Visitors to Rio are sure to find beautiful beaches and wonderful food. A cable car ride up Sugar Loaf Mountain provides panoramic views of the city. The statue of Christ the Redeemer on the Corcovado is one of the wonders of the world, and the city is full of historic churches and museums.
where around one million enslaved Africans disembarked during the transatlantic slave trade
has opened to visitors after a years-long refurbishment project
The $400,000 renovation ensures that the wharf will retain its Unesco World Heritage status
after several setbacks prompted speculation that it would not be completed in time to meet its contractual obligations to the cultural arm of the United Nations
Unesco calls the wharf “the most important physical trace of the arrival of African slaves on the American continent”
was rediscovered in 2011 during a citywide revitalisation project ahead of the 2014 FIFA World Cup and 2016 Summer Olympics
when construction workers uncovered several cobblestoned slabs in the port
archaeologists recovered around 1.5 million artefacts from the former marketplace where enslaved people were bought and sold
To be inscribed on the Unesco World Heritage List
a site must present “cultural or natural significance which transcends national boundaries”
as well as “meet certain conditions and have an adequate protection and management system to ensure its safeguarding”
a Unesco representative for Brazil tells The Art Newspaper
There have been just three examples of sites losing their World Heritage designation since Unesco was founded in 1945—Oman’s Arabian Oryx Sanctuary (delisted in 2007
when Oman reduced the size of the protected area by 90%)
Germany’s Dresden Elbe Valley (removed in 2009 due to a four-lane bridge project) and the Liverpool Maritime Mercantile City (delisted in 2021 because of waterfront development)
Unesco originally mandated a 2018 opening of the Valongo Wharf to the public
a management committee (required by Unesco to monitor efforts to preserve the site) was formed but met only twice before it was dissolved by the administration of then-President Jair Bolsonaro
Brazil’s National Institute of Historic and Artistic Heritage (Iphan)—the federal department that manages cultural sites—voted to keep the committee dormant
and Unesco continued to extend the deadline
The committee has been “very active over the past few months, overseeing activities such as the recent renovation work on the site”, the Unesco representative says, adding that Unesco is constantly on the lookout for any potential risks to the integrity of the site. “To our knowledge, no such threats affect the Valongo Wharf today.”
The wharf’s overdue renovation was completed swiftly after the committee was reinstated, transforming the site into an open-air museum with the addition of lights, surveillance cameras, sculptures, hydraulic pumps to prevent flooding across the 350-metre-long site and educational kiosks created by Ynaê Lopes dos Santos—a historian who specialises in race relations in the Americas and a professor at Rio’s Fluminense Federal University.
“Valongo is a portal that allows a critical review of Brazilian history,” Lopes dos Santos says. “It’s a history that is polyphonic and that, on the one hand, tells of the racism that structures the country, while at the same time emphasising how Africans and their descendants were fundamental to the economic, cultural, symbolic and material construction of Brazil.”
At the Valongo Wharf’s unveiling in November, several Candomblé priests performed a purification ritual and anointed the space with flowers and other materials with spiritual significance.
Early last year, the Lula administration introduced a ministry entirely devoted to racial equality. It is spearheaded by Anielle Franco, the sister of the late politician and human rights activist Marielle Franco, who was assassinated in 2018 by former military police officers associated with Bolsonaro. The department largely focuses on strengthening cultural projects related to African heritage. One of its first major endeavours has been working on the Valongo Wharf and its forthcoming museum.
In a ceremony inaugurating the Valongo Wharf, the Iphan president, Leandro Grass, said that his agency would prioritise projects related to African cultural heritage in its budget. “We are working so that African culture is valued,” he said. “It’s a strategy to combat racism and racial inequality in this country.”
news1 February 2019Rio de Janeiro's slave wharf museum gains ground The Unesco-listed site is due to receive a museum of Afro-Brazilian culture
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The Industry & Logistics Department at Savills was responsible for securing the Chinese multinational company Aosheng’s relocation to its new facilities
at Panattoni Park – Valongo Logistics Platform
Savills acted on behalf of Panattoni Iberia
which can accommodate up to 75,000 sq m of logistics platforms(distributed in 2 warehouses) features a BREEAM Very Good certification and a prime location with direct access to A41
just 2 km from A4 and only 25 minutes from downtown Porto
It also features a set of characteristics that meet the latest industry standards
one of the world’s largest manufacturers of components for the wind energy sector
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The infamous slippery rock gulleys of Valongo saw over 100 riders lining up to finally conclude the first year of the new Troféu Nacional Hard Enduro series in Portugal
With the overall champions still to be decided
this was the closing round of the Portuguese extreme enduro championship
Riders began out for the morning prologue ahead of a three-hour afternoon race ran over a 25 kilometres lap in the fantastic gulleys of the Serra de Valongo
Mario Roman is no stranger to these rocks or an early season trip across the Iberian border to train for the Hard Enduro World Championship and keep the Portuguese fans happy
Ni Esteves won the prologue in the Pro category but it was Roman who turned on the style in the main race
as ever making the unbelievably slippery rocks looks like sand paper
In the final tally of this inaugural THNE season (it replaced the former Portuguese Hard Enduro Series)
the winner after four rounds was Tiago Oliveira with the multi-talented Diogo Vieira second and Ni Esteves third after his injury
victory smiled for the third time this season to Emanuel Costa
with Bruno Freitas rising the lowest place on the podium
Emanuel Costa ends 2021 with a victory in the class
with Bruno Freitas taking second place and Tiago Sousa third place respectively
Álvaro Mouta won the 2T category in Valongo ahead of young Marco Ferreira in second and Jorge Araújo third
Luís Gonçalves secured the class trophy with a total of three wins in four races
Jorge Araújo secured second place ahead of Álvaro Mouta
In the much less popular 4T class Nuno Pereira won in Valongo and secured second place in THEN but with second place
Filipe Neves did not race in this fourth round
however he guarantees the final third place
José Ferreira took the victory in Valongo and ends the season undefeated with José Armindo in second place and Hugo Rodrigues third
with Spaniards Anxo Ares and Alejandro Medina taking second and third place in Valongo respectively
The conclusion of the 2021 season comes right on the doorstep of the new
2022 championship which will run six rounds this year beginning on February 27 at the Gondomar Extreme
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Close to one million Africans were held at the dock before being sold on at nearby markets
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A dock in Brazil where close to a million slaves landed from Africa has been declared a Unesco world heritage site.
Valongo Wharf, in Rio de Janeiro, was the largest arrival point for slaves in Brazil, the main destination for the trade in the Americas.
Nicknamed “slave wharf”, as many as 900,000 Africans were held at the harbour to recover from their journeys across the Atlantic before being sold on at markets. Many did not survive and were buried in nearby mass graves.
Unesco said the site was the “most important physical trace” of the devastating trade on the American continent and should have the same place in history as Hiroshima and Auschwitz "to make us remember those parts of the history of humanity that must not be forgotten".
"It is a unique memorial, containing the last remaining vestiges of the slaves' arrival," anthropologist Milton Guran said.
Many Brazilians were unaware of the area's importance until a few years ago when its remains were discovered during renovation work for the 2016 Olympic games.
A mass grave, with bones and skulls, was uncovered.
Archaeologists estimate that more than 6,000 enslaved Africans who died on the transatlantic passage were buried at the site, with 30,000 dumped in the surrounding area.
