
attesting to the village's Greek name Tarichaea
meaning “pickled fish,” or fish cannery in more modern parlance
Nothing had been disturbed since the Romans sacked the city
Artifacts were uncovered just below the surface
The Magdala Stone at the Israel Antiquities Authority warehouse in Beit Shemesh
one of seven such structures that were contemporaneous with Herod’s Second Temple — that the Roman Catholic priest describes as “providential.” The discovery brought to mind Matthew 4:23: “Jesus went all through Galilee
preaching the good news of the Kingdom of God
and curing the sicknesses and the ailments of the people.”
Remains of the ancient synagogue in Magdala
The ancient synagogue contained a limestone block relief with extensive carvings
These include a seven-branched menorah flanked by a pair of two-handled jugs and a pair of columns
Dina Avshalom-Gorni called the discovery “an exciting and unique find.”
“This is the first time that a menorah decoration has been discovered from the days when the Second Temple [early Roman period] was still standing,” Avshalom-Gorni said
“We can assume that the engraving that appears on the stone… was done by an artist who saw the seven-branched menorah with his own eyes in the Temple in Jerusalem.”
The Magdala Stone may have served as a Torah reading table
The priceless artifact is today kept at the Israel Antiquities Authority warehouse near Beit Shemesh
Many of the 80,000 pilgrims and tourists who come to the area each year
come to imagine Jesus and Mary Magdalene walking around the archaeological park and its synagogue
A chapel at Magdala with a boat-shaped altar
Mosaics were also found during the excavations
and their designs were incorporated in the Duc in Altum chapel that opened near the archaeological garden in 2010. Duc in Altum
meaning “Launch into the deep [waters],” was the instruction Jesus gave to his fishermen disciples (Luke 5:4)
The chapel facing onto the lake contains an altar shaped like an ancient fishing boat
while the domed antechamber leading to the ecumenical prayer hall honors Mary Magdalene
“Jesus used to preach to the crowds from Peter’s boat
so we tried to reproduce that idea here,” Solana said
where a 2,000-year-old fishing boat contemporaneous to Jesus is on display
a drought exposed vast stretches of the shoreline
Wannabe archaeologists Moshe and Yuval Lufan, brothers living in the village
set out to explore the muddy land that had previously been underwater
They discovered the newly-exposed hulk of an ancient ship
The water-soaked cedar wood was like cardboard
A huge conservation effort was made by IAA experts
and floated it to the chemical tank they specially created
the waterlogged wood was treated until it was stabilized
is on display at a museum at the kibbutz “floating on a wave of glass.”
But fishing was a common profession in his time
and he would have been familiar with this type of vessel and how fishermen used these boats
The boat may have been destroyed in 66 CE in the same war that destroyed Migdal
in a naval battle between Jewish rebels and the Romans that the historian Josephus said dyed the lake red with blood
She too would have known these fishing boats
For those seeking to appreciate the life and times of Mary and her master
more insight may be found on the shores of Lake Kinneret than in Hollywood
The Magdala complex has already been in limited use while still under construction. The center hosted an event on International Women’s Day Mar
Magdala is celebrating the Feast of the Holy Site
the Magdalena Institute is now accepting reservations for its 6th Annual Women’s Encounter: “Woman
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By Dan Jolin2018-03-05T08:25:00+00:00
Garth Davis has never been afraid to face difficult conditions
“I have a reputation for dragging my crew into really tough spots,” he smiles
“Which means a lot of four-wheel drives and nervous producers.”
Having shot his feature debut Lion in Kolkata and Tasmania
the Brisbane-born director’s latest film — a humanist
told from the perspective of Mary Magdalene (Rooney Mara) and shot in southern Italy and Sicily — required his cast to go hiking intrepidly in rugged mountains
while wearing first-century-appropriate footwear and clothing: “You come to my shoots
you’re going to be doing a lot of walking…”
The challenge of tough location conditions is one Davis cheerily embraces
“I love reminding audiences that we’re living creatures within a planet,” he says
less than a year after production on Mary Magdalene wrapped in December 2016
Davis faced a very different kind of challenge on some far trickier territory
The New York Times detailed numerous allegations of sexual harassment against Harvey Weinstein
the continuing allegations fanned out into the industry-shaking #MeToo movement while the producer now decried as an abusive monster saw his career justifiably disintegrate
And on its slate of movies set for release in the US sits Mary Magdalene
“Right now my producers [Iain Canning and Emile Sherman of See-Saw Films
and Liz Watts] are working very hard to find a way to release the movie over there,” Davis says when Screen meets the director in London the day after his film
premiered at the National Portrait Gallery
But I know they’re working night and day on it at the moment.”
