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WHAT TO LOOK FOR WHEN BUILDING A MINERAL COLLECTION
Prized by science lovers and aesthetes alike
fine minerals continue to grow in popularity among collectors across the globe
is the pursuit of all things beautiful and awe-inspiring,” says Tama Higuchi
Fine Minerals Department Coordinator at Heritage Auctions
“Minerals are the perfect blend of artistic aesthetics and incredible feats of chemistry and science
and that is what leads people to become obsessed with the hobby.”
These naturally formed crystalline structures – including highly sought-after species such as tourmaline
amethyst and topaz – are nature’s sculptures
and they can be found in an infinite number of colors
there are many factors to consider when choosing a specimen to add to your collection
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A mineral’s color comes from the trace elements in its chemical makeup
gets its red hue from its manganese content
while azurite and malachite get their green and blue colors from an elevated content of copper
“The standards for color vary depending on the species
the more valuable a mineral is,” Higuchi says
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While beauty does lie in the eye of the beholder
there are certain characteristics generally believed to make a specimen more attractive
but the aesthetics of a specimen involve how the specimen presents
how the crystals are oriented on the matrix (or host rock) and how ‘sculptural’ the specimen is,” Higuchi says
nice large crystals on matrix are the standard for aesthetics.”
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“Many collectors refuse to purchase specimens that have even small chips on their crystals,” Higuchi says
So before you add a specimen to your collection
look closely at the provided photos and descriptions
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which refers to a mineral’s light-reflective qualities
but both contribute to a specimen’s desirability
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Locality is the place where a mineral specimen was excavated
and it can often affect the desirability of a specimen
“Some localities are famous for the minerals that come from there
making those specimens more valuable,” Higuchi says
“or they are so obscure that specimens from that locality are scarce and highly sought-after.” Usually
the locality of most vanadinites on the market is Mibladen Mining District in Morocco
while many amazonite specimens come from Crystal Peak in Colorado
a specimen will be found in an uncommon locality
which will increase its value in the eyes of some collectors
you’ll see an amazonite that comes from another location
“And because that specimen is much more rare
some collectors might consider it more valuable than an equivalent amazonite from a more common locality.”
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Keeping accurate documentation is a vital part of mineral collecting
The labels associated with a specimen document its source
history and previous ownership – and also contribute to its value
very important to create a label for each specimen and to also keep the labels that came before it,” Higuchi says
and those stay with the specimens as they carry on to different owners.”
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Just because a specimen is large doesn’t mean it’s more valuable
many collectors specifically seek out small but high-quality specimens
“We call this thumbnail connoisseurship,” Higuchi says
“Thumbnails are any mineral that can fit in a 1-inch cube or 2.54 centimeters
These days a lot of younger collectors are gravitating toward these smaller sizes
these collectors are exchanging size for exceptional aesthetics.”
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it’s very easy to take care of minerals,” Higuchi says
you do have to be careful about UV rays and heat.” Most minerals won’t be affected by light
but light-sensitive species such as blue or pink topaz can fade to white if left in sunlight
“Even more minerals can actually degrade in sunlight,” Higuchi adds
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so if you focus on purchasing specimens that bring you joy
as opposed to those you think might be good investments
It’s also important to remember that mineral collectors are mere curators of these geologic wonders
the mineral specimens continue to display their beauty and will for years to come,” Higuchi says
“It is our duty to preserve these natural works of art and to ensure they continue to be appreciated.”
RHONDA REINHART is editor of Intelligent Collector