The area that surrounds the historic dock is synonymous with the transatlantic slave trade.
Praça XV de Novembro, a square beside the ferry terminal, was the site of Rio’s original slave auction and the Pedra do Sal is the historical centre of Rio’s “Little Africa”, where many former slaves settled.
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Valongo is located in the North of Portugal
District of Porto and is part of the Metropolitan Area of Porto (AMP)
The name Valongo originated by the Latin words Vallis Longus (long valley) when the Romans settled in the region as they were attracted by the gold mining opportunities in the Serra de Santa Justa
An area of 58.3% of the municipality is covered by forest, part of which is classified as a Natura 2000 Site and part as a Regional Protected Landscape Area
Especially for these areas the Municipal Strategy for Adaptation to Climate Change is in place
This aims at increasing resilience to fire
consolidating margins for flood and inundation abatement
Valongo has a number of interesting projects underway or in development which are meant to demonstrate how the city can enhance its biodiversity whilst also benefiting the well-being of its citizens such as the FUTURO project
and the Enhancement and Adaptation of the Ferreira and Sousa Rivers
The city aims high when it comes to circular economy
In addition to collecting door-to-door residual waste of households together with clothes
Waste from Electrical and Electronic Equipment (WEEE) and cooking oil
the municipality of Valongo intends to extend this action up to 90% by 2030 and include paper
The European Green Leaf jury highlighted the various ways the city is offering support to low-income citizens in the transition to sustainability as well as Valongo’s close collaboration with neighbouring cities to preserve the surrounding nature
Valongo has presented itself as a credible green ambassador
addressing and convincingly tackling a wide range of relevant environmental issues
Last but not least, Valongo is planning to sign the EU Circular Cities Declaration
One year as a European Green Leaf winner | A letter from the Mayor of Valongo
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reopened in November after undergoing renovation work
The restoration of the monument cost BRL 2 million and included the installation of educational signage
A world cultural heritage site recognized by the United Nations Educational
and Cultural Organization (UNESCO) since 2017
the wharf was the main port for the disembarking of enslaved Africans in the Americas during the 18th and 19th centuries
according to Brazil’s historical and artistic heritage authority Iphan
The remains of the historical structure were discovered in 2011 during excavations for the project to revamp the city’s port district
“This memory must be preserved as a port of our history and a beacon of change that needs to ensure black people are in control of their present and future trajectories—a path that goes further and further away from the vicious past of slavery,” said Racial Equality Minister Anielle Franco
communications coordinator for the Pretos Novos Institute
dedicated to preserving both tangible and intangible Afro-Brazilian heritage
described the wharf as a landmark of a crime against humanity: the enslavement of millions of Africans in the Americas
“People have to learn about the Valongo complex in order to understand what happened and all the crimes that were committed against Africans—crimes that are still committed against black people
We need to get people to know this story if we are to mitigate all this structural racism our society was based upon.”
Valongo Wharf is located in a region known as Pequena África (“Little Africa”)
due to its majority black population and its history linked to the African diaspora
with sites such as the Cemitério dos Pretos Novos (“Cemetery of the New Blacks”)
a burial place for Africans who had recently landed in Valongo and died before being sold
“It wasn’t just slave labor that came in through the whaf
They also brought a new possibility of civilization through their culture
which greatly mark Brazilian society today
One cannot think of Brazil without capoeira
babalaô and history professor at the Federal University of Rio de Janeiro (UFRJ) and a member of the Wharf Management Committee
Brazil’s social development bank BNDES also unveiled efforts to preserve and recognize African memory and heritage in Pequena África
Among the measures is a technical cooperation agreement with various government bodies
including Iphan and the ministries of Culture and Racial Equality
aimed at drawing up a physical and spatial plan and to establish a cultural district in the area within three years
Also announced was a consortium to issue a public notice to strengthen local cultural institutions
build a network of representatives of African memory and heritage in Brazil
and encourage the creation of a new tourist route linked to domestic and international Afro-tourism
The consortium is made up of the Centre for the Articulation of Marginalized Populations (Ceap)
and will be tasked with raising BRL 20 million—half of which will come from the BNDES Cultural Fund and the rest from donors
the venue was deactivated in 1831 due to the ban on the transatlantic trade
it was landfilled for the construction of a new pier to receive Princess Teresa Cristina
and was renamed Cais da Imperatriz (“The Empress’s Pier”)
Valongo Wharf was protected by Iphan in 2012
It became a Cultural Heritage Site of the City of Rio de Janeiro in 2013 and was named a World Heritage Site in July 2017
required by Unesco to monitor the efforts to preserve the archaeological site
The committee was recreated in March of this year
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Sara Zewde received a curious email from a friend working on her doctorate in African-American history
It pointed her to an article in a Brazilian newspaper about the discovery of an old slave port called the Valongo Wharf in Rio de Janeiro
A U.S.-born urban planner then working in the Rio office of the Institute for Transportation and Development Policy
Zewde had just heard about the wharf from a colleague because of its location in the city’s port area
where she was studying transportation plans
“The historical significance of it was undoubtable,” Zewde says of the buried wharf
where approximately one million enslaved Africans had entered the Americas
An African-American whose parents emigrated from Ethiopia
Zewde’s interest was personal and professional
but at least four million enslaved Africans — 40 percent of the total transatlantic slave trade — were brought to Brazil before the country abolished the practice in 1888
becoming the last nation in the Americas to do so
Valongo Wharf was the largest entry point for enslaved Africans in Brazil
making it the most trafficked point of entry in the Americas and an “entirely unique historical marker,” says Elisa Larkin Nascimento
director of the Institute of Afro-Brazilian Studies and Research
Black activists had long sought to uncover the missing piece of history, but the reveal was thanks to workers digging to lay new sewer lines for the public-private partnership Porto Maravilha
a play on Rio’s nickname as the “Marvelous City.” As the largest such partnership in Brazilian history
Porto Maravilha is poised to transform a working-class
former industrial area with a historic Afro-Brazilian population into a stylish district of luxury condo and office towers
and starchitect-designed cultural destinations
the activists pulled together to demand that Mayor Eduardo Paes memorialize the site as part of the redevelopment
Zewde’s urban planning master’s thesis at MIT explored the idea of “black urbanism” in the context of New Orleans
She had grown up in the South and had long been fascinated by how cultural dynamics came to be reflected in urban landscapes
“When the Mayor said in response to the outcry of activists that he wanted the design for the wharf to represent the black experience
Zewde left Rio to begin a landscape architecture program at Harvard’s Graduate School of Design (GSD)
she realized that school could wait — while the opportunity to work on the Valongo Wharf would not
She knocked out one semester of studies at the GSD before returning to Rio with a research grant to investigate further
As Zewde got deeper into the city’s plans to memorialize the Valongo Wharf
she found herself in an unexpected role: architect
she had to turn theory into practice as she went from inquisitive student to lead designer for a memorial with huge implications for Rio
Brazil and the broader global design community
the remnants of the Valongo Wharf are modestly preserved in a placeholder arrangement
Many of the surrounding 19th-century streets and buildings follow the contours of the old water line
some already converted into chic event spaces
A street bounds the exposed wharf on one side and a simple concrete paving job rings the other three