and not only because it’s left the film without US distribution. Starring Rooney Mara in the title role and Joaquin Phoenix as Jesus
Mary Magdalene is a concerted effort by its makers to set the record straight about Mary
who in the late sixth century was officially demoted by Pope Gregory I from the position of apostle to harlot – a misrepresentation that’s tainted her image ever since
“What happened to Mary Magdalene and her identity over the centuries was a travesty
Here was an opportunity to give a voice for someone who had been silenced for so long.”
the notion of this patriarchal-dogma-defying story being connected to a man like Harvey Weinstein is a troubling one for Davis
“Our film celebrates everything that is the antithesis of what’s happened
It’s definitely something you can’t be associated with
So my main focus is just to celebrate Mary and get her story out into the world
Weinstein had no creative involvement in the film
Mary Magdalene was produced by Canning and Sherman’s See-Saw
with TWC handling US distribution on many of the UK-Australian outfit’s productions dating back to The King’s Speech
“It wasn’t like I was working with Harvey directly
But I hope people realise that just because you’re doing a project with a company like that
it’s not a reflection on you and the people who were working on the film
I’m sure people are intelligent enough to know that
Though it’s not something I feel comfortable about.”
has nothing to do with the fact that Mary Magdalene has been noticeably absent from the festival circuit — at least until its screening at the Audi Dublin International Film Festival
which happened the day after Screen and Davis speak
That was more to do with the fact that they simply weren’t ready soon enough
and we finished it at a very awkward time,” Davis says
“The issue I had is that I’d gone straight from Lion into this
That was also one of the reasons why we had a relationship with the Weinsteins on Mary
because it allowed us to manage the two projects as well
I had to stop editing for a while to go and do the Oscars [Lion received six Academy nominations]
So there were a lot of delays because of Lion.”
Davis says he’s looking forward to “taking a breather”
Though true-life Somali kidnap drama A House In The Sky has been touted as his next project
he says “we’re still talking about that,” and there’s “nothing concrete at this point.”
Davis remains open-minded as to whether his next step takes him further into the cinematic realm
or back to TV drama like Jane Campion and Gerard Lee’s Top Of The Lake
for which he directed four episodes in 2013
“It’s just got to be something I connect with
one that has a world to recreate and an atmosphere and is something that looks at the human condition
I’m open to anything if the material’s exciting.”
Warner Bros’ A Minecraft Movie dominated the month with Gaumont’s Once Upon My Mother the top local film
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In the best sequence in the new biblical drama Mary Magdalene
Jesus approaches a group of oppressed woman to deliver his message of forgiveness.
But one of the women tells Christ of her sister
who was raped and murdered by her husband and other men after being accused of adultery
“to hold on to that hatred in your heart?”
“Those men were consumed by hatred as well.”
Mary Magdalene is earnest and well-intentioned and for many may represent a familiar slog through well-tread biblical territory. One fellow journalist at a press screening at Prague’s Kino Atlas
fell asleep ten minutes into the movie and lightly snored throughout the remainder
Directed by Garth Davis (Lion)
the film is ostensibly about the lead character
a Jewish woman and follower of Christ who was present at both his crucifixion and his resurrection
She was deemed a reformed prostitute by Pope Gregory I but more recently awarded the title “Apostle to the apostles” by the Roman Catholic Church
she’s played with quiet intensity by Rooney Mara as a woman lost within her own religion and considered ‘disturbed’ by her own family
But when a travelling healer approaches her with care and kindness
she discovers newfound meaning in her life
In any film that contains Jesus Christ as a featured supporting player
the son of God usually commands some attention
And tenderly played in what may be one of the all-time great portrayals of Jesus on film
Joaquin Phoenix seizes control of the movie and doesn’t let go
His soft-spoken turn as Christ is so lovingly rendered that it threatens to convert members of the cinema audience.
