Jun 3, 2024 | Culture, History
Poland was once home to more than a thousand shtetls – the name given to small towns with a majority Jewish population
But the folk paintings of Mayer Kirshenblatt – based on his childhood memories – give a unique insight into the life of Polish Jews before the Second World War
When Mayer Kirshenblatt was a boy living in Opatów (known as Apt in Yiddish) in the 1920s
there was always a pot of soup on the kitchen stove
It would sit on one of the back rings and simmer on a low heat all day
his mother would toss ingredients into the pot – a carrot
to preserve the flavour that remained inside
She was able to make a meal for the whole family from almost nothing,” Kirshenblatt recalled
Kirshenblatt painted the family kitchen with the soup pot on the stove
It was the first of around 300 paintings depicting Jewish life in Opatów and capturing in vivid detail the world of the shtetl lost to the Holocaust
Portrait of klezmer musicians in photographic studio
Seventy of these acrylic paintings are the subject of a new exhibition titled “(post)JEWISH… Shtetl Opatów Through the Eyes of Mayer Kirshenblatt” at Warsaw’s POLIN Museum of the History of Polish Jews
Kirshenblatt painted from memory: the synagogue
men washing in the mikvah ritual bathhouse
school scenes including a pupil being flogged by a teacher
One painting depicts a visibly pregnant bride at her wedding
and another features the town’s two prostitutes
Opatów is now located in southeastern Poland
it was one of over a thousand shtetls – small towns in which the majority of residents were Jewish – in what are now Poland
In Poland, shtetls emerged in the late 16th and early 17th centuries, on the eastern fringes of the Polish-Lithuanian Commonwealth
Magnate families established private towns and invited Jews to boost trade and crafts
as well as permission to build a synagogue and open a mikvah
crucial for a functioning Jewish community
there were no more than a thousand Jews living in Poland
Jews in the shtetls made their living from trade and crafts: shoemaking
carpentry and sometimes small-scale manufacturing
The life of a shtetl’s Jewish community was run by the kahal
which organised religious life and charity
supplied kosher meat and distributed tax money
the mikvahs and the schools for poor Jewish children
Donations for the needy were collected from everyone to help the beggars and the sick
weddings and funerals were experienced by the whole community
Newcomers had to obtain permission from the kahal to settle
Failure to follow the rules resulted in being banned from the synagogue
flogging or even expulsion from the community
its population of about 9,600 included more than 5,200 Jews
A trove of valuables believed to have been buried during WWII, most likely by Jews, has been discovered during construction work in the city of Łódź https://t.co/n9eoAlcPgZ
— Notes from Poland 🇵🇱 (@notesfrompoland) June 6, 2023
a local historian and the author of a book about the history of Jews in Opatów
The central market square was a melting pot where Jewish merchants
Christian farmers and local Poles mingled.”
He adds that the Jewish community was economically diverse
Its small but influential class of wealthy residents included the Mandelbaum family
whose soap factory and oil mill were cornerstones of the local economy
“Most lived more modest lives,” continues Żychowski
“Living conditions were undoubtedly cramped
with as many as three or four people sharing a single room.”
What sets Opatów apart today is its visual chronicler
His father owned a leather business and was also a shoemaker
the theft of a shipment of hides plunged the family into poverty
leading to their emigration in 1934 to Canada
Kirshenblatt attended the Jewish cheder and later a Polish school
though he often skipped classes and had to repeat a year
earning him the nickname Crazy Mayer from the townsfolk
Yet Kirshenblatt ’s memories of Opatów might have remained locked in his mind if not for his daughter Barbara Kirshenblatt-Gimblett
folklorist and professor emeritus at New York University
who is also the chief curator of the permanent exhibition at POLIN
I recorded these conversations for almost 40 years,” she recounts
The interviews continued almost until his death in 2009
Barbara Kirshenblatt-Gimblett with her father
she convinced him to paint his recollections when he retired from running his own paint and wallpaper store
One painting is a self-portrait showing him returning home holding a single herring his mother had sent him to buy for the family dinner
The fishmonger wrapped it in a narrow strip of newspaper
A male herring was preferred because his mother would remove the semen sac and mix it with chopped onions
Kirshenblatt-Gimblett emphasises that her father’s paintings are unique for one fundamental reason
meaning he was not directly affected by the trauma of the Holocaust,” she explains
“His memories of Poland were not filtered through the experience of that trauma
Ryszard Ores was the only one in his family to survive the Holocaust
Yet despite his experiences in the ghettos and camps of German-occupied Poland
A new exhibition tells his story: https://t.co/eWnCBLnm5S pic.twitter.com/CyFij8dkiB
— Notes from Poland 🇵🇱 (@notesfrompoland) September 13, 2021
Kirshenblatt recalled that men used it on Fridays and women on Thursdays
as only the ritual cleansing allowed them to resume sexual relations
the building survived the war and now houses the Opatówek fudge factory
To understand how the building had changed inside
the exhibition curators scanned the interior with a laser
we discovered where exactly the pool was located,” says Dr
“It turned out that today this is where the ladies wrap fudge by hand.”