The perfectly symmetrical cement squares contrast with the jagged edges of the Valongo’s ruins
A few plaques offer a basic historical interpretation of the site as a major slave receiving port
are the only public acknowledgment of slavery in Rio outside museum exhibits
an obelisk commemorates the arrival of a bride for Emperor Dom Pedro II
the last monarch to rule Brazil under whose rule slavery was abolished
The remains of Valongo were found six feet under the street surface
below four layers of paving dating back to 1843
when the wharf was first paved over in preparation for the welcoming of Brazil’s future empress
“Each layer of paving in the cross-section has its own story,” Zewde says
Those stories will gain another chapter with Porto Maravilha
it is one of the crowded city’s least dense neighborhoods
city officials hope to triple the population to 100,000
although Brazil’s current economic downturn has slowed real estate development from the delirious pace of just a few years ago
On paper, at least 32 commercial projects, including a portside Trump Towers, are in the works. In 2013, CDURP, the agency managing the port’s redevelopment, demolished a three-mile-long elevated highway running through the area
clearing the land for a boulevard with waterfront access
international real estate giant Tishman Speyer built the district’s first new commercial building
designed by British starchitect Norman Foster
the company intends to open the neighborhood’s first new residential building
The duo will join a sleek art museum that opened in 2013
a planned boutique hotel housed in a retrofitted grain silo and a Santiago Calatrava-designed
science-themed Museum of Tomorrow that is slated to open by the end of the year
is one of 32 new developments built or in the works in Rio’s port district
With its glassy designer towers and big-name cultural amenities
the new development will be a massive change for the area
long a refuge for black Brazilian history and culture
Home to Rio’s oldest favela and a historic Afro-Brazilian community
the port area had managed to thrive under the recent era of benign neglect
Crowds — locals and gringos alike — flock to Monday night samba sessions at the Pedra do Sal (Salt Rock)
a portside landmark where longshoremen unloaded salt and played music in their off hours
The black community that still lives there is descended from runaway slaves and is recognized for this lineage under Brazilian law
“Brazilian society is proud of African derived food, music, and culture, but we don’t talk about racism in Brazil
this has consequences…” says Washington Fajardo
a special adviser to the Mayor on urban planning issues and the president of the Rio World Heritage Institute
which would be one of the key entities charged with preserving the wharf
the potential for a major African heritage site in the heart of a downtown redevelopment project carries a lot of symbolic weight for the movimento negro
or “black movement,” as activists for Afro-Brazilian rights are known
By the time Zewde returned to Rio under the auspices of her research grant
movement activists had already successfully pressured Paes to designate the Valongo Wharf and other nearby sites of Afro-Brazilian memory as a formal historic district: the African Heritage Celebration Historical and Archaeological Circuit
A working group of black leaders was convened to provide input on the circuit’s development
Both developments signified progress for the movement
“This was our first time being consulted on an urban redevelopment project,” say Dulce Vasconcello
president of the Municipal Council in Defense of Black Rights and a member of the Mayor’s working group
Zewde and Fajardo soon met to discuss Valongo
She asked him if Rio’s leaders in city hall had any clear idea how designs for a memorial could reflect the Afro-Brazilian experience
‘we don’t know.’” He then turned the tables and asked
she knew for certain she would return to Rio
As jackhammers battered the weathered streets of the port district
the ghosts of Valongo continued to haunt the 29-year-old designer
she worked for Hood Design Studio in Oakland and tried to steer a contract to work on Valongo to the landscape architecture firm whose principal
is one of the few African-Americans in the field
But the site was not yet primed for an international design competition and taking work away from Brazilian firms was a political non-starter
Zewde was nominated for the Olmsted Scholars Program
the premier national award program for landscape architecture students named for the founding dean of the profession
which came with a $25,000 prize and the imprimatur of the Landscape Architecture Foundation
who up until that point had not found a way to hire her
she boarded a plane for Rio during the hectic summer of 2014
While football madness took over the city and slowed Brazilian office productivity to a crawl
“Washington’s office works really hard,” she says
“There was a rush of energy and we worked plenty of weekends.”
Already accustomed to pulling long hours at the GSD
Zewde worked day and night during the feverish months of June and July
she brought in the fruits of her Harvard research
from the African continent’s history of urbanism
when cities like Timbuktu were bigger than London
to her ethnobotany investigations into what kinds of plants would have been familiar to enslaved Africans
Zewde became known around the office as the de facto expert on all things Afro-Brazilian
“It was weird to talk about Afro-Brazilian culture because I’m not Brazilian,” she explains
“I hated the authority I had because I was American
At the City Palace during a formal dinner to honor the TED Global conference that was in town
“I was a young black woman — every level of being an outsider,” Zewde recalls of the event
“I was the only black person in the room who was not a server.” But she also shrugged it off with a sad-but-true dig at her chosen profession
she was presenting a design proposal at a meeting in Rio’s city hall convened by the Mayor’s office
His representatives and those from the public-private partnership redeveloping the port were there
as well as private developers with a stake in Porto Maravilha
staffers from the federal agencies that safeguard black rights like the Office of Racial Equality Policies
Zewde’s audience also included Milton Guran
a Brazilian who serves on UNESCO’s International Scientific Committee and will help decide in the next year whether Valongo Wharf receives designation as a World Heritage Site
(Key ports of slave embarkation in West Africa have long been recognized by UNESCO and have been boons to the tourism industry of Senegal and Ghana.)
Zewde’s proposals for the site revolve around her question of how to shape a city in relationship to its history of slavery
the archaeological site itself would be enhanced with shade trees
site-specific illumination and street furniture
the streets that lead to the site would represent the routes of the slave trade
would create a cooler microclimate and white benches would invoke Afro-Brazilian rituals along a specially designed pedestrian pathway
The design was roundly approved by the Mayor’s representatives and the black activists he had brought to the table
came from Afro-Brazilian rituals and cultural practice
she returns to an academic argument made in her GSD thesis
which wove her work on Valongo into an exploration of the uses of the monument
She argues that while the traditional monument commemorates a singular event or individual by placing an object in a space that is a break from its surroundings
the 400-year practice of African enslavement demands a different approach
you wake up every day with the legacy of slavery,” she says
One approach is to translate cultural practices into spatial ones
two hallmarks of Brazilian culture with strong African influences
both traditionally operate in circular gatherings known as rodas
Zewde incorporates patterns and shapes modeled after these gatherings
Plants were another way to grapple with slavery’s living legacy
When the Earth’s landmasses were all part of the supercontinent Pangaea
what is now Brazil and Africa were joined at the hip
Zewde’s proposal to plant vegetation that would have been familiar to enslaved Africans arriving on Rio’s shores is a gesture toward that human moment
“Her ideas about seeds and vegetation here in Rio as a form of connecting with our African roots is really cool,” says Lelette Couto
who sits on the African Heritage Circuit working group and is a member of Rio’s racial equality commission
“It’s part of Sara’s innovation to have a more futuristic look at our roots.”
Brazilian authorities consider African plants to be invasive and don’t allow them to be planted as part of public projects
Fajardo has gone to bat for Zewde’s design
arguing for a cultural exception to the rule
“The idea of native plants is defined as when Europeans arrived,” Zewde says
“It’s arbitrary in the evolution of plants.”