Also excellent here are Chiwetel Ejiofor (as Peter) and (especially) Tahar Rahim
whose deranged portrayal of Judas represents one of Mary Magdalene’s more unconventional interpretations.
Mary Magdalene straddles a fine line between appealing to both a Christian community seeking a biblical account of these events and contemporary audiences after a more… realistic version
are deftly handled to allow for multiple interpretations.
Despite the record box office numbers of Mel Gibson’s The Passion of the Christ
we don’t get many mainstream biblical movies these days (and after the box office performances of Exodus and Noah
that number may continue to dwindle).
But Mary Magdalene is a thoughtful tale more interested in the teachings of Christ – and differing interpretations of them – over big-screen spectacle
This won’t be as controversial as Scorsese’s The Last Temptation of Christ
but it takes similar risks and generally succeeds.
Director Davis has put a lot of care into his depiction of Mary Magdalene
and even if the title character sometimes feels lost inside her own story
even-beautifully crafted depiction of Christ and his apostles that represents one of the most tender big screen versions of this story
Mary Magdalene was shot in rural locations throughout Southern Italy including Matera
all authentically captured by cinematographer Greig Fraser
Icelandic composer Jóhann Jóhannsson provided the soft
his final feature before his death earlier this year
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The statue of San Francisco in Magdalena as it appeared until last year
Notice the red flower placed in the statue's hand as an offering
The standing statue to the left represents St
Martin of Porres; the window depicts Xavier's missionary work in India
Detail of the San Francisco statue in Magdalena
showing ex-votos (requests and/or thank-offerings) pinned to his clothing
Last year at this time I wrote about the huge pilgrimage and fiesta of San Francisco in Magdalena
which is celebrated in the days leading up to October 4
let’s take a look at the reclining statue of San Francisco Xavier
which provides the devotional focus for this event
even though October 4 is the feast day of quite a different saint
Legend tells us that the original statue was brought to Magdalena by Father Kino himself
as far as we can tell; Kino’s personal patron was St
the statue in Magdalena is surrounded by legends
I wrote last year how the image itself chose the village it wanted to stay in
when a militantly anticlerical state government attempted to eradicate Catholicism in Sonora
and priests either left the state or went into hiding
Groups of activists called los quemasantos (the saint-burners) entered churches and removed and destroyed many of their images
the statue of San Francisco was taken to Hermosillo and burned in the furnaces of the Sonora Brewery
Grim tales are told of what happened to the people who did this
The man who drove the truck that carried the statue to its fate in Hermosillo was himself struck and killed in Magdalena… by a truck from Hermosillo
Another man who dressed a burro in religious vestments and paraded it around inside the church was being driven to Hermosillo years later when his car ran into a group of burros
fell through the roof of the car and killed the passenger
there were some people who couldn’t believe that their beloved image had been taken and burned
and I have been told that the priest smuggled the statue out of the church and gave it to faithful O’odham
who carried it to one of their desert villages near the border
I’ve also been told by O’odham that it rained while this journey took place
both to confuse the pursuers and to bless the undertaking
And it is true that a few years later a San Francisco statue appeared in a village near the border
However it doesn’t look like the pictures of the original statue
These and other stories are still alive in our desert land
adding depth and color to our landscape and history
I’m always eager to hear more; drop me an email
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On my frequent drives along South Mission Road at this time of year
women and even children walking towards the old …
I have been told that the original statue of San Francisco in Magdalena
Just now that stretch of road should be occupied by hundreds of pedes…
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Author's note: While I have seen the 2006 film adaptation
I've never personally read Dan Brown's The Da Vinci Code or its source book Holy Blood
You have an enormous range of people out there in the secular world who are hostile to
institutional Christianity in such a profound way that they are willing in some ways to swallow a version of events that is just demonstrably false
they find that more appealing and in some ways more credible than the story that is being peddled by officialdom
And therefore I think the kind of examination of conscience would have to go on within institutional Christian churches is
It is from the 2006 documentary Secrets of the Code and is said by journalist John Allen
Secrets of the Code is about the controversies provoked by Dan Brown's 2003 novel The Da Vinci Code which is based on the idea that the Catholic Church is covering up the true history of Jesus in order to preserve its own power and wealth
The Da Vinci Code wasn't just a best-seller, it was a phenomenon and eventually sold over 80 million copies worldwide
It was heavily influenced by the 1982 non-fiction best-seller The Holy Blood and the Holy Grail (aka Holy Blood
Its thesis is that the historical Jesus of Nazareth had at least one child with Mary Magdalene
she fled to southern France with her child(ren) and was an ancestor of the Merovingian Dynasty (5th-8th centuries C.E.)
