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a smugglers’ yacht washed up in the Azores and disgorged its contents
The island of São Miguel was quickly flooded with high-grade cocaine – and nearly 20 years on
a parish on the northwestern tip of the Atlantic island São Miguel
drifting aimlessly near the area’s sheer cliffs
None of the villagers had ever seen a boat of this size floating so close to that part of the coast
the tides strong and the rocks razor-sharp
They supposed it was an amateur sailor who had got lost
Read moreAlthough he was under orders to take the yacht to mainland Spain
Big lumps of Atlantic swell had pummelled the boat
damaging the rudder and leaving him floundering
Realising he wouldn’t make it to Spain without stopping
the largest of the cluster of nine volcanic islands that make up the Azores
a bucolic archipelago first colonised by Portugal in the 15th century
they would find tens of millions of pounds worth of uncut cocaine
which he was ferrying from Venezuela for a gang based in Spain’s Balearic Islands
He had to get rid of his freight temporarily
and so he began scouring the coast for a place to hide the drugs
São Miguel’s coastline is pocked with grottos and secluded coves
The sailor navigated the yacht to a cave near Pilar da Bretanha and began offloading the cocaine
which was bound with plastic and rubber in hundreds of packages the size of building bricks
According to the police investigation that followed
he secured the contraband with fishing nets and chains
submerging it beneath the water with an anchor
But as he set sail for the nearest harbour
a small fishing town called Rabo de Peixe about 15 miles to the south-east
skeins of fog drifted over São Miguel’s cliffs
waves pounded the island’s rocky inlets and the netting holding the cocaine unravelled
most of the people on São Miguel have subsisted on farming
most of whom are separated by only one or two acquaintances
Although the island has the mix of intimacy and claustrophobia that marks many small communities
the predictability of life here creates a sense of security that is reinforced by the vast Atlantic Ocean
which barricades Azoreans within a subtropical paradise
“The paradox of the Azores is that you are always wanting to leave when you’re here
and always wanting return when you’re not,” Tiago Melo Bento
The arrival in the summer of 2001 of more than half a metric tonne of extraordinarily pure cocaine turned São Miguel upside down
I visited the island to speak to people who were affected by the influx of the cocaine
or were involved in trying to track down the smuggler
The stories they told of how the drugs changed the island were by turns bizarre
No one expected in early June 2001 that they would still be talking about the effects of the cocaine nearly two decades later
a man from Pilar da Bretanha climbed down a steep path to the small cove where he often fished
flapping in the surf like a beached jellyfish
was a large mound covered in black plastic
the fisherman found scores of the small packages
Leaking from some of them was a substance he thought looked very much like flour
local officers had registered some 270 packages of uncut cocaine
It was only the first of many such discoveries
more than a week after the first batch was found
a man stumbled across 158kg (worth roughly £16m today) in another cove near Pilar da Bretanha
a school teacher named Francisco Negalha alerted the police after finding 15kg on a beach on the other side of the island
“I was scared and hesitant even to approach them,” Negalha told me
“I thought someone may have been watching me and might kill me if they saw me touch them.” In the space of a fortnight
there were 11 registered seizures totalling just under 500kg of cocaine
Not everyone who found packages reported it to authorities
A number of islanders became small-time dealers and began transporting cocaine across the island in milk churns
One such report suggested that two fishermen had seen the man on the yacht dumping some of his cocaine
No one knows how much of the drug they retrieved
but the stories of these two fishermen have become legendary among the drug-users in São Miguel
I heard that one of these men was selling so much of the stuff from his car that his seats were white with powder
The same man had apparently paid a friend 300g of cocaine just to charge his phone
Other Azoreans “were selling beer glasses full of pure cocaine”
an entrepreneur and musician from the south of the island
contained about 150g and cost €20 (£17) – many hundreds of times cheaper than what it would cost in London today
read: “Police fear the mass dealing of cocaine”
View image in fullscreenThe coast near Pilar da Bretanha on the island of São Miguel
locals had seen little cocaine on the island
It was more common to find heroin or hashish
“Cocaine was a drug of the elite,” Jose Lopes
one of the leading inspectors from Portugal’s judicial police
“It was expensive.” There was really only one previous case of trafficking that people remembered with any clarity
an Italian named Marco Morotti was caught in the port of Ponta Delgada
transporting large quantities of cocaine dissolved in petrol containers
But Morotti’s product had been seized by the police before it reached the islanders
two types of cocaine were circulating on São Miguel: one was the sort of fine white powder familiar from film and TV shows