Zewde’s design for the African Heritage Celebration Historical and Archaeological Circuit includes native African plants
It took three years from the Valongo Wharf’s rediscovery until a design could be produced
How long it will take to realize some version of Zewde’s vision is anyone’s guess
The Mayor has asked the Rio World Heritage Institute and CDURP to prepare a viability study of the project
but no firm timeline or budget has been set
the black movement activists who were consulted in the euphoria of the design process are now registering their frustration about a lack of progress
“My biggest criticism is in relation to City Hall,” says Vasconcello
“It hasn’t taken ownership of the project.”
“Our position is that we’re going to hold the city accountable [to its commitment],” Vasconcello continues
“We will fight for it to get off the ground
For us the most important thing is to have the history of our ancestors told at the physical point of arrival for enslaved Africans.”
A spokesman for the Mayor declined to specify which agency would be directly responsible for the creation of the Circuit and outside of City Hall
Fajardo maintains that it is CDURP’s responsibility and CDURP says that its only mandate is to redevelop the port area and use Zewde’s proposal “insofar as it is possible to reconcile” it with the other development on the site
CDURP claims that the viability study is underway and that the agency will eventually pay for the memorial’s implementation with money generated from the sale of air rights in the area
wrote in an email that the agency has already used some money raised from the sale of air rights to pay for activities related to the Circuit
including preparation of the UNESCO dossier
an annual ceremony for the black community to “wash” the wharf’s stones
cataloguing of archaeological material from the site
CDURP has also provided financial support for the Pedra do Sal community and a museum that houses a slave cemetery
it continues to upgrade infrastructure in the Porto Maravilha footprint
including in areas earmarked for Zewde’s Afrocentric design interventions
“There was a lost opportunity at the Praça dos Estivadores
which could have incorporated this design,” Fajardo says
The Praça dos Estivadores (Longshoremen’s Square) is one of the sites formally listed as part of the Circuit in the city’s municipal decree
Like many public spaces in this palimpsest neighborhood
or Deposit Square — to mark the fattening houses for slaves recently arrived at the Valongo Wharf
The goal was to make them strong enough for fieldwork after surviving the transatlantic crossing
Fajardo remains optimistic despite this setback
already looking ahead to the as-yet-unimproved Avenida Barão de Tefé
where the Valongo Wharf itself is located and for which Zewde prepared the most elaborate designs of the project
He calls the street “contextually very important” for the integrity of the Circuit design proposal
CDURP says that the Avenida Barão de Tefé’s design is already complete and doesn’t take into account Zewde’s design
“It will be reviewed in order to analyze the possibility of incorporating the proposed elements in accordance with the viability and general timeline of the construction,” a spokesperson wrote in an email
Zewde’s sense that continuity with the past empowers the future is no doubt influencing the process
“The most important thing is to look back at the past
because we still have a lot of work to do,” says Couto
who continues to advocate for the project at City Hall
One of Brazil’s recurring mottos is “country of the future,” a phrase that mostly generates eye rolling these days
especially among young Brazilians jaded in the current economic and political climate
Rio has been somewhat insulated from the ongoing economic downturn
there are many stumbling blocks on the road to Olympic glory
uncovering the Valongo Wharf was one of them — a major archaeological find that surely slowed down the port’s transformation into a new commercial district
something similar happened in Lower Manhattan
when a groundbreaking for a federal office building uncovered a historic African cemetery
Now a monument maintained by the National Park Service
it took considerable activism on the part of black leaders to preserve the site
a sliver of a larger 6.6-acre burial ground
The attention ultimately galvanized a revisionist history of New York City’s direct participation in the slave trade
from scholarly research to a landmark exhibit at the New York Historical Society
the black slab monument wedged in the shadow of Manhattan skyscrapers is easily overlooked in downtown’s concrete jungle
Zewde’s proposal for Rio — to make African heritage a centerpiece of the revitalized downtown district — is infinitely bolder
Having pioneered a new design approach to monuments
Zewde has drawn comparisons with Maya Lin from Anita Berrizbeitia
the chair of the GSD’s landscape architecture program and Zewde’s adviser
Zewde in the Seattle office of Gustafson Guthrie Nichol
Zewde is already thinking about the long game
Paes leaves office after the Olympics next year
but the port redevelopment will continue for another decade-plus
“The history of this site has evolved over a few hundred years
what makes me think five years is going to change it,” she says
I think pieces of the design will be implemented
The project requires a lot of coordination between various political actors and entities
Zewde is now following developments in Rio while working full-time for Gustafson Guthrie Nichol in Seattle
Even if her day job keeps her from dedicating her time exclusively to Valongo
the project’s teachings are by now inscribed in her DNA as a designer
“This approach is my life’s work,” she says
In October, Zewde spoke about her Rio project at the GSD’s inaugural Black in Design Conference, a sold-out affair that made public a conversation Zewde and her community had been having on their own for years
When an audience member asked her about the very outsider status that made her an unexpected authority in Rio
“My design process is about re-establishing trust with black communities
because the system has failed them so many times before.”
Our features are made possible with generous support from The Ford Foundation
Gregory Scruggs is a Seattle-based independent journalist who writes about solutions for cities
He has covered major international forums on urbanization
and sustainable development where he has interviewed dozens of mayors and high-ranking officials in order to tell powerful stories about humanity’s urban future
He has reported at street level from more than two dozen countries on solutions to hot-button issues facing cities
from housing to transportation to civic engagement to social equity
he won a United Nations Correspondents Association award for his coverage of global urbanization and the UN’s Habitat III summit on the future of cities
He is a member of the American Institute of Certified Planners
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reveal a fundamental part of Rio and Brazil history (and indeed that of humankind itself)
slavery left its mark; this site was South America’s largest slave port at which
it’s estimated that between a half-million to a million captured Africans were unloaded from ships and sold as slaves
Buried in 1843 to make way for a different wharf
this blot on history was hidden (at least for a time) but came to light once more as the neighborhood was being fixed up for the Olympics
It was named a World Heritage Site in 2017 and merits a visit
if only to recognize and atone for the tragedy it represents
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This final round of the 2022 Portuguese Hard Enduro series in Valongo saw a relatively short course (for this series) of 10 kilometres spanning around the main paddock area making it a great race for fans to view the different sections
And there was plenty for the riders to overcome with a fairly epic rock garden
some slick hills and concrete steps that attracted the most attention
The victory in the Pro category at this last round went to Ni Esteves who closed his season with the golden ticket ahead of Jose Borges with the championship victor Oliveira only managing fifth place
Tiago Sousa won the Experts guaranteeing the victory in the overall points
as did Daniel Branco in the Open and Roberto de Matos
The Hobby class – where the highest number of riders entered – was also won by Spaniard José Manuel Lopez
This brings an end to the 2022 TNHE season and six rounds throughout the year
with fantastic scenery and landscapes to ride in and a large participation by both Portuguese and Spanish riders
proving the popularity of the sport on both sides of the border
More info on the Portuguese Hard Enduro series: www.meliciasteam.com
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bustling harbour where hundreds of thousands of Africans were sold into a life of exploitation and abuse
Famished, exhausted and with their heads half-shaved, the slaves were herded off ships, groomed in "fattening houses" and dispatched to sugar and coffee plantations across Brazil
nearly two centuries after Rio's notorious Valongo wharf began operating
local archaeologists believe they may have located the slave port's ruins during a multibillion-dollar
pre-Olympic renovation of the city's harbour
"As soon as the discovery was made I went there," said Washington Fajardo
seeing an existing city and then another city two metres below
The possible discovery of the Cais do Valongo
was made during the regeneration of Rio's port area
With the 2016 Olympics in mind, authorities are steaming ahead with a project known as Porto Maravilha or Marvellous Port
intended to transform Rio's dilapidated port into a vibrant tourist and business hub
an archaeologist from Rio's National Museum who has been leading the hunt for the Valongo
said 10 local archaeologists had been digging since February and now believed they had started unearthing "structures" connected to the notorious slave market
Her team has confirmed discovery of Rio's Empress's wharf
believed to have been built on top of the slave port in the 1840s by the French architect Grandjean de Montigny and designed to welcome Brazil's future empress
Lima said the Valongo represented a crucial part of the city's history that had been erased as Brazil sought to cover up the "brutal period of enslavement"
It is believed that some 3 million African slaves were shipped to Brazil between 1550 and 1888
"This area played an important role in Rio's history – the Valongo wharf area has a strong symbolism for Afro-Brazilian descendants in our city," Lima added
Historians say the Valongo slave market operated from 1818 to 1830
women and children from across west Africa were shipped into the port on squalid ships
The British clergyman Robert Walsh detailed the horrors of Valongo wharf following a visit in 1828. "The poor creatures are exposed for sale like any other commodity," he wrote in Notices of Brazil in 1828 and 1829, describing how slave buyers would manhandle the slaves as if "buying a dog or mule".