would have been of the bloodline of Israel's King David
Holy Blood itself, however, relied on forged documents and at least one of the Holy Blood authors knew it. Also, one of the forgers, Pierre Plantard, established the Priory of Sion in 1956 to re-establish the Dynasty while claiming it dates back to 1099
itself a con job or a hoax (which may have evolved into a delusion of Plantard)
far-right-wing goal of establishing a theocratic monarchical reign over Europe
But not even Plantard had thought up the Mary Magdalene theory; that was made up by the Holy Blood authors
But is only some blood "holy?" Are we humans not created equal
Even if the fabrications of Holy Blood and Da Vinci turn out to be true
would even the descendants of Jesus have the Divine Right to rule over us
Did not Jesus say "But he that is greatest among you shall be your servant?" Did he not model that behaviour
And if the Church falsified the Gospel stories of Jesus to emphasize love and service when the "real" Jesus was a claimant to earthly kingship
then how do we even know he existed at all
What sources or claims can we plausibly trust
This brings us back to John Allen's quote above
This was only a year after The Boston Globe began publishing its Pulitzer Prize-winning spotlight investigation of child sex abuse by Catholic priests in the Archdiocese of Boston and just three months after the resignation of its archbishop
The scandal went national and global as more priests in more dioceses were investigated
The Da Vinci Code hit the market at the right time because it cast the Catholic Church as the villain when the public was already angry with it
Even though the idea of royal bloodlines is ridiculous to the modern mind
just about anything seemed more credible than
"the story that is being peddled by" the Church."
The sex abuse scandal pointed to internal corruption
and if you believe an institution is corrupt
And it's not as if child sex abuse is the first and only stain on the Church with its longstanding record of collusion with bloodthirsty tyrants and its own moralistic and spiritual authoritarianism that creates many a traumatized "recovering Catholic." The 2002 scandal just further exposed the hypocrisy of it all
This is not to say the 80 million book buyers and millions more moviegoers actually agreed with the doubtful historical claims of Da Vinci
What if the Catholic Church has been nothing but a racket the entire time
Secrets of the Code is an interesting time capsule
podcasting and social media were in their infancy
Smart TVs were uncommon if they existed at all
countless independent researchers have posted their content not just in blogs
we must credit The Da Vinci Code for making us wonder
have concluded that more than ancient wonders such as the Great Pyramid or Stonehenge
the greatest mystery of the past is the Bible itself
can we believe what we've been told about how it was put together
Would scholars who suggest that Jesus never actually existed get blackballed
I still find enrichment in the Bible as metaphor and allegory
Who doesn't have their own Goliath to face
I'll continue to learn from "fringe" researchers
from those who believe Moses wrote the first five books of the Bible
to those who claim the Bible is all about the Zodiac
to those who claim "God" mentioned in Genesis 1:1 should really be translated as "the Shining Ones."
They each help me learn new things even as they add to the mystery
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Abel Ferrara, whose gritty New York exploitation films of the 1980s and 1990s delved into the soulless evils of drug addiction
pays homage to one of Italy’s best-known and most revered saints in his newest film
That the film, which stars Shia LaBeouf and premieres at the Venice Film Festival next week, confirms a change of pace for the cult director is an understatement, one that Ferrara, 71, chalks up to a decade of sobriety and a new life in Italy
“Once we kicked the drugs and the alcohol, we started to see a different way of life, of living in a different life,” the “Bad Lieutenant” director said in an interview in his new hometown of Rome. “I think it’s more just trying to get our game right.”