A new album of Polish-Jewish 1930s tango celebrates the rich and diverse interwar music scene in Poland and can act "as a bridge for Israelis and Poles to share our common heritage and history" https://t.co/zeguaLx55c
— Notes from Poland 🇵🇱 (@notesfrompoland) March 10, 2020
The town was an important centre of Polish Hasidism – a prominent figure in the movement
the German occupiers established a ghetto in Opatów
and from 20-22 October 1942 approximately 6,500 Jews were deported from the town to Treblinka death camp
Around 300 Jews from Opatów survived the Holocaust; however
there are almost no remaining physical traces of the shtetl
Only the buildings of the former cheder and mikvah have survived
Photo credit: Iwo Ksiazek (collection of J
The 17th-century synagogue is now a pile of rubble, though it survived the war. The Jewish cemetery was turned into a park after the war
Recently, a small lapidarium with matzevot tombstones found nearby has been created in the park
“On the building that once housed the Jewish school is a Jewish star etched into its façade
It is a rare sight in Poland today,” notes Żychowski
Another building has an indentation that once held a mezuzah parchment inscribed with Hebrew verses from the Torah
In a blend of preservation and art installation
the exhibition curators purchased timber beams from a half-destroyed former Polish-Jewish school in the town
these beams were used to create the exhibition’s scenography
A new collection of photographs captures the changing face of Kazimierz, Kraków's former Jewish quarter, over the decades, from its postwar decline to a recent revival https://t.co/jvvbHaWawp
— Notes from Poland 🇵🇱 (@notesfrompoland) February 15, 2022
The display cases made from this wood contain artifacts once owned by Opatów residents
including unique wooden menorahs from the war (likely made after silverware was looted)
and fragments of candelabras from the synagogue
which feature in one of Kirshenblatt’s paintings
The exhibition also includes pre-war photos of the Jewish Street (ulica Żydowska) and pictures of local people
Kirshenblatt’s collection is now permanently held by POLIN
which plans to display it in a mobile exhibition touring some of today’s former shtetls
“(post)JEWISH… Shtetl Opatów Through the Eyes of Mayer Kirshenblatt” is open at the POLIN Museum of the History of Polish Jews until 16 December 2024
Main image credit: POLIN Museum Collection
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the shovel was officially dug in for the construction of the Opatów bypass
was awarded in 2021 to ACCIONA - in consortium with its Polish subsidiary Mostostal Warszawa - by Poland’s General Directorate for National Roads and Highways
wich will run through the communes of Opatów
improve the quality of life of the residents as well as the safety and comfort of travellers
The bypass will be an important section of the planned S74 expressway
Świętokrzyskie and Podkarpackie voivodships
This is another task that Mostostal Warszawa is carrying out in this region
The symbolic groundbreaking ceremony was attended by
Rafał Weber - Secretary of State in the Ministry of Infrastructure and Krzysztof Strzelczyk - Director of the General Directorate for National Roads and Motorways in Kielce
as well as parliamentarians from the region and representatives of the local government
The Opatow ring road will include two sections
The company will build two new interchanges
as well as various engineering structures (overpasses
The bypass is expected to be opened to traffic during 2026
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using his keen eye for detail and astonishing visual recollection
artist Mayer Kirshenblatt succeeded in preserving visions of life in these villages in his work
Stuart Dowell
6 min readWhen Mayer Kirshenblatt was a boy in Opatów in the 1920s his mother would send him to buy a single herring for the family dinner
which the fishmonger would wrap in just a narrow strip of newspaper
his mother would remove the bag of semen from the fish and scoop it out adding chopped onions
and sugar to make a tangy dipping sauce for bread
My mother was an excellent cook since she was able to make a meal for the whole family from one herring
It had to feed four or five people,” he said
Mayer would paint himself returning from the fishmonger
just one of around 300 other paintings that poured from his brush of Jewish life in Opatów
This body of work now forms a unique collection of work that recreates in astonishing detail that world of the shtetl that was lost for ever in the Holocaust
Mayer painted what he remembered: the synagogue
scenes from school including a pupil being flogged by a teacher
he shows a wedding at which the bride is visibly pregnant
In another we see the town’s two prostitutes Jaźdka and Świderka
(post)JEWISH… Shtetl Opatów Through the Eyes of Mayer Kirshenblatt
at Warsaw’s POLIN Museum of the History of Polish Jews
Up until the Second World War it was just one of more than 1,000 shtetls in today’s Poland
and Belarus where Jews made up the majority of the population
shtetls began to emerge in the late 16th and early 17th centuries on the eastern fringes of the Polish-Lithuanian Commonwealth
Magnate families created private towns within their domains and invited Jews in the hope that they would boost trade and crafts