"They were all doomed to remain on the spot, like sheep in a pen, till they were sold; they have no apartment to retire to, no bed to repose on, no covering to protect them; they sit naked all day, and lie naked all night, on the bare boards, or benches, where we saw them exhibited."
In another section Walsh, then chaplain at the British embassy, recalls: "The miserable slaves of Rio, employed only as beasts of burden in the streets, are, of all classes of the human race, by far the most abandoned and degraded."
Maria Graham, a British writer who also visited the Valongo, described "rows of young creatures … sitting, their heads shaved, their bodies emaciated, and the marks of recent itch upon their skins.
"If I could, I would appeal to their masters, to those who buy, and to those who sell, and implore them to think of the evils slavery brings."
Lima hopes her team will be able to officially confirm the Valongo's discovery "over the coming months". Fajardo, the heritage secretary, said the authorities planned to integrate the finds into the new port's design. In the lead-up to the Olympics, changes to Rio de Janeiro's urban landscape were likely to reveal further archaeological sites, he added. "We have high hopes," he said.
Rio's mayor, Eduardo Paes, vowed to build a square where the 19th century ports once stood. "These are our Roman ruins," he said.
Plans are moving ahead for a new museum at a wharf that is the “most important physical evidence associated with the historic arrival of enslaved Africans on the South American continent”, according to Unesco.
Valongo Wharf in Rio de Janeiro, where nearly one million captive Africans disembarked between 1811 and 1831, was uncovered in 2011 during preparations for the 2016 Olympics, and became a Unesco World Heritage site in 2017. Rio’s prefecture and Brazil’s National Institute of Historic and Artistic Heritage (Iphan) subsequently announced it would build an educational museum dedicated to the site.
On 31 December, the federal public ministry issued a statement ordering Citizenship Action to vacate within 30 days. A Unesco spokesman also refutes the de-listing threat: “Delisting sites is very much like saying that we give up on it, and we don’t do that. But management of the site is entirely the responsibility of national authorities, who have very different policies regarding heritage.”
Valongo Wharf Archaeological Site - front view © Milton Guran
Plans for the centre exhibits have yet to be announced. Nilcemar Nogueira, Rio de Janeiro’s secretary of culture, has suggested that the existing Museum of Afro-Brazilian History and Culture, housed in a provisional space nearby, could move into the Docas Dom Pedro II and function as one institution with the centre. But relocating this museum, which drew criticism from Afro-Brazilian organisations for stretching the federal budget when it launched in 2017, could accrue further costs.
Ana Maria de la Merced Guimarães, the director of the Rio-based Pretos Novos Institute for Research and Memory, feels that the government “should invest in existing local institutions… Having a thematic museum is important, but it’s not very clear what some of these institutions will even do, or whether they will help or compete with our projects.”
It remains unclear whether Jair Bolsonaro’s new government will have an impact on the museum and other cultural projects. Last month, the far-right Brazilian president dissolved the ministry of culture, which runs the Palmares Cultural Foundation, combining it with the sport and social development ministries into a new ministry of citizenship. Osmar Terra, the former minister of social development who is leading the new ministry, has no background managing cultural institutions.
where one million enslaved Africans disembarked
news24 September 2019Rio de Janeiro’s Unesco-listed slave wharf receives nearly $2m for renovationArchaeologists have uncovered more than one million objects on the site
The World Heritage Centre is at the forefront of the international community’s efforts to protect and preserve
World Heritage partnerships for conservation
Ensuring that World Heritage sites sustain their outstanding universal value is an increasingly challenging mission in today’s complex world
where sites are vulnerable to the effects of uncontrolled urban development
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Take advantage of the search to browse through the World Heritage Centre information
this afternoon ended the inscription of sites on UNESCO’s World Heritage List with the final addition of three cultural sites in Brazil
and the approval of the extensions of Strasbourg: from Grande-île to Neustadt
a European urban scene (France) and The Bauhaus and its Sites in Weimar
Aphrodisias (Turkey)
the site consists of two components: the archaeological site of Aphrodisias and the marble quarries northeast of the city
The temple of Aphrodite dates from the 3rd century BCE and the city was built one century later
The wealth of Aphrodisias came from the marble quarries and the art produced by its sculptors
The city streets are arranged around several large civic structures
The English Lake District (United Kingdon)
the English Lake District is a mountainous area
whose valleys have been modelled by glaciers in the Ice Age and subsequently shaped by an agro-pastoral land-use system characterized by fields enclosed by walls
The combined work of nature and human activity has produced a harmonious landscape in which the mountains are mirrored in the lakes
gardens and parks have been purposely created to enhance the beauty of this landscape
This landscape was greatly appreciated from the 18th century onwards by the Picturesque and later Romantic movements
It also inspired an awareness of the importance of beautiful landscapes and triggered early efforts to preserve them
Valongo Wharf Archaeological Site (Brazil)
Valongo Wharf Archaeological Site is located in central Rio de Janeiro and encompasses the entirety of Jornal do Comércio Square
It is in the former harbour area of Rio de Janeiro in which the old stone wharf was built for the landing of enslaved Africans reaching the South American continent from 1811 onwards
An estimated 900,000 Africans arrived in South America via Valongo
The physical site is composed of several archaeological layers
the lowest of which consists of floor pavings in pé de moleque style
It is the most important physical trace of the arrival of African slaves on the American continent
Strasbourg: from Grande-île to Neustadt, a European urban scene [extension of the property “Strasbourg – Grande Ile”] (France)
inscribed in 1988 on the World Heritage List
designed and built under the German administration (1871-1918)
The Neustadt draws the inspiration for its urban layout from the Haussmannian model
while adopting a Germanic architectural idiom for its edifices
This dual influence has enabled the creation of an urban space that is specific to Strasbourg
where the perspectives created around the cathedral open to a unified landscape around the rivers and canals
The Bauhaus and its Sites in Weimar, Dessau and Bernau [Extension of the property “The Bauhaus and its Sites in Weimar and Dessau”] (Germany)
which was inscribed on the World Heritage List in 1996
originally comprised the groups of buildings and monuments located in Weimar and Dessau
all built under the direction of Walter Gropius
The extension of the property includes the Houses with Balcony Access in Dessau – three storey brick blocks for low-income students – and the ADGB Trade Union School in Bernau built under the direction of Hannes Meyer
This extension reflects the contribution of the department of architecture to the austere design
functionalism and social reform of the Bauhaus
a movement which was to revolutionise architectural thinking and practice in the 20th century
The 41st session of the World Heritage Committee (9-12 July)
founder and director of the International Cultural Centre in Kraków
Lucía Iglesias Kuntz, UNESCO, l.iglesias@unesco.org
Agnès Bardon, UNESCO, a.bardon@unesco.org
Follow us Twitter: @UNESCOFacebook: @UNESCO#WorldHeritage
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houses and other abandoned buildings pique the curiosity of the 'bravest'
there are places that are considered 'haunted' even away from the big screen
this is our list of ‘haunted’ and/or scary places
About half an hour’s drive from Invicta
this is probably one of the most famous ‘haunted’ places near Porto
The Valongo Sanatorium (as the Mont’alto Sanatorium came to be known) is located in the parish of São Pedro da Cova
the sanatorium remained active between the 50s and 70s
Tuberculosis patients were often housed here
there were reports of mistreatment and neglect
it is said that the building once had around 350 patients at the same time
vandalized and damaged by subsequent fires
The name alone makes it sound like a ‘scary’ place, right? Located less than an hour’s drive from Porto, this abandoned house is in Felgueiras, according to other media, more specifically in the Moure area. Known as the ‘House of the Devil’, this is another of the ‘haunted’ places that could serve as a setting for horror fiction.