The film chronicles a particular moment in the 20th century history of Italy and Padre Pio, the mystic Capuchin monk best known for having displayed the “stigmata” wounds of Christ: He bled from his hands, feet and sides. Padre Pio died in 1968 and was canonized in 2002 by St. John Paul II, going on to become one of the most popular saints in Italy, the U.S. and beyond.
Ferrara’s treatment is no biopic, and frankly ignores some of the juiciest bits of the Padre Pio saga, which involved a dozen Vatican investigations into purported dalliances with women, alleged financial improprieties and doubts about the stigmatas. In their place, Ferrara weaves a parallel tale about the beginnings of fascism in Italy that is, unexpectedly, utterly relevant today.
The film takes as its starting point Padre Pio’s arrival at a Capuchin monastery in San Giovanni Rotondo, a poverty-wracked town in southern Italy, at the time its soldiers were returning home from World War I. The town was almost feudal-like, with the Catholic Church and wealthy large landowners trying to hold onto power amid the first inklings of Italy’s post-war socialist movement that saw factory unrest and peasant strikes.
“When Jan. 6 happens after you’ve been working on this film for five years, it’s like: Right, elections are great until you lose,” he said.
The film is dedicated to the victims of the 1920 massacre as well as the people of Ukraine. Why? “What I’m looking at is a rerun of World War II. Seventy-five million people died 70 years ago. That’s like, yesterday. It’s happening right in front of our eyes,” he said.
The context of the film, he said solemnly, is: “You’re looking at the end of the world.”
Ferrara’s concern with Italian history, Catholicism and his fascination with Padre Pio are not new: The Bronx-born Ferrara was raised Catholic and introduced to both Italy and the saint by his grandfather, who was born in a town not far from Padre Pio’s hometown of Pietrelcina.
Those interests have emerged in Ferrara’s more recent films, including “Pasolini” which paid tribute to the scandalous life and violent death of Italian director Pier Paolo Pasolini and premiered at Venice in 2014; and “Mary,” about an actor (Juliette Binoche) playing Mary Magdalene in a film, which won the Grand Jury prize at Venice in 2005.
Both “Pasolini” and “Padre Pio” relied heavily on the diaries, writings and documentation of their subjects, and Ferrara first made a documentary about the saint’s life before deciding to zero in on the particular period of his arrival in San Giovanni Rotondo, his doubts about his faith and the events surrounding the 1920 massacre.
“I thought the confluence between the massacre and his stigmata both happening in the same place at the same time … I mean how could you not make a movie about that?” Ferrara said.
But Ferrara is well aware that his early genre work — he has done pornography, rape-revenge, the 1993 cult classic about a corrupt, drug-addicted cop “Bad Lieutenant,” and his earlier “The Driller Killer,” about a New York artist who randomly kills people with a power drill — gave him something of a reputation.
“Given the list of films I’d made you’d be wondering,” Ferrara admits. But he said church officials and the Capuchin friars who advised on set were entirely supportive of the project and its star, LaBeouf, who has admitted to alcoholism and has been accused by a former girlfriend of abuse. LaBeouf spent four months in a California monastery preparing for the role, Ferrara said, and has said the chance to play “Padre Pio” was a miracle for him personally.
“It’s just that these cats have got that optimistic take,” Ferrara said admiringly of the church. “Don’t judge someone on their worst moment.”
For more on the Venice Film Festival, visit: www.apnews.com/VeniceFilmFestival
By Jeremy Kay2018-05-14T05:20:00+01:00
Mary Magdalene screenwriter Philippa Goslett will adapt Himalaya for Pulse Films and Film4
chronicling the extraordinary journey by three 1950s housewives into the previously uncharted Zanskar mountain region
The project is based on Antonia Deacock’s book No Purdah In Padam and the diaries of Eve Sims and Anne Davies – the three women who organised the 1958 Women’s Overland Himalayan Expedition that defied gender and political expectations
Upon learning their husbands were planning the British-Pakistani Forces Himalayan Expedition
the women plotted an adventure of their own
travelling more than 16,000 miles from England through Europe
When they reached India the adventurers obtained an audience with Prime Minister Nehru
who arranged permission for them to trek 300 miles into the politically sensitive and uncharted Zanskar region of the Himalayas
Lucas Ochoa and Moss Barclay will produce for the UK
and Julia Oh will oversee development for Film4
Goslett’s screenwriting credits include Litle Ashes with Robert Pattinson
and she co-wrote How To Talk To Girls At Parties with Elle Fanning and Nicole Kidman
“This is a very contemporary story by virtue of its unapologetically modern-minded characters,” Pulse Films said
“We are thrilled to be working with Philippa and Film4 on such an inspiring story that captures the timeless spirit of adventure and celebrates these extraordinary women and the astonishing power of their collected endeavour.”