but dissolved the crystals in water and then injected it into their veins
“You were floating.” One recovering drug user from Rabo de Peixe told me that he and a family member consumed more than a kilo in a month
A police officer told me the story of a man nicknamed Joaninha
who had hooked himself up to a drip of cocaine and water and sat in his house getting high for days
A product so valuable in the rest of the world was rendered almost worthless through abundance
but they didn’t know how to work with it,” Ruben Frias
the head of the local fishermen’s association in Rabo de Peixe
There were rumours that housewives were frying mackerel in cocaine
and that old fishermen were pouring it into their coffees like sugar
No one knew how much of the stuff was still out there
In the 24 hours after he had arrived on São Miguel
the man on the yacht had barely ventured out of his cabin
He had pored over maps and made several phone calls to find out how he could fix his boat’s damaged rudder
but he didn’t speak Portuguese and couldn’t afford to draw any more attention to himself than was absolutely necessary
As he lay in his narrow bunk on the night of 7 June
he didn’t know that police officers were already watching him
had been chosen as one of the leaders of the investigation
he was 34 years old and had worked eight years as a policeman
He was very familiar with the local drug trade and had a reputation for his encyclopaedic memory
Lopes also claimed he has a “sixth sense” for solving mysteries
It hadn’t taken Lopes long to figure out that the smuggler’s yacht was floating in the harbour in Rabo de Peixe
He knew that the cocaine had almost certainly arrived by boat
and records of the coming and goings of boats kept by the maritime police
Lopes and his team were able to track down the yacht within a matter of hours
police watched as a Nissan Micra parked up beside the yacht
They later found out that the car had been rented at the airport by a man named Vito Rosario Quinci
Vito Rosario turned out to be the nephew of the smuggler
a Sicilian whose real name was Antonino Quinci
Spanish prosecutors would later claim that Vito Rosario was the link between Quinci and the unnamed Spanish organisation running the cocaine operation
four months before Quinci arrived in the Azores
the leader of the smuggling ring had bought an 11-year-old Sun Kiss 47 yacht for €156,000 in Puerto de Mogán in the Canary Islands
and transferred it to Quinci under an alias
It was later discovered that Quinci’s yacht was only one part of a larger operation
each carrying more than half a tonne of cocaine
were destined for different ports in Spain
(Vito was later found guilty of involvement in this drug smuggling operation and sentenced to 17 years in jail in Spain
the conviction was overturned after an appeal found that the police had used illegal wiretapping to gather evidence
He denied knowledge of the drug-smuggling operation.)
View image in fullscreenPhotos from Antonino Quinci’s various identification documentsVito met his uncle in the cramped living quarters of the yacht
the location where Quinci had attempted to stash the cocaine two days earlier
presumably long enough to establish that the cargo was missing
Then police followed them as they sailed around to the town of Ponta Delgada
Quinci and Vito set up base for the next 12 days
They seemed to do little except make occasional trips on a rubber dinghy
sometimes to places where police could not track them
When sources in port tipped off investigators that the yacht’s rudder would be fixed by 22 June
just under two weeks after the yacht was first spotted
Lopes and his team found Quinci surrounded by maps and piles of documents
including a notebook marking the boat’s journey from Venezuela via Barbados to São Miguel
investigators also found a brick of cocaine weighing 960g and a film canister containing another three grams
“Quinci was easy to deal with,” Lopes said
having lived in the country for a short time before he had become a police officer
He and Quinci were able to converse informally
“Quinci was talkative for someone who had just been detained on a drug charge,” Lopes said
“He seemed worried by the fact that large amounts of cocaine were washing up all over the island.” Quinci even offered to direct officers to the area where he had hidden the cocaine
But in an official interrogation on the following day
and said the bricks the police seized from the boat were things he had chanced upon at sea
as if he were above proceedings,” Catia Bendetti
Quinci’s translator during the interrogation
“He barely said a word.” Perhaps Quinci was scared
He had two young children and a girlfriend who were vulnerable to reprisals
and he had just lost tens of millions of pounds worth of someone else’s cocaine
Or perhaps he thought he could avoid prosecution
was that he had not given up hope of escaping the island
Before Quinci’s cocaine had washed up on shore
Lopes and his colleagues had São Miguel’s drug trade on lockdown
“We knew almost everything that there was to know about the local market,” Lopes said
The flow of drugs was usually small and predictable
they would make such a dent in the drug supply that local prices would skyrocket
But now police faced an unprecedented situation
As well as the 500kg of cocaine they had seized in the previous two weeks
Lopes thought that at least another 200kg were still unaccounted for