The Jews were granted a site for a cemetery
the right to build a synagogue and open a mikvah
elements essential for a Jewish religious community to function
A large map at the exhibition shows a huge cloud of black dots representing the location of each shtetl
Opatów was just one of them and differed little to all the others
Only around 300 Opatów Jews survived the Holocaust
What made Opatów different was that it had its own visual chronicler in Mayer Kirshenblatt
his father was the owner of a leather business as well as a shoemaker
a shipment of hides for his workshop was stolen
and ultimately to their departure in 1934 to Canada
Mayer attended cheder and later a Polish school
he would skip classes and even had to repeat a year
His real passion was observing the life of the town
His unusual inquisitiveness gained him the nickname Crazy Mayer among the townsfolk
“I would spend hours observing the blacksmith and the tinsmith
when all the peasants came to town,” he said
His gift for memory may have remained locked in his mind if it were not for his daughter
and the chief curator of the permanent exhibition at POLIN
I recorded these conversations for almost 40 years,” she recounted
The recordings continued almost until his death in 2009
When he retired from running his own paint and wallpaper store
she convinced him to paint what he remembered
and he did not stop painting for the remaining 20 years of his life
“There was always a pot of soup on the stove,” he recalled
which would percolate on a slow flame all day
to preserve the little bit of flavour that remained on the bottom and on the sides”
Professor Kiershenblatt-Gimblett says that her father’s paintings are special for one basic reason: “He left in 1934
meaning he was not directly affected by the trauma of the Holocaust
“He lived in a time before helicopter parents so he would wander and explore every nook and cranny
One of his paintings features the ritual bathhouse
Mayer recalled that men used it on Fridays
because only the ritual cleansing allowed them to have sex again
and it is used today as a factory for “Opatówek” fudge
The curators of the exhibition wanted to know how the building had changed inside
we discovered where exactly the pool was located
It turned out that today this is where the ladies wrap fudge by hand,” said Dr
Jews made up about 60 per cent of the population and the town was an important centre of Polish Hasidism
approximately 6,500 Jews were sent to Treblinka and murdered
there is no shtetl anymore and almost no material remains of it
The 17th-century synagogue is now just a pile of rubble
The Jewish cemetery was turned into a park after the war
a small lapidarium with matzevot found in the area has been created in the park
Only the building of the cheder and the mikvah have survived
In an act that combines salvage and art installation
the exhibition curators purchased timber beams from a former Polish-Jewish school in the town that was already half destroyed
Back in Warsaw it was used to create the exhibition’s scenography
Its use is symbolic as the buildings of the old shtetls were made mainly from wood
impermanent buildings of which fewer and fewer traces remain
Housed in display cases made from the wood are thought-provoking artefacts borrowed from people from the town
including unique wooden menorahs from the war
which actually feature in one of Mayer’s paintings
The exhibition includes photos of pre-war Zydowska Street
Mayer’s collection is now held permanently by the POLIN museum
and it plans to display them in a mobile exhibition that will tour some of today’s former shtetls
(post)JEWISH… Shtetl Opatów Through the Eyes of Mayer Kirshenblatt is open at the POLIN Museum of the History of Polish Jews until December 16
Jewish artists
Courtesy of Barbara Kirshenblatt-Gimblett
Two photos of young performers of a Purim shpiel (Purim play) in the shtetl of Apt (Opatow) appeared on Facebook this week
The actors look to be between 10 and 15 years old
The images were posted by Yiddish folklore scholar Barbara Kirshenblatt-Gimblett
She found them in her private collection but has no information about it
The Purim shpiel is a skit or monologue about the Book of Esther that’s performed at the festive Purim family meal. As described in this entry from YIVO’s website
the custom began in the fifteenth century or earlier and was usually performed in Yiddish
The skit was often based on the biblical Scroll (Megillah) of Esther
prevented the massacre of the Jews ordered by Haman
The fact that this custom has been around for at least 500 years is testimony to its central role in Jewish culture
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Having recently returned from a trip to the Polish town of my mother’s childhood
I was eager to see Mayer Kirshenblatt’s paintings of Jewish life in prewar Poland on exhibit at the Jewish Museum in New York
I immediately recognized buildings and landscapes I had seen on the trip—the small
multi-tiered synagogues—but the exhibition instantly filled me with joy because Mayer Kirshenblatt’s paintings put the people back in a panoramic view of life before the Holocaust
Kirshenblatt’s art captures the energy and diversity of life as it was lived in prewar Apt (Opatów in Polish)