According to the associated urban legends, a childless couple once lived in this building, the husband was a farmer and lived off the land, while the wife did embroidery for the outside. It is said that they lived alone, but that unexplained phenomena often occurred in one of the rooms of the house.
For example, there were reports of objects flying or furniture moving on its own. One day, the woman left some of her work neatly folded and ironed in the aforementioned room. However, what she found was a very different scene, with the embroidery all messed up and covered in urine.
It is said that the couple ended up leaving the house forever, and it has since become known as the ‘Devil’s House’. Furthermore, even today, there are allegedly reports of unusual noises and sightings of a mysterious man on the balcony.
Of the various stories mentioned here, this is certainly one of the most macabre legends of all. Belonging to the municipality of Penafiel, it is said that D. Luís de Lencastre Carneiro de Vasconcelos, Baron of Lages, and his wife, Inês , once lived at Quinta da Juncosa.
A heinous crime is said to have taken place in this once manor house . According to the accounts, the baron was a jealous man, so when he thought that his wife had betrayed him, he murdered her. However, he did it in an unspeakable way.
In other words, the baron tied his wife to a horse and dragged her around the farm until she died. When he realized what he had done, the baron killed his children and committed suicide. Since then, it’s been speculated that his spirit has wandered around Quinta da Juncosa forever!
View this post on Instagram Casa do Relógio do Sol Located in one of the most ‘privileged’ areas of the city of Porto
is mentioned in several articles on the subject of “haunted places”
Built at the beginning of the 20th century
namely artillery captain Artur Jorge Guimarães
it is said that his children clashed over inheritance
This led to the building being abandoned and it is said to have been clandestinely occupied by a shoemaker
who stole all the contents and damaged the property
the rightful owners and heirs entered into litigation with the occupant
and the case allegedly went to court without a solution
Against a backdrop of conflicts and unresolved issues
but here’s another story worthy of Halloween
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Excavations in the port area of the city of Rio de Janeiro reveal hitherto ill-known aspects of slavery
Reproduction of the book "Debret e o Brazil – Obra Completa"
2009One of the “meat shops” of the Valongo market in the somewhat optimistic view of Debret as he showed only a few slaves overseen by the tradesmanSlave market on Rua do Valongo street
The National Institute of Criminalistics establishes a series of procedures for investigating a crime: recognition
which puts boundaries on the scene of the crime and preserves it; careful documentation and scientific observation of the site; the search for proof and evidence to be collected; and scientific analysis in a laboratory of the evidence gathered by the expert investigators
It is at the point where these areas overlap that the solution of a murder
Would it be possible to use the same procedures to “clarify” a centuries-old crime
Recent research conducted by Brazilian universities indicates that using the same cross-discipline methods
geneticist (paleogeneticists) and pathologists might finally and properly cover one of the greatest crimes ever: slavery
“To understand the reality of slavery
unearth the past and submit the material evidence to laboratory analysts
One must overcome the mere historiography of documents or the economic views that only considers slavery from the point of view of the means of production
Slavery has to be made material,” says Tânia Andrade Lima
an archeologist from the Nacional Museum in Rio de Janeiro and the coordinator of the Valongo quay excavation project
at the port that one million Africans passed through between 1811 and 1831
It was the work on the Porto Maravilha port
with a view to revitalizing the area for the 2016 Olympics
that enabled the archeologists to reopen the “scene of crime,” unseen since 1843
when it was covered with 60 centimeters of surface material and turned into the Imperatriz [Empress] quay
but Valongo was chosen to delete the stains of past slavery,” says Tania
These “stains” surrounded the entire quay
Nearby houses stored and marketed the blacks
Those who became ill were taken to the neighboring lazaretto
where treatment boiled down to bleeding conducted by black barbers .Those who did not survive were buried with total disregard in mass graves a few meters away from the quay
loads of personal and ritual objects of the so-called “new blacks,” the captives newly-arrived from Africa: large and small beads
and even “sitting-stones for the orixás,” the African gods
Priests and African religion and culture experts are helping to catalogue and recognize the findings
“The Valongo complex was instituted to remove the blacks from downtown Rio de Janeiro
as they were considered a threat to health
‘disease carriers’ and a public order risk,” explains the historian Cláudio Honorato
author of the study Valongo: o mercado de escravos do Rio de Janeiro [Valongo: the Rio de Janeiro slave market] (Fluminense Federal University/ UFF
“Valongo was part of the ‘national civilization’ project
which gained strength when Rio became the capital of the Empire
this turned out to be a paradox: the creation of a ‘European’ court but with mobs of blacks moving freely on the streets
It was thought that the solution would be to use the slaves to create a city worthy of the king
making it impossible for the city to get rid of its ‘backward features’
It was necessary to somewhat reduce such promiscuity
so the slave market was moved away from the Palace area
to a distant and uninhabited place: Valongo
a natural port in the Gamboa area,” built by order of the viceroy
the slave trade attracted the local population and the site turned into one of Rio’s liveliest places
the Valongo complex included 50 “meat houses,” where the newly arrived blacks were traded
“The first one we went into had 300 children
The eldest may have been 12 years old and the youngest
The poor little things were crouching in a warehouse
The smell and the heat in the room were repugnant
The thermometer indicated 33º C and it was winter!” wrote Charles Brand
After spending 60 days on a tumbeiro [slave ship]
combined with the punishments inflicted upon them
led them to become prone to catching the viruses
bacteria and parasites that flourished among the dense population of Rio
More than 4% of the slaves died almost immediately upon arrival
A place was needed to bury a large number of dead
And so the Pretos Novos (New Blacks) Cemetery came into being
“The high mortality rate would explain the rise of imported labor
as more deaths meant bringing in more slaves
there were more than one thousand burials a year in it,” states the historian Júlio César Pereira
author of À flor da terra [Near the ground surface](Garamond
The relocation of the court to Rio increased the arrival of captives via the port of Rio: if in 1807 fewer than 10 thousand had been brought in
by 1828 this figure had risen to 45 thousand
This year was also a record one for the cemetery
more than 2 thousand new blacks having been buried there
“With no coffin and not a scrap of clothing
they are thrown into a grave that isn’t even two feet deep
They take the deceased and chuck him into the hole like a dead dog
then they throw a bit of earth over and if any part of the body remains uncovered
blood and excrements,” described the traveler Carl Seidler in 1834
the site was aligned with the thinking and the rules that had led to the establishment of the complex: “Unsold slaves won’t leave Valongo even after they’re dead.”