Showtime recently acquired North American TV rights to Pulse Films’ Chelsea Manning documentary XY Chelsea
Pulse recently announced its push into scripted TV led by Ochoa with Gangs Of London for Sky Atlantic
Cinemax and HBO that Gareth Evans will direct
and Atomic Bazaar to be directed by Gregory Burke
EXCLUSIVE: Christopher Smith returns as director of ‘The Creep’
Head of IFC Entertainment Group Scott Shooman presides over Independent Film Company
EXCLUSIVE: Scotland-set con artist comedy The Perfect Family stars Audrey Fleurot
EXCLUSIVE: The modern love story is the second film by the rising German director
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with an extra eight minutes of new and extended scenes
Director Garth Davis says it will be a more expansive and meditative version that will be "a treat" for fans
It will be launched with a round of Q&A screenings early next month
"Now that we know that the film has been so loved
some die-hard fans may want to go back and spend that extra eight minutes exploring different worlds," Davis says
the drama about Saroo Brierley tracking down his birth mother in India using Google Earth
has become a striking success in Australian cinemas
Actors Dev Patel and Rooney Mara have impressed audiences worldwide with Lion
it has become the fifth biggest local film at the box office – behind only Crocodile Dundee
It was also nominated for six Academy Awards including best picture and supporting actor nominations for Dev Patel and Nicole Kidman
who is editing new film Mary Magdalene in Melbourne
says the decision to release an extended version came from the "love in the room" for Lion
"We see it as a bit of a treat for the fans," he says
"It's a slightly different experience
It may go into a little bit more depth in areas and it has a slightly different rhythm
There's a little bit more on [Saroo's] relationship with Lucy and a little bit more on the Indian back story as well."
Describing the response to his first film as "totally insane"
Davis says a producer's warning that he could expect "Beatlemania" when he returned to Australia from the Oscars has proven accurate
which has become the fifth biggest local film at the Australian box office.Credit: Mark Rogers
He has been overwhelmed by the response of people he knows
including multiple requests from his children's school friends to interview him
"It's just grabbing everybody," he says
"Everyone's seen it at least twice
I've done four charity screenings in the last month alone
which is being released with an extra eight minutes of footage.Credit: Mark Rogers
"It's a film that people are touched by and they want to use it as a way to segue into charity work conversations about how we can all live together in better ways."
Lion has taken $US114 million ($150 million) at the worldwide box office including $US48 million in North America
Davis believes its success in this country is largely down to the strength of the characters and their determination to never give up
"There's a lot of hope in the film
The film does traverse some tough material but through these everyday people
we witness the miracles that they create."
Lion's Rooney Mara also stars in Mary Magdalene
very human" versions of the two characters
it's immersive and captivating," he says
"I just can't wait to get into the office every day and delve into that world."