the paintings are rich in ethnographic detail and show every area of activity
some with the artist as a blue-clad schoolboy looking on
is becoming internationally known; his work was recently exhibited at the Galician Jewish Museum in Kraków
which includes 200 full color reproductions
Mayer Kirshenblatt collaborated with his daughter
a scholar of Eastern European Jewish culture and folklore
on a captivating text recording his almost encyclopedic range of memories of the town up to 1934
who co-authored Image Before My Eyes: A Photographic History of Jewish Life in Poland with Lucjan Dobroszychi
a book based on the photographic collection of the YIVO Institute for Jewish Research
comments on her father’s art: “Until Mayer’s paintings
all my images of Jewish life in Poland were black and white because all of them were from photographs,” she writes
was now emerging in vibrant color.” Kirshenblatt’s extraordinary visual memory
and love can revivify this world for us all
Fetterman is the literary editor of Reform Judaism magazine
Fetterman was the literary editor of Reform Judaism magazine
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Krakow Wedding (1994) Image by Mayer Kirshenblatt
Sometimes the story of a single work of art — in this case a painting by the extraordinary self-taught Jewish artist Mayer Kirshenblatt (1916-2009) — is much more than the sum of its parts
The painting, The Wedding (1992), reflects a long and meaningful friendship between the klezmer music performer and scholar Henry Sapoznik and the folklorist and museums expert (and Mayer Kirshenblatt’s daughter), Barbara Kirshenblatt-Gimblett — both important figures in the world of Yiddish culture
complete with joyful guests and a klezmer band
in the Polish shtetl where Kirshenblatt was born and raised before World War II — Apt (known in Polish as Opatów)
By the time Kirshenblatt depicted this scene
which he recorded in over 300 paintings and drawings
The Wedding embodies key aspects of Kirshenblatt’s life and art
including the importance of memory and the possibility of self-renewal regardless of age
The latest chapter in the painting’s history also demonstrates the power of friendship
and projects a hopeful future for appreciation of Jewish culture in Poland
Mayer Kirshenblatt was born in Apt at the height of World War I
He attended both cheder and Polish public school
“his real school was the town.” He was an observant child with an exceptional visual memory
fascinated by every aspect of Apt’s bustling Jewish and non-Jewish life: the home
It wasn’t until much later that he started creating his art
but his child’s mind stored up a treasure trove of visual materials
Young Mayer was an outsized personality in his own right
His fellow Apters gave him the nickname “Tamez,” meaning “July.” In his own words: “July was the hottest month of the year
and I was an excitable kid.” He was attuned to human dramas big and small
and could later recall people and incidents in astonishing detail
Not only did he become a painter; he turned into a wonderful raconteur
telling his daughter Barbara stories about life in his hometown that ranged from the comic to the dramatic to the downright odd
Apt was a colorful place, both literally and figuratively, and the impressions it made on an unusual boy resulted in a unique book combining paintings with stories. The book, They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust, was co-authored by father and daughter
No similar record exists for any other pre-Holocaust Jewish community in Europe
But becoming an artist was not natural or easy for Mayer
He was 17 when he left Poland for Toronto in 1934
(His father had already gone to Canada six years earlier)
After stints sewing in a sweatshop and painting houses
as Barbara Kirshenblatt’s professional interest in Jewish folklore developed
she began to sense that her own father was a rich repository of knowledge about Jewish life in Europe and recorded a series of interviews with him
his family realized that he had a remarkable capacity to recall visual details from his childhood
urged him over many years to draw and paint what he remembered
in 1989 — at age 73 — he created his first drawing
his style seems naive but it’s actually very sophisticated
with a strong sense of narrative and careful use of vibrant colors to structure each scene
The life these paintings (re)create is both deeply subjective and entirely believable: They are valuable not just as a record of a lost world
but also as one man’s experience of that world — lived as a child and recalled through an adult lens
It’s no wonder that Mayer’s paintings were featured in solo exhibitions at prestigious museums including the Jewish Museum in New York, the Jewish Historical Museum in Amsterdam and the Judah L. Magnes Museum — today the Magnes Collection of Jewish Art and Life — at the University of California
When Mayer returned to Apt in 2007, he was treated as a celebrity: The town put up posters announcing his lecture at the local museum and even gave him a standing ovation. In 2008, Apt hosted an exhibition of his paintings complete with a ribbon-cutting ceremony by county officials. And in 2024, his artwork will be on display in the POLIN Museum of the History of Polish Jews in Warsaw
