In his first major photographic exhibition
Thomas Golisano College of Computing and Information Sciences
presents a compelling reflection on how both the past and present shape our understanding of identity
Through evocative images of the Polish landscapes his ancestors left over 130 years ago
Tomaszewski invites viewers to explore themes of migration and memory
millions were forced to leave Poland due to political and cultural oppression
With the support of a prestigious Fulbright scholarship
Tomaszewski spent nine months (2023–2024) in Poland applying spatial data science to understand the ongoing forced migration of Ukrainian refugees into Poland after the full-scale invasion of Ukraine by Russia in 2022
This experience led him to reimagine his own ancestral history of displacement
tracing the paths his relatives once walked
through the landscapes described in 19th-century historical documents
but this exhibit captures the echoes of the past through the places they left behind
This exhibit is a blend of historical geography and personal reflection
It examines how the past continues to shape the present and explores the lives of those who stayed behind after Tomaszewski's ancestors departed
It also serves as a poignant reminder of how issues of migration and displacement—whether 130 years ago or today—remain strikingly relevant
in Geography from Penn State University and has been a faculty member at RIT for 16 years
He has published over 60 peer-reviewed papers and is the author of Geographic Information Systems (GIS) for Disaster Management published by Routledge press and adopted globally
recognized with over $5,000,000 in funding from sources such as the U.S
includes collaborations with prestigious United Nations organizations
A talented 5-string banjo and guitar player
he regularly performs across Upstate New York
crafting intricate multi-cultural solo performances that recreate the sound of a full band
His photography seeks to capture the unique beauty of the natural world and tell powerful stories of people
Another edition of the Polish Billiards Championships has become history
this time brought a lot of emotions to fans of this sport
The competition ended with a 9-ball tournament won by Mieszko Fortuński
Mieszko Fortuński eliminated Tomasz Kapłan
and then in the game for the final he had to face Wojciech Szewczyk
The Fortuński defeated Szewczyk 9:7 in the semifinals
On the other side of the bracket were Daniel Macioł and Mateusz Śniegocki
This match for entering the final ended with the victory 9:4
The final 9-ball competition was the highlight of the entire tournament
He sealed his victory over Macioł 9:6 in great style
with an almost artistic finish of a very difficult arrangement in the last set
Izabella Jońska won the semi-finals of the 9-ball variety
The bronze medalist in 8-ball defeated Katarzyna Wesołowska 6:4 in the match to advance to the medal zone
In order to get to the final battle for the gold medal
And so it happened – Jońska won 6:5 and reported to the final
where Oliwia Zalewska was already waiting for her
Jońska lost the game for the gold in 9-ball 2:6 and finished the tournament with silver
The MVP of the Polish Billiard Championships – Kielce 2024 was Konrad Juszczyszyn (Baribal Lubin)
a TOYOTA C-HR HSD – GR SPORT passenger car
which the best player will use for the next 12 months
Juszczyszyn will receive a nomination for the 2025 European Championships and funding for starts in two Euro-Tour tournaments
The total value of the prizes is PLN 55,000
The Polish Championships also decided the competition within the Polish Ranking
the prize for winning the Polish Ranking went to Oliwia Zalewska
The medal classification was won by Nosan Kielce
Polish Billiard Championship Medals – Kielce 2024:
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In 2013-2014 I worked on a series in which I photographed 58 individuals for the series
Androgyny. Androgyny explored the power and complexity of gender identity through photographic portraits
and a large-scale installation of a non-functioning public restroom where one can hear the audio interviews
The work challenged social constructions of gender and celebrated gender expression and fluidity.
there has been an immense shift in the conversation surrounding gender
including heartening progress and troubling setbacks as gender identity continues to be a politically charged and contested space
I wanted to reconnect with my participants and both interview and photograph them again
It has been a delight to catch-up with folks and hear about each person's ever-emerging identities
The consensus thus far among participants is there has been progress but there is still a long road ahead of us and visibility and representation are critical. of what might yet (have) be(en)* seeks to stake a claim for difference while at the same time claiming belonging
*The title of what might yet (have) be(en) is a sentence fragment pulled from Karen Barad’s Transmaterialities: Trans*/Matter/Realities and Queer Political Imaginings.
Historic wooden Church Tarnowo Pałuckie Poland
Apartment Building Wągrowiec Powiat Wielkopolska Poland
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