Estimates indicate that the cemetery received more than 20 thousand bodies before it was closed down in 1830
who feared the “miasmas” coming from the cadavers “near the surface of the ground,” along with the interruption of slave traffic
The place fell into oblivion and was eventually covered over by the city
which expanded in the port areas in the late nineteenth century
It was only rediscovered in 1996 during the remodeling of a house
when workers drilling the holes for piles came upon thousands of teeth and human bone fragments
As in a “crime scene,” it became necessary to find out who the victims were
Determining the geographic origin of the five million slaves forced into coming to Brazil is crucial for several fields of knowledge
as it provides clues on the genetic and cultural background of Brazilians
“The slave trade caused one of the mankind’s greatest population movements
Between the sixteenth and the nineteenth centuries
more than 10.7 million arrived alive at the end of the crossing,” states the historian Manolo Florentino
author of Em costas negras [On black coasts] (Companhia das Letras
“The slave ships’ records are unreliable when it comes to the origin of the Africans
didn’t always reflect the geographical origin of the blacks
kilometers away from the coast,” he notes
Pretos Novos InstituteDental arcade recovered at the cemetery showing the ritual incisions made in teeth by AfricansPretos Novos Institute
In this task, geneticists provide the historians with major contributions, as shown in the article “Africa in the genes of the Brazilian People” (Pesquisa FAPESP
on the research of geneticist Sérgio Danilo Pena
from the Federal University of Minas Gerais (UFMG)
who compared the pattern of genetic alterations shared by Africans and Brazilians
Pena helped to review the historical version according to which most of the slaves came from the central-western part of Africa
This notion disregarded the relevant participation of the west African blacks
“That is why it is essential to resort to transdiciplinarity to understand slavery
Each focus is limited in dealing with the questions and no single field of knowledge is sufficient
The genetic studies are highly informative
but their starting point is the analysis of Brazilians who descend from slaves,” says Pena
Hence the importance of the Pretos Novos Cemetery
as it contains primarily the remains of African slaves that had just arrived in Brazil
enable us to state that 95% of the bodies were of “new blacks” (the other 5% were apparently of Ladino slaves)
This unique site gave rise to the recently completed bio-archeological study Por uma antropologia biológica do tráfico de escravos africanos para o Brasil: análise das origens dos remanescentes esqueletais do Cemitério dos Pretos Novos [For a biological anthropology of the traffic of African slaves into Brazil: an analysis of the origins of the skeletal remains of the Pretos Novos Cemetery]
coordinated by the bio-anthropologist Ricardo Ventura Santos
from the National School of Public Health of the Oswaldo Cruz Foundation (Ensp/Fiocruz)
the isotopic composition of the strontium in the tooth enamel of the samples collected in 1996 was analyzed
to determine the geographic origin of the remains
“The teeth are formed during childhood and are not renovated
allowing us to find out where people lived during their early years
Strontium is like a geochemical DNA and it exists in the form of two isotopes
The ratio between them are geochemical signatures tied to the characteristics of the rocks of a given region,” explains Sheila de Souza
The research revealed a great diversity of ratios
which indicates (and confirms) that the slaves brought to Rio came from several African regions
The researchers established this as a result of finding “deliberate modifications of the teeth,” cuts made in the dental arcade for cultural reasons and that are typical of certain African regions
“We also witnessed the polishing of teeth
typical of the dental hygiene of the African groups that used small sticks on their teeth and chewed plants as ‘toothpaste’
This practice is limited to the new blacks
The teeth of the Ladinos lack these marks,” says Sheila
The variability of the strontium ratios observed contrasts with what has been found in other slave cemeteries in the Americas
than what was measured in the Africans buried at the New York Burial Ground
the American slave cemetery found in Manhattan in 1991
“Contrary to North America and other areas of Brazil
Rio de Janeiro received a larger number of captives with a greater ethnical and genetic diversity,” states Santos
One can identify that the basic food of these individuals during their childhood contained no form of seafood
The arrival of the royal family increased the demand for slaves
culminating in the golden phase of slave traffic
which legitimated a de facto situation: the Crown no longer had a monopoly
which resulted in free access to the trade
few parts of the continent remained immune to the traffickers
Rio actually received blacks from many African regions
according to records,” notes Florentino
indicating action from the coast to the inner continent
in search of those who had migrated from the seaside.”
One can even demonstrate the undocumented path of illegality
Portugal and England signed a treatise whereby the purchase of slaves and slave traffic north of the Equator was prohibited
“The research studies of Pena and Santos show that
where they would get slaves that they would then record as Angolan,” says the historian
The analysis of the cemetery also revealed an ill-known aspect of the slave traffic: the youth of the captives
“The remains are of very young blacks,” says Santos
Some 780 thousand children were enslaved and sent to Brazil as of the mid-nineteenth century
because they were more “malleable” than adults were and they withstood the crossing better
sensing that slave traffic was coming to an end
who would work for longer after the traffic came to a halt,” explains Florentino
New excavations in the cemetery corroborated this practice
It was evidenced by the presence of the young people’s skulls and arcades
The prospections were resumed by the team of Tania Lima
fearing the real estate speculation around the site
in charge of drawing up a map of the cemetery
for the study O Cemitério dos Pretos Novos: delimitação especial [The Cemetery of the New Blacks: special boundaries]
The dimensions of the cemetery are unknown
According to descriptions dating back to when it was active
its size was similar to a present-day soccer pitch
The archeologist is suspicious of this measurement
since it seems too small for so many bodies
“You don’t have to dig more than 70 centimeters deep to find bodily remains,” he says
The place was a mass grave where bodies were thrown after days piled up in a corner
it would be reopened and the remains incinerated and destroyed
“We also find urban waste mixed in with the bones: food
The initial thesis was that the cemetery had become the neighborhood’s open dumping ground once the cemetery was closed
the excavations indicate that it was still operating when the trash was thrown in with the bodies.”