were enthusiastic KlezKamp participants from its earliest days
The Wedding prominently features klezmer musicians
and was the perfect item to sell for KlezKamp’s benefit
To his astonishment, Sapoznik won the raffle. His connection to all the Kirshenblatts was deep and warm, but his friendship with Barbara was particularly key: She had been one of the first and strongest supporters for ventures such as his groundbreaking Smithsonian Folkways recording of historic klezmer performances in New York City
Both became major scholars in their fields
who recently received a lifetime achievement award from the Association for Recorded Sound Collections (ARSC)
has two forthcoming books: A Tourist’s Guide to Lost Yiddish New York and Hear
O Israel: A Century of Yiddish-American Broadcasting
Lauder chief curator of the Core Exhibition at the POLIN Museum of the History of Polish Jews
She carefully kept her father’s collection of paintings intact over the years
and convinced her family to give all of them to the POLIN Museum
When she recently asked Sapoznik for a photograph of the painting in his possession
in order to complete the list of Mayer’s works
Henry offered to return the painting to her for the POLIN Museum
POLIN Museum visitors have numbered in the multiple millions since the museum’s grand opening in 2014
Seeing Mayer’s paintings in the show planned for next year
Post-JEWISH: Shtetl Opatów through the Eyes of Mayer Kirshenblatt
will fulfill Mayer’s own stated goal: to help future visitors understand how Jews in Poland lived
The Polish General Directorate for National Roads and Highways has awarded ACCIONA
in a consortium with its Polish subsidiary Mostostal Warszawa
the contract to design and construct the Opatow bypass
Warsaw University has awarded Mostostal the contract to construct the new Psychology Faculty in Ochota
has also been awarded the contract to construct a residential building in Łódź for more than €10 million; and the renovation of the Wigencja industrial complex in the same city for cultural and commercial purposes
in a contract worth an additional €10 million
further boost ACCIONA’s position in the Polish infrastructure market
where it has operated for more than 20 years and has become one of the leading players in the sector
The Opatow highway will include two sections
The company will construct two new intersections and a series of engineering structures (overpasses
environmental protection devices (including acoustic panelling)
The Opatow bypass will pass through the town of Opatow and the villages of Lipnik and Sadowie
while improving residents’ quality of life and the safety and convenience of road users
Mostostal Warszawa is also working on construction of another bypass
The Psychology Faculty will have a building with more than 26,000 m² spread over eight storeys (six above ground and two below ground)
as well as more than 30 teaching classrooms and an auditorium with a capacity for around 400 people
This new building will be notable for its sustainability
as ACCIONA will implement energy recovery systems and energy-saving installations during its construction
the new faculty building will meet the requirements to obtain the prestigious BREEAM certification
ACCIONA expects to complete the works in early 2024
was awarded the contract to construct a 10.3 km section of the S19 expressway between the Rzeszów Południe junction and Babica
The S19 will be one of the most technologically-advanced infrastructures in the country thanks to the use of a tunnel boring machine with a diameter of more than 15 metres that will construct a dual underground tunnel spanning more than 2 km at a maximum depth of 70 metres
ACCIONA’s Polish subsidiary has signed a contract to design and construct the 12 km highway between Zaluski and Modlin airport (close to Warsaw)
Other major works being carried out by ACCIONA in the country include construction of the 11.5 km section of highway between Nisko Południe and Podgórze
worth €60 million; the Stalowa Wola bypass (finished in May)
as part of a project worth €44 million; and the design and construction of the Zegrze Pomorskie-Klanino section of the S11 highway
which will connect the central Baltic coastline with the Upper Silesia region in a project spanning 19.28 km and worth €105 million
ACCIONA has been present in Poland since 1999 through its subsidiary Mostostal Warszawa
one of the largest construction firms in the country
in a consortium or through Mostostal– has helped to construct the most important bridges in the country
such as the Siekierkowski Bridge and the Wroclaw Bridge
as well as constructing sections of highway
metro tunnels and residential and commercial buildings
ACCIONA also has three wind farms in Poland with a combined capacity of 101 MW (Golice
The company also has a significant presence in the real estate market and has delivered more than 1,750 homes in Warsaw
The intense scrubbing and cleaning of homes to prepare for Passover was a little different in the shtetl
Mayer Kirshenblatt (1916-2009), who was born and raised in Opatow (Apt), described in delightful detail what pre-Pesach cleaning was like in the town in the 1920s, through his illustrated memoir, “Mayer July: Painted Memories of a Jewish Childhood in Poland before WWII.”