the fishing village where Quinci had first moored his boat
and locals told me that it was a place where even other islanders can feel like outsiders
it became a hub for the sale of the missing cocaine
“People from all over the island came here to buy drugs,” Ruben Frias told me
narrow streets lined with pastel-coloured houses snake down to the harbour
where fishermen hunch over dominos in grotty bars
kilos and kilos of cocaine exchanged hands
Later analysis showed that the cocaine was more than 80% pure
far stronger than anything normally found on the street
The drug’s potency made it highly addictive
and many people who started using had little idea what they were dealing with
told me that Quinci’s drug made it into the hands of the islanders at a time when many people here had little experience with cocaine
a medic and coroner at Ponta Delgada’s hospital
told me that in the weeks after Quinci’s arrival an unusually high number of people were coming into the hospital reporting heart attack-like symptoms
“We revived a lot of people from drug-induced comas,” he said
A month after Quinci had arrived on the island
the front page of the Açoriano Oriental opened with the headline “Cocaine kills on São Miguel”
The article reported a spike in the number of overdoses and the death of a young man
Local television networks began broadcasting health warnings to the islanders advising them not to try the cocaine
looks like a brutalist castle and looms over the main road heading out of town
According to a witness cited in court documents
while in jail Quinci was often on the phone
talking in Spanish and trying to secure a scooter or rental car
In exchange for help in escaping the prison
Quinci had offered to draw maps for other inmates that would lead them to the cocaine
Quinci entered a courtyard of the jail for his designated recreation time
His arms were wrapped in ripped bed sheets to protect them from cuts: the yard was surrounded by a long
From one of the white hexagonal guard towers
a correctional officer named Antonio Alonso fired a warning shot from his rifle
Alonso then aimed his sight directly at the fugitive
prisoners had gathered and were cheering Quinci on
Alonso could see civilians walking up and down a promenade on the main road
“I was afraid that I might hurt someone if I fired a shot,” he would later testify
on to a small scooter and into the distance
View image in fullscreenThe prison in Ponta Delgada from which Quinci escaped
Photograph: Stefan Sollfors//AlamyPolice were immediately alerted of the escape and moved to seal off the island
Pictures of Quinci were sent to all ports on São Miguel and the airport in Ponta Delgada
the Açoriano Oriental asked readers to report any sightings of Quinci to the authorities
Rumours circulated that he was sleeping rough in fields
snorting cocaine to stave off his appetite
he ended up in the house of a man named Rui Couto
who lived in a village 26 miles north-east of Ponta Delgada
who is now in his late 40s and has a tattoo on the left side of his shaved head
and wore clothes that were too big for his skinny frame
But he was forced to leave after being busted for drug possession
“They caught me with six joints,” he told me in a thick Massachusetts accent
He came back to São Miguel in his early 20s
but the barbed wire ripped his ankles,” Couto said
and his whole family was in a garden terrace at the back of his house
Couto claims Quinci was brought to the house by an acquaintance of his
He also told me he gave Quinci refuge out kindness and that there was no deal or plan with the Italian
Quinci stayed in a chicken shed at the bottom of a potato field behind Couto’s garden for around two weeks
The pair would often eat together and talk late into the night
Couto told me that although Quinci was in a sorry state
smoking cocaine in cigarette papers without tobacco
Couto said that someone Quinci knew came round to give him a fake passport and money
A relative of Quinci had supposedly bought him a boat in Madeira
another Portuguese island 620 miles to the south-east
and was planning to smuggle him off São Miguel as soon as possible
they were going to pick him up down there,” Couto told me
pointing to a bay some 200 metres from the back of his house
Couto said he had been up late with a friend on the night before the police arrived
he heard people shouting outside the house
Couto opened the door in his underpants and a squadron of armed police burst through the front door
they were working off a tip from a police colleague who believed Couto was hiding cocaine at his house
Lopes and a colleague decided to check the stone shed at the bottom of Couto’s potato field
The inside was covered in hay and smelled strongly of manure
There didn’t seem to be anything of interest inside
“but something told me I needed to search more”
“We didn’t know Quinci was there,” Lopes said
Quinci’s cocaine had profoundly changed life on São Miguel
But that was just the immediate aftermath of his arrival
When I travelled to the island earlier this year
the long-term effects of Quinci’s cocaine were evident
The users who agreed to speak with me said that Quinci’s arrival on São Miguel had changed the island in surprising ways. Several people told me that a number of locals had become rich thanks to the Italian’s cocaine, then started legitimate businesses, such as coffee shops, many of which still exist today.