Director Garth Davis says it will be a more expansive and meditative version that will be \\\"a treat\\\" for fans
\\\"Now that we know that the film has been so loved
some die-hard fans may want to go back and spend that extra eight minutes exploring different worlds,\\\" Davis says
it has become the fifth biggest local film at the box office \\u2013 behind only Crocodile Dundee
says the decision to release an extended version came from the \\\"love in the room\\\" for Lion
\\\"We see it as a bit of a treat for the fans,\\\" he says
There's a little bit more on [Saroo's] relationship with Lucy and a little bit more on the Indian back story as well.\\\"
Describing the response to his first film as \\\"totally insane\\\"
Davis says a producer's warning that he could expect \\\"Beatlemania\\\" when he returned to Australia from the Oscars has proven accurate
including multiple requests from his children's school friends to interview him
\\\"It's just grabbing everybody,\\\" he says
I've done four charity screenings in the last month alone
\\\"It's a film that people are touched by and they want to use it as a way to segue into charity work conversations about how we can all live together in better ways.\\\"
we witness the miracles that they create.\\\"
Lion's Rooney Mara also stars in Mary Magdalene
very human\\\" versions of the two characters
it's immersive and captivating,\\\" he says
\\\"I just can't wait to get into the office every day and delve into that world.\\\"
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By Andreas Wiseman2016-02-02T14:33:00+00:00
EXCLUSIVE: Oscar-nominated Carol star Rooney Mara is in talks to play Mary Magdalene in The King’s Speech producer See-Saw’s anticipated project
Universal Pictures International Productions is partnering with See-Saw Films on the biopic of the enigmatic spiritual figure who was a devoted follower of Jesus Christ
Garth Davis will direct the film written by Helen Edmundson and Philippa Goslett
Production is due to begin this summer on the project which is looking like a typically blue-ribbon affair from The King’s Speech and Top of The Lake team See-Saw
See-Saw’s Iain Canning and Emile Sherman will produce
Davis and See-Saw recently teamed on upcoming feature Lion
as well as on hit TV series Top Of The Lake
The film will be overseen at Universal by UPIP managing director of Peter Kujawski and recently appointed co-managing director Robert Walak
Universal will release the film in all international territories except Australia and New Zealand where it will be handled by See-Saw’s long time partners Transmission Films
Director Davis said of Mara: “Rooney’s raw
coupled with her deeply magnetic inner life
holds all the dimensions needed to bring to life one of history’s most misunderstood women - Mary Magdalene
I know she is a once in a life time talent.”
The production is pursuing Mara at a time when her star couldn’t be higher
having just received an Oscar nomination for her performance in Todd Haynes’ Carol
Magdalene has been portrayed a number of times on screen
Barbara Hershey played her in Martin Scorsese’s The Last Temptation Of Christ and Monica Bellucci played her in Mel Gibson’s Passion Of The Christ
Over time Mary Magdalene developed a reputation as being a repentant prostitute
although none of the four Gospels support that description
Production is set to commence in Los Angeles in October
Marshall made a string of hits in the eighties and nineties
Screen speaks to up-and-coming producers from Serbia
View press coverage of the MFA in Film and TV Writing program HERE
Read more on the film on Deadline
To read her profile, check out Bold Journey
For more information on LILLY, read about the premiere on the Hamptons Film Fest Guide
For more on VIVA VERDI!, check out the Woodstock Film Festivals page
To learn more about the project, read more on Variety
To learn more about this film visit their social media @mulata.film.pr.
Watch the Trailer.
Killer Films had a huge night at the 2024 Film Independent Spirit Awards on February 25
where the producers of Past Lives won the coveted Best Feature
Samy Burch also won Best First Screenplay for May December
Both films tied each other for most nominations at the ceremony
Read more on Stony Brook News.
Read more on Stony Brook News.
Check-out Grant’s Caterkillar Indiegogo Campaign
uate MFAs and Undergraduate Minors in Film or TV Writing, please contact us at MFAManhattan@stonybrook.edu
Two films produced by MFA in Film faculty Shrihari Sathe — Stay Awake and The Cow Who Sang a Song Into the Future — are opening theatrically on May 19
Stay Awake stars Wyatt Oleff (IT, City on Fire), Fin Argus (Queer as Folk) and Chrissy Metz (This is Us). More information can be found at stayawakethefilm.com.
Follow the film on Instagram
SAVAGELAND_TRAILER from Campbell Dalglish on Vimeo
Read the complete press release
Read more about the Dust Bowl Faeries and the video at Rock and Roll Globe
Read the full story in SBU News
topped a field of more than 8,000 script submissions from over 97 countries
Learn more about the Page Awards at the contest website
Big Congratulations to third year student John H
We couldn't be more excited to have one of our own featured
has won Best Student Script at the 2020 Los Angeles Film & Script Festival
Congrats on racking up so many nominations Chris