As you’ll read in this excerpt below
he not only writes what his family did to rid the house of khomets (chametz
but also explains what he painted in the illustration to the memoir
Just before Passover, we did our spring cleaning. All the furniture was taken out into the yard, and everything was torn apart. All the books were taken out and aired: we let the wind blow through them. The beds had to be cleaned scrupulously and the straw mattresses emptied. We poured boiling hot water into all the seams and joints in the bedsteads to kill the bedbugs and their eggs. After we got the FLIT
my father would spray everything with FLIT
That helped a lot to keep the bedbugs under control
The mattresses were made by stuffing straw into a rectangular burlap bag that had a slit up the middle
we emptied the mattresses of the old straw
Most of the time we threw the old straw into the cesspool in the back of our house
it would have deteriorated and lost its spring
so most people took their old straw to the bonfire where we burned khumets (chametz) or leaven
We would refill the mattresses with fresh straw that we bought from the farmers
who knew to bring straw to market just before Passover
Spring cleaning included a search for any trace of leaven
the holiday that commemorates the exodus of the Jews from Egypt
The Jews left in such haste that their bread did not have time to rise
as a duster for sweeping the leaven into a cloth
we used to go to an empty place on a back street
A man tended a big fire for just this purpose
You had to pay him a small fee for throwing your khumets (chametz
while another guy threw the khumets into the fire when he wasn’t looking
you can see a man bringing his old bed straw to be burnt and several people paying for their khumets to be burnt
A boy is trying to sneak his khumets into the fire without paying
You can also see the electricity plant for the town and the steam boiler inside it
Samuel Willenberg was 19 years old and living in the town of Opatow when its Jewish inhabitants were sent to Treblinka.21/02/2016Share(AFP) The last survivor of a prisoners' revolt at the Treblinka Nazi death camp has died aged 93
the Yad Vashem Holocaust institute said on Sunday
Samuel Willenberg was 19 years old and living in the town of Opatow when its Jewish inhabitants were sent to Treblinka
Approximately 870,000 Jews were murdered during the 13 months that the camp was in operation
The Jerusalem Post reported that he escaped death by telling his Nazi captors that he was a painter and builder and was assigned to camp maintenance work rather than going straight to the gas chambers like most new arrivals
he joined another 200 inmates who broke into the armoury of the camp's SS detachment
opened fire on their captors and set fire to camp buildings
"Masses of prisoners now tried to storm the fence and escape from the camp; they were fired at from all the watchtowers and most of them were hit
Those who succeeded in getting out of the camp were apprehended and shot," Yad Vashem's website says
"Of the approximately 750 prisoners who had tried to make their escape
Willenberg nevertheless escaped and joined the Polish underground
he fought in the Warsaw Uprising by Polish partisans against the Nazis
surviving yet again to serve in the post-war Polish army and immigrating to Israel in 1950
creating 15 scenes from Treblinka which have been exhibited in Israel
"When you see my sculptures - you see Treblinka," he told researchers in a 2011 interview
In his book "Revolt in Treblinka", he said of the uprising: "We harboured no thoughts of ourselves and our lives. Our only desire was to obliterate the death factory which had become our home."
Willenberg, who died on Friday, is to be buried in central Israel on Monday. His fellow-survivor from the Treblinka revolt, Kalman Taigman, died in Israel in 2012.
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