After he was re-arrested, Quinci was put on trial in Ponta Delgada and given 11 years for drug-trafficking, the use of a false identity and escaping from prison. The decision was appealed and sent to the courts in Lisbon, which reduced the sentence to 10 years. (The other two yachts that were part of the smuggling operation, the Lorena and the Julia, were impounded in July 2001 in Spain by the Spanish police.)
the Caribbean-Azores route is now a mainstay of international drug trafficking
where cargo is usually transferred to fishing vessels or speedboats for shipment to mainland Portugal or Spain
a catamaran sailing under a French flag was impounded near the Azorean island of Faial with 840kg of cocaine on board
After the methadone truck left for its next stop
I took a drive along the island’s northern coast
near where Quinci’s yacht had first been sighted
My journey cut through towns of whitewashed buildings with terracotta roofs
Farmers squelched through the soggy fields while portly Holstein-Friesian cows grazed
as I reached the north-eastern tip of the island
I saw the Atlantic stretching out to the horizon like a sheet of rippled slate
a white sail boat was rocking back and forth in the afternoon swell
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As published in Winnipeg Free Press on Apr 11
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FALL RIVER — They could almost have walked across the wide Atlantic
And they could just as easily have walked across five centuries
so faithful are they to the way it’s always been
granite landscape of New England to the cart paths of São Miguel
living on the bread and milk offered at the farmhouses they passed
Santo Christo church is covered in bright blue scaffolding
and the scaffolding is covered in white fabric
that the restoration of the church is beginning
Across from the church is Nobrega’s Market and Irene’s Fashions
where pure white First Communion suits glow in the windows
A police officer’s shoulder radio crackled
and those who strained their ears heard the words “Ave Maria” blown down from further up the hill as the Romeiros approached
and young faces are as numerous as old faces among the marchers
“I’ve been doing it for nine years,” said Katie Do Couto
was marching with numerous other members of their family
Ryan’s been on the march since he was 7 years old
Pinned to the shawls of these marchers were pictures of Manuel Silva and Mirissa Medeiros
“They’re my cousins,” marcher Alyson Bouchard said of Ryan and Katie
then she pointed to the two memorial cards attached to her shawl
Santo Christo is the halfway point of the Romeiros’ walk through time
several women ladled soup as fast as they could
Rosa Carvalho stirred soup with a huge spoon
It’s a good soup for a walk between centuries
And Now What? by the Icelandic artist-activist Rúrí, at MIEC
made deliberately for the exhibition project
with the ashes and remaining burnt trees from the local forests
The exhibition underlines the restlessness of Rúrí’s art
in particular the climate crisis and the consequent rise in the average sea level
the forest fires and the temperature of local ecosystems
which reveal inequalities in access to drinking water
other natural resources and better living conditions in both human and non-human beings
The title’s questioning stresses the need for us to reflect on new ways of living on the planet
caring and respecting all living and non-living beings
renowned as a pioneer in performance and installation
unfolding as she adds new possibilities to her art and installation world
As German art historian and curator Christian Schoen says in the preface to the artist’s dedicated monograph: «for Rúrí art is language
It allows her to express herself in ways that would be unfeasible through the written or spoken word
The artist addresses important notions for all of us; she raises questions about life and coexistence
about cosmic coherence; she challenges the relativity of objects and phenomena
questioning the system of coordinates with which we structure the environment» [2]
uses her art as political or social agency to voice concerns about her surroundings
Activist artis a term used to describe artistic practices addressing political or social issues
through actions that nurture experiences and challenge power structures
The renowned art professor and researcher Boris Groys
political and practical issue of today’s discussions on activist art is to be at an ambiguous point
Criticism rests mainly on the notions of aestheticisation and spectacle associated with the theses of Walter Benjamin and Guy Debord
who argued that the aestheticisation and spectacularization of politics cancels out the practical goals of activism
But the author concludes the following: «Contemporary activist art being captive to this contradiction is good
because only self-contradictory practices are true
only art points to the possibility of revolution as radical change
beyond our current desires and expectations.»[3] In And Now What?