Genetics only add to the symbolic weight of such disregard
“The slaves entered Brazil via the Northeast or Rio
The very geographical closeness led slaves from West Africa to the Northeast and those from Central Africa to Rio
this is the ethnic group whose bodies presumably fill the cemetery
they could see how their dead were treated
undignified burial makes it impossible for the dead and their forbears to be reunited
One can imagine that they must have felt condemned to a ‘second death,’ being aware that their final resting place would be erased from memory,” observes Júlio César
did not enjoy very good chances either: only one third of the new blacks would live
The cause of these early deaths was the large range of diseases with which the slaves lived
as shown in the paleogenetic research of Alena Mayo
from the Fiocruz Laboratory of Molecular Genetics of Microorganisms
the bones revealed that 7 out of every 10 captives were infected with protozoa or helminths
“This was due to the slaves being very poorly fed
combined with the bad conditions of hygiene in which they lived,” says Alena
The genetic discovery proves several aspects of the classic study of the American historian Mary Karasch
A vida dos escravos no Rio de Janeiro [Slave Life in Rio de Janeiro] (Companhia das Letras
such as the statement that “the conditions under which the slaves lived and the diseases killed more than the physical violence of captivity.”
The researcher studied the Pretos Novos cemetery
“The inhuman conditions in which they were transported caused those slaves who were susceptible to contract the disease
upon arriving.” This also leads one back to the documental research conducted by the American: “The mortality of the newly arrived Africans at Valongo was not related only to the terrible conditions of the slave ships
they faced a greater challenge at the quay: adapting to the new and terrible conditions of life
so as not to succumb promptly to Rio diseases.”
One particular excavation resulted in important findings
“Bones in the church of Nossa Senhora do Carmo in Rio
found in seventeenth century tombs of people of European origin
tested positive for tuberculosis in 7 out of 10 ribs analyzed,” states Alena
the researchers also found bones of native Indians and blacks
the researcher concluded that not only was tuberculoses rampant in the city in the seventeenth century
but that the colonizers were the party responsible for introducing the disease in Rio
given that only the Europeans tested positive for tuberculosis
“In studies I conducted on pre-Columbian material
I found intestinal helminthiasis and Chagas’ disease
We concluded that these were not brought by the Europeans
one can see the role of Europeans in the introduction and dissemination of epidemic diseases such as tuberculosis.” Therefore
the fear of the “diseases of the negroes,” which led to the creation
There is no perfect crime when different fields of knowledge come together
Scientific article JAEGER, L. H. et al. Mycobacterium tuberculosis complex detection in human remains: tuberculosis spread since the 17th century in Rio de Janeiro, Brazil
© Revista Pesquisa FAPESP - All rights reserved
where the largest number of slaves imported to the Americas disembarked
a place of suffering long buried under the paving stones of this dazzling city
More than 600,000 slaves passed through in the early 19th century
much as the "cemetery of new blacks": new because they had just arrived
precious stones and personal items has been unearthed
Work on the wharf has also revealed the scale of the slave trade in Brazil
Of the 9.5 million people captured in Africa and brought to the New World between the 16th and 19th century
10 times more than all those sent to the United States
But for the last century Brazil has tried to forget its past
refusing to accept the legacy of the slave trade
It has sought to project the image of a country of mixed descent
where the colour of a person's skin does not count
a land unfettered by racism where cordial relations reign between citizens of Indian
a term coined by the sociologist and writer Gilberto Freyre
Black movements tend to refer to "institutionalised racism"
which condemns discrimination and the persistence of a slave-based mindset
According to census results published in 2011 by the Brazilian Institute of Geography and Statistics (IBGE)
brancos (whites) account for less than half the population for the first time since the 19th century
Approximately 51% see themselves as preto (black
The statistics also show that Brazilians of colour are at a significant disadvantage compared with their white counterparts
Racial inequality is manifest in many respects
Two-thirds of the poor are pretos or pardos
coloured people earn half as much as whites
A black woman only earns a quarter of the salary paid to a white male
coloured people only account for 3.5% of executives
he recalls two occasions when white men handed him their car keys as he entered a fashionable restaurant in Rio
"things are slowly changing and awareness is growing."
In a sensational decision this April the 10 supreme court judges unanimously ruled in favour of positive discrimination in higher education
declaring that the racial quotas in Brazilian universities were constitutional and redressed the "social debt of slavery"
Dozens of expert witnesses were heard and the ruling was televised live
In August the senate passed a bill requiring federal universities to reserve half their places for students from state schools
Rousseff has signed the whole text into law; universities have till 2015 to comply
In practice the law mixes social and racial criteria
It sets aside a quarter of all places in federal universities for students from families with an income less than or equal to one and a half times the minimum wage ($460)
The other quarter will be allocated to students according to their self-declared skin colour
According to the daily O Globo the law will more than double the number of affirmative-action places in Rio's four federal universities
They currently set aside 5,400 places for social quotas
but under the new arrangements their number will rise to 12,350
Opponents of the quota system have condemned the "racialisation" of Brazil
rooted in an increasingly ethnic approach to social affairs
Above all the ensuing debate seems to have put an end to the myth of racial democracy
A major change is apparently underway in what the sociologist Alberto Guerreiro Ramos called "the most racist country in the world"
during the military dictatorship in the 1980s
a view endorsed by most of the experts Le Monde talked to
"The quotas are the only alternative to the mechanisms of concealment and social exclusion set up since the end of slavery," says Spiritos Santos
the author of a lively blog on racial issues
"This new phase is a revolution for Brazil," says David Raimundo dos Santos, a Franciscan friar who heads Educafro
an NGO that campaigns to gain access to education for coloured people
"Brazil is waking up and can now claim to have found a method for integration," he adds
Since independence in 1822, the Brazilian elite has sought to deny the nation's African roots. "In an effort to glorify the past, while making no concessions to the Portuguese, the elite started by promoting the Indians, the original masters of the land and no threat to the slave-makers," says the historian Richard Marin. Blacks were sidelined. Even the abolitionist writer Ruy Barbosa de Oliveirato
authorised much of the government records of slavery to be destroyed in 1890
When slavery was finally abolished the former captives were left to fend for themselves
who established 4,000 schools for former slaves
the enfranchised blacks were condemned to misery," according to historian Alain Rouquié
"The long-awaited abolition ultimately entrenched inequality."
Prior to the financial crisis of 1929 the boom in coffee production attracted 4 million immigrants from Europe with little concern for the country's colonial past
On the grounds that this young and prosperous nation could not flourish with a largely black population
European immigration was encouraged in order to "whiten" Brazil
He made no distinction between the three main ethnic groups – Africans
This concept, which contrasted with the north American segregationist model, proved very popular in Brazil, boosting the legitimacy of the authoritarian Estado Novo regime, in power during the second world war. Half-white, half-black Nossa Senhora da Conceiçao Aparecida became the country's patron saint
But there was a big gap between the supposed racial democracy and the actual condition of many Afro-Brazilians
Concealed by the absence of legal segregation and the warmth of social intercourse
this "cordial racism" was denied
The debate on quotas started in the 1990s under President Fernando Henrique Cardoso
He set up working groups to discuss public action to promote the black community and made it compulsory for official documents to indicate skin colour
In 2002 Bahia State University introduced racial quotas
gradually followed by about 60 other establishments
the explicit goal of racial quotas was to compensate for the racial discrimination endured by blacks
After 10 years of debate and experiment the ruling by the supreme court endorses this approach
The streets of the Valongo neighbourhood have just been paved over and re-opened to traffic
This evening the first episode of a telenovela (soap)
Lado a Lado (side by side) will be broadcast
It is the story of a black community after the abolition of slavery
"It is an exciting and as yet little known period," said the lead actor
This article appeared in Guardian Weekly