Rurí displays this desire and possibility for change
photographs of waterfalls that have disappeared due to dam construction in Kárahnjúkar
as well as others affected by hydroelectric development
Water is a commonplace feature in Rúrí’s work
one of the most powerful ways of representing this element that flows across the globe
The serialisation of the photographs underlines the water issue; firstly
by the way the dams are borders between us and the surrounding elements
considering the devastating way in which humanity has extracted the planet’s natural resources and the scarcity of water in many areas of the Earth due to climate change
an ongoing installation composed of five screens with map fragments
They allow us to study the possible future of coastlines
based on calculations of the water mass released during the complete melting of the Antarctic ice sheet
by collecting data in public international databases
This is another warning about the climate crisis and the rise in the average sea level
There runs a similarity with the installation Water Balance IV
where the artist places one hundred and twenty translucent glass jars
This emphasises the importance of the liquid element as the most precious commodity of life
It has instruments and allusive decoration
where we hear the ticking of several clocks in the room
The work was activated by a performance at the opening
where the artist took several pages from a world atlas
turning each one into pieces in an electronic paper shredder
She then placed them in a transparent cellophane bag
with a label containing the same caption as the original book page
the looping video ITEMS (1978-2006) underlines the idea of sequence
showing words on the screen under a skyline
we proceed in a narrow corridor surrounded by transparent cellophane bags with the remains of burnt forest ashes
where there is this description: Steps in the Forest (2022) – Step Twenty – Santo Tirso 2023
Footsteps that lead us to Forest (2022-23)
a kind of carpet in the corridor of the old monastery
pine cones and parts of burnt trees from nearby forests
Santa Cristina do Couto and São Miguel do Couto
These are the remnants of beings that once had life
evoking the blight of the frequent fires in our country and in other parts of the world
There are also quotes by the artist on her experience in the forests inscribed on the walls of adjoining rooms
belonging to the permanent exhibition of Museu Municipal Abade Pedrosa (MMAP)
a possible change and a desire for a better world in face of the climate crisis
we recall the sci-fi precursor We (1920) by the author Evgueni Zamiatine
Before the first flight experience of the Integral
She intends to sabotage the mission and instigate a revolution
believing that the last revolution had already been carried out and that everyone is happy
Reflecting later: «- Children are the only daring philosophers
And the daring philosophers are all children
And we can’t help but pose the question that children ask: «And then what?»[4]
And Now What? by Rúrí is at MIEC until June 25
[1] Schoen, C. (2011). Preface. Em H. Cantz, Rúrí monograph (p. 6). Ostfieldern. From: https://ruri.is/the-artist/
[3] Groys, B. (June, 2014). E-flux Journal. From On Art Activism: https://www.e-flux.com/journal/56/60343/on-art-activism/
[4] Zamiatine, E. (2017). We. Lisbon: Antígona. (p. 208).
1990) currently working as a researcher at i2ADS – Instituto de Investigação em Arte
with a fellowship granted by Fundação para a Ciência e a Tecnologia (2022.12105.BD) to atende the PhD in Fine Arts at Faculdade de Belas Artes da Universidade do Porto
Already holding a MA in Art Studies – Museological and Curatorial Studies from the same institution
With a BA in Cinema from ESTC-IPL and in Heritage Management by ESE-IPP
Also collaborated as a researcher at CHIC Project – Cooperative Holistic view on Internet Content
supporting the incorporation of artist films into the portuguese National Cinema Plan and the creation of content for the Online Catalog of Films and Videos by Portuguese Artists from FBAUP
Currently developing her research project: Cinematic Art: Installation and Moving Images in Portugal (1990-2010)
following the work she started with Exhibiting Cinema – Between the Gallery and the Museum: Exhibitions by Portuguese Filmmakers (2001-2020)
with the aim to contribute to the study of installations with moving images in Portugal
envisioning the transfer and specific incorporation of structural elements of cinema in the visual arts
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